Quotes about stuff
page 10

Roger Manganelli photo
Amber Benson photo

“I wouldn't want to forget anything, even the weird stuff and the bad stuff. It makes you who you are.”

Amber Benson (1977) actress from the United States

Amber Benson - Interview at Madame Tussaud's - 10 December, 2003

Billie Piper photo
John Anderson (Australian politician) photo
Nick Cave photo
Clement Attlee photo
Carlos Santana photo

“Blues was my first love. It was the first thing where I said "Oh man, this is the stuff." It just sounded so raw and honest, gut-bucket honest. From then I started rebelling.”

Carlos Santana (1947) Mexican and American rock musician

http://findarticles.com/p/articles/mi_m0GER/is_2000_Summer/ai_63500762

Jack Kerouac photo
Joseph Gordon-Levitt photo
Roger Manganelli photo
Henry Wotton photo

“I am but a gatherer and disposer of other men's stuff.”

Henry Wotton (1568–1639) English ambassador

Preface to the Elements of Architecture (1624).

Ira Glass photo

“What nobody tells people who are beginners — and I really wish someone had told this to me... is that all of us who do creative work, we get into it because we have good taste. But there is this gap. For the first couple years you make stuff, and it’s just not that good. It’s trying to be good, it has potential, but it’s not.
But your taste, the thing that got you into the game, is still killer. And your taste is why your work disappoints you. A lot of people never get past this phase. They quit. Most people I know who do interesting, creative work went through years of this. We know our work doesn’t have this special thing that we want it to have. We all go through this. And if you are just starting out or you are still in this phase, you gotta know it’s normal and the most important thing you can do is do a lot of work. Put yourself on a deadline so that every week you will finish one story.
It is only by going through a volume of work that you will close that gap, and your work will be as good as your ambitions. And I took longer to figure out how to do this than anyone I’ve ever met. It’s gonna take awhile. It’s normal to take awhile. You’ve just gotta fight your way through.”

Ira Glass (1959) American radio personality

The Taste Gap: Ira Glass on the Secret of Creative Success, Animated in Living Typography http://www.brainpickings.org/2014/01/29/ira-glass-success-daniel-sax/ at brainpickings.org
This American Life

Rachel Whiteread photo
Michel Faber photo
Donald Rumsfeld photo

“I'm not into this detail stuff. I'm more concepty.”

Donald Rumsfeld (1932) U.S. Secretary of Defense

Interview with the Washington Post (9 January 2002) http://www.defenselink.mil/transcripts/2002/t02052002_t0109wp.html
2000s

Nguyen Khanh photo
Cory Doctorow photo
Jonah Goldberg photo

“States have a habit of forming when the rules say “line starts here for free stuff.” Whoever manages the line becomes the “state” after a while.”

Jonah Goldberg (1969) American political writer and pundit

Twitter post https://twitter.com/JonahNRO/status/1049835451903815680 (9 October 2018)
2010s, 2018

Neal D. Barnard photo
Dylan Moran photo
Edgar Rice Burroughs photo
Omar Khayyám photo
Karl Pilkington photo

“If anythin', like I said, he didn't do us a favour, he saved too much. You can't move out there for stuff (Referring to Noah saving every animal)”

Karl Pilkington (1972) English television personality, social commentator, actor, author and former radio producer

Podcast Series 1 Episode 5
On the Bible

Jared Diamond photo
Bill Maher photo
Larry David photo

“A lot of sexual harassment stuff in the news, and I couldn't help but notice a very disturbing pattern emerging, which is that many of the predators, not all, but many of them are Jews”

Larry David (1947) American comedian, writer, actor, and television producer

November 2017 https://www.hollywoodreporter.com/live-feed/larry-david-criticized-snl-monologue-jewish-sexual-predators-holocaust-1054900
2010s

Lyndon B. Johnson photo

“Johnson: What do you think about this Vietnam thing? I’d like to hear you talk a little bit.
Russell: Well, frankly, Mr. President, it’s the damn worse mess that I ever saw, and I don’t like to brag and I never have been right many times in my life, but I knew that we were going to get into this sort of mess when we went in there. And I don’t see how we’re ever going to get out of it without fighting a major war with the Chinese and all of them down there in those rice paddies and jungles. I just don’t see it. I just don’t know what to do.
Johnson: Well, that’s the way I have been feeling for six months.
Russell: Our position is deteriorating and it looks like the more we try to do for them, the less they are willing to do for themselves. It is a mess and it’s going to get worse, and I don’t know how or what to do. I don’t think the American people are quite ready for us to send our troops in there to do the fighting. If I was going to get out, I’d get the same crowd that got rid of old Diem [the Vietnamese prime minister who was overthrown and assassinated in 1963] to get rid of these people and to get some fellow in there that said we wish to hell we would get out. That would give us a good excuse for getting out.
Johnson: How important is it to us?
Russell: It isn’t important a damn bit for all this new missile stuff.
Johnson: I guess it is important.
Russell: From a psychological standpoint. Other than the question of our word and saving face, that’s the reason that I said that I don’t think that anybody would expect us to stay in there. It’s going to be a headache to anybody that tries to fool with it. You’ve got all the brains in the country, Mr. President—you better get ahold of them. I don’t know what to do about this. I saw it all coming on, but that don’t do any good now, that’s water over the dam and under the bridge. And we are there.”

Lyndon B. Johnson (1908–1973) American politician, 36th president of the United States (in office from 1963 to 1969)

1960s, Telephone call with Senator Richard Russell (May 27, 1964)

Kent Hovind photo

“I think what happened: the mammoths were up there chopping on their tropical flowers. It was a beautiful day, and it began to snow super cold snow. They had never seen snow before. One of the mammoths looked at his buddy and said, "Herman, this is peculiar weather we're having here. What is this white stuff falling out of the sky?" "I don't know, but let's get out of here." They started running around trying to find a place to hide and the snow got deeper and deeper and deeper and they got stuck in the snow standing up, and they couldn't even fall down. How many of you have ever been in a snow drift so deep you couldn't even fall over? Ever been in one of those? I think that's what happened to the mammoths. People say, "Well the mammoths have long hair. They're designed for cold weather." No, mammoths are not designed for cold weather. A lot of animals in the jungle have long hair. It is hot there. If the temperature is seventy degrees, long hair is just simply a decoration. There's a lot of things about the mammoth that shows that they were not designed for cold weather. There's a whole section just in this book about mammoths showing that they were not designed for cold weather. You can read all about that. For the mammoths, some of them ended frozen standing up. It was in super cold ice, perhaps 300 degrees below zero!”

Kent Hovind (1953) American young Earth creationist

Creation seminars (2003-2005), The Hovind theory

Sophie B. Hawkins photo

“This documentary has lifted the lid off a coffin, and now I'm looking at stuff that I didn't know was there.”

Sophie B. Hawkins (1967) American musician

The Cream Will Rise (1997)

Pauline Kael photo
Oliver Goldsmith photo

“When he talked of their Raphaels, Correggios, and stuff,
He shifted his trumpet and only took snuff.”

Oliver Goldsmith (1728–1774) Irish physician and writer

Source: Retaliation (1774), Line 145.

River Phoenix photo

“Sometimes I'll hear stuff like, 'Hey, man, where's your skateboard, dude,' from people who think I'm Christian Slater.”

River Phoenix (1970–1993) American actor, musician, and activist

Movieline (1991)

Aneurin Bevan photo
Raymond Chandler photo
Ernst Hanfstaengl photo

“The place looks like a delicatessen… You could have opened up a flower and fruit and wine shop with all the stuff stacked there. People were sending presents from all over Germany and Hitler had grown visibly fatter on the proceeds.”

Ernst Hanfstaengl (1887–1975) German businessman

After visiting Hitler. Quoted in "The Psychopathic God: Adolf Hitler" - Page 215 - by Robert George Leeson Waite - History - 1993

Paul Newman photo
Juicy J photo

“Myths are not the stuff of which sensible policy is made.”

Irwin Stelzer (1932) American economist and columnist

Letter from Londonistan (2005)

John Romero photo
M.I.A. photo
Ethan Hawke photo

“All that stuff with the tabloids is a kind of luxury tax I pay for all the good things I do in my life.”

Ethan Hawke (1970) American actor and writer

The Daily Telegraph http://www.telegraph.co.uk/culture/film/3620967/Love-that-goes-with-the-flow.html (2004-06-19)
2000–2004

Tom Cruise photo

“That's laughable to me. That stuff's laughable.”

Tom Cruise (1962) American actor and film producer

on allegations that relationship and family with wife Katie Holmes are fake.
Exclusive from His Telluride Home: The Tom Cruise Interview (May 29, 2008)

“Rejecting Chomsky is almost a full time job. He keeps changing his mind, so you have to study quite a lot of Chomsky before you know all the stuff you can reject.”

Mark Rosenfelder American language inventor

What is syntax? https://zompist.wordpress.com/2018/03/01/what-is-syntax/

Kenneth Gärdestad photo

“I don't want the memory of Ted Gärdestad to be associated with his illness too much; but also how positive he was. He could, of course, do it, regardless of his hearing of the voices. He sometimes said that he would set for the votes to justice; they would answer for stuffs they did against him.”

Kenneth Gärdestad (1948–2018) Swedish song lyricist, architect and lecturer

On the circumstances of Ted Gärdestad's mental illness, as quoted on Kenneth Gärdestad: “Jag vill inte att minnet av Ted förknippas för mycket med hans sjukdom”, Lahti, Gabriella, News55.SE, published on 20 February 2016 (web) http://www.news55.se/artiklar/kenneth-gardestad-jag-vill-inte-att-minnet-av-ted-forknippas-for-mycket-med-hans-sjukdom/

Kate Winslet photo
Brandon DiCamillo photo
Judith Martin photo
Johnny Depp photo

“When I was a kid, we watched the Vietnam War on the six o'clock news, and it was desensitizing. You felt you were watching a war film; meanwhile you were really watching these guys getting blown to bits. Parents need to protect their kids from watching that stuff.”

Johnny Depp (1963) American actor, film producer, and musician

Quoted in Josh Young, "The Neverland Effect," http://www.deppimpact.com/mags/transcripts/life_19nov04.html Life (2004-11-19), p. 8

Erik Naggum photo

“A system needs to be alive and workable even when other people than the first enthusiasts start using it. Reinvention and revolution are enthusiast stuff. Invention and evolution are engineering.”

Erik Naggum (1965–2009) Norwegian computer programmer

Re: "Well, I want to switch over to replace EMACS LISP with Guile." http://groups.google.com/group/comp.lang.lisp/msg/6670472eec71d00e (Usenet article).
Usenet articles, Miscellaneous

Jonathan Safran Foer photo
Tom Savini photo
Jimmy Buffett photo
Spider Robinson photo
Roger Manganelli photo
Hilary Duff photo
Ginger Stanley photo
Winston S. Churchill photo
Ian McCulloch photo
Melania Trump photo

“You can see from the tape, the cameras were not on—it was only a mic. And I wonder if they even knew that the mic was on. Because they were kind of, ah, boy talk. And he was led on. Like egg on from the host to say, uh, dirty and bad stuff.”

Melania Trump (1970) Slovenian model, wife of Donald Trump and First Lady of the United States

Regarding the leaked Access Hollywood tape of Donald Trump and Billy Bush; Interview with Anderson Cooper http://time.com/4534216/melania-donald-trump-billy-bush-boy-talk/ (October 17, 2016)

Vincent Van Gogh photo

“And at times already I feel old and broken... To succeed one must have ambition, and ambition seems to me absurd. What will come of it I don't know; I would like above all things to be less of a burden to you... I hope to make such progress that you will be able to show my stuff boldly without compromising yourself. And then I will take myself off somewhere down south, to get away from the sight of so many painters that disgust me as men.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

Quote in his letter to brother Theo, from environment of Paris, Summer 1887; as quoted in Vincent van Gogh, edited Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 462) p. 22
1880s, 1887

Roger Manganelli photo
Roger Manganelli photo
Richard Feynman photo

“I had too much stuff. My machines came from too far away.”

Richard Feynman (1918–1988) American theoretical physicist

Reflecting on the failure of his presentation at the "Pocono Conference" of 30 March - 1 April 1948.
interview with Sylvan S. Schweber, 13 November 1984, published in QED and the Men Who Made It: Dyson, Feynman, Schwinger, and Tomonaga (1994) by Silvan S. Schweber, p. 436

Princess Madeleine, Duchess of Hälsingland and Gästrikland photo

“It was so much fun the other day. Dad took out all of our old toys that he found in the old barn. Now Estelle is playing with the old stuff and she loves it.”

royalcorrespondent.com interview http://royalcorrespondent.com/2013/07/15/we-really-are-a-team-says-princess-madeleine-in-a-new-interview/

Steve Jobs photo
Revilo P. Oliver photo

“In the first four centuries A. D. the world was full of Gnostics peddling special revelations, and, of course, Christ was only one of the Saviors: others were Baruch, Gamaliel, Tat (= the Egyptian god Toth), Seth (Egyptian god), Balaam, Ezechiel, Adam (whose books had just been discovered), Moses, Enoch, Marsanes, Nicotheus, Phosilampes, Mithra, Zoroaster, Zervan, et al., et al. In the early centuries of our era, the Near East was a Bedlam filled with the insane ravings of fakirs peddling their Saviors and their forged Gospels, and at this distance it is impossible to tell the difference between madmen, hallucinés who got visions of god from eating the sacred mushroom, Amanita muscaria, and shysters fleecing the yokels with mystic gabble. One cannot read much of the gibberish without feeling queasy and dizzy, but for a quick survey of the stuff that our holy men want to sweep under the rug, see Jean Doresse, Les livres secrets des Gnostiques d'Égypte, Paris, 1959, which surveys the books found at Chenoboskion a few years before. The one significant thing is that the peddlers of all forms of Gnosticism (including Christian cults before the Third Century) were almost all Jews. If you will look in your Scientific American for January 1973, pp. 80-87, you will note that the author has to admit that "it becomes increasingly evident that much of Gnosticism is probably of Jewish origin." He is naturally cautious, wary of offending God's Peculiar People. Although I admit that one cannot identify the race of some of the more prominent Salvation-hucksters, I think it significant that those whom one can identify racially always turn out to be Jews, and I would delete "much of" and "probably" in the author's statement.”

Revilo P. Oliver (1908–1994) American philologist

The Jewish Strategy, Chapter 12 "Christianity"
1990s, The Jewish Strategy (2001)

Lee Meriwether photo
John Green photo
James K. Morrow photo
Stevie Nicks photo

“That’s the words: "So I’m back to the velvet underground"—which is a clothing store in downtown San Francisco, where Janis Joplin got her clothes, and Grace Slick from Jefferson Airplane, it was this little hole in the wall, amazing, beautiful stuff—”back to the floor that I love, to a room with some lace and paper flowers, back to the gypsy that I was."”

Stevie Nicks (1948) American singer and songwriter, member of Fleetwood Mac

(on the inspiration for "Gypsy") Leah Greenblatt, "Stevie Nicks On Her Favorite Songs: A Music Mix Exclusive", http://music-mix.ew.com/2009/03/31/stevie-nicks-in/ Entertainment Weekly, 31 March 2009

Quentin Tarantino photo

“Sure, and that's the cool thing about DVD: you can pack stuff on the disc that would've been too much for the big screen because actually it would've only interested yourself and a bunch of fanboys, who wanna know everything.”

Quentin Tarantino (1963) American film director, screenwriter, producer, and actor

Talking Fiction (Rolling Stone, 2003) http://www.tarantino.info/index.php?option=com_content&task=view&id=310&Itemid=41.

Linus Torvalds photo

“" the most important part of open source is that people are allowed to do what they are good at" and " all that [diversity] stuff is just details and not really important."”

Linus Torvalds (1969) Finnish-American software engineer and hacker

Torvalds, Linus, 2015-01-15, <nowiki>Linus Torvalds on why he isn’t nice: &quot;I don’t care about you&quot;</nowiki>, 2015-01-20 http://arstechnica.com/business/2015/01/linus-torvalds-on-why-he-isnt-nice-i-dont-care-about-you/,
2010s, 2015

Neal Stephenson photo
Jane Roberts photo
Fumito Ueda photo
Linus Torvalds photo

“It was such a relief to program in user mode for a change. Not having to care about the small stuff is wonderful.”

Linus Torvalds (1969) Finnish-American software engineer and hacker

Message to Git mailing list, 2005-04-14, Torvalds, Linus, 2006-08-28 http://article.gmane.org/gmane.comp.version-control.git/87,
2000s, 2005

Mukesh Ambani photo
William Irwin Thompson photo
George Carlin photo
Hilary Duff photo

“It's the most powerful stuff in the universe.”

John Jakes (1932) American historical novelist and fantasy writer

North and South Trilogy (1982-1987), Answer the Drum
Context: "Iron can destroy anything: families, fortunes, governments, whole countries. It's the most powerful stuff in the universe."
"Oh?" Orry's skeptical glance fell down on the Plain below. "You really think it's more powerful than a big army?"
"Without weapons - without this - there are no big armies."

James Branch Cabell photo

“You must permit that I begin it in my own way, with what may to you at first seem dream-stuff.”

"Richard Fentnor Harroby" in Ch. 1 : Pallation of the Gambit
The Cream of the Jest (1917)
Context: You must permit that I begin it in my own way, with what may to you at first seem dream-stuff. For I commence at Storisende, in the world's youth, when the fourth Count Emmerick reigned in Poictesme, having not yet blundered into the disfavor of his papal cousin Adrian VII.... With such roundabout gambits alone can some of us approach — as one fancy begets another, if you will — to proud assurance that life is not blind and aimless business; not all a hopeless waste and confusion; and that we ourselves may (by and by) be strong and excellent and wise.

Russell Brand photo

“I feel some guilt about my lack of enthusiasm for acting, like it’s a bit ungrateful. Like I’ve let my teenage self down. Mind you, he let himself down a fair bit, the dirty little pervert. The dreams of my adolescent self were entangled with silvery screens and limousines, and I still feel that I need to offer up superficial sacrifices to his misguided altar. The fact is, though, I find filmmaking a boring process and its ends dubious. This could, of course, be due to the quality of the stuff I’ve done so far, as opposed to an essential rejection of an art form. Maybe if I’d been “R. P. McMurphy” or “The Elephant Man” or “Brian,” I’d feel different. It just wasn’t what I thought it would be. It’s not just the entertainment industry that has seemed like a mirage on arrival. What about clubs and parties? When I’m there I think, “Is this it? Is this all there is? Is this what all the fuss is about?” This feeling of disillusionment perhaps climaxed around the time of my divorce and the making of this subsequent film.”

Revolution (2014)
Context: Diablo and I fashioned my beard together in my trailer, together, as cautiously as you’d sculpt a peace treaty between two nations that prefer war to peace. The reality was that my identity outside of filmmaking had become more important to me. I was doing hours of yoga and meditation each day, I was going through a divorce, and the result was a kind of hirsute intransigence. I looked like the cliché of a terrorist and I behaved like one. Except the beard wasn’t the symbol, it was the cause. I feel some guilt about my lack of enthusiasm for acting, like it’s a bit ungrateful. Like I’ve let my teenage self down. Mind you, he let himself down a fair bit, the dirty little pervert. The dreams of my adolescent self were entangled with silvery screens and limousines, and I still feel that I need to offer up superficial sacrifices to his misguided altar. The fact is, though, I find filmmaking a boring process and its ends dubious. This could, of course, be due to the quality of the stuff I’ve done so far, as opposed to an essential rejection of an art form. Maybe if I’d been “R. P. McMurphy” or “The Elephant Man” or “Brian,” I’d feel different. It just wasn’t what I thought it would be. It’s not just the entertainment industry that has seemed like a mirage on arrival. What about clubs and parties? When I’m there I think, “Is this it? Is this all there is? Is this what all the fuss is about?” This feeling of disillusionment perhaps climaxed around the time of my divorce and the making of this subsequent film.

G. E. M. Anscombe photo

“Implicitly, lasciviousness is over and over again treated as hateful, even by those who would dislike such an explicit judgment on it. Just listen, witness the scurrility when it's hinted at; disgust when it's portrayed as the stuff of life; shame when it's exposed, the leer of complicity when it's approved. You don't get these attitudes with everybody all of the time; but you do get them with everybody.”

G. E. M. Anscombe (1919–2001) British analytic philosopher

Contraception and Chastity (1975)
Context: The trouble about the Christian standard of chastity is that it isn't and never has been generally lived by; not that it would be profitless if it were. Quite the contrary: it would be colossally productive of earthly happiness. All the same it is a virtue, not like temperance in eating and drinking, not like honesty about property, for these have a purely utilitarian justification. But it, like the respect for life, is a supra-utilitarian value, connected with the substance of life, and this is what comes out in the perception that the life of lust is one in which we dishonour our bodies. Implicitly, lasciviousness is over and over again treated as hateful, even by those who would dislike such an explicit judgment on it. Just listen, witness the scurrility when it's hinted at; disgust when it's portrayed as the stuff of life; shame when it's exposed, the leer of complicity when it's approved. You don't get these attitudes with everybody all of the time; but you do get them with everybody. (It's much too hard work to keep up the façade of the Playboy philosophy, according to which all this is just an unfortunate mistake, to be replaced by healthy-minded wholehearted praise of sexual fun.)

James Russell Lowell photo

“They were not seduced by the French fallacy that a new system of government could be ordered like a new suit of clothes. They would as soon have thought of ordering a new suit of flesh and skin. It is only on the roaring loom of time that the stuff is woven for such a vesture of their thought and experience as they were meditating.”

James Russell Lowell (1819–1891) American poet, critic, editor, and diplomat

On Democracy (6 October 1884)
Context: The framers of the American Constitution were far from wishing or intending to found a democracy in the strict sense of the word, though, as was inevitable, every expansion of the scheme of government they elaborated has been in a democratical direction. But this has been generally the slow result of growth, and not the sudden innovation of theory; in fact, they had a profound disbelief in theory, and knew better than to commit the folly of breaking with the past. They were not seduced by the French fallacy that a new system of government could be ordered like a new suit of clothes. They would as soon have thought of ordering a new suit of flesh and skin. It is only on the roaring loom of time that the stuff is woven for such a vesture of their thought and experience as they were meditating. They recognized fully the value of tradition and habit as the great allies of permanence and stability. They all had that distaste for innovation which belonged to their race, and many of them a distrust of human nature derived from their creed.

John Buchan photo

“Generations follow, oblivious of the high beginnings, but there is that in the stock which is fated to endure. The sons and daughters blunder and sin and perish, but the race goes on, for there is a fierce stuff of life in it.”

Prologue
The Path of the King (1921)
Context: Generations follow, oblivious of the high beginnings, but there is that in the stock which is fated to endure. The sons and daughters blunder and sin and perish, but the race goes on, for there is a fierce stuff of life in it. It sinks and rises again and blossoms at haphazard into virtue or vice, since the ordinary moral laws do not concern its mission. Some rags of greatness always cling to it, the dumb faith that sometime and somehow that blood drawn from kings it never knew will be royal again. Though nature is wasteful of material things, there is no waste of spirit. And then after long years there comes, unheralded and unlooked-for, the day of the Appointed Time...

R. A. Lafferty photo

“Put away those damned sophisticated tools and get my stone hammers. That's when I build the good stuff.”

R. A. Lafferty (1914–2002) American writer

Source: Space Chantey (1968), Ch. 8, Hondstarfer of Valhal, speaking of his work as a design engineer.
Context: "I'm doing pretty good. I'm a seminal genius, they say, and I have the most sophisticated tools ever devised to work with. And I do build some good things for them. I'm quite successful. I'll tell you something, though. In the daytime, with all those sophisticated tools, and particularly if someone's watching me, I just stall around. But at night — "
"Ah, at night! What do you do then, Hondstarfer?"
"Put away those damned sophisticated tools and get my stone hammers. That's when I build the good stuff. Don't give me away, though, Roadstrum.

Eric Hoffer photo

“The momentous statements I come across are at best a storm in a teacup. There are quite a number of people who have a vested interest in the stuff, make a noble living out of it, and they conspire with one another to keep it alive.”

Eric Hoffer (1898–1983) American philosopher

Entry (1977)
Eric Hoffer and the Art of the Notebook (2005)
Context: I could never figure out — or probably did not take the trouble to figure out — what the great philosophical problems are about. The momentous statements I come across are at best a storm in a teacup. There are quite a number of people who have a vested interest in the stuff, make a noble living out of it, and they conspire with one another to keep it alive.