Quotes about skeleton

A collection of quotes on the topic of skeleton, likeness, look, use.

Quotes about skeleton

George Orwell photo
Derek Landy photo
Terry Pratchett photo
Sherman Alexie photo
Virginia Woolf photo
Virginia Woolf photo

“Rigid, the skeleton of habit alone upholds the human frame.”

Mrs Dalloway (1925)
Source: Mrs. Dalloway

Terry Pratchett photo
Orison Swett Marden photo
Imelda Marcos photo

“They went into my closets looking for skeletons, but thank God, all they found were shoes, beautiful shoes.”

Imelda Marcos (1929) Former First Lady of the Philippines

Statement made upon opening the Marikina City Footwear Museum in Manila, as quoted in "Homage to Imelda's shoes" at BBC News (16 February 2001) http://news.bbc.co.uk/2/hi/asia-pacific/1173911.stm.

José Saramago photo

“…I'm not able to fear death… We will all turn skeletons and everything shall end. The skeleton becomes, therefore, the most radical form of nudity.”

José Saramago (1922–2010) Portuguese writer and recipient of the 1998 Nobel Prize in Literature

ÉPOCA Interview (in Portuguese) http://revistaepoca.globo.com/Epoca/0,6993,EPT1061569-1666-1,00.html, São Paulo, 2005.

Marilyn Manson photo
Jan Tinbergen photo

“Models constitute a framework or a skeleton and the flesh and blood will have to be added by a lot of common sense and knowledge of details.”

Jan Tinbergen (1903–1994) Dutch economist

As quoted in: Anis Chowdhury, ‎Colin Kirkpatrick (2003) Development Policy and Planning: An Introduction to Models http://books.google.com/books?id=dv7eEUpkwsMC&pg=PA6. p. 6
"The Use of Models: Experience," 1969

Leo Tolstoy photo

“Every heart has its own skeletons.”

Source: Anna Karenina

Alexandra Fuller photo
Rick Riordan photo
Rick Riordan photo
Mary Doria Russell photo
Richelle Mead photo
Derek Landy photo
Marya Hornbacher photo
Ben Carson photo

“One dark night the skeletons that they had carefully hidden in an obscure closet appeared, grabbed them around the throat, and strangled them.”

Ben Carson (1951) 17th and current United States Secretary of Housing and Urban Development; American neurosurgeon

Source: Think Big: Unleashing Your Potential for Excellence

George Bernard Shaw photo

“If you cannot get rid of the family skeleton, you may as well make it dance.”

George Bernard Shaw (1856–1950) Irish playwright

Variant: If you cannot get rid of the family skeleton, you may as well make it dance.
Source: Immaturity

Derek Landy photo
Ogden Nash photo
Rick Riordan photo
Rick Riordan photo
Adoniram Judson Gordon photo

“Doctrine is the frame-work of life; it is the skeleton of truth, to be clothed and rounded out by the living graces of a holy life. It is only the lean creature whose bones become offensive.”

Adoniram Judson Gordon (1836–1895) American hymnwriter

Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 194.

Hayley Williams photo

“I'm only human.
I've got a skeleton in me.
But I'm not the villian,
despite what you're always preaching.”

Hayley Williams (1988) American singer-songwriter and musician

Monster(2009)
Lyrics

“Use materials with forceful MUSCULAR colours – the reddest of reds, the most purple of purples, the greenest of greens, intense yellows, orange, vermillion – and SKELETON tones of white, grey and black.”

Giacomo Balla (1871–1958) Italian artist

(Manuscript, 1914); as quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 148
Futurist Manifesto of Men's clothing,' 1913/1914

Ben Croshaw photo
Robert A. Heinlein photo

“Everybody has a skeleton in the closet; the thing is to keep ’em there and not at the feast.”

Source: Starman Jones (1953), Chapter 10, “Garson’s Planet” (p. 109)

José Ortega Y Gasset photo
Willa Cather photo
Ed Bradley photo

“Most of us know Ed Bradley from his 25 years of work on the CBS news magazine 60 Minutes, and his many interviews with world figures, celebrities and cultural icons. The men and the women who sat in the chair across from Bradley doing his 60 Minutes interviews were figures of importance, people to whom we should pay attention, and we could rely on Bradley to make sure that no skeleton in the darkest corner of his subject's closet was safe from the tenacious journalists.”

Ed Bradley (1941–2006) News correspondent

[Congressman Danny K. Davis, Congressional Record, http://www.gpo.gov/fdsys/pkg/CREC-2006-12-06/html/CREC-2006-12-06-pt2-PgH8798-3.htm, Honoring the Contributions and Life of Edward R. Bradley, H8798-H8800; Volume 152, Number 133, December 6, 2006, United States House of Representatives , printed by the United States Government Printing Office]
About

Gideon Mantell photo

“if your grave doesnt say "rest in peace" on it you are automatically drafted into the skeleton war”

Dril Twitter user

[ Link to tweet https://twitter.com/dril/status/361282749086175234]
Tweets by year, 2013

Evelyn Waugh photo
Charles Fort photo
Joel Barlow photo
John Dos Passos photo
Conrad Aiken photo
John Dalberg-Acton, 1st Baron Acton photo
Nikolai Bukharin photo
Stephen King photo

“Without you ghost ferries would cross the Mersey manned by skeleton crews”

Adrian Henri (1932–2000) British poet

"Without You", from The Mersey Sound (1967).

Eminem photo
Ingmar Bergman photo

“I write scripts to serve as skeletons awaiting the flesh and sinew of images.”

Ingmar Bergman (1918–2007) Swedish filmmaker

The New York Times (22 January 1978).

“During my nine days' stay at Dacca, I visited most of the riot-affected areas of the city and suburbs. … The news of the killing of hundreds of innocent Hindus in trains, on railway lines between Dacca and Narayanganj, and Dacca and Chittagong gave me the rudest shock. … I reached Barisal town and was astounded to know of the happenings in Barisal. In the District town, a number of Hindu houses were burnt and a large number of Hindus killed. I visited almost all riot-affected areas in the District. … At the Madhabpasha Zamindar's house, about 200 people were killed and 40 injured. A place, called Muladi, witnessed a dreadful hell. At Muladi Bandar alone, the number killed would total more than three hundred, as was reported to me by the local Muslims including some officers. I visited Muladi village also, where I found skeletons of dead bodies at some places. I found dogs and vultures eating corpses on he river-side. I got the information there that after the whole-scale killing of all adult males, all the young girls were distributed among the ringleaders of the miscreants. At a place called Kaibartakhali under P. S. Rajapur, 63 persons were killed. Hindu houses within a stone's throw distance from the said thana office were looted, burnt and inmates killed. All Hindu shops of Babuganj Bazar were looted and then burnt and a large number of Hindus were killed. From detailed information received, the conservative estimate of casualties was placed at 2,500 killed in the District of Barisal alone. Total casualties of Dacca and East Bengal riot were estimated to be in the neighbourhood of 10,000 killed. The lamentation of women and children who had lost their all including near and dear ones melted my heart. I only asked myself "What was coming to Pakistan in the name of Islam."”

Jogendra Nath Mandal (1904–1968) Pakistani politician

Excerpted from the resignation letter of J. N. Mandal, Minister for Law and Labour, Government of Pakistan, October 8, 1950. https://en.wikisource.org/wiki/Resignation_letter_of_Jogendra_Nath_Mandal https://biblio.wiki/wiki/Resignation_letter_of_Jogendra_Nath_Mandal

Ken Ham photo
Randolph Bourne photo
Elia M. Ramollah photo

“Then let my skeleton soul
Writhe upward from its loam,
Drink red morning again,
And look gently home.”

Donald Davidson (1893–1968) American poet, essayist, critic and author

Redivivus

Paul Klee photo
Helena Petrovna Blavatsky photo
Mickey Spillane photo

“Nobody ever walked across the bridge, not on a night like this. The rain was misty enough to be almost fog-like, a cold gray curtain that separated me from the pale ovals of white that were faces locked behind the steamed-up windows of the cars that hissed by. Even the brilliance that was Manhattan by night was reduced to a few sleepy, yellow lights off in the distance.
Some place over there I had left my car and started walking, burying my head in the collar of my raincoat, with the night pulled in around me like a blanket. I walked and I smoked and I flipped the spent butts ahead of me and watched them arch to the pavement and fizzle out with one last wink. If there was life behind the windows of the buildings on either side of me, I didn't notice it. The street was mine, all mine. They gave it to me gladly and wondered why I wanted it so nice and all alone.
There were others like me, sharing the dark and the solitude, but they were huddled in the recessions of the doorways not wanting to share the wet and the cold. I could feel their eyes follow me briefly before they turned inward to their thoughts again.
So I followed the hard concrete footpaths of the city through the towering canyons of the buildings and never noticed when the sheer cliffs of brick and masonry diminished and disappeared altogether, and the footpath led into a ramp then on to the spidery steel skeleton that was the bridge linking two states.
I climbed to the hump in the middle and stood there leaning on the handrail with a butt in my fingers, watching the red and green lights of the boats in the river below. They winked at me and called in low, throaty notes before disappearing into the night.
Like eyes and faces. And voices.
I buried my face in my hands until everything straightened itself out again, wondering what the judge would say if he could see me now. Maybe he'd laugh because I was supposed to be so damn tough, and here I was with hands that wouldn't stand still and an empty feeling inside my chest.”

One Lonely Night (1951)

Ray Kurzweil photo
Erik Naggum photo

“Structure is nothing if it is all you got. Skeletons spook people if they try to walk around on their own. I really wonder why XML does not.”

Erik Naggum (1965–2009) Norwegian computer programmer

Re: The horror that is XML http://groups.google.com/group/comp.lang.lisp/msg/7d410e0ae791d1cb (Usenet article).
Usenet articles, Miscellaneous

Paul Klee photo

“Pictures have their skeleton, muscles, and skin like human beings. One may speak of the specific anatomy of the picture. A picture representing 'a naked person' must not be created by the laws of human anatomy, but only by those of compositional anatomy. First one builds an armature on which the picture is to be constructed.”

Paul Klee (1879–1940) German Swiss painter

Quote (1908), # 840, in The Diaries of Paul Klee, translation: Pierre B. Schneider, R. Y. Zachary and Max Knight; publisher, University of California Press, 1964
1903 - 1910

Burkard Schliessmann photo
Frederick Buechner photo
Robert E. Howard photo
Paul Auster photo
Aron Ra photo

“The original 1954 Japanese film, Gojira was iconic, and only made a couple mistakes of any significance. (1)They killed him in the end, and we saw his body turned to skeleton. Not the best way to begin 60 years worth of sequels. (2) Godzilla was depicted as a dinosaur, and was associated with living trilobites. Even if there was some sort of ‘realm that time forgot’ out in the Pacific somewhere, Trilobites were already extinct before the first dinosaurs, and Godzilla was clearly no dinosaur. The conceptual artists reportedly referenced illustrations of dinosaurs, but that’s not what they rendered. All bi-pedal dinosaurs [Therapods] were digigrade, walking on their toes, like birds, and usually only three or four digits. Godzilla was plantigrade and pentadactyle, (having five digits and walking on the whole foot) just like lizards. It even looks like a lizard, apart from the fact that no reptile has an actual nose or external ears. In a sense, what Toho pictures created was actually an oriental dragon. These tend to mix reptilian and mammalian traits. Amusingly in 1954, Toho made a giant lizard and called it a dinosaur. In 1998, Tristar re-designed Godzilla as a dinosaur, but called it a lizard. Of course that wasn’t the only thing Tristar did wrong. They tried to ruin the monster completely. They took away the only thing that worked in decades of sequels, the look of the monster itself. Then they took away everything that made Godzilla appealing to Kaiju fans, then they tied it down and shot it. Such disrespect. If you’re going to make a movie that already has a fan-base, and they are the ones who will decide whether your film will pay off, respect those fans and the story they’re paying to see.”

Aron Ra (1962) Aron Ra is an atheist activist and the host of the Ra-Men Podcast

Patheos, Weighing in on Godzilla http://www.patheos.com/blogs/reasonadvocates/2014/06/08/weighing-in-on-godzilla/ (June 8, 2014)

“All that we can say, looking at the avocado pit, is that whatever swallowed it must have been big. As big as those fossil skeletons staring out at us from behind the dusty glass of museum cases.”

Roger Swain (1949) American television personality

p. 14 https://books.google.com/books?id=UutGAAAAYAAJ&focus=searchwithinvolume&q=big
Field Days: Journal of an Itinerant Biologist (1983)

Robert G. Ingersoll photo
Bal Gangadhar Tilak photo

“It is true that lack of rain causes famine but it is also true that the people of India have not the strength to fight the evil. The poverty of India is wholly due to the present rule. India is being bled till only the skeleton remains…all the vitality of the people is being sapped and we are left in an emaciated state of slavery.”

Bal Gangadhar Tilak (1856–1920) Indian independence activist

[Bhagwat, A.K., Pradhan, G.P., Lokmanya Tilak – A Biography, http://books.google.com/books?id=bYfMbCXyc3kC&pg=PT167, 1958, Jaico Publishing House, 978-81-7992-846-2, 167–]

George Grosz photo
Ai Weiwei photo

“Three years after the CCTV headquarters fire [in Beijing in February 2009], human skeletons lie forgotten. Is anyone accountable?”

Ai Weiwei (1957) Chinese concept artist

Ai Weiwei on Twitter in English (beta). (February 26, 2012) http://aiwwenglish.tumblr.com/
2010-, Twitter feeds, 2010-12

Aldous Huxley photo
Audre Lorde photo
Roger Waters photo
John Dos Passos photo
Edgar Rice Burroughs photo
Ray Harryhausen photo
Nathaniel Hawthorne photo
Theo Jansen photo

“[The Taoist priest] said to Chia Jui, "This mirror was made by the Goddess of Disillusionment and is designed to cure diseases resulting from impure thoughts and self-destructive habits. It is intended for youths such as you. But do not look into the right side. Use only the reverse side of the mirror. I shall be back for it in three days and congratulate you on your recovery." He went away, refusing to accept any money.
Chia Jui took the mirror and looked into the reverse side as the Taoist had directed. He threw it down in horror, for he saw a gruesome skeleton staring at him through its hollow eyes. He cursed the Taoist for playing such a crude joke upon him. Then he thought he would see what was on the right side. When he did so, he saw Phoenix standing there and beckoning to him. Chia Jui felt himself wafted into a mirror world, wherein he fulfilled his desire. He woke up from his trance and found the mirror lying wrong side up, revealing the horrible skeleton. He felt exhausted from the experience that the more deceptive side of the mirror gave him, but it was so delicious that he could not resist the temptation of looking into the right side again. Again he saw Phoenix beckoning to him and again he yielded to the temptation. This happened three or four times. When he was about to leave the mirror on his last visit, he was seized by two men and put in chains.
"Just a moment, officers," Chia Jui pleaded. "Let me take my mirror with me."”

Wang Chi-chen (1899–2001)

These were his last words.
Source: Dream of the Red Chamber (1958), pp. 89–90

Calvin Coolidge photo
Roberto Clemente photo
Adam Goldstein photo
Greg Giraldo photo

“Flav, you look like a skeleton wrapped in electrical tape.”

Greg Giraldo (1965–2010) American comedian

Flavor Flav Comedy Central Roast (2007)

Ken Wilber photo
Arthur Koestler photo
Thornton Wilder photo

“I realize that every writer is necessarily a critic — that is, each sentence is a skeleton accompanied by enormous activity of rejection; and each selection is governed by general principles concerning truth, force, beauty, and so on.”

Thornton Wilder (1897–1975) American playwright and novelist

Writers at Work interview (1958)
Context: I think myself as a fabulist, not a critic. I realize that every writer is necessarily a critic — that is, each sentence is a skeleton accompanied by enormous activity of rejection; and each selection is governed by general principles concerning truth, force, beauty, and so on. But, as I have just suggested, I believe that the practice of writing consists in more and more relegating all that schematic operation to the subconscious. The critic that is in every fabulist is like the iceberg — nine-tenths of him is underwater.

“If I can reconcile myself to the certainty of death only by forgetting it, I am not happy. And if I can dispose of the fact of human misery about me only by shutting my thoughts as well as myself within my comfortable garden, I may assure myself that I am happy, but I am not. There is a skeleton in the closet of the universe, and I may at any moment be in the face of it. Happiness is inseparable from confidence in action; and confidence of action is inseparable from what the schoolmen called peace -- that is, poise of mind with reference to everything I may possibly encounter in the chances of fortune.”

William Ernest Hocking (1873–1966) American philosopher

Source: The Meaning of God in Human Experience (1912), Ch. XV : The Need of a God, p. 218.
Context: If I can reconcile myself to the certainty of death only by forgetting it, I am not happy. And if I can dispose of the fact of human misery about me only by shutting my thoughts as well as myself within my comfortable garden, I may assure myself that I am happy, but I am not. There is a skeleton in the closet of the universe, and I may at any moment be in the face of it. Happiness is inseparable from confidence in action; and confidence of action is inseparable from what the schoolmen called peace -- that is, poise of mind with reference to everything I may possibly encounter in the chances of fortune.
Now this perfect openness to experience is not possible if pain is the last word of pain. Unless there is something behind the fact of pain, some kind of mystery or problem in it whose solution shows the pain to be other than what it pretends, there is no happiness for man in this world or the next; for no matter how fair the world might in time become, the fact that it had been as bad as it is would remain an unbanishable misery, unbanishable by God or any other power.