Quotes about sound

page 26

"Break, Break, Break" (1842)

Source: Generation Loss (2007), Ch. 1
Context: It sounds creepy, but I always liked the idea of disappearing then becoming something new. That of course was before I disappeared.

" A Dream of Fair Women http://home.att.net/%7ETennysonPoetry/dfw.htm", st. 2 (1832)

February, 1932<!-- p. 51 -->
Diary entries (1914 - 1974)
Context: We don't have a language for the senses. Feelings are images, sensations are like musical sounds.

Address at Princeton University, "The Educated Citizen" (22 March 1954) http://infoshare1.princeton.edu/libraries/firestone/rbsc/mudd/online_ex/stevenson/adlai1954.html
Context: What a man knows at fifty that he did not know at twenty is, for the most part, incommunicable. The laws, the aphorisms, the generalizations, the universal truths, the parables and the old saws — all of the observations about life which can be communicated handily in ready, verbal packages — are as well known to a man at twenty who has been attentive as to a man at fifty. He has been told them all, he has read them all, and he has probably repeated them all before he graduates from college; but he has not lived them all.
What he knows at fifty that he did not know at twenty boils down to something like this: The knowledge he has acquired with age is not the knowledge of formulas, or forms of words, but of people, places, actions — a knowledge not gained by words but by touch, sight, sound, victories, failures, sleeplessness, devotion, love — the human experiences and emotions of this earth and of oneself and other men; and perhaps, too, a little faith, and a little reverence for things you cannot see.

Small Houses: Their Economic Design and Construction (1922), Ch. II

"Here Is New York," Holiday (1948); reprinted in Here is New York (1949)
Context: The subtlest change in New York is something people don't speak much about but that is in everyone's mind. The city, for the first time in its long history, is destructible. A single flight of planes no bigger than a wedge of geese can quickly end this island fantasy, burn the towers, crumble the bridges, turn the underground passages into lethal chambers, cremate the millions. The intimation of mortality is part of New York now: in the sounds of jets overhead, in the black headlines of the latest edition.
All dwellers in cities must dwell with the stubborn fact of annihilation; in New York the fact is somewhat more concentrated because of the concentration of the city itself and because, of all targets, New York has a certain clear priority. In the mind of whatever perverted dreamer who might loose the lightning, New York must hold a steady, irresistible charm.

Pt. 2, ch. 20
Atticus Finch
To Kill a Mockingbird (1962)
Context: I’m no idealist to believe firmly in the integrity of our courts and in the jury system — that is no ideal to me, it is a living, working reality. Gentlemen, a court is no better than each man of you sitting before me on this jury. A court is only as sound as its jury, and a jury is only as sound as the men who make it up.

Locus interview (2000)
Context: My wife Margaret and I sold our house to Sir Roger Penrose and his wife... Talking to Roger, I found we both agreed that AI, as they call it, is not going to be achieved by present-day machines."Artificial Intelligence" — that makes it sound simple, but what you're really talking about is artificial consciousness, AC. And I don't think there's any way we can achieve artificial consciousness, at least until we've understood the sources of our own consciousness. I believe consciousness is a mind/body creation, literally interwoven with the body and the body's support systems. Well, you don't get that sort of thing with a robot.

Source: 1910's, The Art of Noise', 1913, p. 6
Context: This evolution toward noise-sound is only possible today. The ear of an eighteenth century man never could have withstood the discordant intensity of some of the chords produced by our orchestras (whose performers are three times as numerous); on the other hand our ears rejoice in it, for they are attuned to modern life, rich in all sorts of noises. But our ears far from being satisfied, keep asking for bigger acoustic sensations. However, musical sound is too restricted in the variety and the quality of its tones. Music marks time in this small circle and vainly tries to create a new variety of tones... We must break at all cost from this restrictive circle of pure sounds and conquer the infinite variety of noise-sounds.

Tinselworm (2008)

The Earth Speaks to Bryan (1925), p. 5; written in response to the Scopes Trial, where Bryan spoke against the theory of evolution. They had previously been engaged in the controversy about the theory for several years. The title refers to a Biblical verse from the Book of Job (12:8), “Speak to the earth and it shall teach thee.”
Context: The Earth Speaks, clearly, distinctly, and, in many of the realms of Nature, loudly, to William Jennings Bryan, but he fails to hear a single sound. The earth speaks from the remotest periods in its wonderful life history in the Archaeozoic Age, when it reveals only a few tissues of its primitive plants. Fifty million years ago it begins to speak as “the waters bring forth abundantly the moving creatures that hath life.” In successive eons of time the various kinds of animals leave their remains in the rocks which compose the deeper layers of the earth, and when the rocks are laid bare by wind, frost, and storm we find wondrous lines of ascent invariably following the principles of creative evolution, whereby the simpler and more lowly forms always precede the higher and more specialized forms.
The earth speaks not of a succession of distinct creations but of a continuous ascent, in which, as the millions of years roll by, increasing perfection of structure and beauty of form are found; out of the water-breathing fish arises the air-breathing amphibian; out of the land-living amphibian arises the land-living, air-breathing reptile, these two kinds of creeping things resembling each other closely. The earth speaks loudly and clearly of the ascent of the bird from one kind of reptile and of the mammal from another kind of reptile.
This is not perhaps the way Bryan would have made the animals, but this is the way God made them!

Last lines
All Men are Mortal (1946)
Context: In horror, in terror, she accepted the metamorphosis — gnat, foam, ant, until death. And it's only the beginning, she thought. She stood motionless, as if it were possible to play tricks with time, possible to stop it from following its course. But her hands stiffened against her quivering lips.
When the bells began to sound the hour she let out the first scream.

Still Falls the Rain (1940)
Context: See, see where Christ's blood streames in the firmament:
It flows from the Brow we nailed upon the tree Deep to the dying, to the thirsting heart
That holds the fires of the world, — dark-smirched with pain
As Caesar's laurel crown. Then sounds the voice of One who like the heart of man
Was once a child who among beasts has lain —
"Still do I love, still shed my innocent light, my Blood, for thee."

On Ken Kesey, in Ch. I : Black Shiny FBI Shoes
The Electric Kool-Aid Acid Test (1968)
Context: He talks in a soft voice with a country accent, almost a pure country accent, only crackling and rasping and cheese-grated over the two-foot hookup, talking about —
"—there's been no creativity," he is saying, "and I think my value has been to help create the next step. I don't think there will be any movement off the drug scene until there is something else to move to —"
— all in a plain country accent about something — well, to be frank, I didn't know what in the hell it was all about. Sometimes he spoke cryptically, in aphorisms. I told him I had heard he didn't intend to do any more writing. Why? I said.
"I'd rather be a lightning rod than a seismograph," he said.
He talked about something called the Acid Test and forms of expression in which there would be no separation between himself and the audience. It would be all one experience, with all the senses opened wide, words, music, lights, sounds, touch —
lightning.

A Tree Telling of Orpheus (1968)
Context: Then as he sang
it was no longer sounds only that made the music:
he spoke, and as no tree listens I listened, and language
came into my roots
out of the earth,
into my bark
out of the air,
into the pores of my greenest shoots
gently as dew
and there was no word he sang but I knew its meaning.

All the Trouble in the World (1994)

Response when asked whether he called himself an atheist or an agnostic. The Voice of Genius: Conversations with Nobel Scientists and Other Luminaries by Denis Brian (1995), Basic Books, p. 49.
Context: [I call myself] an atheist. Agnostic for me would be trying to weasel out and sound a little nicer than I am about this.

Source: Twenty Years at Hull-House (1910), Ch. 16
Context: I have come to believe … that the stage may do more than teach, that much of our current moral instruction will not endure the test of being cast into a lifelike mold, and when presented in dramatic form will reveal itself as platitudinous and effete. That which may have sounded like righteous teaching when it was remote and wordy, will be challenged afresh when it is obliged to simulate life itself.

Word Play (1974)
Context: Freedom of speech does not exist anywhere, for every community on earth forbids the use of certain sounds, words, and sentences in various speech situations.... the habitual liar faces social sanctions... Speakers are not allowed to misrepresent... to defame other people in public, to maliciously shout "Fire!" in a crowded movie theater, or to utter obscenities on the telephone.

Source: Flatland: A Romance of Many Dimensions (1884), PART II: OTHER WORLDS, Chapter 13. How I had a Vision of Lineland
Context: Describing myself as a stranger I besought the King to give me some account of his dominions. But I had the greatest possible difficulty in obtaining any information on points that really interested me; for the Monarch could not refrain from constantly assuming that whatever was familiar to him must also be known to me and that I was simulating ignorance in jest. However, by persevering questions I elicited the following facts:It seemed that this poor ignorant Monarch — as he called himself — was persuaded that the Straight Line which he called his Kingdom, and in which he passed his existence, constituted the whole of the world, and indeed the whole of Space. Not being able either to move or to see, save in his Straight Line, he had no conception of anything out of it. Though he had heard my voice when I first addressed him, the sounds had come to him in a manner so contrary to his experience that he had made no answer, "seeing no man", as he expressed it, "and hearing a voice as it were from my own intestines." Until the moment when I placed my mouth in his World, he had neither seen me, nor heard anything except confused sounds beating against — what I called his side, but what he called his INSIDE or STOMACH; nor had he even now the least conception of the region from which I had come. Outside his World, or Line, all was a blank to him; nay, not even a blank, for a blank implies Space; say, rather, all was non-existent.His subjects — of whom the small Lines were men and the Points Women — were all alike confined in motion and eye-sight to that single Straight Line, which was their World. It need scarcely be added that the whole of their horizon was limited to a Point; nor could any one ever see anything but a Point. Man, woman, child, thing — each was a Point to the eye of a Linelander. Only by the sound of the voice could sex or age be distinguished. Moreover, as each individual occupied the whole of the narrow path, so to speak, which constituted his Universe, and no one could move to the right or left to make way for passers by, it followed that no Linelander could ever pass another. Once neighbours, always neighbours. Neighbourhood with them was like marriage with us. Neighbours remained neighbours till death did them part.Such a life, with all vision limited to a Point, and all motion to a Straight Line, seemed to me inexpressibly dreary; and I was surprised to note the vivacity and cheerfulness of the King.

"The Nobel Evening Address" p. 115.
The Dalai Lama: A Policy of Kindness (1990)
Context: If there are sound reasons or bases for the points you demand, then there is no need for violence. On the other hand, when there is no sound reason that concessions should be made to you but mainly your own desire, then reason cannot work and you have to rely on force. Thus using force is not a sign of strength but rather a sign of weakness.

Speech to Conservative Central Council (15 March 1975) http://www.margaretthatcher.org/document/102655
Leader of the Opposition
Context: I do not believe, in spite of all this, that the people of this country have abandoned their faith in the qualities and characteristics which made them a great people. Not a bit of it. We are still the same people. All that has happened is that we have temporarily lost confidence in our own strength. We have lost sight of the banners. The trumpets have given an uncertain sound. It is our duty, our purpose, to raise those banners high, so that all can see them, to sound the trumpets clearly and boldly so that all can hear them. Then we shall not have to convert people to our principles. They will simply rally to those which truly are their own.

Preface to the Second Edition.
The Open Society and Its Enemies (1945)
Context: I see now more clearly than ever before that even our greatest troubles spring from something that is as admirable and sound as it is dangerous — from our impatience to better the lot of our fellows. For these troubles are the by-products of what is perhaps the greatest of all moral and spiritual revolutions of history, a movement which began three centuries ago. It is the longing of uncounted unknown men to free themselves and their minds from the tutelage of authority and prejudice. It is their attempt to build up an open society which rejects the absolute authority to preserve, to develop, and to establish traditions, old or new, that measure up to their standards of freedom, of humaneness, and of rational criticism. It is their unwillingness to sit back and leave the entire responsibility for ruling the world to human or superhuman authority, and their readiness to share the burden of responsibility for avoidable suffering, and to work for its avoidance. This revolution has created powers of appalling destructiveness; but they may yet be conquered.

Westmoreland's foreword to Beyond Nam Dong (1998) by Roger H.C. Donlon
Context: The Green Beret... proudly worn by the United States Army Special Forces... and acclaimed by our late President, John F. Kennedy, as "a symbol of excellence, a badge of courage, a mark of distinction in the fight for freedom..." In Vietnam the men of Special Forces were the first to go. They frequently fought, not in great battles with front-page attention, but in places with foreign sounding, unknown names; and often times no names at all. One such place was Nam Dong. In July of 1964 this Special Forces Camp, in the jungle-clad mountains near the Laotian border, came under a fierce attack. It was the first time that regular North Vietnamese Army forces joined the Viet Cong in an attempt to overrun an American outpost. The North Vietnamese reinforced battalion of eight hundred men was determined to eliminate this camp- an impediment to their further infiltration down the Ho Chi Minh trail from Laos to the south of Vietnam. Roger H. C. Donlon, then a captain and, commander of Special Forces Detachment A-276 at Camp Nam Dong along with his brave twelve-man team, 60 Nungs and 100 loyal Vietnamese successfully defended the camp. For their valor two of his sergeants were posthumously awarded the Distinguished Service Cross. Four other team members were awarded Silver Stars, and five more Bronze Stars with V for valor. Roger Donlon was the first soldier I recommended to receive the Medal of Honor for heroism which was later presented to him by President Lyndon Johnson. He was the first soldier of the Vietnam War to receive this award. "Beyond Nam Dong" is his personal story... from his scouting days as a boy in upstate New York, through the Vietnam conflict, to his present efforts at reconciliation. It is the inspiring story of a courageous soldier and patriot.

Tiresias, reported in Bartlett's Familiar Quotations, 10th ed. (1919)

"The Retreat," l. 7 - 19.
Silex Scintillans (1655)
Context: When yet I had not walk'd above
A mile or two from my first Love,
And looking back, at that short space
Could see a glimpse of His bright face;
When on some gilded cloud or flower
My gazing soul would dwell an hour,
And in those weaker glories spy
Some shadows of eternity;
Before I taught my tongue to wound
My conscience with a sinful sound,
Or had the black art to dispense
A several sin to every sense,
But felt through all this fleshly dress
Bright shoots of everlastingness.

The Lost Son and Other Poems (1948)

Remarkable Guide to the Orchestra (2008)

Source: Locksley Hall Sixty Years After (1886), Line 198

Source: LSD : My Problem Child (1980), Ch. 1 : How LSD Originated
Context: Slowly I came back from a weird, unfamiliar world to reassuring everyday reality. The horror softened and gave way to a feeling of good fortune and gratitude, the more normal perceptions and thoughts returned, and I became more confident that the danger of insanity was conclusively past.
Now, little by little I could begin to enjoy the unprecedented colors and plays of shapes that persisted behind my closed eyes. Kaleidoscopic, fantastic images surged in on me, alternating, variegated, opening and then closing themselves in circles and spirals, exploding in colored fountains, rearranging and hybridizing themselves in constant flux. It was particularly remarkable how every acoustic perception, such as the sound of a door handle or a passing automobile, became transformed into optical perceptions. Every sound generated a vividly changing image, with its own consistent form and color.

"ysabellabravetalk #1" (9 March 2007) http://www.youtube.com/watch?v=q1v2hkkm1Lo
Context: I've been told I sound like I'm out of an old movie; that perhaps I'm faking my voice, that it's nice, that it's not nice — all kinds of things. Well it's my voice. The only thing I can think of is sometimes you're in one mood or another mood, and so maybe it sounds a little different, but I've always spoken this way — and I'm trying to sound pleasant — I hope it does sound pleasant, but that's about it.

"Evolution of the Human Brain" (1964), p. 2
Context: Prior to the advent of brain, there was no color and no sound in the universe, nor was there any flavor or aroma and probably rather little sense and no feeling or emotion. Before brains the universe was also free of pain and anxiety.

As We May Think (1945)
Context: Babbage, even with remarkably generous support for his time, could not produce his great arithmetical machine. His idea was sound enough, but construction and maintenance costs were then too heavy. Had a Pharaoh been given detailed and explicit designs of an automobile, and had he understood them completely, it would have taxed the resources of his kingdom to have fashioned the thousands of parts for a single car, and that car would have broken down on the first trip to Giza.

Summation for the Prosecution, July 26, 1946
Quotes from the Nuremberg Trials (1945-1946)
Context: These men saw no evil, spoke none, and none was uttered in their presence. This claim might sound very plausible if made by one defendant. But when we put all their stories together, the impression which emerges of the Third Reich, which was to last a thousand years, is ludicrous. If we combine only the stories of the front bench, this is the ridiculous composite picture of Hitler's Government that emerges. It was composed of:
A No. 2 man who knew nothing of the excesses of the Gestapo which he created, and never suspected the Jewish extermination programme although he was the signer of over a score of decrees which instituted the persecution of that race;
A No. 3 man who was merely an innocent middleman transmitting Hitler's orders without even reading them, like a postman or delivery boy;
A Foreign Minister who knew little of foreign affairs and nothing of foreign policy;
A Field-Marshal who issued orders to the armed forces but had no idea of the results they would have in practice …
… This may seem like a fantastic exaggeration, but this is what you would actually be obliged to conclude if you were to acquit these defendants.
They do protest too much. They deny knowing what was common knowledge. They deny knowing plans and programmes that were as public as Mein Kampf and the Party programme. They deny even knowing the contents of documents which they received and acted upon. … The defendants have been unanimous, when pressed, in shifting the blame on other men, sometimes on one and sometimes on another. But the names they have repeatedly picked are Hitler, Himmler, Heydrich, Goebbels, and Bormann. All of these are dead or missing. No matter how hard we have pressed the defendants on the stand, they have never pointed the finger at a living man as guilty. It is a temptation to ponder the wondrous workings of a fate which has left only the guilty dead and only the innocent alive. It is almost too remarkable.
The chief villain on whom blame is placed — some of the defendants vie with each other in producing appropriate epithets — is Hitler. He is the man at whom nearly every defendant has pointed an accusing finger.
I shall not dissent from this consensus, nor do I deny that all these dead and missing men shared the guilt. In crimes so reprehensible that degrees of guilt have lost their significance they may have played the most evil parts. But their guilt cannot exculpate the defendants. Hitler did not carry all responsibility to the grave with him. All the guilt is not wrapped in Himmler's shroud. It was these dead men whom these living chose to be their partners in this great conspiratorial brotherhood, and the crimes that they did together they must pay for one by one.

Vol. II, p. 30
1980s, Letters to the Schools (1981, 1985)
Context: Attention involves seeing and hearing. We hear not only with our ears but also we are sensitive to the tones, the voice, to the implication of words, to hear without interference, to capture instantly the depth of a sound. Sound plays an extraordinary part in our lives: the sound of thunder, a flute playing in the distance, the unheard sound of the universe; the sound of silence, the sound of one’s own heart beating; the sound of a bird and the noise of a man walking on the pavement; the waterfall. The universe is filled with sound. This sound has its own silence; all living things are involved in this sound of silence. To be attentive is to hear this silence and move with it.

About Shykh Mu‘in al-Din Chisti of Ajmer (Rajasthan) (d. AD 1236). Amir Khwurd: Siyaru’l-Auliya. Cited in P.M. Currie, The Shrine and Cult of Mu‘in al-Din Chishti of Ajmer, OUP, 1989, p. 30.

Walking the Line (2005)

Quoted in "Time" is right for songwriter Ward" by Jill Menze at Reuters (9 January 2009) http://www.reuters.com/article/musicNews/idUSTRE5090MC20090110
Context: I treat the act of making a record very much like working in a laboratory, experimenting with sounds and ideas... Whoever chooses to latch onto it, great; whoever doesn't, that's fine, too. The reaction always pales in comparison to the weight of the act of production.

Revised edition, London, Smith, Elder & Co., 1889, p. 114
The Town: Its Memorable Characters and Events (1848)
Context: Fishes do not roar; they cannot express any sound of suffering; and therefore the angler chooses to think they do not suffer, more than it is convenient for him to fancy. Now it is a poor sport that depends for its existence on the want of a voice in the sufferer, and of imagination in the sportsman.

Book II : On the soul; In: Aristotle (1808). Works, Vol. 4. p. 62 (412a-424b)
De Anima

Verse 40.
To Demonicus
Context: The greatest thing in the small compass is a sound mind in a human body. Strive with all your body to be a lover of toil, and with your soul to be a lover of wisdom, in order that with the one you may have the strength to carry out your resolves, and with the other the intelligence to foresee what is for your good.

As quoted in in Uncut (July 2008) http://www.uncut.co.uk/the-waterboys/the-making-of-the-waterboys-the-whole-of-the-moon-feature
Context: I recorded "…Moon" on my own with a drum machine, then brought musicians in as they were needed. It's about a person who has a spectacular, meteor-like rise, but burns out or dies young. Though the song ain't about him, the nearest equivalent would be Hendrix. Adding a list of all the things the hero/heroine saw raised the emotional temperature. The final chorus now had an extra fatefulness. To express this I inserted "you came like a comet, blazing your trail", then a "comet", a firework sample from a BBC sound effects record. That sweetly collided with Anthony's sax solo, so that it sounds as if the sax erupts from the comet itself. Magic like that just happens. … The Beatles' "Penny Lane" influenced the trumpet break — the sudden injection of super-fresh, bright and clear horns, a sound of optimism and clarity. Bowie's "Fame" inspired the final descending vocal, thought up and sung by Karl. I wanted the whole thing to sound like a carnival.

Proposals Relating to the Education of Youth in Pensilvania (1749), p. 22 http://dewey.library.upenn.edu/sceti/printedbooksNew/index.cfm?textID=franklin_youth&PagePosition=1; the statement relates to the teaching of History as a subject, and the last quoted paragraph concludes with the footnote "†": Public Disputes warm the Imagination, whet the Industry, and strengthen the natural Abilities.
Context: History will also afford frequent Opportunities of showing the Necessity of a Publick Religion, from its Usefulness to the Publick; the Advantage of a Religious Character among private Persons; the Mischiefs of Superstition, &c. and the Excellency of the above all others antient or modern.
History will also give Occasion to expatiate on the advantage of Civil Orders and Constitutions, how men and their properties are protected by joining in Societies and establishing Government; their Industry encouraged and rewarded, Arts invented, and Life made more comfortable: the Advantages of Liberty, Mischiefs of Licentiousness, Benefits arising from good Laws and a due Execution of Justice &c. Thus may the first Principles of sound Politics be fixed in the minds of youth.
On Historical occasions, Questions of Right and Wrong, Justice and Injustice, will naturally arise, and may be put to Youth, which they may debate in Conversation and in Writing. When they ardently desire of Victory, for the Sake of the Praise attending it, they will begin to feel the want, and be sensible of the use of the Use of Logic, or the Art of Reasoning to discover Truth, and of Arguing to defend it, and convince adversaries.

Source: The Book on the Taboo Against Knowing Who You Are (1966), p. 92

The Cultivation of Conspiracy (1998)
Context: The other eminent moment of the celebration was, of course, the comestio, the communion in the flesh, the incorporation of the believer in the body of the Incarnate Word, but communio was theologically linked to the preceding con-spiratio. Conspiratio became the strongest, clearest and most unambiguously somatic expression for the entirely non-hierarchical creation of a fraternal spirit in preparation for the unifying meal. Through the act of eating, the fellow conspirators were transformed into a "we," a gathering which in Greek means ecclesia. Further, they believed that the "we" is also somebody's "I"; they were nourished by shading into the "I" of the Incarnate Word. The words and actions of the liturgy are not just mundane words and actions, but events occurring after the Word, that is, after the Incarnation. Peace as the commingling of soil and waters sounds cute to my ears; but peace as the result of conspiratio exacts a demanding, today almost unimaginable intimacy.
The practice of the osculum did not go unchallenged; documents reveal that the conspiratio created scandal early on. The rigorist African Church Father, Tertullian, felt that a decent matron should not be subjected to possible embarrassment by this rite. The practice continued, but not its name; the ceremony required a euphemism. From the later third century on, the osculum pacis was referred to simply as pax, and the gesture was often watered down to some slight touch to signify the mutual spiritual union of the persons present through the creation of a fraternal atmosphere. Today, the pax before communion, called "the kiss of peace," is still integral to the Roman, Slavonic, Greek and Syrian Mass, although it is often reduced to a perfunctory handshake.

Context: You have to put up some kind of a beef. Scream or holler or scratch or make some sound that you’re alive and can fight. You know, cough or do something. Otherwise, they just walk past you and look at you and say, “He must be dead, he ain’t moving.”

Source: The Artful Universe (1995), Ch. 5, p.236

Pt. IV, st. 6
The Lady of Shalott (1832)

"John Vanderslice interviews St. Vincent (on the road)" in Brooklyn Vegan (24 April 2007) http://www.brooklynvegan.com/archives/2007/04/john_vanderslic_5.html
Context: The drug issue is hard to separate from a class issue, an education issue, a wonky foreign policy issue, and a race issue. What I do know is, be it caffeine, alcohol, cocaine, or adrenaline, let's face it: people like to get high. From Starbucks to Budweiser to your own brain, everybody's a pusher these days. If I could substitute another drug to be consumed in the country as much as alcohol is, it would be helium from children's birthday party balloons. Try not laughing when someone sounds like a chipmunk!

Lecture II : The Universal Categories, §3. Laws: Nominalism, CP 5.60
Pragmatism and Pragmaticism (1903)
Context: There never was a sounder logical maxim of scientific procedure than Ockham's razor: Entia non sunt multiplicanda praeter necessitatem. That is to say; before you try a complicated hypothesis, you should make quite sure that no simplification of it will explain the facts equally well. No matter if it takes fifty generations of arduous experimentation to explode the simpler hypothesis, and no matter how incredible it may seem that that simpler hypothesis should suffice, still fifty generations are nothing in the life of science, which has all time before it; and in the long run, say in some thousands of generations, time will be economized by proceeding in an orderly manner, and by making it an invariable rule to try the simpler hypothesis first. Indeed, one can never be sure that the simpler hypothesis is not the true one, after all, until its cause has been fought out to the bitter end. But you will mark the limitation of my approval of Ockham's razor. It is a sound maxim of scientific procedure. If the question be what one ought to believe, the logic of the situation must take other factors into account. Speaking strictly, belief is out of place in pure theoretical science, which has nothing nearer to it than the establishment of doctrines, and only the provisional establishment of them, at that. Compared with living belief it is nothing but a ghost. If the captain of a vessel on a lee shore in a terrific storm finds himself in a critical position in which he must instantly either put his wheel to port acting on one hypothesis, or put his wheel to starboard acting on the contrary hypothesis, and his vessel will infallibly be dashed to pieces if he decides the question wrongly, Ockham's razor is not worth the stout belief of any common seaman. For stout belief may happen to save the ship, while Entia non sunt multiplicanda praeter necessitatem would be only a stupid way of spelling Shipwreck. Now in matters of real practical concern we are all in something like the situation of that sea-captain.

A Tree Telling of Orpheus (1968)

On the Principles of Genial Criticism (1814)
Context: The Good consists in the congruity of a thing with the laws of the reason and the nature of the will, and in its fitness to determine the latter to actualize the former: and it is always discursive. The Beautiful arises from the perceived harmony of an object, whether sight or sound, with the inborn and constitutive rules of the judgment and imagination: and it is always intuitive.

23 June 1909
India's Rebirth
Context: There are times of great change, times when old landmarks are being upset, when submerged forces are rising, and just as we deal promptly or linger over the solution of these problems, our progress will be rapid or slow, sound or broken... The problem is put to us one by one, to each nation one by one... He has shown us the possibility of strength within us, and then He has shown us where the danger, the weakness lies. He is pointing out to us how is it that we may become strong. On us it lies … to answer the question which God has put to us, and according as we answer on it depends how this movement will progress, what route it will take, and whether it will lead to a swift and sudden salvation, or whether, after so many centuries of tribulation and sufferings there is still a long period of tribulation and suffering before us. God has put the question to us and with us entirely it lies to answer.

Black Boy (1945)

Source: 1840s, Narrative of the Life of Frederick Douglass, An American Slave (1845), Ch. 7
Context: The more I read, the more I was led to abhor and detest my enslavers. I could regard them in no other light than a band of successful robbers, who had left their homes, and gone to Africa, and stolen us from our homes, and in a strange land reduced us to slavery. I loathed them as being the meanest as well as the most wicked of men. As I read and contemplated the subject, behold! that very discontentment which Master Hugh had predicted would follow my learning to read had already come, to torment and sting my soul to unutterable anguish. As I writhed under it, I would at times feel that learning to read had been a curse rather than a blessing. It had given me a view of my wretched condition, without the remedy. It opened my eyes to the horrible pit, but to no ladder upon which to get out. In moments of agony, I envied my fellow-slaves for their stupidity. I have often wished myself a beast. I preferred the condition of the meanest reptile to my own. Any thing, no matter what, to get rid of thinking! It was this everlasting thinking of my condition that tormented me. There was no getting rid of it. It was pressed upon me by every object within sight or hearing, animate or inanimate. The silver trump of freedom had roused my soul to eternal wakefulness. Freedom now appeared, to disappear no more forever. It was heard in every sound, and seen in every thing. It was ever present to torment me with a sense of my wretched condition. I saw nothing without seeing it, I heard nothing without hearing it, and felt nothing without feeling it. It looked from every star, it smiled in every calm, breathed in every wind, and moved in every storm.

Lectures XIV and XV, "The Value of Saintliness"
1900s, The Varieties of Religious Experience (1902)
Context: I am well aware of how anarchic much of what I say may sound. Expressing myself thus abstractly and briefly, I may seem to despair of the very notion of truth. But I beseech you to reserve your judgment until we see it applied to the details which lie before us. I do indeed disbelieve that we or any other mortal men can attain on a given day to absolutely incorrigible and unimprovable truth about such matters of fact as those with which religions deal. But I reject this dogmatic ideal not out of a perverse delight in intellectual instability. I am no lover of disorder and doubt as such. Rather do I fear to lose truth by this pretension to possess it already wholly.

Vol. I : The Dedication (March 1772)
Institutes of Natural and Revealed Religion (1772–1774)
Context: It is the earnest wish of my heart, that your minds may be well established in the sound principles of religious knowledge, because I am fully persuaded, that nothing else can be a sufficient foundation of a virtuous and truly respectable conduct in life, or of good hope in death. A mind destitute of knowledge (and, comparatively speaking, no kind of knowledge, besides that of religion, deserves the name) is like a field on which no culture has been bestowed, which, the richer it is, the ranker weeds it will produce, If nothing good be sown in it, it will be dccupied by plants that are useless or noxious.

Equality (1943)
Context: There is no spiritual sustenance in flat equality. It is a dim recognition of this fact which makes much of our political propaganda sound so thin. We are trying to be enraptured by something which is merely the negative condition of the good life. That is why the imagination of people is so easily captured by appeals to the craving for inequality, whether in a romantic form of films about loyal courtiers or in the brutal form of Nazi ideology. The tempter always works on some real weakness in our own system of values — offers food to some need which we have starved.

Preface
Personal Reminiscences of Henry Irving (1907)
Context: Logically speaking, even the life of an actor has no preface. He begins, and that is all. And such beginning is usually obscure; but faintly remembered at the best. Art is a completion; not merely a history of endeavour. It is only when completeness has been obtained that the beginnings of endeavour gain importance, and that the steps by which it has been won assume any shape of permanent interest. After all, the struggle for supremacy is so universal that the matters of hope and difficulty of one person are hardly of general interest. When the individual has won out from the huddle of strife, the means and steps of his succeeding become of interest, either historically or in the educational aspect — but not before. From every life there may be a lesson to some one; but in the teeming millions of humanity such lessons can but seldom have any general or exhaustive force. The mere din of strife is too incessant for any individual sound to carry far. Fame, who rides in higher atmosphere, can alone make her purpose heard. Well did the framers of picturesque idea understand their work when in her hand they put a symbolic trumpet.

Exsurge Domine (1520)
Context: No one of sound mind is ignorant how destructive, pernicious, scandalous, and seductive to pious and simple minds these various errors are, how opposed they are to all charity and reverence for the holy Roman Church who is the mother of all the faithful and teacher of the faith; how destructive they are of the vigor of ecclesiastical discipline, namely obedience. This virtue is the font and origin of all virtues and without it anyone is readily convicted of being unfaithful.
Therefore we, in this above enumeration, important as it is, wish to proceed with great care as is proper, and to cut off the advance of this plague and cancerous disease so it will not spread any further in the Lord's field as harmful thorn-bushes.

Love is Enough (1872), Song VIII: While Ye Deemed Him A-Sleeping
Context: Love is enough: while ye deemed him a-sleeping,
There were signs of his coming and sounds of his feet;
His touch it was that would bring you to weeping,
When the summer was deepest and music most sweet...

"On the Tendency of Sects"
The Round Table (1815-1817)
Context: There is a natural tendency in sects to narrow the mind.
The extreme stress laid upon difierences of minor importance, to the neglect of more general truths and broader views of things, gives an inverted bias to the understanding; and this bias is continually increased by the eagerness of controversy, and captious hostility to the prevailing system. A party-feeling of this kind once formed will insensibly communicate itself to other topics; and will be too apt to lead its votaries to a contempt for the opinions of others, a jealousy of every difference of sentiment, and a disposition to arrogate all sound principle as well as understanding to themselves, and those who think with them. We can readily conceive how such persons, from fixing too high a value on the practical pledge which they have given of the independence and sincerity of their opinions, come at last to entertain a suspicion of every one else as acting under the shackles of prejudice or the mask of hypocrisy. All those who have not given in their unqualified protest against received doctrines and established authority, are supposed to labour under an acknowledged incapacity to form a rational determination on any subject whatever. Any argument, not having the presumption of singularity in its favour, is immediately set aside as nugatory. There is, however, no prejudice so strong as that which arises from a fancied exemption from all prejudice. For this last implies not only the practical conviction that it is right, but the theoretical assumption that it cannot be wrong. From considering all objections as in this manner "null and void,” the mind becomes so thoroughly satisfied with its own conclusions, as to render any farther examination of them superfluous, and confounds its exclusive pretensions to reason with the absolute possession of it.

Source: Kavanagh: A Tale (1849), Chapter 13.
Context: Ah, how wonderful is the advent of spring! — the great annual miracle of the blossoming of Aaron's rod, repeated on myriads and myriads of branches! — the gentle progression and growth of herbs, flowers, trees, — gentle and yet irrepressible, — which no force can stay, no violence restrain, like love, that wins its way and cannot be withstood by any human power, because itself is divine power. If spring came but once in a century, instead of once a year, or burst forth with the sound of an earthquake, and not in silence, what wonder and expectation there would be in all hearts to behold the miraculous change! But now the silent succession suggests nothing but necessity. To most men only the cessation of the miracle would be miraculous and the perpetual exercise of God's power seems less wonderful than its withdrawal would be.

Against the Gnostics

Physics in my generation (1956)
Context: America has grown by expansion in a practical vacuum; the pioneers of the West had to overcome terrific natural obstacles, but negligible human resistance. The Russia of today had to conquer not only natural but human difficulties: she had to break up the rotten system of the Czars and to assimilate backward Asiatic tribes; now she has set herself the task of bringing her brand of modernization to the ancient civilizations of the Far East. For this purpose it is indispensable to have a well-defined doctrine full of slogans, which appeals to the needs and instincts of the poverty-stricken masses. Thus one understands the power which Marx's philosophy has gained in the East.
What can we scientists do in this conflict? We can join the spiritual, religious, philosophical forces, which reject war on ethical grounds. We can even attack the ideological foundations of the conflict itself. For science is not only the basis of technology but also the material for a sound philosophy.

From a letter to Clark Ashton Smith (23 July 1935)
Letters
Context: It may sound fantastic to link the term "realism" with Conan; but as a matter of fact - his supernatural adventures aside - he is the most realistic character I ever evolved. He is simply a combination of a number of men I have known, and I think that's why he seemed to step full-grown into my consciousness when I wrote the first yarn of the series. Some mechanism in my sub-consciousness took the dominant characteristics of various prize-fighters, gunmen, bootleggers, oil field bullies, gamblers, and honest workmen I had come in contact with, and combining them all, produced the amalgamation I call Conan the Cimmerian.

All the Trouble in the World (1994)

Source: Gargantua and Pantagruel (1532–1564), Fifth Book (1564), Chapter 20 : How the Quintessence cured the sick with a song
Context: Queen Whims, or Queen Quintessence (which you please), perceiving that we stood as mute as fishes, said: Your taciturnity speaks you not only disciples of Pythagoras, from whom the venerable antiquity of my progenitors in successive propagation was emaned and derives its original, but also discovers, that through the revolution of many retrograde moons, you have in Egypt pressed the extremities of your fingers with the hard tenants of your mouths, and scalptized your heads with frequent applications of your unguicules. In the school of Pythagoras, taciturnity was the symbol of abstracted and superlative knowledge, and the silence of the Egyptians was agnited as an expressive manner of divine adoration; this caused the pontiffs of Hierapolis to sacrifice to the great deity in silence, impercussively, without any vociferous or obstreperous sound. My design is not to enter into a privation of gratitude towards you, but by a vivacious formality, though matter were to abstract itself from me, excentricate to you my cogitations.
Having spoken this, she only said to her officers, Tabachins, a panacea; and straight they desired us not to take it amiss if the queen did not invite us to dine with her; for she never ate anything at dinner but some categories, jecabots, emnins, dimions, abstractions, harborins, chelemins, second intentions, carradoths, antitheses, metempsychoses, transcendent prolepsies, and such other light food.

Cemetery World (1973)
Context: I find it a most intriguing and amusing thing that it might be possible to package the experiences, not only of one's self, but of other people. Think of the hoard we might then lay up against our later, lonely years when all old friends are gone and the opportunity for new experiences have withered. All we need to do then is to reach up to a shelf and take down a package that we have bottled or preserved or whatever the phrase might be, say from a hundred years ago, and uncorking it, enjoy the same experience again, as sharp and fresh as the first time it had happened... I have tried to imagine... the various ingredients one might wish to compound in such a package. Beside the bare experience itself, the context of it, one might say, he should want to capture and hold all the subsidiary factors which might serve as a background for it — the sound, the feel of wind and sun, the cloud floating in the sky, the color and the scent. For such a packaging, to give the desired results, must be as perfect as one can make it. It must have all those elements which would be valuable in invoking the total recall of some event that had taken place many years before...

Dijkstra (1972) The Humble Programmer http://www.cs.utexas.edu/users/EWD/transcriptions/EWD03xx/EWD340.html (EWD340).
1970s
Context: After having programmed for some three years, I had a discussion with A. van Wijngaarden, who was then my boss at the Mathematical Center in Amsterdam, a discussion for which I shall remain grateful to him as long as I live. The point was that I was supposed to study theoretical physics at the University of Leiden simultaneously, and as I found the two activities harder and harder to combine, I had to make up my mind, either to stop programming and become a real, respectable theoretical physicist, or to carry my study of physics to a formal completion only, with a minimum of effort, and to become....., yes what? A programmer? But was that a respectable profession? For after all, what was programming? Where was the sound body of knowledge that could support it as an intellectually respectable discipline? I remember quite vividly how I envied my hardware colleagues, who, when asked about their professional competence, could at least point out that they knew everything about vacuum tubes, amplifiers and the rest, whereas I felt that, when faced with that question, I would stand empty-handed. Full of misgivings I knocked on van Wijngaarden’s office door, asking him whether I could “speak to him for a moment”; when I left his office a number of hours later, I was another person. For after having listened to my problems patiently, he agreed that up till that moment there was not much of a programming discipline, but then he went on to explain quietly that automatic computers were here to stay, that we were just at the beginning and could not I be one of the persons called to make programming a respectable discipline in the years to come? This was a turning point in my life and I completed my study of physics formally as quickly as I could. One moral of the above story is, of course, that we must be very careful when we give advice to younger people; sometimes they follow it!

Source: The Book on the Taboo Against Knowing Who You Are (1966), p. 111-112

Song for St. Cecilia's Day (1692).
Context: Consecrate the place and day
To music and Cecilia.
Let no rough winds approach, nor dare
Invade the hallow'd bounds,
Nor rudely shake the tuneful air,
Nor spoil the fleeting sounds.
Nor mournful sigh nor groan be heard,
But gladness dwell on every tongue;
Whilst all, with voice and strings prepar'd,
Keep up the loud harmonious song,
And imitate the blest above,
In joy, and harmony, and love.

(July 1910)
The Diaries of Franz Kafka 1910-1923 (1948)
Context: I can prove at any time that my education tried to make another person out of me than the one I became. It is for the harm, therefore, that my educators could have done me in accordance with their intentions that I reproach them; I demand from their hands the person I now am, and since they cannot give him to me, I make of my reproach and laughter a drumbeat sounding in the world beyond.

Song for St. Cecilia's Day (1692).
Context: When time itself shall be no more,
And all things in confusion hurl'd,
Music shall then exert it's power,
And sound survive the ruins of the world:
Then saints and angels shall agree
In one eternal jubilee:
All Heaven shall echo with their hymns divine,
And God himself with pleasure see
The whole creation in a chorus join.

The Artful Universe (1995)
Context: Our sensitivity to changes of pitch... is underused in musical sound. Western music, in particular, is based on scales that use pitch changes that are at least twenty times bigger than the smallest changes that we could perceive. If we used our discriminatory power to full, we could generate an undulating sea of sound that displayed continuously changing frequency rather like the undersea sonic songs of dolphins and whales.<!-- Ch. 5, p. 225

Speech to the thirtieth anniversary of the Junior Imperial League in Kingsway Hall (19 June 1926), quoted in Our Inheritance (London: Hodder and Stoughton, 1938), pp. 17-18.
1926
Context: You have to realize that these years in which we are living, the years into which we are entering, are going to be, as no years before have been, the real testing-time of democracy... We in this country may make a fearful mess of it; and if we make a mess of it, we shall get something much worse&mdash; we shall get a tyranny of some kind or other. I don't know what form of tyranny it may be. It may be the communist tyranny; it may be tyranny from the other end. But if you cannot evolve a sound and sane democracy, that will be the fate of the country.

Vol. II, p. 30
1980s, Letters to the Schools (1981, 1985)
Context: Attention involves seeing and hearing. We hear not only with our ears but also we are sensitive to the tones, the voice, to the implication of words, to hear without interference, to capture instantly the depth of a sound. Sound plays an extraordinary part in our lives: the sound of thunder, a flute playing in the distance, the unheard sound of the universe; the sound of silence, the sound of one’s own heart beating; the sound of a bird and the noise of a man walking on the pavement; the waterfall. The universe is filled with sound. This sound has its own silence; all living things are involved in this sound of silence. To be attentive is to hear this silence and move with it.

Song lyrics, Never for Ever (1980)
Context: Follow the Nile
Deep to much deeper.
The Pyramids sound lonely tonight.
The sands run red
In lands of the Pharoahs.
Their symmetry gets right inside me.

Peter Quince at the Clavier (1915)
Context: Just as my fingers on these keys Make music, so the self-same sounds On my spirit make a music, too. Music is feeling, then, not sound;
And thus it is that what I feel,
Here in this room, desiring you,
Thinking of your blue-shadowed silk,
Is music.

" Sea Dreams http://www.poetryconnection.net/poets/Alfred_Lord_Tennyson/14402" (1864) l. 301-303

Oath of the four Grant children, first used in Ch. 2 : And Continues
The Ship that Flew (1939)

As paraphrased and quoted in "Roberto Clemente, The Pirates' Thorobred: He proved his class in the Series" by Joe Heiling, in The Houston Post, circa Fall 1971; reprinted in Baseball Digest (January 1972)
Other, <big><big>1970s</big></big>, <big>1971</big>
Context: He is a proud man. Proud of Puerto Rico, his native land, and proud to be a professional baseball player. He is a strong believer in the dignity of man and that all people, no matter their color, should work together. "I don't want to be a big shot. From head to toes, Roberto Clemente is good as Richard Nixon. I believe that. And I think that every man should believe that about himself. I am not dumb. I went to school. I made grades. But when I came here, I couldn't speak English. All I could say was, 'Me, Roberto Clemente.' Some of them laugh and say it sounded like, 'Me Tarzan, you Jane.'" He is a self-made man. He took his natural talents and made the most of them, in baseball and in his personal life. He's never abused them. "Some players are wild on the field and off the field. They are made to look like heroes. I get nothing but sarcasm. And people take me for a fool."

Letter to a Member of the National Assembly (1791)
Context: Men are qualified for civil liberty in exact proportion to their disposition to put moral chains upon their own appetites, — in proportion as their love to justice is above their rapacity, — in proportion as their soundness and sobriety of understanding is above their vanity and presumption, — in proportion as they are more disposed to listen to the counsels of the wise and good, in preference to the flattery of knaves. Society cannot exist, unless a controlling power upon will and appetite be placed somewhere; and the less of it there is within, the more there must be without. It is ordained in the eternal constitution of things, that men of intemperate minds cannot be free. Their passions forge their fetters.

The Sound of Silence
Song lyrics, Wednesday Morning, 3 A.M. (1964)
Context: And the people bowed and prayed
To the neon god they made
And the sign flashed out its warning
In the words that it was forming
And the sign said "The words of the prophets
Are written on the subway walls
And tenement halls
And whispered in the sound of silence"

Spider's Web, from Piece By Piece (2005)
Lyrics

An Appeal to the Young (1880)
Context: More than a century has passed since science laid down sound propositions as to the origins of the universe, but how many have mastered them or possess the really scientific spirit of criticism? A few thousands at the outside, who are lost in the midst of hundreds of millions still steeped in prejudices and superstitions worthy of savages, who are consequently ever ready to serve as puppets for religious impostors.

On the song "The Hounds of Love"
The Kate Bush Story (2014)
Context: I'm convinced that, as great as that record sounds, if you had anyone else sing it, you know, anyone else try to kind of weave and make it do that thing where it burns like wildfire and it comes alive, no one else could do it. It's incredible the way she kind of brings this cold arctic atmosphere, It's just like fire, you know? It's like all aaarh coming out of her mouth. … and now I'm listening to the song in my head. "Do you know what I really need? Do you know what I really need? I need lalalala yea yo yea yo your love."

Source: The Sacred Depths of Nature (1998), p. 173
Context: I love traditional religions. Whenever I wander into distinctive churches or mosques or temples, or visit museums of religious art, or hear performances of sacred music, I am enthralled by the beauty and solemnity and power they offer. Once we have our feelings about Nature in place, then I believe that we can also find important ways to call ourselves Jews, or Muslims, or Taoists, or Hopi, or Hindus, or Christians, or Buddhists. Or some of each. The words in the traditional texts may sound different to us than they did to their authors, but they continue to resonate with our religious selves. We know what they are intended to mean.

Source: More Than Human (1953), Chapter 1 “The Fabulous Idiot”, p. 1
Context: The idiot heard the sounds, but they had no meaning for him. He lived inside somewhere, apart, and the little link between word and significance hung broken.

Source: 1910's, The Art of Noise', 1913, p. 6
Context: Each sound carries with it a nucleus of foreknown and foregone sensations predisposing the auditor to boredom, in spite of all the efforts of innovating composers. All of us have liked and enjoyed the harmonies of the great masters. For years, Beethoven and Wagner have deliciously shaken our hearts. Now we are fed up with them. This is why we get infinitely more pleasure imagining combinations of the sounds of trolleys, autos and other vehicles, and loud crowds, than listening once more, for instance, to the heroic or pastoral symphonies.

Book II: On the soul; In: Aristotle (1808). Works, Vol. 4. p. 63 (412a-424b)
De Anima

Source: American Hunger (1977), p. 77

Preface to The Autumn in the Spring (May 1932)
Context: The unreasonable social system, the marriage without freedom, the yoke of traditional ideas, and the family autocracy, destroyed we don't know how many young souls. In my twenty eight years, I already had it accumulated so many, so many shadows. In that autumn smile, in that smiling which was the same as crying, I saw the young people's corpses in the whole past generation. It was as if I heard a painful sound saying: "This must be ended."

"Neil Postman Ponders High Tech" at Online Newshour : Online Forum (17 January 1996) http://www.promotesigns.com/postman_1-17.html, also slightly paraphrased in Theology of TV : The Impact of TV (2010) by Christian Mogler, p. 24, as "While we can ́t do much about the rapid growth of new technology, it is possible for us to learn how to control our own uses of technology."
Context: I don't think any of us can do much about the rapid growth of new technology. A new technology helps to fuel the economy, and any discussion of slowing its growth has to take account of economic consequences. However, it is possible for us to learn how to control our own uses of technology. The "forum" that I think is best suited for this is our educational system. If students get a sound education in the history, social effects and psychological biases of technology, they may grow to be adults who use technology rather than be used by it.

Book III, line 365. Compare:
'Tis not enough no harshness gives offense;
The sound must seem an echo to the sense.
Alexander Pope, An Essay on Criticism, Part II, line 164
De Arte Poetica (1527)
Context: Tis not enough his verses to complete,
In measure, numbers, or determined feet;
Or render things, by clear expression bright,
And set each object in a proper light:
To all, proportioned terms he must dispense,
And make the sound a picture of the sense.

"The Master Illusion" in the The American Mercury (March 1925), p. 319
1920s
Context: I have seen many theoretical objections to democracy, and sometimes urge them with such heat that it probably goes beyond the bound of sound taste, but I am thoroughly convinced, nonetheless, that the democratic nations are happier than any other. The United States today, indeed, is probably the happiest the world has ever seen. Taxes are high, but they are still well within the means of the taxpayer: he could pay twice as much and still survive. The laws are innumerable and idiotic, but only prisoners in the penitentiaries and persons under religious vows ever obey them. The country is governed by rogues, but there is no general dislike of rogues: on the contrary, they are esteemed and envied. Best of all, the people have the pleasant feeling that they can make improvements at any time they want to—... in other words, they are happy. Democrats are always happy. Democracy is a sort of laughing gas. It will not cure anything, perhaps, but it unquestionably stops the pain.

Farewell Address (1947)
Context: Thank you very much ladies and gentlemen. You know how bad my voice sounds. Well, it feels just as bad. You know this baseball game of ours comes up from the youth. That means the boys. And after you've been a boy, and grow up to know how to play ball, then you come to the boys you see representing themselves today in our national pastime.

"Crucifixion" http://web.cecs.pdx.edu/~trent/ochs/lyrics/crucifixion.html
Pleasures of the Harbor (1967)
Context: In the green fields a turnin', a baby is born
His cries crease the wind and mingle with the morn
An assault upon the order, the changing of the guard
Chosen for a challenge that is hopelessly hard
And the only single sound is the sighing of the stars
But to the silence and distance they are sworn.