Quotes about something
page 54

Leo Tolstoy photo

“I longed for activity, instead of an even flow of existence. I wanted excitement and danger and the chance to renounce self for the sake of my love. I was conscious of a superabundance of energy which found no outlet in our quiet life. I had bouts of depression, which I tried to hide, as something to be ashamed of…My mind, even my senses were occupied, but there was another feeling – the feeling of youth and a craving for activity – which found no scope in our quiet life…So time went by, the snow piled higher and higher round the house, and there we remained together, always and for ever alone and just the same in each other’s eyes; while somewhere far away amidst glitter and noise multitudes of people thrilled, suffered and rejoiced, without one thought of us and our existence which was ebbing away. Worst of all, I felt that every day that passed riveted another link to the chain of habit which was binding our life into a fixed shape, that our emotions, ceasing to be spontaneous, were being subordinated to the even, passionless flow of time… ‘It’s all very well … ‘ I thought, ‘it’s all very well to do good and lead upright lives, as he says, but we’ll have plenty of time for that later, and there are other things for which the time is now or never.’ I wanted, not what I had got, but a life of challenge; I wanted feeling to guide us in life, and not life to guide us in feeling.”

Family Happiness (1859)

Madonna photo
W. Somerset Maugham photo
Simone Weil photo
William Wordsworth photo

“A jolly place," said he, "in times of old!
But something ails it now: the spot is cursed.”

William Wordsworth (1770–1850) English Romantic poet

Hart-leap Well, part ii.
Bartlett's Familiar Quotations, 10th ed. (1919)

Sri Aurobindo photo

“It is not by these means [modern humanism and humanitarianism, idealism, etc. ] that humanity can get that radical change of its ways of life which is yet becoming imperative, but only by reaching the bed-rock of Reality behind,… not through mere ideas and mental formations, but by a change of the consciousness, an inner and spiritual conversion. But that is a truth for which it would be difficult to get a hearing in the present noise of all kinds of many-voiced clamour and confusion and catastrophe…. Science has missed something essential; it has seen and scrutinised what has happened and in a way how it has happened, but it has shut its eyes to something that made this impossible possible, something it is there to express. There is no fundamental significance in things if you miss the Divine Reality; for you remain embedded in a huge surface crust of manageable and utilisable appearance. It is the magic of the Magician you are trying to analyse, but only when you enter into the consciousness of the Magician himself can you begin to experience the true origination, significance and circles of the Lila…. Another danger may then arise [once materialism begins to give way]… not of a final denial of the Truth, but the repetition in old or new forms of a past mistake, on one side some revival of blind fanatical obscurantist sectarian religionism, on the other a stumbling into the pits and quagmires of the vitalistic occult and the pseudo-spiritual'mistakes that made the whole real strength of the materialistic attack on the past and its credos. But these are phantasms that meet us always on the border line or in the intervening country between the material darkness and the perfect Splendour. In spite of all, the victory of the supreme Light even in the darkened earth-consciousness stands as the one ultimate certitude….”

Sri Aurobindo (1872–1950) Indian nationalist, freedom fighter, philosopher, yogi, guru and poet

Undated
India's Rebirth

George Carlin photo
Helen Keller photo
Joe Dante photo
Roy Blount Jr. photo
Barend Cornelis Koekkoek photo

“Do you like to see what can be transformed from a flat, elementary rural scene - bearing the stamp of nature, the mark of truth - into something most beautiful and graceful? Look at the works of our great [painter] Schelfhout. There you will find represented plain nature at the most elegant, but moreover with a faithfulness and truth, which only Schelfhout can represent.”

Barend Cornelis Koekkoek (1803–1862) painter from the Northern Netherlands

(original Dutch, citaat van B.C. Koekkoek:) Wilt gij zien wat er van een vlak, eenvoudig landelijk tafereel, als hetzelve den stempel der natuur, het merk der waarheid draagt, schoons en bevalligs kan gemaakt worden? Beschouwt dan de werken van onze grooten Schelfhout. Daarin zult gij de eenvoudige natuur op het sierlijkst, maar tevens met eene getrouwheid en waarheid, wat alleen een Schelfhout vermag, voorgesteld vinden.
Source: Herinneringen aan en Mededeelingen van…' (1841), p. 243

Arthur Rubinstein photo

“Arthur Rubinstein once said to me that he couldn't think when he played, that something else took over. I also don't think when I play - something happens through me, but I am motivated by what I have thought before.”

Arthur Rubinstein (1887–1982) Polish-American classical pianist

Leonard Shure — reported in Richard Dyer (April 21, 1980) "Shure: Looking Back on the first 70 Years", Boston Globe.
About

Burkard Schliessmann photo
Tom Robbins photo
George Bird Evans photo
Jopie Huisman photo

“.. because of self-preservation, selfishness and the urge for happiness love has prevailed in me, and in that way everything becomes enchanted and even an old dirty, discarded doll transforms in something that can move you. The attention I gave it [in his painting: 'Rag doll', 1975], together with the attention you give it, ensure that it is no longer doomed, not alone any more. If there is any background connected to my artwork, it is this.”

Jopie Huisman (1922–2000) Dutch painter

translation, Fons Heijnsbroek, 2018
version in original Dutch / citaat van Jopie Huisman, in het Nederlands: ..uit zelfbehoud, egoïsme en drang naar geluk heeft de liefde in mij de overhand gekregen en zo wordt alles betoverd en wordt een oude vieze, weggesmeten pop een ding dat je ontroeren kan. De aandacht die ik er aan gegeven heb [in zijn schilderij: 'Lappenpop', 1975], samen met de aandacht die u er aan geeft, zorgt ervoor dat het niet meer verdoemd is, niet meer alleen. Als er een achtergrond bij mijn werk hoort, dan is het dat wel.
p 66
Jopie Huisman', 1981

Jorge Vargas González photo

“If something have demonstrated the elections and the percentage she got (4,41%) is that nobody wanted her here.”

Jorge Vargas González (1967) Chilean politician

About Paulina Nin, in La Cuarta (4 November 2004)

Cormac McCarthy photo
Jerry Coyne photo
H.L. Mencken photo
Edward Teller photo
Daniel Buren photo
W. Edwards Deming photo
Helen Reddy photo
Kate Bornstein photo
Edmund White photo
Martin Luther King, Jr. photo

“There is something strangely inconsistent about a nation and a press that would praise you when you say, "Be nonviolent toward Jim Clark," but will curse and damn you when you say, "Be nonviolent toward little brown Vietnamese children."”

Martin Luther King, Jr. (1929–1968) American clergyman, activist, and leader in the American Civil Rights Movement

There is something wrong with that press.
1960s, Why I Am Opposed to the War in Vietnam (1967)

Jonathan Stroud photo
Swami Vivekananda photo
Dave Eggers photo
Ai Weiwei photo

“Maybe there is something I got from it. Maybe you also start to be clear on certain things.”

Ai Weiwei (1957) Chinese concept artist

2010-, Ai Weiwei: 'Every day I think, this will be the day I get taken in again...', 2011

John R. Commons photo
Regina Jonas photo
Vincent Van Gogh photo
Barbara Hepworth photo
Andrus Ansip photo

“Someone who says something like that must have eaten some seeds; and not those kinds of seeds we grow in our fields!
It might be helpful to put tinfoil in your hat!”

Andrus Ansip (1956) Estonian chemist and politician

About the protesters against ACTA. http://www.baltic-course.com/eng/Technology/?doc=52906.

John Adams photo
Ted Nelson photo
Dennis Prager photo
Pierre Charles Alexandre Louis photo

“Between the one who counts the facts, grouped according to their resemblance, in order to know what to believe regarding the value of therapeutic agents and him who does not count but always says "more or less frequent," there is the difference between truth and error, between something that is clear and truly scientific and something that is vague and without value—for what place is there in Science for that which is vague?”

Pierre Charles Alexandre Louis (1787–1872) French physician

Recherches sur les effets de la saignée dans quelques maladies inflammatoires, et sur l'action de l'émétique et des vésicatoires dans la pneumonie (1835) as quoted by William Coleman, Death is a Social Disease: Public Health and Political Economy in Early Industrial France (1982)

Michel Foucault photo

“My point is not that everything is bad, but that everything is danger­ous, which is not exactly the same as bad. If everything is dangerous, then we always have something to do. So my position leads not to apa­thy but to a hyper- and pessimistic activism. I think that the ethico-political choice we have to make every day is to determine which is the main danger.”

Michel Foucault (1926–1984) French philosopher

“On the Genealogy of Ethics: An Overview of Work in Progress.” Afterword, in Hubert L. Dreyfus and Paul Rabinow, Michel Foucault: Beyond Structuralism and Hermeneutics, 2nd ed. Chicago: University of Chicago Press. (1983)

David Graeber photo
Aldous Huxley photo
Martin Amis photo
Mitt Romney photo
Philippe Kahn photo

“Every day I practise my flute. I've been doing it for decades and every day I find something new that inspires me for all the rest that I do in my days.”

Philippe Kahn (1952) Entrepreneur, camera phone creator

Interview with the Financial Times reporter, 2002.

Abbas Kiarostami photo

“I feel like a tree. A tree doesn't feel a duty to start doing something about the earth from which it comes. A tree just has to bear fruit, and leaves and blossoms. It doesn't feel grateful to the earth.”

Abbas Kiarostami (1940–2016) Iranian film director, screenwriter, photographer and film producer

http://www.ft.com/cms/s/0/95ecdfa2-4be8-11de-b827-00144feabdc0.html

Toni Morrison photo
Vincent Van Gogh photo

“.. How I paint I do not know myself. I sit down with a white board before the spot that strikes me, I look at what is before me, I say to myself that white board must become something, I come back dissatisfied - I put it away, and when I have rested a little I go to look at it with a kind of fear. Then I am still dissatisfied, because I have still too closely in my mind that splendid nature..”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

Quote in a letter of Vincent to Theo, from The Hague (Netherlands), Summer 1882; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 228), p. 30
1880s, 1882

Stendhal photo

“A forty-year-old woman is only something to men who have loved her in her youth!”

Une femme de quarante ans n'est plus quelque chose que pour les hommes qui l'ont aimée dans sa jeunesse!
Source: La Chartreuse de Parme (The Charterhouse of Parma) (1839), Ch. 23

Hunter S. Thompson photo

“A man has to BE something; he has to matter.”

Hunter S. Thompson (1937–2005) American journalist and author

Letter to Hume Logan (22 April 1958), p. 118
1990s, The Proud Highway : The Fear and Loathing Letters Volume I (1997)

Carly Fiorina photo

“I have to stand up for myself… I learned something that I could and should stand up for myself, and he learned something, which was she will stand up for herself.”

Carly Fiorina (1954) American corporate executive and politician

David Webb Show http://www.breitbart.com/big-government/2015/08/05/ohio-male-rnc-member-calls-carly-fiorina-hot-babe/ (5 August 2015).
2010s, 2015, David Webb Show (August 2015)

John Fante photo
Thanissaro Bhikkhu photo
Robert Sheckley photo
Indro Montanelli photo
Tod A photo
Robert Smith (musician) photo
Jim Henson photo

“People shouldn't come expecting to see the Muppets because they are not here. This is something else.”

Jim Henson (1936–1990) American puppeteer

Interview about The Dark Crystal (1982)

Karl Kraus photo
Phil Brooks photo

“Are you proud o' yourself, Jeff? I could have been seriously injured last week. And you got a lot of nerve faking an eye injury and leaving me to fend for myself, especially considering you're the one who injured my eye in the first place. As far as what you said earlier about me making the whole thing up, coming out here with your cute eye patch mocking me: I wanna show you something, Jeff." (takes out a little plastic jar of some sort of liquid eye medicine)
"This, is polymoxin bisulfate. I have to apply this to my eye three times a day. The only way you obtain this is with a prescription, from a doctor. Now, I know, you know a thing or two about prescription medication, but I don't think you realize is that you have to go to a doctor to legally obtain some. Unlike you, Jeff, this is the only foreign substance I will allow in my body. So if you wanna imitate me, why don't you try living a clean lifestyle? Why don't you try living, a straightedge lifestyle? "Jeff… you've got two strikes. You know how many I have? Zero. Jeff, you know how many times I've been suspended? Zero. You know how many times I've been to a rehab facility? That's right- zero. And do you know what your chances are of beating me at Night of Champions?”

Phil Brooks (1978) American professional wrestler and mixed martial artist

(long pause)
"Zero."
Addressing Jeff Hardy before his match with the Great Khali, both to prove that his eye injury is real (in storyline) and to drive home a point about the drug-related mistakes of Jeff's past as recently as 16 months ago. July 10, 2009.
Friday Night SmackDown

Ali Khamenei photo
Noah Cyrus photo
Olivia Munn photo
Hans Arp photo

“Each one of these bodies [art-works which Arp made] certainly signifies something, but it is only once there is nothing left for me to change that I begin to look for its meaning, that I give it a name.”

Hans Arp (1886–1966) Alsatian, sculptor, painter, poet and abstract artist

Source: 1960s, Jours effeuillés: Poèmes, essaies, souvenirs (1966), p. 383

Jim Butcher photo

“Harry Dresden: Sometimes the most remarkable things seem commonplace. I mean, when you think about it, jet travel is pretty freaking remarkable. You get in a plane, it defies the gravity of a entire planet by exploiting a loophole with air pressure, and it flies across distances that would take months or years to cross by any means of travel that has been significant for more than a century or three. You hurtle above the earth at enough speed to kill you instantly should you bump into something, and you can only breathe because someone built you a really good tin can that seems tight enough to hold in a decent amount of air. Hundreds of millions of man-hours of work and struggle and research, blood, sweat, tears and lives have gone into the history of air travel, and it has totally revolutionized the face of our planet and societies.
But get on any flight in the country, and I absolutely promise you that you will find someone who, in the face of all that incredible achievement, will be willing to complain about the drinks. The drinks, people. That was me on the staircase to Chicago-Over-Chicago. Yes, I was standing on nothing but congealed starlight. Yes, I was walking up through a savage storm, the wind threatening to tear me off and throw me into the freezing waters of lake Michigan far below. Yes, I was using a legendary and enchanted means of travel to transcend the border between one dimension and the next, and on my way to an epic struggle between ancient and elemental forces. But all I could think to say, between panting breaths, was, "Yeah. Sure. They couldn't possibly have made this an escalator."”

The Dresden Files, Summer Knight (2002)

Simone Weil photo

“If we want a love which will protect the soul from wounds we must love something other than God.”

Simone Weil (1909–1943) French philosopher, Christian mystic, and social activist

Source: Simone Weil : An Anthology (1986), Love (1947), p. 62

J.M. Coetzee photo
E.M. Forster photo
Hans Kelsen photo
Heinrich Neuhaus photo

“As for the piano, I was left to my own devices practically from the age of twelve. As is frequently the case in teachers' families, our parents were so busy with their pupils (literally from morning until late at night) that they hardly had any time for their own children. And that, in spite of the fact that with the favourable prejudice common to all parents, they had a very high opinion of my gifts. (I myself had a much more sober attitude. I was always aware of a great many faults although at times I felt that I had in me something "not quite usual".) But I won't speak of this. As a pianist, I am known. My good and bad points are known and nobody can be interested in my "prehistoric period". I will only say that because of this early "independence" I did a lot of silly things which I could have easily avoided if I had been under the vigilant eye of an experienced and intelligent teacher for another three or four years. I lacked what is known as a "school". I lacked discipline. But it is an ill wind that blows nobody any good; my enforced independence compelled me, though sometimes by very devious ways, to achieve a great deal on my own and even my failures and errors subsequently proved more than once to be useful and educational, and in an occupation such as learning to master an art, where if not all, then almost all depends on individuality, the only sound foundation will always be the knowledge gained as the result of personal effort and personal experience.”

Heinrich Neuhaus (1888–1964) Soviet musician

The Art of Piano Playing (1958), Ch. 1. The Artistic Image of a Musical Composition

Mario Savio photo

“You can't disobey the rules every time you disapprove. However, when you're considering something that constitutes an extreme abridgement of your rights, conscience is the court of last resort.”

Mario Savio (1942–1996) American activist

Quoted in interview with Jack Fincher, "The University Has Become a Factory," Life magazine (1965-02-26).

Phillip Guston photo
Harry Emerson Fosdick photo

“Don't simply retire from something; have something to retire to.”

Harry Emerson Fosdick (1878–1969) American pastor

As quoted in Wisdom for Our Time (1961) by James Nelson

J. M. Barrie photo
Jefferson Davis photo

“Tradition usually rests upon something which men did know; history is often the manufacture of the mere liar.”

Jefferson Davis (1808–1889) President of the Confederate States of America

Scotland & The Scottish People https://books.google.com/books?id=NINHAAAAYAAJ&printsec=frontcover&dq=scotland+%26+the+scottish+people&hl=en&sa=X&ved=0CBwQ6AEwAGoVChMIuKPUmZGkyAIVQ5qACh0kewz7#v=onepage&q=scotland%20%26%20the%20scottish%20people&f=false

Neal Stephenson photo
Karl Barth photo

“Nothing is more characteristic of the Hegelian system of knowledge than the fact that upon its highest pinnacle, where it becomes knowledge of knowledge, i. e. knowledge knowing of itself, it is impossible for it to have any other content but simply the history of philosophy, the account of its continuing self-exposition, in which all individual developments, coming full circle, can only be stages along the road to the absolute philosophy reached in Hegel himself. But that which knowledge is explicitly upon this topmost pinnacle as the history of philosophy, the philosophy completed in Hegel, it is implicitly all along the line: the knowledge of history and the history of knowledge, the history of truth, the history of God, as Hegel was able to say: the philosophy of History. History here has entered so thoroughly into reason, philosophy has so basically become the philosophy of history, that reason, the object of philosophy itself, has become history utterly and completely, that reason cannot understand itself other than a sits own history, and that, from the opposite point of view, it is in a position to recognize itself at once in all history in some stage of its life-process, and also in its entirety, so far as the study permits us to divine the whole. It is a matter of the production of self-movement of the thought-content in the consciousness of the thinking subject. It is not a matter of reproduction! The Hegelian way of looking is the looking of a spectator only in so far as it is in fact in principle and exclusively theory, thinking consciousness. Granting this premise, and setting aside Kierkegaard’s objection that with it the spectator might by chance have forgotten himself, that is the practical reality of his existence, then for Hegel it is also in order (only too much in order!) that the human subject, whilst looking in this manner, stands by no means apart as if it were not concerned. It is in this looking that the something seen is produced. And the thing seen actually has its reality in the fact that it is produced as the thing seen in the looking of the human subject. Man cannot participate more energetically (within the frame-work of theoretical possibility), he cannot be more forcefully transferred from the floor of the theatre on to the stage than in his theory.”

Karl Barth (1886–1968) Swiss Protestant theologian

Karl Barth Protestant Thought From Rousseau to Ritschl, 1952, 1959 p. 284-285
Protestant Thought From Rousseau to Ritschl 1952, 1956

Erik Naggum photo
Norman Mailer photo
Nicolas Bouvier photo

“First stage: small stage", say the Persian caravaneers who know so well that, the first evening, everyone realises that he's forgotten something at home. Normally, one covers no more than a "pharsar" (around 6km). The careless should be able to go home and come back before sunrise. This concession to distraction is one more thing I love about Persia. I don't think there's a single practical measure in this country that neglects the irreducible imperfection of man.”

Première étape : petite étape », disent les caravaniers persans qui savent bien que, le soir du départ, chacun s'aperçoit qu'il a oublié quelque chose à la maison. D'ordinaire, on ne fait qu'un pharsar. Il faut que les étourdis puissent encore aller et revenir avant le lever du soleil. Cette part faite à la distraction m'est une raison de plus d'aimer la Perse. Je ne crois pas qu'il existe dans ce pays une seule disposition pratique qui néglige l'irréductible imperfection de l'homme.
Un pharsar représente environ 6 kilomètres. L'Usage du monde (1963), Nicolas Bouvier, éd. Payot, coll. « Petite Bibliothèque Payot/Voyageurs », 1992 (ISBN 2-228-88560-6), p. 259

Hillary Clinton photo

“One of my favorites is Angela Merkel because I think she's been an extraordinary, strong leader during difficult times in Europe, which has obvious implications for the rest of the world and, most particularly, our country… her bravery in the face of the refugee crisis is something that I am impressed by.”

Hillary Clinton (1947) American politician, senator, Secretary of State, First Lady

[In swipe at Trump, Clinton names Merkel as her favorite world leader, Nolan D., McCaskill, Politico, 29 Sept. 2016, http://www.politico.com/story/2016/09/hillary-clinton-angela-merkel-228926]
Presidential campaign (April 12, 2015 – 2016)

H. G. Wells photo

“"You don't understand," he said, "who I am or what I am. I'll show you. By Heaven! I'll show you." Then he put his open palm over his face and withdrew it. The centre of his face became a black cavity. "Here," he said. He stepped forward and handed Mrs. Hall something which she, staring at his metamorphosed face, accepted automatically. Then, when she saw what it was, she screamed loudly, dropped it, and staggered back. The nose—it was the stranger's nose! pink and shining—rolled on the floor.Then he removed his spectacles, and everyone in the bar gasped. He took off his hat, and with a violent gesture tore at his whiskers and bandages. For a moment they resisted him. A flash of horrible anticipation passed through the bar. "Oh, my Gard!" said some one. Then off they came.It was worse than anything. Mrs. Hall, standing open-mouthed and horror-struck, shrieked at what she saw, and made for the door of the house. Everyone began to move. They were prepared for scars, disfigurements, tangible horrors, but nothing! The bandages and false hair flew across the passage into the bar, making a hobbledehoy jump to avoid them. Everyone tumbled on everyone else down the steps. For the man who stood there shouting some incoherent explanation, was a solid gesticulating figure up to the coat-collar of him, and then—nothingness, no visible thing at all!”

Source: The Invisible Man (1897), Chapter 7: The Unveiling of the Stranger

Tim Curry photo

“For generation accustomed to thinking of the United States as the world's leading industrial power, something was lost when the U. S, became the world's largest debtor.”

Allen B. Rosenstein (1920–2018) American systems engineers

Allen B. Rosenstein (1989) " Competitiveness and Incoherent National Policy http://www.allenbrosenstein.com/pdf/competitiveness-incoherent.pdf", National Academy of Public Administration, Keynote Speech, 1989.

Renny Harlin photo
Kate DiCamillo photo
Clive Staples Lewis photo
Patrick Rothfuss photo
Louis C.K. photo
E.M. Forster photo
Tamsin Greig photo
Prince photo

“I'm not a woman;
I'm not a man.
I am something that U'll never understand.
I'll never beat U;
I'll never lie.
And if U're evil I'll forgive U by and by.”

Prince (1958–2016) American pop, songwriter, musician and actor

I Would Die 4 U
Song lyrics, Purple Rain (1984)