Quotes about style (1035 quotes, page 4)

“[I] launched a new offensive against the fortress of painting. First, white thinned out in linseed oil as a general base. Second, color the entire surface lightly by applying very large areas of different colors that swim into one other and that must remain free of any effect of chiaroscuro. Third, a drawing, independent of and substituting for the unformulated tonal values. Then, at the end, some bass notes to ward off flabbiness, not too dark, but colored bass notes. This is the style that connects drawing and the realm of color, a saving transfer of my fundamental graphic talent into the domain of painting”

Paul Klee (1879–1940) German Swiss painter

Quote (1911), Diary # 875; as cited by Francesco Mazzaferro, in 'The Diaries of Paul Klee Part Four', : Klee as an Expressionist and Constructivist Painter http://letteraturaartistica.blogspot.nl/2015/05/paul-klee-ev27.htmlparagraph
1911 - 1914

Color , Drawing , Painting

“Winning is an important thing, but to have your own style, to have people copy you, to admire you, that is the greatest gift.”

Johan Cruyff (1947–2016) Dutch association football player

reported in Jonathan Wilson (Eurosport, 24 March 2016), Johan Cruyff's legacy? The whole of modern football http://www.eurosport.co.uk/football/johan-cruyff-s-legacy-the-whole-of-modern-football_sto5368491/story.shtml.

People

“As a non-Arsenal player I would say Ryan Giggs is my Premier League player of the decade because he has combined style with winning. Also I feel sorry he could never attend the World Cup, somewhere where people get a lot of compliments when they do well.”

Arsène Wenger (1949) French footballer and manager

On Ryan Giggs, (2009) http://www.insideworldsoccer.com/2009/12/ryan-giggs-player-of-decade.html

People , World , Feeling

“"Make them read that it is no longer the fashion to wear birds upon hats. That will afford relief to your poor milliner and at the same time set free thousands of our darling birds who have been so cruelly used."
Popopo thanked the wise king and followed his advice.
The office of every newspaper and magazine in the city was visited by the knook, and then he went to other cities, until there was not a publication in the land that had not a "new fashion note" in its pages. Sometimes Popopo enchanted the types, so that whoever read the print would see only what the knook wished them to. Sometimes he called upon the busy editors and befuddled their brains until they wrote exactly what he wanted them to. Mortals seldom know how greatly they are influenced by fairies, knooks and ryls, who often put thoughts into their heads that only the wise little immortals could have conceived.
The following morning when the poor milliner looked over her newspaper she was overjoyed to read that "no woman could now wear a bird upon her hat and be in style, for the newest fashion required only ribbons and laces."”

L. Frank Baum (1856–1919) Children's writer, editor, journalist, screenwriter

"The Enchanted Types", in American Fairy Tales (1901)
Short stories

Fashion , Business , Bird , Time

“Personally, my relationship with P. W. Botha was often strained. I did not like his overbearing leadership style and was opposed to the intrusion of the State Security Council system into virtually every facet of government. After I became leader of the National Party in February 1989, I did my best to ensure that P. W. Botha would be able to end his term as president with full dignity and decorum. Unfortunately, this was not to be.”

F. W. de Klerk (1936) South African politician

Statement on the death of P. W. Botha http://www.fwdklerk.org.za/download_docs/06_11_01_PW_Botha_C.pdf (1 November 2006)
2000s, 2006

Personality

“In Sartre's style of argument, German metaphysics met French sophistry in a kind of European Coal and Steel Community producing nothing but rhetorical gas.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

'Jean-Paul Sartre', p. 671
Essays and reviews, Cultural Amnesia: Notes in the Margin of My Time (2007)

Communication

“Peace before everything, God before anything / Love before anything, real before everything / Home before anyplace, truth before anything / Style and stay radiate, love power slay the hate”

Mos Def (1973) American rapper and actor

From "Priority"
Album The Ecstatic

Love , God , Hate , Truth

“Pesotsky had an immense house with columns and lions, off which the stucco was peeling, and with a footman in swallow-tails at the entrance. The old park, laid out in the English style, gloomy and severe, stretched for almost three-quarters of a mile to the river, and there ended in a steep, precipitous clay bank, where pines grew with bare roots that looked like shaggy paws; the water shone below with an unfriendly gleam, and the peewits flew up with a plaintive cry, and there one always felt that one must sit down and write a ballad.”

Anton Chekhov book The Black Monk

The Black Monk (1894)

Water , Housing , Cry

“Why don't you sit right down and stay awhile?
We like the same things and I like your style
Its not a secret; why do you keep it?
I'm just sitting on the shelf”

Zooey Deschanel (1980) American actress, musician, and singer-songwriter

Why Do You Let Me Stay Here?
She & Him : Volume One (2008)

Secret

“Editing should be, especially in the case of old writers, a counseling rather than a collaborating task. The tendency of the writer-editor to collaborate is natural, but he should say to himself, "How can I help this writer to say it better in his own style?" and avoid "How can I show him how I would write it, if it were my piece?"”

James Thurber (1894–1961) American cartoonist, author, journalist, playwright

Memo to The New Yorker (1959); reprinted in New York Times Book Review (4 December 1988)
Letters and interviews

Nature , Help

“We have not had any disagreements about clothes, smoking or L'Wren, and this is all very hurtful for her… It is completely untrue to say that L'Wren has caused a rift between myself and the rest of the band. This is all nonsense, everyone has their own style.”

Mick Jagger (1943) British rock musician, member of The Rolling Stones

Statement released in response to media reports of a rift in the band attributed to Jagger's new girlfriend at the time. " Jagger: No 'Yoko' girlfriend rift https://web.archive.org/web/20081212024811/http://www.cnn.com/2005/SHOWBIZ/Music/10/05/jagger.girlfriend/index.html", CNN (October 5, 2005).

Hurt , Clothes

“Propriety is that perfection of style which comes when a work is authoritatively constructed on approved principles. It arises from prescription, from usage, or from nature.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter II, Sec. 5

Nature , Perfection

“It's hard to quantify a 'top ten' list of songs for many reasons. I like many styles of music, and it's difficult to compare radically divergent types of music with each other.”

Andrew Sega (1975) musician from America

Static Line interview, 1998

Music

“Morphy's principal strength does not rest upon his power of combination but in his position play and his general style…. Beginning with la Bourdonnais to the present, and including Lasker, we find that the greatest stylist has been Morphy. Whence the reason, although it might not be the only one, why he is generally considered the greatest of all.”

Paul Morphy (1837–1884) American chess player

José Raúl Capablanca, in Pablo Morphy by V. F. Coria and L. Palau.
About

“Of quite a few casualties of the standards of academic integrity at the hands of self-styled 'secular' academics, those in the field of medieval Indian historiography happen to be the worst.”

Harsh Narain (1921–1995) Indian writer

The Ayodhya temple-mosque dispute: Focus on Muslim sources (1993)

“Evidently there are plenty of people in journalism who have neither got what they liked nor quite grown to like what they get. They write pieces they do not much enjoy writing, for papers they totally despise, and the sad process ends by ruining their style and disintegrating their personality, two developments which in a writer cannot be separated, since his personality and style must progress or deteriorate together, like a married couple in a country where death is the only permissible divorce.”

Claud Cockburn (1904–1981) Irish journalist

Pages 224-5
A Discord of Trumpets (1956)

Death , People , Sadness , Personality

“It is said that my art has some typically Nordic features: the curving lines, the convolutions, the magical masks and staring eyes that appear in myths and folk art. This may be. My interest in the dynamics of Jugend style probably also comes into it.”

Asger Jorn (1914–1973) Danish artist

Quote of Jorn, from: Tecken för liv, tecken till liv [Signs of life, the characters to life], interview by Marita Lindgren-Fridell, in Konstrevy (1963)
1959 - 1973, Various sources

Art , Appearance

“When terms… evolve and change definition with time; and when the social reality which terms are intended to organize and render intelligible is also seen to be in flux, capturing the truth in a net of words becomes a matter of intuition and style more than of any scientific method that can be replicated by others and made to achieve the same result every time someone asks the same question, or undertakes the same operations.”

William H. McNeill (1917–2016) Canadian historian

Discrepancies among the Social Sciences (1981)

Truth , Intelligence , Question , Reality

“The' holist/serialist' distinction (Daniel, 1975; Pask and Scott, 1971, 1972) is an example of different learning strategies, rather than the more generally exhibited learning style. The holist or serialist strategies are exhibited in a, strict conversation,' and are thus insufficiently refined to account for learning in general. Holism and serialism appear to be extreme manifestations of more fundamental processes, which are induced by systematic enforcement of the requirement for understanding which is as strong as, or stronger than, the requirement for' deep-level' processing.”

Gordon Pask (1928–1996) British psychologist

Source: Styles and Strategies of Learning (1976), p. 133.

Understanding , Strong , Learning , Appearance

“There is not a canvas of that time that does not foreshadow the overthrow of the foundations on which the human race thought itself firmly established, where it felt itself secure. At the moment when the Ballets Russes were at their height, when the Neo-Impressionists and Fauves had dispensed with the drawing style of the Renaissance because it could not contain the purity of the colour - these humbly painted, angular, grey, ascetic pictures were, really, an unwelcome sight. It was not any upheaval of a geological nature that they prefigured, but a cataclysm in the human order. No tremor of the earth was registered, but a tremor of the spirit that disturbed the intellect of civilised man, too long the slave of his immobilised senses. At last he was beginning to suspect that something dangerous was approaching.”

Albert Gleizes (1881–1953) French painter

after 1920, The Epic, From immobile form to mobile form (1925)

Nature , Sense , Time , Drawing

“No doubt my poetry errs on the side of oddness. I hope in time to have a more balanced and Miltonic style. But as air, melody, is what strikes me most of all in music, and design in painting, so design, pattern, or what I am in the habit of calling inscape is what I above all aim at in poetry. Now it is the virtue of design, pattern, or inscape to be distinctive, and it is the vice of distinctiveness to become queer. This vice I cannot have escaped.”

Gerard Manley Hopkins (1844–1889) English poet

Letter to Robert Bridges (15 February 1879)
Letters, etc

Hope , Music , Time , Painting

“It seemed to me that had Haydn lived to our day he would have retained his own style while accepting something of the new at the same time. That was the kind of symphony I wanted to write: a symphony in the classical style. And when I saw that my idea was beginning to work, I called it the Classical Symphony.”

Sergei Prokofiev (1891–1953) Ukrainian & Russian Soviet pianist and composer

Page 46; from the Autobiography.
Sergei Prokofiev: Autobiography, Articles, Reminiscences (1960)

Idea , Time

“There are various ways of flattering, and, of course, you must adapt your style to your subject. Some people like it laid on with a trowel, and this requires very little art. With sensible persons, however, it needs to be done very delicately, and more by suggestion than actual words. A good many like it wrapped up in the form of an insult, as—"Oh, you are a perfect fool, you are. You would give your last sixpence to the first hungry-looking beggar you met;" while others will swallow it only when administered through the medium of a third person, so that if C wishes to get at an A of this sort, he must confide to A's particular friend B that he thinks A a splendid fellow, and beg him, B, not to mention it, especially to A. Be careful that B is a reliable man, though, otherwise he won't.”

Jerome K. Jerome book Idle Thoughts of an Idle Fellow

Idle Thoughts of an Idle Fellow (1886)

People , Fools , Art , Way

“When Croft's "Life of Dr. Young" was spoken of as a good imitation of Dr. Johnson's style, "No, no," said he, "it is not a good imitation of Johnson; it has all his pomp without his force; it has all the nodosities of the oak, without its strength; it has all the contortions of the sibyl, without the inspiration."”

Edmund Burke (1729–1797) Anglo-Irish statesman

Comment quoted by Matthew Prior in his Life of Burke
Undated

Life

“Never offend people with style when you can offend them with substance.”

Sam Brown (1943) American diplomat

The Washington Post (26 January 1977)

People

“Now that all the distractions of the material life had been removed, Macrina persuaded her mother to give up her ordinary life and all showy style of living and the services of domestics to which she had been accustomed before, and bring her point of view down to that of the masses, and to share the life of the maids, treating all her slave girls as if they were sisters and belonged to the same rank as herself.”

Gregory of Nyssa (335–395) bishop of Nyssa

Life of Macrina

Life , Girl , Sister

“To shoot a grouse exacts something from the thinking man. It requires principle, which like good manners is not old-fashioned and never has been. It is something in your heart and in your head. The perceptive gunner is immersed in the style and charm of his dog’s work and in the shot, but with it all, he is one with what happens to the bird. His shooting is not vindictive, a getting-even because the grouse is so hard to hit. To regret a miss is normal animal response to temporary failure, not to be confused with sentient “the bastard got away.” Emotions are drawn to such thin threads they reach the breaking point, but when finely-honed tensions balance, shooting becomes a spiritual thing between you and the grouse.”

George Bird Evans (1906–1998) American writer

An Affair with Grouse (1982)

Dogs , Fashion , Failure , Bird

“Some painters [of the New York School], including myself, do not care what chair they are sitting on. It does not even have to be a comfortable one. They are too nervous to find out where they ought to sit. They do not want to 'sit in style'. Rather, they have found that painting - any kind of painting, any style of painting - to be painting at all, in fact - is a way of living today, a style of living, so to speak. That is where they form of it lies. It is exactly in its uselessness that it is free. Those artists do not want to conform. They only want to be inspired.”

Willem de Kooning (1904–1997) Dutch painter

Source: De Kooning's speech 'What Abstract Art means to me' on the symposium 'What is Abstract At' - at the Museum of Modern Art, New York, 5 February, 1951, n.p.

School , Way , Painting

“The harsh realities of war impose
More searching tests of valour, be it said,
Than grace and style; and fortune too is needed,
Without which valour seldom has succeeded.”

Ludovico Ariosto book Orlando Furioso

Bisognan di valor segni più chiari,
Che por con leggiadria la lancia in resta:
Ma fortuna anco più bisogna assai;
Che senza, val virtù raro o non mai.
Canto XVI, stanza 46 (tr. B. Reynolds)
Orlando Furioso (1532)

War , Search , Reality

“Elvis was always over the top. It's funny that in those days people who wanted to look like Elvis would wear leather jackets and jeans, because that's what he wore in his movies. In real life, Elvis never wore denim. He thought they were work clothes. When he had to wear them, when he was driving a truck, he would do but he always loved the way black entertainers dressed. He styled himself on them, because he wanted to be flamboyant. That's why he had that gold lamé suit! He designed his jumpsuits himself. He always said, "If you're going to be a star, you should look like one."”

Tom Jones (1940) Welsh singer

On Elvis Presley.
Tom Jones on Sinatra's advice, Chuck Berry's lyrics and the style of Elvis Presley

Love , Life , People , Way

“The eighteenth century is full of contradictions. It is not only that its philosophical attitude wavers between rationalism and anti-rationalism, but its artistic aims are also dominated by two 122 opposite tendencies and at some times approach a strictly classicistic, at others a more unrestrained pictorial conception. And like the rationalism of the period, its classicism is also difficult to define and open to various sociological interpretations, since it is sustained alternately by courtly-aristocratic and middle-class strata of society and ends by developing into the representative artistic style of the revolutionary bourgeoisie.”

Arnold Hauser (1892–1978) Hungarian art historian

Source: The Social History of Art, Volume III. Rococo, Classicism and Romanticism, 1999, Chapter 5. Revolution and Art

Time

“Since all preceding schools of painting have proved that the spirit of beauty does not lie in nature but in the 'I', now that painting in all its various expressions from Giotto to Cézanne has demonstrated that all beauty is in the 'I', that the 'I' is all emotion and that beyond the 'I' nothing can exist because all being exists only in relationship with the 'I', now the time has come to develop from this 'I' a new style. As soon as this 'I' becomes the general, universal 'I' instead of the individualistic or the rationalistic one, the new style will be a general style.”

Theo van Doesburg (1883–1931) Dutch architect, painter, draughtsman and writer

from his article: 'The new style in painting', in the Dutch journal 'De Avondpost', 2 May 1916
this quote of Van Doesburg is announcing more or less De Stijl movement as a general modern art style
1912 – 1919

Lie , School , Beauty , Nature

“The way for a person to develop a [writing] style is (a) to know exactly what he wants to say, and (b) to be sure he is saying exactly that. The reader, we must remember, does not start by knowing what we mean. If our words are ambiguous, our meaning will escape him. I sometimes think that writing is like driving sheep down a road. If there is any gate open to the left or the right the readers will most certainly go into it.”

Clive Staples Lewis (1898–1963) Christian apologist, novelist, and Medievalist

As quoted in part 2 of Sherwood Eliot Wirt in "The Final Interview of C. S. Lewis" (1963) http://www1.cbn.com/narnia/the-final-interview-of-c.-s.-lewis

Way , Thinking , Personality

“Pobedonostev: Aha! You are very well recommended Golivinski. You are just what we need here! Russia’s bureaucracy and its state apparatus have been infiltrated by Jews. Believe me. I’ve been studying the Jewish threat.
As guardians of Christina Russia we must deal with them… but it will not be easy…they’re more intelligent and smarter than the average Russian. So how?? How??
Golivinski: Jews are clever but it can be done by means of their own methods… by philisophical writings, news items…and such!
Pobedonostev: Precisely!
Golivinski: For example, we could influence the readers of our Russian newspapers by planting anti-jew articles in their columns…written in the paper’s style,’’’ of course!
and we could even publish a fake newspaper that will print news about Jewish activity!
Pobedonostev: Brilliant, my boy…come, I will assign you at once to my press chief, Mikhail Soloviev!
Soloviev, I have a young assistant for you, his name Mathieu Golovinski!
Soloviev: I can use help!
I hope he’s clever. Thank you, Pobedonostev…
Now, Golovinski, to begin with…I hate jews. They are a sly race whop will creep in and destroy the purity of our Russian culture!
So, I want you to write me a piece on this subject…and make sure it makes a clear case!
Golivinski: Excuse me sir!
Soloviev:Back so soon? What is it Golovinski?
Golovinski: Here is the article you asked for
Soloviev: In only one hour? Let em read it.
Where did you get these official statistics?
Golivinski: Oh, I made them up! No one would dare to challenge them.
Soloviev: Good work! From here on you will write for our regular campaign against the new modernization!
Golvinski: Why that?
Soloviev: All liberal, capitalistic, socialistic movements are directed by jews. We must expose them.
They are the anti-christ!
Golivinski: But sir, shouldn’t we keep this political?
Soloviev: In Russia religion and politics are the same!
Our people will believe anything negative about the Jews! Go ahead boy!”

Will Eisner (1917–2005) American cartoonist

Source: The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005), pp. 42-48

Hate , People , Religion , Hope

“Composing a score is like getting in one of those mini-submarines that take you to the bottom of the ocean. You crawl into this little bubble, seal yourself away from the outside world and dive deep into uncharted territory. Sometimes the places you explore are dark, sometimes they’re light. If you have the right tools and knowledge you can explore wherever you like and have a great experience. It’s a crude analogy to genre hopping, but it’s accurate. I was lucky as a kid to be exposed to so much different material. I watched cartoons and read all kinds of comics as much as I buried my head in scary stuff. It makes going from talking animals one day to shape-shifters the next pretty easy. Truth is, most composers are pinballs. They can bounce around from style to style and adapt really well.”

Michael Wandmacher (1967) composer

Michael Wandmacher (‘The Last Exorcism II’) On Composing Horror http://bloody-disgusting.com/news/3233495/interview-michael-wandmacher-the-last-exorcism-ii-on-composing-horror/ (May 17, 2013)

Truth , World , Knowledge , Light

“It is a truism, of course, that in “democratic” states the populace must be encouraged to imagine that it makes important decisions by voting, and must therefore be controlled by suitable propaganda, which implants ideas to which the voters respond as automatically as trained animals respond to words of command in a circus, thus leaving to the masses only a factitious choice between Tweedledum and Tweedledee on the basis of their preference for a certain kind of oratory, a hair-style, or a particular facial expression.”

Revilo P. Oliver (1908–1994) American philologist

"Revised Historiography", Liberty Bell magazine (April 1980)
1970s, 1980s

Imagination , Idea , Decision , Animals

“The people itself ( and I do not mean the 'masses') has always given art its essential style. The artist merely clarifies and fullfils the will of the people. But when the people does not know what it wants, or worst of all, wants nothing.... then its artists, driven to seeking their own forms, remain isolated, and become martyrs... Folk art – that is, the feeling of people for artistic form – can arise again only when the whole jumble of worn-out art concepts of the nineteenth century has been wiped from the memory of generations.”

Franz Marc (1880–1916) German painter

Max Beckmann's opinion on this issue you find in: 'Quotes About Franz Marc', below
Source: 1915 - 1916, 100 Aphorisms', Franz Marc (1915), p. 445-446

People , Art , Feeling , Memory

“Using complex, constructive, noise-producing abstraction, that is, the Futurist Style. Any action developed in space, any emotion felt, will represent for us the intuition of a discovery.”

Giacomo Balla (1871–1958) Italian artist

The Futurist Reconstruction of the Universe (1915)

“It has also been said that your Education has been a failure no matter how much it has done for you, if it has failed to open your heart. Dr. Zakir Hussain, when Vice-Chancellor of the Aligarh University, said, that the aim of Education was that students should become responsible citizens and not merely bundles of styles and sophistication like articles in a furniture shop – the product now being churned out lacks even that saving grace….. The old system may have produced 'snobs' what is being spewed out now are 'slobs'. The young student in Indian Schools is being smothered under a dead weight of books and notes dealing with a host of subjects imaginable and unimaginable. Busy cramming from morning till night and repeating parrot-like that he does not understand, he is fast becoming a literate moron. Initiative, leadership and education in the real sense of the term are encouraged only in a few public Schools.”

Peter de Noronha (1897–1970) Indian businessman

The Pageant of Life (1964), On Teachers & Education

Books , Education , School , Imagination

“The act of segmenting the organization into departments would influence the behavior of organizational members in several ways. The members of each unit would become specialists in dealing with the particular tasks. Both because of their prior education and experience and because of the nature of their task, they would develop specialized working styles and mental processes.”

Paul R. Lawrence (1922–2011) American business theorist

Source: Organization and environment: Managing differentiation and integration, 1967, p. 9

Education , Way , Behavior , Nature

“Homer is rapid in his movement, Homer is plain in his words and style, Homer is simple in his ideas, Homer is noble in his manner. Cowper renders him ill because he is slow in his movement, and elaborate in his style; Pope renders him ill because he is artificial both in his style and in his words; Chapman renders him ill because he is fantastic in his ideas; Mr. Newman renders him ill because he is odd in his words and ignoble in his manner.”

Matthew Arnold On Translating Homer

On Translating Homer, p. 336
Essays in Criticism (1865)

Idea

“The secret of love is in opening up your heart.
It's okay to feel afraid,
But don't let that stand in your way, no.
'Cause anyone knows that love is the only road.
And since we're only here for a while yeah
Might as well show some style.”

James Taylor (1948) American singer-songwriter and guitarist

"Secret O' Life"
Song lyrics, JT (1977)

Love , Secret , Way , Feeling

“Our National life is full of diversities. We have here a variety of languages, of faiths, of communities, of modes of living, and schools and styles of literature and art. This diversity reflects the abundance of our national life, and need to be preserved and promoted.”

Atal Bihari Vajpayee (1924–2018) 10th Prime Minister of India

Bharatiya Pratinidhi Sabha Session, Indore – September, 7-8, 1968
Quotes from ataljee.org

Life , School , Faith , Art

“I did not come to know part II of 'Faust' until long after I made my illustrations, and even then only very superficially. It struck me as an ill-digested work, of little interest from the literary standpoint, but among those most calculated to inspire a painter owing to the mixture of characters and styles it contains... You asked what gave me the first idea of the Faust lithographs. I remember that about 1821 I saw the designs made by Retch [ Retzsch] and found them rather striking; but it was above all the performance of a dramatic opera on Faust that I saw in London in 1825 which stirred me to do something on the subject. The actor.... was a perfect Mephistopheles; he was fat, but that in no way diminished his nimbleness and his Satanic character.”

Eugène Delacroix (1798–1863) French painter

Quote in Delacroix' letter to Philippe Burty, 1 March 1862; as quoted in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, p. 76
Delacroix describes the source of his series Faust lithographs
1831 - 1863

Way , Idea , Parting , Perfection

“America's first great surrealist artists were named Walt Disney, Max Fleischer, and Tex Avery. Their artistic medium was cartoon animation, though we must remember that cartoons of this era were seen not only by children but by a mixed audience, consisting mainly of adults. These men took — quite literally — the principles of surrealism and turned them into mass entertainment. As Fleischer's scantily clad Betty Boop ran through a phantasmagoric underground landscape to the driving beat of Cab Calloway's "Minnie the Moocher," moviegoers of the Thirties saw surrealist dream-logic unfold more powerfully than in any experimental poem created in Greenwich Village. To this day the greatest moment of North American surrealism is probably Dumbo's drunken nightmare choreographed to the demonic oom-pah-pah of "Pink Elephants on Parade" from Walt Disney's 1941 movie. When the surrealist style was so quickly assimilated into mass-media comedy, what avant-garde poet could consider it sufficiently chic?”

Dana Gioia (1950) American writer

"James Tate and American Surrealism," BBC Radio 3, published in Denver Quarterly (Fall 1998)
Essays

Men , Children , Dreams , Animals

“No one knows what it feels like to be constantly insulted [by art-critics in Paris]. It sickens and destroys you... The fools! They've never stopped telling me I'm inconsistent [in his painting style]; they couldn't have said anything more flattering.”

Edouard Manet (1832–1883) French painter

quote of Manet, recorded by his friend Antonin Proust in his last years, Manet by Himself, p. 304, as quoted in The private lives of the Impressionists, Sue Roe; Harpen Collins Publishers, New York 2006, p. 241
1876 - 1883

Fools , Art , Feeling , Painting

“The poems I am writing at the moment will be much closer to your present way of thinking. I am trying to renew poetic style, but within a classical framework. On the other hand, I don't want to lapse into imitating others. Letter to Picasso 1918”

Guillaume Apollinaire (1880–1918) French poet

Way , Thinking

“Think of the 40 years of confrontation. What is it we gained?…The old style has exposed itself: it is fruitless.”

Sergei Akhromeyev (1923–1991) Soviet marshal

Quoted in "Mr. Darman's Sermon", July 29, 1989, editorial, New York Times.

Thinking

“So I took her back to my place and we did it doggy style, not because we planned it that way, but that's just how she passed out.”

Dave Attell (1965) comedian

"Skanks for the Memories"

Way

“It's New Mexico-style. But, it's not -- I don't want to call it "traditional". We can do traditional songs, but you got to be "modern" in what you do.”

Al Hurricane (1936–2017) American singer-songwriter

"Local Legends" on the CBS Early Show (December 26, 2011)

“The artist who parades his drawing, the writer who calls attention to his style, is like the farmer who devotes his energies to polishing farm implements and never uses them.”

Auguste Rodin (1840–1917) French sculptor

RODIN, AUGUSTE. L'Art. Entretiens réunis par Paul Gsell, 1911

Drawing

“As a Special-Forces commander, Sharon was on the front—and in front of his men — performing daring assaults that saved Israel in both the 1967 and 1973 wars. Hated though he was abroad, Sharon was, nevertheless, a soldier in the style of 'Stonewall' Jackson, not Dubya the Deserter, to whom he and the Likudniks were often compared.”

Ilana Mercer South African writer

"A Soldier in the Style of 'Stonewall' Jackson" http://www.wnd.com/2014/01/a-soldier-in-the-style-of-stonewall-jackson/, WorldNetDaily.com, January 16, 2014.
2010s, 2014

Men , Hate , War

“Of course, there is drawing in art as there is style in literature. Style that is mannered, that strains after effect, is bad. No style is good except that which effaces itself in order to concentrate all the attention of the reader upon the subject treated, upon the emotion rendered.”

Auguste Rodin (1840–1917) French sculptor

Source: Art, 1912, Ch. V. Drawing and Color, p. 96

Art , Literature , Drawing

“This book, admirable in so many respects, power in its break and style, is even more intimidating for me in that, having formely had the good fortune to study under Michel Foucault, I retain the consciousness of an admiring and grateful disciple. Now, the disciple's consciousness, when he starts, I would not say to dispute, but to engage in dialogue with the master or, better, to articulate the interminable and silent dialogue which made him into a disciple-this disciple's consciousness is an unhappy consciousness.”

Jacques Derrida book Writing and Difference

Cogito and The History of Madness (Routledge classics edition)
Writing and Difference (1978)

Books , Study

“The official style is at once humble, polite, curt and disagreeable: it derives partly from that used in Byzantine times by the eunuch slave-secretariat, writing stiffly in the name of His Sacred Majesty, whose confidence they enjoyed, to their fellow-slaves outside the palace precincts — for the Emperor had summary power over everyone; and partly from the style used by the cleric-bureaucracy of the Middle Ages, writing stiffly in the name of the feudal lords to their serfs and, though cautious of offending their employers, protected from injury by being servants of the Church, not of the Crown, and so subject to canon, not feudal, law. The official style of civil servants, so far as it recalls its Byzantine derivation, is written by slaves to fellow-slaves of a fictitious tyrant; and, so far as it recalls its mediaeval derivation, is written by members of a quasi-ecclesiastical body, on behalf of quasi-feudal ministers (who, being politicians, come under a different code of behaviour from theirs) to a serflike public.”

Robert Graves (1895–1985) English poet and novelist

Source: The Reader Over Your Shoulder (1943), Ch. 4: "The Use and Abuse of Official English".

Age , Law , Confidence , Time

“The Trump candidacy puts Democrats in an extremely awkward position. They are the party of elegance and fabulosity, but also claim to be the party of the “blacks and browns”—who see absolutely nothing wrong with Trump’s taste. Jay Z and Beyoncé may not like Trump’s positions, but, boy, they like his style. They’re asking themselves, How can a person of such taste be a Republican? He’s P. Diddy in the Hamptons, disturbing the neighbors with his parties.”

Ann Coulter (1961) author, political commentator

2016, In Trump We Trust: E Pluribus Awesome! (2016)

Boy , Personality

“There were other Batman writers throughout the years but they could never capture the style and flavor of Bill's scripts. Bill was the best writer in the business and it seemed that he was destined to write Batman.”

Bob Kane (1915–1998) American comic book artist, the creator of Batman

[Bob Kane and Tom Andrae, Batman & Me, Eclipse Books, Forestville, CA, 1989, 1-56060-017-9, 44]

Business

“The buffoonery of Haydn, Beethoven, and Mozart is only an exaggeration of an essential quality of the classical style. This style was, in its origins, basically a comic one.”

Charles Rosen book The Classical Style

Part II. The Classical Style. 1. The Coherence of the Musical Language
Classical Style: Haydn, Mozart, Beethoven (Expanded edition, 1997)

“Chicago 1968 taught one how close any civilized country is to berserkness at all times; also how terrorism, even silly terrorism, strengthens the cops more than anyone. Yet already this European-style history lesson has been watered down by consensus into something crazy we did in the sixties, just as we "did" McCarthyism in the fifties. As if a nation changes its nature completely every ten years; as if social forces were as evanescent as hula hoops or skateboards, instead of as remorseless as glaciers.”

Wilfrid Sheed (1930–2011) English-American novelist and essayist

"Chicago on My Mind" (1973), p. 266
The Good Word & Other Words (1978)

History , Nature , Water , Change

“So I’ll walk the plank and I’ll jump with a smile.
If I’m gonna go down, I’m gonna do it with style,
and you won't see me surrender, you won't hear me confess,
'Cuz you've left me with nothing, but i've worked with less.”

Ani DiFranco (1970) musician and activist

Dilate
Song lyrics

Smile

“So the game plan is not merely to free the income of the wealthiest class to “offshore” itself into assets denominated in harder currencies abroad. It is to scrap the progressive tax system altogether. … How stable can a global situation be where the richest nation does not tax its population, but creates new public debt to hand out to its bankers? … The “solution” to the coming financial crisis in the United States may await the dollar’s plunge as an opportunity for a financial Tonkin Gulf resolution. Such a crisis would help catalyze the tax system’s radical change to a European-style “Steve Forbes” flat tax and VAT sales-excise tax…. More government giveaways will be made to the financial sector in a vain effort to keep bad debts afloat and banks “solvent.” As in Ireland and Latvia, public debt will replace private debt, leaving little remaining for Social Security or indeed for much social spending. … The bottom line is that after the prolonged tax giveaway exacerbates the federal budget deficit – along with the balance-of-payments deficit – we can expect the next Republican or Democratic administration to step in and “save” the country from economic emergency by scaling back Social Security while turning its funding over, Pinochet-style, to Wall Street money managers to loot as they did in Chile. And one can forget rebuilding America’s infrastructure. It is being sold off by debt-strapped cities and states to cover their budget shortfalls resulting from un-taxing real estate and from foreclosures. Welcome to debt peonage. This is worse than what was meant by a double-dip recession. It will be with us much longer.”

Michael Hudson (economist) (1939) American economist

Obama's Bushism http://michael-hudson.com/2010/12/obamas-bushism/ (December 8, 2010)
Michael-Hudson.com, 1998-

Money , Game , Effort , Change

“He liked the style, that wry gallows humor armed with the semblance of omniscience; a most serviceable style it was, the dialect of the initiated, protecting them from their disillusionments, their fears, their well-concealed childish hopes.”

Imre Kertész (1929–2016) Hungarian writer

Liquidation (2003)

Fear , Hope

“Modern culture is defined by this extraordinary freedom to ransack the world storehouse and to engorge any and every style it comes upon.”

Daniel Bell book The Cultural Contradictions of Capitalism

Introduction, The Disjunction of Realms, p. 13
The Cultural Contradictions of Capitalism (1976)

World , Freedom

“He who feels that in his inmost being he cannot be compared with others, will be his own lawgiver. For one thing is needful: to give style to one’s character. This art is practised by him who, with an eye for the strong and weak sides of his nature, removes from it one quality and another, and then by daily practice and acquired habit replaces them by others which become second nature to him; in other words, he puts himself under restraint in order by degrees to bend his nature entirely to his own law. Only thus does a man arrive at satisfaction with himself, and only thus does he become endurable to others. For the dissatisfied and the unsuccessful as a rule avenge themselves on others. They absorb poison from everything, from their own incompetence as well as from their poor circumstances, and they live in a constant craving for revenge on those in whose nature they suspect harmony. Such people ever have virtuous precepts on their lips; the whole jingle of morality, seriousness, chastity, the claims of life; and their hearts ever burn with envy of those who have become well [harmonious] and can therefore enjoy life.”

Georg Brandes (1842–1927) Danish literature critic and scholar

Source: An Essay on Aristocratic Radicalism (1889), p. 26

Life , People , Law , Art

“The conflict that exists today is no more than an old-style struggle for power, once again presented to mankind in semireligious trappings. The difference is that, this time, the development of atomic power has imbued the struggle with a ghostly character; for both parties know and admit that, should the quarrel deteriorate into actual war, mankind is doomed.”

Albert Einstein (1879–1955) German-born physicist and founder of the theory of relativity

(Apr 1955) unfinished address he was writing prior to death.
1950s

War , Time

“The old style of interpretation was insistent, but respectful; it erected another meaning on top of the literal one. The modern style of interpretation excavates, and as it excavates, destroys; it digs ‘behind’ the text, to find a sub-text which is the true one.”

Susan Sontag (1933–2004) American writer and filmmaker, professor, and activist

Source: Against Interpretation and Other Essays (1966), p. 6

“The link between Communism and traditional Christianity is so close that when Communists lose their faith, they usually and naturally flop over into Roman Catholicism. Whittaker Chambers was only the best known of the Marxists who, when disillusioned, reverted to an earlier form of his ruling superstition. Would-be atheists who do not become converted to the Marxist cult often retain in their minds the Christian residue that makes them susceptible to drivel about "all mankind," "One World," and the "humanitarian" sentimentality of do-gooders and similar pests--all of which find no confirmation in the facts of nature and the real world. There are even self-styled atheists who evidently think that the god in whom they do not believe stopped the biological evolution of anthropoids a hundred thousand years ago to make all talking species equal in some mysterious way that transcends the obvious and great difference between extant races in intelligence, character, and instincts, perhaps because the non-existing god equipped the several species with exactly equal souls.”

Revilo P. Oliver (1908–1994) American philologist

"The Bear in the Bush", Liberty Bell (September 1990)
1990s

God , World , Faith , Way

“The standard of judgment is no longer results but the flickering image of seriousness, skillfully crafted to squeeze into 30 seconds on the nightly news. In this world, emotion has become suspect - the accepted style is smooth, antiseptic and passionless.”

Joe Biden (1942) 47th Vice President of the United States (in office from 2009 to 2017)

On the national debate, Speech http://www.nytimes.com/1987/06/10/us/biden-joins-campaign-for-the-presidency.html announcing entry into 1988 presidential race, Wilmington, Delaware (June 10, 1987)
1980s

World

“A ‘good’ style is one which can communicate through signs a certain inner state symptomatic of a certain taste (such a communication presupposing a listener or reader with the same taste).”

Sarah Kofman (1934–1994) philosopher from France

Source: Nietzsche et la métaphore (1972), p. 2

Communication

“It is not easy to write a familiar style. Many people mistake a familiar for a vulgar style, and suppose that to write without affectation is to write at random. On the contrary, there is nothing that requires more precision, and, if I may so say, purity of expression, than the style I am speaking of. It utterly rejects not only all unmeaning pomp, but all low, cant phrases, and loose, unconnected, slipshod allusions. It is not to take the first word that offers, but the best word in common use; it is not to throw words together in any combinations we please, but to follow and avail ourselves of the true idiom of the language. To write a genuine familiar or truly English style, is to write as anyone would speak in common conversation who had a thorough command and choice of words, or who could discourse with ease, force, and perspicuity, setting aside all pedantic and oratorical flourishes… It is easy to affect a pompous style, to use a word twice as big as the thing you want to express: it is not so easy to pitch upon the very word that exactly fits it, out of eight or ten words equally common, equally intelligible, with nearly equal pretensions, it is a matter of some nicety and discrimination to pick out the very one the preferableness of which is scarcely perceptible, but decisive.”

William Hazlitt (1778–1830) English writer

"On Familiar Style" (1821)
Table Talk: Essays On Men And Manners http://www.blupete.com/Literature/Essays/TableHazIV.htm (1821-1822)

People , Intelligence , Decision

“To approach Chopin, you have to separate him completely from Schumann. Schumann admired Chopin very much and saw him as friend, but - what only few people know - Chopin himself had much less interest in and esteem for Schumann. In detail: Schumann’s works follow on from a transitional period determined by the successors of Viennese Classicism, particularly Beethoven. Just as the sons of Bach espoused the ‘galant,’ ornamented style of their generation, so the pupils of Mozart and Beethoven - Hummel, Ries, Czerny, Moscheles - took pains to compensate for a thinner musical substance with increased instrumental brilliance and thus prepared the ground for the golden age of the piano and the era of the Romantic virtuoso. Among the multitude of composers writing for the piano at that time, only two - Weber and Schubert - stand out as original creative forces.”

Burkard Schliessmann classical pianist

Talkings about Chopin and Schumann

Pain , People , Age , Music

“Madonna is the only modern celebrity who is truly a style icon. Who else has the audacity to dress like her these days? She really influenced how I wanted to look when I was growing up, and made me realize that I didn’t have to look like a blond beach bunny or a Playboy model.”

Dita Von Teese (1972) American burlesque dancer, model and actress

Praising Madonna for inspiring her to be an individual http://www.contactmusic.com/news/von-teese-madonna-inspired-me-to-be-individual_1037902 (18 July 2007).

“The disconcerting fact may first be pointed out that if you write badly about good writing, however profound may be your convictions or emphatic your expression of them, your style has a tiresome trick (as a wit once pointed out) of whispering: ‘Don’t listen!’ in your readers’ ears. And it is possible also to suggest that the promulgation of new-fangled aesthetic dogmas in unwieldy sentences may be accounted for—not perhaps unspitefully—by a certain deficiency in aesthetic sensibility; as being due to a lack of that delicate, unreasoned, prompt delight in all the varied and subtle manifestations in which beauty may enchant us.
Or, if the controversy is to be carried further; and if, to place it on a more modern basis, we adopt the materialistic method of interpreting aesthetic phenomena now in fashion, may we not find reason to believe that the antagonism between journalist critics and the fine writers they disapprove of is due in its ultimate analysis to what we may designate as economic causes? Are not the authors who earn their livings by their pens, and those who, by what some regard as a social injustice, have been more or less freed from this necessity—are not these two classes of authors in a sort of natural opposition to each other? He who writes at his leisure, with the desire to master his difficult art, can hardly help envying the profits of money-making authors.”

Logan Pearsall Smith (1865–1946) British American-born writer

criticizing the Cambridge School of criticism, e.g. John Middleton Murry and Herbert Read, “Fine Writing,” pp. 306-307
Reperusals and Recollections (1936)

Money , Beauty , Art , Fashion

“The ancient Greek philosopher, Democritus, propounded an hypothesis of the constitution of matter, and gave the name of atoms to the ultimate unalterable parts of which he imagined all bodies to be constructed. In the 17th century, Gassendi revived this hypothesis, and attempted to develope it, while Newton used it with marked success in his reasonings on physical phenomena; but the first who formed a body of doctrine which would embrace all known facts in the constitution of matter, was Roger Joseph Boscovich, of Italy, who published at Vienna, in 1759, a most important and ingenious work, styled Theoria Philosophiæ Naturalis ad unicam legem virium, in Natura existentium redacta. This is one of the most profound contributions ever made to science; filled with curious and important information, and is well worthy of the attentive perusal of the modern student. In more recent days, the theory of Boscovich has received further confirmation and extension in the researches of Dalton, Joule, Thomson, Faraday, Tyndall, and others.”

Alfred M. Mayer (1836–1897) American physicist

Alfred Marshall Mayer, Lecture-notes on Physics (1868) Part 1 https://books.google.com/books?id=hqsLAAAAYAAJ

Imagination , Science , Success , Parting

“I'm glad to say I haven't found my style yet. I'd be bored to death.”

Edgar Degas (1834–1917) French artist

"Technical Details" (p. 70)
posthumous quotes, Degas: An Intimate Portrait' (1927)

Death

“The battle raged with great fury: victory was long doubtful, till two Indian princes, Brahman Dew and Dabishleem, with other reinforcements, joined their countrymen during the action, and inspired them with fresh courage. Mahmood at this moment perceiving his troops to waver, leaped from his horse, and, prostrating himself before God implored his assistance' At the same time he cheered his troops with such energy, that, ashamed to abandon their king, with whom they had so often fought and bled, they, with one accord, gave a loud shout and rushed forwards. In this charge the Moslems broke through the enemy's line, and laid 5,000 Hindus dead at their feet' On approaching the temple, he saw a superb edifice built of hewn stone. Its lofty roof was supported by fifty-six pillars curiously carved and set with precious stones. In the centre of the hall was Somnat, a stone idol five yards in height, two of which were sunk in the ground. The King, approaching the image, raised his mace and struck off its nose. He ordered two pieces of the idol to be broken off and sent to Ghizny, that one might be thrown at the threshold of the public mosque, and the other at the court door of his own palace. These identical fragments are to this day (now 600 years ago) to be seen at Ghizny. Two more fragments were reserved to be sent to Mecca and Medina. It is a well authenticated fact, that when Mahmood was thus employed in destroying this idol, a crowd of Brahmins petitioned his attendants and offered a quantity of gold if the King would desist from further mutilation. His officers endeavoured to persuade him to accept of the money; for they said that breaking one idol would not do away with idolatry altogether; that, therefore, it could serve no purpose to destroy the image entirely; but that such a sum of money given in charity among true believers would be a meritorious act. The King acknowledged that there might be reason in what they said, but replied, that if he should consent to such a measure, his name would be handed down to posterity as 'Mahmood the idol-seller', whereas he was desirous of being known as 'Mahmood the destroyer': he therefore directed the troops to proceed in their work'…'The Caliph of Bagdad, being informed of the expedition of the King of Ghizny, wrote him a congratulatory letter, in which he styled him 'The Guardian of the State, and of the Faith'; to his son, the Prince Ameer Musaood, he gave the title of 'The Lustre of Empire, and the Ornament of Religion'; and to his second son, the Ameer Yoosoof, the appellation of 'The Strength of the Arm of Fortune, and Establisher of Empires.”

Mahmud of Ghazni (971–1030) Sultan of Ghazni

He at the same time assured Mahmood, that to whomsoever he should bequeath the throne at his death, he himself would confirm and support the same.'
Tarikh-i-Firishta, translated into English by John Briggs under the title History of the Rise of the Mahomedan Power in India, 4 Volumes, New Delhi Reprint, 1981. p. 38-49 (Alternative translation: "but the champion of Islam replied with disdain that he did not want his name to go down to posterity as Mahmud the idol-seller (but farosh) instead of Mahmud the breaker-of-idols (but shikan)." in Lal, K. S. (1992). The legacy of Muslim rule in India. New Delhi: Aditya Prakashan. Chapter 3)
Sack of Somnath (1025 CE)

Death , Money , God , Faith

“A command is distinguished from other significations of desire, not by the style in which the desire is signified, but by the power or purpose of the party to inflict an evil or pain in case the desire is disregarded.”

John Austin (legal philosopher) (1790–1859) legal philosopher

Source: The Province of Jurisprudence Determined (1832), p. 6

Pain , Evil

“Herz, Thalberg, Heller, Felicien David and others were great virtuosos of their time, more famous than Chopin himself. They had their own personal styles, but the essence of their music was time-bound, nothing that could occupy generations after them. Chopin, in contrast, was someone special, someone who was completely different from all other artists, composers, and pianists. So too with his style. As a result, the aesthetic in approaching Chopin is distinctive: interpreting his music is the most difficult of all. For me personally, it’s the crowning of playing piano. Bach, Mozart, Chopin: these are the three who definitely created musical art in an all-embracing and overwhelming way.”

Burkard Schliessmann classical pianist

Talkings about Chopin and Schumann

Art , Music , Way , Time

“The word "essay" means to try out, test, probe. In the essay style, successive clauses and sentences are not produced by an overarching logic, but by association; the impression that prose gives is that it can go anywhere in a manner wholly unpredictable.”

Stanley Fish (1938) American academic

Source: How To Write A Sentence And How To Read One (2011), Chapter 6, The Additive Style, p. 62

Success

“The "European Union" happens to be composed of people who hate our guts. It is the continent where Moveon. org-style lunatics are the friendly, pro-American types and the rest are crazy Muslims.”

Ann Coulter (1961) author, political commentator

No Wonder They're Afraid of Brit Hume" (3 May 2007).
2007

Hate , People

“The prescriptions and proscriptions held by members of a role set are designated as role expectations. … The role expectations held for a certain person by some member of his or her role set will reflect that member's conception of the person's office and his or her abilities. The content of these expectations may include preferences with respect to specific acts and personal characteristics or styles; they may deal with what the person should do, what kind of person he should be, what he should think, or believe, and how he should relate to others.”

Robert L. Kahn (1918–2019) American psychologist

Source: Organizational stress: Studies in role conflict and ambiguity, 1964, p. 14

Thinking , Personality

“When taken as a way of modeling cognitive architecture, connectionism really does represent an approach that is quite different from that of the classical cognitive science that it seeks to replace. Classical models of the mind were derived from the structure of Turing and Von Neumann machines. They are not, of course, committed to the details of these machines as exemplified in Turing's original formulation or in typical commercial computers—only to the basic idea that the kind of computing that is relevant to understanding cognition involves operations on symbols.. In contrast, connectionists propose to design systems that can exhibit intelligent behavior without storing, retrieving, or otherwise operating on structured symbolic expressions. The style of processing carried out in such models is thus strikingly unlike what goes on when conventional machines are computing some function.”

Zenon Pylyshyn (1937) Canadian philosopher

Jerry A. Fodor, and Zenon W. Pylyshyn. "Connectionism and cognitive architecture: A critical analysis." Cognition 28.1-2 (1988): 3-71.

Way , Behavior , Intelligence , Idea

“The artist who parades his drawing, the writer who wishes to attract praise to his style, resemble the soldier who plumes himself on his unif onn but refuses to go into battle, or the farmer who polishes the ploughshare instead of driving it into the earth.”

Auguste Rodin (1840–1917) French sculptor

Source: Art, 1912, Ch. V. Drawing and Color, p. 96

Drawing

“That war in the early 1990s changed a lot for me. I never thought I would see, in Europe, a full-dress reprise of internment camps, the mass murder of civilians, the reinstitution of torture and rape as acts of policy. And I didn't expect so many of my comrades to be indifferent – or even take the side of the fascists. It was a time when many people on the left were saying 'Don't intervene, we'll only make things worse' or, 'Don't intervene, it might destabilise the region. And I thought – destabilisation of fascist regimes is a good thing. Why should the left care about the stability of undemocratic regimes? Wasn't it a good thing to destabilise the regime of General Franco? It was a time when the left was mostly taking the conservative, status quo position – leave the Balkans alone, leave Milosevic alone, do nothing. And that kind of conservatism can easily mutate into actual support for the aggressors. Weimar-style conservatism can easily mutate into National Socialism. So you had people like Noam Chomsky's co-author Ed Herman go from saying 'Do nothing in the Balkans', to actually supporting Milosevic, the most reactionary force in the region. That's when I began to first find myself on the same side as the neocons. I was signing petitions in favour of action in Bosnia, and I would look down the list of names and I kept finding, there's Richard Perle. There's Paul Wolfowitz. That seemed interesting to me. These people were saying that we had to act. Before, I had avoided them like the plague, especially because of what they said about General Sharon and about Nicaragua. But nobody could say they were interested in oil in the Balkans, or in strategic needs, and the people who tried to say that – like Chomsky – looked ridiculous. So now I was interested.”

Christopher Hitchens (1949–2011) British American author and journalist

"In enemy territory? An interview with Christopher Hitchens." http://www.johannhari.com/2004/09/23/in-enemy-territory-an-interview-with-christopher-hitchens, Interview with Johann Hari (2004-09-23): On the Bosnian War
2000s, 2004

War , People , Support , Change

“Maybe my style is a bit more like an American style. I suppose I am more enthusiastic.”

Ian Darke (1950) British association football and boxing commentator

2010s, 2014, Voice of the Americans (2014)

“I love to experiment with all styles, and do not have any particular prejudice or bias towards any specific style. These works appear, and they turn out, the way they should. I do not decide in what style I want to paint. I am only experimenting. Even Picasso, when he arrived at Cubism, had already experimented with a lot of other styles.”

Guity Novin (1944) artist

Source: Ayandegan (1973), p. 4

Love , Way , Appearance , Painting

“His speech is hesitant because he is used to crossing out his words. It is true that after several redrafts, his style may be crystal clear. But when he takes the floor, he no longer has any means at his disposal to correct his stumbling speech.”

Patrick Modiano (1945) French writer

From Nobel Lecture (2014)

“I want the program to be very open and develop in style as time goes on. But I am also interested in the positive aspects of Asian family life and other Asian qualities, although overall, my style is very informal.”

Vernon Corea (1927–2002) The legendary broadcaster – a pioneer with Radio Ceylon/Sri Lanka Broadcasting Corporation and the BBC.

Vernon Corea The Golden Voice of Radio Ceylon http://ivan_corea.tripod.com : Vernon Corea on 'London Sounds Eastern'.

Life , Family , Time

“The world of their [the bourgeois’] predecessors was a backward, pre-technological world, a world with the good conscience of inequality and toil, in which labor was still a fated misfortune; but a world in which man and nature were not yet organized as things and instrumentalities. With its code of forms and manners. with the style and vocabulary of its literature and philosophy. this past culture expressed the rhythm and content of a universe in which valleys and forests, villages and inns, nobles and villains, salons and courts were a part of the experienced reality. In the verse and prose of this pre-technological culture is the rhythm of those who wander or ride in carriages. who have the time and the pleasure to think, contemplate, feel and narrate. It is an outdated and surpassed culture, and only dreams and childlike regressions can recapture it. But this culture is, in some of its decisive elements. also a post-technological one. Its most advanced images and positions seem to survive their absorption into administered comforts and stimuli; they continue to haunt the consciousness with the possibility of their rebirth in the consummation of technical progress. They are the expression of that free and conscious alienation from the established forms of life with which literature and the arts opposed these forms even where they adorned them. In contrast to the Marxian concept, which denotes man's relation to himself and to his work in capitalist society, the artistic alienation is the conscious transcendence of the alienated existence—a “higher level” or mediated alienation. The conflict with the world of progress, the negation of the order of business, the anti-bourgeois elements in bourgeois literature and art are neither due to the aesthetic lowliness of this order nor to romantic reaction—nostalgic consecration of a disappearing stage of civilization. “Romantic” is a term of condescending defamation which is easily applied to disparaging avant-garde positions, just as the term “decadent” far more often denounces the genuinely progressive traits of a dying culture than the real factors of decay. The traditional images of artistic alienation are indeed romantic in as much as they are in aesthetic incompatibility with the developing society. This incompatibility is the token of their truth. What they recall and preserve in memory pertains to the future: images of a gratification that would dissolve the society which suppresses it”

Herbert Marcuse book One-Dimensional Man

Source: One-Dimensional Man (1964), pp. 59-60

Life , Fate , Pleasure , Truth

“Literary style is the product of the toal phyisology.”

Remy de Gourmont (1858–1915) French writer

Le Problème du Style (1902)

“In all these products, whether iron bridges, locomotives, automobiles, telescopes, cottages, airport-hangars, funicular railways, skyscrapers, or children's toys, the will towards a new style expresses itself. The similarity of these examples to the new creations in art consists in the same striving for clear, pure form which expresses truth in the objects.”

Theo van Doesburg (1883–1931) Dutch architect, painter, draughtsman and writer

Quote from 'The will to Style', in Dutch art-magazine De Stijl February-March 1922; as quoted in 'Theo van Doesburg', Joost Baljeu, Studio Vista, London 1974, p. 123
1920 – 1926

Children , Truth , Art

“When I had my own company on Traffic and Coonskin, all metaphors were able to get to the screen clearly. In Cool World, with the producer and Paramount watching me carefully to make sure I was in good taste, I instinctively poured stuff into the picture that I wanted to talk about. But when you force stuff, it's not really very clear. But, I have a great love for Max Fleischer, especially some of his Black & White Betty Boops with their strange Cab Calloway and Louis Armstrong black folk tale jazz hipness that part of Cool World was a homage in style to those films and that style of cartooning. The Grim Reaper is right out of a Max Fleischer cartoon or old Terrytoons, which is why I hired and love Milton Knight the artist. He understands totally the Uncle Remus fable like qualities behind Fleischer and Terrytoons. Milton Knight is probably the purest artist of that style in the business. He has a hard time because studios think he is old fashioned…but that's the point.”

Ralph Bakshi (1938) Animator, filmmaker

[c. 17 September 2004, http://www.wild-things.com/bray/documents/ralphb.doc, Questions for Ralph Bakshi, DOC, Ralph Bakshi Forum, 2007-11-27]

Love , World , Fashion , Understanding

“In the 1930s, when I started, Martha Graham was the only dancer doing anything modern, but she did it all to classical music. I couldn't see myself doing Swan Lake every night, and I wanted to develop a truly American style. The only dancer in the movies at that time with any success was Fred Astaire, but he did very small, elegant steps in a top hat, white tie, and tails.”

Gene Kelly (1912–1996) American dancer, actor, singer, director, producer and choreographer

Quoted in "Gene Kelly's Musical Memories"

Music , Time , Success , Night

“Where questions of style and exposition are concerned I try to follow a simple maxim: if you can’t say it clearly you don’t understand it yourself.”

John Rogers Searle (1932) American philosopher

Source: Intentionality: An Essay in the Philosophy of Mind (1983), P. x.

Understanding , Question

“America`s relatively brief experiment with a generous welfare state was doomed by our African-American population. America tried to import the two fundamentals of the Swedish welfare state—high welfare payments and an end to social disapproval of illegitimacy—beginning about 1961. In parts of the U. S., such as heavily Scandinavian Minnesota, this worked reasonably well. But American voters were confronted with stunning speed with the realization that African-Americans responded differently than Swedes did to the new incentive structures. Welfare allowed much of African-American society to revert to African-style family structures.”

Steve Sailer (1958) American journalist and movie critic

More Diversity = Less Welfare? http://www.vdare.com/articles/more-diversity-less-welfare, VDARE, March 14, 2004

Family , Parting , Speed

“Since we cannot hope for order let us withdraw with style from the chaos.”

Tom Stoppard (1937) British playwright

Source: Lord Malquist and Mr Moon (1966), Ch. I: Dramatis Personae and Other Coincidences.

Hope

“Blade Runner is a rare science fiction movie so full of material that pages can be written about it without scratching the surface. A review like this can provide little more than an overview. A detailed exploration of the movie, its style, and its mysteries requires dedication that only someone immersed in Blade Runner lore can provide.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/php_review_template.php?identifier=357 of Blade Runner (1982).
Three-and-a-half star reviews

Science

“Feminism, for all its boasts, has not found a single major female painter or sculptor to add to the canon. It did revive the reputations of many minor women, like Frida Kahlo or Romaine Brooks. Mary Cassatt, Georgia O'Keeffe, and Helen Frankenthaler were already known and did not need rediscovery. Artemisia Gentileschi was simply a polished, competent painter in a Baroque style created by men.”

Camille Paglia (1947) American writer

Source: Vamps and Tramps (1994), "The New Sexism: Liberating Art and Beauty", p. 115

Women , Men

“Before you cut me off, Raven, the reason I hate you, the reason in my heart of hearts why I hate you, is I did not know any better when I was a little kid. When my dad came home smelling like beer. I thought it was a hard day’s work he was doing. I did not realize he was out at a bar. I did not realize ‘work’ meant ‘unemployment office.’ I did not think it was strange for someone to come home and take an Old Style up into the shower. I did not think it was strange for somebody to pass out. I thought an Old Style, a pack a day, was the norm. Raven, my father is exactly like you. Since day one of Ring of Honor, where fighting spirit is supposed to be revered, things are not supposed to be this way! I’d shake your hand like a normal man, but the thing is, I don’t respect you! I hate you! I hate you for everything you have pissed away! Everything I have scrapped and clawed for that I haven’t even earned yet! That you got handed to you and you flushed down the toilet! For what? For pills? For booze? For alcohol? For women? I’m born of your poison society. So, on the seventeenth of July, I will become a monster to fight the monsters of the world! Your time in Ring of Honor will be done. That is a promise. This is true! This is real! This is straight edge!”

Phil Brooks (1978) American professional wrestler and mixed martial artist

Ring of Honor: WrestleRave '03. June 28th, 2003.
Promo aimed at Raven after a tag team match with Colt Cabana against Raven and Christopher Daniels
Ring of Honor

Women , Hate , Alcohol , World

“Our investment style has been given a name - focus investing - which implies ten holdings, not one hundred or four hundred. The idea that it is hard to find good investments, so concentrate in a few, seems to me to be an obvious idea. But 98% of the investment world does not think this way. It's been good for us.”

Charlie Munger (1924) American business magnate, lawyer, investor, and philanthropist

Poor Charlie's Almanack, p. 100

World , Way , Idea , Thinking

Quotes about style page 4

Quotes about style
page 4