Quotes about punctuation

A collection of quotes on the topic of punctuation, likeness, use, time.

Quotes about punctuation

“Let grammar, punctuation, and spelling into your life! Even the most energetic and wonderful mess has to be turned into sentences.”

Terry Pratchett (1948–2015) English author

Life

“Children don't read to find their identity, to free themselves from guilt, to quench the thirst for rebellion or to get rid of alienation. They have no use for psychology… They still believe in God, the family, angels, devils, witches, goblins, logic, clarity, punctuation, and other such obsolete stuff… When a book is boring, they yawn openly. They don't expect their writer to redeem humanity, but leave to adults such childish illusions.”

Isaac Bashevis Singer (1902–1991) Polish-born Jewish-American author

Nobel lecture as quoted in The Observer (17 December 1978) Variant: "They still believe in God, the family, angels, witches, goblins, logic, clarity, punctuation, and other obsolete stuff."

God, Children, Books, Family

“With educated people, I suppose, punctuation is a matter of rule; with me it is a matter of feeling. But I must say I have a great respect for the semicolin; it's a useful little chap”

Abraham Lincoln (1809–1865) 16th President of the United States

People, Education, Feeling

“Our lives are one endless stretch of misery punctuated by processed fast foods and the occasional crisis or amusing curiosity.”

Augusten Burroughs book Running with Scissors

Source: Running with Scissors

Food

“Never before had she seen such creatures, though they looked much live very large, very shaggy white goats. Thin black horns punctuated the top of their long faces.

You look like a collection of grandfathers, she thought, amused.”

Tamora Pierce book Daja's Book

Source: Daja's Book

“In the face of the obscene, explicit malice of the jungle, which lacks only dinosaurs as punctuation, I feel like a half-finished, poorly expressed sentence in a cheap novel.”

Werner Herzog (1942) German film director, producer, screenwriter, actor and opera director

Burden of Dreams (1982)
Context: Taking a close look at what is around us, there is some sort of a harmony. It is the harmony of overwhelming and collective murder. And we in comparison to the articulate vileness and baseness and obscenity of all this jungle, we in comparison to that enormous articulation, we only sound and look like badly pronounced and half-finished sentences out of a stupid suburban novel, a cheap novel. And we have to become humble in front of this overwhelming misery and overwhelming fornication, overwhelming growth, and overwhelming lack of order. Even the stars up here in the sky look like a mess. There is no harmony in the universe. We have to get acquainted to this idea that there is no harmony as we have conceived it. But when I say this all full of admiration for the jungle. It is not that I hate it, I love it, I love it very much, but I love it against my better judgment.

Feeling

“My attitude toward punctuation is that it ought to be as conventional as possible. The game of golf would lose a good deal if croquet mallets and billiard cues were allowed on the putting green. You ought to be able to show that you can do it a good deal better than anyone else with the regular tools before you have a license to bring in your own improvements.”

Ernest Hemingway (1899–1961) American author and journalist

Letter (15 May 1925); published in Ernest Hemingway: Selected Letters 1917–1961 (1981) edited by Carlos Baker

Game

“I would really like to slow down the speed of reading with continual punctuation marks. For I would like to be read slowly.”

Ludwig Wittgenstein (1889–1951) Austrian-British philosopher

As I myself read.
Source: Culture and Value (1980), p. 77e

Reading, Speed

“Having touched Christ's feet is not an excuse for punctuation mistakes.”

Fernando Pessoa book The Book of Disquiet

A Factless Autobiography, Richard Zenith Edition, Lisbon, 2006, p 229
The Book of Disquiet
Original: O ter tocado os pés de Cristo não é desculpa para defeitos de pontuação.

Christ

“Literature is idiosyncratic arrangements in horizontal lines in only twenty-six symbols, ten arabic numbers, and about eight punctuation marks.”

Kurt Vonnegut (1922–2007) American writer

Public conversation with Lee Stringer, in Like Shaking Hands With God (1999)
Various interviews

Literature

“Writers have no real area of expertise. They are merely generalists with a highly inflamed sense of punctuation.”

Lorrie Moore (1957) American writer

Sense

“> CracKing: No need to yell.
> FtLouie: I’m not yelling!!!
> CracKing: You’re using excessive amounts of punctuation, and on-line, that’s like yelling.”

Meg Cabot The Princess Diaries

Source: The Princess Diaries

“Punctuation, is? fun!”

Daniel Keyes book Flowers for Algernon

Source: Flowers for Algernon

“Truly good manners are invisible: they ease the way for others, without drawing attention to themselves. It is no accident that the word "punctilious" ("attentive to formality or etiquette") comes from the same original root as punctuation.”

Lynne Truss (1955) British writer

Source: Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation

Way, Drawing

“Hundreds of butterflies flitted in and out of sight like short-lived punctuation marks in a stream of consciousness without beginning or end.”

Haruki Murakami book 1Q84

Source: 1Q84

“Proper punctuation is both the sign and the cause of clear thinking.”

Lynne Truss (1955) British writer

Source: Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation

Thinking

“Of all the punctuation marks; he told me ellipses were his favorites.”

Patrick Modiano (1945) French writer

Suspended Sentences (1993)

“Football combines the two worst things about America: it is violence punctuated by committee meetings”

George Will (1941) American newspaper columnist, journalist, and author

International Herald Tribune (7 May 1990)
1990s

Football

“In this crucial sense, the theory of punctuated equilibrium adopts a very conservative position. The theory asserts no novel claim about modes or mechanisms of speciation; punctuated equilibrium merely takes a standard microevolutionary model and elucidates its expected expression when properly scaled into geological time.”

Stephen Jay Gould book The Structure of Evolutionary Theory

Source: The Structure of Evolutionary Theory (2002), p. 778

Sense, Time

“Tears are sometimes an inappropriate response to death. When a life has been lived completely honestly, completely successfully, or just completely, the correct response to death's perfect punctuation mark is a smile.”

Julie Burchill (1959) British writer

Attributed to Burchill in: Mark Water (2000) The New Encyclopedia of Christian Quotations. p. 111

Life, Death, Smile, Tear

“The whole secret of raising a fart in class is to make it sound as if it is punctuating, or commenting upon, what the teacher is saying. Timing, not ripeness, is all. 'And since x tends to y as c tends to d,' Fred expounded, 'then the differential of the increment of x squared must be… must be… come on, come on! What must it flaming be?' Here was the chance to to give my version of what it must be. I armed one, opened the bomb bay, and let it go. Unfortunately, the results far exceeded the discreet limits I had intended. It sounded like a moose coughing.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

Source: Memoirs, Unreliable Memoirs (1980), p. 105-6

Secret, Teachers, Chance, Time

“Finally, the claim that we equated punctuated equilibrium with saltation makes no sense within the logical structure of our theory — so, unless we are fools, how could we ever have asserted such a proposition? Our theory holds, as a defining statement, that ordinary allopatric speciation, unfolding gradually at microevolutionary scales, translates to punctuation in geological time.”

Stephen Jay Gould book The Structure of Evolutionary Theory

Source: The Structure of Evolutionary Theory (2002), p. 1009

Fools, Sense, Time

“Structure joins the evocative concept of paradigm, a disarmingly simple dialectic of scientific change (long periods of paradigmatic "normal science" punctuated by short "revolutions"), and the apparent authority of historical example to show that major conceptual shifts in the natural sciences are effected not by logical argument alone but also by appeals to worldviews, religion, metaphysical commitments, notions of simplicity and order, and so on. The view that science, like other thought systems, advances or retreats through rhetoric and persuasion, not by logical necessity, was a revelation to people who had never practiced it or studied its history. The book comforted social scientists who wanted to assimilate their discipline to physics, Luddites who blamed social problems on scientists and engineers, and everyone who rejected authority. It repelled the philosophers of science at which it was aimed for the good reason that it undercut their belief that scientific knowledge advances by the application of rational criteria to the products of observation and experiment.”

John L. Heilbron (1934) American historian

Thomas Samuel Kuhn: 18 July 1922-17 June 1996 (1998)

People, Books, Religion, History

“Have you, with your work, made anyone glow? Erupted their sorrow? Evicted their woe? Have you been anyone's consolation through a night? Have you evoked unrehearsed emotion? Chiseled a crack in someone's encasement and watched them escape? Followed the muses wherever they led? Kept on creating when left for dead? Do not bother me with punctuation until you have earned your degree.”

Vanna Bonta (1958–2014) Italian-American writer, poet, inventor, actress, voice artist (1958-2014)

"To Some Critics"
Degrees: Thought Capsules and Micro Tales (1989)

Night, Dead

“Terrorism' is a word that has become a plague on our vocabulary, the excuse and reason and moral permit for state-sponsored violence - our violence - which is now used on the innocent of the Middle East ever more outrageously and promiscuously. Terrorism, terrorism, terrorism. It has become a full stop, a punctuation mark, a phrase, a speech, a sermon, the be-all and end-all of everything that we must hate in order to ignore injustice and occupation and murder on a mass scale. Terror, terror, terror, terror. It is a sonata, a symphony, an orchestra tuned to every television and radio station and news agency report, the soap-opera of the Devil, served up on prime-time or distilled in wearyingly dull and mendacious form by the right-wing 'commentators' of the America east coast or the Jerusalem Post or the intellectuals of Europe. Strike against Terror. Victory over Terror. War on Terror. Everlasting War on Terror. Rarely in history have soldiers and journalists and presidents and kings aligned themselves in such thoughtless, unquestioning ranks. In August 1914, the soldiers thought they would be home by Christmas. Today, we are fighting for ever. The war is eternal. The enemy is eternal, his face changing on our screens. Once he lived in Cairo and sported a moustache and nationalised the Suez Canal. Then he lived in Tripoli and wore a ridiculous military uniform and helped the IRA and bombed American bars in Berlin. Then he wore a Muslim Imam's gown and ate yoghurt in Tehran and planned Islamic revolution. Then he wore a white gown and lived in a cave in Afghanistan and then he wore another silly moustache and resided in a series of palaces around Baghdad. Terror, terror, terror. Finally, he wore a kuffiah headdress and outdated Soviet-style military fatigues, his name was Yassir Arafat, and he was the master of world terror and then a super-statesman and then again, a master of terror, linked by Israeli enemies to the terror-Meister of them all, the one who lived in the Afghan cave.”

Robert Fisk (1946) English writer and journalist

The Great War for Civilization (2005)

Hate, War, World, Home

“You want to know what just happened there? She smacked me down - smacked me down: "But Speaker Pelosi, the Republicans are all over the TV machine opposing the economic stimulus." "Settle down, kid. It‘s not working." Duh. Maybe she‘s right. Louisiana governor Bobby Jindal sort of put the punctuation mark on Speaker Pelosi‘s point about Republicans on TV with his response to the not state-of-the-union last night.”

Rachel Maddow (1973) American journalist

The Rachel Maddow Show, MSNBC (25 February 2009)

Night

“I did speak extensively — often quite critically — about the reviled work of Richard Goldschmidt, particularly about aspects of his thought that might merit a rehearing. This material has often been confused with punctuated equlibrium by people who miss the crucial issue of scaling, and therefore regard all statements about rapidity at any level as necessarily unitary, and necessarily flowing from punctuated equilibrium. In fact, as the long treatment in Chapter 5 of this book should make clear, my interest in Goldschmidt resides in issues bearing little relationship with punctuated equilibrium, but invested instead in developmental questions that prompted my first book, Ontogeny and Phylogeny. The two subjects, after all, are quite separate, and rooted in different scales of rapidity — hopeful monsters in genuine saltation, and punctuated equilibrium in macroevolutionary punctuation”

Stephen Jay Gould book The Structure of Evolutionary Theory

produced by ordinary allopatric speciation
Source: The Structure of Evolutionary Theory (2002), p. 1005

People, Books, Hope, Question

“May I keep this book forever. May this book and this body outlast my love. May this book and this body love me as I love its length, its breadth, its thickness, its text, its skin, its letters, its punctuation, its quiet and its noisy pages.”

Peter Greenaway (1942) British film director

From the sixth book, "The Book of the Lover"
The Pillow Book

Love, Books

“The language of the game is interesting. You can think of the pauses as caesuras, breaks between the lines. As a poem the game is composed of a number of short lines representing the pitches. The number of lines per batter form a stanza. Then there is a space. Sometimes the stanzas become breathless, rushing full paragraphs that build rapidly on each other until the poem-inning explodes. The poem lives for this sudden blossoming out of prosodic regularity. Should someone make a computer analysis of baseball prosody, I believe that they would come up with something close to the prosody of some great American lyrical epic, Whitman’s Leaves of Grass, let’s say, or Doc Williams’s Patterson…. The game is definitely an epic … formed of many lyrical moments dependent on silences for their effectiveness. An unfolding story punctuated by brief emotional swellings.”

Andrei Codrescu (1946) American writer

“A Kind of Love,” The Muse Is Always Half-Dressed (1993).

Game, Thinking, Silence, Grass

“The punctuation of anniversaries is terrible, like the closing of doors, one after another between you and what you want to hold on to.”

Anne Morrow Lindbergh (1906–2001) American aviator and author

Diary entry on the first anniversary of the kidnapping and death of her son Charles Augustus Lindbergh III (1 March 1932); later published in Locked Rooms and Open Doors (1974) ISBN 0156529564

“There is a widespread impression today that the history of economics is a sequence of revolutions and counter-revolutions, successive schools rising to dominance just to be deposed in a crisis by another school. According to this view, paraphrasing Marx, all history of economics is a history of school struggles, punctuated by revolutions.”

Jürg Niehans (1919–2007) Swiss economist

Jürg Niehans, " Revolution and evolution in economic theory https://ecompapers.biz.uwa.edu.au/paper/PDF%20of%20Discussion%20Papers/1992/92-20%20Niehans,%20J.pdf." The Australian Quarterly (1993): 498-515.

School, History, Success

“The one affectation I have forced on the publisher … are my apostrophe-free ellisions. Because I write my scripts to read myself, I dont spell 'don't' with an apostrophe. I spell it 'dont'. We all know the word and it seems foolish to put in an extraneous apostrophe. Punctuation marks are devices we use to make the meaning of sentences clear. There is nothing confusing about a word like 'dont' printed without an apostrophe to indicate an omitted letter.”

Andy Rooney (1919–2011) writer, humorist, television personality

Reading

“Posterity, until now, has been truly inequitable regarding Godbout. It is true, he was responsible […] of renunciations, if you will, renunciations that this absolutely infernal pressure of wartime made probably inevitable. But it is quite unjust that people forgot that these few years of the Godbout government were also punctuated by three crucial decisions that almost constitute the act of birth of contemporary Quebec. In a few brief years, in only one government mandate, the creation of Hydro-Quebec, the establishment of obligatory instruction and […] the women's vote.”

Adélard Godbout (1892–1956) Canadian politician

By René Lévesque, June 14, 1984.
Reference: René Lévesque, Mot à Mot, Les Éditions internationales Alain Stanké, 1997.
Original: La postérité, jusqu'à nouvel ordre, a été vraiment inéquitable à l'égard de Godbout. C'est vrai, il a été responsable [...] de démissions, si on veut, démissions que cette pression absoluement infernale du temps de guerre probablement rendait inévitables. Mais c'est assez injuste qu'on ait oublié que ces quelques années du gouvernement Godbout ont été ponctuées également par trois décisions cruciales qui constituent quasiment l'acte de naissance du Québec contemporain. En quelques brèves années, dans un seul mandat de gouvernement, la création de l'Hydro-Québec, l'instauration de l'instruction obligatoire et [...] le vote des femmes.

Women, People, Birth, Decision

“Ordinary speciation remains fully adequate to explain the causes and phenomenology of punctuation.”

Stephen Jay Gould book The Structure of Evolutionary Theory

Source: The Structure of Evolutionary Theory (2002), p. 1001

“Since we proposed punctuated equilibria to explain trends, it is infuriating to be quoted again and again by creationists—whether through design or stupidity, I do not know—as admitting that the fossil record includes no transitional forms. Transitional forms are generally lacking at the species level, but they are abundant between larger groups.”

Stephen Jay Gould book Hen's Teeth and Horse's Toes

"Evolution as Fact and Theory", p. 260
Hen's Teeth and Horse's Toes (1983)

Stupidity, Quotes

“I'm not a big fan of other people's punctuation. When I read a script I've got a sort of automatic eraser. I don't see punctuation or capitals or instructions. I want to decide when the sentence is over. Who's to say when a sentence ends and the other one begins? Sometimes it begins in the middle of the next sentence.”

Christopher Walken (1943) American actor

Jason Walsh (October 17, 2004) "Walken on the edge", Marin Independent Journal, Section: Lifestyles.

People, Reading

“Alas! So there is no escape from the question. Not for me, not for anyone! Then life is just breathing or running behind infinite number of questions? And then, what question is really? And what answer is too? This too a question. I observe the question mark carefully. And Eureka! I didn't know that my answer was encrypted and hidden in that symbol of a question mark. The dot below the curved stroke in a question mark symbolizes Zero as the question's answer itself, I never knew. Punctuation marks are so carefully crafted, I never knew!”

P. L. Deshpande (1919–2000) Marathi writer, humourist, actor, dramatist

citation needed
From his various literature

Life, Question

“At the core of punctuated equilibria lies an empirical observation: once evolved, species tend to remain remarkably stable, recognizable entities for millions of years. The observation is by no means new, nearly every paleontologist who reviewed Darwin's Origin of Species pointed to his evasion of this salient feature of the fossil record. But stasis was conveniently dropped as a feature of life's history to he reckoned with in evolutionary biology. And stasis had continued to be ignored until Gould and I showed that such stability is a real aspect of life's history which must be confronted-and that, in fact, it posed no fundamental threat to the basic notion of evolution itself. For that was Darwin's problem: to establish the plausibility of the very idea of evolution, Darwin felt that he had to undermine the older (and ultimately biblically based) doctrine of species fixity. Stasis, to Darwin, was an ugly inconvenience.”

Niles Eldredge (1943) American biologist

Time Frames: The Rethinking of Darwinian Evolution and the Theory of Punctuated Equilibria, Simon & Schuster: New York NY, 1985, pp.188-189

Life, History, Idea, Problem

“Screwing things up is a virtue. Being correct is never the point. I have an almost fanatically correct assistant, and by the time she re-spells my words and corrects my punctuation, I can't read what I wrote. Being right can stop all the momentum of a very interesting idea.”

Robert Rauschenberg (1925–2008) American artist

Quoted in: N.M. Kelby (2009) The Constant Art of Being a Writer, p. 102
21st Century

Idea, Time, Reading

“"This sucks on so many levels." — Dialogue from "Jason X" Rare for a movie to so frankly describe itself. "Jason X" sucks on the levels of storytelling, character development, suspense, special effects, originality, punctuation, neatness and aptness of thought.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/jason-x-2002 of Jason X (26 April 2002) <br class="br">Reviews, Half-star reviews

“Just breathe at the end of the line or on the punctuation. If you lose that, and lose the iambic pentameter, you'll lose all the sense of what you're saying. And if you do breathe, you'll find that Shakespeare's verse is like a surfboard.”

Orson Welles (1915–1985) American actor, director, writer and producer

Keith Baxter interviewed by Geoff Andrew for the British Film Institute (on the only piece of direction Welles ever gave him) https://www.youtube.com/watch?v=qON_f32HQDk

Sense

“In contrast to the punctuated equilibrium model of change, this inductive study of multiple-product innovation in six firms in the computer industry examines how organizations engage in continuous change. Comparisons of successful and less-successful firms show, first, that successful multiple-product innovation blends limited structure around responsibilities and priorities with extensive communication and design freedom to create improvisation within current projects. This combination is neither so structured that change cannot occur nor so unstructured that chaos ensues. Second, successful firms rely on a wide variety of low-cost probes into the future, including experimental products, futurists, and strategic alliances. Neither planning nor reacting is as effective. Third, successful firms link the present and future together through rhythmic, time-paced transition processes. We develop the ideas of "semistructures," "links in time," and "sequenced steps" to crystallize the key properties of these continuously changing organizations and to extend thinking about complexity theory, time-paced evolution, and the nature of core capabilities.”

Shona Brown (1960) businessperson

Source: "The art of continuous change", 1997, p. 1; Abstract

Communication, Idea, Nature, Thinking

“I was motivated not so much by belief, as by loyalty to my Pagan ancestors, who were loyal to their Gods, worshiping underground, always resisting, and who punctuate our history.”

Christopher Gérard (1962)

Pagan Power in Modern Europe (1999)

God, History, Motivation, Loyalty

“The theory of punctuated equilibrium, proposed by Niles Eldredge and myself, is not, as so often misunderstood, a radical claim for truly sudden change, but a recognition that ordinary processes of speciation, properly conceived as glacially slow by the standard of our own life-span, do not resolve into geological time as long sequences of insensibly graded intermediates (the traditional, or gradualistic, view), but as geologically “sudden” origins at single bedding planes.”

Stephen Jay Gould book Time's Arrow, Time's Cycle

Source: Time's Arrow, Time's Cycle (1987), pp. 2–3

Life, Change, Time

“Regardless of how Revenge of the Sith is received at the box office, it represents the conclusion to an unparalleled cinematic achievement. Finally, after 28 long years of waiting that were only occasionally punctuated by the appearance of new story fragments, Lucas has ended with an exclamation point. The tale of a galaxy long ago and far away is complete. Only now can we truly step back and admire the full tapestry that it has taken George Lucas and his ILM wizards nearly three decades to weave.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/movies/s/sw2005.html of Star Wars Episode III: Revenge of the Sith (2005). <br class="br">Three-and-a-half star reviews

Revenge, Appearance, Waiting, Box

“There's nothing like the waiting room of any office of the governmentor its allies to remind you of how lucky you are. You enter a nonplace, nontime. You sit on battered chairs in murky blues and greens that nobody ever names as their favorite color. You stare at the signs that have no bearing on you, nonspecific communiqués from the land that punctuation forgot. You wait until the waiting loses all sense of direction or purpose, until you become like a stone deposited in a field millenia ago by a careless glacier. You are here. This is all you have ever known. In the meantime you are stripped of any sense of individuality, of the idea that you might be different from anyone else in the room except by virtue of your particular problem; and so you become the problem, defensively, accepting it as identity, until it swells and suppurates and becomes all you are. As a species we'll tolerate being close to others, but not so close, and not in those circumstances and when we feel so small: we become rows of dry, fretting eyes, hating everyone around us and sincerely wishing our neighbor dead so we can move up one place in the line.Or maybe it was just me.”

Michael Marshall Smith (1965) British novelist, screenwriter and short story writer

Source: The Lonely Dead (2004), Ch. 5

Hate, Color, Feeling, Idea

“In its glorification of the spirit of order, the Church seemed to be giving its sanction to the type of bourgeois who was concerned to fulfill his duties scrupulously and content to remain within his own sphere. But this bourgeois, whom modern eighteenth-century society certainly could not dispense with, was far from summing up in himself the whole spirit of his class. There was another type of bourgeois who had nothing about him of a monk transplanted into an office. He was energetic, pushing, by no means content to confine himself to a life rhythmically punctuated by work; rather, he was concerned to grow, to achieve power and wealth through his own effort. But what would the Church say of this bourgeois who was to become the monarch of the modern age? It did not like him; it could not like him; the impulse that moved him was too contrary to its own. He seemed intent on flouting God; trusting in his own strength, he seemed to want to organize his life independently of the plans of Divine Providence.”

Bernard Groethuysen (1880–1946) French literary historian, translator and writer

Source: The Bourgeois: Catholicism vs. Capitalism in Eighteenth-Century France (1927), p. 177

Life, God, Age, Effort

“The vocabulary of growth must be held in position by the grammar of financial discipline and the punctuations of a social ideology.”

R. Venkataraman (1910–2009) seventh Vice-President of India and the 8th President of India

Source: Commissions and Omissions by Indian Presidents and Their Conflicts with the Prime Ministers Under the Constitution: 1977-2001, p. 180.

“And the second thing fiction does is to build empathy. When you watch TV or see a film, you are looking at things happening to other people. Prose fiction is something you build up from 26 letters and a handful of punctuation marks, and you, and you alone, using your imagination, create a world and people it and look out through other eyes. You get to feel things, visit places and worlds you would never otherwise know. You learn that everyone else out there is a me, as well. You're being someone else, and when you return to your own world, you're going to be slightly changed. Empathy is a tool for building people into groups, for allowing us to function as more than self-obsessed individuals.”

Neil Gaiman (1960) English fantasy writer

Why our future depends on libraries, reading and daydreaming (2013)

People, World, Feeling, Imagination

“Stephen Jay Gould is extremely bright, inventive. He thoroughly understands paleontology; he thoroughly understands evolutionary biology. He has performed an enormous service in getting people to think about punctuated equilibrium, because you see the process of stasis/sudden change, which is a puzzle. It's the cessation of change for long periods of time. Since you always have mutations, why don't things continue changing? You either have to say that the particular form is highly adapted, optimal, and exists in a stable environment, or you have to be very puzzled. Steve has been enormously important in that sense. Talking with Steve, or listening to him give a talk, is a bit like playing tennis with someone who's better than you are. It makes you play a better game than you can play. For years, Steve has wanted to find, in effect, what accounts for the order in biology, without having to appeal to selection to explain everything—that is, to the evolutionary "just-so stories." You can come up with some cockamamie account about why anything you look at was formed in evolution because it was useful for something. There is no way of checking such things. We're natural allies, because I'm trying to find sources of that natural order without appealing to selection, and yet we all know that selection is important.”

Stuart Kauffman (1939) American biophysicist

Kauffman in: John Brockman, ed. (1995) The Third Culture: Beyond the Scientific Revolution, p. 64-65. ( online http://www.edge.org/documents/ThirdCulture/i-Ch.2.html)

People, Way, Game, Optimism

“I am glad you came in to punctuate my discourse, which I fear has gone on for an hour without any stop at all.”

Samuel Taylor Coleridge (1772–1834) English poet, literary critic and philosopher

29 June 1833
Table Talk (1821–1834)

Fear

“It is the relentless onward march of the texters, the SMS (Short Message Service) vandals who are doing to our language what Genghis Khan did to his neighbours 800 years ago.They are destroying it: pillaging our punctuation; savaging our sentences; raping our vocabulary. And they must be stopped.”

John Humphrys (1943) British broadcaster, journalist and author

"I h8 txt msgs: How texting is wrecking our language," http://www.dailymail.co.uk/news/article-483511/I-h8-txt-msgs-How-texting-wrecking-language.html The Daily Mail (2007-09-24)

“If books were sold as software and online recordings are, they would have this legalese up front:
The content of this book is distributed on an 'as is' basis, without warranty as to accuracy of content, quality of writing, punctuation, usefulness of the ideas presented, merchantability, correctness or readability of formulae, charts, and figures, or correspondence of (a) the table of contents with the actual contents, (2) page references in the index (if any) with the actual page numbering (if present), and (iii) any illustration with its adjacent caption. Illustrations may have been printed reversed or inverted, the publisher accepts no responsibility for orientation or chirality. Any resemblance of the author or his or her likeness or name to any person, living or dead, or their heirs or assigns, is coincidental; all references to people, places, or events have been or should have been fictionalized and may or may not have any factual basis, even if reported as factual. Similarities to existing works of art, literature, song, or television or movie scripts is pure happenstance. References have been chosen at random from our own catalog. Neither the author(s) nor the publisher shall have any liability whatever to any person, corporation, animal whether feral or domesticated, or other corporeal or incorporeal entity with respect to any loss, damage, misunderstanding, or death from choking with laughter or apoplexy at or due to, respectively, the contents; that is caused or is alleged to be caused by any party, whether directly or indirectly due to the information or lack of information that may or may not be found in this alleged work. No representation is made as to the correctness of the ISBN or date of publication as our typist isn't good with numbers and errors of spelling and usage are attributable solely to bugs in the spelling and grammar checker in Microsoft Word. If sold without a cover, this book will be thinner than those sold with a cover. You do not own this book, but have acquired only a revocable non-exclusive license to read the material contained herein. You may not read it aloud to any third party. This disclaimer is a copyrighted work of Jef Raskin, first published in 2004, and is distributed 'as is', without warranty as to quality of humor, incisiveness of commentary, sharpness of taunt, or aptness of jibe.”

Jef Raskin (1943–2005) American computer scientist

"If Books Were Sold as Software" http://www.newsscan.com/cgi-bin/findit_view?table=newsletter&dateissued=20040818#11200, NewsScan.com (18 August 2004) <br class="br">If Books Were Sold as Software (2004)

Death, People, Books, Art

“The construction of short stories calls for a markedly different set of mind than work on a novel, and for me short stories are at once more interesting and more difficult to write than longer work. The comparative brevity of the story dictates more economical and accurate use of words and images, a limited palette of events, fewer characters, tighter dialogue, strong title and punctuation that works to move the story forward. If the writer is trying to illustrate a particular period or place, a collection of short stories is a good way to take the reader inside a house of windows, each opening onto different but related views—a kind of flip book of place, time and manners.”

Annie Proulx (1935) American novelist, short story and non-fiction author

On her short story collection Close Range: Wyoming Stories in “An Interview with Annie Proulx” https://www.missourireview.com/article/an-interview-with-annie-proulx/ in The Missouri Review (1999 Mar 1) <br class="br">Personal life and writing career

Time, Housing, Strong, Books

“Manson arrived at the déjeuner given by the minister of Beaux Arts fantastically drunk—punctuated the ceremony with cat-calls and cock-a-doodle-doos, and finally staggered to his feet, hurled obscene insults at the company in general and the minister in particular, and precipitated himself on the ambassadress, Lady Phipps, some say with amorous intent others with lethal intent… the guests fled ices uneaten, coffee undrunk… I hope an example will be made, and that they will seize the opportunity for turning the sot out of the Tate, not because he is a sot, but because he has done nothing but harm to modern painting.”

James Bolivar Manson (1879–1945) British artist

Clive Bell, quoted in Frances Spalding, The Tate: A History (1998), pp. 62–70. Tate Gallery Publishing, London. ISBN 1854372319.

Painting, Hope, Art, Cats

“The purpose here is to demonstrate the diversity of classical formulae which appeared in architectural design, and if we look at classical architecture as a repertoire of forms rather than statements of specific design credos we can challenge teleological constructions of stylistic histories. The method of grouping the architecture from given periods of time under general stylistic labels has, without doubt, been the backbone of the discipline of architectural history. And when used skilfully and carefully it can provide useful punctuation marks in the lengthy and complex narrative that is the subject-matter of the history of western building. Yet it is only one of many tools with which to explore social and cultural contexts.”

Dana Arnold (1961) Middlessex uni prof

Source: Reading Architectural History (2002), Ch. 3 : On classical ground : Histories of style

Appearance, History, Time

“I’m always amused by those commentators who nervously insist that the working class’s constant use of the word fuck is really just “a form of punctuation.””

Don Paterson (1963) Poet

It is, however, no more or less then what they dread: an inexhaustible river of smelted wrath, a Phlegethon of ancestral grievance.
"Aphorisms" (2005)

“The basic unit of writing practice is the timed exercise.
1. Keep your hand moving.
2. Don't cross out.
3. Don't worry about spelling, punctuation, grammar.
4. Lose control.
5. Don't think. Don't get logical.
6. Go for the jugular.
[…] That is the discipline: to continue to sit.”

Natalie Goldberg book Writing Down the Bones

Essay, "First thoughts". p.8, 9
Writing Down the Bones (1986)

Time, Thinking, Exercises