“And I am very happy to have the boat motif because, when I grew up, in summer with my parents we were always in Massachusetts, and I was always by the sea. You know, sometimes little boys love cars, but I had a particular passion for boats, and now I live by the sea. For sure, it is a passage, but it's also very fascinating for lots of things. When you get interested in something you can find out a lot about things. You might meet people who are interested in one subject or another, like they collect palms. I've found people from all over the world who were fanatical about palms, which you wouldn't know unless you were interested in palms. And the sea: because, if you've noticed, the sea is white three quarters of the time, just white – early morning. Only in the fall does it get blue, because the haze is gone. The Mediterranean [where Twombly is living later in his life], at least – the Atlantic is brown – is just always white, white, white. And then, even when the sun comes up, it becomes a lighter white... Not because I paint it white; I'd have painted it white even if it wasn't, but I am always happy that I might have. It's something that has other consciousness behind it.”

Source: 2000 - 2011, Cy Twombly, 2000', by David Sylvester (June 2000), pp. 174-175

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Cy Twombly18

American painter 1928–2011

Cy Twombly (1928–2011) American painter

Source: 2000 - 2011, Cy Twombly, 2000', by David Sylvester (June 2000), p. 174

“If you push it, it feels good; I don’t know what it is. It must have something to do with kinesthesia. I feel now that I am painting I'm not drawing anything, or even representing non-objective art. You know, you can represent abstract art, too, as well as heads figures, nudes. A lot of abstract artists are just representational painters, you know that. And a lot of figurative artists are very abstract. I don't feel as if I'm doing that. I feel more as if I'm shaping something with my hands. I feel as if I've always wanted to get to that state. Like a blind man in a dark room had some clay, what would he make? I end up with 2 or 3 forms on a canvas, but it gets very physical for me. I always thought I am a very spiritual man, not interested in paint, and now I discover myself to be very physical and very involved with matter. I want to be involved with how heavy things are, a balloon, how light things are, things levitating, pushing forms, make me feel as if my hand is pushing in a head, bulges out here and pushes there.”

Phillip Guston (1913–1980) American artist

Source: 1961 - 1980, transcript of a public forum at Boston university', conducted by Joseph Ablow 1966, pp. 73-75

“I'm very embarrassing to look at. You know why? Here's why I'm embarrassing: 'cause there's a little bit of me in everybody… I'm like the boy that never grew up. I'm very, very passionate about what I do. I mean, I love what I do…. and people are like "God, give this guy a valium or something, you know? Can't he have a bad day?"”

Steve Irwin (1962–2006) Australian environmentalist and television personality

“I had wanted to talk with you about lots of things... I am anxious to get to work for the fall – it is always my best time I had one particular painting – that tree in Lawrence's front yard as you see it when you lie under it on the table – with stars – it looks as tho it is standing on its head – I wanted you to see it..”

Georgia O'Keeffe (1887–1986) American artist

In a letter to Mabel Dodge Luhan, Taos, August 1929; as quoted in Voicing our visions, – Writings by women artists, ed. Mara R. Witzling, Universe New York, 1991, p. 226
1917 - 1929

“The boat people, the boat people, in getting out what got in, getting out of South Vietnam, that so called communist paradise and that’s to show enough to the whole world that the communist regime doesn't work in South Vietnam. And maybe if we are in fight now inside in…in…South Vietnam, we will have certainly the support of the general, of the majority, of the population. We never had that thing before. But now, if there is some, something, you know, moving over there, I am almost sure that we have I am sure that we have, the support, the majority of the population.”

Nguyen Khanh (1927–2013) South Vietnamese soldier

Political resentment in contemporary Vietnam
1980s, Interview with Nguyen Khanh (1981)

“DOBSON: Not to that degree, no. There's a lot — you know I'm not an expert on this subject. I told you that last time we were here, and so I can just give you my impressions about it. And there are very, very violent people within the Islamic faith. There are also some that are not violent.”

James Dobson (1936) Evangelical Christian psychologist, author, and radio broadcaster.

Exchange between Larry King and James Dobson http://transcripts.cnn.com/TRANSCRIPTS/0209/18/lkl.00.htmlon CNN's Larry King Live Aired September 18, 2002 - 21:00 ET <br class="br">2002

“In any art there are a lot of technical things that you can get to like. Building is just skilled labor, I suppose. It's a lot of work. I don't mind other people building them, but the way things go together and are made is interesting to me; I like that a lot. I pay a lot of attention to how things are done and the whole activity of building something is interesting.”

Donald Judd (1928–1994) artist

1960s, "Oral history interview with Donald Judd," 1965