Quotes about style

A collection of quotes on the topic of style, styling, likeness, other.

Quotes about style

Suman Pokhrel photo

“Chance of source language influencing the target language and that of the translator intervening onto the style of original writer are major challenges in literary translation.”

Suman Pokhrel (1967) Nepali poet, lyricist, playwright, translator and artist

<span class="plainlinks"> Foreword, 'Tales of Transformation: English Translation of Tagore's Chitrangada and Chandalika', Lopamudra Banerjee, (2018). https://www.amazon.co.uk/dp/B07DQPD8F4/</span>
From Prose

Maya Angelou photo
Maya Angelou photo

“My mission in life is not merely to survive, but to thrive; and to do so with some passion, some compassion, some humor, and some style.”

Maya Angelou (1928–2014) American author and poet

Shared on her Facebook page https://www.facebook.com/MayaAngelou/posts/10150251846629796, July 4, 2011

Yves Saint Laurent photo

“Fashion fades, style is eternal.”

Yves Saint Laurent (1936–2008) fashion designer

Variant: Fashions fade, style is eternal.

Stan Lee photo
Sergei Rachmaninoff photo
R.L. Stine photo
George Orwell photo

“So long as I remain alive and well I shall continue to feel strongly about prose style, to love the surface of the Earth, and to take pleasure in solid objects and scraps of useless information.”

Source: "Why I Write" http://www.k-1.com/Orwell/site/work/essays/write.html, Gangrel (Summer 1946)
Context: Anyone who cares to examine my work will see that even when it is downright propaganda it contains much that a full-time politician would consider irrelevant. I am not able, and do not want, completely to abandon the world view that I acquired in childhood. So long as I remain alive and well I shall continue to feel strongly about prose style, to love the surface of the Earth, and to take pleasure in solid objects and scraps of useless information. It is no use trying to suppress that side of myself. The job is to reconcile my ingrained likes and dislikes with the essentially public, non-individual activities that this age forces on all of us.
It is not easy. It raises problems of construction and of language, and it raises in a new way the problem of truthfulness.

Pablo Picasso photo

“It's like God's. God is really only another artist. He invented the giraffe, the elephant, and the cat. He has no real style. He just goes on trying other things.”

Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer

Picasso quoted in 'TIME'; quoted in: The Atlantic, Vol. 214 (1964), p. 97.
Picasso commented on his ambiguous style, or use of multiple styles.
1960s

George Orwell photo
George Orwell photo
Bill Evans photo
Benjamin H. Freedman photo
Suman Pokhrel photo

“On translating text into the new language as it is in source language, there is a chance of it being emerged as an absurd sentence in the target language making no sense at all. In the attempt to make the translation meaningful to the target language, there exists a risk of the original work getting meddled by the translator’s style.”

Suman Pokhrel (1967) Nepali poet, lyricist, playwright, translator and artist

<span class="plainlinks"> Foreword, 'Tales of Transformation: English Translation of Tagore's Chitrangada and Chandalika', Lopamudra Banerjee, (2018). https://www.amazon.co.uk/dp/B07DQPD8F4/</span>
From Prose

Marvin Minsky photo

“Questions about arts, traits, and styles of life are actually quite technical. They ask us to explain what happens among the agents of our minds.”

Source: The Society of Mind (1987), Ch.2
Context: Questions about arts, traits, and styles of life are actually quite technical. They ask us to explain what happens among the agents of our minds. But this is a subject about which we have never learned very much... Such questions will be answered in time. But it will just prolong the wait if we keep using pseudo-explanation words like "holistic" and "gestalt." …It's harmful, when naming leads the mind to think that names alone bring meaning close.

Oscar Wilde photo
Terry Pratchett photo
Vladimir Nabokov photo
Nicole Richie photo
Douglas Adams photo
Bruce Lee photo

“Man, the living creature, the creating individual, is always more important than any established style or system.”

Bruce Lee (1940–1973) Hong Kong-American actor, martial artist, philosopher and filmmaker

As quoted in "From Wing Chun to Jeet Kune Do" by Jesse R. Glover in Black Belt Vol. 31, No. 9 (September 1993), p. 35

Friedrich Nietzsche photo
Don DeLillo photo
Terry Pratchett photo
Oscar Wilde photo

“Behind the perfection of a man's style, must lie the passion of a man's soul.”

Oscar Wilde (1854–1900) Irish writer and poet

Source: Reviews

Alexander Lukashenko photo

“My position and the state will never allow me to become a dictator, but an authoritarian style of rule is characteristic of me, and I have always admitted it. You need to control the country, and the main thing is not to ruin people's lives.”

Alexander Lukashenko (1954) President of Belarus since 20 July 1994

Statement (August 2003), as quoted in BBC - Profile: Alexander Lukashenko (9 January 2007) http://news.bbc.co.uk/2/hi/europe/3882843.stm.

Gabriele Münter photo

“After a short period of agony, I took a great leap forward from copying nature, in a more or less impressionist style, to feeling the content of things.”

Gabriele Münter (1877–1962) German painter

as quoted in the text of the exhibition 'Kandinsky and der Blaue Reiter', Gemeentemuseum the Hague, Netherlands; February-June, 2010
Gabriele refers to the big change she made, before the period of her first Murnau landscape paintings (c. 1904 - 1914), when she lived and worked together with Kandinsky].

Frédéric Chopin photo
Osamu Tezuka photo
Osamu Tezuka photo

“I first followed the comics of Tagawa Suihō and Yokoyama Ryūichi. But suddenly, once I became devoted to Disney, I set out to copy and master that stuffed-animal style, eventually ending up with how I now draw.”

Osamu Tezuka (1928–1989) Japanese cartoonist and animator

Source: http://www.tcj.com/tezuka-osamu-and-american-comics/ Tezuka Osamu and American Comics

Kenzaburō Ōe photo
George Washington photo
James Tobin photo
Claude Monet photo
Benjamin Disraeli photo

“A man may speak very well in the House of Commons, and fail very completely in the House of Lords. There are two distinct styles requisite: I intend, in the course of my career, if I have time, to give a specimen of both.”

Benjamin Disraeli (1804–1881) British Conservative politician, writer, aristocrat and Prime Minister

Book V, Chapter 6.
Books, Coningsby (1844), The Young Duke (1831)

Hans-Hermann Hoppe photo
Francois Villon photo
Isaac Newton photo

“Upon Christmas-day, the people of Rome, who had hitherto elected their Bishop, and reckoned that they and their Senate inherited the rights of the ancient Senate and people of Rome, voted Charles their Emperor, and subjected themselves to him in such manner as the old Roman Empire and their Senate were subjected to the old Roman Emperors. The Pope [Leo III] crowned him, and anointed him with holy oil, and worshiped him on his knees after the manner of adoring the old Roman Emperors… The Emperor, on the other hand, took the following oath to the Pope: In nomine Christi spondeo atque polliceor, Ego Carolus Imperator coram Deo & beato Petro Apostolo, me protectorem ac defensorem fore hujus sanctæ Romanæ Ecclesiæ in omnibus utilitatibus, quatenùs divino fultus fuero adjutorio, prout sciero poteroque. The Emperor was also made Consul of Rome, and his son Pipin crowned King of Italy: and henceforward the Emperor styled himself: Carolus serenissimus, Augustus, à Deo coronatus, magnus, pacificus, Romæ gubernans imperium [Charles, most serene Augustus crowned by God, the great, peaceful emperor ruling the Roman empire], or Imperator Romanorum [Emperor of the Romans]; and was prayed for in the Churches of Rome. His image was henceforward put upon the coins of Rome: while the enemies of the Pope, to the number of three hundred Romans and two or three of the Clergy, were sentenced to death. The three hundred Romans were beheaded in one day in the Lateran fields: but the Clergymen at the intercession of the Pope were pardoned, and banished into France. And thus the title of Roman Emperor, which had hitherto been in the Greek Emperors, was by this act transferred in the West to the Kings of France.”

Isaac Newton (1643–1727) British physicist and mathematician and founder of modern classical physics

Vol. I, Ch. 7: Of the Eleventh Horn of Daniel's Fourth Beast
Observations upon the Prophecies of Daniel, and the Apocalypse of St. John (1733)

Malcolm X photo
Emil M. Cioran photo
H.P. Lovecraft photo
Thomas Mann photo
Ed Harcourt photo

“Never insult the style of Elliot Rodger. I’m the most stylish person in the world. Just look at my profile pic. That’s just one of my fabulous outfits. The sweater I’m wearing in the picture is $500 from Neiman Marcus.”

Elliot Rodger (1991–2014) American spree killer

As quoted in Nicky Woolf, "'PUAhate' and 'ForeverAlone': inside Elliot Rodger's online life", The Guardian (May 30, 2014)
Bodybuilding.com, PUAhate and ForeverAlone posts

Voltaire photo

“All styles are good except the boring kind.”

Tous les genres sont bons, hors le genre ennuyeux.
L'Enfant prodigue: comédie en vers dissillabes (1736), Preface
Citas

James Tobin photo
Bruce Lee photo

“Jeet Kune Do favors formlessness so that it can assume all forms and since Jeet Kune Do has no style, it can fit in with all styles.”

Source: Tao of Jeet Kune Do (1975), p. 12 <!-- Ohara Publications (July 1993) -->
Context: Jeet Kune Do favors formlessness so that it can assume all forms and since Jeet Kune Do has no style, it can fit in with all styles. As a result, Jeet Kune Do utilizes all ways and is bound by none and, likewise, uses any techniques which serve its end.

Friedrich Nietzsche photo

“One thing is needful — to 'give style' to one's character.”

Friedrich Nietzsche (1844–1900) German philosopher, poet, composer, cultural critic, and classical philologist

Eins ist not.
Seinem Charakter 'Stil geben'.
Sec. 290
The Gay Science (1882)

Thomas Mann photo
Shigeru Miyamoto photo
H.P. Lovecraft photo
Jani Allan photo

“Dressing with style is akin to issuing a manifesto; dressing fashionably is like signing a petition.”

Jani Allan (1952) South African columnist and broadcaster

http://www.theabsolute.net/minefield/pwords.html
Other

Iggy Pop photo
Oscar Wilde photo

“His style is chaos illumined by flashes of lightning.”

A reference to George Meredith's style.
The Decay of Lying (1889)

Sukirti Kandpal photo

“My style icon is none other than Grace Kelly. She was not only classy but was also a fantastic woman who had a lot of grace.”

Sukirti Kandpal (1987) Indian actress

On her favourite style icon http://www.tellychakkar.com/tv/features/tv-actresses-pick-their-favourite-style-icons-337/

Saul Bellow photo
Jack Welch photo
John Ronald Reuel Tolkien photo
Emile Zola photo

“One forges one's style on the terrible anvil of daily deadlines.”

Emile Zola (1840–1902) French writer (1840-1902)

Le Figaro (1881) as quoted in The Oxford Dictionary of Quotations (1999) by Elizabeth Knowles and Angela Partington, p. 840.

Steven Weinberg photo
Georges Braque photo

“It is the limitation of means that determine style, gives rise to new forms and makes creativity possible.”

Georges Braque (1882–1963) French painter and sculptor

1921 - 1945

50 Cent photo

“Go ahead, switch the style up. If niggas hate, then let them hate and watch the money pile up.”

50 Cent (1975) American rapper, actor, businessman, investor and television producer

In Da Club
Song lyrics, Get Rich or Die Tryin (2003)

Bruce Lee photo

“The man who is really serious, with the urge to find out what truth is, has no style at all. He lives only in what is.”

Bruce Lee (1940–1973) Hong Kong-American actor, martial artist, philosopher and filmmaker

Part 6 "Beyond System — The Ultimate Source of Jeet Kune Do"
Jeet Kune Do (1997)

Albert Camus photo
Theodore Schultz photo
Pope Francis photo
Maria Callas photo
Kenzaburō Ōe photo
Bobby Fischer photo

“Morphy and Capablanca had enormous talent, they are two of my favorites. Steinitz was very great too. Alekhine was great, but I am not a big fan of his. Maybe it’s just my taste. I’ve studied his games a lot, but I much prefer Capablanca and Morphy. Alekhine had a rather heavy style, Capablanca was much more brilliant and talented, he had a real light touch. Everyone I’ve spoken to who saw Capablanca play still speak of him with awe. If you showed him any position he would instantly tell you the right move. When I used to go to the Manhattan Chess Club back in the fifties, I met a lot of old-timers there who knew Capablanca, because he used to come around to the Manhattan club in the forties – before he died in the early forties. They spoke about Capablanca with awe. I have never seen people speak about any chess player like that, before or since. Capablanca really was fantastic. But even he had his weaknesses, especially when you play over his games with his notes he would make idiotic statements like 'I played the rest of the game perfectly.”

Bobby Fischer (1943–2008) American chess prodigy, chess player, and chess writer

But then you play through the moves and it is not true at all. But the thing that was great about Capablanca was that he really spoke his mind, he said what he believed was true, he said what he felt.
Radio Interview, October 16 2006 http://www.geocities.jp/bobbby_b/mp3/F_35_3.MP3

Ronald Reagan photo
Eminem photo
Osamu Tezuka photo
John Tyndall photo

“The style of this letter is unexceptionable, for Faraday could not write otherwise than as a gentleman; but the letter shows that had he willed it he could have hit hard. We have heard much of Faraday's gentleness and sweetness and tenderness. It is all true, but it is very incomplete.”

John Tyndall (1820–1893) British scientist

"Points of Character", p. 37.
Faraday as a Discoverer (1868)
Context: A point highly illustrative of the character of Faraday now comes into view. He gave an account of his discovery of Magneto-electricity in a letter to his friend M. Hachette, of Paris, who communicated the letter to the Academy of Sciences. The letter was translated and published; and immediately afterwards two distinguished Italian philosophers took up the subject, made numerous experiments, and published their results before the complete memoirs of Faraday had met the public eye. This evidently irritated him. He reprinted the paper of the learned Italians in the Philosophical Magazine accompanied by sharp critical notes from himself. He also wrote a letter dated Dec. 1,1832, to Gay Lussac, who was then one of the editors of the Annales de Chimie in which he analysed the results of the Italian philosophers, pointing out their errors, and' defending himself from what he regarded as imputations on his character. The style of this letter is unexceptionable, for Faraday could not write otherwise than as a gentleman; but the letter shows that had he willed it he could have hit hard. We have heard much of Faraday's gentleness and sweetness and tenderness. It is all true, but it is very incomplete. You cannot resolve a powerful nature into these elements, and Faraday's character would have been less admirable than it was had it not embraced forces and tendencies to which the silky adjectives "gentle" and "tender" would by no means apply. Underneath his sweetness and gentleness was the heat of a volcano. He was a man of excitable and fiery nature; but through high self-discipline he had converted the fire into a central glow and motive power of life, instead of permitting it to waste itself in useless passion. "He that is slow to anger" saith the sage, "is greater than the mighty, and he that ruleth his own spirit than he that taketh a city." Faraday was not slow to anger, but he completely ruled his own spirit, and thus, though he took no cities, he captivated all hearts.

Henry Kissinger photo

“This amazing, romantic character suits me precisely because to be alone has always been part of my style or, if you like, my technique.”

Henry Kissinger (1923–2023) United States Secretary of State

Interview with Oriana Fallaci (November 1972), as quoted in "Oriana Fallaci and the Art of the Interview" in Vanity Fair (December 2006) http://www.vanityfair.com/politics/features/2006/12/hitchens200612; Kissinger, as quoted in "Special Section: Chagrined Cowboy" in TIME magazine (8 October 1979) http://www.time.com/time/magazine/article/0,9171,916877,00.html called this "without doubt the single most disastrous conversation I ever had with any member of the press" and claimed that he had probably been misquoted or quoted out of context, but Fallaci later produced the tapes of the interview.
1970s
Context: I've always acted alone. Americans like that immensely.
Americans like the cowboy who leads the wagon train by riding ahead alone on his horse, the cowboy who rides all alone into the town, the village, with his horse and nothing else. Maybe even without a pistol, since he doesn't shoot. He acts, that's all, by being in the right place at the right time. In short, a Western. … This amazing, romantic character suits me precisely because to be alone has always been part of my style or, if you like, my technique.

Karl Marx photo

“His latest proclamation, which is drafted in the same style, the manifesto abolishing slavery, is the most important document in American history since the establishment of the Union, tantamount to the tearing up of the old American Constitution.”

Karl Marx (1818–1883) German philosopher, economist, sociologist, journalist and revolutionary socialist

Comments on the North American Events (1862)
Context: Lincoln’s proclamation is even more important than the. Lincoln is a sui generis figure in the annals of history. He has no initiative, no idealistic impetus, cothurnus, no historical trappings. He gives his most important actions always the most commonplace form. Other people claim to be “fighting for an idea”, when it is for them a matter of square feet of land. Lincoln, even when he is motivated by, an idea, talks about “square feet”. He sings the bravura aria of his part hesitatively, reluctantly and unwillingly, as though apologising for being compelled by circumstances “to act the lion”. The most redoubtable decrees — which will always remain remarkable historical documents-flung by him at the enemy all look like, and are intended to look like, routine summonses sent by a lawyer to the lawyer of the opposing party, legal chicaneries, involved, hidebound actiones juris. His latest proclamation, which is drafted in the same style, the manifesto abolishing slavery, is the most important document in American history since the establishment of the Union, tantamount to the tearing up of the old American Constitution.

Bruce Lee photo

“All of his classical techniques and standard styles are minimized, if not wiped out, and nothingness prevails. He is no longer confined.”

Bruce Lee (1940–1973) Hong Kong-American actor, martial artist, philosopher and filmmaker

Source: The Warrior Within : The Philosophies of Bruce Lee (1996), p. 108-109
Context: The Three Stages of Cultivation — The first is the primitive stage. It is a stage of original ignorance in which a person knows nothing about the art of combat. In a fight, he simply blocks and strikes instinctively without a concern for what is right and wrong. Of course, he may not be so-called scientific, but, nevertheless, being himself, his attacks or defenses are fluid. The second stage — the stage of sophistication, or mechanical stage — begins when a person starts his training. He is taught the different ways of blocking, striking, kicking, standing, breathing, and thinking — unquestionably, he has gained the scientific knowledge of combat, but unfortunately his original self and sense of freedom are lost, and his action no longer flows by itself. His mind tends to freeze at different movements for calculations and analysis, and even worse, he might be called “intellectually bound” and maintain himself outside of the actual reality. The third stage — the stage of artlessness, or spontaneous stage — occurs when, after years of serious and hard practice, the student realizes that after all, gung fu is nothing special. And instead of trying to impose on his mind, he adjusts himself to his opponent like water pressing on an earthen wall. It flows through the slightest crack. There is nothing to try to do but try to be purposeless and formless, like water. All of his classical techniques and standard styles are minimized, if not wiped out, and nothingness prevails. He is no longer confined.

Jacques Lacan photo

“In order to understand the Freudian concepts, one must set out on the basis that it is the subject who is called—the subject of Cartesian origin. This basis gives its true function to what, in analysis, is called recollection or remembering. Recollection is not Platonic reminiscence —it is not the return of a form, an imprint, a eidos of beauty and good,a supreme truth, coming to us from the beyond. It is something that comes to us from the structural necessities, something humble, born at the level of the lowest encounters and of all the talking crowd that precedes us, at the level of the structure of the signifier, of the languages spoken in a stuttering, stumbling way, but which cannot elude constraints whose echoes, model, style can be found, curiously enough, in contemporary mathematics.”

Jacques Lacan (1901–1981) French psychoanalyst and psychiatrist

Of the Network of Signifiers
The Four Fundamental Concepts of Psycho Analysis (1978)
Context: It is on this step that depends the fact that one can call upon the subject to re-enter himself in the unconscious—for, after all, it is important to know who one is calling. It is not the soul, either mortal or immortal, which has been with us for so long, nor some shade, some double, some phantom, nor even some supposed psycho-spherical shell, the locus of the defences and other such simplified notions. It is the subject who is called— there is only he, therefore, who can be chosen. There may be, as in the parable, many called and few chosen, but there will certainly not be any others except those who are called. In order to understand the Freudian concepts, one must set out on the basis that it is the subject who is called—the subject of Cartesian origin. This basis gives its true function to what, in analysis, is called recollection or remembering. Recollection is not Platonic reminiscence —it is not the return of a form, an imprint, a eidos of beauty and good, a supreme truth, coming to us from the beyond. It is something that comes to us from the structural necessities, something humble, born at the level of the lowest encounters and of all the talking crowd that precedes us, at the level of the structure of the signifier, of the languages spoken in a stuttering, stumbling way, but which cannot elude constraints whose echoes, model, style can be found, curiously enough, in contemporary mathematics.

John Nash photo

“At the present time I seem to be thinking rationally again in the style that is characteristic of scientists.”

John Nash (1928–2015) American mathematician and Nobel Prize laureate

Autobiographical essay (1994)
Context: At the present time I seem to be thinking rationally again in the style that is characteristic of scientists. However this is not entirely a matter of joy as if someone returned from physical disability to good physical health. One aspect of this is that rationality of thought imposes a limit on a person's concept of his relation to the cosmos.

Diego Rivera photo

“Your engineers are your great artists and these highways are the most beautiful things I have seen in your beautiful country…Out of them and the machine will issue the style of tomorrow.”

Diego Rivera (1886–1957) Mexican painter, muralist, Communist

On being enchanted by engineers in “Diego Rivera: A Man and His Murals” http://teachersinstitute.yale.edu/curriculum/units/1999/2/99.02.06.x.html (Yale-New Haven Teachers Institute)

Zakir Hussain (politician) photo
Aryabhata photo
Lauren Jauregui photo

“I feel like style is just a constant evolution because it’s an expression of self. Some days I’ll be in like a grungy mood and just don’t wanna fuck with anybody, and some days I’m just like 'hi world I love you'”

Lauren Jauregui (1996) Cuban-American singer and songwriter

Fifth Harmony Was Just The Beginning For Lauren Jauregui, Nylon Magazine, September 5, 2018 https://www.youtube.com/watch?v=YtrtUi4Vmnw,

Rachel Caine photo

“That’s kind of a leap, but the Russian judge gave you a nine point five for style, so OK.”

Variant: That's kind of a leap, but the Russian judge gave you a nine point five for style, so okay.
Source: Glass Houses

Charles Bukowski photo

“To do a dull thing with style-now that's what I call art.”

Charles Bukowski (1920–1994) American writer

Variant: It's better to do a dull thing with style than a dangerous thing without it.

Anita Loos photo

“I've always loved high style in low company.”

Anita Loos (1889–1981) Actress, novelist, screenwriter, TV producer
Henry Wadsworth Longfellow photo

“In character, in manner, in style, in all the things, the supreme excellence is simplicity”

Henry Wadsworth Longfellow (1807–1882) American poet

Source: Favorite Poems

Quentin Crisp photo

“If at first you don’t succeed, failure may be your style.”

Quentin Crisp (1908–1999) writer, Actor

Source: The Naked Civil Servant; How To Become A Virgin; Resident Alien

“As I have often said, she has two styles of acting: with or without the beard.”

Louise Rennison (1951–2016) British writer

Source: Are These My Basoomas I See Before Me?

Dr. Seuss photo

“Teeth are always in style.”

Dr. Seuss (1904–1991) American children's writer and illustrator, co-founder of Beginner Books
Maya Angelou photo
Czeslaw Milosz photo

“Only if we assume that a poet constantly strives to liberate himself from borrowed styles in search for reality, is he dangerous. In a room where people unanimously maintain a conspiracy of silence, one word of truth sounds like a pistol shot.”

Czeslaw Milosz (1911–2004) Polish, poet, diplomat, prosaist, writer, and translator

Nobel lecture (8 December 1980)
Context: Only if we assume that a poet constantly strives to liberate himself from borrowed styles in search for reality, is he dangerous. In a room where people unanimously maintain a conspiracy of silence, one word of truth sounds like a pistol shot. And, alas, a temptation to pronounce it, similar to an acute itching, becomes an obsession which doesn't allow one to think of anything else. That is why a poet chooses internal or external exile. It is not certain, however, that he is motivated exclusively by his concern with actuality. He may also desire to free himself from it and elsewhere, in other countries, on other shores, to recover, at least for short moments, his true vocation — which is to contemplate Being.

Markus Zusak photo