Georges Seurat (1859–1891) French painter
Quotes, 1881 - 1890, Letter to Maurice Beaubourg', August 1890
Quote from Werefkin's letter to Alexej von Jawlensky, between December 1909 and Spring 1910; as cited in 'Ambiguity of Home: Identity and Reminiscence in Marianne Werefkin's Return Home, c. 1909', Adrienne Kochman http://www.19thc-artworldwide.org/spring06/52-spring06/spring06article/171-ambiguity-of-home-identity-and-reminiscence-in-marianne-werefkins-return-home-c-1909 <br class="br">1906 - 1911
Georges Seurat (1859–1891) French painter
Quotes, 1881 - 1890, Letter to Maurice Beaubourg', August 1890
Jayant Narlikar (1938) Indian physicist
His observations on the "strange events in our solar system" and as to why the sky looked blue and red colour was used in traffic lights to signal to vehicles to stop.
When Prof Jayant Narlikar saw the sun rise in the west
Li Qingzhao (1084–1155) Chinese writer
"To the Tune of ‘Like a Dream’", in The White Pony: An Anthology Of Chinese Poetry (G. Allen & Unwin, 1949), ed. Robert Payne, p. 300
“Roses red and violets blew,
And all the sweetest flowres that in the forrest grew.”
Edmund Spenser The Faerie Queene
Canto 6, stanza 6
The Faerie Queene (1589–1596), Book III
Dora Read Goodale (1866–1953) U.S. poet
Cardinal Flower, reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 89.
Gu Cheng (1956–1993) Chinese poet
"Feeling" [Ganjue]
Umberto Boccioni (1882–1916) Italian painter and sculptor
As quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 174
1910, Manifesto of Futurist Painters,' April 1910
Marianne von Werefkin (1860–1938) expressionist painter
Quote from Werefkin's letter to Alexej von Jawlensky, 1910 Lithuanian Martynas-Mazvydas-National Library, Vilnius, RS (F19-1458,1.31) as reprinted in Weidle, Marianne Werefkin, Die Farbe beisst mich ans Herz, 108; as quoted in 'Identity and Reminiscence in Marianne Werefkin's Return Home', c. 1909; Adrienne Kochman http://www.19thc-artworldwide.org/spring06/52-spring06/spring06article/171-ambiguity-of-home-identity-and-reminiscence-in-marianne-werefkins-return-home-c-1909 <br class="br">1906 - 1911