Charles Rosen (1927–2012) American pianist and writer on music
Source: The Frontiers of Meaning: Three Informal Lectures on Music (1994), Ch. 1 : The Frontiers of Nonsense
Source: 1910's, The Art of Noise', 1913, p. 6
Context: Each sound carries with it a nucleus of foreknown and foregone sensations predisposing the auditor to boredom, in spite of all the efforts of innovating composers. All of us have liked and enjoyed the harmonies of the great masters. For years, Beethoven and Wagner have deliciously shaken our hearts. Now we are fed up with them. This is why we get infinitely more pleasure imagining combinations of the sounds of trolleys, autos and other vehicles, and loud crowds, than listening once more, for instance, to the heroic or pastoral symphonies.
Charles Rosen (1927–2012) American pianist and writer on music
Source: The Frontiers of Meaning: Three Informal Lectures on Music (1994), Ch. 1 : The Frontiers of Nonsense
Beth Anderson (1950) American neo-romantic composer
Cited (earlier) in: American Women Composers (1979) AWC news. Volumes 2-3. p. 41
Beauty is Revolution (1980)
Cesare Pavese (1908–1950) Italian poet, novelist, literary critic, and translator
This Business of Living (1935-1950)
“4. You hear his voice in a crowd more than any other.”
Bisco Hatori (1975) Japanese manga artist
Source: Ouran High School Host Club, Vol. 13
“Why do we have such a finite capacity for pleasure but an infinite one for pain?”
Marian Keyes (1963) Irish writer
Source: The Other Side of the Story
Sue Townsend (1946–2014) English writer and humorist
Source: The Secret Diary of Adrian Mole, Aged 13 3/4
Roy Jenkins (1920–2003) British politician, historian and writer
Letter to The Times (23 July 1956), p. 9
1950s