Quotes about set
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Eugene H. Peterson photo
David Malouf photo
Cassandra Clare photo
Elbert Hubbard photo

“So long as governments set the example of killing their enemies, private individuals will occasionally kill theirs.”

Elbert Hubbard (1856–1915) American writer, publisher, artist, and philosopher fue el escritor del jarron azul

Source: Elbert Hubbard's Scrap Book

Cassandra Clare photo
Laurie Halse Anderson photo

“Giving birth is little more than a set of muscular contractions granting passage of a child. Then the mother is born.”

Erma Bombeck (1927–1996) When I stand before God at the end of my life, I would hope that I would not have a single bit of talent le…
Stephen Sondheim photo
Jacqueline Woodson photo
Charles Brockden Brown photo
Vincent Massey photo
Sean Spicer photo

“The President had an incredibly productive set of meetings and discussions with Prime Minister Joe Trudeau of Canada”

Sean Spicer (1971) American political strategist and former White House Press Secretary and Communications Director for President…

Sean Spicer appears to call Prime Minister 'Joe Trudeau,' Twitter Loses it http://www.huffingtonpost.ca/2017/02/14/sean-spicer-joe-trudeau-video_n_14748486.html?ncid=fcbklnkcahpmg00000001 (February 14, 2017)
Variant: The President had a very cordial conversation with Prime Minister Trumble...

Ptahhotep photo
Douglas Coupland photo
Newton Lee photo
Vytautas Juozapaitis photo
Agatha Christie photo

“It is ridiculous to set a detective story in New York City. New York City is itself a detective story.”

Agatha Christie (1890–1976) English mystery and detective writer

This is in fact something an admirer said, which Christie quoted with disapproval in LIFE magazine (14 May 1956), p. 98
Misattributed

“A system is an open set of complementary, interacting parts, with properties, capabilities and behaviours of the set emerging both from the parts and from their interactions to synthesize a unified whole.”

Derek Hitchins (1935) British systems engineer

Hitchins (1998. p. 195) cited in: Peter Stasinopoulos (2009) Whole System Design: An Integrated Approach to Sustainable Engineering. p. 27

Michael Badnarik photo
Kent Hovind photo
Theodore Dalrymple photo

“Where fashion in clothes, bodily adornment, and music are concerned, it is the underclass that increasingly sets the pace. Never before has there been so much downward cultural aspiration.”

Life at the Bottom: The Worldview That Makes the Underclass (2001).
Source: https://books.google.com/books?id=GR5vAAAAQBAJ&lpg=PR14&ots=YQt2Bn14Ci&dq=%22downward%20cultural%20aspiration%22&pg=PR14#v=onepage&q=%22downward%20cultural%20aspiration%22&f=false Google Books

Arthur Sullivan photo

“We shall never know of the numbers of "mute and inglorious Miltons" who failed because the place and time were not ready for them…Was not Sullivan a jewel in the wrong setting?”

Arthur Sullivan (1842–1900) English composer of the Gilbert & Sullivan duo

Ralph Vaughan Williams National Music (London: Oxford University Press, 1934) p. 7
Criticism

“I know that I disagree with many other UML experts, but there is no magic about UML. If you can generate code from a model, then it is programming language. And UML is not a well-designed programming language.
The most important reason is that it lacks a well-defined point of view, partly by intent and partly because of the tyranny of the OMG standardization process that tries to provide everything to everybody. It doesn't have a well-defined underlying set of assumptions about memory, storage, concurrency, or almost anything else. How can you program in such a language?
The fact is that UML and other modelling language are not meant to be executable. The point of models is that they are imprecise and ambiguous. This drove many theoreticians crazy so they tried to make UML "precise", but models are imprecise for a reason: we leave out things that have a small effect so we can concentrate on the things that have big or global effects. That's how it works in physics models: you model the big effect (such as the gravitation from the sun) and then you treat the smaller effects as perturbation to the basic model (such as the effects of the planets on each other). If you tried to solve the entire set of equations directly in full detail, you couldn't do anything.”

James Rumbaugh (1947) Computer scientist, software engineer

James Rumbaugh in Federico Biancuzzi and Shane Warden eds. (2009) Masterminds of Programming. p. 339; cited in " Quote by James Rumbaugh http://www.ptidej.net/course/cse3009/winter13/resources/james" on ptidej.net. Last updated 2013-04-09 by guehene; Rumbaugh is responding to the question: "What do you think of using UML to generate implementation code?"

Pauline Kael photo

“I see little of more importance to the future of our country and of civilization than full recognition of the place of the artist. If art is to nourish the roots of our culture, society must set the artist free to follow his vision wherever it takes him.”

Pauline Kael (1919–2001) American film critic

John F. Kennedy, address at the dedication of the Robert Frost Library, Amherst College, Amherst, Massachusetts (1963-10-26).
Misattributed

Richard Huelsenbeck photo
Oliver Sacks photo
Richard Ford photo
James Russell Lowell photo

“There is no price set on the lavish summer,
And June may be had by the poorest comer.”

James Russell Lowell (1819–1891) American poet, critic, editor, and diplomat

Prelude to Pt. I, st. 3
The Vision of Sir Launfal (1848)

Simone Weil photo
Mikhail Baryshnikov photo

“The minute plane set down, the minute I stepped again on Latvian ground, I realized this was never my home. My heart didn't even skip one beat.”

Mikhail Baryshnikov (1948) Soviet-American dancer, choreographer, and actor born in Letonia, Soviet Union

As quoted in "Profile: The Soloist".

“For any given set of objects it is impossible to say that no interrelationships exist.”

Arthur D. Hall (1925–2006) American electrical engineer

Hall and Fagen, "Definition of System," in Walter F. Buckley (1968) Modern Systems Research, p. 82

“If you hold two arms out in front of you and someone grabs them, then you can use the third set elbow movement to escape. Bring the hand right in to touch the body. If the hand is held in a fist, it doesn't work. Then press down with the elbow.”

Wong Shun Leung (1935–1997) martial artist

Wong Shun Leung Comments on How to Respond to a Grab
Standing Grappling Situations
Source: Comments From Wong Shun Leung and Tsui Shan Ting, by Ray Van Raamsdonk http://www.springtimesong.com/wcqanda.htm

Scott Lynch photo
Hugo Black photo
Pat Condell photo
Roger Manganelli photo
Tony Martin (comedian) photo
Bob Dylan photo
Catherine the Great photo
Alain de Botton photo
Fanny J. Crosby photo

“On! ye patriots to the battle. Hear Fort Moultrie's canon rattle. Then away, then away, then away to the fight! Go meet those Southern Traitors with iron will and should your courage falter boys, remember Bunker Hill. Hurrah! Hurrah! Hurrah! The stars and stripes forever! Hurrah! Hurrah! Our Union shall not sever! As our fathers crushed oppression deal with those who breathe Secession. Then away, then away, then away to the fight. Though Beauregard and Wigfall. Their swords may whet. Just tell them Major Anderson. Has not surrendered yet. Hurrah! Hurrah! Our Union shall not sever! Is Virginia, too, seceeding? Washington's remains unheeding? Then away, then away, then away to the fight. Unfold our country's banner. In triumph there and let the rebels desecrate that banner if they dare. Hurrah! Hurrah! Our Union shall not sever! Volunteers, be up and doing. Still the good old path pursuing. Then away, then away, then away to the fight. Your sires, who fought before you have led the way. Then follow in their footsteps and be as brave as they. Hurrah! Hurrah! Our Union shall not sever! On! ye patriots to the battle. Hear Fort Moultrie's cannon rattle then away, then away, then away to the fight. The star that lights our Union shall never set! Though fierce may be the conflict we'll gain the victory yet. Hurrah! Hurrah! Our Union shall not sever!”

Fanny J. Crosby (1820–1915) American poet, lyricist and composer

Dixie For The Union http://www.npr.org/programs/morning/features/patc/dixie/lyrics.html#union.
1860s

Olaudah Equiano photo

“Such a tendency has the slave-trade to debauch men's minds, and harden them to every feeling of humanity! For I will not suppose that the dealers in slaves are born worse than other men—No; it is the fatality of this mistaken avarice, that it corrupts the milk of human kindness and turns it into gall. And, had the pursuits of those men been different, they might have been as generous, as tender-hearted and just, as they are unfeeling, rapacious and cruel. Surely this traffic cannot be good, which spreads like a pestilence, and taints what it touches! which violates that first natural right of mankind, equality and independency, and gives one man a dominion over his fellows which God could never intend! For it raises the owner to a state as far above man as it depresses the slave below it; and, with all the presumption of human pride, sets a distinction between them, immeasurable in extent, and endless in duration! Yet how mistaken is the avarice even of the planters? Are slaves more useful by being thus humbled to the condition of brutes, than they would be if suffered to enjoy the privileges of men? The freedom which diffuses health and prosperity throughout Britain answers you—No. When you make men slaves you deprive them of half their virtue, you set them in your own conduct an example of fraud, rapine, and cruelty, and compel them to live with you in a state of war; and yet you complain that they are not honest or faithful! You stupify them with stripes, and think it necessary to keep them in a state of ignorance; and yet you assert that they are incapable of learning; that their minds are such a barren soil or moor, that culture would be lost on them; and that they come from a climate, where nature, though prodigal of her bounties in a degree unknown to yourselves, has left man alone scant and unfinished, and incapable of enjoying the treasures she has poured out for him!—An assertion at once impious and absurd. Why do you use those instruments of torture? Are they fit to be applied by one rational being to another? And are ye not struck with shame and mortification, to see the partakers of your nature reduced so low? But, above all, are there no dangers attending this mode of treatment? Are you not hourly in dread of an insurrection? […] But by changing your conduct, and treating your slaves as men, every cause of fear would be banished. They would be faithful, honest, intelligent and vigorous; and peace, prosperity, and happiness, would attend you.”

Olaudah Equiano (1745–1797) African abolitionist

Chap. V
The Interesting Narrative of the Life of Olaudah Equiano, or Gustavus Vassa, the African (1789)

Howard F. Lyman photo
Russell L. Ackoff photo
Ryszard Kapuściński photo

“[Unnamed actress on the set of Grand Prix] never had eyes for me. Hell, she wouldn't even talk to me, after she'd found out that I was just an unimportant actor. Good grief! Then, this is what happened: We were sitting in the foyer of the Hotel de Paris in Monte Carlo. She, myself and Antonio. Then an assistant director crossed our path. That actress was trying to get him to take us to the theatre where they were showing the rushes of the day before. After some discussion, she persuaded him. He said: `Be quiet, I'm gonna lose my job…' So we hid in the balcony, looking down, where that wonderful director Frankenheimer was sitting. After some minutes of racing cars, finally her scene came, and she was doing a phone call - she was playing a sophisticated magazine editor -, and suddenly you could hear the director, who had this loud, resonant voice, howling in rage, because he didn't like her at all. `Oh my God, she's awful! She can't walk, she can't talk, look at her hair!' So he turned to that faggot hairdresser, who was like Katherine the Great, and this guy said: `Well, usually she plays this peasant types. I don't know why you cast her for this role in the first place!”

Donald O'Brien (actor) (1930–2003) Italian film and TV actor

And remember, this actress was sitting there with us, and she nearly went crazy! She was squirming with embarrassment. This is an actor's nightmare, you know. The next day she was fired.
Euro Trash Cinema magazine interview (March 1996)

Arthur Stanley Eddington photo

“The only thing that can set aside a law as wrong is a better law, or an idea of a better law. And the only thing that an give a law the quality of better or worse is the concrete result which it promotes or fails to promote.”

William Ernest Hocking (1873–1966) American philosopher

Source: Present Status of the Philosophy of Law and of Rights (1926), Ch. VII, Natural Right, § 35, p. 76.

Robert Kuttner photo
Margaret Cho photo
John Maynard Keynes photo

“How can I accept a doctrine which sets up as its bible, above and beyond criticism, an obsolete economic textbook which I know to be not only scientifically erroneous but without interest or application for the modern world? How can I adopt a creed which, preferring the mud to the fish, exalts the boorish proletariat above the bourgeois and the intelligentsia who, with whatever faults, are the quality in life and surely carry the seeds of all human advancement?”

"A Short View of Russia" (1925); Originally three essays for the Nation and Athenaeum, later published separately as A Short View of Russia (1925), then edited down for publication in Essays in Persuasion (1931)
Ref: en.wikiquote.org - John Maynard Keynes / Quotes / Essays in Persuasion (1931)
Essays in Persuasion (1931), A Short View of Russia (1925)

Christiaan Huygens photo
Rani Mukerji photo
Henry Newbolt photo

“To set the cause above renown,
To love the game above the prize.”

Henry Newbolt (1862–1938) English poet and writer

The Island Race (1898).

Julie Newmar photo
Aldo Leopold photo
Yoshida Shoin photo

“I saw a dream, Earth safe and green. No hunger no war, water so clean. I’ll work for the world that I saw, set my mind and say insha Allah.”

Dawud Wharnsby (1972) Canadian musician

Subhanallah, Alhamdulillah and Insha Allah
A Picnic of Poems in Allah's Green Garden (2011)

Sardar Vallabhbhai Patel photo
David Hume photo
Mike Oldfield photo
Pierce Brown photo
Salvador Dalí photo
C. N. R. Rao photo
Grady Booch photo

“As a noun, design is the named (although sometimes unnamable) structure or behavior of a system whose presence resolves or contributes to the resolution of a force or forces on that system. A design thus represents one point in a potential decision space. A design may be singular (representing a leaf decision) or it may be collective (representing a set of other decisions).
As a verb, design is the activity of making such decisions. Given a large set of forces, a relatively malleable set of materials, and a large landscape upon which to play, the resulting decision space may be large and complex. As such, there is a science associated with design (empirical analysis can point us to optimal regions or exact points in this design space) as well as an art (within the degrees of freedom that range beyond an empirical decision; there are opportunities for elegance, beauty, simplicity, novelty, and cleverness).
All architecture is design but not all design is architecture. Architecture represents the significant design decisions that shape a system, where significant is measured by cost of change.”

Grady Booch (1955) American software engineer

Grady Booch (2006) " On design https://www.ibm.com/developerworks/community/blogs/gradybooch/entry/on_design?lang=en" cited in: Frank Buschmann, ‎Kevlin Henney, ‎Douglas C. Schmidt (2007) Pattern-Oriented Software Architecture, On Patterns and Pattern Languages. p. 214

Stanley Baldwin photo

“Two years before the war the then Government of Lord Oxford was confronted with an epidemic of strikes. The quarrel of one trade became the quarrel of all. This was the sympathetic strike…In the hands of one set of leaders, it perhaps meant no more than obtaining influence to put pressure on employers to better the conditions of the men. But in the hands of others it became an engine to wage what was beginning to be called class warfare, and the general strike which first began to be talked about was to be the supreme instrument by which the whole community could be either starved or terrified into submission to the will of its promoters. There was a double attitude at work in the same movement: the old constitutional attitude…of negotiations, keeping promises made collectively, employing strikes where negotiations failed; and on the other hand the attempt to transform the whole of this great trade union organization into a machine for destroying the system of private enterprise, of substituting for it a system of universal State employment…What was to happen afterwards was never very clear. The only thing clear was the first necessity to smash up the existing system. This was a profound breach with the past, and in its origin it was from a foreign source, and, like all those foreign revolutionary instances, it has been very largely secretive and subterranean. This attitude towards agreements and contracts has been a departure from the British tradition of open and straight dealing. The propaganda is a propaganda of hatred and envy.”

Stanley Baldwin (1867–1947) Former Prime Minister of the United Kingdom

Speech in Chippenham (12 June 1926), quoted in Our Inheritance (London: Hodder and Stoughton, 1938), pp. 164-165.
1926

Joni Madraiwiwi photo
James Connolly photo
Jacques Ellul photo
Calvin Coolidge photo
Dinesh D'Souza photo
Derren Brown photo

“(DVD introduction) Well, welcome to your very own DVD of me, DVB, and ‘Mind Control’. If you weren’t expecting me and thought you were buying Reginald Perrin, then press eject now before you begin vomiting. Otherwise, please, please ensure that you are sitting in an extreme level of comfort, preferably in pre-worn slippers and, I trust, with your extended family around you. If you have seen the film ‘Signs’ and would like to wear the pointy tin foil hats now would be a good time to put them on you can’t be too careful. Well, pphhh, goodness me, er, it’s been a meteoric rise over these last years. The money and sex are exhausting and I have you the viewer to thank. Thanks. We’ve put together some of the pieces from the specials and series in glistening digital format, each pixel hand picked and gently polished and brought to you in wide-sound, surround-screen enjoyment. I hope you enjoy watching them as much as I’ll enjoy the royalties from this, which is enormously. If you don’t like it and HMV won’t take it back because you’ve got sticky all over it then the disc makes an excellent beer coaster or wheels for a space truck or can be immense fun just putting it on your finger and [waggling it], like that. But I hope you do like it. When I first started developing these techniques I had no idea that they were going to prove at all popular and for all my nancing about and staring I’m actually really excited to have a DVD out and can’t wait to go and find it in Discount Books & Puzzles next to the Dizzie Gillespie CD box sets and disappointing erotica. I hope you like it and if you do, please go and buy another one.”

Derren Brown (1971) British illusionist

TV Series and Specials (Includes DVDs), Mind Control (1999–2000) or Inside Your Mind on DVD

Chet Culver photo
David Packard photo

“Set out to build a company and make a contribution, not an empire and a fortune.”

David Packard (1912–1996) American electrical engineer, co-founder of Hewlett-Packard, businessman, U.S. Deputy Secretary of Defense,…

Source: Bill & Dave, 2007, p. 394

Martin Luther King, Jr. photo
Herbert A. Simon photo
James C. Collins photo
Gao Xingjian photo
Dave Barry photo
Jane Roberts photo

“Shall I come, sweet Love, to thee,
When the ev'ning beams are set?”

Thomas Campion (1567–1620) English composer, poet and physician

Shall I Come, Sweet Love, to Thee?

Michelle Lambert photo
Jeremy Clarkson photo
Clarence Thomas photo
Brian W. Aldiss photo

“The only sort of tasks worth being set were impossible ones.”

Brian W. Aldiss (1925–2017) British science fiction author

“A Kind of Artistry” p. 175 (originally published in The Magazine of Fantasy & Science Fiction, October 1962)
Short fiction, Who Can Replace a Man? (1965)