“An aphorism is not a cliche: it penetrates & bites. It has wit, and consequently an affinity with satire…Christ speaks in aphorisms, not because they are alive, but because he is.”

André Breton or the Quest of the Beginning
Alternating Current (1967)

Source: Chasm City (2001), Chapter 12 (p. 197).

Interview with Alex Haley

The character of Thomas More on the future reception of his Utopia, in Ch. 2
Past Master (1968)

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 106.

The Dragon Queen

Essere la natura de' motti cotale, che essi come la pecora morde deono cosi mordere l'uditore, e non come 'l cane: percio che, se come cane mordesse il motto, non sarebbe motto, ma villania.
Sixth Day, Third Story
The Decameron (c. 1350)

Source: Clockwork Prince

The Principles of Success in Literature (1865)
Context: In Science the paramount appeal is to the Intellect — its purpose being instruction; in Art, the paramount appeal is to the Emotions — its purpose being pleasure. A work of Art must of course indirectly appeal to the Intellect, and a work of Science will also indirectly appeal to the Feelings; nevertheless a poem on the stars and a treatise on astronomy have distinct aims and distinct methods. But having recognised the broadly-marked differences, we are called upon to ascertain the underlying resemblances. Logic and Imagination belong equally to both. It is only because men have been attracted by the differences that they have overlooked the not less important affinities.