Quotes about performance
page 13

Vangelis photo
Gerald James Whitrow photo
Camille Paglia photo
Charles Grey, 2nd Earl Grey photo

“To assist the Spaniards is morally and politically one of the highest duties a nation ever had to perform.”

Charles Grey, 2nd Earl Grey (1764–1845) Prime Minister of the United Kingdom of Great Britain and Ireland

Letter to Lord Brougham (29 September 1808) on the Spanish uprising against Napoleon's invasion, quoted in The Life and Times of Lord Brougham, Written By Himself. Volume I (New York: Harper & Brothers, 1871), p. 288.
1800s

Warren Farrell photo

“Sexual harassment in the workplace confuses rewards for performance with rewards for attractiveness and sexual availability.”

Source: The Myth of Male Power (1993), Part III: Government as substitute husband, p. 284-5.

Herbert A. Simon photo

“Now the salient characteristic of the decision tools employed in management science is that they have to be capable of actually making or recommending decisions, taking as their inputs the kinds of empirical data that are available in the real world, and performing only such computations as can reasonably be performed by existing desk calculators or, a little later electronic computers. For these domains, idealized models of optimizing entrepreneurs, equipped with complete certainty about the world - or, a worst, having full probability distributions for uncertain events - are of little use. Models have to be fashioned with an eye to practical computability, no matter how severe the approximations and simplifications that are thereby imposed on them…
The first is to retain optimization, but to simplify sufficiently so that the optimum (in the simplified world!) is computable. The second is to construct satisficing models that provide good enough decisions with reasonable costs of computation. By giving up optimization, a richer set of properties of the real world can be retained in the models… Neither approach, in general, dominates the other, and both have continued to co-exist in the world of management science.”

Herbert A. Simon (1916–2001) American political scientist, economist, sociologist, and psychologist

Source: 1960s-1970s, "Rational decision making in business organizations", Nobel Memorial Lecture 1978, p. 498; As cited in: Arjang A. Assad, ‎Saul I. Gass (2011) Profiles in Operations Research: Pioneers and Innovators. p. 260-1.

John Zerzan photo
Leona Lewis photo

“Those women are the true divas. They're amazing performers, whom I've listened to for years. These are the people who've inspired me to sing, so it's flattering that I'm being compared to them. But I have a lot of hard work to do first.”

Leona Lewis (1985) British singer-songwriter

Access Hollywood http://www.accesshollywood.com/article/8670/rising-star-leona-lewis/, March 2008
Regarding comparisons to Mariah Carey and Whitney Houston

Bradley Joseph photo

“Musically I try to connect a common bridge between such exhilarating feelings as performing at the Acropolis, to the emotions each and every one of us feel everyday. In the end, a good melody will always stand the test of time.”

Bradley Joseph (1965) Composer, pianist, keyboardist, arranger, producer, recording artist

Indie Journal Interview http://web.archive.org/web/20041101084648/http://www.indiejournal.com/indiejournal/interviews/bradleyjoseph.htm

Don Soderquist photo
William Thomson photo
Mata Amritanandamayi photo
Meher Baba photo

“To gulp down anger is the most courageous act one can perform. One who does it becomes humble.”

Meher Baba (1894–1969) Indian mystic

5:1857.
Lord Meher (1986)

Vangelis photo

“Vangelis has been writing and performing electronic music for three decades and suggests that it is perhaps the only genre - with the exception of "pure" classical music - that can comunicate universally.”

Vangelis (1943) Greek composer of electronic, progressive, ambient, jazz, pop rock, and orchestral music

https://books.google.hr/books?id=_hMEAAAAMBAJ
Vangelis Prepares For Blastoff On Musical Mission To Mars
Maria Paravantes
August 25, 2001
Billboard
113
34
50
0006-2510
2001

George Mason photo

“Attend with Diligence and strict Integrity to the Interest of your Correspondents and enter into no Engagements which you have not the almost certain Means of performing.”

George Mason (1725–1792) American delegate from Virginia to the U.S. Constitutional Convention

Letter to his son, John Mason (12 June 1788)

Manisha Koirala photo

“People appreciating my performance is good enough for me. I don't care much for awards and have never given it much thought. And anyway, I can't play the games people play to win awards.”

Manisha Koirala (1970) Nepalese actress, UNFPA Goodwill Ambassador and social activist

Manish Koirala on Pyara.com http://www.pyara.com/stars/manisha/biography.cfm

Sania Mirza photo

“I have a passion for playing tennis and enjoy the workload and struggles of performing in this amazing global sport.”

Sania Mirza (1986) Indian tennis player

In Zee News: Winning Grand Slams is Sania's motivation after London Games http://zeenews.india.com/sports/tennis/winning-grand-slams-is-sania-s-motivation-after-london-games_747629.html, Zee News, August 17, 2012,

Margaret Sullivan (journalist) photo
Al Hurricane photo

“The ritual which his body had had to perform for fifty years had been no preparation for the unexpected.”

Source: Titus Groan (1946), Chapter 41 “The Burning” (pp. 248-249)

Herman Kahn photo
Rudy Vallée photo
Michael Bloomberg photo

“On his performance in college: "I was the one of those students who made the top half of the class possible."”

Michael Bloomberg (1942) American businessman and politician, former mayor of New York City

http://www.tufts.edu/home/feature/?p=commencement2007&p4=4
Education

“On May 17, 1969, a show which was to become the seminal exhibition of video art in the U. S. opened at the Howard Wise Gallery in New York City. That exhibition, "TV as a Creative Medium," effectively pointed to the diverse potential of a new art form and social tool. Subsequently, the show became renowned for the inspiration it provided for many artists and future advocates of video. The artists represented in the show, a few of whom are still involved in the medium today, came from varied backgrounds-painting, filmmaking, nuclear physics, avant-garde music and performance, kinetic and light sculpture-and their approaches presented a primer of the directions which video would soon take. Theoretically, they variously saw video as viewer participation, a spiritual and meditative experience, a mirror, an electronic palette, a kinetic sculpture, or acultural machine to be deconstructed. Ripe with ideas and armed with a heady optimism about the future of communications, these artists used video as an information tool and as a means of gaining understanding and control of television, not solely as an art form. In "TV as a Creative Medium" alternative television was presented as a stepping stone to the promised communications utopia.”

Marita Sturken (1957) American academic

Marita Sturken. " TV as a Creative Medium: Howard Wise and Video Art http://www.vasulka.org/archive/4-30c/AfterImageMay84(1004).pdf," in: Afterimage, May 1984

Ernesto Che Guevara photo
Max Wertheimer photo
Horace Walpole photo

“Men are often capable of greater things than they perform. They are sent into the world with bills of credit, and seldom draw to their full extent.”

Horace Walpole (1717–1797) English art historian, man of letters, antiquarian and Whig politician

As quoted in "The Works of Horace Walpole, Earl of Orford" in The Monthly Review, or, Literary Journal, Vol. 27 (1798) edited by Ralph Griffiths, p. 187

Jermain Defoe photo
Kumar Sangakkara photo
Muhammad Ali Jinnah photo
David Hume photo
Zygmunt Vetulani photo
Amitabh Bachchan photo
John Zerzan photo
Wassily Leontief photo
Eric Hobsbawm photo
José Ortega Y Gasset photo
Rekha photo

“After reading the script, I had a strange feeling that I had Umrao in me. And the film created history.… I gave a performance which is one of my personal favourites.”

Rekha (1954) Indian film actress

About her acting in Umroa Jan quoted in Ever gorgeous, 16 October 2010, 7 December 2013, The Hindu http://www.hindu.com/mp/2010/10/16/stories/2010101650330700.htm,
Ever gorgeous

Michael Sheen photo
Rutherford B. Hayes photo

“The debt was the most sacred obligation incurred during the war. It was by no means the largest in amount. We do not haggle with those who lent us money. We should not with those who gave health and blood and life. If doors are opened to fraud, contrive to close them. But don’t deny the obligation, or scold at its performance.”

Rutherford B. Hayes (1822–1893) American politician, 19th President of the United States (in office from 1877 to 1881)

About the Arrears of Pensions Act (1879) for disabled Union veterans, which Hayes cheerfully signed, which was roundly criticized as too expensive and too open to fraud by unscrupulous veterans fabricating service-related injuries.
Letter to William Henry Smith (19 December 1881)
Diary and Letters of Rutherford Birchard Hayes (1922 - 1926)

Michelle Obama photo
Shelley Winters photo
Nathanael Greene photo
Adam Ferguson photo

“Men are to be estimated, not from what they know, but from what they are able to perform”

PART I, SECTION V.
An Essay on the History of Civil Society (1767)

Andrew S. Tanenbaum photo

“A multithreaded file system is only a performance hack.”

Andrew S. Tanenbaum (1944) Dutch computer scientist

In a Usenet message to Linus Torvalds, 30 Jan 1992.
The "Linux is Obsolete" Debate

Erving Goffman photo

“This article [entitled A framework for the comparative analysis of organizations], was one of three independent statements in 1967 of what came to be called "contingency theory." It held that the structure of an organization depends upon (is ‘contingent’ upon) the kind of task performed, rather than upon some universal principles that apply to all organizations. The notion was in the wind at the time.
I think we were all convinced we had a breakthrough, and in some respects we did — there was no one best way of organizing; bureaucracy was efficient for some tasks and inefficient for others; top managers tried to organize departments (research, production) in the same way when they should have different structures; organizational comparisons of goals, output, morale, growth, etc., should control for types of technologies; and so on. While my formulation grew out of fieldwork, my subsequent research offered only modest support for it. I learned that managers had other ends to maximize than efficient production and they sometimes sacrificed efficiency for political and personal ends.”

Charles Perrow (1925–2019) American sociologist

Charles Perrow, in "This Week’s Citation Classic." in: CC, Nr. 14. April 6, 1981 (online at garfield.library.upenn.edu)
Comment:
The other two 1967 publications were Paul R. Lawrence & Jay W. Lorsch. Organization and environment. Cambridge, MA: Harvard University Press, 1967, and James D. Thompson. Organizations in action. New York: McGraw-Hill, 1967.
1980s and later

Joseph Hayne Rainey photo
Eugene Rotberg photo

“We design performance measures to cover-up error. They are called benchmarks. We make decisions based on: Will we be found out? Discovered? Identified as the wrongdoer? Do we really want to have to explain this stuff to someone who spent his or her life in sales or marketing?”

Informal remarks on the occasion of the 50th anniversary of the Eurobond market." http://www.generotberg.com/speeches/2000s/on-the-occasion-of-the-50th-anniversary-of-the-eurobond-market.html (2013)

Bawa Muhaiyaddeen photo
Muhammad bin Tughluq photo

“All sultans were keen on making slaves, but Muhammad Tughlaq became notorious for enslaving people. He appears to have outstripped even Alauddin Khalji and his reputation in this regard spread far and wide. Shihabuddin Ahmad Abbas writes about him thus:
“The Sultan never ceases to show the greatest zeal in making war upon infidels… Everyday thousands of slaves are sold at a very low price, so great is the number of prisoners”. Muhammad Tughlaq did not only enslave people during campaigns, he was also very fond of purchasing and collecting foreign and Indian slaves. According to Ibn Battuta one of the reasons of estrangement between Muhammad Tughlaq and his father Ghiyasuddin Tughlaq, when Muhammad was still a prince, was his extravagance in purchasing slaves. Even as Sultan, he made extensive conquests. He subjugated the country as far as Dwarsamudra, Malabar, Kampil, Warangal, Lakhnauti, Satgaon, Sonargaon, Nagarkot and Sambhal to give only few prominent place-names. There were sixteen major rebellions in his reign which were ruthlessly suppressed. In all these conquests and rebellions, slaves were taken with great gusto. For example, in the year 1342 Halajun rose in rebellion in Lahore. He was aided by the Khokhar chief Kulchand. They were defeated. “About three hundred women of the rebels were taken captive, and sent to the fort of Gwalior where they were seen by Ibn Battutah.” Such was their influx that Ibn Battutah writes: “At (one) time there arrived in Delhi some female infidel captives, ten of whom the Vazir sent to me. I gave one of them to the man who had brought them to me, but he was not satisfied. My companion took three young girls, and I do not know what happened to the rest.” Iltutmish, Muhammad Tughlaq and Firoz Tughlaq sent gifts of slaves to Khalifas outside India….. Ibn Battutah’s eye-witness account of the Sultan’s gifting captured slave girls to nobles or arranging their marriages with Muslims on a large scale on the occasion of the two Ids, corroborates the statement of Abbas. Ibn Battutah writes that during the celebrations in connection with the two Ids in the court of Muhammad bin Tughlaq, daughters of Hindu Rajas and those of commoners, captured during the course of the year were distributed among nobles, officers and important foreign slaves. “On the fourth day men slaves are married and on the fifth slave-girls. On the sixth day men and women slaves are married off.” This was all in accordance with the Islamic law. According to it, slaves cannot many on their own without the consent of their proprietors. The marriage of an infidel couple is not dissolved by their jointly embracing the faith. In the present case the slaves were probably already converted and their marriages performed with the initiative and permission the Sultan himself were valid. Thousands of non-Muslim women were captured by the Muslims in the yearly campaigns of Firoz Tughlaq, and under him the id celebrations were held on lines similar to those of his predecessor. In short, under the Tughlaqs the inflow of women captives never ceased.”

Muhammad bin Tughluq (1290–1351) Turkic Sultan of Delhi

Lal, K. S. (1994). Muslim slave system in medieval India. New Delhi: Aditya Prakashan. Chapter 5 (quoting Masalik-ul-Absar, E.D., III, 580., Battutah)

Warren Farrell photo

“Circumcision in the United States is routinely performed without anesthesia, though anesthesia reduces the infant's stress and prevents infection and blood clots.”

Source: The Myth of Male Power (1993), Part II: The Glass Cellars of the disposable sex, p. 221.

Derren Brown photo

“Few things make me more livid than insulting bad theatre of any sort. Conversely, perfectly realised and exquisitely elegant performance can move me deeply and reduce me to sobbing like a big girl.”

Derren Brown (1971) British illusionist

Books, Absolute Magic - A Model for Powerful Close-Up Performance (2003) second edition

Aaliyah photo

“I breathe to perform, to entertain, I can’t imagine myself doing anything else. I’m just a really happy girl right now. I honestly love every aspect of this business. I really do. I feel very fulfilled and complete.”

Aaliyah (1979–2001) American singer, actress and model

In Vibe magazine cover story, "What Lies Beneath" (Published in 2001) http://www.vibe.com/article/aaliyahs-2001-vibe-cover-story-what-lies-beneath

Henri Fayol photo

“This code is indispensable. Be it a case of commerce, industry, politics, religion, war or philanthropy in every concern there is a management function to be performed and for its performance there must be principles, that is to say acknowledged truths regarded as proven on which to rely.”

Henri Fayol (1841–1925) Developer of Fayolism

Source: General and industrial management, 1919/1949, p. 42-43 cited in: John B. Miner (2006) Historical Origins, Theoretical Foundations, And the Future. p. 114

Mortimer J. Adler photo
Winston S. Churchill photo

“George Bernard Shaw is said to have told W. S. C.:
Am reserving two tickets for you for my premiere. Come and bring a friend—if you have one.
W. S. C. to G. B. S.:
Impossible to be present for the first performance. Will attend the second—if there is one.”

Winston S. Churchill (1874–1965) Prime Minister of the United Kingdom

Version given in Irrepressible Churchill: A Treasury of Winston Churchill’s Wit by Kay Halle, 1966
Apocryphal, originally featured Noël Coward and Randolph Churchill (Winston’s son); attested 1946 (columnist Walter Winchell, attributed to anonymous United Press journalist in London). Originally only featured first half about lack of friend; second half (retort about lack of second performance) attested 1948, as was replacement of personages by George Bernard Shaw and Winston Churchill. Specific plays added in later variants, ranging from Man and Superman (1903) to Saint Joan (1923), and appeared in biographies and quote collections from the 1960s.
The quote is presumably apocryphal due to earliest attestations being too different, less famous personages (easily replaced by more famous ones), the quotation becoming more elaborate in later versions, the 20+ year gap between putative utterance and first attestation, and the approximately 50 year gap between putative utterance and appearance in reference works, all as undocumented hearsay.
Detailed discussion at “ Here are Two Tickets for the Opening of My Play. Bring a Friend—If You Have One http://quoteinvestigator.com/2012/03/25/two-tickets-shaw/”, Garson O’Toole, Quote Investigator http://quoteinvestigator.com/, March 25, 2012.
Misattributed

Marvin Bower photo

“John Roecker's Everything You Wanted to Know About Gay Porn Stars *but were afraid to ask, is an intimate, brave and frequently witty exploration inside the heads of 16 male erotic video performers, many with well-known nom de porns: Johnny Hazzard, Brad Benton, Nick Capra and Jason Ridge.”

John Roecker (1966) American film director

[The Bay Area Reporter, Erotic superstars, up-close & personal: here!TV's 'Everything You Wanted to Know About Gay Porn Stars', December 4, 2008, David, Lamble, Benro Enterprises, Inc.]
About

Kenneth N. Waltz photo
David Brin photo

“One great mystery is why sexual reproduction became dominant for higher life-forms. Optimization theory says it should be otherwise.
Take a fish or lizard, ideally suited to her environment, with just the right internal chemistry, agility, camouflage—whatever it takes to be healthy, fecund, and successful in her world. Despite all this, she cannot pass on her perfect characteristics. After sex, her offspring will be jumbles, getting only half of their program from her and half their re-sorted genes somewhere else.
Sex inevitably ruins perfection. Parthenogenesis would seem to work better—at least theoretically. In simple, static environments, well-adapted lizards who produce duplicate daughters are known to have advantages over those using sex.
Yet, few complex animals are known to perform self-cloning. And those species exist in ancient, stable deserts, always in close company with a related sexual species.
Sex has flourished because environments are seldom static. Climate, competition, parasites—all make for shifting conditions. What was ideal in one generation may be fatal the next. With variability, your offspring get a fighting chance. Even in desperate times, one or more of them may have what it takes to meet new challenges and thrive.
Each style has its advantages, then. Cloning offers stability and preservation of excellence. Sex gives adaptability to changing times. In nature it is usually one or the other. Only lowly creatures such as aphids have the option of switching back and forth.”

Introduction to Chapter 8 (pp. 123-124)
Glory Season (1993)

Howard Bloom photo
George Steiner photo
Max Horkheimer photo
Satoru Iwata photo

“Please understand, I am not saying that technology is unimportant. I understand that technology is important. But if we are just focusing on technology and investing in an IT manufacturing plant to come up with higher performance processing [chips], we will not succeed.”

Satoru Iwata (1959–2015) Japanese video game programmer and businessman

Nintendo's New Direction, 2007-03-03, Kent, Steven L., GameSpy, p. 3 http://www.gamespy.com/articles/505/505234p3.html,

Antonin Scalia photo

“It takes two to tango, but for a tango to show its exhilaration, you need two people performing it. There was only one team tangoing tonight.”

Damien Richardson (1947) Irish footballer and manager

A post-match interview with INN after Cork City versus Shamrock Rovers, 5 October 2007.

Richard Rumelt photo
Linus Torvalds photo

“The worst of failure in this kind is that it spoils the market for more competent performers.”

James Agate (1877–1947) British diarist and critic

Ego 7 (1945), p. 153, July 21, 1944.
On von Stauffenberg's bomb plot.

Vytautas Juozapaitis photo

“The Hawthorne researchers became more and more interested in the informal employee groups which tend to form within the formal organisation of the Company, and which are not likely to be represented in the organisation chart. They became interested in the beliefs and creeds which have the effect of making each individual feel an integral part of the group and which make the group appear as a single unit, in the social codes and norms of behaviour by means of which employees automatically work together in a group without any conscious choice as to whether they will or will not co-operate. They studied the important social functions these groups perform for their members, the histories of these informal work groups, how they spontaneously appear, how they tend to perpetuate themselves, multiply, and disappear, how they are in constant jeopardy from technical change, and hence how they tend to resist innovation.
In particular, they became interested in those groups whose norms and codes of behaviour are at variance with the technical and economic objectives of the Company as a whole. They examined the social conditions under which it is more likely for the employee group to separate itself out in opposition to the remainder of the groups which make up the total organisation. In such phenomena they felt that they had at last arrived at the heart of the problem of effective collaboration, and obtained a new enlightenment of the present industrial scene.”

Fritz Roethlisberger (1898–1974) American business theorist

Cited in: Lyndall Fownes Urwick, ‎Edward Franz Leopold Brech (1961), The Making of Scientific Management: The Hawthorne investigations https://archive.org/stream/makingofscientif032926mbp#page/n191/mode/2up. p. 166-167
Management and the worker, 1939

David Dixon Porter photo

“[T]he navy must be an adjunct to the army, yet the officers and men of the navy should always have full credit for the service they perform.”

David Dixon Porter (1813–1891) United States Navy admiral

Source: 1880s, Incidents and Anecdotes of the Civil War (1885), p. 212

Vytautas Juozapaitis photo

“Bad boys have long fascinated audiences as well as storytellers, whatever the medium. Such rebels, often without causes beyond self-gratification, have been at the center of much of contemporary popular culture. One of the paradigms for such dramatized morality tales is Mozart's magnificent "Don Giovanni," whose musical and theatrical turns evoked awe and laughter and terror from the more that 1,500 music fans who on Saturday night flocked to Lawrence's Lied Center for the Mozart Festival Opera production. The libertine is thoroughly disreputable. Nonetheless, we look on in fascination because of his devilish smile, dashing good looks, ready wit, and the audacity of his hyper-inflated ego. If you can imagine a young Jack Nicholson with mustache, cape and a flair for sword play, you've got it. Lithuanian baritone Vytautas Juozapaitis gave the Don appropriate swagger and voice. He also brought a comic twist that gave the roué a touch of the trickster. Stepping out of character for a second in the midst of a briskly paced recitative, he paused, turned, and looked up at the supertitled English translation as if to check his lines. It was a joke shared by all. The pleasure of performing, even in the opera's most dramatic moments, was evident.”

Vytautas Juozapaitis (1963) Lithuanian opera singer

Chuck Berg, "Mozart's 'Don Giovanni' triumphs", Topeka Capital Journal (February, 2007) http://www.jennykellyproductions.com/prod_mozart_review.htm

John Quincy Adams photo
John T. Noonan Jr. photo

“Every neurosis is a primitive form of legal proceeding in which the accused carries on the prosecution, imposes judgment and executes the sentence: all to the end that someone else should not perform the same process.”

Lionel Trilling (1905–1975) American academic

Notebook entry (1946), published in Partisan Review: 50th Anniversary Edition, ed. William Philips (1985)

Charles Darwin photo
Grady Booch photo

“An operation is some action one object performs upon another in order to elicit a reaction.”

Grady Booch (1955) American software engineer

Source: Object-oriented design: With Applications, (1991), p. 80

“Total actions are a further development of the happening and combine the elements of all art forms, painting music, literature, film, theatre, which have been so infected by the progressive process of cretinisation in our society that any examination of reality has become impossible using these means alone. Total actions are the unprejudiced examination of all the materials that make up reality. Total actions take place in a consciously delineated area of reality with deliberately selected materials. They are partial, dynamic occurrences in which the most varied materials and elements of reality are linked, swapped over, turn on their heads and destroyed. This procedure creates the occurrence. The actual nature of the occurrence depends on the composition of the material and actors′ unconscious tendencies. Anything may constitute the material: people, animals, plants, food, space, movement, noise, smells, light, fire, coldness, warmth, wind, dust, steam, gas, events, sport, all art forms and all art products. All the possibilities of the material are ruthlessly exhausted. As a result of the incalculable possibilities for choices that the material presents to the actor, he plunges into a concentrated whirl of action finds himself suddenly in a reality without barriers, performs actions resembling those of a madman, and avails himself of a fool′s privileges, which is probably not without significance for sensible people. Old art forms seek to reconstruct reality, total actions unfold within reality itself. Total actions are direct occurrences(direct art), not the repetition of an occurrence, a direct encounter between unconscious elements and reality(material). The actor performs and himself becomes material: stuttering, stammering, burbling, groaning, choking, shouting, screeching, laughing, spitting, biting, creeping, rolling about in the material.”

Günter Brus (1938) Austrian artist

Source: Nervous Stillness on the Horizon (2006), P. 166 (1966/1972)

Michael Bloomberg photo

“Too often, failing government agencies get bigger budgets, while successful agencies have their budgets cut – because government caters to those screaming the loudest, regardless of what they’re screaming about. In business, it’s exactly the opposite! You invest more in the most successful departments, and less in those that aren’t performing.”

Michael Bloomberg (1942) American businessman and politician, former mayor of New York City

http://mikebloomberg.com/en/issues/public_health/mayor_bloomberg_delivers_opening_address_at_ceasefire_bridging_the_political_divide_conference
Running a Business vs. Running a City

Aurangzeb photo

“In the city of Agra there was a large temple, in which there were numerous idols, adorned and embellished with precious jewels and valuable pearls. It was the custom of the infidels to resort to this temple from far and near several times in each year to worship the idols, and a certain fee to the Government was fixed upon each man, for which he obtained admittance. As there was a large congress of pilgrims, a very considerable amount was realized from them, and paid into the royal treasury. This practice had been observed to the end of the reign of the Emperor Shah Jahan, and in the commencement of Aurangzeb's government; but when the latter was informed of it, he was exceedingly angry and abolished the custom. The greatest nobles of his court represented to him that a large sum was realized and paid into the public treasury, and that if it was abolished, a great reduction in the income of the state would take place. The Emperor observed, 'What you say is right, but I have considered well on the subject, and have reflected on it deeply; but if you wish to augment the revenue, there is a better plan for attaining the object by exacting the jizya. By this means idolatry will be suppressed, the Muhammadan religion and the true faith will be honoured, our proper duty will be performed, the finances of the state will be increased, and the infidels will be disgraced.”

Aurangzeb (1618–1707) Sixth Mughal Emperor

'This was highly approved by all the nobles; and the Emperor ordered all the gold en and silver idols to be broken, and the temple destroyed.
Kanzul-Mahfuz (Kanzu-l Mahfuz), in: Elliot and Dowson, Vol. VIII, pp. 38 -39.
Quotes from late medieval histories

Sophie B. Hawkins photo
Alain de Botton photo

“I passed by a corner office in which an employee was typing up a document relating to brand performance. … Something about her brought to mind a painting by Edward Hopper which I had seen several years before at the Museum of Modern Art in Manhattan. In New York Movie (1939), an usherette stands by the stairwell of an ornate pre-war theatre. Whereas the audience is sunk in semidarkness, she is bathed in a rich pool of yellow light. As often in Hopper’s work, her expression suggests that her thoughts have carried her elsewhere. She is beautiful and young, with carefully curled blond hair, and there are a touching fragility and an anxiety about her which elicit both care and desire. Despite her lowly job, she is the painting’s guardian of integrity and intelligence, the Cinderella of the cinema. Hopper seems to be delivering a subtle commentary on, and indictment of, the medium itself, implying that a technological invention associated with communal excitement has paradoxically succeeded in curtailing our concern for others. The painting’s power hangs on the juxtaposition of two ideas: first, that the woman is more interesting that the film, and second, that she is being ignored because of the film. In their haste to take their seats, the members of the audience have omitted to notice that they have in their midst a heroine more sympathetic and compelling than any character Hollywood could offer up. It is left to the painter, working in a quieter, more observant idiom, to rescue what the film has encouraged its viewers not to see.”

Alain de Botton (1969) Swiss writer

Source: The Pleasures and Sorrows of Work (2009), pp. 83-84.