Quotes about stage
page 5

Philippe Starck photo

“This museum is like a ghost train—at every stage you find a surprise. Intuition prepares you for enlightenment, not audio-visual lectures. There's less to read, more to fee.”

Philippe Starck (1949) French architect and industrial designer

Starck cited in: Priscilla Boniface, Peter Jon Fowler (1993) Heritage and Tourism: In the Global Village. p. 161: Starck is talking about the Groninger Museum.

Marie-Louise von Franz photo

“The world’s a theatre, the earth a stage
Which God and Nature do with actors fill.”

Thomas Heywood (1574–1641) English playwright, actor, and author

Apology for Actors, (1612). Compare: "The world's a stage on which all parts are played", Thomas Middleton, A Game of Chess (1624), Act v. Sc. 1.; "All the world ’s a stage, And all the men and women merely players", Shakespeare, As You Like It, Act ii. Sc. 7.

John Stuart Mill photo
David Mamet photo
Joseph Campbell photo
Katie Couric photo
Tina Fey photo
Pat Conroy photo

“Graduation was nice. General Clark liked it. The Board of Visitors liked it. Moms and Dads liked it. And the Cadets hated it, for without a doubt it ranked as the most boring event of the year. Thus it was in 1964 that the Clarey twins pulled the graduation classic. When Colonel Hoy called the name of the first twin, instead of walking directly to General Clark to receive his diploma, he headed for the line of visiting dignitaries, generals, and members of the Board of Visitors who sat in a solemn semi-circle around the stage. He shook hands with the first startled general, then proceeded to shake hands and exchange pleasantries with every one on the stage. He did this so quickly that it took several moments for the whole act to catch on. When it finally did, the Corps went wild. General Clark, looking like he had just learned the Allies had surrendered to Germany, stood dumbfounded with Clarey number one's diploma hanging loosely from his hand; then Clarey number two started down the line, repeating the virtuoso performance of Clarey number one, as the Corps whooped and shouted their approval. The first Clarey grabbed his diploma from Clark and pumped his hand vigorously up and down. Meanwhile, his brother was breezing through the hand-shaking exercise. As both of them left the stage, they raised their diplomas above their heads and shook them like war tomahawks at the wildly applauding audience. No graduation is remembered so well.”

Source: The Boo (1970), p. 33

Jared Diamond photo
Francis Escudero photo
Warren Farrell photo

“The Malays should examine the current reality and accept the fact that there is a new environment out there in the country and world stage. Open your eyes, wake up and accept the bitter truth.”

Nazrin Muizzuddin Shah (2018) cited in " Change or go extinct, Perak Sultan tells Malays http://www.freemalaysiatoday.com/category/nation/2018/07/21/change-or-go-extinct-perak-sultan-tells-malays/" on Bernama, 21 July 2018

“We have as much evidence that T. rex was feathered, at least during some stage of its life, as we do that australopithecines like Lucy had hair.”

Mark Norell (1957) American paleontologist

As quoted by B. Keim (2012) "Giant Feathered Tyrannosaur Found in China" Wired (April 4, 2012)

“An internal combustion engine is 'clearly' a system; we subscribe to this opinion because we know that the engine was designed precisely to be a system. It is, however, possible to envisage that someone (a Martian perhaps) totally devoid of engineering knowledge might at first regard the engine as a random collection of objects. If this someone is to draw the conclusion that the collection is coherent, forming a system, it will be necessary to begin by inspecting the relationships of the entities comprising the collection to each other. In declaring that a collection ought to be called a system, that is to say, we acknowledge relatedness. But everything is related to everything else. The philosopher Hegel enunciated a proposition called the Axiom of Internal Relations. This states that the relations by which terms are related are an integral part of the terms they relate. So the notion we have of any thing is enriched by the general connotation of the term which names it; and this connotation describes the relationship of the thing to other things… [There are three stages in the recognition of a system]… we acknowledge particular relationships which are obtrusive: this turns a mere collection into something that may be called an assemblage. Secondly, we detect a pattern in the set of relationships concerned: this turns an assemblage into a systematically arranged assemblage. Thirdly, we perceive a purpose served by this arrangement: and there is a system.”

Anthony Stafford Beer (1926–2002) British theorist, consultant, and professor

Source: Decision and control: the meaning of operational research and management cybernetics, 1966, p. 242.

Peter Akinola photo
John Maynard Keynes photo
Greg Bear photo

“In its final stages the civilization becomes a dualism of almost totalitarian imperial power and an amorphous mass culture of atomized individuals.”

Carroll Quigley (1910–1977) American historian

Oscar Iden Lecture Series, Lecture 3: "The State of Individuals" (1976)

Christopher Nolan photo
GG Allin photo

“Jane Whitney: You go way beyond sex, drugs and rock 'n' roll in your performances: you self-mutilate on stage.”

GG Allin (1956–1993) American singer-songwriter

On The Jane Whitney Show

A. J. Muste photo
Marlon Brando photo

“No theater could sanely flourish until there was an umbilical connection between what was happening on the stage and what was happening in the world.”

Kenneth Tynan (1927–1980) English theatre critic and writer

Source: As quoted in "Critic Kenneth Tynan Has Mellowed But Is Still England's Stingingest Gadfly" by Godfrey Smith in The New York Times (9 January 1966)

Carl Barus photo

“The icing on the cake is where I had to take second fiddle to Yaxeni Oriquen Garcia 2005 Ms Olympia that was a big stab in the back at the time we were instructed to reduce 20% in the muscularity round.. I normally compete at 160-162 that year being the embassador of the sport I must lead by example, which I did. I competed at 155lbs still same conditioning, shape etc…. Lord behold second fiddle to Yaxeni.. It looked as if Yaxeni had did the opposite of what the current ruling stated and she was being rewarded.. Come on we have two different body types! I have a small tapered waist line, fine detail flowing through out my body, nice harmony and she's displaying nothing but BIG. When someone refers to Yaxeni body they say she's a big girl.. She has great confidence about herself on stage, which is an EXCELLENT tool and having that can always gain you a few points, but to flat out win is RIDICULOUS and not possible… Anyhow, Yaxeni was more surprised then I when hearing her name announced victoriously. And believe it or not annoucing the winner that year was Lenda Murray, so she was probably soaking up every second of me losing as a mild way of payback. I was always told when going after the champ you have to completely knock the champ "OUT."”

Iris Kyle (1974) American bodybuilder

Anything close should not cause you a win.
2012-02-05
An Exclusive Interview With the Ms. Olympia Champion Iris Kyle
RX Muscle
Internet
http://www.rxmuscle.com/rx-girl-articles/female-bodybuilding/4986-an-exclusive-interview-with-the-ms-olympia-champion-iris-kyle.html
Sourced quotes, 2012

Enoch Powell photo

“Make no mistake, the real power resides not where present authority is exercised but where it is expected that authority will in future be exercised. The magnetic attraction of power is exercised by the prospect long before the reality is achieved; and the trek towards the rising sun, which is already in progress in 1972, would swell to an exodus before long. What do you imagine is the reason why Roy Jenkins is prepared to resign the front bench and divide his party in the endeavour to give a Conservative Prime Minister a majority in the House of Commons? The motive is not ignoble or discreditable—I am not asserting that—but it is a motive which it behoves people in Britain well to understand. It is the ambition to exercise his talents on the stage of Europe and to participate in taking decisions not for Britain here at home but for Europe in Brussels, Paris, Luxembourg or wherever else the imperial pavilions may be pitched. He does not, I assure you, forsee his future triumphs and achievements where his predecessors have seen them in the past – at the despatch box in the House of Commons or in the Cabinet room at Downing St. These are not good enough: the vision splendid beckons elsewhere.”

Enoch Powell (1912–1998) British politician

Speech at Millom, Cumberland (29 April 1972), from A Nation or No Nation? Six Years in British Politics (Elliot Right Way Books, 1977), p. 42. Jenkins had resigned from the Shadow Cabinet and as deputy leader of the Labour Party due to Labour's opposition to British entry into the EEC. Jenkins wrote to Powell to claim what he said was "totally untrue". Four years later Jenkins would leave front line British politics to become President of the European Commission.
1970s

Ravi Gomatam photo
Aron Ra photo
Clint Eastwood photo

“Everybody wonders why I continue working at this stage. I keep working because there's always new stories. … And as long as people want me to tell them, I'll be there doing them.”

Clint Eastwood (1930) actor and director from the United States

Reflecting on his later career
The Eastwood Factor (Extended Edition). [DVD]. Warner Home Video. June 1, 2010. Event occurs at 1:26:15.

Hermann Hesse photo
Immortal Technique photo

“But if you on stage with the DEA, as your hype man, don't get yourself locked up and blame the white man.”

Immortal Technique (1978) American rapper and activist

Out on parole
Albums, The 3rd World (2008)

Nick Bostrom photo
Karl Barth photo

“Nothing is more characteristic of the Hegelian system of knowledge than the fact that upon its highest pinnacle, where it becomes knowledge of knowledge, i. e. knowledge knowing of itself, it is impossible for it to have any other content but simply the history of philosophy, the account of its continuing self-exposition, in which all individual developments, coming full circle, can only be stages along the road to the absolute philosophy reached in Hegel himself. But that which knowledge is explicitly upon this topmost pinnacle as the history of philosophy, the philosophy completed in Hegel, it is implicitly all along the line: the knowledge of history and the history of knowledge, the history of truth, the history of God, as Hegel was able to say: the philosophy of History. History here has entered so thoroughly into reason, philosophy has so basically become the philosophy of history, that reason, the object of philosophy itself, has become history utterly and completely, that reason cannot understand itself other than a sits own history, and that, from the opposite point of view, it is in a position to recognize itself at once in all history in some stage of its life-process, and also in its entirety, so far as the study permits us to divine the whole. It is a matter of the production of self-movement of the thought-content in the consciousness of the thinking subject. It is not a matter of reproduction! The Hegelian way of looking is the looking of a spectator only in so far as it is in fact in principle and exclusively theory, thinking consciousness. Granting this premise, and setting aside Kierkegaard’s objection that with it the spectator might by chance have forgotten himself, that is the practical reality of his existence, then for Hegel it is also in order (only too much in order!) that the human subject, whilst looking in this manner, stands by no means apart as if it were not concerned. It is in this looking that the something seen is produced. And the thing seen actually has its reality in the fact that it is produced as the thing seen in the looking of the human subject. Man cannot participate more energetically (within the frame-work of theoretical possibility), he cannot be more forcefully transferred from the floor of the theatre on to the stage than in his theory.”

Karl Barth (1886–1968) Swiss Protestant theologian

Karl Barth Protestant Thought From Rousseau to Ritschl, 1952, 1959 p. 284-285
Protestant Thought From Rousseau to Ritschl 1952, 1956

Nicolas Bouvier photo

“First stage: small stage", say the Persian caravaneers who know so well that, the first evening, everyone realises that he's forgotten something at home. Normally, one covers no more than a "pharsar" (around 6km). The careless should be able to go home and come back before sunrise. This concession to distraction is one more thing I love about Persia. I don't think there's a single practical measure in this country that neglects the irreducible imperfection of man.”

Première étape : petite étape », disent les caravaniers persans qui savent bien que, le soir du départ, chacun s'aperçoit qu'il a oublié quelque chose à la maison. D'ordinaire, on ne fait qu'un pharsar. Il faut que les étourdis puissent encore aller et revenir avant le lever du soleil. Cette part faite à la distraction m'est une raison de plus d'aimer la Perse. Je ne crois pas qu'il existe dans ce pays une seule disposition pratique qui néglige l'irréductible imperfection de l'homme.
Un pharsar représente environ 6 kilomètres. L'Usage du monde (1963), Nicolas Bouvier, éd. Payot, coll. « Petite Bibliothèque Payot/Voyageurs », 1992 (ISBN 2-228-88560-6), p. 259

Robert Sheckley photo
Dane Clark photo
Fran Lebowitz photo
Justin Heazlewood photo
Herbert Marcuse photo
Max Weber photo
Philip Roth photo
Francis Turner Palgrave photo

“Shakespeare's stage must hold the glass to every age.”

Francis Turner Palgrave (1824–1897) English poet and critic

The Ancient And Modern Muses

Carson Grant photo
Edgar Degas photo

“A painting is above all a product of the artist's imagination, it must never be a copy. If, at a later stage, he wants to add two or three touches from nature, of course it doesn't spoil anything.”

Edgar Degas (1834–1917) French artist

Une peinture, c'est d'abord un produit de l'imagination de l'artiste, ce ne doit jamais être une copie. Si, ensuite, on peut y ajouter deux ou trois accents de nature, evidemment ca ne fait pas de mal.
Quoted by Maurice Sérullaz, L'univers de Degas (H. Scrépel, 1979), p. 13
quotes, undated

Jacques Ellul photo
Carlo Carrà photo
Harvey Fierstein photo
Glenn Beck photo

“Glenn Beck: But I was standing on the stage with Freedom Works on Friday in a show that we’re going to air tonight at 8:00 on TheBlaze and I was giving a speech and it struck me about halfway through, the similarities of what is being done right now to the beginning of our country— we are repeating, and we're at the very beginning of it, but we're repeating all of the steps that it took for use to be free in— around the time of the Declaration of Independence, don't you think?
David Barton: I agree. And I look—
Glenn Beck: It's starting to happen.”

Glenn Beck (1964) U.S. talk radio and television host

2012-11-05
Will Christians show up this time? Glenn interviews David Barton
http://www.glennbeck.com/2012/11/05/will-christians-show-up-this-time-glenn-interviews-david-barton/
The Glenn Beck Program
Radio, quoted in * 2012-11-05
Beck & Barton Say Romney Will Win Because 'We are Repeating all of the Steps' the Founders Took to Create This Nation
Kyle
Mantyla
RightWingWatch
http://www.rightwingwatch.org/content/beck-barton-say-romney-will-win-because-we-are-repeating-all-steps-founders-took-create-nati
2012-11-07
2010s, 2012

Pitirim Sorokin photo
Julio Cortázar photo

“"Hair loss and retrieval" (Translation of "Pérdida y recuperación del pelo")


To combat pragmatism and the horrible tendency to achieve useful purposes, my elder cousin proposes the procedure of pulling out a nice hair from the head, knotting it in the middle and droping it gently down the hole in the sink. If the hair gets caught in the grid that usually fills in these holes, it will just take to open the tap a little to lose sight of it.


Without wasting an instant, must start the hair recovery task. The first operation is reduced to dismantling the siphon from the sink to see if the hair has become hooked in any of the rugosities of the drain. If it is not found, it is necessary to expose the section of pipe that goes from the siphon to the main drainage pipe. It is certain that in this part will appear many hairs and we will have to count on the help of the rest of the family to examine them one by one in search of the knot. If it does not appear, the interesting problem of breaking the pipe down to the ground floor will arise, but this means a greater effort, because for eight or ten years we will have to work in a ministry or trading house to collect enough money to buy the four departments located under the one of my elder cousin, all that with the extraordinary disadvantage of what while working during those eight or ten years, the distressing feeling that the hair is no longer in the pipes anymore can not be avoided and that only by a remote chance remains hooked on some rusty spout of the drain.


The day will come when we can break the pipes of all the departments, and for months to come we will live surrounded by basins and other containers full of wet hairs, as well as of assistants and beggars whom we will generously pay to search, assort, and bring us the possible hairs in order to achieve the desired certainty. If the hair does not appear, we will enter in a much more vague and complicated stage, because the next section takes us to the city's main sewers. After buying a special outfit, we will learn to slip through the sewers at late night hours, armed with a powerful flashlight and an oxygen mask, and explore the smaller and larger galleries, assisted if possible by individuals of the underworld, with whom we will have established a relationship and to whom we will have to give much of the money that we earn in a ministry or a trading house.


Very often we will have the impression of having reached the end of the task, because we will find (or they will bring us) similar hairs of the one we seek; but since it is not known of any case where a hair has a knot in the middle without human hand intervention, we will almost always end up with the knot in question being a mere thickening of the caliber of the hair (although we do not know of any similar case) or a deposit of some silicate or any oxide produced by a long stay against a wet surface. It is probable that we will advance in this way through various sections of major and minor pipes, until we reach that place where no one will decide to penetrate: the main drain heading in the direction of the river, the torrential meeting of detritus in which no money, no boat, no bribe will allow us to continue the search.


But before that, and perhaps much earlier, for example a few centimeters from the mouth of the sink, at the height of the apartment on the second floor, or in the first underground pipe, we may happen to find the hair. It is enough to think of the joy that this would cause us, in the astonished calculation of the efforts saved by pure good luck, to choose, to demand practically a similar task, that every conscious teacher should advise to its students from the earliest childhood, instead of drying their souls with the rule of cross-multiplication or the sorrows of Cancha Rayada.”

Julio Cortázar (1914–1984) Argentinian writer

Historias de Cronopios y de Famas (1962)

James Brown photo

“When I'm on stage, I'm trying to do one thing: bring people joy. Just like church does. People don't go to church to find trouble, they go there to lose it.”

James Brown (1933–2006) American singer, songwriter, musician, and recording artist

Brown, J. & Tucker, B.B. (1986). James Brown: The Godfather of Soul. Macmillan: New York. ISBN 0-02517-430-4

Mahatma Gandhi photo

“I do feel that spiritual progress does demand at some stage—an inexorable demand—that we should cease to kill our fellow-creatures for satisfaction of our bodily wants.”

Mahatma Gandhi (1869–1948) pre-eminent leader of Indian nationalism during British-ruled India

Speech at Meeting in Lausanne (8 December 1931), in The Collected Works of Mahatma Gandhi (New Delhi: Publications Division Government of India, 1999 electronic edition), Volume 54 http://www.gandhiashramsevagram.org/gandhi-literature/mahatma-gandhi-collected-works-volume-54.pdf, p. 272.
1930s

Pauline Kael photo
Nathan Lane photo

“A sitcom is the closest thing for me to doing stage because you work in front of an audience, and if it's well written it can be very satisfying.”

Nathan Lane (1956) American actor

Sunday Tasmanian staff (January 4, 1998) "This Is A Very Mice Story!", Sunday Tasmanian, p. 037.

Thornton Wilder photo
Moshe Chaim Luzzatto photo
Marie-Louise von Franz photo
Bhimrao Ramji Ambedkar photo
Florence Nightingale photo

“Hospitals are only an intermediate stage of civilization, never intended at all even to take in the whole sick population.”

Florence Nightingale (1820–1910) English social reformer and statistician, and the founder of modern nursing

Sick-Nursing and Health-Nursing" (1893)

George W. Bush photo
Bob Hope photo

“In his prime, the young comic walked onto a stage with the confidence of a man who owned it, and by the time he walked off, he did.”

Bob Hope (1903–2003) American comedian, actor, singer and dancer

Obituary, Television Week, 4 August 2003 http://goliath.ecnext.com/coms2/gi_0199-3030403/Guest-Commentary-Hope-Everlasting-Press.html
About

Mike Pence photo
Phil Brooks photo

“Punk: Wow, everybody, it's John Cena. He comes out here every Monday night, he's excitable, he throws his hat at somebody, everybody loves it. I am so impressed at how you do that. You get all these people to believe you're that friendly, smiling, everyday man, when I know the truth. And the truth, John Cena, is you're thoughtless, you're heartless, and above all else, you are dishonest. I'm sure there's millions of people worldwide, including yourself, that would love to believe this is over a spilled diet soda, but John, this goes way beyond my spilled diet soda. Yeah. John, you were fired from the WWE. You were gone. You gave a very tear-inducing speech in the middle of the ring about how you finally get to see your mom and hang out with your little brother, and you said you were gonna go away. You were gonna be a man of your way, but what happened? You came back later that night, and then you came back the next week, and then you came back the next week, showing all of these people who aren't intelligent to see through your facade what I have known all along—that your word is absolutely worthless. And then there's TLC, you have the man beaten. Wade Barrett, a very tough individual, and you have him beat in a chairs match, but that's not good enough for you. You don't take the high ground, you can't walk off into the sunset with your victory; you drag the man off to the side of the stage and you drop fifteen steel chairs on him, and I wanna know exactly why you think that's acceptable behavior. I wanna know why you think it's okay to show up the next night on Raw and humiliate the poor guy…
Cena: That is balderdash! Fifteen steel chairs? That's insane. It was 23 steel chairs. And in case you forgot, Wade Barrett and the Nexus gave me about five thousand beat-downs, made me their personal slave, and ended my career.
Punk: You wanna talk about ended careers, you hypocrite? This is exactly what I'm talking about. You ended the career of my good friend Dave Batista. John! John, look at me when I'm talking to you. This is a reoccurring pattern with you. Once again, you have the man beaten—last man standing, he verbally submits, how humiliating, the match is won. But, no, you AA him off a car through the very steel ramp that I'm sitting on, which facilitated the end of his career. Now we'll talk about Vickie Guerrero. I'm surprised the lovely Vickie Guerrero doesn't up and quit based on all the abuse you heap on her. It's not just the physical things to the Wade Barretts and the Dave Batistas, but it's the name-calling, it's the mental abuse to somebody as gorgeous and beautiful as Vickie Guerrero.
Cena: "It's the this… it's the that." Okay, CM Punk is gonna play Mr. Fingerpointer. Well…1.—Dave Batista broke my neck; 2.—He showed up on Raw the next night and quit on his own terms. And C—I didn't just single out Vickie Guerrero. In case you haven't been watching for the past… eight years, I talk about everybody. Uh… Michael Cole. Michael Cole has an anonymous fetish with Justin Bieber and has the word "The Miz" man-scaped right below his belly button. Me! Look at me. I look like the crazy sex child of the Incredible Hulk and Grimace. And then there's you.
Punk: Yeah, and then there's me, who happens to not be laughing. I don't know if you noticed that. You're not funny.”

Phil Brooks (1978) American professional wrestler and mixed martial artist

December 27, 2010
WWE Raw

Raymond Cattell photo
Ramsay MacDonald photo
Johnny Carson photo
Lance Armstrong photo

“Lance Armstrong: How bad do you want to win a stage in the Tour de France?
Floyd Landis: Real bad.
Armstrong: How fast can you go down hill?
Landis: I go downhill real fast. Can I do it?
Armstrong: Sure you can do it … run like you stole something Floyd.”

Lance Armstrong (1971) professional cyclist from the USA

Exchange with Floyd Landis, at Stage 17 of the Tour de France as reported in "Score another for Armstrong" in VeloNews (22 July 2004) http://velonews.com/article/6638

Ben Croshaw photo
Daniel Radcliffe photo

“Stage is much more intimidating than going before the cameras, because you can really screw up, and can't do a retake.”

Daniel Radcliffe (1989) English actor

http://www.flixster.com/actor/daniel-radcliffe/daniel-radcliffe-quotes

Charlie Chaplin photo
Dana Gioia photo
Mircea Eliade photo
Mallika Sherawat photo
Sri Aurobindo photo

“The end of a stage of evolution is usually marked by a powerful recrudescence of all that has to go out of the evolution.”

Sri Aurobindo (1872–1950) Indian nationalist, freedom fighter, philosopher, yogi, guru and poet

September 18, 1909
India's Rebirth

Alasdair MacIntyre photo
Thomas Kuhn photo
Ann Coulter photo
Augustus De Morgan photo
Edward Said photo
Herbert Marcuse photo

“The world of their [the bourgeois’] predecessors was a backward, pre-technological world, a world with the good conscience of inequality and toil, in which labor was still a fated misfortune; but a world in which man and nature were not yet organized as things and instrumentalities. With its code of forms and manners. with the style and vocabulary of its literature and philosophy. this past culture expressed the rhythm and content of a universe in which valleys and forests, villages and inns, nobles and villains, salons and courts were a part of the experienced reality. In the verse and prose of this pre-technological culture is the rhythm of those who wander or ride in carriages. who have the time and the pleasure to think, contemplate, feel and narrate. It is an outdated and surpassed culture, and only dreams and childlike regressions can recapture it. But this culture is, in some of its decisive elements. also a post-technological one. Its most advanced images and positions seem to survive their absorption into administered comforts and stimuli; they continue to haunt the consciousness with the possibility of their rebirth in the consummation of technical progress. They are the expression of that free and conscious alienation from the established forms of life with which literature and the arts opposed these forms even where they adorned them. In contrast to the Marxian concept, which denotes man's relation to himself and to his work in capitalist society, the artistic alienation is the conscious transcendence of the alienated existence—a “higher level” or mediated alienation. The conflict with the world of progress, the negation of the order of business, the anti-bourgeois elements in bourgeois literature and art are neither due to the aesthetic lowliness of this order nor to romantic reaction—nostalgic consecration of a disappearing stage of civilization. “Romantic” is a term of condescending defamation which is easily applied to disparaging avant-garde positions, just as the term “decadent” far more often denounces the genuinely progressive traits of a dying culture than the real factors of decay. The traditional images of artistic alienation are indeed romantic in as much as they are in aesthetic incompatibility with the developing society. This incompatibility is the token of their truth. What they recall and preserve in memory pertains to the future: images of a gratification that would dissolve the society which suppresses it”

Source: One-Dimensional Man (1964), pp. 59-60

Alastair Reynolds photo
William John Macquorn Rankine photo
Marcus Tullius Cicero photo

“In short, enjoy the blessing of strength while you have it and do not bewail it when it is gone, unless, forsooth, you believe that youth must lament the loss of infancy, or early manhood the passing of youth. Life's race-course is fixed; Nature has only a single path and that path is run but once, and to each stage of existence has been allotted its own appropriate quality; so that the weakness of childhood, the impetuosity of youth, the seriousness of middle life, the maturity of old age—each bears some of Nature's fruit, which must be garnered in its own season.”
Denique isto bono utare, dum adsit, cum absit, ne requiras: nisi forte adulescentes pueritiam, paulum aetate progressi adulescentiam debent requirere. cursus est certus aetatis et una via naturae eaque simplex, suaque cuique parti aetatis tempestivitas est data, ut et infirmitas puerorum et ferocitas iuvenum et gravitas iam constantis aetatis et senectutis maturitas naturale quiddam habet, quod suo tempore percipi debeat.

Marcus Tullius Cicero (-106–-43 BC) Roman philosopher and statesman

section 33 http://www.perseus.tufts.edu/hopper/text?doc=Perseus%3Atext%3A2007.01.0039%3Asection%3D33
Cato Maior de Senectute – On Old Age (44 BC)

K. R. Narayanan photo