Quotes about originality
page 6

Camille Paglia photo

“Everything great in western civilization has come from struggling against our origins.”

Camille Paglia (1947) American writer

Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 40
Context: The book of Genesis is a male declaration of independence from the ancient mother-cults. Its challenge to nature, so sexist to modern ears, marks one of the crucial moments in western history. Mind can never be free of matter. Only by mind imagining itself free can culture advance. The mother-cults, by reconciling man to nature, entrapped him in matter. Everything great in western civilization has come from struggling against our origins. Genesis is rigid and unjust, but it gave man hope as a man. It remade the world by male dynasty, canceling the power of mothers.

Martin Luther King, Jr. photo
Herbert Marcuse photo
Ben Croshaw photo

“"Those shells don't look very comfortable, miss." - Edited from the original script of the Little Mermaid (Chapter Eleven)”

Ben Croshaw (1983) English video game journalist

Fullyramblomatic Novels, Articulate Jim: A Search For Something

Paul Cézanne photo
Xu Yuanchong photo
Kurt Lewin photo
Victor Davis Hanson photo
Larry Wall photo
Flavius Josephus photo

“Antipater, now undisputed heir, had called down on his head the utter loathing of the nation, for everyone knew that all the slanders directed against his brothers had originated with him.”

Flavius Josephus (37–100) first-century Romano-Jewish scholar, historian and hagiographer

Chap. 5, opening, trans. G. A. Williamson
The Jewish War (c. 75 CE)

Jürgen Habermas photo
William James photo
David Hume photo
John Napier photo

“Here then (belove reader) thou hast this work devided into two treatises, the first is the said introduction and reasoning, for investigation of the true sense of every cheife Theological tearme and date contained in the Revelation, whereby, not onely is it opened, explained and interpreted, but also that same explanation and interpretation is proved, confirmed and demonstrated, by evidente proofe and coherence of scriptures, agreeable with the event of histories. The seconde is, the principall treatise, in which the whole Apocalyps, Chapter by chapter, Verse by verse, and Sentence by sentence, is both Paraphrastically expounded and Historically applyed. …And because this whole work of Revelation concerneth most the discoverie of the Antichristian and Papisticall kingdome, I have therefore (for removing of all suspition) in al histories and prophane matters, taken my authorities and cited my places either out of Ethnick auctors, or then papistical writers, whose testimonies by no reason can be refuted against themselves. But in matters of divinitie, doctrine & interpretation of mysteries (leaving all opinions of men) I take me onely to the interpretation and discoverie thereof, by coherence of scripture, and godly reasons following thereupon; which also not only no Papist, but even no Christian may justly refuse. And forasmuch as our scripturs herein are of two fortes, the one our ordinary text, the other extraordinary citations; In our ordinary text, I follow not altogether the vulgar English translation, but the best learned in the Greek tong, so that (for satisfying the Papists) I differ nothing from their vulgar text of S. Jerome, as they cal it, except is such places, where I prove by good reasons, that hee differeth from the Original Greek. In the extraordinary texts of other scriptures cited by me, I followe ever Jeromes latine translation, where any controverse stands betwixt us and the Papists, and that moveth me in divers places to insert his very latine text, for their cause, with the just English thereof, for supply of the unlearned.”

John Napier (1550–1617) Scottish mathematician

A Plaine Discovery of the Whole Revelation of St. John (1593)

William Blackstone photo
Edward Hirsch photo

“The poem is an original and unique creation, but it is reading and recitation: participation.”

Edward Hirsch (1950)

How to Read a Poem And Fall in Love with Poetry (1998)

Georg Wilhelm Friedrich Hegel photo
G. K. Chesterton photo
Basil of Caesarea photo
Anton Mauve photo

“Nowadays I make ugly things, but I think they are nevertheless better than before, more made out-of-me myself, just simple cows with air and greenishness. (translation from original Dutch, Fons Heijnsbroek, 2018)”

Anton Mauve (1838–1888) Dutch painter (1838–1888)

(version in original Dutch / origineel citaat van Anton Mauve, in het Nederlands:) Ik maak tegenwoordig leelijke dingen, maar ik vind ze toch beter dan vroeger, meer uit me zelven, eenvoudig koeien met lucht en groenigheid.
In a letter of Mauve to Willem Maris, 21 Jan. 1869; as cited by H.L. Berckenhoff, in Anton Mauve, Etsen van Ph. Zilcken, met fascimiles naar schilderijen, teekeningen en studies, Amsterdam 1890, ( microfiche RKD-Archive https://rkd.nl/explore/excerpts/111 Den Haag: Berckenhoff, 1890, p. 20)
1860's

Andrew Sullivan photo
Piet Mondrian photo
Margot Asquith photo

“Rich men's houses are seldom beautiful, rarely comfortable, and never original. It is a constant source of surprise to people of moderate means to observe how little a big fortune contributes to Beauty.”

Margot Asquith (1864–1945) Anglo-Scottish socialite, author and wit

The Autobiography of Margot Asquith (Harmondsworth: Penguin, 1963) p. 249. (1922).

James Madison photo
William Hazlitt photo

“The origin of all science is in the desire to know causes; and the origin of all false science and imposture is in the desire to accept false causes rather than none; or, which is the same thing, in the unwillingness to acknowledge our own ignorance.”

William Hazlitt (1778–1830) English writer

Burke and the Edinburgh Phrenologists in The Atlas (15 February 1829); reprinted in New Writings by William Hazlitt, William Hazlitt and Percival Presland Howe (ed.), (2nd edition, 1925), p. 117; also reprinted in The Complete Works of William Hazlitt, Volume 20: Miscellaneous writings, (J.M. Dent and Sons, 1934), (AMS Press, 1967), p. 201

Ellsworth Kelly photo
Thomas Rex Lee photo
Godfrey Higgins photo
Syama Prasad Mookerjee photo
Montesquieu photo
Jorge Luis Borges photo

“How else can one threaten, other than with death? The interesting, the original thing, would be to threaten someone with immortality.”

Jorge Luis Borges (1899–1986) Argentine short-story writer, essayist, poet and translator, and a key figure in Spanish language literature

¿De qué otra forma se puede amenazar que no sea de muerte? Lo interesante, lo original, sería que alguien lo amenace a uno con la inmortalidad.
Borges, Biografía Verbal (1988) by Roberto Alifano, p. 23

Walter Benjamin photo
Letitia Elizabeth Landon photo
Ken Ham photo
Herbert Read photo
Roger Ebert photo
N. Gregory Mankiw photo
Emil M. Cioran photo

“The spiritual life must find its origin in silence.”

The Divine Commodity: Discovering A Faith Beyond Consumer Christianity (2009, Zondervan)

Charles Darwin photo

“It is mere rubbish thinking, at present, of origin of life; one might as well think of origin of matter.”

Charles Darwin (1809–1882) British naturalist, author of "On the origin of species, by means of natural selection"

Letter to J.D. Hooker, 29 March 1863
In The Correspondence of Charles Darwin, volume 11, 1863; Frederick Burkhardt, Duncan Porter, Sheila Ann Dean, Jonathan R. Topham, Sarah Wilmot, editors; Cambridge University Press, September 1999, page 278
Sometimes paraphrased as “One might as well speculate about the origin of matter.”
Other letters, notebooks, journal articles, recollected statements

Lloyd Kaufman photo
Kent Hovind photo
Zbigniew Brzeziński photo
Brigham Young photo
Aron Ra photo

“… the fact is that while we have become the most religious of any of the predominantly Christian first world nations, (due to repeated surges in rural revivalism) the US in its infancy was once the most secular government in history. The original colonies were primarily peopled by refugees fleeing religious persecution in other countries. But almost upon arrival, the Puritans only continued that practice against native Shaman, then against Quakers, and even each other –over religious differences. Catholics to the South were even worse! The founding fathers however were largely Deists, the least devout form of theism. They were brilliant men who knew better than to let religion rule over law because theocracy has in all instances almost automatically violated human rights and it inevitably always does. Consequently, the irreligious and non-Christian framers of the American Constitution produced the first government ever to grant all its citizens the right to religious freedom, and they did so by forbidding the government from sponsoring or promoting one religion over any other. Because it is not possible to have freedom of religion without having freedom from religion.”

Aron Ra (1962) Aron Ra is an atheist activist and the host of the Ra-Men Podcast

"5th Foundational Falsehood of Creationism" https://www.youtube.com/watch?v=HzmbnxtnMB4, Youtube (January 14, 2008)
Youtube, Foundational Falsehoods of Creationism

Elton Mayo photo
Thomas Piketty photo
El Lissitsky photo

“Proun is the the Step-over from the art of painting to Architecture [original text in German:] (Umsteige-station von Malerei nach Architectur).”

El Lissitsky (1890–1941) Soviet artist, designer, photographer, teacher, typographer and architect

quote, 1925: in 'Kunstismen' ('Artisms', art magazine published by Lissitzky and Hans Arp, 1925); as quoted in: Richtingen in de Hedendaagsche schilderkunst (Trends in the Present Day Art of Painting), Jacob Bendien; W.L & J. Brusse N.V. Rotterdam, 1935 (transl: Anne Porcelijn), p. 99
1915 - 1925

Hermann Ebbinghaus photo

“Ideas which have been developed simultaneously or in immediate succession in the same mind mutually reproduce each other, and do this with greater ease in the direction of the original succession and with a certainty proportional to the frequency with which they were together.”

Hermann Ebbinghaus (1850–1909) German psychologist

Source: Memory: A contribution to experimental psychology, 1885, p. 90; Cited in: Granville Stanley Hall et al. The American Journal of Psychology, Vol. 35, 1924, p. 218.

“The concepts of purposive behavior and teleology have long been associated with a mysterious, self-perfecting or goal-seeking capacity or final cause, usually of superhuman or super-natural origin. To move forward to the study of events, scientific thinking had to reject these beliefs in purpose and these concepts of teleological operations for a strictly mechanistic and deterministic view of nature. This mechanistic conception became firmly established with the demonstration that the universe was based on the operation of anonymous particles moving at random, in a disorderly fashion, giving rise, by their multiplicity, to order and regularity of a statistical nature, as in classical physics and gas laws. The unchallenged success of these concepts and methods in physics and astronomy, and later in chemistry, gave biology and physiology their major orientation. This approach to problems of organisms was reinforced by the analytical preoccupation of the Western European culture and languages. The basic assumptions of our traditions and the persistent implications of the language we use almost compel us to approach everything we study as composed of separate, discrete parts or factors which we must try to isolate and identify as potential causes. Hence, we derive our preoccupation with the study of the relation of two variables. We are witnessing today a search for new approaches, for new and more comprehensive concepts and for methods capable of dealing with the large wholes of organisms and personalities.”

Lawrence K. Frank (1890–1968) American cyberneticist

L.K. Frank (1948) "Foreword". In L. K. Frank, G. E. Hutchinson, W. K. Livingston, W. S. McCulloch, & N. Wiener, Teleological mechanisms. Ann. N. Y. Acad. Sc., 1948, 50, 189-96; As cited in: Ludwig von Bertalanffy (1968) "General System Theory: Foundations, Development, Applications". p. 16-17

Sri Aurobindo photo
Paul LePage photo

“Look, the bad guy is the bad guy, I don't care what color he is, when you go to war, if you know the enemy and the enemy dresses in red and you dress in blue, then you shoot at red. … You shoot at the enemy. You try to identify the enemy and the enemy right now, the overwhelming majority of people coming in, are people of color or people of Hispanic origin.”

Paul LePage (1948) American businessman, Republican Party politician, and the 74th Governor of Maine

In a State House press conference. http://www.pressherald.com/2016/08/26/house-democrats-condemn-lepage-attack-on-westbrook-legislator/ (August 26, 2016)

James Tod photo

“Those who expect from a people like the Hindus a species of composition of precisely the same character as the historical works of Greece and Rome commit the very gregarious error of overlooking the peculiarities which distinguish the natives of India from all other races, and which strongly discriminate their intellectual productions of every kind from those of the West. Their philosophy, their poetry, their architecture, are marked with traits of originality; and the same may be expected to pervade their history, which, like the arts enumerated, took a character from its intimate association with the religion of the people. It must be recollected, moreover,… that the chronicles of all the polished nations of Europe, were, at a much more recent date, as crude, as wild, and as barren, as those of the early Rajputs.” … “My own animadversions upon the defective condition of the annals of Rajwarra have more than once been checked by a very just remark: ‘When our princes were in exile, driven from hold to hold, and compelled to dwell in the clefts of the mountains, often doubtful whether they would not be forced to abandon the very meal preparing for them, was that a time to think of historical records?’ ”… “If we consider the political changes and convulsions which have happened in Hindustan since Mahmood’s invasion, and the intolerant bigotry of many of his successors, we shall be able to account for the paucity of its national works on history, without being driven to the improbable conclusion, that the Hindus were ignorant of an art which has been cultivated in other countries from almost the earliest ages. Is it to be imagined that a nation so highly civilized as the Hindus, amongst whom the exact sciences flourished in perfection, by whom the fine arts, architecture, sculpture, poetry, music, were not only cultivated, but taught and defined by the nicest and most elaborate rules, were totally unacquainted with the simple art of recording the events of their history, the character of their princes and the acts of their reigns?”

James Tod (1782–1835) 1782-1835, English officer of the British East India Company and an Oriental scholar

[The fact appears to be that] “After eight centuries of galling subjection to conquerors totally ignorant of the classical language of the Hindus; after every capital city had been repeatedly stormed and sacked by barbarous, bigoted, and exasperated foes; it is too much to expect that the literature of the country should not have sustained, in common with other interests, irretrievable losses.”
James Tod, Annals and Antiquities of Rajasthan, Routledge and Kegan Paul (London,l829,1957), 2 vols., I quoted from Lal, K. S. (1992). The legacy of Muslim rule in India. New Delhi: Aditya Prakashan. Chapter 3

“Idolatry is still a socially cohesive force - its original function.”

Book III, Chapter 1, p. 337
The Origin of Consciousness in the Breakdown of the Bicameral Mind (1976)

Max Horkheimer photo
John Banville photo
Wilhelm Reich photo
Ksenia Svetlova photo
Alan Moore photo
Antoni Tàpies photo

“In our world, in which religious images are losing their meaning, in which our customs are getting more and more secular, we are losing our sense of the eternal. I think it’s a loss that has done a great deal of damage to modern art. Painting is a return to origins.”

Antoni Tàpies (1923–2012) Catalan painter, sculptor and art theorist

In an interview on the BBC arts program 'Omnibus', (1990); as quoted in 'Antoni Tàpies a Painter With Textures, Dies at 88', by William Grimes, in 'The New York Times', 8 Febr, 2012, p. B17
1981 - 1990

Jozef Israëls photo

“I take advantage of a painting that I now have at the Paris' exhibition. 3 orphan girls who are sewing in an interior room. I have sold [it] there for a nice price and have heard some interesting reviews published about it. (translation from the original Dutch: Fons Heijnsbroek)”

Jozef Israëls (1824–1911) Dutch painter

version in original Dutch (citaat van Jozef Israëls' brief, in het Nederlands): Ik heb nogal plaizier van eene schilderij die ik thans op de parijsche tentst. Heb. 3 weesmeisjes die in een binnekamer zitten te naaijen. Ik heb [het] daar voor een mooije prijs verkocht en hier en daar interessante kritieken over hooren uitbrengen.
In a letter to A.C. Vosmaer, June 1866; ARA - Tweede afdeling, Archief Vosmaer, input no. 249
Quotes of Jozef Israels, 1840 - 1870

Sidney Webb, 1st Baron Passfield photo
Eugène Delacroix photo
Henry Jenner photo
Albert Jay Nock photo
Marc Chagall photo
Enoch Powell photo
Philip K. Dick photo
Corneliu Zelea Codreanu photo
Willem Roelofs photo

“The drawings [his watercolors] usually succeed in one day or at most two days or they develop difficult and usually don't finish well, then…. [I hope] the end will be as good as the beginning. (translation from original Dutch: Fons Heijnsbroek)”

Willem Roelofs (1822–1897) Dutch painter and entomologist (1822-1897)

(original Dutch: citaat van Willem Roelofs, in het Nederlands:) De teekeningen [Roelofs bedoelt zijn aquarellen] lukken mij doorgaans in een dag of hoogstens twee dagen of zij gaan moeijelijk en worden dan meestal niet goed.. ..[ik hoop dat] het eind zoo goed zal zijn als het begin.
In a letter to P. verLoren van Themaat, 30 March, 1867; in Haagsch Gemeentearchief / Municipal Archive of The Hague
1860's

William Herschel photo

“It [the drip-paintings of Jackson Pollock ] was original, and it was beautiful, and it was new, and it was saying the most that could be said in painting up to that point - and it really drew me in. I was in awe of it, and I wanted to get at why.”

Helen Frankenthaler (1928–2011) American artist

remembering November 1950, when Greenberg escorted her to a show of Pollock's work at the Betty Parsons Gallery
1970s - 1980s, interview with Deborah Salomon in 'New York Times', 1989

William Whewell photo
Thomas Carlyle photo
Giorgio Vasari photo
James Fitzjames Stephen photo

“Originality consists in thinking for yourself, not in thinking differently from other people.”

James Fitzjames Stephen (1829–1894) Indian judge

Ch. 2 http://books.google.com/books?id=MAkAAAAAYAAJ&q="originality+consists+in+thinking+for+yourself,+not+in+thinking+differently+from+other+people"&pg=PA48#v=onepage
Liberty, Equality, Fraternity (1873-1874)

Akira Ifukube photo
Herbert Read photo

“All art originates in an act of intuition or vision.”

Herbert Read (1893–1968) English anarchist, poet, and critic of literature and art

Form in Modern Poetry(1932)

Thomas Sowell photo
Hermann Göring photo

“The operational sciences hoped to nourish business management, which however largely ignored them, and the latter continues to be undernourished by the business schools which are fairly broad but shallow everywhere. By over focus on short-range financial values, business management in the United States has lost a dozen major markets to the Japanese, added pollution in all its forms, and enriched itself out of all proportion to its value as just one factor of production.
Action science, developed by the social sciences over many years in relative isolation from the applied physical sciences, and which might otherwise have humanized them and made engineering more productive, was doomed to fail by being on one end of the two-culture problem wherein science and the humanities do not even speak the same language.
I could go on listing a few dozen paradigms: art, law, computer software design, medicine, politics, and architecture, each addressed to a certain context, level, or phase, each good in itself, but each limited to the fields of its origin and its purposes. The methodological problem is the same as if, in designing any large system, each subsystem designer were left to design each subsystem to the best requirements he knew. The overall requirement might not be met; overall harmony could not be achieved, and conflict could ensue to cause failure at the system level.
What is envisioned is a new synthesis, a unified, efficient, systems methodology (SM): a multiphase, multi-level, multi-paradigmatic creative problem-solving process for use by individuals, by small groups, by large multi-disciplinary teams, or by teams of teams. It satisfies human needs in seeking value truths by matching the properties of wanted systems, and their parts, to perform harmoniously with their full environments, over their entire life cycles”

Arthur D. Hall (1925–2006) American electrical engineer

Source: Metasystems Methodology, (1989), p.xi-xii, cited in Philip McShane (2004) Cantower VII http://www.philipmcshane.ca/cantower7.pdf

Clive Staples Lewis photo

“Try now to answer my third riddle. By what rule to you tell a copy from an original?”

Pilgrim’s Regress 52
The Pilgrim's Regress (1933)

Mark Pattison photo
Theresa May photo