Quotes about short
page 8

Thomas Jefferson photo
David Harvey photo

“Individual capitalists, in short, necessarily act in such a way as to de-stabilize capitalism.”

David Harvey (1935) British anthropologist

Variant: Individual capitalists, in short, behave in such a way as to threaten the conditions that permit the reproduction of the capitalist class.
Source: The Limits To Capital (2006 VERSO Edition), Chapter 6, Dynamics Of Accumulation, p. 188

Gerald Ford photo

“I know well the coequal role of the Congress in our constitutional process. I love the House of Representatives. I revere the traditions of the Senate despite my too-short internship in that great body. As President, within the limits of basic principles, my motto toward the Congress is communication, conciliation, compromise, and cooperation.”

Gerald Ford (1913–2006) American politician, 38th President of the United States (in office from 1974 to 1977)

Address to a joint session of Congress (August 12, 1974); in Public Papers of the Presidents of the United States: Gerald R. Ford, 1974, pp. 6–7
1970s, Address to Congress (12 August 1974)

Haile Selassie photo
Jascha Heifetz photo

“He once told a reporter he wanted his obituary to be short - "just make it born in Russia, first lesson at 3, debut at 7, debut in America in 1917."”

Jascha Heifetz (1901–1987) Lithuanian violinist

Chicago Sun-Times Article date: December 13, 1987 http://www.highbeam.com/doc/1P2-3860317.html

Andrew Vachss photo
Christiaan Huygens photo
Siegfried Sassoon photo

“If I were fierce, and bald, and short of breath,
I'd live with scarlet Majors at the Base,
And speed glum heroes up the line of death.”

Siegfried Sassoon (1886–1967) English poet, diarist and memoirist

"Base Details"
The Counter-Attack and Other Poems (1918)

William McFee photo
Maimónides photo
Noam Chomsky photo
Isaac Watts photo
Lyndon B. Johnson photo
Dylan Moran photo
Charles Baudelaire photo

“Soon we will plunge into the cold darkness;
Farewell, vivid brightness of our too-short summers!”

Bientôt nous plongerons dans les froides ténèbres;
Adieu, vive clarté de nos étés trop courts!
"Chant d'Automne" [Song of Autumn] http://fr.wikisource.org/wiki/Chant_d%E2%80%99automne
Les fleurs du mal (Flowers of Evil) (1857)

John F. Kennedy photo
Wilt Chamberlain photo
Mark Ames photo
Robert F. Kennedy photo
Jean-François Lyotard photo

“While we talk, the sun is getting older. It will explode in 4.5 billion years. … In comparison everything else seems insignificant. Wars, conflicts, political tension, shifts in opinion, philosophical debates, even passions—everything’s dead already if this infinite reserve from which you now draw energy to defer answers, if in short thought as a quest, dies out with the sun. … The inevitable explosion to come, the one that’s always forgotten in your intellectual ploys, can be seen in a certain way as coming before the fact to render these ploys … futile. … In 4.5 billions years there will arrive the demise of your phenomenology and your utopian politics, and there’ll be no one there to toll the death knell or hear it. It will be too late to understand that your passionate, endless questioning always depended on a “life of the mind.” … Thought borrows a horizon and orientation, the limitless limit and the end without end it assumes, from the corporeal, sensory, emotional and cognitive experience of a quite sophisticated but definitely earthly existence. With the disappearance of the earth, thought will have stopped—leaving that disappearance absolutely unthought of. … The death of the sun is a death of mind. … There’s no sublation or deferral if nothing survives. … The sun, our earth, and your thought will have been no more than a spasmodic state of energy, an instant of established order, a smile on the surface of matter in a remote corner of the cosmos. … Human death is included in the life of the mind. Solar death implies an irreparably exclusive disjunction between death and thought: if there’s death, then there’s no thought.”

Jean-François Lyotard (1924–1998) French philosopher

Source: Thought Without a Body? (1994), pp. 286-289

Winston S. Churchill photo
Swapan Dasgupta photo
Don Tapscott photo
Reese Witherspoon photo
Abraham Cowley photo

“We are so accustomed to hear arithmetic spoken of as one of the three fundamental ingredients in all schemes of instruction, that it seems like inquiring too curiously to ask why this should be. Reading, Writing, and Arithmetic—these three are assumed to be of co-ordinate rank. Are they indeed co-ordinate, and if so on what grounds?
In this modern “trivium” the art of reading is put first. Well, there is no doubt as to its right to the foremost place. For reading is the instrument of all our acquisition. It is indispensable. There is not an hour in our lives in which it does not make a great difference to us whether we can read or not. And the art of Writing, too; that is the instrument of all communication, and it becomes, in one form or other, useful to us every day. But Counting—doing sums,—how often in life does this accomplishment come into exercise? Beyond the simplest additions, and the power to check the items of a bill, the arithmetical knowledge required of any well-informed person in private life is very limited. For all practical purposes, whatever I may have learned at school of fractions, or proportion, or decimals, is, unless I happen to be in business, far less available to me in life than a knowledge, say, of history of my own country, or the elementary truths of physics. The truth is, that regarded as practical arts, reading, writing, and arithmetic have no right to be classed together as co-ordinate elements of education; for the last of these is considerably less useful to the average man or woman not only than the other two, but than 267 many others that might be named. But reading, writing, and such mathematical or logical exercise as may be gained in connection with the manifestation of numbers, have a right to constitute the primary elements of instruction. And I believe that arithmetic, if it deserves the high place that it conventionally holds in our educational system, deserves it mainly on the ground that it is to be treated as a logical exercise. It is the only branch of mathematics which has found its way into primary and early education; other departments of pure science being reserved for what is called higher or university instruction. But all the arguments in favor of teaching algebra and trigonometry to advanced students, apply equally to the teaching of the principles or theory of arithmetic to schoolboys. It is calculated to do for them exactly the same kind of service, to educate one side of their minds, to bring into play one set of faculties which cannot be so severely or properly exercised in any other department of learning. In short, relatively to the needs of a beginner, Arithmetic, as a science, is just as valuable—it is certainly quite as intelligible—as the higher mathematics to a university student.”

Joshua Girling Fitch (1824–1903) British educationalist

Source: Lectures on Teaching, (1906), pp. 267-268.

“Human nature is not nearly as bad as it has been thought to be… In fact it can be said that the possibilities of human nature have customarily been sold short.”

Abraham Maslow (1908–1970) American psychologist

Maslow (1954), as cited in: Hiram E. Fitzgerald, ‎Michael G. Walraven (1987). Psychology. p. 119; Also in: Maslow, Toward a Psychology of Being. Simon and Schuster, 1962, p. 5.
Variant quote: Human nature is not nearly as bad as it has been thought to be... It is as if Freud supplied us with the sick half of psychology and we must now fill it out with the healthy half.'
1940s-1960s

Émile Durkheim photo
Nathanael Greene photo
Nader Shah photo

“When the Shah departed towards the close of the day, a false rumour was spread through the town that he had been severely wounded by a shot from a matchlock, and thus were sown the seeds from which murder and rapine were to spring. The bad characters within the town collected in great bodies, and, without distinction, commenced the work of plunder and destruction…. On the morning of the 11th an order went forth from the Persian Emperor for the slaughter of the inhabitants. The result may be imagined; one moment seemed to have sufficed for universal destruction. The Chandni chauk, the fruit market, the Daribah bazaar, and the buildings around the Masjid-i Jama’ were set fire to and reduced to ashes. The inhabitants, one and all, were slaughtered. Here and there some opposition was offered, but in most places people were butchered unresistingly. The Persians laid violent hands on everything and everybody; cloth, jewels, dishes of gold and silver, were acceptable spoil…. But to return to the miserable inhabitants. The massacre lasted half the day, when the Persian Emperor ordered Haji Fulad Khan, the kotwal, to proceed through the streets accompanied by a body of Persian nasakchis, and proclaim an order for the soldiers to resist from carnage. By degrees the violence of the flames subsided, but the bloodshed, the devastation, and the ruin of families were irreparable. For a long time the streets remained strewn with corpses, as the walks of a garden with dead flowers and leaves. The town was reduced to ashes, and had the appearance of a plain consumed with fire. All the regal jewels and property and the contents of the treasury were seized by the Persian conqueror in the citadel. He thus became possessed of treasure to the amount of sixty lacs of rupees and several thousand ashrafis… plate of gold to the value of one kror of rupees, and the jewels, many of which were unrivalled in beauty by any in the world, were valued at about fifty krors. The peacock throne alone, constructed at great pains in the reign of Shah Jahan, had cost one kror of rupees. Elephants, horses, and precious stuffs, whatever pleased. the conqueror’s eye, more indeed than can be enumerated, became his spoil. In short, the accumulated wealth of 348 years changed masters in a moment.”

Nader Shah (1688–1747) ruled as Shah of Iran

About Shah’s sack of Delhi, Tazrikha by Anand Ram Mukhlis. A history of Nâdir Shah’s invasion of India. In The History of India as Told by its own Historians. The Posthumous Papers of the Late Sir H. M. Elliot. John Dowson, ed. 1st ed. 1867. 2nd ed., Calcutta: Susil Gupta, 1956, vol. 22, pp. 74-98. https://www.infinityfoundation.com/mandala/h_es/h_es_tazrikha_frameset.htm

Charles Hamilton (writer) photo

“A somewhat short junior, with a broad, pleasant face and an enormous pair of spectacles”

Charles Hamilton (writer) (1876–1961) English writer of school stories

The first mention of Bunter
Oxford Companion to Children's Literature: "Billy Bunter" (pages 62-4)

John Fante photo
Frances Kellor photo
John Muir photo
Letitia Elizabeth Landon photo

“Love, thou hast hopes like summers, short and bright,
Moments of ecstasy, and maddening dreams,
Intense delicious throbs!”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Basque girl and Henri Quatre from The London Literary Gazette (12th October 1822)
The Improvisatrice (1824)

Frederick Locker-Lampson photo

“And this was your Cradle? Why, surely, my Jenny,
Such cozy dimensions go clearly to show
You were an exceedingly small pickaninny,
Some nineteen or twenty short summers ago.”

Frederick Locker-Lampson (1821–1895) British poet

The old Cradle; reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Amory B. Lovins photo

“If you ask me, it'd be little short of disastrous for us to discover a source of clean, cheap, abundant energy because of what we would do with it.”

Amory B. Lovins (1947) American physicist

The Plowboy Interview with Amory Lovins, November/December 1977, Mother Earth News, 2010-01-05 http://www.motherearthnews.com/Renewable-Energy/1977-11-01/Amory-Lovins.aspx?page=14, (1977)

Anthony Trollope photo

“There is no royal road to learning; no short cut to the acquirement of any art.”

Source: Barchester Towers (1857), Ch. 20; this derives from an expression attributed to Euclid.

Herbert A. Simon photo
Cesare Pavese photo

“Idleness makes hours pass slowly and years swiftly. Activity makes the hours short and the years long.”

Cesare Pavese (1908–1950) Italian poet, novelist, literary critic, and translator

This Business of Living (1935-1950)

Parker Palmer photo
Rembrandt van Rijn photo
Taylor Caldwell photo

“Life grows short. Have you done everything you wanted to do, or have you played it safe?”

Jim Goad (1961) Author, publisher

Shit Magnet: One Man's Miraculous Ability to Absorb the World's Guilt (Feral House, 2002)

Thomas Henry Huxley photo

“Life is too short to occupy oneself with the slaying of the slain more than once.”

Thomas Henry Huxley (1825–1895) English biologist and comparative anatomist

One of a series of exchanges when Richard Owen repeated generally repudiated claims about the Gorilla brain in a Royal Institution lecture. Athenaeum (13 April 1861) p. 498; Browne Vol 2, p. 159
1860s

John Calvin photo
Rabia Basri photo
Joel Barlow photo
Roy Campbell (poet) photo
André Maurois photo
Benazir Bhutto photo
Lucy Maud Montgomery photo

“Be the day short or be the day long, at last it weareth to evening song.”

Part 1, Ch. 13
Anne of Windy Poplars (1936)

Preston Manning photo
Regina E. Dugan photo

“The DARPA model has three elements:
Ambitious goals. The agency’s projects are designed to harness science and engineering advances to solve real-world problems or create new opportunities. At Defense, GPS was an example of the former and stealth technology of the latter. The problems must be sufficiently challenging that they cannot be solved without pushing or catalyzing the science. The presence of an urgent need for an application creates focus and inspires greater genius.
Temporary project teams. DARPA brings together world-class experts from industry and academia to work on projects of relatively short duration. Team members are organized and led by fixed-term technical managers, who themselves are accomplished in their fields and possess exceptional leadership skills. These projects are not open-ended research programs. Their intensity, sharp focus, and finite time frame make them attractive to the highest-caliber talent, and the nature of the challenge inspires unusual levels of collaboration. In other words, the projects get great people to tackle great problems with other great people.
Independence. By charter, DARPA has autonomy in selecting and running projects. Such independence allows the organization to move fast and take bold risks and helps it persuade the best and brightest to join.”

Regina E. Dugan (1963) American businesswoman, inventor, and technology developer

“Special Forces” Innovation: How DARPA Attacks Problems (2013)

Mary Parker Follett photo

“One of the most interesting things about business to me is that I find so many business men who are willing to try experiments. I should like to tell you about two evenings I spent last winter and the contrast between them. I went one evening to a drawing-room meeting where economists and M. Ps. talked of current affairs, of our present difficulties. It all seemed a little vague to me, did not seem really to come to grips with our problem. The next evening it happened that I went to a dinner of twenty business men who were discussing the question of centralization and decentralization. Each one had something to add from his own experience of the relation of branch firms to the central office, and the other problems included in the subject. There I found L hope for the future. There men were not theorizing or dogmatizing; they were thinking of what they had actually done and they were willing to try new ways the next morning, so to speak. Business, because it gives us the opportunity of trying new roads, of blazing new trails, because, in short, it is pioneer work, pioneer work in the organized relations of human beings, seems to me to offer as thrilling an experience as going into a new country and building railroads over new mountains. For whatever problems we solve in business management may help towards the solution of world problems, since the principles of organization and administration which are discovered as best for business can be applied to government or international relations. Indeed, the solution of world problems must eventually be built up from all the little bits of experience wherever people are consciously trying to solve problems of relation. And this attempt is being made more consciously and deliberately in industry than anywhere else.”

Mary Parker Follett (1868–1933) American academic

Source: Dynamic administration, 1942, p. xxi-xxii

Thomas Hood photo

“Boughs are daily rifled
By the gusty thieves,
And the book of Nature
Getteth short of leaves.”

Thomas Hood (1799–1845) British writer

The Season; reported in Bartlett's Familiar Quotations, 10th ed. (1919).
20th century

Karel Appel photo

“Fine Art then, records by idealised imitation the glorious works of good men, whilst it holds those of bad men up to our abhorrence — it gives to posterity their images, either on the tinted canvass or the sculptured marble — it imitates the beautiful effects of nature as seen in the glowing landscape or the rising storm, and perpetuates the appearance of those beauteous gems of the seasons — flowers and fruits, which, though fading whilst the painter catches their tints, yet live after decay by and through his genius.
Industrial Art, on the contrary, aims at the embellishment of the works of man, by and through that power which is given to the artist for the investigation of the beautiful in nature; and in transferring it to the loom, the printing machine, the potter's wheel, or the metal worker's mould, he reproduces nature in a new form, adapting it to his purpose by an intelligence arising out of his knowledge as an artist and as a workman. In short, the adaptation of the natural type to a new material compels him to reproduce, almost create, as well as imitate — invent as well as copy”

design as well as draw!
George Wallis. " Art Education for the people. No IV. The principles of Fine Art as Applied to Industrial Purposes http://books.google.com/books?id=l55GAQAAIAAJ&pg=PA231." In: People's & Howitt's Journal: Of Literature, Art, and Popular Progress, Vol. 3. John Saunders ed. 1847, p. 231.

John Maynard Keynes photo
Andrei Codrescu photo
John Banville photo
Daniel Dennett photo
Hector Berlioz photo

“A singer who is able to sing even sixteen measures of good music in a natural and engaging way, effortlessly and in tune, without distending the phrase, without exaggerating accents to the point of caricature, without platitude, affectation, or coyness, without making grammatical mistakes, without illicit slurs, without hiatus or hiccup, without making insolent changes in the text, without barks or bleats, without sour notes, without crippling the rhythm, without absurd ornaments and nauseating appoggiaturas – in short, a singer able to sing these measures simply and exactly as the composer wrote them – is a rare, very rare, exceedingly rare bird.”

Un chanteur ou une cantatrice capable de chanter seize mesures seulement de bonne musique avec une voix naturelle, bien posée, sympathique, et de les chanter sans efforts, sans écarteler la phrase, sans exagérer jusqu'à la charge les accents, sans platitude, sans afféterie, sans mièvreries, sans fautes de français, sans liaisons dangereuses, sans hiatus, sans insolentes modifications du texte, sans transposition, sans hoquets, sans aboiements, sans chevrotements, sans intonations fausses, sans faire boiter le rhythme, sans ridicules ornements, sans nauséabondes appogiatures, de manière enfin que la période écrite par le compositeur devienne compréhensible, et reste tout simplement ce qu'il l'a faite, est un oiseau rare, très-rare, excessivement rare.
À travers chants, ch. 8 http://www.hberlioz.com/Writings/ATC08.htm; Elizabeth Csicsery-Rónay (trans.) The Art of Music and Other Essays (Bloomington: Indiana University Press, 1994) p. 69.

Narendra Modi photo
Herbert Read photo

“A short poem is often called a lyric, which originally meant a poem short enough to be set to music and sung for a moment's pleasure.”

Herbert Read (1893–1968) English anarchist, poet, and critic of literature and art

Form in Modern Poetry(1932)

Paul Krugman photo
Daniel Dennett photo

“Here is a well-known trajectory: You begin with a heartfelt desire to help other people and the conviction, however well or ill founded, that your guild or club or church is the coalition that can best serve to improve the welfare of others. If times are particularly tough, this conditional stewardship — I'm doing what's good for the guild because that will be good for everybody — may be displaced by the narrowest concern for the integrity of the guild itself, and for good reason: if you believe that the institution in question is the best path to goodness, the goal of preserving it for future projects, still unimagined, can be the most rational higher goal you can define. It is a short step from this to losing track of or even forgetting the larger purpose and devoting yourself singlemindedly to furthering the interests of the institution, at whatever costs. A conditional or instrumental allegiance can thus become indistinguishable in practice from a commitment to something "good in itself." A further short step perverts this parochial summum bonum to the more selfish goal of doing whatever it takes to keep yourself at the helm of the institution ("who better than I to lead us to triumph over our adversaries?")We have all seen this happen many times, and may even have caught ourselves in the act of forgetting just why we wanted to be leaders in the first place.”

Breaking the Spell (2006)

Ian Fleming photo
Joe the Plumber photo

“Time has been called God's way of making sure that everything doesn't happen at once. In the same spirit, noise is Nature's way of making sure that we don't find out everything that happens. Noise, in short, is the protector of information.”

Hans Christian von Baeyer (1938) American physicist

von Baeyer did not originate the quip about time, which dates back at least as far as the 1929 book "The Man Who Mastered Time" by Ray Cummings, where it appears on p. 1 http://books.google.com/books?id=YdZEAAAAYAAJ&q=%22everything+from+happening+at+once%22#search_anchor.
Source: Information, The New Language of Science (2003), Chapter 14, Noise, Nuisance and necessity, p. 127-128

Boris Johnson photo

“Tremendous, little short of superb. On cracking form.”

Boris Johnson (1964) British politician, historian and journalist

David Charter, Joanna Bale, "Tories suggest door will open for Boris Johnson to return", The Times, 15 November 2004, p. 7.
Asked how he was feeling after being sacked as Shadow Arts Minister for having misled Michael Howard.
2000s, 2004

Nathanael Greene photo
Max Horkheimer photo
Robert Silverberg photo

““I know it stinks. The whole universe stinks, sometimes. Haven’t you discovered that yet?”
“It doesn’t have to stink!” Rawlins said sharply, his voice rising. “Is that the lesson you’ve learned in all those years? The universe doesn’t stink. Man stinks! And he does it by voluntary choice because he’d rather stink than smell sweet! We don’t have to lie. We don’t have to cheat. We could opt for honor and decency and—” Rawlins stopped abruptly. In a different tone he said, “I sound young as hell to you, don’t I, Charles?”
“You’re entitled to make mistakes,” Boardman said. “That’s what being young is for.”
“You genuinely believe and know that there’s a cosmic malevolence in the workings of the universe?”
Boardman touched the tips of his thick, short fingers together. “I wouldn’t put it that way. There’s no personal power of darkness running things, any more than there’s a personal power of good. The universe is a big impersonal machine. As it functions it tends to put stress on some of its minor parts, and those parts wear out, and the universe doesn’t give a damn about that, because it can generate replacements. There’s nothing immoral about wearing out parts, but you have to admit that from the point of view of the part under stress it’s a stinking deal.””

Source: The Man in the Maze (1969), Chapter 4, section 3 (p. 72)

Boris Johnson photo

“If we left the EU, we would end this sterile debate, and we would have to recognise that most of our problems are not caused by “Bwussels”, but by chronic British short-termism, inadequate management, sloth, low skills, a culture of easy gratification and underinvestment in both human and physical capital and infrastructure.”

Boris Johnson (1964) British politician, historian and journalist

Telegraph article http://www.telegraph.co.uk/news/politics/10052646/Quitting-the-EU-wont-solve-our-problems-says-Boris-Johnson.html (12 May 2013)
Peking university, Beijing (14 October 2013) Joint speech to students http://www.theguardian.com/politics/2013/oct/14/boris-johnson-charm-offensive-china
2010s, 2013

“Godzilla is an outrageous monster that is played by an outstanding guy! I am a little short, but in my heart burns the spirit of the samurai.”

Kenpachiro Satsuma (1947) Japanese actor

As quoted by David Milner, "Kenpachiro Satsuma Interview I" http://www.davmil.org/www.kaijuconversations.com/satsum.htm, Kaiju Conversations (December 1993)

Archibald Primrose, 5th Earl of Rosebery photo

“…it is a revolution without any mandate from the people. (Cheers.) Now, gentlemen, it is in the first place a revolution in fiscal methods…this Budget is introduced as a Liberal measure. If so, all I can say is that it is a new Liberalism and not the one that I have known and practised under more illustrious auspices than these. (Cheers.) Who was the greatest, not merely the greatest Liberal, but the greatest financier that this country has ever known? (A voice, "Gladstone.") I mean Mr. Gladstone. (Cheers.) With Sir Robert Peel—he, I think, occupied a position even higher than Sir Robert Peel—for boldness of imagination and scope of financing Mr. Gladstone ranks as the great financial authority of our time. (Cheers.) Now, we have in the Cabinet at this moment several colleagues, several ex-colleagues of mine, who served in the Cabinet with Mr. Gladstone…and I ask them, without a moment's fear or hesitation as to the answer that would follow if they gave it from their conscience, with what feelings would they approach Mr. Gladstone, were he Prime Minister and still living, with such a Budget as this? Mr. Gladstone would be 100 in December if he were alive; but, centenarian as he would be, I venture to say that he would make short work of the deputation of the Cabinet that waited on him with the measure, and they would soon find themselves on the stairs and not in the room. (Laughter and cheers.) In his eyes, and in my eyes, too, as a humble disciple, Liberalism and Liberty were cognate terms. They were twin-sisters. How does the Budget stand the test of Liberalism so understood and of Liberty as we have always comprehended it? This Budget seems to establish an inquisition, unknown previously in Great Britain, and a tyranny, I venture to say, unknown to mankind…I think my friends are moving on the path that leads to Socialism. How far they are advanced on that path I will not say, but on that path I, at any rate, cannot follow them an inch. (Loud cheers.) Any form of protection is an evil, but Socialism is the end of all, the negation of faith, of family, of prosperity, of the monarchy, of Empire.”

Archibald Primrose, 5th Earl of Rosebery (1847–1929) British politician

Loud cheers.
Speech in Glasgow attacking the "People's Budget" (10 September 1909), reported in The Times (11 September 1909), pp. 7-8.

Luís de Camões photo

“That more would he serve, if life
Were not so short for love so long.”

Luís de Camões (1524–1580) Portuguese poet

Mais servira, se não fora
Para tão longo amor tão curta a vida.
tr. Norwood Andrews
Lyric poetry, Não pode tirar-me as esperanças, Sete anos de pastor Jacob servia

William T. Sherman photo
Howard Dean photo
Nikolai Gogol photo
David Crystal photo