and then you just write. You fill up the page and the next page. But you have a certain minimum so that at the end of the day, you can say "Hey I wrote four times today, three sentences, a dozen sentences. Each sentence is maybe twenty word long. That's 240 words which is a page of copy, so at least I didn't goof off completely today. I got a page for my efforts and tomorrow it might be easier because I've moved as far as I have".
Phlogiston interview (1995)
Quotes about sound
page 27
“If the deaf are to hear, the sound has to be very loud.”
As quoted in Awakening Indians to India (2008), p. 82
Context: If the deaf are to hear, the sound has to be very loud. When we dropped the bomb, it was not our intention to kill anybody. We have bombed the British Government. The British must quit India and make her free.
As quoted in "Paul Simon's Workshop at the Guitar Study Center" by Richard Albero and Fred Styles in Guitar Player (April 1975), p. 21
Context: I didn't want to repeat the same notes in the second verse that I used in the first, so I wrote out all the notes of the song and all the notes that were missing in the scale, given that there are twelve notes from octave to octave. All those notes that weren't in the scale were the ones I wanted in for the next verse. The listener isn't aware that they are new notes, but the sound is pleasing to the ear. I change the key, and somehow it's fresh because you haven't heard those notes before.
Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter IV, Sec. 9
Context: Our ancestors, when about to build a town or an army post, sacrificed some of the cattle that were wont to feed on the site proposed and examined their livers. If the livers of the first victims were dark-coloured or abnormal, they sacrificed others, to see whether the fault was due to disease or their food. They never began to build defensive works in a place until after they had made many such trials and satisfied themselves that good water and food had made the liver sound and firm.... healthfulness being their chief object.
I. 31 as quoted by Edwin Arthur Burtt in The Metaphysical Foundations of Modern Physical Science
Joannis Kepleri Astronomi Opera Omnia, ed. Christian Frisch (1858)
Context: Just as the eye was made to see colours, and the ear to hear sounds, so the human mind was made to understand, not whatever you please, but quantity.
“My favorite word is "redemption." I like both its meaning and the sound.”
Twenty-One Things You Don't Know About Me
Context: My favorite word is "redemption." I like both its meaning and the sound. My least favorite word is "maybe." "Maybe" is almost always a "no" drawn out in cruel fashion.
1960s, The American Promise (1965)
Context: This was the first nation in the history of the world to be founded with a purpose. The great phrases of that purpose still sound in every American heart, North and South: "All men are created equal" — "government by consent of the governed" — "give me liberty or give me death." Well, those are not just clever words, or those are not just empty theories. In their name Americans have fought and died for two centuries, and tonight around the world they stand there as guardians of our liberty, risking their lives. Those words are a promise to every citizen that he shall share in the dignity of man. This dignity cannot be found in a man's possessions; it cannot be found in his power, or in his position. It really rests on his right to be treated as a man equal in opportunity to all others. It says that he shall share in freedom, he shall choose his leaders, educate his children, and provide for his family according to his ability and his merits as a human being.
This is Your Brain on Music (2006)
Context: It is only in the last five hundred years that music has become a spectator activity—the thought of a musical concert in which a class of "experts" performed for an appreciative audience was virtually unkown throughout our history as a species. And it has only been in the last hundred years or so that the ties between musical sound and human movement have been minimized.
"All for the Good: Why genetic engineering must soldier on" in TIME magazine, Vol. 153, No. 1 (11 January 1999) http://www.mindfully.org/GE/Soldier-On-James-Watson.htm
Context: When anti-DNA doomsday scenarios failed to materialize, even the modestly restrictive governmental regulations began to wither away. In retrospect, recombinant-DNA may rank as the safest revolutionary technology ever developed. To my knowledge, not one fatality, much less illness, has been caused by a genetically manipulated organism.
The moral I draw from this painful episode is this: Never postpone experiments that have clearly defined future benefits for fear of dangers that can't be quantified. Though it may sound at first uncaring, we can react rationally only to real (as opposed to hypothetical) risks.
“The deepest rivers flow with the least sound.”
Altissima quæque flumina minimo sono labuntur.
VII, 4, 13.
Historiarum Alexandri Magni Macedonis Libri Qui Supersunt, Book VII
I Ain't Got Time To Bleed (1999)
Context: People are always shocked when they ask me what I plan to do about crime as governor and my answer comes back as "Nothing!" Does the issue of crime need to be addressed? You bet it does. But, just as with many other social issues, I don't think that legislation is the most effective arena in which to fight crime. We already have tons of laws on the books. Most of those laws would work more effectively if we just enforced them better.
As governor, there isn't a lot I can do beyond that to crack down on crime. Law enforcement is really a local issue. It's the cops' job to tighten down on criminals.
Politicians always like to say "I'm gonna fight crime!" because it makes them sound great and gets them votes. But what can a politician do to fight crime?
Bill Kuhns, on the dangers to Spinoza and others, of citing Giordano Bruno as an influence, after his execution as a heretic, in "Giordano Bruno and Marshall McLuhan" in McLuhan Studies Issue 2 (1996) http://www.chass.utoronto.ca/mcluhan-studies/v1_iss2/1_2art5.htm
Context: Through the seventeenth and eighteenth centuries, Bruno's ideas were widely imparted, borrowed, sounded; almost never, though, with the name Giordano Bruno attached to them. Kepler once chided Galileo for omitting his debt to Bruno; yet, we can discern Kepler's own indifference … Later generations would evoke Bruno's writings to the phrase, without quoting or acknowledging him. Recent scholarship on Spinoza, for example, cites Bruno's powerful exertion on his thought about infinity and on his style. Never does Spinoza cite Bruno by name.
Source: The Common Background of Greek and Hebrew Civilizations (1965 [1962]), Ch.VIII Further Observations on the Bible
Context: Scripture makes it clear that unlike the conceptions of Abraham and of Jacob, Isaac was conceived through divine agency. Like the Mycenaean Greek heroes, Isaac could claim paternity at two levels; the human and the divine.... Normative Judaism has divested itself of this approach to the paternity of heroes, in spite of the tell-tale text in Genesis. Midrash does not hesitate to call Moses half-god and half-man.... The Church tradition that connects the sacrifice of Isaac with the sacrifice of Christ apparently rests on a sound exegesis, for the sacrifice of Isaac would have meant not only the sacrifice of Abraham's son but of God's.
Signs of Change (1888), How We Live And How We Might Live
Context: The word Revolution, which we Socialists are so often forced to use, has a terrible sound in most people's ears, even when we have explained to them that it does not necessarily mean a change accompanied by riot and all kinds of violence, and cannot mean a change made mechanically and in the teeth of opinion by a group of men who have somehow managed to seize on the executive power for the moment. Even when we explain that we use the word revolution in its etymological sense, and mean by it a change in the basis of society, people are scared at the idea of such a vast change, and beg that you will speak of reform and not revolution. As, however, we Socialists do not at all mean by our word revolution what these worthy people mean by their word reform, I can't help thinking that it would be a mistake to use it, whatever projects we might conceal beneath its harmless envelope. So we will stick to our word, which means a change of the basis of society; it may frighten people, but it will at least warn them that there is something to be frightened about, which will be no less dangerous for being ignored; and also it may encourage some people, and will mean to them at least not a fear, but a hope.
Poems and Ballads (1866-89), The Triumph of Time
Context: p>The pulse of war and passion of wonder,
The heavens that murmur, the sounds that shine,
The stars that sing and the loves that thunder,
The music burning at heart like wine,
An armed archangel whose hands raise up
All senses mixed in the spirit's cup
Till flesh and spirit are molten in sunder —
These things are over, and no more mine. These were a part of the playing I heard
Once, ere my love and my heart were at strife;
Love that sings and hath wings as a bird,
Balm of the wound and heft of the knife.
Fairer than earth is the sea, and sleep
Than overwatching of eyes that weep,
Now time has done with his one sweet word,
The wine and leaven of lovely life.</p
Statement at the .
Context: Despite the fact that as an art, music cannot compromise its principles, and politics, on the other hand, is the art of compromise, when politics transcends the limits of the present existence and ascents to the higher sphere of the possible, it can be joined there by music. Music is the art of the imaginary par excellence, an art free of all limits imposed by words, an art that touches the depth of human existence, and art of sounds that crosses all borders. As such, music can take the feelings and imagination of Israelis and Palestinians to new unimaginable spheres.
“I used to suppose that certain evils could never befall a being in possession of a sound mind”
Wieland; or, the Transformation (1798)
Context: I used to suppose that certain evils could never befall a being in possession of a sound mind; that true virtue supplies us with energy which vice can never resist; that it was always in our power to obstruct, by his own death, the designs of an enemy who aimed at less than our lives.
"Robert Anton Wilson on Wilhelm Reich" (March 1995)
Context: He {Wilhelm Reich} had a great capacity to arouse irrational hatred obviously, and that's because his ideas were radical in the most extreme sense of the word "radical." His ideas have something to offend everybody, and he ended up becoming the only heretic in American history whose books were literally burned by the government.
Timothy Leary spent five years in prison for unorthodox scientific ideas. Ezra Pound spent 13 years in a nuthouse for unorthodox political and economic ideas. Their books were not burned.
Reich was not only thrown in prison, but they chopped up all the scientific equipment in his laboratory with axes and burned all of his books in an incinerator. Now that interests me as a civil liberties issue.
When I started studying Reich's works, I went through a period of enthusiasm, followed by a period of skepticism, followed by a period of just continued interest, but I think a lot of his ideas probably were sound. A lot probably were unsound. And, I'm not a Reichian in the sense of somebody who thinks he was the greatest scientist who ever lived and discovered the basic secrets of psychology, physics and everything else, all in one lifetime. But I think he has enough sound ideas that his unpopular ideas deserve further investigation.
"The Great Good Man" (1802).
Context: How seldom, friend! a good great man inherits
Honor or wealth, with all his worth and pains!
It sounds like stories from the land of spirits
If any man obtain that which he merits,
Or any merit that which he obtains.
.........
Greatness and goodness are not means, but ends!
Hath he not always treasures, always friends,
The good great man? Three treasures,—love and light,
And calm thoughts, regular as infants' breath;
And three firm friends, more sure than day and night,—
Himself, his Maker, and the angel Death.
“So he passed over, and all the trumpets sounded for him on the other side.”
Part II, Ch. XIII <!-- Sect. 4 -->
The Pilgrim's Progress (1678), Part II
Context: Then Mr. Honest called for his friends, and said unto them, I die, but shall make no will. As for my honesty, it shall go with me; let him that comes after be told of this. When the day that he was to be gone was come, he addressed himself to go over the river. Now the river at that time over-flowed its banks in some places; but Mr. Honest, in his lifetime, had spoken to one Good-conscience to meet him there, the which he also did, and lent him his hand, and so helped him over. The last words of Mr. Honest were, Grace reigns! So he left the world.After this it was noised abroad that Mr. Valiant-for-truth was taken with a summons by the same post as the other, and had this for a token that the summons was true, "That his pitcher was broken at the fountain." When he understood it, he called for his friends, and told them of it. Then said he, I am going to my Father’s; and though with great difficulty I have got hither, yet now I do not repent me of all the trouble I have been at to arrive where I am. My sword I give to him that shall succeed me in my pilgrimage, and my courage and skill to him that can get it. My marks and scars I carry with me, to be a witness for me that I have fought His battles who will now be my rewarder. When the day that he must go hence was come, many accompanied him to the river-side, into which as he went, he said, "Death, where is thy sting?" And as he went down deeper, he said, "Grave, where is thy victory?"
So he passed over, and all the trumpets sounded for him on the other side.
Source: A Wild Sheep Chase: A Novel (1982), Chapter 38, And So Time Passes
Context: Time. Particles of darkness configured mysterious patterns on my retina. Patterns that degenerated without a sound, only to be replaced by new patterns. Darkness but darkness alone was shifting, like mercury in motionless space. I put a stop to my thoughts and let time pass. Let time carry me along. Carry me to where a new darkness was configuring yet newer patterns.
The Need for Transcendence in the Postmodern World (1994)
Context: I am referring to respect for the unique human being and his or her liberties and inalienable rights and to the principle that all power derives from the people. I am, in short, referring to the fundamental ideas of modern democracy.
What I am about to say may sound provocative, but I feel more and more strongly that even these ideas are not enough, that we must go farther and deeper.
“Bethou him, you
And you, bethou him and bethou. It is
A sound like any other. It will end.”
Notes Toward a Supreme Fiction (1942), It Must Change
Context: Eye without lid, mind without any dream —These are of minstrels lacking minstrelsy,
Of an earth in which the first leaf is the tale
Of leaves, in which the sparrow is a birdOf stone, that never changes. Bethou him, you
And you, bethou him and bethou. It is
A sound like any other. It will end.
The Life of Geoffrey Chaucer vol. 1, p. 370 (1803)
Context: It has an unhappy effect upon the human understanding and temper, for a man to be compelled in his gravest investigation of an argument, to consider, not what is true, but what is convenient. The lawyer never yet existed who has not boldly urged an objection which he knew to be fallacious, or endeavoured to pass off a weak reason for a strong one. Intellect is the greatest and most sacred of all endowments; and no man ever trifled with it, defending an action to-day which he had arraigned yesterday, or extenuating an offence on one occasion, which, soon after, he painted in the most atrocious colours, with absolute impunity. Above all, the poet, whose judgment should be clear, whose feelings should be uniform and sound, whose sense should be alive to every impression and hardened to none, who is the legislator of generations and the moral instructor of the world, ought never to have been a practising lawyer, or ought speedily to have quitted so dangerous an engagement.
Love is Enough (1872), Song VI: Cherish Life that Abideth
Context: Live on, for Love liveth, and earth shall be shaken
By the wind of his wings on the triumphing morning,
When the dead, and their deeds that die not shall awaken,
And the world's tale shall sound in your trumpet of warning,
And the sun smite the banner called Scorn of the Scorning,
And dead pain ye shall trample, dead fruitless desire,
As ye wend to pluck out the new world from the fire.
Source: The Life of Poetry (1949), p. 150
Context: The continuity of film, in which the writer deals with a track of images moving at a given rate of speed, and a separate sound-track which is joined arbitrarily to the image-track, is closer to the continuity of poetry than anything else in art. But the heaviness of the collective work on a commercial film, the repressive codes and sanctions, unspoken and spoken, the company-town feeling raised to its highest, richest, most obsessive-compulsive level in Hollywood, puts the process at the end of any creative spectrum farthest from the making of a poem.
At the same time, almost anything that can be said to make the difficulties of poetry dissolve for the reader, or even to make the reader want to deal with those "difficulties," can be said in terms of film. These images are like the action sequences of a well-made movie — a good thriller will use the excitement of timing, of action let in from several approaches, of crisis prepared for emotionally and intellectually, so that you can look back and recognize the way of its arrival; or, better, feel it coming until the moment of proof arrives, meeting your memory and your recognition.
The cutting of films is a parable in the motion of any art that lives in time, as well as a parable in the ethics of communication.
“Given a good shop and good measurement equipment a sound physicist can do wonderful work.”
as quoted by
Context: Good physics can be done if we have a good shop. … Given a good shop and good measurement equipment a sound physicist can do wonderful work.
Published version, in the Atlantic Monthly (February 1862)
He has sounded out the trumpet that shall never call retreat,
He has waked the earth's dull sorrow with a high ecstatic beat...
First manuscript version (19 November 1861).
The Battle Hymn of the Republic (1861)
Context: He has sounded forth the trumpet that shall never call retreat;
He is sifting out the hearts of men before His judgment-seat.
Oh! be swift my soul to answer him, be jubilant my feet!
Our God is marching on.
Pierre Schaeffer: an Interview with the Pioneer of Musique Concrete (Records Quarterly magazine, vol. 2, n° 1; 1987)
Interviews
Source: The Book on the Taboo Against Knowing Who You Are (1966), p. 94
During an after-dinner discussion in Munich https://books.google.com/books?id=2zxfyeUHKEAC&pg=PA69 (1933), regarding the American Civil War
Disputed, The Testament of Adolf Hitler (1945)
Context: This is the last disgusting death-rattle of a corrupt and outworn system which is a blot on the history of this people. Since the civil war, in which the southern states were conquered, against all historical logic and sound sense, the American people have been in a condition of political and popular decay. In that war, it was not the Southern States, but the American people themselves who were conquered. In this spurious blossoming of economic progress and power politics, America has ever since been drawn deeper into the mire of progressive self-destruction. The beginnings of a great new social order based on the principle of slavery and inequality were destroyed by that war, and with them also the embryo of a future truly great America that would not have been ruled by a corrupt caste of tradesmen, but by a real Herren-class that would have swept away all the falsities of liberty and equality.
Address to Congress (1945)
Context: It is not enough to yearn for peace. We must work, and if necessary, fight for it. The task of creating a sound international organization is complicated and difficult. Yet, without such organization, the rights of man on earth cannot be protected. Machinery for the just settlement of international differences must be found. Without such machinery, the entire world will have to remain an armed camp. The world will be doomed to deadly conflict, devoid of hope for real peace.
I Corinthians Ch. 13 (KJV) The word "Charity" is here used as a translation of the Latin Caritas, and the original Greek Agape, which were words for "Love", and used to denote the highest and most self-transcending forms of Love.
Variants: Though I speak with the tongues of men and of angels, but have not love, I have become sounding brass or a clanging cymbal. And though I have the gift of prophecy, and understand all mysteries and all knowledge, and though I have all faith, so that I could remove mountains, but have not love, I am nothing. And though I bestow all my goods to feed the poor, and though I give my body to be burned, but have not love, it profits me nothing.
Love suffers long and is kind; love does not envy; love does not parade itself, is not puffed up; does not behave rudely, does not seek its own, is not provoked, thinks no evil; does not rejoice in iniquity, but rejoices in the truth; bears all things, believes all things, hopes all things, endures all things.
Love never fails. But whether there are prophecies, they will fail; whether there are tongues, they will cease; whether there is knowledge, it will vanish away. For we know in part and we prophesy in part. But when that which is perfect has come, then that which is in part will be done away.
When I was a child, I spoke as a child, I understood as a child, I thought as a child; but when I became a man, I put away childish things. For now we see in a mirror, dimly, but then face to face. Now I know in part, but then I shall know just as I also am known.
And now abide faith, hope, love, these three; but the greatest of these is love.
I Corinthians Ch. 13 (NKJV)
If I speak in human and angelic tongues but do not have love, I am a resounding gong or a clashing cymbal. And if I have the gift of prophesy and comprehend all mysteries and all knowledge; if I have all faith so as to move mountains but do not have love, I am nothing. If I give away everything I own, and if I hand my body over so that I may boast but do not have love, I gain nothing.
Love is patient, love is kind. It is not jealous, [love] is not pompous, it is not inflated, it is not rude, it does not seek its own interests, it is not quick-tempered, it does not brood over injury, it does not rejoice over wrongdoing but rejoices with the truth. It bears all things, believes in all things, hopes all things, endures all things.
Love never fails. If there are prophecies, they will be brought to nothing; if tounges, they will cease; if knowledge, it will be brought to nothing. For we know partially and we prophesy partially, but when the perfect comes, the partial will pass away. When I was a child, I used to talk as a child, think as a child, reason as a child; when I became a man, I put aside childish things. At present, we see indistinctly, as in a mirror, but then face to face. At present I know partially; then I shall know fully, as I am fully known. So faith, hope, love remain, these three; but the greatest of these is love.
1 Corinthians Ch. 13 (NASB)
Now, there remain faith, hope, love, these three; but the greatest of these is love.
1 Corinthians 13:13, New World Translation http://www.watchtower.org/e/bible/1co/chapter_013.htm
First Epistle to the Corinthians
Context: Though I speak with the tongues of men and of angels, and have not charity, I am become as sounding brass, or a tinkling cymbal. And though I have the gift of prophecy, and understand all mysteries, and all knowledge; and though I have all faith, so that I could remove mountains, and have not charity, I am nothing. And though I bestow all my goods to feed the poor, and though I give my body to be burned, and have not charity, it profiteth me nothing. Charity suffereth long, and is kind; charity envieth not; charity vaunteth not itself, is not puffed up, Doth not behave itself unseemly, seeketh not her own, is not easily provoked, thinketh no evil; Rejoiceth not in iniquity, but rejoiceth in the truth; Beareth all things, believeth all things, hopeth all things, endureth all things.
Charity never faileth: but whether there be prophecies, they shall fail; whether there be tongues, they shall cease; whether there be knowledge, it shall vanish away. For we know in part, and we prophesy in part. But when that which is perfect is come, then that which is in part shall be done away.
When I was a child, I spake as a child, I understood as a child, I thought as a child: but when I became a man, I put away childish things. For now we see through a glass, darkly; but then face to face: now I know in part; but then shall I know even as also I am known. And now abideth faith, hope, charity, these three; but the greatest of these is charity.
"The Son", Ch. 4, p. 49
Report to Greco (1965)
Context: I thank God that this refreshing childhood vision still lives inside me in all its fullness of color and sound. This is what keeps my mind untouched by wastage, keeps it from withering and running dry. It is the sacred drop of immortal water which prevents me from dying. When I wish to speak of the sea, woman, or God in my writing, I gaze down in my breast and listen carefully to what the child within me says. He dictates to me; and if it sometimes happens that I come close to these great forces of the sea, woman, and God, approach them by means of words and depict them, I owe it to the child who still lives within me. I become a child again to enable myself to view the world always for the first time, with virgin eyes.
“There was much conversation, most of which sounded like the rest of it.”
Arrowsmith (1925), Ch. 14
1950s, Farewell address to Congress (1951)
Context: Here are centered the hopes and aspirations and faith of the entire human race. I do not stand here as advocate for any partisan cause, for the issues are fundamental and reach quite beyond the realm of partisan consideration. They must be resolved on the highest plane of national interest if our course is to prove sound and our future protected. I trust, therefore, that you will do me the justice of receiving that which I have to say as solely expressing the considered viewpoint of a fellow American.
As quoted by Rachel Makabi, 'A Race Against Time' http://www.rezapahlavi.org/details_article.php?article=34&page=5, Newsweek International, Sept 4, 2006.
Interviews, 2006
“The blues - the sound of a sinner on revival day.”
“With a guitar I would be able to express the things I felt in sounds.”
“The sound of the human voice is the best of nature but only if it comes out from the feelings.”
From the official website
Quoted in Pratap Kumar, "A Survey of New Approaches to the Study of Religion in India," in New Approaches to the Study of Religion, Peter Antes, Armin W. Geertz, and Randi R. Warne, editors, 2004, p. 132.
Interviewed by Zora Burden https://zoraburden.weebly.com/jack-sargeant.html (2014)
Source: Pilgrim of the Absolute (1947), p. 88
Bachchu answered the Daily Star, when he was asked why he left Souls (November 9, 2012) https://archive.thedailystar.net/magazine/2012/11/02/cover.htm
The World As Revelation: Names of Gods (1980)
Source: On how she aimed to preserve the spoken word feel for her book The Poet X in “Debut Author Elizabeth Acevedo on 'The Poet X'” https://www.publishersweekly.com/pw/by-topic/childrens/childrens-authors/article/76224-q-a-with-elizabeth-acevedo.html in Publishers Weekly (2018 Mar 6)
On how he perceives Puerto Rico in “An Interview with Tato Laviera, the King of Nuyorican Poetical Migrations” https://www.latinorebels.com/2012/07/11/an-interview-with-tato-laviera-the-king-of-nuyorican-poetical-migrations/ in Latino Rebels (2012 Jul 11)
On showcasing the Yoruba culture in Children of Blood and Bone in “Meet Tomi Adeyemi: the politically-charged author you need to know about in 2019” https://www.harpersbazaar.com/uk/culture/culture-news/a26933188/tomi-adeyemi-interview/ in Harper’s Bazaar (2019 Mar 26)
Speech in New York City (28 August 1952)
Interviewed by Sarah Ball, "What you should know about Kai Ryssdal" https://www.vanityfair.com/news/2013/11/kai-ryssdal-marketplace-profile, Vanity Fair (November 2013).
On avoiding the label of magical realism in “Octavio Solis’s Journey to ‘Mother Road’” https://www.americantheatre.org/2019/09/09/octavio-soliss-journey-to-mother-road/ (American Theatre; Sept 2019)
"The Master Illusion" in the The American Mercury (March 1925), p. 319
1920s
Conditions of Progress in Democratic Government (1909).
Source: 1910's, The Art of Noise', 1913, p. 6
God Is Now Trump’s Co-Conspirator https://www.nytimes.com/2019/10/14/opinion/trump-william-barr-speech.html (October 14, 2019)
The New York Times Columns
"Good Old Neon", Oblivion: Stories
Short stories
On his decision of what genre to write in in “Interview with Ariel Dorfman” https://www.dalkeyarchive.com/interview-with-ariel-dorfman/ (Dalkey Archive Press)
Letter to Walter Jones (2 January 1814) https://founders.archives.gov/documents/Jefferson/03-07-02-0052.
1810s
“Sounds kind of long-term to me. Just how far ahead do you think?”
“Very long-term—at least twenty, thirty years. And you can forget governments for this market, Bob; if they can’t tax it, they won’t understand it.”
Source: Accelerando (2005), Chapter 1 (“Lobsters”), pp. 14-15
On composing poems while practicing as an attorney in “The Writer’s Block Transcripts: A Q&A with Martin Espada” https://www.sampsoniaway.org/interviews/2015/12/11/the-writers-block-transcripts-a-qa-with-martin-espada/ in Sampsonia Way (2015 Dec 11)
On translating Spanish poetry into English in “Interview with Francisco Aragón: Latino Poetry From All Its Perspectives” https://www.sampsoniaway.org/literary-voices/2010/09/16/interview-with-francisco-aragon-latino-poetry-from-all-its-perspectives/ in Sampsonia Way (2010 Sept 16)
1 min 10 sec
Cosmos: A Personal Voyage (1990 Update), Encyclopedia Galactica [Episode 12]
On how he handled dialogue in his works in “An Interview with Ernest J. Gaines” https://www.missourireview.com/article/an-interview-with-ernest-j-gaines/ in The Missouri Review (1999 Dec 1)
Burden of Dreams (1982)
Whenever I meet one of the Batiniyah, I like to study his creed; whenever I meet one of the Zahiriyah, I want to know the essentials of his belief. If it is a philosopher, I try to become acquainted with the essence of his philosophy; if a scholastic theologian I busy myself in examining his theological reasoning; if a Sufi, I yearn to fathom the secret of his mysticism; if an ascetic (muta'ahhid) , I investigate the basis of his ascetic practices; if one ofthe Zanadiqah or Mu'attilah, I look beneath the surface to discover the reasons for his bold adoption of such a creed.
The Deliverance from Error https://www.amazon.com/Al-Ghazalis-Path-Sufism-Deliverance-al-Munqidh/dp/1887752307, p: 20-21
The Aquarian Conspiracy (1980), Chapter One, The Conspiracy
T Prakasam in letter dated 20 July 1945, in: p. 5
Muslim League had demanded for partition of the country.
Dr. Rajendra Prasad: Correspondence and Select Documents : Presidency Period
Lecture IV : Objections
India, What Can It Teach Us (1882)
Thomas Henry Huxley, in Life and Letters of Thomas Henry Huxley (London: Macmillan & Co., 1913)
G - L
Source: Looking Backward, 2000-1887 http://www.gutenberg.org/ebooks/25439 (1888), Ch. 28.
I Wanna Go Backwards CD booklet (Chapel Hill, NC: Yep Roc Records, 2007) p. 4.
Similarly, in the matter of language, one can separate neither sound from thought nor thought from sound; such separation could be achieved only by abstraction, which would lead either to pure psychology, or to pure phonology.
Source: Cours de linguistique générale (1916), p. 157; as cited in: Schaff (1962:11)
“Sounds impressive. And expensive.”
“Not at all.” Danziger shook his head firmly. “It will cost, all told, only a little over three million dollars, less than the cost of two hours of war, and a better buy.”
Source: Time and Again (1970), Chapter 4 (p. 65)
Harbans Mukhia, Obituary, The Indian Historical Review http://journals.sagepub.com/doi/abs/10.1177/037698360102800245
Gerald Clarke, in Show Business: The Mellifluous Prince of Disorder http://content.time.com/time/magazine/article/0,9171,954366,00.html, 20 August 1984