Quotes about teacher
page 4

Karl Popper photo
Jerry Coyne photo

“Can a geology teacher blithely tell his students that the earth is flat, or a European history professor that the Holocaust didn’t happen? That’s not academic freedom, but dereliction of duty.”

Jerry Coyne (1949) American biologist

" More creationism sneaks into public schools http://whyevolutionistrue.wordpress.com/2013/04/29/more-creationism-sneaks-into-public-schools/" April 29, 2013

Gore Vidal photo
Charles Taze Russell photo
Mario Vargas Llosa photo
Aubrey Beardsley photo

“Tradition is a persuasive teacher, even when what it teaches is erroneous.”

Sherwin B. Nuland (1930–2014) American surgeon

[Doctors: the biography of medicine, Random House, 1995, 4, https://books.google.com/books?id=22hNffrgFCkC&pg=PA4]
Doctors (1988)

Eugéne Ionesco photo
George Horne photo
Naum Gabo photo
Leo Tolstoy photo
Joseph E. Stiglitz photo

“My teachers helped guide and motivate me; but the responsibility of learning was left with me.”

Joseph E. Stiglitz (1943) American economist and professor, born 1943.

Autobiographical Essay (2001)

Lupe Fiasco photo
Monica Keena photo
Aurangzeb photo

“Verily, the guide and teacher of this path [of rebellion against, a reigning father] is Your Majesty; others are merely following your footsteps. How can the path which Your Majesty chose to follow can be called 'the path of ill-luck'?
My fathered bartered away the garden of Eden for two grains of wheat; I shall be an unworthy son if I do not sell it for a grain of barley!”

Aurangzeb (1618–1707) Sixth Mughal Emperor

Muhammad Akbar to Aurangzeb; see Studies in Aurangzib's reign: Being Studies in Mughal India, first series by Jadunath Sarkar, p. 68, Ayodhya Revisited https://books.google.com/books?id=gKKaDAAAQBAJ&pg=PA581 by Kunal Kishore, p. 581; Mughal Empire in India, 1526-1761: Volume 2 by Shripad Rama Sharma, p. 637
Quotes from late medieval histories

Albert Einstein photo
George Fitzhugh photo
Kóbó Abe photo
George Ade photo

“The music teacher came twice a week to bridge the awful gap between Dorothy and Chopin.”

George Ade (1866–1944) American writer, newspaper columnist and playwright

Fables

Jack McDevitt photo
Joyce Carol Oates photo
Jef Raskin photo
Michel Foucault photo
Rollo May photo

“Her point of view about student work was that of a social worker teaching finger-painting to children or the insane.
I was impressed with how common such an attitude was at Benton: the faculty—insofar as they were real Benton faculty, and not just nomadic barbarians—reasoned with the students, “appreciated their point of view”, used Socratic methods on them, made allowances for them, kept looking into the oven to see if they were done; but there was one allowance they never under any circumstances made—that the students might be right about something, and they wrong. Education, to them, was a psychiatric process: the sign under which they conquered had embroidered at the bottom, in small letters, Canst thou not minister to a mind diseased?—and half of them gave it its Babu paraphrase of Can you wait upon a lunatic? One expected them to refer to former students as psychonanalysts do: “Oh, she’s an old analysand of mine.” They felt that the mind was a delicate plant which, carefully nurtured, judiciously left alone, must inevitably adopt for itself even the slightest of their own beliefs.
One Benton student, a girl noted for her beadth of reading and absence of coöperation, described things in a queer, exaggerated, plausible way. According to her, a professor at an ordinary school tells you “what’s so”, you admit that it is on examination, and what you really believe or come to believe has “that obscurity which is the privilege of young things”. But at Benton, where education was as democratic as in “that book about America by that French writer—de, de—you know the one I mean”; she meant de Tocqueville; there at Benton they wanted you really to believe everything they did, especially if they hadn’t told you what it was. You gave them the facts, the opinions of authorities, what you hoped was their own opinion; but they replied, “That’s not the point. What do you yourself really believe?” If it wasn’t what your professors believed, you and they could go on searching for your real belief forever—unless you stumbled at last upon that primal scene which is, by definition, at the root of anything….
When she said primal scene there was so much youth and knowledge in her face, so much of our first joy in created things, that I could not think of Benton for thinking of life. I suppose she was right: it is as hard to satisfy our elders’ demands of Independence as of Dependence. Harder: how much more complicated and indefinite a rationalization the first usually is!—and in both cases, it is their demands that must be satisfied, not our own. The faculty of Benton had for their students great expectations, and the students shook, sometimes gave, beneath the weight of them. If the intellectual demands were not so great as they might have been, the emotional demands made up for it. Many a girl, about to deliver to one of her teachers a final report on a year’s not-quite-completed project, had wanted to cry out like a child, “Whip me, whip me, Mother, just don’t be Reasonable!””

Source: Pictures from an Institution (1954) [novel], Chapter 3, pp. 81–83

William Hazlitt photo

“Prosperity is a great teacher; adversity is a greater. Possession pampers the mind; privation trains and strengthens it.”

William Hazlitt (1778–1830) English writer

"On the Conversations of Lords," New Monthly Magazine (April 1826)
Men and Manners: Sketches and Essays (1852)

Lewis M. Branscomb photo
Fidel Castro photo

“At Punta del Este a great ideological battle unfolded between the Cuban Revolution and Yankee imperialism. Who did they represent there, for whom did each speak? Cuba represented the people; the United States represented the monopolies. Cuba spoke for America's exploited masses; the United States for the exploiting, oligarchical, and imperialist interests; Cuba for sovereignty; the United States for intervention; Cuba for the nationalization of foreign enterprises; the United States for new investments of foreign capital. Cuba for culture; the United States for ignorance. Cuba for agrarian reform; the United States for great landed estates. Cuba for the industrialization of America; the United States for underdevelopment. Cuba for creative work; the United States for sabotage and counterrevolutionary terror practiced by its agentsthe destruction of sugarcane fields and factories, the bombing by their pirate planes of the labor of a peaceful people. Cuba for the murdered teachers; the United States for the assassins. Cuba for bread; the United States for hunger. Cuba for equality; the United States for privilege and discrimination. Cuba for the truth; the United States for lies. Cuba for liberation; the United States for oppression. Cuba for the bright future of humanity; the United States for the past without hope. Cuba for the heroes who fell at Giron to save the country from foreign domination; the United States for mercenaries and traitors who serve the foreigner against their country. Cuba for peace among peoples; the United States for aggression and war. Cuba for socialism; the United States for capitalism.”

Fidel Castro (1926–2016) former First Secretary of the Communist Party and President of Cuba

The Second Declaration of Havana (1962)

Zakir Hussain (politician) photo
Leo Tolstoy photo
Alexander Maclaren photo
George Bernard Shaw photo
Shashi Tharoor photo
Marshall McLuhan photo

“The metropolis today is a classroom; the ads are its teachers. The traditional classroom is an obsolete detention home, a feudal dungeon.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1960s, Counterblast (1969), p. 12

Hans Freudenthal photo
W.E.B. Du Bois photo
Albert Einstein photo

“I wanted to be a novelist and a newspaper man… I went to Antioch College and majored in English, at least in the beginning, with the intention of doing something like that…. Antioch had a co-op program so I went to work for the New York Post as a copyboy when I decided I didn't want to be a newspaper man; it was fun, but it wasn't practical. After a while I shifted into philosophy as a major, but I never had any undergraduate training at all in anthropology and, indeed, very little social science outside of economics. I had a lot of economics but nothing else. Anthropology wasn't even taught at Antioch then, although it is now. And except for a political science course or two and lots of economics, I didn't have any social sciences. So I was in literature for at least half the time I was there, the first couple of years, and then I shifted to philosophy, partly because of the influence of a terrific teacher and partly because in a small college you can run out of courses. 'Men I got interested in the same sort of thing I'm interested in now: values, ideas, and so on. Finally, one of my professors said, "Why don't you think about anthropology?"”

Clifford Geertz (1926–2006) American anthropologist

That was the first time I had thought seriously about being an anthropologist, and then I began to think about it and I went to Harvard and so on.
"Clifford Geertz on Ethnography and Social Construction", 1991

Giorgio Vasari photo
Owain Owain photo

“And teachers will be promoted from being the deliverers of facts to being being guides - guiding their peoples through rich and valued experiences offered by the computer.”

Owain Owain (1929–1993) Welsh novelist, short story writer and poet

'Y Cymro' (Welsh weekly newspaper), 23/07/1969

Alice A. Bailey photo
George Sarton photo

“Some forty years of experience in my field as a scholar and as a teacher have given me great confidence mixed with greater humility.”

George Sarton (1884–1956) American historian of science

Preface.
A History of Science Vol.2 Hellenistic Science and Culture in the Last Three Centuries B.C. (1959)

Leo Tolstoy photo
Paul Signac photo

“Frankly, this is my position: I have been painting for two years, and my only models have been your [ Monet's ] own works; I have been following the wonderful path you broke for us. I have always worked regularly and conscientiously, but without advice or help, for I do not know any impressionist painter who would be able to guide me, living as I am in an environment more or less hostile to what I am doing. And so I fear I may lose my way, and I beg you to let me see you, if only for a short visit. I should be happy to show you five or six studies; perhaps you would tell me what you think of them and give me the advice I need so badly, for the fact is that I have the most horrible doubts, having always worked by myself, without teacher, encouragement, or criticism.”

Paul Signac (1863–1935) French painter

In a letter to Claude Monet, 1880; quoted by Geffroy: Claude Monet, vol. I, p. 175; as quoted by John Rewald, in Georges Seurat', a monograph https://ia800607.us.archive.org/23/items/georges00rewa/georges00rewa.pdf; Wittenborn and Compagny, New York, 1943. p. 15
In 1880 an exhibition of the works of Claude Monet had - as Signac was to say later - 'decided his career,' - and after his first efforts as an impressionist Signac had ventured to appeal to Monet, writing him this sentence in his letter

Warren E. Burger photo
Bel Kaufmanová photo
Aron Ra photo
Mitt Romney photo

“[Obama] wants another stimulus, he wants to hire more government workers. He says we need more fireman, more policeman, more teachers. Did he not get the message of Wisconsin? The American people did. It's time for us to cut back on government and help the American people.”

Mitt Romney (1947) American businessman and politician

Sargent
Greg
w:Greg Sargent
Mitt Romney: We don’t need more cops, firefighters or teachers
The Washington Post
2012
June 8, 2012
http://www.washingtonpost.com/blogs/plum-line/post/mitt-romney-we-dont-need-more-cops-firefighters-or-teachers/2012/06/08/gJQAvOgDOV_blog.html
2012-06-09
2012

Clive Staples Lewis photo

“A teacher (of poetry) has to know and feel what poetry is, and be able - and this is crucial- to read it aloud effectively.”

John Hollander (1929–2013) American poet

'A Conversation with John Hollander' (by email) by Paul Devlin vol 1 St. John's University Humanities Review April 2003

Robert E. Howard photo
Amy Tan photo
Oscar Hammerstein II photo

“If you become a teacher, by your pupils you'll be taught.”

Oscar Hammerstein II (1895–1960) American librettist, theatrical producer, and (usually uncredited) theatre director of musicals

"Getting to Know You", The King and I (1956).

Hassan Nasrallah photo
Jiddu Krishnamurti photo
Hermann Hesse photo
Alice A. Bailey photo
George Long photo
Alice A. Bailey photo
Gore Vidal photo
Craig Ferguson photo
Robert Rauschenberg photo
Charles Mingus photo
Quentin Crisp photo
Bhakti Tirtha Swami photo
Charlotte Salomon photo

“The tri-coloured play with music begins' (in Deutsch: Das Drei Farben Singespiel beginnt..)
the cast is as follows
Dr. and MRS. Knarre, a married couple
Franziska and Charlotte, their daughters
Dr. Kahn, a physician
Charlotte Kahn, his daughter
Paulinka Bimbam, a singer
Dr. Singsong, a versatile person
Professor Klingklang, a famous conductor
An Art teacher
Professor and Students at an art academy
and Chorus..
.. The action takes places during the years 1913 to 1940 in Germany, later in Nice, France”

Charlotte Salomon (1917–1943) German painter

Charlotte's 3rd introduction page, related to image JHM no. 4155-3 https://charlotte.jck.nl/detail/M004155-c/part/character/theme/keyword: 'The tri-coloured play with music begins..', p. 43
the quote is written in brush, over the whole page of the painting, with a rough painted gate above
Charlotte Salomon - Life? or Theater?

Dejan Stojanovic photo
Bell Hooks photo
John F. Kennedy photo
Woodrow Wilson photo

“I have long enjoyed the friendship and companionship of Republicans, because I am by instinct a teacher and I would like to teach them something.”

Woodrow Wilson (1856–1924) American politician, 28th president of the United States (in office from 1913 to 1921)

Speech to the World's Salesmanship Congress (10 July 1916)
1910s

Nisargadatta Maharaj photo
Victor Villaseñor photo
Chuck Lorre photo

“Yes, well I noticed that in your last issues' interviews with those Eastern teachers ["From light to Light," Jan. 1995], emptiness was mentioned a lot. I find that a wrong word. Because in God realisation and being one with God the Most High, the unspeakable one, there's no sense whatsoever of ever having done anything yourself. It is all done for you. It's by grace. And so it's not being empty, it's being emptied. There's a different emphasis or a different connotation to that.”

Barry Long (1926–2003) Australian spiritual teacher and writer

Response to the question "You write, "Enlightenment is to be emptied (not empty) of feelings and thus at one with the purest sensation of divine being." What's the distinction here between being "emptied" and being "empty" of feelings?"
Love is not a feeling ~ The Interview (1995)

Joseph E. Stiglitz photo

“Secondly, the student is trained to accept historical mis-statements on the authority of the book. If education is a pre- paration for adult life, he learns first to accept without question, and later to make his own contribution to the creation of historical fallacies, and still later to perpetuate what he has learnt. In this way, ignorant authors are leading innocent students to hysterical conclusions. The process of the writers' mind provides excellent material for a manual on logical fallacies. Thirdly, the student is told nothing about the relationship between evidence and truth. The truth is what the book ordains and the teacher repeats. No source is cited. No proof is offered. No argument is presented. The authors play a dangerous game of winks and nods and faints and gestures with evidence. The art is taught well through precept and example. The student grows into a young man eager to deal in assumptions but inapt in handling inquiries. Those who become historians produce narratives patterned on the textbooks on which they were brought up. Fourthly, the student is compelled to face a galling situation in his later years when he comes to realize that what he had learnt at school and college was not the truth. Imagine a graduate of one of our best colleges at the start of his studies in history in a university in Europe. Every lecture he attends and every book he reads drive him mad with exasperation, anger and frustration. He makes several grim discoveries. Most of the "facts", interpretations and theories on which he had been fostered in Pakistan now turn out to have been a fata morgana, an extravaganza of fantasies and reveries, myths and visions, whims and utopias, chimeras and fantasies.”

Khursheed Kamal Aziz (1927–2009) historian

The Murder of History, critique of history textbooks used in Pakistan, 1993

Henry Adams photo
Prem Rawat photo
Thomas Eakins photo
Victor Villaseñor photo
Camille Paglia photo
Milton Friedman photo
Jose Peralta photo
Mario Cuomo photo
Stephen King photo
Paul Klee photo

“We [at the Bauhaus, in Dessau - where Klee was art teacher with Kandinsky ] construct and construct, and yet intuition still has its uses. Without it we can do a lot, but not everything... When intuition is joined to exact research it speeds the progress of exact research..”

Paul Klee (1879–1940) German Swiss painter

1921 - 1930
Source: 'Bauhaus prospectus 1929'; as quoted in Artists on Art, from the 14th – 20th centuries, ed. by Robert Goldwater and Marco Treves; Pantheon Books, 1972, London, p. 444

Thomas Carlyle photo

“At bottom, as was said above, we are to consider Luther as a Prophet Idol-breaker; a bringer-back of men to reality. It is the function of great men and teachers.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1840s, Heroes and Hero-Worship (1840), The Hero as Priest