Quotes about pattern

page 9

As translated by Lilia Graciela Vázquez
Variant: The impossibility of penetrating the divine scheme of the universe does not, however, dissuade us from planning human schemes, even though we know they must be provisional. The Analytic Language of Wilkins is not the least admirable of these schemes.
As translated by Will Fitzgerald
Other Inquisitions (1952), The Analytical Language of John Wilkins
Context: The impossibility of penetrating the divine pattern of the universe cannot stop us from planning human patterns, even though we are conscious they are not definitive. The analytic language of Wilkins is not the least admirable of such patterns.

“Old Hundredth” p. 162 (originally published in New Worlds Science Fiction #100, November 1960)
Short fiction, Who Can Replace a Man? (1965)
Context: When the first flint, the first shell, was shaped into a weapon, that action shaped man. As he molded and complicated his tools, so they molded and complicated him. He became the first scientific animal. And at last, via information theory and great computers, he gained knowledge of all his parts. He formed the Laws of Integration, which reveal all beings as part of a pattern and show them their part in the pattern. There is only the pattern; the pattern is all the universe, creator and created.

Source: The Clash of Civilizations and the Remaking of World Order (1996), Ch. 12 : The West, Civilizations, and Civilization, § 2 : The Commonalities Of Civilization, p. 319
Context: Does the vacuousness of Western universalism and the reality of global cultural diversity lead inevitably and irrevocably to moral and cultural relativism? If universalism legitimates imperialism, does relativism legitimate repression? Once again, the answer to these questions is yes and no. Cultures are relative; morality is absolute. Cultures, as Michael Walzer has argued, are “thick”; they prescribe institutions and behavior patterns to guide humans in the paths which are right in a particular society. Above, beyond, and growing out of this maximalist morality, however, is a “thin” minimalist morality that embodies “reiterated features of particular thick or maximal moralities.” Minimal moral concepts of truth and justice are found in all thick moralities and cannot be divorced from them. There are also minimal moral “negative injunctions, most likely, rules against murder, deceit, torture, oppression, and tyranny.” What people have in common is “more the sense of a common enemy [or evil] than the commitment to a common culture.” Human society is “universal because it is human, particular because it is a society.” At times we march with others; mostly we march alone. Yet a “thin” minimal morality does derive from the common human condition, and “universal dispositions” are found in all cultures. Instead of promoting the supposedly universal features of one civilization, the requisites for cultural coexistence demand a search for what is common to most civilizations. In a multicivilizational world, the constructive course is to renounce universalism, accept diversity, and seek commonalities.

Source: The Walking Drum (1984), Ch. 31
Context: How much could I tell them? How much dared I tell them? What was the point at which acceptance would begin to yield to doubt? For the mind must be prepared for knowledge as one prepares a field for planting, and a discovery made too soon is no better than a discovery not made at all. Had I been a Christian, I would undoubtedly have been considered a heretic, for what the world has always needed is more heretics and less authority. There can be no order or progress without discipline, but authority can be quite different. Authority, in this world in which I moved, implied belief in and acceptance of a dogma, and dogma is invariably wrong, as knowledge is always in a state of transition. The radical ideas of today are often the conservative policies of tomorrow, and dogma is left protesting by the wayside.  Each generation has a group that wishes to impose a static pattern on events, a static pattern that would hold society forever immobile in a position favorable to the group in question. <!--
Much of the conflict in the minds and arguments of those about me was due to a basic conflict between religious doctrines based primarily upon faith, and Greek philosophy, which was an attempt to interpret experience by reason. Or so it seemed to me, a man with much to learn.

Source: Lateral Thinking : Creativity Step by Step (1970), p. 32 as cited in: ACEEE (1994) 1994 ACEEE Summer Study on Energy Efficiency in Buildings. p. 165.
Context: Vertical thinking is selection by exclusion. One works within a frame of reference and throws out what is not relevant. With lateral thinking one realizes that a pattern cannot be restructured from within itself but only as the result of some outside influence. So one welcomes outside influences for their provocative action. The more irrelevant such influences are the more chance there is of altering the established pattern. To look only for things that are relevant means perpetuating the current pattern.

New Mindset on Consciousness (1987)
Context: Science traditionally takes the reductionist approach, saying that the collective properties of molecules, or the fundamental units of whatever system you're talking about, are enough to account for all of the system's activity. But this standard approach leaves out one very important additional factor, and that's the spacing and timing of activity — its pattern or form. The components of any system are linked up in different ways, and these possible relationships, especially at the higher levels, are not completely covered by the physical laws for the elementary interactions between atoms and molecules. At some point, the higher properties of the whole begin to take over and govern the fate of its constituents.
A simple way to illustrate this idea is to imagine a molecule in an airplane flying from L. A. to New York. The molecule may be jostled somewhat or held in position by its neighbors, but these lower-level actions are trivial compared to its movement as the plane flies across the continent. If you plot the movement of the molecule through time and space, those features governed by the higher properties of the plane as a whole make those controlled at the level of the molecule insignificant by comparison. The higher properties control the lower, not by direct intervention, but by supervention.

Source: The Sand Pebbles (1962), Ch. 5; speech of Lt. Collins, the commander of the San Pablo to his crew at the start of summer cruising on the Yangtze River
Context: "Tomorrow we begin our summer cruising to show the flag on Tungting lake and the Hunan rivers," he said. "At home in America, when today reaches them, it will be Flag Day. They will gather to do honor and hear speeches. For us who wear the uniform, every day is Flag Day. We pay our honor in act and feeling and we have little need of words. But on this one day it will not hurt us to grasp briefly in words the meaning of our flag. That is what I want to talk about this morning.
"Our flag is the symbol of America. I want you to grasp what America really is," Lt. Collins said, nodding for emphasis. "It is more than marks on a map. It is more than buildings and land. America is a living structure of human lives, of all the American lives that ever were and ever will be. We in San Pablo are collectively only a tiny, momentary bit of that structure. How can we, standing here, grasp the whole of America?" He made a grasping motion. "Think now of a great cable," he said, and made a circle with his arms. "The cable has no natural limiting length. It can be spun out forever. We can unlay it into ropes, and the ropes, into strands, and the strands into yarns, and none of them have any natural ending. But now let us pull a yarn apart into single fibers —" he made plucking motions with his fingers " — and each man of us can find himself. Each fiber is a tiny, flat, yellowish thing, a foot or a yard long by nature. One American life from birth to death is like a single fiber. Each one is spun into the yarn of a family and the strand of a home town and the rope of a home state. The states are spun into the great, unending, unbreakable cable that is America."
His voice deepened on the last words. He paused, to let them think about it....
"No man, not even President Coolidge, can experience the whole of America directly," Lt. Collins resumed. "We can only feel it when the strain comes on, the terrible strain of hauling our history into a stormy future. Then the cable springs taut and vibrant. It thins and groans as the water squeezes out and all the fibers press each to each in iron hardness. Even then, we know only the fibers that press against us. But there is another way to know America."
He paused for a deep breath. The ranks were very quiet.
"We can know America through our flag which is its symbol," he said quietly. "In our flag the barriers of time and space vanish. All America that ever was and ever will be lives every moment in our flag. Wherever in the world two or three of us stand together under our flag, all America is there. When we stand proudly and salute our flag, that is what we know wordlessly in the passing moment....
"Understand that our flag is not the cloth but the pattern of form and color manifested in the cloth," Lt. Collins was saying. "It could have been any pattern once, but our fathers chose that one. History has made it sacred. The honor paid it in uncounted acts of individual reverence has made it live. Every morning in American schoolrooms children present their hearts to our flag. Every morning and evening we render it our military salutes. And so the pattern lives and it can manifest itself in any number of bits of perishable cloth, but the pattern is indestructible."

Ch 12
A Woman's Thoughts About Women (1858)
Context: A finished life — a life which has made the best of all the materials granted to it, and through which, be its web dark or bright, its pattern clear or clouded, can now be traced plainly the hand of the Great Designer; surely this is worth living for? And though at its end it may be somewhat lonely; though a servant's and not a daughter's arm may guide the failing step; though most likely it will be strangers only who come about the dying bed, close the eyes that no husband ever kissed, and draw the shroud kindly over the poor withered breast where no child's head has ever lain; still, such a life is not to be pitied, for it is a completed life. It has fulfilled its appointed course, and returns to the Giver of all breath, pure as He gave it. Nor will He forget it when He counteth up His jewels.

Source: The Book on the Taboo Against Knowing Who You Are (1966), p. 92

Source: The Artful Universe (1995), Ch. 5, p.236

Source: The Gutenberg Galaxy (1962), p. 186

Source: The Sacred Depths of Nature (1998), p. 59
Context: Patterns of gene expression are to organisms as melodies and harmonies are to sonatas. It's all about which sets of proteins appear in a cell at the same time (the chords) and which sets come before or after other sets (the themes) and at what rate they appear (the tempos) and how they modulate one another (the developments and transitions). When these patterns go awry we may see malignancy. When they change by mutation we can get new kinds of organisms. When they work, we get a creature.

"Coming from Your Inner Self", Conversation with W. Brian Arthur, Xerox PARC (16 April 1999) http://web.archive.org/web/20071011023150/http://www.dialogonleadership.org/Arthur-1999.html, by Joseph Jaworski, Gary Jusela, C. Otto Scharmer
Context: Complexity theory is really a movement of the sciences. Standard sciences tend to see the world as mechanistic. That sort of science puts things under a finer and finer microscope. In biology the investigations go from classifying organisms to functions of organisms, then organs themselves, then cells, and then organelles, right down to protein and enzymes, metabolic pathways, and DNA. This is finer and finer reductionist thinking.
The movement that started complexity looks in the other direction. It’s asking, how do things assemble themselves? How do patterns emerge from these interacting elements? Complexity is looking at interacting elements and asking how they form patterns and how the patterns unfold. It’s important to point out that the patterns may never be finished. They’re open-ended. In standard science this hit some things that most scientists have a negative reaction to. Science doesn’t like perpetual novelty.

An assessment of F. Scott Fitzgerald, Ch. 17
A Moveable Feast (1964)
Context: His talent was as natural as the pattern that was made by the dust on a butterfly's wings. At one time he understood it no more than the butterfly did and he did not know when it was brushed or marred. Later he became conscious of his damaged wings and of their construction and he learned to think and could not fly any more because the love of flight was gone and he could only remember when it had been effortless.

Green Print for Song (1974)
Context: I see Christ as the incarnation of the piper who is calling us. He dances that shape and pattern which is at the heart of our reality. By Christ I mean not only Jesus; in other times and places, other planets, there may be other Lords of the Dance. But Jesus is the one I know of first and best. I sing of the dancing pattern in the life and words of Jesus.
Whether Jesus ever leaped in Galilee to the rhythm of a pipe or drum I do not know. We are told that David danced (and as an act of worship too), so it is not impossible. The fact that many Christians have regarded dancing as a bit ungodly (in a church, at any rate) does not mean that Jesus did. The Shakers didn't...

The Artful Universe (1995)

An Integral Spirituality
Context: Let me start with a short and simple list. This is not the last word on the topic, but the first word, a simple list of suggestions to get the conversation going. Most of the great wisdom traditions agree that:
1. Spirit, by whatever name, exists.
2. Spirit, although existing "out there," is found "in here," or revealed within to the open heart and mind.
3. Most of us don't realize this Spirit within, however, because we are living in a world of sin, separation, or duality — that is, we are living in a fallen, illusory, or fragmented state.
4. There is a way out of this fallen state (of sin or illusion or disharmony), there is a Path to our liberation.
5. If we follow this Path to its conclusion, the result is a Rebirth or Enlightenment, a direct experience of Spirit within and without, a Supreme Liberation, which
6. marks the end of sin and suffering, and
7. manifests in social action of mercy and compassion on behalf of all sentient beings.
Does a list something like that make sense to you? Because if there are these general spiritual patterns in the cosmos, at least wherever human beings appear, then this changes everything. You can be a practicing Christian and still agree with that list; you can be a practicing Neopagan and still agree with that list.

Ch 2 : The Nature of Creativity, p. 50
The Courage to Create (1975)
Context: World is the pattern of meaningful relations in which a person exists and in the design of which he or she participates. It has objective reality, to be sure, but it is not simply that. World is interrelated with the person at every moment. A continual dialectical process goes on between world and self and self and world; one implies the other, and neither can be understood if we omit the other. This is why one can never localize creativity as a subjective phenomenon; one can never study it simply in terms of what goes on within the person. The pole of world is an inseparable part of the creativity of an individual. What occurs is always a process, a doing — specifically a process interrelating the person and his or her world.

The Psychedelic Experience (1995)
Context: A psychedelic experience is a journey to new realms of consciousness. The scope and content of the experience is limitless, but its characteristic features are the transcendence of verbal concepts, of space-time dimensions, and of the ego or identity. Such experiences of enlarged consciousness can occur in a variety of ways: sensory deprivation, yoga exercises, disciplined meditation, religious or aesthetic ecstasies, or spontaneously. Most recently they have become available to anyone through the ingestion of psychedelic drugs such as LSD, psilocybin, mescaline, DMT, etc. Of course, the drug does not produce the transcendent experience. It merely acts as a chemical key — it opens the mind, frees the nervous system of its ordinary patterns and structures.

34 min 00 sec
Cosmos: A Personal Voyage (1990 Update), The Persistence of Memory [Episode 11]
Context: What distinguishes our species is thought. The cerebral cortex is in a way a liberation. We need no longer be trapped in the genetically inherited behavior patterns of lizards and baboons: territoriality and aggression and dominance hierarchies. We are each of us largely responsible for what gets put in to our brains. For what as adults we wind up caring for and knowing about. No longer at the mercy of the reptile brain we can change ourselves. Think of the possibilities.

Source: The Ordeal of Change (1963), Ch. 12: "Concerning Individual Freedom" [In this passage "transforms the prosaic achievements of society into Promethean tasks, glorious defeats, tragic epics" is a quotation of Raymond Aron from The Opium of the Intellectuals (1957), p. xiv]
Context: In exceptional cases, like Puerto Rico and Israel, where capital and skills are available, rapid modernization is not incompatible with a considerable measure of individual freedom.
To some extent, the present dominant role of the intellectual in the modernization of backward countries also militates against the prevalence of individual freedom. Not only does the intellectual's penchant for tutoring, directing, and regulating promote a regimented social pattern, but his craving for the momentous is bound to foster an austere seriousness inhospitable to the full play of freedom. The intellectual "transforms the prosaic achievements of society into Promethean tasks, glorious defeats, tragic epics." The strained atmosphere of an eternal drama working up toward a climax and a crisis is optimal for heroes and saints but not for the autonomous individual shaping his life to the best of his ability. The chances are that should an advanced country come into the keeping of the intellectual it would begin to show many of the hectic traits which seem to us characteristic of a backward country in the throes of awakening.

The New Divinity (1964)
Context: Eventually the old ideas will no longer serve, the old ideological framework can no longer be tinkered up to bear the weight of the facts, and a radical reconstruction becomes necessary, leading eventually to the emergence of a quite new organisation of thought and belief, just as the emergence of new types of bodily organization was necessary to achieve biological advance. Such major organizations of thought may be necessary in science as much as in religion. The classical example, of course, was the re-patterning of cosmological thought which demoted the earth from its central position and led to the replacement of the geocentric pattern of thought by a heliocentric one. I believe that an equally drastic reorganization of our pattern of religious thought is now becoming necessary, from a god-centered to an evolutionary-centered pattern.

Introduction to The Annotated Alice (1960) // The Annotated Alice. The Definitive Edition (1999), by Lewis Carroll (Author, Christ Church College, Oxford), John Tenniel (Illustrated by), Martin Gardner (Editor, Introduction and notes by), page viii
Context: The last level of metaphor in the Alice books is this: that life, viewed rationally and without illusion, appears to be a nonsense tale told by an idiot mathematician. At the heart of things science finds only a mad, never-ending quadrille of Mock Turtle Waves and Gryphon Particles. For a moment the waves and particles dance in grotesque, inconceivably complex patterns capable of reflecting on their own absurdity.

Source: V. (1963), Chapter Two, Part II
Context: The rest of the Crew partook of the same lethargy. Raoul wrote for television, keeping carefully in mind, and complaining bitterly about, all the sponsor-fetishes of that industry. Slab painted in sporadic bursts, referring to himself as a Catatonic Expressionist and his work as “the ultimate in non-communication.” Melvin played the guitar and sang liberal folk songs. The pattern would have been familiar—bohemian, creative, arty—except that it was even further removed from reality, Romanticism in its furthest decadence; being only an exhausted impersonation of poverty, rebellion and artistic “soul.” For it was the unhappy fact that most of them worked for a living and obtained the substance of their conversation from the pages of Time magazine and like publications

Referring to a diagrammatic "Compass of Motives", as quoted in Der Witz und seine Beziehung zum Unbewussten [Jokes and Their Relation to the Unconscious] (1905) by Sigmund Freud, as translated by James Strachey (1960), p. 101; also quoted by Freud in an open letter to Albert Einstein, Why War? (1933).
Variant translation: The motives that lead us to do anything might be arranged like the thirty-two winds and might be given names on the same pattern: for instance, "food-food-fame" or "fame-fame-food".
Context: The motives that lead us to do anything might be arranged like the thirty-two winds and might be given names on the same pattern: for instance, "bread-bread-fame" or "fame-fame-bread."

"A Conversation With Roger Zelazny" (8 April 1978), talking with Terry Dowling and Keith Curtis in Science Fiction Vol. 1, #2 (June 1978) http://web.archive.org/web/20070701010155/zelazny.corrupt.net/19780408int.html#2
Context: Yeah, the mythology is kind of a pattern. I'm very taken by mythology. I read it at a very early age and kept on reading it. Before I discovered science fiction I was reading mythology. And from that I got interested in comparative religion and folklore and related subjects. And when I began writing, it was just a fertile area I could use in my stories.
I was saying at the convention in Melbourne that after a time I got typed as a writer of mythological science fiction, and at a convention I'd go to I'd invariably wind up on a panel with the title "Mythology and Science Fiction". I felt a little badly about this, I was getting considered as exclusively that sort of writer. So I intentionally tried to break away from it with things like Doorways in the Sand and those detective stories which came out in the book My Name Is Legion, and other things where I tried to keep the science more central.
But I do find the mythological things are creeping in. I worked out a book which I thought was just straight science fiction -- with everything pretty much explained, and suddenly I got an idea which I thought was kind of neat for working in a mythological angle. I'm really struggling with myself. It would probably be a better book if I include it, but on the other hand I don't always like to keep reverting to it. I think what I'm going to do is vary my output, do some straight science fiction and some straight fantasy that doesn't involve mythology, and composites.

Cited in: Peter Coad (1992) " Object-oriented patterns http://www.cs.washington.edu/education/courses/cse503/04sp/readings/designpattern.pdf." Communications of the ACM 35.9. p. 152
The Timeless Way of Building (1979)

Source: The (Mis)Behavior of Markets (2004, 2008), Ch. 12, p. 245
Context: People want to see patterns in the world. It is how we evolved. We descended from those primates who were best at spotting the telltale pattern of a predator in the forest, or of food in the savannah. So important is this skill that we apply it everywhere, warranted or not.

Changing Consciousness (1991)
Context: We often find that we cannot easily give up the tendency to hold rigidly to patterns of thought built up over a long time. We are then caught up in what may be called absolute necessity. This kind of thought leaves no room at all intellectually for any other possibility, while emotionally and physically, it means we take a stance in our feelings, in our bodies, and indeed, in our whole culture, of holding back or resisting. This stance implies that under no circumstances whatsoever can we allow ourselves to give up certain things or change them. <!-- p. 15

volume I; lecture 3, "The Relation of Physics to Other Sciences"; section 3-4, "Astronomy"; p. 3-6
The Feynman Lectures on Physics (1964)
Context: Poets say science takes away from the beauty of the stars — mere globs of gas atoms. Nothing is "mere". I too can see the stars on a desert night, and feel them. But do I see less or more? The vastness of the heavens stretches my imagination — stuck on this carousel my little eye can catch one-million-year-old light. A vast pattern — of which I am a part... What is the pattern, or the meaning, or the why? It does not do harm to the mystery to know a little about it. For far more marvelous is the truth than any artists of the past imagined! Why do the poets of the present not speak of it? What men are poets who can speak of Jupiter if he were a man, but if he is an immense spinning sphere of methane and ammonia must be silent?

Source: Analysis Patterns: Reusable Object Models, 1997, p. 8

Progress In Religion (2000)
Context: I have five minutes left to give you a message to take home. The message is simple. "God forbid that we should give out a dream of our own imagination for a pattern of the world". This was said by Francis Bacon, one of the founding fathers of modern science, almost four hundred years ago. Bacon was the smartest man of his time, with the possible exception of William Shakespeare.

Illusions : The Adventures of a Reluctant Messiah (1977)

Source: A Wild Sheep Chase: A Novel (1982), Chapter 38, And So Time Passes
Context: Time. Particles of darkness configured mysterious patterns on my retina. Patterns that degenerated without a sound, only to be replaced by new patterns. Darkness but darkness alone was shifting, like mercury in motionless space. I put a stop to my thoughts and let time pass. Let time carry me along. Carry me to where a new darkness was configuring yet newer patterns.

On the song Synchronicity II, as quoted in "Official Police business" by Jay Cocks, in TIME magazine (15 August 1983), p. 50
Context: Jung believed there was a large pattern to life, that it wasn't just chaos. Our song Synchronicity II is about two parallel events that aren't connected logically or causally, but symbolically.

Source: Violent Universe (1969), p. 25

1960s, Freedom From The Known (1969)
Context: Thought is matter as much as the floor, the wall, the telephone, are matter. Energy functioning in a pattern becomes matter. That is all life is … Matter and energy are interrelated. The one cannot exist without the other, and the more harmony there is between the two, the more balance, the more active the brain cells are. Thought has set up this pattern of pleasure, pain, fear, and has been functioning inside it for thousands of years and cannot break the pattern because it has created it.

The Paris Review interview (1982)
Context: You know C. S. Lewis, whom I greatly admire, said there’s no such thing as creative writing. I’ve always agreed with that and always refuse to teach it when given the opportunity. He said there is, in fact, only one Creator and we mix. That’s our function, to mix the elements He has given us. See how wonderfully anonymous that leaves us? You can’t say, “I did this; this gross matrix of flesh and blood and sinews and nerves did this.” What nonsense! I’m given these things to make a pattern out of. Something gave it to me.
I’ve always loved the idea of the craftsman, the anonymous man. For instance, I’ve always wanted my books to be called the work of Anon, because Anon is my favorite literary character. If you look through an anthology of poems that go from the far past into the present time, you’ll see that all the poems signed “Anon” have a very specific flavor that is one flavor all the way through the centuries. I think, perhaps arrogantly, of myself as “Anon.” I would like to think that Mary Poppins and the other books could be called back to make that change. But I suppose it’s too late for that.

Source: From the Danube to the Yalu (1954), p. 25

Source: The Artful Universe (1995), Ch. 5, p.236

As quoted in The Way To Win : Showing How To Succeed In Life (1887) by John Thomas Dale, p. 89
Context: I record the conviction that in one way or another, special individual help is given to every creature to endure to the end. It has been my own experience, that always when suffering, whether mental or bodily, approached the point where further endurance appeared impossible, the pulse of it began to ebb and a lull ensued.
You are tender-hearted, and you want to be true, and are trying to be; learn these two things: Never be discouraged because good things get on so slowly here; and never fail daily to do that good which lies next to your hand. Do not be in a hurry, but be diligent. Enter into the sublime patience of the Lord. Trust to God to weave your little thread into the great web, though the pattern shows it not yet. When God's people are able and willing thus to labor and wait, remember that one day is with the Lord as a thousand years, and a thousand years as one day; the grand harvest of the ages shall come to its reaping, and the day shall broaden itself to a thousand years, and the thousand years shall show themselves as a perfect and finished day.

The Nature of Consciousness http://www.erowid.org/culture/characters/watts_alan/watts_alan_article1.shtml; also published as What Is Reality? (1989)

Source: The Sacred Depths of Nature (1998), p. 173
Context: The tapestry maker first strings the warp, long strong fibers anchored firmly to the loom, and then interweaves the weft, the patterns, the color, the art. The epic of evolution is our warp, destined to endure, commanding our universal gratitude and reverence and commitment. And then, after that, we are all free to be artists, to render in language and painting and song and dance our ultimate hopes and concerns and understandings of human nature. Throughout the ages, the weaving of our religious weft has been the province of our prophets and gurus and liturgists and poets. The texts and art and ritual that come to us from these revered ancestors include claims about Nature and Agency that are no longer plausible. They use a different warp. But for me at least, this is just one of those historical facts, something that can be absorbed, appreciated, and then put aside as I encounter the deep wisdom embedded in these traditions and the abundant opportunities that they offer to experience transcendence and clarity.

The Visitor (2002)
Context: "This place is a godland, you may call me god. Small g, for I am not proud. We are a race evolving in this Creation to serve the Maker of it. We act as temporary deities during the childhood of individual peoples and planets. I was the midwife who brought forth this world, who stirred the primordial ooze, and noted the life that crawled up from the sea. Our race is not unlike yours, but I am very old, and you are still very young."
"We come and go. I came to teach your people language. I raised up oracles, whispered to soothsayers, wove bright visions for sorcerers, and spoke marvels to your alchemists. I came again to raise up prophets in the the Real One's name: Bruno, Galileo, Newton, Fermi..."
The doctor interrupted, "The Real One? Who?"
"The Being whom I worship. The Ultimate who stands apart from time. The Deity some men think they are addressing when they pray with words. The Real One doesn't even perceive words. If IT did, imagine what IT would have to listen to! The Real One sees only the pattern of what is, where it begins and where it comes to rest. The only prayer IT perceives is action. … Only actions enter the pattern the Real One sees. What is. What was done. IT perceives neither intentions nor remorse."

Ch. 44 : the visitor

Introduction
The Culture of Cities (1938)
Context: Today our world faces a crisis: a crisis which, if its consequences are as grave as now seems, may not fully be resolved for another century. If the destructive forces in civilization gain ascendancy, our new urban culture will be stricken in every part. Our cities, blasted and deserted, will be cemeteries for the dead: cold lairs given over to less destructive beasts than man. But we may avert that fate: perhaps only in facing such a desperate challenge can the necessary creative forces be effectually welded together. Instead of clinging to the sardonic funeral towers of metropolitan finance, ours to march out to newly plowed fields, to create fresh patterns of political action, to alter for human purposes the perverse mechanisms or our economic regime, to conceive and to germinate fresh forms of human culture.
Instead of accepting the stale cult of death that the Fascists have erected, as the proper crown for the servility and brutality that are the pillars of their states, we must erect a cult of life: life in action, as the farmer or mechanic knows it: life in expression, as the artist knows it: life as the lover feels it and the parent practices it: life as it is known to men of good will who meditate in the cloister, experiment in the laboratory, or plan intelligently in the factory or the government office.

Source: The Book on the Taboo Against Knowing Who You Are (1966), p. 73

Source: Dreaming the Dark: Magic, Sex and Politics (1982), Ch. 1 : Power-Over and Power-From-WIthin, p. 13

Source: Anarchy, State, and Utopia (1974), Ch. 10 : A Framework for Utopia; Design Devices and Filter Devices, p. 316
Context: Some communities will be abandoned, others will struggle along, others will split, others will flourish, gain members, and be duplicated elsewhere. Each community must win and hold the voluntary adherence of its members. No pattern is imposed on everyone, and the result will be one pattern if and only if everyone voluntarily chooses to live in accordance with that pattern of community.

What Is A Jazz Composer? (1971)
Context: Now, whether there is feeling or not depends upon what your environment or your association is or whatever you may have in common with the player. If you feel empathy for his personal outlook, you naturally feel him musically more than some other environmental and musical opposite who is, in a way. beyond you.
I, myself, came to enjoy the players who didn't only just swing but who invented new rhythmic patterns, along with new melodic concepts. And those people are: Art Tatum, Bud Powell, Max Roach, Sonny Rollins, Lester Young, Dizzy Gillespie and Charles Parker, who is the greatest genius of all to me because he changed the whole era around. But there is no need to compare composers. If you like Beethoven, Bach or Brahms, that's okay. They were all pencil composers. I always wanted to be a spontaneous composer. I thought I was, although no one's mentioned that. I mean critics or musicians. Now, what I'm getting at is that I know I'm a composer. I marvel at composition, at people who are able to take diatonic scales, chromatics, 12-tone scales, or even quarter-tone scales. I admire anyone who can come up with something original. But not originality alone, because there can be originality in stupidity, with no musical description of any emotion or any beauty the man has seen, or any kind of life he has lived.

Source: Mohandas Gandhi (1971), p. 8
Context: Much in his career remains unexplained if we forget his insistence that religion and politics were bound inextricably in the common search for Truth. "To me," he said, "Truth is God and there is no way to find Truth except the way of nonviolence." Truth conceived as God is of course the Absolute. Truth perceived by man must always be relative, changing according to human contacts developing as men understand better each other, their circumstances and themselves. Gandhi never set out to develop a fixed and final doctrine, but emphasized that his practice of ahimsa, or nonviolence, was always experimental, that his political struggle like his personal life was part of a continuing quest for Truth as manifested existentially, a quest that could never end because human understanding was incapable of comprehending the Absolute.
The identification of Truth as the goal of political action, as well as of religious devotion, and the refusal to distinguish between religion and politics, form the background to the great divergences between Gandhi's revolutionary ideas and techniques and those of other contemporary revolutionists … Unorthodox though he might be, Gandhi fitted into the traditional pattern of the sanyassi who practices non‑attachment in the search for Truth; he was the karma yogin, the man who perfects and purifies himself through action. Yogic disciplines of all kinds are held in India to confer power over destiny, and Gandhi believed that positive action — love and nonviolence — could intangibly influence men and therefore events. With Truth as the goal and at the same time as the principle of action (for in Gandhian terms ends are emergent from means and hence virtually indistinguishable from them), there was no place in Gandhi's idea of revolution for conspiratorial methods or guerrilla activities.

Bk. VII, l. 801-808.
Aurora Leigh http://digital.library.upenn.edu/women/barrett/aurora/aurora.html (1857)
Context: Man, the two-fold creature, apprehends
The two-fold manner, in and outwardly,
And nothing in the world comes single to him.
A mere itself, — cup, column, or candlestick,
All patterns of what shall be in the Mount;
The whole temporal show related royally,
And build up to eterne significance
Through the open arms of God.

Source: Anarchy, State, and Utopia (1974), Ch. 10 : A Framework for Utopia; Utopian Means and Ends, p. 327
Context: In a free system any large, popular, revolutionary movement should be able to bring about its ends by such a voluntary process. As more and more people see how it works more and more will wish to participate in or support it. And so it will grow, without being necessary to force everyone or a majority or anyone into the pattern.

1960s, Operating Manual for Spaceship Earth (1963)
Context: Topology provides the synergetic means of ascertaining the values of any system of experiences. Topology is the science of fundamental pattern and structural relationships of event constellations.

I. Asimov: A Memoir (1994)
Context: If I were not an atheist, I would believe in a God who would choose to save people on the basis of the totality of their lives and not the pattern of their words. I think he would prefer an honest and righteous atheist to a TV preacher whose every word is God, God, God, and whose every deed is foul, foul, foul.
I would also want a God who would not allow a Hell. Infinite torture can only be a punishment for infinite evil, and I don't believe that infinite evil can be said to exist even in the case of Hitler. Besides, if most human governments are civilized enough to try to eliminate torture and outlaw cruel and unusual punishments, can we expect anything less of an all-merciful God?
I feel that if there were an afterlife, punishment for evil would be reasonable and of a fixed term. And I feel that the longest and worst punishment should be reserved for those who slandered God by inventing Hell.

Source: A Wild Sheep Chase: A Novel (1982), Chapter 38, And So Time Passes
Context: Time. Particles of darkness configured mysterious patterns on my retina. Patterns that degenerated without a sound, only to be replaced by new patterns. Darkness but darkness alone was shifting, like mercury in motionless space. I put a stop to my thoughts and let time pass. Let time carry me along. Carry me to where a new darkness was configuring yet newer patterns.

Cosmic Imagery: Key Images in the History of Science (2008)

A Conversation with Ward Cunningham (2003), Exploring with Wiki
Context: My specific purpose for the first wiki was to create an environment where we might link together each other's experience to discover the pattern language of programming. I had previously worked with a HyperCard stack that was set up to achieve the same kind of goal. I knew people liked to read and author in that HyperCard stack, but it was single user.

Source: Infinite in All Directions (1988), Ch. 2 : Butterflies and Superstrings, p. 17
Context: Euclid... gave his famous definition of a point: "A point is that which has no parts, or which has no magnitude." …A point has no existence by itself. It exists only as a part of the pattern of relationships which constitute the geometry of Euclid. This is what one means when one says that a point is a mathematical abstraction. The question, What is a point? has no satisfactory answer. Euclid's definition certainly does not answer it. The right way to ask the question is: How does the concept of a point fit into the logical structure of Euclid's geometry?... It cannot be answered by a definition.

"Matter" in Man's Right to Knowledge, 2nd series (1954), p. 10; also in Writings on Physics and Philosophy‎ (1994) edited by Charles Paul P. Enz and Karl von Meyenn
Context: In the new pattern of thought we do not assume any longer the detached observer, occurring in the idealizations of this classical type of theory, but an observer who by his indeterminable effects creates a new situation, theoretically described as a new state of the observed system. In this way every observation is a singling out of a particular factual result, here and now, from the theoretical possibilities, therefore making obvious the discontinuous aspect of physical phenomena.
Nevertheless, there remains still in the new kind of theory an objective reality, inasmuch as these theories deny any possibility for the observer to influence the result of a measurement, once the experimental arrangement is chosen. Therefore particular qualities of an individual observer do not enter into the conceptual framework of the theory.

Cited in: Peter Coad (1992, p. 152) About To find patterns, what does one look for?
The Timeless Way of Building (1979)

Book IV, Chapter 4, "Good Infection"
Mere Christianity (1952)
Context: They [Christians] believe that the living, dynamic activity of love has been going on in God forever and has created everything else. And that, by the way, is perhaps the most important difference between Christianity and all other religions: that in Christianity God is not an impersonal thing nor a static thing—not even just one person—but a dynamic pulsating activity, a life, a kind of drama, almost, if you will not think me irreverent, a kind of dance … (The) pattern of this three-personal life is … the great fountain of energy and beauty spurting up at the very center of reality.

Source: From the Danube to the Yalu (1954), p. 176

Introduction (1971)
The Golden Notebook (1962)
Context: Ideally, what should be said to every child, repeatedly, throughout his or her school life is something like this:
"You are in the process of being indoctrinated. We have not yet evolved a system of education that is not a system of indoctrination. We are sorry, but it is the best we can do. What you are being taught here is an amalgam of current prejudice and the choices of this particular culture. The slightest look at history will show how impermanent these must be. You are being taught by people who have been able to accommodate themselves to a regime of thought laid down by their predecessors. It is a self-perpetuating system. Those of you who are more robust and individual than others will be encouraged to leave and find ways of educating yourself — educating your own judgements. Those that stay must remember, always, and all the time, that they are being moulded and patterned to fit into the narrow and particular needs of this particular society."

The Way of the Wyrd : Tales of an Anglo-Saxon Sorcerer (1983)
Context: All our lives are locked together in the shimmering world of wyrd in which all things are enmeshed and connected to one another by the threads of wyrd. … The wyrd sisters spin the web of wyrd and weave the loom of life, they do not thereby determine it … the wyrd sisters simply express the will of wyrd. And so do we. We cannot control our lives, because we too are inseparable aspects of wyrd and express its will. But this is not the same as saying our life is determined. Rather, it is saying we live like an ocean voyager, trimming our sails to the winds and tides of wyrd as we skim across the waters of life. And cresting the waves of wyrd is something that happens at every instant. The pattern of life is not woven ahead of time, like cloth to be worn later as a tunic. Rather, life is woven at the very instant you live it.

Edie : Girl On Fire (2006)
Context: I'm afraid of habit patterns... It would be too much of a routine if you had to establish definite ways of getting through things. You'd get very bored.

Source: V. (1963), Chapter Seven, Part I
Context: Perhaps history this century, thought Eigenvalue, is rippled with gathers in its fabric such that if we are situated, as Stencil seemed to be, at the bottom of a fold, it's impossible to determine warp, woof, or pattern anywhere else. By virtue, however, of existing in one gather it is assumed there are others, compartmented off into sinuous cycles each of which had come to assume greater importance than the weave itself and destroy any continuity. Thus it is that we are charmed by the funny-looking automobiles of the '30's, the curious fashions of the '20's, the particular moral habits of our grandparents. We produce and attend musical comedies about them and are conned into a false memory, a phony nostalgia about what they were. We are accordingly lost to any sense of continuous tradition. Perhaps if we lived on a crest, things would be different. We could at least see.

Erich Fromm, in The Sane Society (1955), Ch. 2: Can A Society be Sick?—The Pathology of Normalcy
Context: Spinoza formulated the problem of the socially patterned defect very clearly. He says: "Many people are seized by one and the same affect with great consistency. All his senses are so strongly affected by one object that he believes this object to be present even if it is not. If this happens while the person is awake, the person is believed to be insane. … But if the greedy person thinks only of money and possessions, the ambitious one only of fame, one does not think of them as being insane, but only as annoying; generally one has contempt for them. But factually greediness, ambition, and so forth are forms of insanity, although usually one does not think of them as 'illness.'" These words were written a few hundred years ago; they still hold true, although the defects have been culturally patterned to such an extent now that they are not even generally thought any more to be annoying or contemptible.

The World's Religions (1991)
Context: The religions begin by assuring us that if we could see the full picture we would find it more integrated than we would normally suppose. Life gives us no view of the whole. [... ] It is as if life were a great tapestry, which we face from its wrong side. This gives it the appearance of a maze of knots and threads, which for the most part appear chaotic.
From a purely human standpoint the wisdom traditions are the species' most prolonged and serious attempts to infer from the maze on this side of the tapestry the pattern which, on its right side, gives meaning to the whole. As the beauty and harmony of the design derive from the way its parts are related, the design confers on these parts a significance that we, seeing only scraps of the design, do not normally perceive.

Source: Banal Nationalism (1995), p. 86

Source: Storm Over Warlock (1960), Chapter 15, “Dragon Slayer” (p. 164)

Source: A Soldier's Story (1951), p. x-xi

Against the Stream (2007)

From 1980s onwards, Critical Path (1981)

Antisocial Coding: My Year at GitHub https://where.coraline.codes/blog/my-year-at-github/ (July 5, 2017)

Section 8.55 (p. 241)
Flight from Nevèrÿon (1985)

Source: Better-World Philosophy: A Sociological Synthesis (1899), Race Culture, pp. 209–210

Startling Stories (September 1948), p. 113
Short fiction, Sanatoris Short-Cut (1948)

Source: The Dragons of Eden (1977), Chapter 7, “Lovers and Madmen” (p. 192)

Source: The Dragons of Eden (1977), Chapter 7, “Lovers and Madmen” (pp. 190-191)

Source: The Dragons of Eden (1977), Chapter 7, “Lovers and Madmen” (p. 189)

Par pouvoir… je n’entends pas un système général de domination exercée par un élément ou un groupe sur un autre, et dont les effets, par dérivations successives, traversaient le corps social tout entier… il me semble qu’il faut comprendre d’abord la multiplicité de rapports de force qui sont immanents au domaine où ils s’exercent, et sont constitutifs de leur organisation ; le jeu qui par voie de luttes et d’affrontements incessants les transforme, les renforce, les inverse ; les appuis que ces rapports de force trouvent les uns dans les autres, de manière à former chaîne ou système, ou, au contraire, les décalages, les contradictions qui les isolent les uns des autres ; les stratégies enfin dans lesquelles ils prennent effet, et dont le dessin général ou la cristallisation institutionnelle prennent corps dans les appareils étatiques, dans la formulation de la loi, dans les hégémonies sociales. La condition de possibilité du pouvoir… il ne fait pas la chercher dans l’existence première d’un point central, dans un foyer unique de souveraineté d’où rayonneraient des formes dérivées et descendantes ; induisent sans cesse, par leur inégalité, des états de pouvoir, mais toujours locaux et instables. Omniprésence du pouvoir : non point parce qu’il aurait le privilège de tout regrouper sous son invincible unité, mais parce qu’il se produit à chaque instant, en tout point, ou plutôt dans toute relation d’un point à un autre. Le pouvoir est partout ; ce n’est pas qu’il englobe tout, c’est qu’il vient de partout.
Vol. I, p. 121-122.
History of Sexuality (1976–1984)

'Facing Up to Britain's Race Problem', The Daily Telegraph (16 February 1967), quoted in Still to Decide (Elliot Right Way Books, 1972), p. 295
1960s

The Writing Life (1989)

Twitter Quotes (2019), July 2019

Quoted in "Meat-loving Simon Cowell reveals he’s gone VEGAN as he turns 60 this year" https://www.thesun.co.uk/tvandshowbiz/8924018/simon-cowell-vegan-60th-birthday/, thesun.co.uk (23 April 2019)
2010s

The Aquarian Conspiracy (1980), Chapter Two, Premonitions of Transformation and Conspiracy

The Aquarian Conspiracy (1980), Chapter One, The Conspiracy

He jerked his thumb at a window beyond which the city’s treasure-house of coloured light glimmered gaudily.
continuity (13) “Multiply by a Million”
Stand on Zanzibar (1968)

Michael Witzel – An Examination of his Review of my Book (2001)

The Rigveda: A Historical Analysis (2000), Chapter 7 : The Indo-European Homeland

Source: The Tejano Conflict (2014), Chapter 5

Raj Kumar in [Kumar, Raj, Essays on Indian Music, http://books.google.com/books?id=wwwX6DWfn3gC&pg=PA205, 1 January 2003, Discovery Publishing House, 978-81-7141-719-3, 205–]

Jussi Halla-aho (2005), published in the blog Scripta Mietteitä kansainvaelluksesta http://www.halla-aho.com/scripta/mietteita_kansainvaelluksesta.html, April 20, 2005
2005-09

Peter Gorsen, about the depiction of wounded children in Helnwein's work, Albertina Museum catalogue, Gottfried Helnwein solo-exhibition, 1985, www.gottfried-helnwein-child.com http:////www.gottfried-helnwein-child.com/index.html

This presumably started with the development of the most elementary particles (whatever they may be); then of neutrons, protons, electrons, and radiations; then of elements from hydrogen to uranium and beyond formed by combining protons and electrons; then of chemical compounds; then finally of increasingly complex molecules from amino acids, and proteins to the great watershed of DNA, the beginnings of life.
Source: 1970s, Ecodynamics: A New Theory Of Societal Evolution, 1978, p. 28

Source: 1930s, Sex and Temperament in Three Primitive Societies (1935), p. 322

"Man alone, of all creatures of earth, can change his thought pattern and become the architect of his destiny." Actually said by Spencer W. Kimball, twelfth president of The Church of Jesus Christ of Latter-day Saints, in his Miracle of Forgiveness (1969), p. 114. This predates any of the misquotations.
Other forms: "The greatest discovery of my generation is that human beings can alter their lives by altering their attitudes of mind." This is also misattributed to Albert Schweitzer.
James did say: "As life goes on, there is a constant change of our interests, and a consequent change of place in our systems of ideas, from more central to more peripheral, and from more peripheral to more central parts of consciousness."
Misattributed

No Rich Child Left Behind, 2013

Breaking Strain, p. 181
2000s and posthumous publications, The Collected Stories of Arthur C. Clarke (2001)