Source: The Outermost House, 1928, p. 25: Ch 2
Source: The Outermost House: A Year of Life On The Great Beach of Cape Cod
Context: We need another and a wiser and perhaps a more mystical concept of animals. Remote from universal nature, and living by complicated artifice, man in civilization surveys the creature through the glass of his knowledge and sees thereby a feather magnified and the whole image in distortion. We patronize them for their incompleteness, for their tragic fate of having taken form so far below ourselves. And therein we err, and greatly err. For the animal shall not be measured by man. In a world older and more complete than ours they moved finished and complete, gifted with extensions of the senses we have lost or never attained, living by voices we shall never hear. They are not brethren, they are not underlings; they are other nations, caught with ourselves in the net of life and time, fellow prisoners of the splendour and travail of the earth.
Quotes about splendor
A collection of quotes on the topic of splendor, world, life, likeness.
Quotes about splendor

Source: The Last Report on the Miracles at Little No Horse

Source: What I Believe

Variant translation: The constant fluttering around the single flame of vanity is so much the rule and the law that almost nothing is more incomprehensible than how an honest and pure urge for truth could make its appearance among men.
On Truth and Lie in an Extra-Moral Sense (1873)

from "Ratzinger denies Christianity 'superior' to Islam," Zenit.org via Catholic News, March 6, 2002
2002

Attributed to Russell in Ken Davis' Fire Up Your Life! (1995), p. 33
Attributed from posthumous publications

Meera Bai, in [ http://books.google.co.in/books?id=fpcvv5pGKWMC&pg=PA250 Love Poems from God: Twelve Sacred Voices from the East and West], p. 250

The Notebooks of Leonardo da Vinci (1883), II Linear Perspective

“Not only around our infancy
Doth heaven with all its splendors lie”
Prelude to Pt. I, st. 2
The Vision of Sir Launfal (1848)
Context: Not only around our infancy
Doth heaven with all its splendors lie;
Daily, with souls that cringe and plot,
We Sinais climb and know it not.
“How glorious the splendor of a human heart that trusts that it is loved!”

Variant: Though nothing can bring back the hour
Of splendor in the grass, of glory in the flower;
We will grieve not, rather find
Strength in what remains behind;
In the primal sympathy
Which having been must ever be...
Source: Ode: Intimations Of Immortality From Recollections Of Early Childhood

“There is a fearful splendor in absolute desolation.”

Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 272.

“There, all is order and beauty only,
Splendor, peace, and pleasure.”
Là, tout n’est qu’ordre et beauté,
Luxe, calme et volupté.
"L'Invitation au Voyage" [Invitation to the Voyage] http://fr.wikisource.org/wiki/L%E2%80%99Invitation_au_voyage_%28Les_Fleurs_du_mal%29
Les fleurs du mal (Flowers of Evil) (1857)

“The Book-End,” Columbus Dispatch (1923) Collecting Himself (1989).
From other writings

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 555.

C'est à la fois par la poésie et à travers la poésie, par et à travers la musique, que l'âme entrevoit les splendeurs situées derrière le tombeau; et, quand un poème exquis amène les larmes au bord des yeux, ces larmes ne sont pas la preuve d'un excès de jouissance, elles sont bien plutôt le témoignage d'une mélancolie irritée, d'une postulation des nerfs, d'une nature exilée dans l'imparfait et qui voudrait s'emparer immédiatement, sur cette terre même, d'un paradis révélé.
XI: "Notes nouvelles sur Edgar Poe III," IV
L'art romantique (1869)

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 306.
Source: Beyond Hypocrisy, 1992, Doublespeak Dictionary (within Beyond Hypocrisy), p. 161.

Source: "The Brooklyn Bridge (A page of my life)," 1929, p. 88; Cited in: Beth Venn, Adam D. Weinberg. Frames of Reference: Looking at American Art, 1900-1950 : Works from the Whitney Museum of American Art. University of California Press, 1999. p. 123
The small god in Ch. 44 : the visitor (p. 465)
The Visitor (2002)

Source: Presidents of India, 1950-2003, P.83

On Coalition Government (1945)
"Cairo" online at ditch, the poetry that matters http://www.ditchpoetry.com/yahialababidi.htm <p>

'Yes, yes, my river,' answers the Union, 'you speak for me. I am no more a child, but a man; no longer a confederacy, but a nation. I am no more Virginia, New York, Carolina, or Massachusetts, but the United States of America'.
1860s, The Good Fight (1865)

“Your unforgivable sins do not allow you to see my splendor.”
"The masked dyer Hakim of Merv" [El tintorero enmascarado Hakim de Merv] Universal History of Infamy (1935); also translated as "Hakim, Masked Dyer of Merv" ( review of "Hakim, Masked Dyer of Merv" http://www.elimae.com/reviews/borges/merv.html)

The Building of the City Beautiful (1905), Ch. V : How Beautiful!, p. 48.
Source: Star Maker (1937), Chapter XV: The Maker and His Works; 2. Mature Creating (p. 179)

Source: Milennial Dawn, Vol. III: Thy Kingdom Come (1891), p. 22.

“The most real of all splendors are not in outward things, they are within us.”
Source: Seraphita (1835), Ch. 4: The Clouds of the Sanctuary.

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book IX, Chapter I, Sec. 12
Source: 1980s, Illustrating Economics: Beasts, Ballads and Aphorisms, 1980, p. 3

"The idolatry of might," Volume 1, p. 159
The Prophets (1962)

Source: The Shoes of Happiness, and Other Poems (1913), The Crowning Hour, III

Quote in: Fortunato Depero & Giacomo Balla 'The Futurist Reconstruction of the Universe' in: Direzione del Movimento Futurista, March 11, 1915. Transl. Caroline Tisdall, 1973.
1910's

Source: Story of a Soul (1897), Ch. I: Alençon, 1873–1877. As translated by Fr. John Clarke (Washington, D.C.: ICS Publications, 1976), p. 15.

On the Epic of Evolution in Cosmogen "Board Forum: How Grand a Narrative?" (1999) http://www.thegreatstory.org/HowGrand.pdf

letter to Seumus O'Sheel, October 10, 1908, Hartley Archive, Archives of American Art; as quoted in Marsden Hartley, by Gail R. Scott, Abbeville Publishers, Cross River Press, 1988, New York p. 25
1908 - 1920
Los Angeles Times, January 26, 2005.

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 418.
“The splendor of Silence,—of snow-jeweled hills and of ice.”
Orion, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

The Angels' Song ("It Came Upon A Midnight Clear", 1849).

Source: Dictionary of Burning Words of Brilliant Writers, P. 20.

Source: The Light of Day (1900), Ch. IV: Natural Versus Supernatural
Source: Star Maker (1937), Chapter XIII: The Beginning and the End; 3. The Supreme Moment and After (p. 166)

From a letter to Harold Preece (received October 20, 1928)
Letters

The Iliad of Homer: translated into English blank verse (1791), Book VIII, line 643.

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 134.
Queen Harebell; reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 353.

2000s, 2001, Letters to a Young Contrarian (2001)

“they work and they pray
and they bow to a must
though the earth in her splendor
says May”
29
73 poems (1963)

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter I, Sec. 2

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 606.

Ser poeta é ser mais alto, é ser maior
Do que os homens! Morder como quem beija!
É ser mendigo e dar como quem seja
Rei do Reino de Áquem e de Além Dor!<p>É ter de mil desejos o esplendor
E não saber sequer que se deseja!
É ter cá dentro um astro que flameja,
É ter garras e asas de condor!<p>É ter fome, é ter sede de Infinito!
Por elmo, as manhas de oiro e de cetim...
É condensar o mundo num só grito!<p>E é amar-te, assim, perdidamente...
É seres alma, e sangue, e vida em mim
E dizê-lo cantando a toda a gente!
Quoted in Citações e Pensamentos de Florbela Espanca (2012), p. 163
Translated http://emocaoeeuforia.wordpress.com/2012/12/10/beautiful-flower-flor-bela/ by Isabel Teles
The Flowering Heath (1931), "Perdidamente"

Íslandsklukkan (Iceland's Bell) (1946), Part III: Fire in Copenhagen
“Mappe del corpo (A cura di Paola Splendore, Donzelli Poesia, Rome, 2008)”
Works

34
Essays, Can Poetry Matter? (1991), The Catholic Writer Today (2013)

“The Ones Who Walk Away from Omelas” p. 255 (originally published in New Dimensions 3, edited by Robert Silverberg)
Short fiction, The Wind’s Twelve Quarters (1975)

Charles Dupin (1831), Discours sur le Sort des Ouvriers [Discourse on the Condition of the Workers] Paris: Bachelier Librairie. p. 1. ; Translation Wren & Bedeian (2005, 73)

" Alaska http://books.google.com/books?id=h40OAQAAIAAJ&pg=PA287", The American Geologist volume XI, number 5 (May 1893) pages 287-299 (at page 299)
1910s