Quotes about ring
page 5

Pliny the Elder photo

“It is generally admitted that the absent are warned by a ringing in the ears, when they are being talked about.”
Absentes tinnitu aurium præsentire sermones de se receptum est.

Book XXVIII, sec. 5.
Naturalis Historia

Patrick Rothfuss photo
Bill Whittle photo
Edward Hopper photo

“The killing of the horses [a bullfight in Madrid, he visited in June 1910] by the bull is very horrible, much more so as they have no chance to escape and are ridden up to the bull to be butchered.... the entry of the bull into the ring however is very beautiful; his surprise and the first charges he makes are very pretty.”

Edward Hopper (1882–1967) prominent American realist painter and printmaker

Quote of Hopper's letter to his sister, June 9, 1910; as cited in Edward Hopper, Gail Levin, Bonfini Press, Switzerland 1984, p. 23
1905 - 1910

Phil Brooks photo

“Punk: I can't help but feel a little resp… hell, who am I kidding? I feel like I started this whole thing. This is all my fault. I've been at the epicenter of everything controversial ever since you took over—actually, since before that, I'm sure you remember, John-Boy.
Cena: I was there.
Punk: You were there. I'm the guy that made walking out look cool. The thing about is I think everybody in the parking lot having a picnic right now have completely misunderstood what I was trying to do. See, I didn't break my contract, I didn't break my word. My contract expired, and I was trying to prove a point to an entire company, not just one man. If anybody has any reason to walk out of the WWE, well you can probably put me at the top of that list. I mean, my microphone constantly cuts out, your friend Kevin Nash runs through the… well, slowly, briskly runs through the crowd, jumps me and screws me not once, but twice. Somebody here doesn't want me to be the WWE Champion. The thing about it is this entire industry is based on men solving their problems in between these ropes. This is the company that gives you Hell in a Cell, this is the company that gives you the Elimination Chamber. I don't wanna sound like a broken record, but "unsafe working environment"? I thrive on that! Hell, this is professional wrestling, this ain't ballet! If you believe in something, you stand and you fight, and you fight on the front line; you don't have a hippie sit-in and grill tofu dogs in the parking lot like a bunch of hippies. [To Triple H] When I had a problem with you and your authority, I dealt with you personally. [To Cena] And you, you big boy scout, when I had a problem with you being the poster boy for this company, I dealt with you personally. Shea-Mo, I'm sure sooner or later, you're gonna step on my toes, I will deal with you personally. Now, I know you three smiley good guys look across the ring from me, and I'm the last guy you expect to see here, [to Triple H] and I know I'm the last guy you expect to see in the foxhole with you. But you know what? Here I am. So… so I got a question—what do we do now?
Triple H: "What do we do now?" That's a big question, "what do we do now?" I say we do what we do on Monday Night Raw—we shut up and fight! How about this? As long as you guys are in agreement, Sheamus, you got yourself a match, fella. Tonight, right here, right now, you will go one-on-one with… [Punk raises his hand] one John Cena. And since I'm the only guy kinda wearing stripes out here, I'll referee. And, foxhole buddy, I got a whole table over there lined up with headphones and pipe bombs just waiting for you with your name on it. And if you want, you can go over there and say anything you feel like.
Punk: You want me to do commentary?!
Triple H: I want you to do commentary.
Punk: Can I wear your blazer?!
Triple H: You can even wear my blazer!
Punk: I'm in!”

Phil Brooks (1978) American professional wrestler and mixed martial artist

October 10, 2011
WWE Raw

Eleanor Farjeon photo

“The little White Chapel
Is ringing its bell
With a ring-a-ding-dong,
All day long”

Whitechapel
Nursery Rhymes of London Town (1916)

Dorothy Wordsworth photo
Russell Brand photo
Ernest Hemingway photo

“Who hath not saved some trifling thing
More prized than jewels rare,
A faded flower, a broken ring,
A tress of golden hair.”

Ellen Clementine Howarth (1827–1899) American writer

'Tis but a Little Faded Flower, reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 12.

Charles Lamb photo

“Severe and saintly righteousness
Composed the clear white bridal dress;
Jesus, the Son of Heaven's high King
Bought with his blood the marriage ring”

Charles Lamb (1775–1834) English essayist

A Vision Of Repentance, as quoted in Works of Charles Lamb and Mary Lamb.

Pat Conroy photo
Czeslaw Milosz photo

“We go down with the bells ringing in all the sunken cities.
Forgotten, we are greeted by the embassies of the dead,
While your endless flowing carries us on and on;
And neither is nor was. The moment only, eternal.”

Czeslaw Milosz (1911–2004) Polish, poet, diplomat, prosaist, writer, and translator

"Rivers" (1980), trans. Renata Gorczynski and Robert Hass
Hymn of the Pearl (1981)

Michael Crichton photo

“Carr was left with a ring, in the palm of his hand, a small gold circle, leading him nowhere.”

Scratch One, written under the pseudonym John Lange (1967)

Jack Johnson (musician) photo
Muhammad Ali photo
Constant Lambert photo
Thomas Nashe photo

“Spring, the sweet spring, is the year's pleasant King,
Then blooms each thing, then maids dance in a ring,
Cold doth not sting, the pretty birds do sing,
Cuckoo, jug, jug, pu wee, to witta woo!”

Thomas Nashe (1567–1601) English Elizabethan pamphleteer and poet

Source: Summer's Last Will and Testament http://www.elizabethanauthors.com/summ1.htm (1600), lines 161-164.

Phil Brooks photo

“Punk: [after hearing John Laurinaitis propose a WWE Championship match at Survivor Series against Alberto Del Rio] Okay, pardon me for not being all smiles, that's exactly what I want, but… what's the catch? You gonna make it a handicap match, or is Ricardo Rodriguez the special guest referee? No, are you gonna be the special guest ring announcer with your majestic voice?
Laurinaitis: Punk, there's only one thing you have to do.
Punk: There's one thing I have to do… for you. I have to do something for you to get a title shot? Let me guess—I gotta re-grip your skateboard, you need new ball bearings?
Laurinaitis: You know what, Punk? I know you don't like me, okay? And that's okay. I'm not playing the part of Executive Vice President of Talent Relations, I am the Executive Vice President of Talent Relations and the General Manager of Raw. So in order for me to make it official, you need to tell me in front of the WWE Universe that you respect me. Tell me that you respect me.
Punk: Are you Aretha Franklin? You want me to tell these people I respect you when I know clearly that you don't respect me 'cause I don't wear a bourgeois suit and I don't tow the company line? You wanna talk about respect? Respect, Johnny, is earned, it isn't just given. And you're gonna come out here and say that when you're in charge, this place… this place is just oh so run like a tight ship. Have you watched the product? We've got rings collapsing, you got Kevin Nash interfering in every other match of mine; this place isn't any better with you in charge. How's that for respect?
Laurinaitis: Punk, you're about to make a big mistake. Okay, swallow your pride, stand up like a man, and tell me that you respect me.
Punk: Okay. All right. Don't get hot. [Imitating Laurinaitis] I respect you, Funk-man. That all right? Was that good enough?
Laurinaitis: I tell you what, Punk. You've got one more chance to show me and tell me you respect me, and I mean it.
Punk: Okay, Mr. Laurinaitis, sir, Executive Vice President of Talent Relations and interim Raw General Manager. I respect you. I respect the fact that each week, you come out here in front of the millions of fans in the WWE Universe, live on the USA Network, with this awesome, completely lost deer-in-the-headlights look on your face; I respect the fact that you don't know how close to hold the microphone to your mouth when you speak; I respect the fact that you used to compete in this ring with your awesome Kentucky waterfall mullet, and you were never any good, but you somehow still ascended to the top of the WWE corporate structure, showing the world new-found levels of brown-nosery; but above all, I respect the fact that never before in this business has somebody with so little done so much! I respect you! How's that sound?! Does that sound good enough for you?!”

Phil Brooks (1978) American professional wrestler and mixed martial artist

October 24, 2011
WWE Raw

Letitia Elizabeth Landon photo
Edmund Burke photo
Patrick Rothfuss photo

“On his first hand he wore rings of stone,
Iron, Amber, Wood and Bone.
There were rings unseen on his second hand,
One was blood in a flowing band,
One was air all whisper thin,
And the ring of ice had a flaw within.
Full faintly shone the ring of flame,
And the final ring was without name.”

A poem from the second book of the The Kingkiller Chronicle, quoted in an interview at Fantasymundo (1 August 2009) http://www.fantasymundo.com/articulos/2207/fantasymundo_entrevista_patrick_rothfuss_nombre_viento
The Wise Man's Fear (2011)

Alexander Pope photo
Henry Wadsworth Longfellow photo

“And suddenly through the drifting brume
The blare of the horns began to ring.”

King Olaf's War-Horns, st. 2.
Tales of a Wayside Inn (1863-1874)

Al Gore photo
Robert Louis Stevenson photo
Joseph Silk photo
José Maria Eça de Queiroz photo

“In the depths of China there lives a mandarin who is richer than any king spoken of in fable or in history. You know nothing about him, not his name, his face or the silks that he wears. In order for you to inherit his limitless wealth, all you have to do is to ring the bell placed on a book by your side. In that remote corner of Mongolia, he will utter a single sigh. He will then be a corpse, and at your feet you will see gold beyond the dreams of avarice. Mortal reader, will you ring the bell?”

No fundo da China existe um mandarim mais rico que todos os reis de que a fábula ou a história contam. Dele nada conheces, nem o nome, nem o semblante, nem a seda de que se veste. Para que tu herdes os seus cabedais infindáveis, basta que toques essa campainha, posta a teu lado, sobre um livro. Ele soltará apenas um suspiro, nesses confins da Mongólia. Será então um cadáver: e tu verás a teus pés mais ouro do que pode sonhar a ambição de um avaro. Tu, que me lês e és um homem mortal, tocarás tu a campainha?
O Mandarim ("The Mandarin", 1880), trans. Margaret Jull Costa, Ch. 1.

John Fante photo
Richard Holt Hutton photo
Muhammad of Ghor photo

“Such was the man who was sent on an embassy to Ajmir, in order that the Rai (Pithaura) of that country might see the right way without the intervention of the sword, and that he might incline from the track of opposition into the path of propriety, leaving his airy follies for the institutes of the knowledge of Allah, and acknowledging the expediency of uttering the words of martyrdom and repeating the precepts of the law, and might abstain from infidelity and darkness, which entails the loss of this world and that to come, and might place in his ear the ring of slavery to the sublime Court (may Allah exalt it!) which is the centre of justice and mercy, and the pivot of the Sultans of the worldand by these means and modes might cleanse the fords of good life from the sins of impurity'…'The army of Islam was completely victorious, and 'an hundred thousand grovelling Hindus swiftly departed to the fire of hell'… After this great victory, the army of Islam marched forward to Ajmir, where it arrived at a fortunate moment and under an auspicious bird, and obtained so much booty and wealth, that you might have said that the secret depositories of the seas and hills had been revealed….'While the Sultan remained at Ajmir, he destroyed the pillars and foundations of the idol temples, and built in their stead mosques and colleges, and the precepts of Islam, and the customs of the law were divulged and established”

Muhammad of Ghor (1160–1206) Ghurid Sultan

About the conquest of Ajmer (Rajasthan) Hasan Nizami: Taju’l-Ma’sir, in Elliot and Dowson, Vol. II : Elliot and Dowson, History of India as told by its own Historians, 8 Volumes, Allahabad Reprint, 1964. pp. 213-216. Also quoted (in part) in Jain, Meenakshi (2011). The India they saw: Foreign accounts.

Anthony Burgess photo
Regina Spektor photo
Roberto Durán photo
John Muir photo
Fiona Apple photo
Letitia Elizabeth Landon photo
Marilyn Monroe photo

“I'm a failure as a woman. My men expect so much of me, because of the image they've made of me — and that I've made of myself — as a sex symbol. They expect bells to ring and whistles to whistle, but my anatomy is the same as any other woman's and I can't live up to it.”

Marilyn Monroe (1926–1962) American actress, model, and singer

Statement c. 1962, as quoted in Marilyn (1992) by Peter Harry Brown and Patte B. Barham, Ch. 30
Variant: I'm a failure as a woman. My men expect so much of me, because of the image they've made of me — and that I've made of myself — as a sex symbol. They expect bells to ring and whistles to whistle, but my anatomy is the same as any other woman's and I can't live up to it.

Fernand Léger photo
Katie Melua photo
John Mandeville photo
Sarah Dessen photo

“I dialed the number slowly, wanting to get it right. Two rings, and he picked up.”

Sarah Dessen (1970) American writer

What Happened To Goodbye (2011)

Bertie Ahern photo

“Some people dye their hair yellow or put rings in their noses”

Bertie Ahern (1951) Irish politician, 10th Taoiseach of Ireland

Explaining to the Mahon Tribunal on 20 December 2007 why he did not have a bank account in 1993. Planning Tribunal Transcript http://www.planningtribunal.ie/images/SITECONTENT_784.pdf planningtribunal.ie. 2007-12-20.

Adelaide Anne Procter photo
Tim McGraw photo
Edgar Degas photo
Clay Shirky photo

“Gutenberg’s press flooded the market. In the early 1500s John Tetzel, the head pardoner for German territories, would sweep into a town with a collection of already printed indulgences, hawking them with a phrase usually translated as “When a coin a coffer rings / A soul for heaven springs.” The nakedly commercial aspects of indulgences, among other things, enraged Martin Luther, who in 1517 launched an attack on the Church in the form of his famous Ninety-five Theses. He first nailed the theses to a church door in Wittenberg, but copies were soon printed up and disseminated widely. Luther’s critique, along with the spread of Bibles translated into local languages, drove the Protestant Reformation, plunging the Church (and Europe) into crisis. The tool that looked like it would strengthen the social structure of the age instead upended it. From the vantage point of 1450, the new technology seemed to do nothing more than offer the existing society a faster and cheaper way to do what it was already doing. By 1550 it had become apparent that the volume of indulgences had debauched their value, creating “indulgence inflation”—further evidence that abundance can be harder for a society to deal with than scarcity. Similarly, the spread of Bibles wasn’t a case of more of the same, but rather of more is different—the number of Bibles produced increased the range of Bibles produced, with cheap Bibles translated into local languages undermining the interpretative monopoly of the clergy, since churchgoers could now hear what the Bible said in their own language, and literate citizens could read it for themselves, with no priest anywhere near. By the middle of the century, Luther’s Protestant Reformation had taken hold, and the Church’s role as the pan-European economic, cultural, intellectual, and religious force was ending.”

Clay Shirky (1964) American technology writer

Cognitive Surplus : Creativity and Generosity in a Connected Age (2010)

Henry Van Dyke photo
Guillaume Apollinaire photo

“Under Mirabeau Bridge flows the Seine.
Why must I be reminded again
Of our love?
Doesn't happiness issue from pain?
Bring on the night, ring out the hour.
The days wear on but I endure.”

Sous le pont Mirabeau coule la Seine
Et nos amours
Faut-il qu'il m'en souvienne
La joie venait toujours après la peine
Vienne la nuit sonne l'heure
Les jours s'en vont je demeure
"Le Pont Mirabeau" (Mirabeau Bridge), line 1; translation by William Meredith, from Francis Steegmuller Apollinaire: Poet Among the Painters (Harmondsworth: Penguin, 1973) p. 193.
Alcools (1912)

James Howard Kunstler photo
Thomas Lovell Beddoes photo

“In televisionland we are all sophisticated enough now to realize that every statistic has an equal and opposite statistic somewhere in the universe. It is not a candidate's favorite statistic per se that engages us, but the assurance with which he can use it.
We are testing the candidates for self-confidence, for "Presidentiality" in statistical bombardment. It doesn't really matter if their statistics be homemade. What settles the business is the cool with which they are dropped.
And so, as the second half hour treads the decimaled path toward the third hour, we become aware of being locked in a tacit conspiracy with the candidates. We know their statistics go to nothing of importance, and they know we know, and we know they know we know.
There is total but unspoken agreement that the "debate," the arguments which are being mustered here, are of only the slightest importance.
As in some primitive ritual, we all agree — candidates and onlookers — to pretend we are involved in a debate, although the real exercise is a test of style and manners. Which of the competitors can better execute the intricate maneuvers prescribed by a largely irrelevant ritual?
This accounts for the curious lack of passion in both performers. Even when Ford accuses Carter of inconsistency, it is done in a flat, emotionless, game-playing style. The delivery has the tuneless ring of an old press release from the Republican National Committee. Just so, when Carter has an opportunity to set pulses pounding by denouncing the Nixon pardon, he dances delicately around the invitation like a maiden skirting a bog.
We judge that both men judge us to be drained of desire for passion in public life, to be looking for Presidents who are cool and noninflammable. They present themselves as passionless technocrats using an English singularly devoid of poetry, metaphor and even coherent forthright declaration.
Caught up in the conspiracy, we watch their coolness with fine technical understanding and, in the final half hour, begin asking each other for technical judgments. How well is Carter exploiting the event to improve our image of him? Is Ford's television manner sufficiently self-confident to make us sense him as "Presidential"?
It is quite extraordinary. Here we are, fully aware that we are being manipulated by image projectionists, yet happily asking ourselves how obligingly we are submitting to the manipulation. It is as though a rat running a maze were more interested in the psychologist's charts on his behavior than in getting the cheese at the goal line.”

Russell Baker (1925–2019) writer and satirst from the United States

"And All of Us So Cool" (p.340)
There's a Country in My Cellar (1990)

Walter Savage Landor photo

“Wearers of rings and chains!
Pray do not take the pains
To set me right.
In vain my faults ye quote;
I write as others wrote
On Sunium’s hight.”

Walter Savage Landor (1775–1864) British writer

The last Fruit of an old Tree, Epigram cvi, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Orson Scott Card photo
Mike Oldfield photo
William Golding photo
Gene Tunney photo
Joseph Strutt photo
William Julius Mickle photo
Cat Stevens photo

“If Rushdie turned up at my doorstep looking for help, I might ring somebody who might do more damage to him than he would like. I'd try to phone the Ayatollah Khomeini and tell him exactly where this man is.”

Cat Stevens (1948) British singer-songwriter

As quoted in "Cat Stevens Gives Support To Call for Death of Rushdie" by Craig R. Whitney, in The New York Times (23 May 1989), p. C18

Frederic Dan Huntington photo
Taliesin photo

“Pleasant, a steed with a thick mane in a tangle;
Also pleasant, crackling fuel.
Pleasant, desire, and silver fringes;
Also pleasant, the conjugal ring.”

Taliesin (534–599) Welsh bard

Book of Taliesin (c. 1275?), The Pleasant Things of Taliesin

Common (rapper) photo
Denise Levertov photo
M. K. Hobson photo
Muhammad Ali photo

“Ain't no reason for me to kill nobody in the ring, unless they deserve it.”

Muhammad Ali (1942–2016) African American boxer, philanthropist and activist

Comment after the match with Jimmy Ellis was stopped by the referee in the twelfth round (July 1971)

Vachel Lindsay photo
Joe Frazier photo

“I had a job to do in the ring, and the businessmen around me had a job to do outside the ring, I did my job by beating up most of the guys they put in front of me and staying in shape, but the people I trusted didn’t do their jobs.”

Joe Frazier (1944–2011) American boxer

Frazier talking about how the people he trusted took advantage of him. http://www.nytimes.com/2006/10/18/sports/othersports/18frazier.html?pagewanted=2&ei=5090&en=a3509c26258f5380&ex=1318824000&partner=rssuserland&emc=rss

“The telephone bell was ringing wildly, but without result, since there was no-one in the room but the corpse.”

Charles Williams (1886–1945) British poet, novelist, theologian, literary critic, and member of the Inklings

War in Heaven (1930), Ch. 1, first sentence

Samuel Francis Smith photo

“My country, ’t is of thee,
Sweet land of liberty
Of thee I sing:
Land where my fathers died,
Land of the pilgrims’ pride,
From every mountain-side
Let freedom ring.”

Samuel Francis Smith (1808–1895) Protestant Christian Minister Patriotic hymn writer

America, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Lucy Maud Montgomery photo
Conor McGregor photo

“I can make you rich. I'll change your bum life. You fight me, it's a celebration. When you sign to fight me, it's a celebration. You ring back home, you ring your wife, "Baby, we've done it. We're rich baby. Conor McGregor made us rich. Break out the red panties."”

Conor McGregor (1988) Irish mixed martial artist and boxer

UFC Go Big press conference https://www.youtube.com/watch?v=VViRqMfStU4 (September 2015) Ultimate Fighting Championship, Zuffa, LLC
2010s, 2015

Kate Winslet photo
Bob Dylan photo
Charles Dickens photo
Algernon Charles Swinburne photo
Edward Lear photo
Brian Tyler photo
Edmund Clarence Stedman photo
James Russell Lowell photo

“She thought no v'ice hed sech a swing
Ez hisn in the choir;
My! when he made Ole Hunderd ring
She knowed the Lord was nigher.”

James Russell Lowell (1819–1891) American poet, critic, editor, and diplomat

The Courtin' .
The Biglow Papers (1848–1866), Series II (1866)

John C. Dvorak photo

“No matter how dysfunctional the present, no matter how sensible the reasons for change, most people and organizations would rather wring out the old than ring in the new.”

Tim Hurson (1946) Creativity theorist, author and speaker

Think Better: An Innovator's Guide to Productive Thinking

Katy Perry photo

“All this money can't buy me a time machine, no
Can't replace you with a million rings, no.
I should have told you what you meant to me, whoa.
Cause now I pay the price.”

Katy Perry (1984) American singer, songwriter and actress

The One That Got Away
Song lyrics, Teenage Dream (2010)

Adlai Stevenson photo

“Freedom rings where opinions clash.”

Adlai Stevenson (1900–1965) mid-20th-century Governor of Illinois and Ambassador to the UN

Variations of this quote are often attributed to Stevenson without a date or location for the remark. Two early occurrences are in a Congressional hearing on November 13, 1985, where Stevenson was quoted by Representative Ted Weiss ("Limits on the Dissemination of Information by the Department of Education" (1986), published by the GPO); and an article dated June 4, 1989 by Sue Ann Wood in the St. Louis Post-Dispatch ("Write Editor, Readers Urged"). No source closer to Stevenson has been found.
Disputed

F. Scott Fitzgerald photo
Matt Taibbi photo
Dinah Craik photo

“Lo! all life this truth declares,
Laborare est orare;
And the whole earth rings with prayers.”

Dinah Craik (1826–1887) English novelist and poet

"Labour is Prayer"
Poems (1866)

Donovan photo

“Hui Shih was a man of many devices and his writings would fill five carriages. But his doctrines were jumbled and perverse and his words wide of the mark. His way of dealing with things may be seen from these sayings:
"The largest thing has nothing beyond it; it is called the One of largeness. The smallest thing has nothing within it; it is called the One of smallness."
"That which has no thickness cannot be piled up; yet it is a thousand li in dimension."
"Heaven is as low as earth; mountains and marshes are on the same level."
"The sun at noon is the sun setting. The thing born is the thing dying."
"Great similarities are different from little similarities; these are called the little similarities and differences. The ten thousand things are all similar and are all different; these are called the great similarities and differences."
"The southern region has no limit and yet has a limit."
"I set off for Yueh today and came there yesterday."
"Linked rings can be separated."
"I know the center of the world: it is north of Yen and south of Yueh."”

"Let love embrace the ten thousand things; Heaven and earth are a single body."
'With sayings such as these, Hui Shih tried to introduce a more magnanimous view of the world and to enlighten the rhetoricians.'
Zhuangzi, Ch. 33, as translated by Burton Watson (1968), p. 374; this contains the core of what has survived of Hui Shi's philosophy, most of the records of it having been eradicated in the vast "burning of books and burying of scholars" during the Legalism of the Qin dynasty.

“Such was the man who was sent on an embassy to Ajmir, in order that the Rai (Pithaura) of that country might see the right way without the intervention of the sword, and that he might incline from the track of opposition into the path of propriety, leaving his airy follies for the institutes of the knowledge of Allah, and acknowledging the expediency of uttering the words of martyrdom and repeating the precepts of the law, and might abstain from infidelity and darkness, which entails the loss of this world and that to come, and might place in his ear the ring of slavery to the sublime Court (may Allah exalt it!) which is the centre of justice and mercy, and the pivot of the Sultans of the worldand by these means and modes might cleanse the fords of good life from the sins of impurity'…'The army of Islam was completely victorious, and 'an hundred thousand grovelling Hindus swiftly departed to the fire of hell'… After this great victory, the army of Islam marched forward to Ajmir, where it arrived at a fortunate moment and under an auspicious bird, and obtained so much booty and wealth, that you might have said that the secret depositories of the seas and hills had been revealed….'While the Sultan remained at Ajmir, he destroyed the pillars and foundations of the idol temples, and built in their stead mosques and colleges, and the precepts of Islam, and the customs of the law were divulged and established”

Hasan Nizami Persian language poet and historian

About the conquest of Ajmer (Rajasthan) Hasan Nizami: Taju’l-Ma’sir, in Elliot and Dowson, Vol. II : Elliot and Dowson, History of India as told by its own Historians, 8 Volumes, Allahabad Reprint, 1964. pp. 213-216. Also quoted (in part) in Jain, Meenakshi (2011). The India they saw: Foreign accounts.

Letitia Elizabeth Landon photo
Aisha photo
Eino Leino photo

“The others got heart, I got the harp.
They grieved, had fun, me not, me not.
O wretched me, can't live, nor part:
my heart throbs not, but tingles, and rings!

O dire fate, the hardest lot:
no peace grants the night, the day no less,
no mercy shows time, nor eternity:
just a jeering and tingling heart-less-ness.”

Eino Leino (1878–1926) Finnish poet and journalist

Eino Leino. "The Harp-Of-the-Wind," (1905), Leevi Lehto (transl.), in: Leevi Lehto. Leevi Lehto. Finnish poetry: then and now, January 2005. Published online at upenn.edu. Accessed 20-03-2013