Quotes about second
page 22

Warren Farrell photo
Josh Billings photo
S. I. Hayakawa photo
Jerry Coyne photo

“When facing “scientific” arguments for God like these, ask yourself three questions. First, what’s more likely: that these are puzzles only because we refuse to see God as an answer, or simply because science hasn’t yet provided a naturalistic answer? In other words, is the religious explanation so compelling that we can tell scientists to stop working on the evolution and mechanics of consciousness, or on the origin of life, because there can never be a naturalistic explanation? Given the remarkable ability of science to solve problems once considered intractable, and the number of scientific phenomena that weren’t even known a hundred years ago, it’s probably more judicious to admit ignorance than to tout divinity.
Second, if invoking God seems more appealing than admitting scientific ignorance, ask yourself if religious explanations do anything more than rationalize our ignorance. That is, does the God hypothesis provide independent and novel predictions or clarify things once seen as puzzling—as truly scientific hypotheses do? Or are religious explanations simply stop-gaps that lead nowhere?…Does invoking God to explain the fine-tuning of the universe explain anything else about the universe? If not, then that brand of natural theology isn’t really science, but special pleading.
Finally, even if you attribute scientifically unexplained phenomena to God, ask yourself if the explanation gives evidence for your God—the God who undergirds your religion and your morality. If we do find evidence for, say, a supernatural origin of morality, can it be ascribed to the Christian God, or to Allah, Brahma, or any one god among the thousands worshipped on Earth? I’ve never seen advocates of natural theology address this question.”

Source: Faith vs. Fact (2015), pp. 156-157

Bernard Montgomery, 1st Viscount Montgomery of Alamein photo

“There were many reasons why we did not gain complete success at Arnhem. The following in my view were the main ones. First. The operation was not regarded at Supreme Headquarters as the spearhead of a major Allied movement on the northern flank designed to isolate, and finally to occupy, the Ruhr - the one objective in the West which the Germans could not afford to lose. There is no doubt in my mind that Eisenhower always wanted to give priority to the northern thrust and to scale down the southern one. He ordered this to be done, and he thought that it was being done. It was not being done. Second. The airborne forces at Arnhem were dropped too far away from the vital objective - the bridge. It was some hours before they reached it. I take the blame for this mistake. I should have ordered Second Army and 1st Airborne Corps to arrange that at least one complete Parachute Brigade was dropped quite close to the bridge, so that it could have been captured in a matter of minutes and its defence soundly organised with time to spare. I did not do so. Third. The weather. This turned against us after the first day and we could not carry out much of the later airborne programme. But weather is always an uncertain factor, in war and in peace. This uncertainty we all accepted. It could only have been offset, and the operation made a certainty, by allotting additional resources to the project, so that it became an Allied and not merely a British project. Fourth. The 2nd S. S. Panzer Corps was refitting in the Arnhem area, having limped up there after its mauling in Normandy. We knew it was there. But we were wrong in supposing that it could not fight effectively; its battle state was far beyond our expectation. It was quickly brought into action against the 1st Airborne Division.”

Bernard Montgomery, 1st Viscount Montgomery of Alamein (1887–1976) British Army officer, Commander of Allied forces at the Battle of El Alamein

Concerning Operation Market Garden in his autobiography, 'The Memoirs of Field Marshal Montgomery' (1958)

Charlotte Brontë photo

“Yesterday I went for the second time to the Crystal Palace. We remained in it about three hours, and I must say I was more struck with it on this occasion than at my first visit. It is a wonderful place – vast, strange, new and impossible to describe. Its grandeur does not consist in one thing, but in the unique assemblage of all things. Whatever human industry has created you find there, from the great compartments filled with railway engines and boilers, with mill machinery in full work, with splendid carriages of all kinds, with harness of every description, to the glass-covered and velvet-spread stands loaded with the most gorgeous work of the goldsmith and silversmith, and the carefully guarded caskets full of real diamonds and pearls worth hundreds of thousands of pounds. It may be called a bazaar or a fair, but it is such a bazaar or fair as Eastern genii might have created. It seems as if only magic could have gathered this mass of wealth from all the ends of the earth – as if none but supernatural hands could have arranged it this, with such a blaze and contrast of colours and marvellous power of effect. The multitude filling the great aisles seems ruled and subdued by some invisible influence. Amongst the thirty thousand souls that peopled it the day I was there not one loud noise was to be heard, not one irregular movement seen; the living tide rolls on quietly, with a deep hum like the sea heard from the distance.”

Charlotte Brontë (1816–1855) English novelist and poet

Charlotte Brontë, on attending The Great Exhibition of 1851. The Brontes' Life and Letters, (by Clement King Shorter) (1907)

Thomas Frank photo
Winston S. Churchill photo
Georg Cantor photo
E. W. Hobson photo

“The second period, which commenced in the middle of the seventeenth century, and lasted for about a century, was characterized by the application of the powerful analytical methods provided by the new Analysis to the determination of analytical expressions for the number π in the form of convergent series, products, and continued fractions. The older geometrical forms of investigation gave way to analytical processes in which the functional relationship as applied to the trigonometrical functions became prominent. The new methods of systematic representation gave rise to a race of calculators of π, who, in their consciousness of the vastly enhance means of calculation placed in their hands by the new Analysis, proceeded to apply the formulae to obtain numerical approximations to π to ever larger numbers of places of decimals, although their efforts were quite useless for the purpose of throwing light upon the true nature of that number. At the end of this period no knowledge had been obtained as regards the number π of the kind likely to throw light upon the possibility or impossibility of the old historical problem of the ideal construction; it was not even definitely known whether the number is rational or irrational. However, one great discovery, destined to furnish the clue to the solution of the problem, was made at this time; that of the relation between the two numbers π and e, as a particular case of those exponential expressions for the trigonometrical functions which form one of the most fundamentally important of the analytical weapons forged during this period.”

E. W. Hobson (1856–1933) British mathematician

Source: Squaring the Circle (1913), pp. 11-12

M. C. Escher photo

“I could fill an entire second life with working on my prints.”

M. C. Escher (1898–1972) Dutch graphic artist

undated quotes, M.C. Escher Foundation

Kent Hovind photo
John Napier photo

“And if any number of equals to a first sine be multiplied together producing a second, just so many equals to the Logarithm of the first added together produce the Logarithm of the second.”

John Napier (1550–1617) Scottish mathematician

Appendix, The relations of Logarithms & their natural numbers to each other
The Construction of the Wonderful Canon of Logarithms (1889)

Charles Handy photo
Robert Harris photo
George Hendrik Breitner photo

“It is just most delightful to me that I live in this way in the heart of Amsterdam. In a second you can eat somewhere and be back home again. You never have to wait for the tram. It is less than seven minutes [walking] from Dam Square. To me that is so unusual and so pleasant. I walk there daily.... the window [of his new studio] is about 2.25 m wide and high, and underneath a standing window of the same size, breadth-wise.”

George Hendrik Breitner (1857–1923) Dutch painter and photographer

translation from the original Dutch, Fons Heijnsbroek
version in original Dutch (citaat van Breitner's brief, in het Nederlands:) 't is al allerheerlijkst voor me, dat ik zoo midden in Amsterdam woon. In een oogenblik kun je ergens gaan eten en weer 't huis zijn. Je hoeft nooit op de tram te gaan staan. 't is niet verder dan een minuut of zeven van de Dam. dat is voor mij zoo ongewoon en zoo prettig. Ik loop er heen, dag in en uit.. ..'t raam [van het atelier] is ongeveer 2.25 m breed en hoog, en daaronder een staand raam van zelfde breedte.
Quote of Breitner in his letter from Amsterdam, 11 May 1893, to Herman van der Weele; from the original letter in the RKD-Archive, The Hague https://rkd.nl/explore/excerpts/1154
1890 - 1900

William Westmoreland photo
Terry Brooks photo

“Scientific language that is correct and serious so far as teachers and students are concerned must follow these stylistic norms:
# Be as verbally explicit and universal as possible…. The effect is to make `proper' scientific statements seem to talk only about an unchanging universal realm….
# Avoid colloquial forms of language and use, even in speech, forms close to those of written language. Certain words mark language as colloquial…, as does use of first and second person…
# Use technical terms in place of colloquial synonyms or paraphrases….
# Avoid personification and use of specifically or usually human attributes or qualities…, human agents or actors, and human types of action or process…
# Avoid metaphoric and figurative language, especially those using emotional, colorful, or value laden words, hyperboles and exaggeration, irony, and humorous or comic expressions.
# Be serious and dignified in all expression of scientific content. Avoid sensationalism.
# Avoid personalities and reference to individual human beings and their actions, including (for the most part) historical figures and events….
# Avoid reference to fiction or fantasy.
# Use causal forms of explanation and avoid narrative and dramatic accounts…. Similarly forbidden are dramatic forms, including dialogue, the development of suspense or mystery, the element of surprise, dramatic action, and so on.”

Jay Lemke (1946) American academic

Source: Talking Science: Language, Learning, and Values. 1990, p. 133-134, as cited in: Mary U. Hanrahan, "Applying CDA to the analysis of productive hybrid discourses in science classrooms." (2002).

Rose Wilder Lane photo
Ilana Mercer photo

“Socialism is humanity's second nature. All politicians do is turn human vice into votes.”

Ilana Mercer South African writer

“Can the Incredible Hulk Strike at Socialism?” http://www.ilanamercer.com/phprunner/public_article_list_view.php?editid1=620 WorldNetDaily.com, September 30, 2011.
2010s, 2011

José Ortega Y Gasset photo

“Man must not only make himself: the weightiest thing he has to do is to determine what he is going to be. He is causa sui to the second power.”

José Ortega Y Gasset (1883–1955) Spanish liberal philosopher and essayist

As quoted in Existentialism from Dostoevsky to Sartre, p. 155
History as a System (1962)

F. Scott Fitzgerald photo

“There are no second acts in American lives.”

The Last Tycoon, "Hollywood, ETC.," ed. Edmund Wilson (1941)
Quoted

Bill Hybels photo
Robert E. Howard photo
Bernard Lewis photo
Lee Child photo
Patrick Rothfuss photo

“On his first hand he wore rings of stone,
Iron, Amber, Wood and Bone.
There were rings unseen on his second hand,
One was blood in a flowing band,
One was air all whisper thin,
And the ring of ice had a flaw within.
Full faintly shone the ring of flame,
And the final ring was without name.”

A poem from the second book of the The Kingkiller Chronicle, quoted in an interview at Fantasymundo (1 August 2009) http://www.fantasymundo.com/articulos/2207/fantasymundo_entrevista_patrick_rothfuss_nombre_viento
The Wise Man's Fear (2011)

John Nance Garner photo

“Worst damnfool mistake I ever made was letting myself be elected Vice President of the United States. Should have stuck with my old chores as Speaker of the House. I gave up the second most important job in the Government for one that didn't amount to a hill of beans. I spent eight long years as Mr. Roosevelt's spare tire. I might still be Speaker if I didn't let them elect me Vice-President.”

John Nance Garner (1868–1967) American politician

Comment shortly after leaving office, on leaving his post as speaker of the United States House of Representative to become the Vice President, quoted by Frank X. Tolbert, "What is Cactus Jack Up to Now," Saturday Evening Post (November 2, 1963) and recounted in Alden Whitman's obituary of Garner in the New York Times (November 8, 1967).

Amit Chaudhuri photo
Hillary Clinton photo

“First-rate science fiction was, and remains, more interesting than second-rate art.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

Ibid.
Essays and reviews, From the Land of Shadows (1982)

G. K. Chesterton photo

“A stiff apology is a second insult.”

G. K. Chesterton (1874–1936) English mystery novelist and Christian apologist

"The Real Dr. Johnson," http://books.google.com/books?id=2mpaAAAAMAAJ&q=%22A+stiff+apology+is+a+second+insult%22&pg=PA121#v=onpage The Common Man (1950)

“A painter works to formulate with or in colors... My paintings follow the second option.”

Josef Albers (1888–1976) German-American artist and educator

Source: De tweede Helft Ad de Visser, SUN Nijmegen, The Netherlands, 1998, p. 123

Henry Moore photo
Lee Kuan Yew photo
Letitia Elizabeth Landon photo
Alfred Denning, Baron Denning photo
Mitt Romney photo

“And I hear from time to time people say, hey, wait a second, we have civil liberties we have to worry about. But don't forget the most important civil liberty I expect from my government is my right to be kept alive, and that's what we're going to have to do.”

Mitt Romney (1947) American businessman and politician

Fox News, Republican Presidential Candidate Debate, Durham, NH, 2007-09-05
2007 campaign for Republican nomination for United States President

Louise Bourgeois photo

“I became aware of Louise Bourgeois in my first or second year at Brighton Art College. One of my teachers, Stuart Morgan, curated a small retrospective of her work at the Serpentine, and both he and another teacher, Edward Allington, saw something in her, and me, and thought I should be aware of her. I thought the work was wonderful. It was her very early pieces, The Blind Leading the Blind, the wooden pieces and some of the later bronze works. Biographically, I don't really think she has influenced me, but I think there are similarities in our work. We have both used the home as a kind of kick-off point, as the space that starts the thoughts of a body of work. I eventually got to meet Louise in New York, soon after I made House. She asked to see me because she had seen a picture of House in the New York Times while she was ironing it one morning, so she said. She was wonderful and slightly kind of nutty; very interested and eccentric. She drew the whole time; it was very much a salon with me there as her audience, watching her. I remember her remarking that I was shorter than she was. I don't know if this was true but she was commenting on the physicality of making such big work and us being relatively small women. When you meet her you don't know what's true, because she makes things up. She has spun her web and drawn people in, and eaten a few people along the way.”

Louise Bourgeois (1911–2010) American and French sculptor

Rachel Whiteread, " Kisses for Spiderwoman http://www.theguardian.com/artanddesign/2007/oct/14/art2," The Guardian, 14 Oct. 2007:

Charlton Heston photo
Irene Dunne photo
Adam Gopnik photo
Alexander Hamilton photo
Patrick Buchanan photo
Bill Engvall photo
John S. Bell photo
Erica Jong photo
Bill Maher photo

“I was born in 1939. The other big event of that year was the outbreak of the Second World War, but for the moment that did not affect me.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

Opening lines of the autobiography, p. 11
Memoirs, Unreliable Memoirs (1980)

Karl Mannheim photo
Susan Cain photo
Fred Brooks photo
James Jeans photo
P. D. James photo
Layal Abboud photo

“I may live in Beirut, but I think Egypt is beautiful and I feel like it’s my second country.”

Layal Abboud (1982) Lebanese pop singer

July 16, 2014; Interview by Insight Magazine http://www.insight-egypt.com/celebrities/layal-abboud/july-16/214
2014

Kathy Freston photo
Herbert A. Simon photo

“Now the salient characteristic of the decision tools employed in management science is that they have to be capable of actually making or recommending decisions, taking as their inputs the kinds of empirical data that are available in the real world, and performing only such computations as can reasonably be performed by existing desk calculators or, a little later electronic computers. For these domains, idealized models of optimizing entrepreneurs, equipped with complete certainty about the world - or, a worst, having full probability distributions for uncertain events - are of little use. Models have to be fashioned with an eye to practical computability, no matter how severe the approximations and simplifications that are thereby imposed on them…
The first is to retain optimization, but to simplify sufficiently so that the optimum (in the simplified world!) is computable. The second is to construct satisficing models that provide good enough decisions with reasonable costs of computation. By giving up optimization, a richer set of properties of the real world can be retained in the models… Neither approach, in general, dominates the other, and both have continued to co-exist in the world of management science.”

Herbert A. Simon (1916–2001) American political scientist, economist, sociologist, and psychologist

Source: 1960s-1970s, "Rational decision making in business organizations", Nobel Memorial Lecture 1978, p. 498; As cited in: Arjang A. Assad, ‎Saul I. Gass (2011) Profiles in Operations Research: Pioneers and Innovators. p. 260-1.

“It cannot be said that at the time these inscriptions were set up at ANhilwãD Pãtan, Prabhas Patan, Khambat, Junagadh and other places, the Hindus of Gujarat had had no taste of what Islam had in store for them, their women, their children, their cities, their temples, their idols, their priests, and their properties. The invasion of Ulugh Khãn that was to subjugate Gujarat to a long spell of Muslim rule, was the eighth in a series which started within a few years after the Prophet’s death at Medina in AD 632. Five Islamic invasions had been mounted on Gujarat before Siddharãja JayasiMha ascended the throne of that kingdom in AD 1094 - first in AD 636 on Broach by sea; second in AD 732-35 by land; third and fourth in AD 756 and 776 by sea; and fifth by Mahmûd of Ghazni in AD 1026. Two others had materialised by the time the Muslim ship-owner set up his inscription in AD 1264 on a mosque at Prabhas Patan. The sixth invasion was by Muhammad Ghûrî in AD 1178, and the seventh was by Qutbu’d-Dîn Aibak in AD 1197. The only conclusion that can be drawn from the evidence is that either the Hindus of Gujarat had a very short memory or that they did not understand at all the inspiration at the back of these invasions. The temple of Somnath which stood, after the invasion of Mahmûd of Ghazni in AD 1026, as a grim reminder of the character of Islam, had also failed to teach them any worthwhile lesson. Nor did they visualize that the Muslim settlements in their midst could play a role other than that of carrying on trade and commerce.”

Sita Ram Goel (1921–2003) Indian activist

Hindu Temples – What Happened to Them, Volume II (1993)

“[Pelsaert laments] “the utter subjection and poverty of the common people-poverty so great and miserable that the life of the people can be depicted or accurately described only as the home of stark want and the dwelling place of bitter woe.” He continues: “There are three classes of people who are indeed nominally free, but whose status differs very little from voluntary slavery-workmen, peons or servants and shopkeepers. For the workmen there are two scourges, the first of which is low wages. Goldsmiths, painters (of cloth or chintz), embroiderers, carpet makers, cotton or silk weavers, black-smiths, copper-smiths, tailors, masons, builders, stone-cutters, a hundred crafts in all-any of these working from morning to night can earn only 5 or 6 tackas (tankahs), that is 4 or 5 strivers in wages. The second (scourge) is (the oppression of) the Governor, the nobles, the Diwan, the Kotwal, the Bakshi, and other royal officers. If any of these wants a workman, the man is not asked if he is willing to come, but is seized in the house or in the street, well beaten if he should dare to raise any objection, and in the evening paid half his wages, or nothing at all. From these facts the nature of their food can be easily inferred… For their monotonous daily food they have nothing but a little khichri… in the day time, they munch a little parched pulse or other grain, which they say suffices for their lean stomachs… Their houses are built of mud with thatched roofs. Furniture there is little or none, except some earthenware pots to hold water and for cooking… Their bedclothes are scanty, merely a sheet or perhaps two… this is sufficient in the hot weather, but the bitter cold nights are miserable indeed, and they try to keep warm over little cowdung fires… the smoke from these fires all over the city is so great that the eyes run, and the throat seems to be choked.””

Francisco Pelsaert (1591–1630) Dutch merchant, commander of the ship Batavia

Quoted from Lal, K. S. (1992). The legacy of Muslim rule in India. New Delhi: Aditya Prakashan. Chapter 7
Jahangir’s India

John A. Eddy photo

“It has long been though that the sun is a constant star of regular and repeatable behavior. Measurements of the radiative output, or solar constant, seem to justify the first assumption, and the record of periodicity in sunspot numbers is taken as evidence of the second. Both records, however, sample only the most recent history of the sun.”

John A. Eddy (1931–2009) American astronomer

Source: Eddy, J.A., "The Maunder Minimum", Science 18 June 1976: Vol. 192. no. 4245, pp. 1189 - 1202 http://www.sciencemag.org/cgi/content/citation/192/4245/1189, PDF Copy http://bill.srnr.arizona.edu/classes/182h/Climate/Solar/Maunder%20Minimum.pdf

Lloyd Kenyon, 1st Baron Kenyon photo
Meat Loaf photo
Karl Schmidt-Rottluff photo

“The atelier was under the roof. Inhabiting this space was forbidden due to fire code restrictions, but staying and working there was allowed. We therefore had to avoid the impression that these were our living quarters. The most necessary furniture had to disappear into the attic during the day. And so the place was decorated purely with curtains. A curtain hung in front of the entrance door, a second one in front of the oven heating.... an adjoining room was hidden by a curtain with abstractedly patterned batik.”

Karl Schmidt-Rottluff (1884–1976) German artist

In addition to defying societal standards, die Brücke artists defied housing laws: the ateliers in Dresden that they worked and lived in were forbidden to be used as homes
Source: Brücke und Berlin: 100 Jahre Expressionismus, Anita Beloubek-Hammer, ed.; Berlin: Nicolaische Verlagsbuchhandlung, Berlin 2005, p. 312 (https://www.researchgate.net/publication/272168564 translation, Claire Louise Albiez]

Michel Foucault photo
Helena Petrovna Blavatsky photo
Ilya Prigogine photo

“The functional order maintained within living systems seems to defy the Second Law; nonequilibrium thermodynamics describes how such systems come to terms with entropy.”

Ilya Prigogine (1917–2003) physical chemist

Part 1; Cited in: Evgenii Rudnyi (2013) " Thermodynamics of evolution http://blog.rudnyi.ru/2013/04/thermodynamics-of-evolution.html" on blog.rudnyi.ru, April 20, 2013. ·
Thermodynamics of Evolution (1972)

“The best critic of a translation is its second translation and nothing else. The person who translates a text should have something to say about that.”

Media Kashigar (1956–2017) Iranian translator, writer and poet

Source: The best critic of a translation is its second translation, Center for the Great Islamic Encyclopedia, 2013 https://www.cgie.org.ir/fa/news/3001

Akbar photo

“It's bad to use words like 'genius' unless you are talking about the late Jean-Michel Basquiat, the black Chatterton of the 80s who, during a picturesque career as sexual hustler, addict and juvenile art-star, made a superficial mark on the cultural surface by folding the conventions of street graffiti into those of art brut before killing himself with an overdose at the age of twenty-seven. The first stage of Basquiat's fate, in the mid-80s, was to be effusively welcomed by an art industry so trivialized by fashion and blinded by money that it couldn't tell a scribble from a Leonardo. Its second stage was to be dropped by the same audience, when the novelty of his work wore off. The third was an attempt at apotheosis four years after his death, with a large retrospective at the Whitney Museum designed to sanitise his short, frantic life and position him as a kind of all-purpose, inflatable martyr-figure, thus restoring the dollar value of his oeuvre in a time of collapsing prices for American contemporary art. One contributor to the catalogue proclaimed that "Jean remains wrapped in the silent purple toga of immortality"; another opined that "he is as close to Goya as American painting has ever produced." A third, not to be outdone, extolled Basquiat's "punishing regime of self-abuse" as part of "the disciplines imposed by the principle of inverse ascetism to which he was so resolutely committed."”

Robert Hughes (1938–2012) Australian critic, historian, writer

These disciplines of inverse ascetism, one sees, mean shooting smack until you drop dead.
Page 195
Culture of Complaint (1993)

Charles Wheelan photo
Vannevar Bush photo
Ron White photo
Clive Staples Lewis photo
Wilfred Thesiger photo
Justus von Liebig photo
James Dobson photo

“GEORGE STEPHANOPOULOS: But Dr. Dobson, excuse me for a second. You use the word hate. You said that he's a "God's people hater."”

James Dobson (1936) Evangelical Christian psychologist, author, and radio broadcaster.

How do you back that up?
2004

Howard Bloom photo

“Where did the second law of thermodynamics come from? …The steam engine. …The cosmos is not a steam engine.”

Howard Bloom (1943) American publicist and author

Heresy Number Three
The God Problem: How a Godless Cosmos Creates (2012)

Robert Ley photo

“The second German secret weapon is anti-Semitism, because if it is consistently pursued by Germany, it will become a universal problem which all nations will be forced to consider.”

Robert Ley (1890–1945) Nazi politician

Quoted in "Trial of the Major War Criminals Before the International Military Tribunal" - Page 118 - Nuremberg, Germany - 1947

Hilary Hahn photo
Muhammad Ali Jinnah photo
Michael Löwy photo
Stanisław Lem photo
Richard Pipes photo
Basil of Caesarea photo