Quotes about satire

A collection of quotes on the topic of satire, doing, other, people.

Quotes about satire

“Why, how can you ask such a question? You are a republican."
A republican! Yes; but that word specifies nothing. Res publica; that is, the public thing. Now, whoever is interested in public affairs -- no matter under what form of government -- may call himself a republican. Even kings are republicans."
Well! You are a democrat?"
No."
What! "you would have a monarchy?"
No."
A Constitutionalist?"
God forbid."
Then you are an aristocrat?"
Not at all!"
You want a mixed form of government?"
Even less."
Then what are you?"
I am an anarchist."

Oh! I understand you; you speak satirically. This is a hit at the government."

By no means. I have just given you my serious and well-considered profession of faith. Although a firm friend of order, I am (in the full force of the term) an anarchist. Listen to me.”

Pierre Joseph Proudhon (1809–1865) French politician, mutualist philosopher, economist, and socialist

Source: Proudhon: What Is Property?

God, Faith, Understanding, Question

“The moment you say that any idea system is sacred, whether it’s a religious belief system or a secular ideology, the moment you declare a set of ideas to be immune from criticism, satire, derision, or contempt, freedom of thought becomes impossible.”

Salman Rushdie (1947) British Indian novelist and essayist

Idea, Freedom

“It is difficult not to write satire.”
Difficile est saturam non scribere.

Juvenal book Satires

I, line 30.
Satires, Satire I

“Cecily. This is no time for wearing the shallow mask of manners. When I see a spade I call it a spade.
Gwendolen. [Satirically. ] I am glad to say that I have never seen a spade. It is obvious that our social spheres have been widely different.”

Oscar Wilde The Importance of Being Earnest

Source: The Importance of Being Earnest

Time

“Satire is a sort of glass, wherein beholders do generally discover everybody's face but their own.”

Jonathan Swift book The Battle of the Books

The Battle of the Books, preface (1704)

“Satire is a lesson, parody is a game.”

Vladimir Nabokov book Strong Opinions

Interview with Nabokov http://lib.ru/NABOKOW/Inter06.txt_with-big-pictures.html conducted on September 25, 27, 28, 29, 1966, at Montreux, Switzerland and published in Wisconsin Studies in Contemporary Literature, vol. VIII, no. 2, spring 1967. Source: Strong Opinions

Game

“Voltaire, who was both the flatterer and the satirist of despotism, took another line. His force lay in exposing and ridiculing the superstitions which priest-craft, united with state-craft, had interwoven with governments. It was not from the purity of his principles, or his love of mankind (for satire and philanthropy are not naturally concordant), but from his strong capacity of seeing folly in its true shape, and his irresistible propensity to expose it, that he made those attacks. They were, however, as formidable as if the motive had been virtuous; and he merits the thanks rather than the esteem of mankind.”

Thomas Paine book Rights of Man

Part 1.3 Rights of Man
1790s, Rights of Man, Part I (1791)

Love, Motivation, Nature, Strong

“Moreover, humour is itself but a superficial view of that which is in truth both tragic and terrible—the contrast between human pretence and cosmic mechanical reality. Humour is but the faint terrestrial echo of the hideous laughter of the blind mad gods that squat leeringly and sardonically in caverns beyond the Milky Way. It is a hollow thing, sweet on the outside, but filled with the pathos of fruitless aspiration. All great humorists are sad—Mark Twain was a cynic and agnostic, and wrote "The Mysterious Stranger" and "What Is Man?" When I was younger I wrote humorous matter—satire and light verse—and was known to many as a jester and parodist. … But I cannot help seeing beyond the tinsel of humour, and recognising the pitiful basis of jest—the world is indeed comic, but the joke is on mankind.”

H.P. Lovecraft (1890–1937) American author

"The Defence Remains Open!" (April 1921), published in Collected Essays, Volume 5: Philosophy edited by S. T. Joshi, p. 54
Non-Fiction

God, Truth, World, Sadness

“The science fiction and manga readers had the same… Most fiction writers then had had some experience in the comic and some of it had even been absorbed completely… I can not understand why those who love science fiction also loves the manga and vice versa. There are two kinds characterized by a biting satire and at worst are called "extravagant"…. Both are aimed toward the future, and therefore contain romantic adventures for young people.”

Osamu Tezuka (1928–1989) Japanese cartoonist and animator

Since I cartoonist ; quoted in AA.VV., Osamu Tezuka: A Manga Biography , vol. 3, translated by Marta Fogato, Coconino Press, Bologna, 2001, p. 73.

Love, People, Understanding, Science

“I just sat there thunderstruck. I realized that's exactly what I had been doing for over a decade with my story. I was writing heroic fantasy, while at the same time I was satirizing heroic fantasy.”

Patrick Rothfuss (1973) American fantasy writer

Interview with Fantasy Book Critic (25 May 2007)
Context: Anyway, I was listening to Beagle answer a question on the panel, he said something along the lines of, "I'd never want to write The Last Unicorn again. It was excruciatingly hard, because I was writing a faerie tale while at the same time writing a spoof of a faerie tale."
I just sat there thunderstruck. I realized that's exactly what I had been doing for over a decade with my story. I was writing heroic fantasy, while at the same time I was satirizing heroic fantasy.
While telling his story, Kvothe makes it clear that he's not the storybook hero legends make him out to be. But at the same time, the reader sees that he's a hero nonetheless. He's just a hero of a different sort.

Time

“It is a frightful satire and an epigram on the modern age that the only use it knows for solitude is to make it a punishment, a jail sentence.”

Sören Kierkegaard (1813–1855) Danish philosopher and theologian, founder of Existentialism

Age, Solitude

“Hippo in a skirt: this was a comic reference to one of Solomon's principal wives, the one from Moab. Childish? Yes. But in the days before printing we had limited opportunities for satire.”

Jonathan Stroud book The Ring of Solomon

Source: The Ring of Solomon

“Satire's nature is to be one-sided, contemptuous of ambiguity, and so unfairly selective as to find in the purity of ridicule an inarguable moral truth.”

E.L. Doctorow (1931–2015) novelist, editor, professor

Truth, Nature

“Satire is people as they are; romanticism, people as they would like to be; realism, people as they seem with their insides left out.”

Dawn Powell (1896–1965) American writer

People

“Satire is a sort of glass wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind reception it meets with in the world, and that so very few are offended with it.”

Jonathan Swift The Battle of the Books and Other Short Pieces

Source: The Battle of the Books and Other Short Pieces

World

“Well, these sad and hopeless obstacles are welcome in one sense, for they enable us to look with indifference upon the cruel satires that Fate loves to indulge in.”

Thomas Hardy (1840–1928) English novelist and poet

Love, Fate, Sadness, Sense

“I'll publish right or wrong:
Fools are my theme, let satire be my song.”

George Gordon Byron English Bards and Scotch Reviewers

Source: English Bards and Scotch Reviewers (1809), Line 5.

Fools

“Satire is tragedy plus time. You give it enough time, the public, the reviewers will allow you to satirize it. Which is rather ridiculous, when you think about it.”

Lenny Bruce (1925–1966) comedian and social critic

Source: The Essential Lenny Bruce: his original unexpurgated satirical routines

Thinking, Time

“The grown-ups snapped the chillies (each made a sound terse as a satirical retort), and scattered the tiny, deadly seeds in their food.”

Amit Chaudhuri (1962) contemporary Indian-English novelist

A Strange and Sublime Address (1991)

Food

“If a play does anything either tragically or comically satirically or farcically — to explain to me why I am alive, it is a good play. If it seems unaware that such questions exist, I tend to suspect that it's a bad one.”

Kenneth Tynan (1927–1980) English theatre critic and writer

Foreword
Tynan Right and Left (1967)

Question

“I was lucky to be part of the "underground comix" thing in which cartoonists were completely free to express themselves. To function on those terms means putting everything out in the open—no need to hold anything back—total liberation from censorship, including the inner censor! A lot of my satire is considered by some to be "too hard." My "negro" characters are not about black people, but are more about pushing these "uncool" stereotypes in readers' faces, so suddenly they have to deal with a very tacky part of our human nature. … Who did I think I was appealing to? I don't know. I was just being a punk, putting down on paper all these messy parts of the culture we internalize and keep quiet about. I admit I'm occasionally embarrassed when I look at some of that work now.”

Robert Crumb (1943) American cartoonist

The R. Crumb Handbook by Robert Crumb and Peter Poplaski (2005), p. 256

People, Nature, Thinking, Parting

“But satire, ever moral, ever new,
Delights the reader and instructs him, too.
She, if good sense refine her sterling page,
Oft shakes some rooted folly of the age.”

Nicolas Boileau-Despréaux (1636–1711) French poet and critic

La satire, en leçons, en nouveautés fertile,
Sait seule assaisonner le plaisant et l'utile,
Et, d'un vers qu'elle épure aux rayons du bons sens,
Détromper les esprits des erreurs de leur temps.
Satire 9
Satires (1716)

Age, Sense

“A question about the authenticity of the soul, I suppose. Or the wishbone—some little tug-of-war; some tension. The tension I have come to depend upon. That is what I mean by brown. The answer is that I cannot reconcile. I was born a Catholic. Is homosexuality, then, a conversion experience? No. I was born gay. Is Catholicism ever a choice? Yes. No. Not at first. I embraced Catholicism without question. It was the air, it was the light. Years later, I came to Catholicism in deliberation, defeat—satirically, perhaps—nevertheless on my knees. How else to approach a church established for losers, for a kingdom not of this world, a kingdom of fools? Whatever faith I confess is based upon my certainty that I can do nothing.”

Richard Rodríguez (1944) American journalist and essayist

Brown : The Last Discovery of America (2003)

War, World, Faith, Fools

“I cannot be associated with a publication that dumps a staff member simply because his work has upset some readers. Journalism, when done well, always angers some readers, and it is the duty of the newspaper or magazine’s editors and managers to stand by writers and other members of the staff when readers complain about the analysis and opinions expressed by its staff. This is all the more true in the case of editorial cartoonists, whose very job is satire—and a good satirist never pauses to worry about angering the citizenry.”

Haim Watzman (1956) American writer

In a letter of resignation http://web.archive.org/web/20180726214951/https://www.facebook.com/haim.watzman/posts/10160660063290022?notif_id=1532534669809157&notif_t=feedback_reaction_generic from The Jerusalem Report, on the dismissal of Avi Katz.

Anger

“For as long as possible, the learned collegium has tried to defend its integrity against the close combat of ideologico-critical exposures. Do not unmask, lest you yourself be unmasked could be the unspoken rule. It is no accident that the great representatives of critique—the French moralists, the Encyclopedists, the socialists, and especially Heine, Marx, Nietzsche, and Freud—remain outsiders to the scholarly domain. In all of them there is a satirical, polemical component that can scarcely be hidden under the mask of scholarly respectability. These signals of a holy nonseriousness, which remains one of the sure indexes of truth, can be employed as signposts to the critique of cynical reason.”

Peter Sloterdijk (1947) German philosopher

Source: Kritik der zynischen Vernunft [Critique of Cynical Reason] (1983), p. 18

Truth, Learning

“Good humour is the only shield to keep off the darts of the satirical railer: if you have a quiver well stored, and are sure of hitting him between the joints of the harness, do not spare him; but you had better not bend your bow than miss your aim.”

James Burgh (1714–1775) British politician

The Dignity of Human Nature (1754)

“Comedy has to be done en clair. You can't blunt the edge of wit or the point of satire with obscurity. Try to imagine a famous witty saying that is not immediately clear.”

James Thurber (1894–1961) American cartoonist, author, journalist, playwright

Letter, March 11, 1954, to Malcolm Cowley. Collecting Himself (1989)
Letters and interviews

Imagination

“Nobody and nothing beats The Simpsons. Even after all this time, it's still the best satire since Monty Python.”

Alice Cooper (1948) American rock singer, songwriter and musician

Interview with Nick Harper in The Guardian (28 November 2003).

Time

“The New York Times is busy sucking the teat of the major studios. They twist themselves into a pretzel when Kumar and Schmumar Go to White Castle Part III. They say, "Oh, the farts are such a statement about American culture! It's such great satire!" It's bullshit. Troma paved the road for farts! But we don't exist.”

Lloyd Kaufman (1945) American film director

Village Voice http://www.villagevoice.com/2014-01-15/film/troma-lloyd-kaufman-interview/ January 15, 2014 2014

Business, Time, Parting

“It is said that truth comes from the mouths of fools and children: I wish every good mind which feels an inclination for satire would reflect that the finest satirist always has something of both in him.”

Georg Christoph Lichtenberg (1742–1799) German scientist, satirist

J 157
Aphorisms (1765-1799), Notebook J (1789)

Children, Truth, Fools, Feeling

“Parodies are hard to do well, as is shown by the mediocrity of so many recent attempts. No matter how ripe a genre is for satirizing, unless you know how to do it, there are no guarantees.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/movies/r/robin_tights.html of Robin Hood: Men in Tights (1993). Two-and-a-half star reviews

“Satire, though it may exaggerate the vice it lashes, is not justified in creating it in order that it may be lashed.”

Anthony Trollope (1815–1882) English novelist (1815-1882)

Source: An Autobiography (1883), Ch. 5

“I think it's quite enough to simply be sarcastic about something. I like to do that quite a lot, and it's one of my favorite things to look at. That's why I think there's a thin line between melodrama and satire, and I like to dance across that line sometimes. I like the story to take a very funny turn or have a character who is much more of a cartoon.”

Frank Miller (1957) American writer, artist, film director

Source: Eisner/Miller (2005), p. 95

Thinking, Dance

“The demand from [identity politics] is that we should respect not just the person qua person but also his or her beliefs. It’s a demand that undermines individual autonomy, both by constraining the right of people to criticise others’ beliefs and by insisting that individuals who hold those beliefs are too weak or vulnerable to stand up to criticism, satire or abuse. Far from according them respect, the politics of identity treats people less as autonomous beings than as vulnerable victims needing special protection.”

Kenan Malik (1960) English writer, lecturer and broadcaster

Free speech in an age of identity politics (2015)

People, Personality

“I suppose that I am a very serious poet – except for satirical verse, which I have also been compelled to write, though much of it may be inferior to my more serious poems – perhaps because I am not playful enough by nature, and even my satirical or polemical verse is not entertaining.”

Michael Hamburger (1924–2007) British translator, poet, critic, memoirist and academic

Interview with Lidia Vianu http://lidiavianu.scriptmania.com/Michael%20Hamburger.htm

Nature

“In the sixties, the recycling of pop culture — turning it into Pop art and camp — had its own satirical zest. Now we're into a different kind of recycling. Moviemakers give movies of the past an authority that those movies didn't have; they inflate images that may never have compelled belief, images that were no more than shorthand gestures — and they use them not as larger-than-life jokes but as altars.”

Pauline Kael book State of the Art

"A Bad Dream/A Masterpiece," review of The Moon in the Gutter (1983-09-19), p. 48.
State of the Art (1985)

Life, Art, Past

“A question I have often asked is, ‘What would an inoffensive political cartoon look like?’ What would a respectful cartoon look like? The form requires disrespect and so if we are going to have in the world things like cartoons and satire, we just have to accept it as part of the price of freedom.”

Salman Rushdie (1947) British Indian novelist and essayist

The Hindu interview (2012)

World, Question, Freedom, Parting

“Cartoons are ridicule and satire by definition. A negative attitude is the nature of the art.”

Paul Conrad (1924–2010) German theologian

As cited in Lordan, Edward J. (2006). Politics, Ink: How America's Cartoonists Skewer Politicians, from King George III to George Dubya. Rowman & Littlefield. p. 135.

Art, Nature

“Every actual State is corrupt. Good men must not obey the laws too well. What satire on government can equal the severity of censure conveyed in the word Politic, which now for ages has signified cunning, intimating that the State is a trick?”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

1840s, Essays: Second Series (1844), Politics

Men, Age, Law

“For pointed satire I would Buckhurst choose,
The best good man with the worst-natured muse.”

John Wilmot, 2nd Earl of Rochester (1647–1680) English poet, and peer of the realm

An allusion to Horace, Satire x. Book i. Compare: "Thou best-humour'd man with the worst-humour'd muse!", Oliver Goldsmith, Retaliation, Postscript.
Other

Nature

“Blue Velvet contains scenes of such raw emotional energy that it's easy to understand why some critics have hailed it as a masterpiece. A film this painful and wounding has to be given special consideration. And yet those scenes of stark sexual despair are the tipoff to what's wrong with the movie. They're so strong that they deserve to be in a movie that is sincere, honest and true. But Blue Velvet surrounds them with a story that's marred by sophomoric satire and cheap shots. The director is either denying the strength of his material or trying to defuse it by pretending it's all part of a campy in-joke. … What's worse? Slapping somebody around, or standing back and finding the whole thing funny?”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/blue-velvet-1986 of Blue Velvet (19 September 1986) Reviews, One-star reviews

Pain, Understanding, Strong, Parting

“Satire in media such as The Interview and Charlie Hebdo walk a fine line between freedom of speech and dangerous incitement.”

Newton Lee American computer scientist

Counterterrorism and Cybersecurity: Total Information Awareness (2nd Edition), 2015

Freedom

“More generally, Schumpeter seemed to be playing the role of grand seigneur, and he tended to flatter where flattery was not due, no doubt satirically. All this went along with his reputation as a casual and easy grader. We used to say that he threw the exam books up a staircase: the ones that stuck at the top got an A, the ones that fell to the bottom an A minus. I was surprised to learn that in Austrian universities he had the reputation of a stern taskmaster.”

Robert Solow (1924) American economist

"Heavy Thinker" (2007)

Books, Learning, Universe

“Satire in the US has been killed off by the twin tyrannies of political correctness and affirmative action.”

Ilana Mercer South African writer

"Thanks, POTUS, For Breaking-Up The Annual Correspondents’ Circle Jerk." http://dailycaller.com/2017/05/08/thanks-potus-for-breaking-up-the-annual-correspondents-circle-jerk/ The Daily Caller, May 8, 2017 2010s, 2017

“Cicero bent Greek ideas to his vision of the idealized Roman Republic, and his understanding of the mores—the morality and social attachments—of the gentlemanly statesmen who would hold power in a just republic. Readers familiar with Machiavelli’s Prince will hear curious echoes of that work in Cicero’s advice; curious because the pieties of Cicero’s advice to the would-be statesman were satirized by Machiavelli sixteen hundred years later. If his philosophy was Greek and eclectic, Cicero owed his constitutional theory to Polybius; he was born soon after Polybius died, and read his history. And Cicero greatly admired Polybius’s friend and employer Scipio the Younger. There are obvious differences of tone. Polybius celebrated Rome’s achievement of equipoise, while Cicero lamented the ruin of the republic. Cicero’s account of republican politics veers between a “constitutional” emphasis on the way that good institutions allow a state to function by recruiting men of good but not superhuman character, and a “heroic” emphasis on the role of truly great men in reconstituting the state when it has come to ruin. Cicero’s vanity was so notorious that everyone knew he had himself in mind as this hero—had he not saved the republic before when he quelled the conspiracy of Catiline?”

Alan Ryan (1940) British philosopher

On Politics: A History of Political Thought: From Herodotus to the Present (2012), Ch. 4 : Roman Insights: Polybius and Cicero

Men, Way, History, Idea

“The audience usually has to be with you, I'm afraid. I always regarded myself as not even preaching to the converted, I was titillating the converted.
The audiences like to think that satire is doing something. But, in fact, it is mostly to leave themselves satisfied. Satisfied rather than angry, which is what they should be.”

Tom Lehrer (1928) American singer-songwriter and mathematician

Sydney Morning Herald interview (2003)

Thinking

“His most celebrated poems are, of course, the historical-satirical ballads (A or even X certificate) in which a person or period is "hit off", in the sense both of being preserved and hit for six.”

William Plomer (1903–1973) South African-British writer

Philip Larkin, in The Guardian, June 10, 1960.
Criticism

Sense, Personality

“What does the artist create? Forms and spaces! How does he create them? In certain chosen proportions... O satire, you plague of intellectuals.”

Paul Klee (1879–1940) German Swiss painter

Quote (1905), # 599, in The Diaries of Paul Klee, translation: Pierre B. Schneider, R. Y. Zachary and Max Knight; publisher, University of California Press, 1964
1903 - 1910

“In the New Testament sense, to be a Christian is, in an upward sense, as different from being a man as, in a downward sense, to be a man is different from being a beast. A Christian in the sense of the New Testament, although he stands suffering in the midst of life’s reality, has yet become completely a stranger to this life; in the words of the Scripture and also of the Collects (which still are read-O bloody satire!-by the sort of priests we now have, and in the ears of the sort of Christians that now live) he is a stranger and a pilgrim-just think, for example of the late Bishop Mynster intoning, “We are strangers and pilgrims in this world”! A Christian in the New Testament sense is literally a stranger and a pilgrim, he feels himself a stranger, and everyone involuntarily feels that this man is a stranger to him.”

Sören Kierkegaard (1813–1855) Danish philosopher and theologian, founder of Existentialism

Attack Upon Christianity, The Instant, No. 7, Søren Kierkegaard, 1854-1855, Walter Lowrie 1944, 1968
1850s, Attack upon Christendom (1855)

Life, World, Feeling, Thinking

“Pope has more virulence and less vehemence than any of the great satirists. His character of Sporus is the perfection of satirical writing. The very sound of words scarify before the sense strikes.”

Aubrey Beardsley (1872–1898) English illustrator and author

Table Talk" p. 64
Under the Hill and Other Essays (1904)

Sense, Perfection

“My hope is that people who grew up on J. D. Salinger's Catcher in the Rye, the poetry of Allen Ginsberg, the folk music of Pete Seeger, the protest ballads of Country Joe, the anarchic insolence of the Beatles and the Rolling Stones, the biting satire of Mort Sahl and Lenny Bruce, the acid rock of Bob Dylan, the sociology of Paul Goodman and Herbert Marcuse, the Summer of Love and the Days of Rage, will not be content to spend their retirement years on cruise ships or feeding their Social Security checks into slot machines at the nearest casino.”

Theodore Roszak (1933–2011) American social historian, social critic, writer

The Making of an Elder Culture (2009)

Love, People, Hope, Music

“There are a great many obscene minds, yet more railing and satirical, but very few fastidious ones. A man must have good manners, be very polite, and even have a great deal of originality to be able to jest gracefully and be felicitous in his remarks about trifles; to jest in such a manner and to make something out of nothing is to create.”

Jean de La Bruyère book Les Caractères

4
Les Caractères (1688), De la société et de la conversation

“Present at the lunch with Hitler were Hannekan, Best, Pancke, Jodl, Kaltenbrunner, Keitel, and Himmler. Ribbentrop was ill at the time. The lunch took three hours and not because it was an elaborate meal. Hitler explained his plans for Denmark and said it could only be made peaceful through intensive countersabotage. In other words, murder and explosion. It shouldn't be kept at all secret. If a Dane who worked for the Nazis was murdered or a Danish factory working for Germany damaged, on the very same day a Danish factory or prominent person should be murdered, and the papers should carry the story prominently the next day. A prominent Danish scientist was murdered by unknown men, or a factory blown up, the papers should read, with satire and irony. In other words, it was not to be made secret anymore. The Danes were to know.”

Rudolf Mildner (1902) Chief of the Gestapo at Katowice

To Leon Goldensohn (12 February 1946). Quoted in "The Nuremberg Interviews" - by Leon Goldensohn, Robert Gellately - History - 2004

Men, Secret, Peace, Time

“I wear my Pen as others do their Sword.
To each affronting sot I meet, the word
Is Satisfaction: straight to thrusts I go,
And pointed satire runs him through and through.”

John Oldham (poet) (1653–1683) English satirical poet and translator

Satire upon a Printer, line 36; reported in Hoyt's New Cyclopedia Of Practical Quotations (1922).

“Gautier says, “Baudelaire abhorred philanthropy, progressivists, utilitarians, humanitarians and utopianists.” In other words, Baudelaire condemned Rousseausism in all its forms. Today, Rousseausism has so triumphed that the arts and the avant-garde are synonymous with liberalism, an error enforced by literature teachers, with their humanist bias. I follow the Decadents in trying to drive Rousseauist benevolence out of the discourse in art and literature. The Decadents satirized the liberal faith in progress with sizzling prophecies of catastrophe and cultural collapse.”

Camille Paglia (1947) American writer

Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 429

Faith, Art, Error, Literature

“A satirical poet is the check of the laymen on bad priests.”

John Dryden book Fables, Ancient and Modern

Preface to the Fables.
Fables, Ancient and Modern (1700)

“An aphorism is not a cliche: it penetrates & bites. It has wit, and consequently an affinity with satire…Christ speaks in aphorisms, not because they are alive, but because he is.”

Northrop Frye (1912–1991) Canadian literary critic and literary theorist

Source: "Quotes", Notebooks and Lectures on the Bible and Other Religious Texts (2003), p. 108

Christ

“Ideology critique raises a claim that it shares with hermeneutics, namely, the claim to understand an “author” better than he understands himself. What at first sounds arrogant about this claim can be methodologically justified. Others often really do perceive things about me that escape my attention—and conversely. They possess the advantage of distance, which I can profit from only retrospectively through dialogic mirroring. This, of course, would presuppose a functioning dialogue, which is precisely what does not take place in the process of ideology critique.
An ideology critique that does not clearly accept its identity as satire can, however, easily be transformed from an instrument in the search for truth into one of dogmatism. All too often, it interferes with the capacity for dialogue instead of opening up new paths for it.”

Peter Sloterdijk (1947) German philosopher

Source: Kritik der zynischen Vernunft [Critique of Cynical Reason] (1983), p. 19

Truth, Search, Understanding

“Why should we fear; and what? The laws?
They all are armed in virtue's cause;
And aiming at the self-same end,
Satire is always virtue's friend.”

Charles Churchill (satirist) (1731–1764) British poet

Book III, line 943
The Ghost (1763)

Fear, Law

“Ram Mohun replied by writing a satire in Bengali, PAdarI Sisya SambAd, published in 1823, in order to ridicule the doctrine of Trinity. It was an imaginary dialogue between a European missionary and his three Chinese students. After having taught the dogma, the missionary asked his students whether God was one or many. “The first disciple replied that there were three Gods, the second that there were two and the third that there was no God. The teacher rebuked them and demanded an explanation of their answers. The first one said, ‘You said that there are God the Father, God the Son and God the Holy Ghost. According to my counting that is one plus one plus one, making three.’ The second one said, ‘You told us that there were three Gods and that one of them died long ago in a village in a Western country. So I concluded that there are two Gods, now living.’ The third one said, ‘You have said again and again that God was one and that there is no other God and Christ is the real God. But about 1800 years have passed since the Jews, living near the Arabian Sea, crucified him. What else, do you think I can say, Sir, except that there is no God.’”

Ram Mohan Roy (1772–1833) Indian religious, social, and educational reformer, and humanitarian

PAdarI Sisya SambAd Quoted from Goel, S. R. (2016). History of Hindu-Christian encounters, AD 304 to 1996. Chapter 8 ISBN 9788185990354

Country, Sea, God, Thinking

“Fellini has sometimes been accused of not being interested in the work of other directors but I never found this accusation to hold true. The Federico I knew was not only a voracious reader but extremely interested in hearing about international directors, most notably, Nanni Moretti, Pedro Almodovar, David Lynch, Spike Lee, Akira Kurosawa, David Cronenberg, Wim Wenders, Woody Allen, Martin Scorsese and Stanley Kubrick. Clearly, part of the pleasure of discussing these directors was the stimulus for new ideas that their latest films gave him. Although we never explored Portuguese film in any depth, the films of Manoel de Oliveira and Joao César Monteiro genuinely fascinated Federico. At the urging of Mastroianni, he went to see A Divina Comédia (1991), Oliveira’s superb allegory about Western civilization, and returned enthralled. He had long been obsessed by the theme of insane asylums and Oliveira’s masterful blend of philosophy and religion appealed to him at a time in his life when such questions as death and resurrection had become pressing concerns. I do not know where or in what format Federico saw Monteiro’s Recordaçoes de Casa Amarela (1989) but it was a film he described as “deliriously eccentric, a satirical bizarrie that Bunuel would have adored."”

Damian Pettigrew Canadian filmmaker

On Fellini’s favorite directors
Federico Fellini: Sou um Grande Mentiroso (2008)

Life, Death, Pleasure, Religion

“This tendency, however, to ascribe an universality of genius to great men, led Dryden to affirm, on the strength of two smart satyrical lines, that Virgil could have written a satire equal to Juvenal. But, with all due deference to Dryden, I conceive it much more manifest, that Juvenal could have written a better epic than Virgil, than that Virgil could have written a satire equal to Juvenal. Juvenal has many passages of the moral sublime far superior to any that can be found in Virgil, who, indeed, seldom attempts a higher flight than the sublime of description. Had Lucan lived, he might have rivalled them both, as he has all the vigour of the one, and time might have furnished him with the taste and elegance of the other.”

Charles Caleb Colton (1777–1832) British priest and writer

Vol. I; CCCCXII
Lacon (1820)

Men, Universe, Time

“This book is first and foremost an assertion of my right to criticize everything and anything in Islam - even to blaspheme, to make errors, to satirize, and mock.”

Ibn Warraq (1946) Pakistani writer

Quoted from Daniel Pipes in Goel, Sita Ram (editor) (1998). Freedom of expression: Secular theocracy versus liberal democracy. https://web.archive.org/web/20171026023112/http://www.bharatvani.org:80/books/foe/index.htm Why I am not a Muslim

Books, Error

“In the United States of America, satire is protected speech, even if the object of the satire doesn’t get it.”

Al Franken (1951) American comedian and politician

As quoted in "The Trump Era Is Al Franken’s Time to Shine" by Graham Vyse, in New Republic (2 February 2017) https://newrepublic.com/article/140342/trump-era-al-frankens-time-shine

“Paul, there is something very slack about a future that will take a biting satire for a vapid dream.”

R. A. Lafferty book Past Master

The character of Thomas More on the future reception of his Utopia, in Ch. 2
Past Master (1968)

Dreams, Future

“Yesterday I saw Mr. Thackeray. He dined here with some other gentlemen. He is a very tall man — above six feet high, with a peculiar face — not handsome, very ugly indeed, generally somewhat stern and satirical in expression, but capable also of a kind look. He was not told who I was, he was not introduced to me, but I soon saw him looking at me through his spectacles; and when we all rose to go down to dinner he just stepped quietly up and said “Shake hands”; so I shook hands. He spoke very few words to me, but when he went away he shook hands again in a very kind way. It is better, I should think, to have him for a friend than an enemy, for he is a most formidable-looking personage. I listened to him as he conversed with the other gentlemen. All he says is most simple, but often cynical, harsh, and contradictory.”

Charlotte Brontë (1816–1855) English novelist and poet

Charlotte Brontë, on William Makepeace Thackeray. Charlotte Brontë and Her Circle, (by Clement King Shorter) (1896)

Way, Thinking

“Early signs of what the Trump administration may look like: A man associated with white supremacy and misogyny will be White House chief strategist; a man rejected for a judgeship because of alleged racism will be attorney general; and an Islamophobe who has taken money from Moscow will be national security adviser. No, this is not satire.”

Nicholas D. Kristof (1959) journalist, author, columnist

Trump Embarrasses Himself and Our Country http://www.nytimes.com/2016/11/20/opinion/sunday/so-many-options-yet-donald-trump-picks-the-ugly.html, The New York Times (November 19, 2016)

Money

“If you want to avoid upsetting these people (Muslim fundamentalists) you have to let Indonesia commit genocide in East Timor, otherwise they'll be upset with you. You'll have made an enemy. If you tell them they can't throw acid in the faces of unveiled women in Karachi they will be annoyed with you. If you say we insist, we think that cartoonists in Copenhagen can print satire on the Prophet Muhammed you've just made an enemy. You've brought it on. You're encouraging it to happen. So unless you're willing to commit suicide for yourself and for this culture, get used to the compromises you'll have to make and the eventual capitulation that will come to you, but bloody well don't do that in my name…”

Christopher Hitchens (1949–2011) British American author and journalist

Speech at Freedom From Religion Foundation on 12 October 2007.
2000s, 2007

Women, People, Thinking, Suicide

“The personal comparative is marked by epigrammatic self-satire. It implies that everyone thinks himself better than anyone else, but only the egoist says so.”

Evan Esar (1899–1995) American writer

Humorous English, p91

Thinking, Personality

“As an actor… we all have our own methods and approaches to creating a character, whether that's from the inside going in or vice versa. I spoke, mainly, to the executive producer Bill Dozier. We got along very well and we really shared the same ideas about the show, what it could and should be. We knew to play it on several levels - something that could be lasting for the children but also with funny, social satire for the adults.”

Adam West (1928–2017) American actor

"Adam West interview: on being Batman" http://www.denofgeek.com/us/tv/batman/241310/adam-west-interview-on-being-batman by Brendon Connelly, Den of Geek, (November 14, 2014)

Children, Idea

“Hyper-selectionism has been with us for a long time in various guises; for it represents the late nineteenth century's scientific version of the myth of natural harmony—all is for the best in the best of all possible worlds (all structures well designed for a definite purpose in this case). It is, indeed, the vision of foolish Dr. Pangloss, so vividly satirized by Voltaire in Candide—the world is not necessarily good, but it is the best we could possibly have.”

Stephen Jay Gould book The Panda's Thumb

"Natural Selection and the Human Brain: Darwin vs. Wallace", p. 57
The Panda's Thumb (1980)

World, Nature, Time

“Political satire became obsolete when Henry Kissinger was awarded the Nobel Peace Prize.”

Tom Lehrer (1928) American singer-songwriter and mathematician

On the awarding of the 1973 Nobel Peace Prize to Henry Kissinger, and Lê Ðức Thọ; one of his most quoted quips, it is often mentioned in articles and interviews, including "Stop clapping, this is serious" in Sydney Morning Herald (1 March 2003) http://www.smh.com.au/articles/2003/02/28/1046407753895.html

Peace

“The journalists at Charlie Hebdo are now rightly being celebrated as martyrs on behalf of freedom of expression, but let’s face it. If they had tried to publish their satirical newspaper on any American university campus over the last two decades it wouldn't have lasted 30 seconds. Student and faculty groups would have accused them of hate speech. The administration would have cut financing and shut them down.”

David Brooks (1961) American journalist, commentator and editor

David Brooks. "I Am Not Charlie Hebdo" http://archive.li/nlsvG The New York Times (January 2015) 2010s

Hate, Freedom, Universe

“Satire should, like a polished razor keen,
Wound with a touch that's scarcely felt or seen.”

Mary Wortley Montagu (1689–1762) writer and poet from England

To the Imitator of the First Satire of Horace, Book ii.
Bartlett's Familiar Quotations, 10th ed. (1919)

“Nothing Like the Sun and the Enderby books prove that Burgess is as clever as he seems. His utopian satires, of which 1985 is yet another, mainly just seem clever. At a generous estimate there are half a dozen ideas in each of them.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

'Anthony Burgess in 1978'
Essays and reviews, From the Land of Shadows (1982)

Books, Idea, Sun

“Dodgeball? My children were playing dodgeball? That cruel, brutal, violent schoolyard game so mercilessly satirized in the 2004 film with Ben Stiller? The game, more important, that exemplified everything that was wrong with my childhood in suburban New Jersey, a short, pasty-faced Jewish girl in a town full of scrubbed, blond, athletic WASPs, their long tanned limbs toned from years of tennis lessons and country club swim teams? Dodgeball? Over my dead body.”

Ayelet Waldman (1964) American- Israeli writer

Salon.com column http://www.salon.com/mwt/col/waldman/2005/06/06/dodgeball/index.html?sid=1350454

Children, Girl, Game, Childhood

“I have now reached the point where I can look over the great art of antiquity and its Renaissance. But, for myself, I cannot find any artistic connection with our own times. And to want to create something outside of one's own age strikes me as suspect. Great perplexity. This is why I am again all on the side of satire. Am I to be completely absorbed by it once more? For the time being it is my only creed. Perhaps I shall never become positive? In any case, I will defend myself like a wild beast.”

Paul Klee (1879–1940) German Swiss painter

Quote (1901), # 294, in The Diaries of Paul Klee, translation: Pierre B. Schneider, R. Y. Zachary and Max Knight; publisher, University of California Press, 1964
1895 - 1902

Age, Art, Time

“Satire is at once the most agreeable and most dangerous of mental qualities. It always pleases when it is refined, but we always fear those who use it too much, yet satire should be allowed when unmixed with spite, and when the person satirised can join in the satire. It is unfortunate to have a satirical turn without affecting to be pleased or without loving to jest.”

François de La Rochefoucauld (1613–1680) French author of maxims and memoirs

Reflections on Various Subjects (1665–1678), II. On Difference of Character

Love, Fear, Personality

“You know that we are now allowing free expression of satirical thoughts. As they say, democracy is a beautiful thing, but humanity couldn't come up with anything worse than that.”

Yurii Andrukhovych book The Moscoviad

The Moscoviad
Source: The Moscoviad. Yuri Andrukhovych. Spuyten Duyvil, New York City. ISBN1933132523, p. 130

Beauty, Democracy

“Tomorrow is a satire on today,
And shows its weakness.”

Edward Young (1683–1765) English poet

This is a quotation from "The Old Man's Relapse", a poem addressed to Edward Young, but written by Lord Melcombe.
Misattributed

“You simply cannot invent any conspiracy theory so ridiculous and obviously satirical that some people somewhere don't already believe it.”

Robert Anton Wilson (1932–2007) American author and polymath

Introduction, p. 16
Everything Is Under Control (1998)

People

“If the purpose of comedy be to chastise human weaknesses I see no reason why any class of people should be exempt. This particular failing is one of the most damaging of all in its public consequences and we have seen that the theatre is a great medium of correction. The finest passages of a serious moral treatise are all too often less effective than those of a satire and for the majority of people there is no better form of reproof than depicting their faults to them: the most effective way of attacking vice is to expose it to public ridicule. People can put up with rebukes but they cannot bear being laughed at: they are prepared to be wicked but they dislike appearing ridiculous.”

Molière book Tartuffe

Si l’emploi de la comédie est de corriger les vices des hommes, je ne vois pas par quelle raison il y en aura de privilégiés. Celui-ci est, dans l’État, d’une conséquence bien plus dangereuse que tous les autres ; et nous avons vu que le théâtre a une grande vertu pour la correction. Les plus beaux traits d’une sérieuse morale sont moins puissants, le plus souvent, que ceux de la satire ; et rien ne reprend mieux la plupart des hommes que la peinture de leurs défauts. C’est une grande atteinte aux vices que de les exposer à la risée de tout le monde. On souffre aisément des répréhensions ; mais on ne souffre point la raillerie. On veut bien être méchant, mais on ne veut point être ridicule. Preface http://books.google.com/books?id=HH4fAAAAYAAJ&q=%22On+veut+bien+%C3%AAtre+m%C3%A9chant+mais+on+ne+veut+point+%C3%AAtre+ridicule%22&pg=PT87#v=onepage, as translated by John Wood in The Misanthrope and Other Plays (Penguin, 1959), p. 101 Variant translation http://books.google.com/books?id=vdFMAQAAIAAJ&q=%22People+do+not+mind+being+wicked+but+they+object+to+being+made+ridiculous%22&pg=PA127#v=onepage: People do not mind being wicked; but they object to being made ridiculous. Tartuffe (1664)

People, Way, Appearance

“Religion, a mediaeval form of unreason, when combined with modern weaponry becomes a real threat to our freedoms. 'This religious totalitarianism has caused a deadly mutation in the heart of Islam and we see the tragic consequences in Paris today. 'I stand with Charlie Hebdo, as we all must, to defend the art of satire, which has always been a force for liberty and against tyranny, dishonesty and stupidity. 'Respect for religion’ has become a code phrase meaning ‘fear of religion.’ Religions, like all other ideas, deserve criticism, satire, and, yes, our fearless disrespect.”

Salman Rushdie (1947) British Indian novelist and essayist

Statement in the Wall Street Journal, Salman Rushdie: ‘I Stand With Charlie Hebdo, as We All Must’ http://blogs.wsj.com/speakeasy/2015/01/07/salman-rushdie-i-stand-with-charlie-hebdo-as-we-all-must/ (7 January 2015)

Stupidity, Fear, Religion, Art

“His fiction – radical, satirical, polyvalent, sexually courageous, global – extended the mainstream novel, and led it somewhere else. Still not fully recognized, he was one of Britain's greatest late-twentieth-century writers.”

Angus Wilson (1913–1991) british author

Malcolm Bradbury, in the Oxford Dictionary of National Biography http://www.oxforddnb.com/view/article/50701 Criticism

Courage

“The satirist who writes nothing but satire should write but little — or it will seem that his satire springs rather from his own caustic nature than from the sins of the world in which he lives.”

Anthony Trollope (1815–1882) English novelist (1815-1882)

Source: An Autobiography (1883), Ch. 10

World, Spring, Nature

“When a cartoonist attempts to be ‘fair and balanced’ and ‘understand all sides,’ they have failed. Too many avoid that altogether and instead become comedians. They take any topic and cast about and ask themselves: “What’s funny in this?” I despise that attitude. Sure, satirical humor is an important element, but not the only element. A good cartoonist need not be funny to be effective. Many of my best cartoons are not funny.”

Ben Garrison American political cartoonist

The “Rogue Cartoonist” Ben Garrison on What it’s Like to be a Political Cartoonist During the Presidential Election http://www.lifeandnews.com/articles/the-rogue-cartoonist-ben-garrison-on-what-its-like-to-be-a-political-cartoonist-during-the-presidential-election/ (September 30, 2016)

Understanding

“But in the glances of his eye,
A penetrating, keen, and sly
Expression found its home;
The flash of that satiric rage,
Which, bursting on the early stage,
Branded the vices of the age,
And broke the keys of Rome.
* * *
Still is thy name in high account,
And still thy verse has charms,
Sir David Lindesay of the Mount,
Lord Lion King-at-arms!”

David Lindsay (1490–1554) Scottish noble and poet

Sir Walter Scott Marmion (1808) Canto 4, st. 7.
Criticism

Age, Home, Rage

“The best of causes ruins as quickly as the worst; and the road to Limbo is paved with writers who have done everything—I am being sympathetic, not satiric—for the very best reasons.”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

“Changes of Attitude and Rhetoric in Auden’s Poetry”, p. 149
The Third Book of Criticism (1969)

“All serious art, music, literature is a critical act. It is so, firstly, in the sense of Matthew Arnold's phrase: "a criticism of life." Be it realistic, fantastic, Utopian or satiric, the construct of the artist is a counter-statement to the world.”

George Steiner (1929–2020) American writer

Source: Real Presences (1989), I: A Secondary City, Ch. 4 (p. 11).

Life, World, Art, Music

“There are two kinds of humor. One kind that makes us chuckle about our foibles and our shared humanity -- like what Garrison Keillor does. The other kind holds people up to public contempt and ridicule -- that's what I do. Satire is traditionally the weapon of the powerless against the powerful. I only aim at the powerful. When satire is aimed at the powerless, it is not only cruel -- it's vulgar. —quoted in People magazine interview, 1991.”

Molly Ivins (1944–2007) American journalist

"The Mouth of Texas." People Weekly, Dec. 9, 1991.

People, Quotes

““Philosophical” ideology critique is truly the heir of a great satirical tradition, in which the motif of unmasking, exposing, baring has served for aeons now as a weapon. But modern ideology critique—according to our thesis has ominously cut itself off from the powerful traditions of laughter in satirical knowledge.”

Peter Sloterdijk (1947) German philosopher

Source: Kritik der zynischen Vernunft [Critique of Cynical Reason] (1983), p. 16

Knowledge, Laughter

“You can't make up anything anymore. The world itself is a satire. All you're doing is recording it.”

Art Buchwald (1925–2007) journalist, humorist, United States Marine

Interview in The New York Times Book Review (1985), as quoted in Pundits, Poets, and Wits: An Omnibus of American Newspaper Columns‎ (1990) by Karl Ernest Meyer, p. 308.

World

“I think the people who say we need satire often mean, "We need satire of them, not of us."”

Tom Lehrer (1928) American singer-songwriter and mathematician

AV Club interview (2000)

People, Thinking

“In 'A Room of One's Own', Virginia Woolf satirically describes her perplexity at the bulging card catalog of the British Museum: why, she asks, are there so many books written by men about women but none by women about men? The answer to her question is that from the beginning of time men have been struggling with the threat of woman's dominance.”

Camille Paglia (1947) American writer

Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 295

Women, Men, Books, Question

“I have fled in the shape of a raven of prophetic speech,
in the shape of a satirizing fox,
in the shape of a sure swift,
in the shape of a squirrel vainly hiding.”

Taliesin (534–599) Welsh bard

The Tale of Taleisin
Context: I have fled in the shape of a raven of prophetic speech,
in the shape of a satirizing fox,
in the shape of a sure swift,
in the shape of a squirrel vainly hiding.
I have fled in the shape of a red deer,
in the shape of iron in a fierce fire,
in the shape of a sword sowing death and disaster,
in the shape of a bull, relentlessly struggling.

“I have become, you might call it mature — I would call it senile — and I can see both sides. But you can't write a satirical song with 'but on the other hand' in it, or 'however'. It's got to be one-sided.”

Tom Lehrer (1928) American singer-songwriter and mathematician

Quotes from interviews, Sydney Morning Herald interview (2003)
Context: Things are much more complicated. Feminism versus pornography, for example. There are a lot of feminists who think it is bad, but others think it's good.
I have become, you might call it mature — I would call it senile — and I can see both sides. But you can't write a satirical song with 'but on the other hand' in it, or 'however'. It's got to be one-sided.

“Certainly Mr Eliot in the twenties was responsible for a great vogue for verse-satire.”

Wyndham Lewis (1882–1957) writer and painter

Notes to Kenneth Allott, as quoted in Contemporary Verse (1948) edited by Kenneth Allott
Context: Certainly Mr Eliot in the twenties was responsible for a great vogue for verse-satire. An ideal formula of ironic, gently "satiric", self-expression was provided by that master for the undergraduate underworld, tired and thirsty for poetic fame in a small way. The results of Mr Eliot are not Mr Eliot himself: but satire with him has been the painted smile of the clown. Habits of expression ensuing from mannerism are, as a fact, remote from the central function of satire. In its essence the purpose of satire — whether verse or prose — is aggression. (When whimsical, sentimental, or "poetic" it is a sort of bastard humour.) Satire has a great big glaring target. If successful, it blasts a great big hole in the center. Directness there must be and singleness of aim: it is all aim, all trajectory.

“You piss off a bard, and forget about putting a curse on you, he might put a satire on you.”

Alan Moore (1953) English writer primarily known for his work in comic books

"The Craft" - interview with Daniel Whiston, Engine Comics (January 2005)
Context: Now, as I understand it, the bards were feared. They were respected, but more than that they were feared. If you were just some magician, if you'd pissed off some witch, then what's she gonna do, she's gonna put a curse on you, and what's gonna happen? Your hens are gonna lay funny, your milk's gonna go sour, maybe one of your kids is gonna get a hare-lip or something like that — no big deal. You piss off a bard, and forget about putting a curse on you, he might put a satire on you. And if he was a skilful bard, he puts a satire on you, it destroys you in the eyes of your community, it shows you up as ridiculous, lame, pathetic, worthless, in the eyes of your community, in the eyes of your family, in the eyes of your children, in the eyes of yourself, and if it's a particularly good bard, and he's written a particularly good satire then, three hundred years after you're dead, people are still gonna be laughing at what a twat you were.

Forgetting

“There is parody, when you make fun of people who are smarter than you; satire, when you make fun of people who are richer than you; and burlesque, when you make fun of both while taking your clothes off.”

P. J. O'Rourke (1947) American journalist

Age and Guile Beat Youth, Innocence, and a Bad Haircut (2005)

People, Clothes

“Satire has a great big glaring target. If successful, it blasts a great big hole in the center. Directness there must be and singleness of aim: it is all aim, all trajectory.”

Wyndham Lewis (1882–1957) writer and painter

Success