Quotes about scratch
page 2

Ed Harcourt photo

“If I had sharp claws I'd get on all fours. And scratch your back for free.”

Ed Harcourt (1977) British musician

Bleed A River Deep

Alvin C. York photo
Eudora Welty photo
Garry Kasparov photo
Michael Moorcock photo
Herbert A. Simon photo
Abbie Hoffman photo
Dylan Moran photo
Antoni Tàpies photo
Ken MacLeod photo
David Mitchell photo

“Books don't offer real escape but they can stop a mind scratching itself raw.”

"Letters from Zedelghem"
Cloud Atlas (2004)

Ernest Bramah photo

“One learns to itch where one can scratch.”

The Story of Wong Choi and the Merchant Teen King's Thumb
Kai Lung Unrolls His Mat (1928)

“My experience of the original Edison phonograph goes back to the period when it was first introduced into this country. In fact, I have good reason to believe that I was among the very first persons in London to make a vocal record, though I never received a copy of it, and if I did it got lost long ago. It must have been in 1881 or 1882, and the place where the deed was done was on the first floor of a shop in Hatton Garden, where I had been invited to listen to the wonderful new invention. To begin with, I heard pieces both in song and speech produced by the friction of a needle against a revolving cylinder, or spool, fixed in what looked like a musical box. It sounded to my ear like someone singing about half a mile away, or talking at the other end of a big hall; but the effect was rather pleasant, save for a peculiar nasal quality wholly due to the mechanism, though there was little of the scratching which later was a prominent feature of the flat disc. Recording for that primitive machine was a comparatively simple matter. I had to keep my mouth about six inches away from the horn and remember not to make my voice too loud if I wanted anything approximating to a clear reproduction; that was all. When it was played over to me and I heard my own voice for the first time, one or two friends who were present said that it sounded rather like mine; others declared that they would never have recognised it. I daresay both opinions were correct.”

Herman Klein (1856–1934) British musical critic journalist and singing teacher

The Gramophone magazine, December 1933

Klaus Kinski photo

“You will turn over many a futile new leaf till you learn we must all write on scratched-out pages.”

Mignon McLaughlin (1913–1983) American journalist

The Complete Neurotic's Notebook (1981), Unclassified

Frederik Pohl photo
Michael Powell photo
George Bernard Shaw photo

“Scratch an Englishman and find a Protestant.”

Saint Joan : A Chronicle Play In Six Scenes And An Epilogue (1923)
1920s

W. H. Auden photo
Mike Lange photo

“Scratch my back with a hacksaw!”

Mike Lange (1948) Canadian sportscaster

Quoted in Bob Smizik, "Cow-kicked: FSN fires Lange as Penguins' TV voice", http://www.post-gazette.com/pg/06181/702334-61.stm Pittsburgh Post-Gazette (2006-06-30)
According to Smizik in Tales from the Pittsburgh Penguins http://books.google.com/books?id=v6VbC6CRWTsC&pg=PA103&lpg=PA103&dq=%22He+beat+him+like+a+rented+mule.%22&source=web&ots=60xyCcZKrt&sig=M8tqlcsQykyW9zqmIIZQE4Zkjug&hl=en&sa=X&oi=book_result&resnum=3&ct=result#PPA103,M1 (Sports Publishing, 2006, ISBN 10:1582611998), Lange credits a Pittsburgh mall security guard with giving him the phrase. After giving Lange directions to a location in the building, the guard gave him a piece of paper with the phrase written down on it.

Daniel Dennett photo

“Earlier fundamental work of Whitehead, Russell, Wittgenstein, Carnap, Whorf, etc., as well as my own attempt to use this earlier thinking as an epistemological base for psychiatric theory, led to a series of generalizations: That human verbal communication can operate and always does operate at many contrasting levels of abstraction. These range in two directions from the seemingly simple denotative level (“The cat is on the mat”). One range or set of these more abstract levels includes those explicit or implicit messages where the subject of discourse is the language. We will call these metalinguistic (for example, “The verbal sound ‘cat’ stands for any member of such and such class of objects”, or “The word, ‘cat’ has no fur and cannot scratch”). The other set of levels of abstraction we will call metacommunicative (e. g., “My telling you where to find the cat was friendly”, or “This is play”). In these, the subject of discourse is the relationship between the speakers. It will be noted that the vast majority of both metalinguistic and metacommunicative messages remain implicit; and also that, especially in the psychiatric interview, there occurs a further class of implicit messages about how metacommunicative messages of friendship and hostility are to be interpreted.”

Gregory Bateson (1904–1980) English anthropologist, social scientist, linguist, visual anthropologist, semiotician and cyberneticist

Gregory Bateson (1955) " A theory of play and fantasy http://sashabarab.com/syllabi/games_learning/bateson.pdf". In: Psychiatric research reports, 1955. pp. 177-178] as cited in: S.P. Arpaia (2011) " Paradoxes, circularity and learning processes http://www2.units.it/episteme/L&PS_Vol9No1/L&PS_Vol9No1_2011_18b_Arpaia.pdf". In: L&PS – Logic & Philosophy of Science, Vol. IX, No. 1, 2011, pp. 207-222

Frida Kahlo photo
Orson Welles photo

“My father once told me that the art of receiving a compliment is, of all things, the sign of a civilized man. He died soon afterwards, leaving my education in this important matter sadly incomplete; I'm only glad that, on this, the occasion of the rarest compliment he ever could have dreamed of, that he isn't here to see his son so publicly at a loss. In receiving a compliment, or in trying to, the words are all worn out by now. They're polluted by ham and corn. And, when you try to scratch around for some new ones, it's just an exercise in empty cleverness. What I feel this evening, is not very clever. it's the very opposite of emptiness. The corny old phrase is the only one I know to say it: my heart is full; with a full heart, with all of it, I thank you. This is Samuel Johnson, on the subject of what he calls contrarieties: "there are goods, so opposed that we cannot seize both, and, in trying, fail to seize either. Flatter not yourself, he says, with contrarieties. Of the blessings set before you, make your choice. No man can, at the same time, fill his cup from the source, and from the mouth of the nile." For this business of contrarieties has to do with us. With you, who are paying me this compliment, and for me, who has strayed so far from this hometown of ours. Not that I am alone in this, or unique, I am never that; but there are a few of us left in this conglomerated world of us who still trudge stubbornly along this lonely rocky road; and this is in fact our contrariety. We don't move nearly as fast as our cousins on the freeway; we don't even get as much accomplished just as the family sized farm can't possibly raise as many crops or get as much profit as the agricultural factory of today. What we do come up with has no special right to call itself better it's just.. different. No if there's any excuse for us it all, it's that we're simply following the old American tradition of the maverick, and we are a vanishing breed. This honor I can only accept in the name of all the mavericks. And also, as a tribute to the generosity of all the rest of you; to the givers, to the ones with fixed addresses. A maverick may go his own way but he doesn't think that it's the only way, or ever claim that it's the best one, except maybe for himself. And don't imagine that this raggle-taggle gypsy-o is claiming to be free. It's just that some of the necessities to which I am a slave are different from yours. As a director, for instance, I pay myself out of my acting jobs. I use my own work to subsidize my work (in other words I'm crazy). But not crazy enough to pretend to be free. But it's a fact that many of the films you've seen tonight could never have been made otherwise. Or, if otherwise, well, they might have been better, but certainly they wouldn't have been mine. The truth is I don't believe that this great evening would ever have brightened my life if it wasn't for this: my own, particular, contrariety. Let us raise our cups, then, standing as some of us do on opposite ends of the river, to what really matters to us all: to our crazy, beloved profession, to the movies — to good movies, to every possible kind.”

Orson Welles (1915–1985) American actor, director, writer and producer

Speech given upon his acceptance of the AFI Lifetime Achievement award. Viewable http://www.youtube.com/watch?v=oXJnxClGamA&list=HL1349840607&feature=mh_lolz

Ian Fleming photo
Dorothy Parker photo
Alveda King photo

“My dad A. D. King, Uncle MLK, and Granddaddy King passed on to me their beliefs on biblical marriage. Life is a human and civil right, so is procreative marriage… We must now go back to the beginning, starting with Genesis, and teach about God’s plan for marriage… It's time to start from scratch and lay the foundation all over again.”

Alveda King (1951) American, civil rights activist, Christian minister, conservative, pro-life activist, and author

Human Sexuality: It All Started With An Apple! http://www.priestsforlife.org/library/5154-and-it-all-started-with-an-apple (January 13, 2015)

John Ruskin photo
Ramakrishna photo

“A complex system that works is invariably found to have evolved from a simple system that worked. A complex system designed from scratch never works and cannot be patched up to make it work. You have to start over, beginning with a working simple system.”

John Gall (1925–2014) American physician

Source: General systemantics, an essay on how systems work, and especially how they fail..., 1975, p. 65, cited in: Grady Booch (1991) Object oriented design with applications. p. 11

Herman Melville photo
Rachel Marsden photo
Alice Roosevelt Longworth photo

“I have a simple philosophy. Fill what's empty. Empty what's full. And scratch where it itches.”

Alice Roosevelt Longworth (1884–1980) American writer and prominent socialite

As quoted in The Best (1974), edited by Peter Passell and Leonard Ross.

Grandmaster Flash photo
Kent Hovind photo
John Ruskin photo

“Engraving is, in brief terms, the Art of Scratch.”

John Ruskin (1819–1900) English writer and art critic

Ariadne Florentina: Six Lectures on Wood and Metal Engraving, with Appendix, lecture I: Definition of the Art of Engraving, section 34 (1872).

Lisa Randall photo
Nicolas Chamfort photo

“We must start human society from scratch; as Francis Bacon said, we must recreate human understanding.”

Nicolas Chamfort (1741–1794) French writer

"Reflections and Anecdotes", nr. 264 (Douglas Parmée translation)

Mordehai Milgrom photo
Phil Brooks photo

“I told you so. Seems like I'm out here a lot saying that to you people, right? I know it seems like a lot, but the truth is i said that i would beat Jeff, and i did. I told you so. I said that i would get rid of Jeff Hardy FOREVER, and i did. I told you so. And then i said i would make The Undertaker tap out to the Anaconda Vice, and you laughed! But then i did just that. And contrary to what you people believe, i didn't come out here to brag about becoming the first and ONLY man in history to make the Phenom, The Undertaker, tap out. I came out here to confront The Undertaker. I came out here to confront The Undertaker in MY ring, or my yard, if you will. I came out here to stick MY World Heavyweight Championship in his face, and look him in the eye, and say to him, I TOLD YOU SO! But, of course, he's conveniently not here right now, so instead, i think i'll address all of you people. It's come to my attention that you people think I have been preaching to you. Alright, we'll call a space a spade. The truth is, YES i have. Because you people need a good preaching to. You people need somebody you can look up to, you need a leader who isn't morally corrupt, and you need someone that's righteous, not self-righteous. And i know what your all gonna do next, your gonna do exactly what your hero, the Undertaker, did, your gonna give up! Hell, by the looks at half of you, you already have. I mean, what kind of life is it that you live? What kind of existence do you have where you wake up in the morning and you have to pop a pill to help crawl out of bed? And then, then you ravage your body with pitchers of beer, and that's supposed to somehow heal your broken self-worth. And then you just make excuses about inhaling poison into your lungs just to calm your nerves. And then, at the end of your sad, pathetic, lonely day, your in need of another pill to make you forget everything. You need a pill to help you sleep. (The crowd boos as Punk mouths "you make me sick") You are all just a legion of inebriated zombies, waiting in line at the pharmacy with your hand out, begging and pleading for that newest anti-depressant that you think is going to put an artificial smile on your face. You scratch and you claw for scapegoats for all of your inadequacies, and believe me, you have a LOT of inadequacies. And don't tell me that you self medicate yourself to forget about it all, don't tell me you don't self medicate to hide from all your inadequacies, don't tell me you don't do it. Because if you do, well then your a liar too. Your lying to yourself, your lying to yourselves right now. Your lying to the person next to you, you go home and you lie to your family, and it's insulting because right now your lying to ME. And i can see right through all of you people and your lies, because i am not a liar. I am a man who means what he says and says what he means. What i am is a prophet, i am the choice of a new generation, i am a champion that everybody can finally be proud of, i am the first and only straight-edge World Heavyweight Champion in history. And if your not straight-edge like me, well, that just means i'm better than you!”

Phil Brooks (1978) American professional wrestler and mixed martial artist

September 18, 2009
Friday Night SmackDown

Antoine-Vincent Arnault photo

“An open foe I much prefer
To a dear friend that scratches.”

Antoine-Vincent Arnault (1766–1834) French dramatist

Volume I., 5. — "Le Chien et le Chat".
Translation reported in Harbottle's Dictionary of quotations French and Italian (1904), p. 74.
Fables (1802)

Stephen Vincent Benét photo
Gene Wolfe photo
Colette photo
Mahatma Gandhi photo

“I say without fear of my figures being successfully challenged that India today is more illiterate than it was before a fifty or hundred years ago, and so is Burma, because the British administrators when they came to India, instead of taking hold of things as they were, began to root them out. They scratched the soil and began to look at the root and left the root like that and the beautiful tree perished.”

Mahatma Gandhi (1869–1948) pre-eminent leader of Indian nationalism during British-ruled India

Mahatma Gandhi, Speech at Chatham House, London, on October 20, 1931. Quoted in Essential Writings of Dharampal by Dharampal, and quoted in S.R. Goel, Hindu Society under siege http://web.archive.org/web/20170202032436/http://bharatvani.org/books/hsus/ch4.htm
1930s

Scott Lynch photo
Antoni Tàpies photo
Lois McMaster Bujold photo
Halldór Laxness photo
Miho Mosulishvili photo
Immortal Technique photo

“My metaphors are dirty like herpes, but harder to catch, like an escape tunnel in prison I started from scratch.”

Immortal Technique (1978) American rapper and activist

Industrial Revolution
Albums, Revolutionary Vol. 2 (2003)

Eddie August Schneider photo
Indra Nooyi photo

“Each of us in the US - the long middle finger - must be careful that we extend our arm in either a business or political sense, we take pains to assure that we are giving a hand, not the finger. Unfortunately, I think this is how the reset of the world looks at the US right now. Not as part of the hand-giving strength and purpose to the rest of the fingers –but instead scratching our nose and sending a signal.”

Indra Nooyi (1955) Indian-born, naturalized American, business executive

When she drew compassion with the five most populated of the seven continents of the world in a lectuere which created a furore necessitating an apology from her. Quoted in [. Branson, Douglas M ., The Last Male Bastion: Gender and the CEO Suite in America s Public Companies, http://books.google.com/books?id=wTFSa2qouSwC&pg=PA98, 15 December 2009, Routledge, 978-0-203-86566-8, 98–]

Fred Astaire photo

“If I was black and blue, it was Gene. If I didn't have a scratch it was Fred.”

Fred Astaire (1899–1987) American dancer, singer, actor, choreographer and television presenter

Cyd Charisse on how her husband would know with whom she had danced, quoted in Aloff, Mindy. Dance Anecdotes: Stories from the Worlds of Ballet, Broadway, the Ballroom, and Modern Dance. Oxford University Press, 2006. p. 196 ISBN 0195054113.

Amy Hempel photo
Fiona Apple photo
Gerhard Richter photo
John D. Carmack photo
Colin Wilson photo

“A complex system that works is invariably found to have evolved from a simple system that worked. The inverse proposition also appears to be true: A complex system designed from scratch never works and cannot be made to work. You have to start over, beginning with a working simple system.”

John Gall (1925–2014) American physician

Source: General systemantics, an essay on how systems work, and especially how they fail..., 1975, p. 71. This statement is known as Gall's law

John A. Eddy photo
Pete Doherty photo
Mark Satin photo
Dana Gioia photo
Tod A photo

“A thousand eyes are gazing down like bullet holes shot into the roof, as I lie here scratching for a grain of truth.”

Tod A (1965) American musician

"Balalaika", Get Off the Cross (We Need the Wood for the Fire (October 22, 1996).
Lyrics, Firewater

Alanis Morissette photo

“And every time I scratch my nails down someone else's back I hope you feel it.”

Alanis Morissette (1974) Canadian-American singer-songwriter

You Oughta Know
Jagged Little Pill (1995)

Anthony Burgess photo
Robert Penn Warren photo

“The urge to write poetry is like having an itch. When the itch becomes annoying enough, you scratch it.”

Robert Penn Warren (1905–1989) American poet, novelist, and literary critic

The New York Times (16 December 1969)

Robert Lynn Asprin photo
William Herschel photo

“Here [in Slough], soon after my arrival, I began to lay the foundation upon which by degrees the whole structure was raised as it now stands, and the speculum being highly polished and put into the tube, I had the first view through it on February 19, 1787. …the first speculum, by a mismanagement of the person who cast it, came out thinner on the centre of the back than was intended, and on account of its weakness would not permit a good figure to be given to it. …A second mirror was cast January 26, 1788, but it cracked in cooling. February 16 we recast it, and it proved to be of a proper degree of strength. October 24 it was brought to a pretty good figure and polish, and I observed the planet Saturn with it. But not being satisfied, I continued to work upon it till August 27, 1789, when it was tried upon the fixed stars, and I found it to give a pretty sharp image. Large stars were a little affected with scattered light, owing to many remaining scratches on the mirror. August the 28th, 1789, having brought the telescope to the parallel of Saturn, I discovered a sixth satellite of that planet, and also saw the spots upon Saturn better than I had ever seen them before, so that I may date the finishing of the forty-foot telescope from that time.”

William Herschel (1738–1822) German-born British astronomer, technical expert, and composer

Source: Sir William Herschel: His Life and Works (1880), Ch.4 "Life and Works".

Donald Barthelme photo

“Noise pollution is a relative thing. In a city it's a jet plane taking off. In a monastery it's a pen that scratches.”

Robert Orben (1928) American magician and writer

Henry J. Waters III (April 22, 2008) "The Tribune's View: The Democrats - Time for Clinton to quit", Columbia Daily Tribune.
Attributed

Jerome David Salinger photo
Walt Disney photo
Israel Zangwill photo

“Scratch the Christian and you find the pagan — spoiled.”

Israel Zangwill (1864–1926) British writer

Children of the Ghetto (1892), bk. 2, ch. 6.

George Cheyne (physician) photo
Austen Chamberlain photo

“Scratch me and you will find the Nonconformist.”

Austen Chamberlain (1863–1937) British politician

1927. Quoted in Sir Charles Petrie, The Life and Letters of Sir Austen Chamberlain: Vol. II (Cassell, 1940), p. 321.
1920s

Cesare Pavese photo
P. J. O'Rourke photo

“One thing that's certain about going outdoors: When you come back inside, you'll be scratching.”

P. J. O'Rourke (1947) American journalist

All the Trouble in the World (1994)

William Beveridge photo

“Scratch a pessimist and you find often a defender of privilege.”

William Beveridge (1879–1963) Economist and social reformer

As quoted in "Sayings of the Week" in The Observer [London] (17 December 1943)

Robert Graves photo

“He roars in his anger, he scratches, he looks not up.”

Robert Graves (1895–1985) English poet and novelist

"Nebuchadnezzar's Fall"
Country Sentiment (1920)
Context: Down on his knees he sinks, the stiff-necked King,
Stoops and kneels and grovels, chin to the mud.
Out from his changed heart flutter on startled wing
The fancy birds of his Pride, Honour, Kinglihood.
He crawls, he grunts, he is beast-like, frogs and snails
His diet, and grass, and water with hand for cup.
He herds with brutes that have hooves and horns and tails,
He roars in his anger, he scratches, he looks not up.

Richard Dawkins photo

“No matter how much knowledge and wisdom you acquire during your life, not one jot will be passed on to your children by genetic means. Each new generation starts from scratch.”

Source: The Selfish Gene (1976, 1989), Ch. 3. Immortal Coils
Context: Genes do indirectly control the manufacture of bodies, and the influence is strictly one way: acquired characteristics are not inherited. No matter how much knowledge and wisdom you acquire during your life, not one jot will be passed on to your children by genetic means. Each new generation starts from scratch.

“You have to put up some kind of a beef. Scream or holler or scratch or make some sound that you’re alive and can fight.”

Bill Bailey (Spanish Civil War veteran) (1910–1995) American labor activist

Context: You have to put up some kind of a beef. Scream or holler or scratch or make some sound that you’re alive and can fight. You know, cough or do something. Otherwise, they just walk past you and look at you and say, “He must be dead, he ain’t moving.”

Narendra Modi photo

“They couldn't give me even a scratch. This is their ego problem.”

Narendra Modi (1950) Prime Minister of India

2014, "GhoshanaPatra with Narendra Modi", 2014
Context: Until I don’t lose, until I am not defeated such allegations will continue. People who have been trying to defeat me for the past 12 years have been using all their strength. They couldn't give me even a scratch. This is their ego problem.

Russell Brand photo

“The whole of human history is nothing new, the whole of your personal story is nothing true, you can do with it whatever you want to do—flick a switch, scratch the record off, look behind the veil. Anything you don’t want, discard; anything that hurts, let go. None of it’s real, you know—all that pain, all that regret, all that doubt, not thin enough, not a good enough mum, not a good enough son, not a good enough bum. You are enough; you’re enough; there’s nothing you can buy or try on that’s going to make you any better, because you couldn’t be any better than you are. Drag your past around if you like, an old dead decaying ox of what you think they might’ve thought or what might’ve been if you’d done what you ought. That which needs to burn, let it burn. If the idea doesn’t serve you, let it go. If it separates you from the moment, from others, from yourself, let it go.”

Revolution (2014)
Context: Who does a baby think he is before he can recognize his face in a mirror, before he’s taught his name, before he’s drummed into stagnant separation, cordoned off from the infinite oneness? Love is innate. We must be taught to hate, and now we must unlearn it, as the Buddhists say; let it burn, that which needs to burn, let it burn. The class system isn’t fair on them either, poor little sods—packed off to school, weaned on privatized maternity shopped in from a northern spinster. Trying to find love in the tangle of dismantled family. No one can be happy imbibing a poisoned brew. It’s poisonous for us all. They’ll gratefully sigh when we unlock them from their opulent penitentiaries, they’ll be grateful when their fallow lords and empty chambers feed the hungry and house the poor. They know contentment cannot be enjoyed when stolen. They need the Revolution as much as we do. The whole of human history is nothing new, the whole of your personal story is nothing true, you can do with it whatever you want to do—flick a switch, scratch the record off, look behind the veil. Anything you don’t want, discard; anything that hurts, let go. None of it’s real, you know—all that pain, all that regret, all that doubt, not thin enough, not a good enough mum, not a good enough son, not a good enough bum. You are enough; you’re enough; there’s nothing you can buy or try on that’s going to make you any better, because you couldn’t be any better than you are. Drag your past around if you like, an old dead decaying ox of what you think they might’ve thought or what might’ve been if you’d done what you ought. That which needs to burn, let it burn. If the idea doesn’t serve you, let it go. If it separates you from the moment, from others, from yourself, let it go.

Sam Harris photo

“Every time you scratch your nose, you have committed a Holocaust of potential human beings.”

Sam Harris (1967) American author, philosopher and neuroscientist

Source: 2000s, Letter to a Christian Nation (2006), p. 30
Context: Perhaps you think that the crucial difference between a fly and a human blastocyst is to be found in the latter's potential to become a fully developed human being. But almost every cell in your body is a potential human being, given our recent advances in genetic engineering. Every time you scratch your nose, you have committed a Holocaust of potential human beings. This is a fact. The argument from a cell's potential gets you absolutely nowhere.

Karl Popper photo

“We are social creatures to the inmost centre of our being. The notion that one can begin anything at all from scratch, free from the past, or unindebted to others, could not conceivably be more wrong.”

Karl Popper (1902–1994) Austrian-British philosopher of science

As quoted in Popper (1973) by Bryan Magee
Context: Before we as individuals are even conscious of our existence we have been profoundly influenced for a considerable time (since before birth) by our relationship to other individuals who have complicated histories, and are members of a society which has an infinitely more complicated and longer history than they do (and are members of it at a particular time and place in that history); and by the time we are able to make conscious choices we are already making use of categories in a language which has reached a particular degree of development through the lives of countless generations of human beings before us.... We are social creatures to the inmost centre of our being. The notion that one can begin anything at all from scratch, free from the past, or unindebted to others, could not conceivably be more wrong.

Octavio Paz photo

“The Great Monkey closes his eyes, scratches himself again and muses: before the sun has become completely hidden — it is now fleeing amid the tall bamboo trees like an animal pursued by shadows — I shall succeed in reducing this grove of trees to a catalogue.”

Octavio Paz (1914–1998) Mexican writer laureated with the 1990 Nobel Prize for Literature

Source: The Monkey Grammarian (1974), Ch. 8
Context: The Great Monkey closes his eyes, scratches himself again and muses: before the sun has become completely hidden — it is now fleeing amid the tall bamboo trees like an animal pursued by shadows — I shall succeed in reducing this grove of trees to a catalogue. A page of tangled plant calligraphy. A thicket of signs: how to read it, how to clear a path through this denseness? Hanumān smiles with pleasure at the analogy that has just occurred to him: calligraphy and vegetation, a grove of trees and writing, reading and a path. Following a path: reading a stretch of ground, deciphering a fragment of world. Reading considered as a path toward…. The path as a reading: an interpretation of the natural world? He closes his eyes once more and sees himself, in another age, writing (on a piece of paper or on a rock, with a pen or with a chisel?) the act in the Mahanātaka describing his visit to the grove of the palace of Rāvana. He compares its rhetoric to a page of indecipherable calligraphy and thinks: the difference between human writing and divine consists in the fact that the number of signs of the former is limited, whereas that of the latter is infinite; hence the universe is a meaningless text, one which even the gods find illegible. The critique of the universe (and that of the gods) is called grammar…. Disturbed by this strange thought, Hanumān leaps down from the wall, remains for a moment in a squatting position, then stands erect, scrutinizes the four points of the compass, and resolutely makes his way into the thicket.

Robert M. Sapolsky photo

“The amazing thing is, nobody knows what the rules are! Talmudic rabbis have been scratching each others' eyes out for centuries arguing over which rules go into the 613. The numbers are more important than the content.”

Robert M. Sapolsky (1957) American endocrinologist

Emperor Has No Clothes Award acceptance speech (2003)
Context: Orthodox Judaism has this amazing set of rules: everyday there's a bunch of strictures of things you're supposed to do, a bunch you're not supposed to do, and the number you're supposed to do is the same number as the number of bones in the body. The number that you're not supposed to do is the same number as the number of days in the year. The amazing thing is, nobody knows what the rules are! Talmudic rabbis have been scratching each others' eyes out for centuries arguing over which rules go into the 613. The numbers are more important than the content. It is sheer numerology.

Mohamed ElBaradei photo

“What is more important is that these are not separate or distinct threats. When we scratch the surface, we find them closely connected and interrelated.”

Mohamed ElBaradei (1942) Egyptian law scholar and diplomat, former Director General of the International Atomic Energy Agency, and Nobel …

Nobel lecture (2005)
Context: What is more important is that these are not separate or distinct threats. When we scratch the surface, we find them closely connected and interrelated.
We are 1,000 people here today in this august hall. Imagine for a moment that we represent the world's population. These 200 people on my left would be the wealthy of the world, who consume 80 per cent of the available resources. And these 400 people on my right would be living on an income of less than $2 per day.
This underprivileged group of people on my right is no less intelligent or less worthy than their fellow human beings on the other side of the aisle. They were simply born into this fate.
In the real world, this imbalance in living conditions inevitably leads to inequality of opportunity, and in many cases loss of hope. And what is worse, all too often the plight of the poor is compounded by and results in human rights abuses, a lack of good governance, and a deep sense of injustice. This combination naturally creates a most fertile breeding ground for civil wars, organized crime, and extremism in its different forms.
In regions where conflicts have been left to fester for decades, countries continue to look for ways to offset their insecurities or project their 'power'. In some cases, they may be tempted to seek their own weapons of mass destruction, like others who have preceded them.

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