Quotes about simple
page 20

Johannes Warnardus Bilders photo

“I worked hard the whole day, so that I am very tired now. Yesterday I made the sketch of the castle [in Vorden] on the canvas and today I painted the sky, the whole day long. I made the composition even more simple by leaving out the creel; the air is painted in the spirit of the [ Swartzwald [? ], but much more stronger and sadder. I hope to show the people how beautiful, how profoundly poetical the castle [is].... please save this thumbnail-sketch [drawn in the letter, on the same paper] and also my previous letter. Who knows the descendants - when reading them, and looking at the sketch - will say: Look, it was in this way how Bilder's very lovely painting was discussed at the House 't Velde, and how it came into life in Vorden. Good-by, my dear Lady..”

Johannes Warnardus Bilders (1811–1890) painter from the Northern Netherlands

translation from Dutch, Fons Heijnsbroek
version in original Dutch (citaat van Johannes Warnardus Bilders' brief, in het Nederlands:) Ik heb den gehelen dag hart gewerkt. Zoo dat ik erg moede ben. gisteren had ik de schets van t kasteel [in Vorden] op t' doek gebracht en vandaag heb ik de gehelen dag aan de lucht geschildert , ik heb de compositie nog eenvoudiger gemaakt door de vischkaar weg te laten; de lucht is in de geest van t [Swartzwald[?], maar nog veel sterker en droeviger, ik hoop de menschen te laten zien, hoe schoon, hoe diep poetisch, het kasteel bi.. ..bewaar de krabbel èn ook mijn voorgaande brief, wie weet als het nageslacht, die dan leest, en de krabbel ziet of ze dan niet zeggen, zie op deze wijze kwam dit schoonste schilderij van Bilders in t leven, t werd op ’t Velde besproken, en te Vorden in 't leven geroepen, dag zeer geliefde juffrouw..
J.W. Bilders, in his letter [including a sketch by pen of the landscape with the castle, seen from the garden of the hotel where he stayed] to Georgina van Dijk van 't Velde, from Vorden, 1 Sept. 1868; from an excerpt of the letter https://rkd.nl/nl/explore/excerpts/751236 in the RKD-Archive, The Hague
1860's + 1870's

Dan Quayle photo
Johannes Tauler photo
Hélène Binet photo
Mario Cuomo photo
Tariq Ali photo
Christopher Hitchens photo

“Our common speech contains numberless verbs with which to describe the infliction of violence or cruelty or brutality on others. It only really contains one common verb that describes the effect of violence or cruelty or brutality on those who, rather than suffering from it, inflict it. That verb is the verb to brutalize. A slaveholder visits servitude on his slaves, lashes them, degrades them, exploits them, and maltreats them. In the process, he himself becomes brutalized. This is a simple distinction to understand and an easy one to observe. In the recent past, idle usage has threatened to erode it. Last week was an especially bad one for those who think the difference worth preserving…Col. Muammar Qaddafi's conduct [killing his protesters] is far worse than merely brutal—it is homicidal and sadistic…and even if a headline can't convey all that, it can at least try to capture some of it. Observe, then, what happens when the term is misapplied. The error first robs the language of a useful expression and then ends up by gravely understating the revolting reality it seeks to describe…Far from being brutalized by four decades of domination by a theatrical madman, the Libyan people appear fairly determined not to sink to his level and to be done with him and his horrible kin. They also seem, at the time of writing, to want this achievement to represent their own unaided effort. Admirable as this is, it doesn't excuse us from responsibility. The wealth that Qaddafi is squandering is the by-product of decades of collusion with foreign contractors. The weapons that he is employing against civilians were not made in Libya; they were sold to him by sophisticated nations.”

Christopher Hitchens (1949–2011) British American author and journalist

2010s, 2011

Leopoldo Galtieri photo

“The dispatch of a naval force and the peremptory outcome that Great Britain tried to impose are clear demonstrations that that country persists in addressing the question with arguments based on force, and that the solution is sought through the simple refusal to recognize Argentinian rights. In view of that unacceptable intention, the Argentine Government could have no other response than the one it has just made by taking action. The Argentinian position can in no way be considered a form of aggression against the present inhabitants of the islands. Their rights and ways of life will be respected with the same generosity with which we respected those peoples we liberated during our independence movement. Yet we will not yield to the intimidatory deployment of the British forces; far from using peaceful diplomatic channels, they have threatened the indiscriminate use of those forces. Our forces will act only to the extent strictly necessary. They will in no way disrupt the life of the islanders. On the contrary, they will protect those institutions and persons who agree to coexist with us, but they will not tolerate any excesses either in the islands or on the mainland. We have a clear appreciation of the stance adopted and it is in defence of this stance that the Argentine nation has risen, the whole nation, spiritually and materially.”

Leopoldo Galtieri (1926–2003) Argentine military dictator

President Galtieri’s address to the nation https://teachwar.wordpress.com/resources/war-justifications-archive/falklandsmalvinas-war-1982/#arg1, 2 April 1982

Thomas Jefferson photo

“The doctrines of Jesus are simple, and tend all to the happiness of man.”

Thomas Jefferson (1743–1826) 3rd President of the United States of America

1820s

Harry V. Jaffa photo
Louis Brownlow photo
Chris Cornell photo

“And so, what we've done all of these years is very simple, is use the little tool, which is ask three whys in a row. Because the first why you always have a good answer for. The second why, it starts getting difficult. By the third why, you don't really know why you're doing what you're doing.”

Ricardo Semler (1959) Brazilian businessman

TED: "How to run a company with (almost) no rules" https://www.ted.com/talks/ricardo_semler_how_to_run_a_company_with_almost_no_rules/ (October 2014)

Gregory Benford photo
Maharishi Mahesh Yogi photo

“Every education minister today has a chance of introducing in his education today some simple technique, some simple natural insights into the total reality of life, which the physical sciences have explored in terms of “Unified Field”, which the ancient Vedic wisdom has located in the Self referral consciousness of everyone.”

Maharishi Mahesh Yogi (1917–2008) Inventor of Transcendental Meditation, musician

Quoted from: Maharishi Mahesh Yogi's Main Message - from Victory Day, October 21, 2007 Maharishi Channel http://www.bienfaits-meditation.com/en/maharishi/videos/maharishi_main_message_2007

Noam Chomsky photo

“The deep structure that expresses the meaning is common to all languages, so it is claimed, being a simple reflection of the forms of thought.”

Noam Chomsky (1928) american linguist, philosopher and activist

"Deep and surface structure"
Quotes 2000s, 2007-09, (3rd ed., 2009)

Donald J. Trump photo
Alastair Reynolds photo

“A complex system that works is invariably found to have evolved from a simple system that worked. The inverse proposition also appears to be true: A complex system designed from scratch never works and cannot be made to work. You have to start over, beginning with a working simple system.”

John Gall (1925–2014) American physician

Source: General systemantics, an essay on how systems work, and especially how they fail..., 1975, p. 71. This statement is known as Gall's law

“What we call growth of even a simple organism is a tremendously complex phenomenon from the biochemical, physiological, cytological, and morphological viewpoints.”

Ludwig von Bertalanffy (1901–1972) austrian biologist and philosopher

Von Bertalanffy (1957) "Quantitative laws in metabolism and growth" in: Quarterly Review of Biology 32(1957), p. 217
1950s

Richard Feynman photo
Joshua Jackson photo
Bhakti Tirtha Swami photo
John of St. Samson photo
Gertrude Stein photo

“I like a thing simple but it must be simple through complication. Everything must come into your scheme, otherwise you cannot achieve real simplicity.”

Gertrude Stein (1874–1946) American art collector and experimental writer of novels, poetry and plays

What Are Masterpieces and Why Are There So Few of Them (1936), Afterword of a later edition

Benito Mussolini photo

“Our program is simple: we wish to govern Italy. They ask us for programs but there are already too many. It is not programs that are wanting for the salvation of Italy but men and will power.”

Benito Mussolini (1883–1945) Duce and President of the Council of Ministers of Italy. Leader of the National Fascist Party and subsequen…

Speech at Udine (September 20, 1922) "The Question of Regime. The Monarchy and Fascism," quoted in A History of Civilization (1955) by Crane Brinton, John B. Christopher, and Robert Lee Wolff, p. 520
1920s

Raymond Poincaré photo

“And, further, shall we be sure of finding the left bank free from German troops? Germany is supposedly going to undertake to have neither troops nor fortresses on the left bank and within a zone extending 50 km. east of the Rhine. But the Treaty does not provide for any permanent supervision of troops and armaments, on the left bank any more than elsewhere in Germany. In the absence of this permanent supervision, the clause stipulating that the League of Nations may order enquiries to be undertaken is in danger of being purely illusory. We can thus have no guarantee that after the expiry of the fifteen years and the evacuation of the left bank, the Germans will not filter troops by degrees into this district. Even supposing they have not previously done so, how can we prevent them doing it at the moment when we intend to re-occupy on account of their default? It will be simple for them to leap to the Rhine in a night and to seize this natural military frontier well ahead of us. The option to renew the occupation should not therefore from any point of view be substituted for occupation. It will then be simple for them to leap to the Rhine in a night and to seize this natural military frontier well ahead of us.”

Raymond Poincaré (1860–1934) 10th President of the French Republic

Memorandum to Clemenceau (28 April 1919), quoted in David Lloyd George, The Truth about the Peace Treaties. Volume I (London: Victor Gollancz, 1938), p. 430.

“Ninth-century castles were relatively small and simple affairs designed to safeguard a relatively small number of people and intended as a refuge during times of trouble.”

Marilyn Stokstad (1929–2016) art historian

Source: Medieval castles (2005), Ch. 1 : The Great Tower : Norman and Early Plantagenet Castles

A. R. Rahman photo

“I have to confess that I felt rather proud
of the simple device of my suffocating cloud.
The Prospero of poisons, the Faustus of the front,
bringing mental magic to modern armament.”

Tony Harrison (1937) British writer

"Fritz Haber", line 5; from Square Rounds (London: Faber & Faber, 1992).
The title character of the poem was responsible for developing chlorine gas as a weapon of war.

Frederick Douglass photo
Daniel Dennett photo
Noam Elkies photo
David Brin photo

“One great mystery is why sexual reproduction became dominant for higher life-forms. Optimization theory says it should be otherwise.
Take a fish or lizard, ideally suited to her environment, with just the right internal chemistry, agility, camouflage—whatever it takes to be healthy, fecund, and successful in her world. Despite all this, she cannot pass on her perfect characteristics. After sex, her offspring will be jumbles, getting only half of their program from her and half their re-sorted genes somewhere else.
Sex inevitably ruins perfection. Parthenogenesis would seem to work better—at least theoretically. In simple, static environments, well-adapted lizards who produce duplicate daughters are known to have advantages over those using sex.
Yet, few complex animals are known to perform self-cloning. And those species exist in ancient, stable deserts, always in close company with a related sexual species.
Sex has flourished because environments are seldom static. Climate, competition, parasites—all make for shifting conditions. What was ideal in one generation may be fatal the next. With variability, your offspring get a fighting chance. Even in desperate times, one or more of them may have what it takes to meet new challenges and thrive.
Each style has its advantages, then. Cloning offers stability and preservation of excellence. Sex gives adaptability to changing times. In nature it is usually one or the other. Only lowly creatures such as aphids have the option of switching back and forth.”

Introduction to Chapter 8 (pp. 123-124)
Glory Season (1993)

Camille Pissarro photo
Ron Paul photo
Winston S. Churchill photo
George Sand photo

“The truth is too simple: one must always get there by a complicated route.”

George Sand (1804–1876) French novelist and memoirist; pseudonym of Lucile Aurore Dupin

Le vrai est trop simple, il faut y arriver toujours par le compliqué.
Letter to Armand Barbès, (12 May 1867), published in Georges Lubin (ed.) Correspondance (Paris: Garnier Freres, 1964-95) vol. 20, p. 412; Bruce Kajewski Traveling with Hermes (Amherst: University of Massachusetts Press, 1992) p. 32

Kent Hovind photo
Oscar Niemeyer photo
Sebastian Vettel photo

“I can only say that Red Bull gives you wings. It’s as simple as that.”

Sebastian Vettel (1987) German racing driver in Formula 1

http://www.formula1.com/news/interviews/2010/7/11107.html July 31, 2010.
About the astonishing qualifying pace of the Red Bulls on Hungaroring.
Sourced quotes

William Winwood Reade photo
Kazimir Malevich photo

“Painting has turned back from the non-objective way to the object, and the development of painting has returned to the figurative part of the way that had led to the destruction of the object. But on the way back, painting came across a new object that the proletarian revolution had brought to the fore and which had to be given form, which means that it had to be raised to the level of a work of art... I am utterly convinced that if you keep to the way of Constructivism, where you are now firmly stuck, which raises not one artistic issue except for pure utilitarianism and in theater simple agitation, which may be one hundred percent consistent ideologically but is completely castrated as regards artistic problems, and forfeits half its value... If you go on as you are.... then Stanislavski will emerge as the winner in the theater and the old forms will survive. And as to architecture, if the architects do not produce artistic architecture, the Greco-Roman style of Zyeltovski will prevail, together with the Repin style in painting..”

Kazimir Malevich (1879–1935) Russian and Soviet artist of polish descent

Quote of Malevich from his letter 8 April 1932, to Meyerhold, in 'Two Letters to Meyerhold', in Kunst & Museumjournaal 6, (1990), pp. 9-10; as quoted by Paul Wood in The great Utopia, - The Russian and Soviet Avant-Garde, 1915-1932; Guggenheim Museum, New York, 1992, p. 24 – note 112
This quote clarifies Malevich's famous return to the figuration of the Russian peasant life, in the time of forced collectivization of Russian agriculture: 'for him [= Malevich] the return to figuration was not a break with the Revolution but a way of safeguarding it and preventing the return of Classicism and Naturalism' (Paul Wood in The great Utopia; Guggenheim Museum, New York, 1992, p. 24 – note 112)
1931 - 1935

Leopoldo Galtieri photo

“My own opinion on Mrs Thatcher is very simple: I think she's unsuited to our historical period, and I say this referring to her as a prime minister, and not as a woman.”

Leopoldo Galtieri (1926–2003) Argentine military dictator

Reportaje de Oriana Fallaci a Leopoldo F. Galtieri http://archivohistorico.educ.ar/content/reportaje-de-oriana-fallaci-leopoldo-f-galtieri#sthash.ZQrMQt2O.dpuf, Revista El porteño, August 1982

Adolphe Quetelet photo
V. Vale photo

“I started my publishing with one simple goal: to fight the control process. But I think that we’re actually controlled most by our aesthetic.”

V. Vale (1942) American writer

Mark McCloud in conversation with V. Vale http://sfaq.us/2015/03/mark-mccloud-in-conversation-with-v-vale/ in SFAQ (12 March 2015)

“Economics takes a while to learn, even if much of it is in a way quite simple. It is simple to be wrong as well as to be right, and it is none too easy to distinguish between them.”

James Mirrlees (1936–2018) Scottish economist

James Mirrlees in: Anders Barany, ‎Nobelstiftelsen (1996). Les Prix Nobel. p. 353

Ronald Dworkin photo
Stanisław Lem photo
J. B. S. Haldane photo
George Hendrik Breitner photo

“I learned from Nol that nowadays you [ Willem Witsen ] are especially engaged upon enlargements [of photos]. I would like to ask you if you perhaps have a piece of moorland (foreground) for me, I would be very grateful to you. Because I am working on a painting with a large foreground. You may have seen it, with that artillery in it. It must be a simple sloping ground. Without much frills of sand - etc. nothing but heather..”

George Hendrik Breitner (1857–1923) Dutch painter and photographer

translation from the original Dutch: Fons Heijnsbroek
version in original Dutch (citaat van Breitner's brief, in het Nederlands:) Ik vernam van Nol dat ge u tegenwoordig speciaal bezig houdt met vergrootingen [van foto's]. Ik zou je wel willen vragen als je soms een stuk heidegrond (voorgrond). voor me had, zou ik je zeer dankbaar zijn. Ik ben naml. aan een schilderij bezig met groote voorgrond. je hebt het misschien wel gezien, met die artillerie er op. Het moet een eenvoudig opglooiende grond [zijn]. Zonder veel tierelantijntjes van zand – etc niets anders dan heide..
In a letter of Breitner to Willem Witsen, undated, c. 1893-99; in the collection Royal Dutch Library, the Hague; as cited in master-thesis Van Gogh en Breitner in Den Haag, Helewise Berger, University of Utrecht, The Netherlands, p. 48
The two artists exchanged sometimes photos, using them as elements for their paintings
1890 - 1900

Roger Federer photo
Henry Temple, 3rd Viscount Palmerston photo
Noam Chomsky photo
Daniel T. Gilbert photo
William Grey Walter photo
Nicolaus Copernicus photo
Jeremy Clarkson photo
Paul Mason (journalist) photo

“The real test of friendship is: can you literally do nothing with the other person? Can you enjoy those moments of life that are utterly simple?”

Eugene Kennedy (1928–2015) American psychologist

Eugene Kennedy, cited in: Kathy Wagoner (2002) The Promise of Friendship. p. 284

Honoré de Balzac photo
Colin Wilson photo
William Wordsworth photo

“The good old rule
Sufficeth them, the simple plan,
That they should take, who have the power,
And they should keep who can.”

William Wordsworth (1770–1850) English Romantic poet

Rob Roy's Grave, st. 9.
Memorials of a Tour in Scotland (1803)

Hannah Arendt photo
Edward Thomson photo
Tsunetomo Yamamoto photo
Paul Klee photo

“You know what I want to become temporarily today: a painter? No. A simple and common designer. But a biting one. I would like to deride humanity, nothing less. And this with the simplest means, in black and white. At the same time - oh blasphemy - I would like to attack our Lord adequately.”

Paul Klee (1879–1940) German Swiss painter

Quote in a letter to his friend de:Hans Bloesch, 1898; as cited in Das Frühwerk 1883-1922 (The early works 1888-1922), Munich, Städtische Galerie im Lenbachhaus, 1979, p. 47
Klee originally aspired to become a satirist, not a painter.
1895 - 1902

Friedrich Hayek photo

“The reasons why the adoption of a system of central planning necessarily produces a totalitarian system are fairly simple. Whoever controls the means must decide which ends they are to serve. As under modern conditions control of economic activity means control of the material means for practically all our ends, it means control over nearly all our activities. The nature of the detailed scale of values which must guide the planning makes it impossible that it should be determined by anything like democratic means. The director of the planned system would have to impose his scale of values, his hierarchy of ends, which, if it is to be sufficient to determine the plan, must include a definite order of rank in which the status of each person is laid down. If the plan is to succeed or the planner to appear successful, the people must be made to believe that the objectives chosen are the right ones. Every criticism of the plan or the ideology underlying it must be treated as sabotage. There can be no freedom of thought, no freedom of the Press, where it is necessary that everything should be governed by a single system of thought. In theory Socialism may wish to enhance freedom, but in practice every kind of collectivism consistently carried thought must produce the characteristic features which Fascism, Nazism, and Communism have in common. Totalitarianism is nothing but consistent collectivism, the ruthless execution of the principle that 'the whole comes before the individual' and the direction of all members of society by a single will supposed to represent the 'whole.”

Friedrich Hayek (1899–1992) Austrian and British economist and Nobel Prize for Economics laureate

" Planning, Science and Freedom http://www.nature.com/nature/journal/v148/n3759/abs/148580a0.html", Nature 148 (15 November 1941), also available as " Planning, Science, and Freedom https://mises.org/library/planning-science-and-freedom," Mises Daily (Auburn, AL: The Ludwig von Mises Institute, 27 September 2010)
1940s–1950s

Augustus De Morgan photo
Michael Shea photo
Jean-François Revel photo
Richard Smalley photo
Ben Hecht photo
Jodie Foster photo
George Carlin photo
John Kenneth Galbraith photo

“Do not be alarmed by simplification, complexity is often a device for claiming sophistication, or for evading simple truths.”

John Kenneth Galbraith (1908–2006) American economist and diplomat

The Age of Uncertainty (1977), BBC Television series (also published in book form, non verbatim version)

Julian of Norwich photo
Ron Paul photo
Henry George photo
Ernest Flagg photo
Charlton Heston photo
Alfred Binet photo
Jopie Huisman photo

“I worked for months on this painting [title 'The Stone-wheelbarrow of C. Adema', 1977], for instance that well-bucket on the wheelbarrow I painted a twenty times or more, and it is constructed exactly as nature has shaped it. I want to make it harder and harder for myself. 'That's how it is' doesn’t exist for me. Deepening, that's what it is all about. My wish is to make in due time a small painting in which I can hardly discover any longer that it is painted, that it is just there, like that. Just something very simple.”

Jopie Huisman (1922–2000) Dutch painter

translation, Fons Heijnsbroek, 2018
version in original Dutch / citaat van Jopie Huisman, in het Nederlands: Maandenlang heb ik aan dit schilderij [titel: 'De steenkruiwagen van C. Adema', 1977] gewerkt en die putemmer bijvoorbeeld op de kruiwagen, heb ik wel twintig keer geschilderd en is precies zo opgebouwd als de natuur hem gevormd heeft. Ik wil het mezelf steeds moeilijker maken. Zo kan het wel – bestaat niet voor mij. Verdieping, daar gaat het om. Ik wil nog eens een keer een schilderijtje zo maken, dat ik haast niet meer kan zien dat het geschilderd is, dat het er gewoon is, zo, zonder meer. Iets heel eenvoudigs.
Source: Jopie Huisman', 1981, p. 80

Marlon Brando photo

“It is a simple fact that all of us use the techniques of acting to achieve whatever ends we seek.”

Marlon Brando (1924–2004) American screen and stage actor

Introduction to The Technique of Acting by Stella Adler (1988)

James E. Lovelock photo
José Ortega Y Gasset photo
Clive Barker photo

“Perhaps there was a natural process at work here; a means by which the mind dealt with experiences that contradicted a lifetime’s prejudices about the nature of reality. People simple forgot.”

Clive Barker (1952) author, film director and visual artist

Part Seven “The Demagogue”, Chapter vi “Hello, Stranger”, Section 2 (p. 307)
(1987), BOOK TWO: THE FUGUE