Quotes about string

A collection of quotes on the topic of string, likeness, use, theory.

Quotes about string

George Orwell photo
Thomas Hobbes photo
Joe Hill photo

“All the world is made of music. We are all strings on a lyre. We resonate. We sing together.”

Joe Hill (1879–1915) Swedish-American labor activist, songwriter, and member of the Industrial Workers of the World

Source: Heart-Shaped Box

Muhammad Iqbál photo
Thor Heyerdahl photo
The Mother photo
Leonard Bernstein photo

“The Rhapsody is not a composition at all. It's a string of separate paragraphs stuck together — with a thin paste of flour and water… I don’t think there has been such an inspired melodist on this earth since Tchaikovsky… but if you want to speak of a composer, that's another matter.”

Leonard Bernstein (1918–1990) American composer, conductor, author, music lecturer, and pianist

Of George Gershwin's Rhapsody in Blue
"Why Don't You Run Upstairs and Write a Nice Gershwin Tune?", in The Atlantic Monthly, April 1955.

Ghani Khan photo
George Orwell photo
George Orwell photo

“Before, he had fought against the money code, and yet he had clung to his wretched remnant of decency. But now it was precisely from decency that he wanted to escape. He wanted to go down, deep down, into some world where decency no longer mattered; to cut the strings of his self-respect, to submerge himself—to sink, as Rosemary had said. It was all bound up in his mind with the thought of being under ground.”

He liked to think of the lost people, the under-ground people: tramps, beggars, criminals, prostitutes. It is a good world that they inhabit, down there in their frowzy kips and spikes. He liked to think that beneath the world of money there is that great sluttish underworld where failure and success have no meaning; a sort of kingdom of ghosts where all are equal. That was where he wished to be, down in the ghost-kingdom, below ambition. It comforted him somehow to think of the smoke-dim slums of South London sprawling on and on, a huge graceless wilderness where you could lose yourself forever.
Source: Keep the Aspidistra Flying (1936), Ch. 10

Rabindranath Tagore photo
Vladimir Nabokov photo

“if a violin string could ache, i would be that string.”

Source: Lolita

Barack Obama photo
Charles Baudelaire photo
Vincent Van Gogh photo

“Success is sometimes the outcome of a whole string of failures.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

Source: Van Gogh

Rabindranath Tagore photo
Barry Lyga photo
Terry Pratchett photo
Slash (musician) photo
Virginia Woolf photo

“Happiness is to have a little string onto which things will attach themselves.”

Virginia Woolf (1882–1941) English writer

Monday 20 April 1925
A Moment's Liberty (1990)

Abraham Lincoln photo
Oscar Wilde photo
Rainer Maria Rilke photo

“How shall I hold on to my soul, so that
it does not touch yours? How shall I lift
it gently up over you on to other things?
I would so very much like to tuck it away
among long lost objects in the dark,
in some quiet, unknown place, somewhere
which remains motionless when your depths resound.
And yet everything which touches us, you and me,
takes us together like a single bow,
drawing out from two strings but one voice.
On which instrument are we strung?
And which violinist holds us in his hand?
O sweetest of songs.”

Wie soll ich meine Seele halten, daß
sie nicht an deine rührt? Wie soll ich sie
hinheben über dich zu andern Dingen?
Ach gerne möchte ich sie bei irgendetwas
Verlorenem im Dunkel unterbringen
an einer fremden stillen Stelle, die
nicht weiterschwingt, wenn diene Tiefen schwingen.
Doch alles, was uns anrührt, dich und mich,
nimmt uns zusammen wie ein Bogenstrich,
die aus zwei Saiten eine Stimme zieht.
Auf welches Instrument sind wir gespannt?
Und welcher Geiger hat uns in der Hand?
O süßes Lied.
Liebes-Lied (Love Song) (as translated by Cliff Crego)
Neue Gedichte (New Poems) (1907)

St. Vincent (musician) photo

“I'm not the pawn to your king
I'm not your world on a string
I'm not anyone you'll beat
I'm not anything”

St. Vincent (musician) (1982) American singer-songwriter

"Now, Now"
Marry Me (2007)

Michio Kaku photo

“We actually have a candidate for the mind of God. The mind of God we believe is cosmic music, the music of strings resonating through 11 dimensional hyperspace. That is the mind of God.”

Michio Kaku (1947) American theoretical physicist, futurist and author

Math is the Mind of God http://bigthink.com/dr-kakus-universe/math-is-the-mind-of-god?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+bigthink%2Fblogs%2Fdr-kakus-universe+%28Dr.+Kaku%27s+Universe%29 (29 December 2012)

Joseph Hall photo

“Moderation is the silken string running through the pearl chain of all virtues.”

Joseph Hall (1574–1656) British bishop

Christian Moderation, introduction.

Joseph Goebbels photo

“Hereafter we all have to be redeemed. The world is pulling with a thousand strings. We sin because of indifference and negligence and heap new guilt on the old original one. Our life is a chain of sin and expiation ruled by an incomprehensible providence.”

Joseph Goebbels (1897–1945) Nazi politician and Propaganda Minister

Wir müssen alle einmal erlöst werden. Die Welt zieht uns mit tausend Banden. Wir fehlen aus Gleichgültigkeit und Nachsicht und häufen neue eigene Schuld auf alte ererbte. Unser Leben ist eine Kette aus Schuld und Sühne, darüber ein nach unerforschlichen Gesetzen wirkendes Schicksal waltet.
Michael: a German fate in diary notes (1926)

Samuel Johnson photo

“Fly fishing may be a very pleasant amusement; but angling or float fishing I can only compare to a stick and a string, with a worm at one end and a fool at the other.”

Samuel Johnson (1709–1784) English writer

Attributed in Instructions to Young Sportsmen (1824) by Colonel Peter Hawker

Mark Twain photo
Socrates photo
Cristoforo Colombo photo

“As I saw that they were very friendly to us, and perceived that they could be much more easily converted to our holy faith by gentle means than by force, I presented them with some red caps, and strings of beads to wear upon the neck, and many other trifles of small value, wherewith they were much delighted, and became wonderfully attached to us. Afterwards they came swimming to the boats, bringing parrots, balls of cotton thread, javelins, and many other things which they exchanged for articles we gave them, such as glass beads, and hawk's bells; which trade was carried on with the utmost good will. But they seemed on the whole to me, to be a very poor people. They all go completely naked, even the women, though I saw but one girl. All whom I saw were young, not above thirty years of age, well made, with fine shapes and faces; their hair short, and coarse like that of a horse's tail, combed toward the forehead, except a small portion which they suffer to hang down behind, and never cut. Some paint themselves with black, which makes them appear like those of the Canaries, neither black nor white; others with white, others with red, and others with such colors as they can find. Some paint the face, and some the whole body; others only the eyes, and others the nose. Weapons they have none, nor are acquainted with them, for I showed them swords which they grasped by the blades, and cut themselves through ignorance. They have no iron, their javelins being without it, and nothing more than sticks, though some have fish-bones or other things at the ends. They are all of a good size and stature, and handsomely formed. I saw some with scars of wounds upon their bodies, and demanded by signs the of them; they answered me in the same way, that there came people from the other islands in the neighborhood who endeavored to make prisoners of them, and they defended themselves. I thought then, and still believe, that these were from the continent. It appears to me, that the people are ingenious, and would be good servants and I am of opinion that they would very readily become Christians, as they appear to have no religion. They very quickly learn such words as are spoken to them. If it please our Lord, I intend at my return to carry home six of them to your Highnesses, that they may learn our language. I saw no beasts in the island, nor any sort of animals except parrots.”

Cristoforo Colombo (1451–1506) Explorer, navigator, and colonizer

12 October 1492; This entire passage is directly quoted from Columbus in the summary by Bartolomé de Las Casas
Journal of the First Voyage

José Saramago photo
Novalis photo

“Nature is an Æolian Harp, a musical instrument; whose tones again are keys to higher strings in us.”

Novalis (1772–1801) German poet and writer

Novalis (1829)

Paul Dirac photo
Novalis photo

“Erelong, he no more saw anything alone. — In great variegated images, the perceptions of his senses crowded round him; he heard, saw, touched and thought at once. He rejoiced to bring strangers together. Now the stars were men, now men were stars, the stones animals, the clouds plants; he sported with powers and appearances; he knew where and how this and that was to be found, to be brought into action; and so himself struck over the strings, for tones and touches of his own.”

Novalis (1772–1801) German poet and writer

Pupils at Sais (1799)
Context: Over his own heart and his own thoughts he watched attentively. He knew not whither his longing was carrying him. As he grew up, he wandered far and wide; viewed other lands, other seas, new atmospheres, new rocks, unknown plants, animals, men; descended into caverns, saw how in courses and varying strata the edifice of the Earth was completed, and fashioned clay into strange figures of rocks. By and by, he came to find everywhere objects already known, but wonderfully mingled, united; and thus often extraordinary things came to shape in him. He soon became aware of combinations in all, of conjunctures, concurrences. Erelong, he no more saw anything alone. — In great variegated images, the perceptions of his senses crowded round him; he heard, saw, touched and thought at once. He rejoiced to bring strangers together. Now the stars were men, now men were stars, the stones animals, the clouds plants; he sported with powers and appearances; he knew where and how this and that was to be found, to be brought into action; and so himself struck over the strings, for tones and touches of his own.

Pelé photo
This quote waiting for review.
José Baroja photo

“Latin America’s right-wing has no shame in throwing itself at the highest bidder — their morals shift to match whoever’s holding the purse strings.”

José Baroja (1983) Chilean author and editor

Source: 1480 AM Rock&Pop. Guadalajara, Mexico.

Jennifer Donnelly photo
William Faulkner photo
Wassily Kandinsky photo

“Generally speaking, colour is a power which directly influences the soul. Colour is the keyboard, the eyes are the hammer, the soul is the strings. The artist is the hand that plays, touching one key or another, to cause vibrations in the soul.”

Wassily Kandinsky (1866–1944) Russian painter

V. The psychological working of Colour: Quoted in: Hajo Düchting (2000) Wassily Kandinsky, 1866-1944: A Revolution in Painting. p. 17
Alternative translation:
Colour is a means of exerting direct influence on the soul. Colour is the keyboard, the eyes are the hammers, the soul is the piano with many strings. The artist is the hands which plays touching one key or another purposively to cause vibrations in the Soul; in: Anna Moszynska, Abstract Art, Thames and Hudson, 1990
Source: 1910 - 1915, Concerning the Spiritual in Art, 1911

John Muir photo

“Every hidden cell is throbbing with music and life, every fiber thrilling like harp strings.”

John Muir (1838–1914) Scottish-born American naturalist and author

Source: The Wilderness World of John Muir

Alberto Manguel photo
Haruki Murakami photo
Mary Karr photo
Karen Marie Moning photo

“I am a kite in a tornado, but I have a long string.”

Karen Marie Moning (1964) author

Source: Dreamfever

Jenny Offill photo
Nicholas Sparks photo
Ralph Waldo Emerson photo

“Trust thyself: every heart vibrates to that iron string.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

Source: 1840s, Essays: First Series (1841), Self-Reliance
Context: Trust thyself: every heart vibrates to that iron string. Accept the place the divine providence has found for you, the society of your contemporaries, the connection of events. Great men have always done so.

Jean Rhys photo
Patrick Rothfuss photo
Sophie Kinsella photo
Khaled Hosseini photo

“Like many air travelers, I am aware that airplanes fly aided by capricious fairies and invisible strings.”

J. Maarten Troost (1969) American writer

Source: The Sex Lives of Cannibals: Adrift in the Equatorial Pacific

Edna St. Vincent Millay photo

“And her voice is a string of colored beads,
Or steps leading into the sea.”

Edna St. Vincent Millay (1892–1950) American poet

Source: Renascence and Other Poems

Cassandra Clare photo

“It's fascinating. You know all these words, and they’re all English, but when you string them together into sentences, they just don’t make any sense.”

Variant: It’s fascinating. You know all these words, and they’re all English, but when you string them together into sentences, they just don’t make any sense.
Source: City of Fallen Angels

Chi­ma­man­da Ngo­zi Adi­chie photo
Ralph Waldo Emerson photo
Victor Hugo photo
Suzanne Collins photo
Pythagoras photo

“There is geometry in the humming of the strings. There is music in the spacings of the spheres.”

Pythagoras (-585–-495 BC) ancient Greek mathematician and philosopher

As quoted in the preface of the book entitled Music of the Spheres by Guy Murchie (1961)
The Golden Verses

Barbara Kingsolver photo
Robert Jordan photo
R. Scott Bakker photo
Aldous Huxley photo
John Muir photo
Aldous Huxley photo
Neal A. Maxwell photo
John Steinbeck photo
Robert Jordan photo
David Levithan photo
Augusten Burroughs photo
Anthony Doerr photo
Nicole Krauss photo
Sarah Dessen photo
Neal Stephenson photo

“Our opponent is an alien starship packed with atomic bomc,' I said. 'We have a protractor.'
Okay, I'll go home and see if I can scrounge up a ruler and a piece of string.”

Cord and Erasmas, Part 6, "Peregrin"
Source: Anathem (2008)
Context: “Do you need transportation? Tools? Stuff?”
"Our opponent is an alien starship packed with atomic bombs. We have a protractor."
“Okay, I’ll go home and see if I can scrounge up a ruler and a piece of string.”
“That’d be great.”

Alan Moore photo

“We’re all puppets, Laurie. I’m just a puppet who can see the strings.”

Source: Doctor Manhattan, in Watchmen #9 (referring to Doctor Manhattans's theory of time)

Dwight D. Eisenhower photo

“Pull the string and it will follow wherever you wish. Push it, and it will go nowhere at all.”

Dwight D. Eisenhower (1890–1969) American general and politician, 34th president of the United States (in office from 1953 to 1961)
Ann Brashares photo
Robert Jordan photo
Margaret Atwood photo

“It may be that we are puppets — puppets controlled by the strings of society. But at least we are puppets with perception, with awareness. And perhaps our awareness is the first step to our liberation.”

Stanley Milgram (1933–1984) Social psychologist

As quoted in The Social Dimensions Of Law And Justice In Contemporary India (1979) by V. R. Krishna Iyer
Context: It may be that we are puppets — puppets controlled by the strings of society. But at least we are puppets with perception, with awareness. And perhaps our awareness is the first step to our liberation. The fact that obedience is often a necessity in human society does not diminish our responsibility as citizens. Rather, it confers on us a special obligation to place in positions of authority those most likely to use it humanely. And people are inventive. The variety of political forms we have seen in history are only several of many possible political arrangements. Perhaps the next step is to invent and to explore political forms that will give conscience a better chance to resist errant authority.

Jane Hirshfield photo
Mark Tobey photo

“There has been 32 isms since the advent of Cubism, yet after all there are essentially the same two old strings, the Romantic and the Classical. We've just be confused by the storm. Science and psychology have played a great part to say nothing of sex.”

Mark Tobey (1890–1976) American abstract expressionist painter

The Tigers Eye 1, Mark Tobey, 1952; as quoted in Abstract Expressionist Painting in America, W.C, Seitz, Cambridge Massachusetts, 1983, p. 103
1950's

Letitia Elizabeth Landon photo

“Ah, deeply the Minstrel has felt all he sings,
Every passion he paints his own bosom has known;
No note of wild music is swept from the strings,
But first his own feelings have echoed the tone.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

(27th April 1822) The Poet
4th May 1822) Sappho see The Vow of the Peacock (1835
The London Literary Gazette, 1821-1822

Patrick Allen photo

“String 'em up and watch the piggies squeal!”

Patrick Allen (1927–2006) Film, television and voice actor

E4, Brat Camp USA' Trail

Neil Young photo

“And the world on a string doesn't mean a thing.”

Neil Young (1945) Canadian singer-songwriter

World On A String
Song lyrics, Tonight's the Night (1975)

Chris Rea photo
Plutarch photo

“The signs on Bell’s door read “J. Bell” and “M. Bell.” I knocked and was invited in by Bell. He looked about the same as he had the last time I saw him, a couple of years ago. He has long, neatly combed red hair and a pointed beard, which give him a somewhat Shavian figura. On one wall of the office is a photograph of Bell with something that looks like a halo behind his head, and his expression in the photograph is mischievous. Theoretical physicists’ offices run the gamut from chaotic clutter to obsessive neatness; the Bells’ is somewhere in between. Bell invited me to sit down after warning me that the “visitor’s chair” tilted backward at unexpected angles. When I had mastered it, and had a chance to look around, the first thing that struck me was the absence of Mary. “Mary,” said Bell, with a note of some disbelief in his voice, “has retired.” This, it turned out, had occurred not long before my visit. “She will not look at any mathematics now. I hope she comes back,” he went on almost plaintively; “I need her. We are doing several problems together.” In recent years, the Bells have been studying new quantum mechanical effects that will become relevant for the generation of particle accelerators that will perhaps succeed the LEP. Bell began his career as a professional physicist by designing accelerators, and Mary has spent her entire career in accelerator design. A couple of years ago Bell, like the rest of the members of CERN theory division, was asked to list his physics speciality. Among the more “conventional” entries in the division such as “super strings,” “weak interactions,” “cosmology,” and the like, Bell’s read “quantum engineering.””

Jeremy Bernstein (1929) American physicist

Quantum Profiles (1991), John Stewart Bell: Quantum Engineer

François Englert photo