Quotes about news
page 42

Robert Chambers (publisher, born 1802) photo

“A while ago there was an article in the New York Times about some women in Tennessee who wanted the middle grade text books removed from the school curriculum, not because they were inadequate educationally, but because these women were afraid that they might stimulate the childrens' imaginations.
What!?!
It was a good while later that I realized that the word, imagination, is always a bad word in the King James translation of the Bible. I checked it out in my concordance, and it is always bad.
Put them down in the imagination of their hearts. Their imagination is only to do evil.
Language changes. What meant one thing three hundred years ago means something quite different now. So the people who are afraid of the word imagination are thinking about it as it was defined three centuries ago, and not as it is understood today, a wonderful word denoting creativity and wideness of vision.
Another example of our changing language is the word, prevent. Take it apart into its Latin origin, and it is prevenire. Go before. So in the language of the King James translation if we read, "May God prevent us," we should understand the meaning to be, "God go before us," or "God lead us."
And the verb, to let, used to mean, stop. Do not let me, meant do not stop me. And now it is completely reversed into a positive, permissive word.”

Madeleine L'Engle (1918–2007) American writer

Acceptance Speech for the Margaret Edwards Award (1998)

“Counterpart to the knee-jerk liberal is the new knee-pad conservative, always groveling before the rich and powerful.”

Edward Abbey (1927–1989) American author and essayist

A Voice Crying in the Wilderness (Vox Clamantis in Deserto) (1990)

Morris Raphael Cohen photo
Karl Ove Knausgård photo
Bill Whittle photo

“The fact that the term fake news is now in the regular vocabulary of the American people is evidence enough Americans know the news is fake.”

Bill Whittle (1959) author, director, screenwriter, editor

"Hot Mic - Rejecting Fake News" https://www.youtube.com/watch?v=NShYFk9VCYs (25 July 2017)
2010s

Elvis Costello photo
Martin Rushent photo
Rajendra Prasad photo
Victor Hugo photo

“You have created a new thrill.”

Victor Hugo (1802–1885) French poet, novelist, and dramatist

Vous créez un frisson nouveau.
Letter to Charles Baudelaire (6 October 1859)

“I had a very lonely New Year's this year. I had to watch my own balls drop.”

Jay London (1966) American comedian

One-liners

Cassandra Clare photo
Ed Koch photo
Sören Kierkegaard photo
Margaret Mead photo
Richard Leakey photo

“Silence brings us new names
new feelings and new knowledge.
Dreams dress us carefully
in the colors of power and faith.”

Aberjhani (1957) author

(In a Quiet Place on a Quiet Street, p. 98).
Book Sources, ELEMENTAL, The Power of Illuminated Love (2008)

“Oscar Williams’s new book is pleasanter and a little quieter than his old, which gave the impression of having been written on a typewriter by a typewriter.”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

precedes by twelve years Truman Capote’s putdown of Jack Kerouac: “That isn’t writing at all, it’s typing.”; “from Verse Chronicle”, p. 137
Kipling, Auden & Co: Essays and Reviews 1935-1964 (1980)

Erich Fromm photo
Philip Roth photo
Alfred Korzybski photo
Jean-François Revel photo

“It is clear that international law must evolve, even if it will be difficult to find the new and appropriate notions that will allow it to … However, it is unlikely that we will ever be capable of building a world that is qualitatively better than we ourselves are.”

Jean-François Revel (1924–2006) French writer and philosopher

Democracy Against Itself: The Future of the Democratic Impulse (1993), Revel, Free Press (1993), p. 264 ISBN 0029263875, 9780029263877
1990s, Democracy Against Itself: The Future of the Democratic Impulse (1993)

William Hazlitt photo
Jane Roberts photo

“[T]he effects of general change [in literature] are most tellingly recorded not in alteration of the best products, but in the transformation of the most ordinary workaday books; for when potboilers adopt the new style, then the revolution is complete.”

Stephen Jay Gould (1941–2002) American evolutionary biologist

"Good Sports & Bad", p. 335; originally published in The New York Review of Books (1995-03-02)
Triumph and Tragedy in Mudville (2003)

Fidel Castro photo
Theodor Mommsen photo

“Mankind have infinite difficulty in reaching new creations, and therefore cherish the once developed forms as sacred heirlooms.”

Theodor Mommsen (1817–1903) German classical scholar, historian, jurist, journalist, politician, archaeologist and writer

Vol. 4. Part 2. Translated by W.P. Dickson
The History of Rome - Volume 4: Part 2

Sam Cooke photo

“Oh my baby's coming home tomorrow
Ain't that good news, man, ain't that news?
Baby's coming home tomorrow
Ain't that news, man, ain't that news?”

Sam Cooke (1931–1964) American singer-songwriter and entrepreneur

(Ain't That) Good News
Song lyrics, Ain't That Good News (1964)

Mohammad Reza Pahlavi photo
Mike Godwin photo

“Striking a balance in favor of individual rights has always been the right decision for us and that it remains so even when technology gives us new ways to exercise those rights. Individual liberty has never weakened us; freedom of speech, enhanced by the Net, will only make us stronger.”

Cyber Rights — cited in [Kim, June, Cyber Rights: Defending Free Speech in the Digital Age, Law Library Journal, American Association of Law Libraries, 96, 3, 542–544, Summer 2004]
Cyber Rights

John Denham photo

“We trained hard, but it seemed that every time we were beginning to form up into teams we would be reorganized. Presumably the plans for our employment were being changed. I was to learn later in life that, perhaps because we are so good at organizing, we tend as a nation to meet any new situation by reorganizing; and a wonderful method it can be for creating the illusion of progress while producing confusion, inefficiency and demoralization.”

Charlton Ogburn (1911–1998) American journalist and author

From "Merrill's Marauders: The truth about an incredible adventure" http://www.harpers.org/archive/1957/01/0007289 in the January 1957 issue of Harper's Magazine
Usually misattributed to Petronius
See Brown, David S. "Petronius or Ogburn?", <i>Public Administration Review</i>, Vol. 38, No. 3 (May - Jun., 1978), p. 296 http://links.jstor.org/sici?sici=0033-3352(197805%2F06)38%3A3%3C296%3APOO%3E2.0.CO%3B2-Z
<p>alternate version:</p><p>As a result, I suppose, of high-level changes of mind about how we were to be used, we went though several reorganizations. Perhaps because Americans as a nation have a gift for organizing, we tend to meet any new situation by reorganization, and a wonderful method it is for creating the illusion of progress at the mere cost of confusion, inefficiency and demoralization.</p>
The Maurauders (1959)
chapter 2, page 60

Norbert Wiener photo
Steve Martin photo

“The new phone book's here! The new phone book's here! This is the kind of spontaneous publicity I need. My name in print. That really makes somebody. Things are going to start happening to me now!”

Steve Martin (1945) American actor, comedian, musician, author, playwright, and producer

As "Navin R. Johnson" in The Jerk (1979)

Serzh Sargsyan photo
Tom Stoppard photo

“The new self-styled social justice intellectuals and parties do not want an India without castes, they want castes without dharma.”

Ram Swarup (1920–1998) Indian historian

Ram Swarup: “Logic behind Perversion of Caste”, Indian Express, 13-9-1996.

Juicy J photo
Donald J. Trump photo
Marcel Duchamp photo
Samuel Butler (poet) photo

“While the honour thou hast got
Is spick and span new.”

Samuel Butler (poet) (1612–1680) poet and satirist

Canto III, line 398
Source: Hudibras, Part I (1663–1664)

Gino Severini photo
Manuel Castells photo

“Beyond the realm of radical protests, there is also fear among many citizens about what this new society, of which the Internet is the symbol, will bring about in terms of employment, education, social protection, and lifestyles.”

Manuel Castells (1942) Spanish sociologist (b.1942)

Source: The Internet Galaxy - Reflections on the Internet, Business, and Society (2001), Conclusion, The Challenges of the Network Society, p. 276

John F. Kennedy photo

“It was early in the Seventeenth Century that Francis Bacon remarked on three recent inventions already transforming the world: the compass, gunpowder and the printing press. Now the links between the nations first forged by the compass have made us all citizens of the world, the hopes and threats of one becoming the hopes and threats of us all. In that one world's efforts to live together, the evolution of gunpowder to its ultimate limit has warned mankind of the terrible consequences of failure.
And so it is to the printing press — to the recorder of man's deeds, the keeper of his conscience, the courier of his news — that we look for strength and assistance, confident that with your help man will be what he was born to be: free and independent.”

John F. Kennedy (1917–1963) 35th president of the United States of America

Kennedy here references Francis Bacon’s Aphorism 129 of Novum Organum: Again, we should notice the force, effect, and consequences of inventions, which are nowhere more conspicuous than in those three which were unknown to the ancients; namely, printing, gunpowder, and the compass. For these three have changed the appearance and state of the whole world; first in literature, then in warfare, and lastly in navigation: and innumerable changes have been thence derived, so that no empire, sect, or star, appears to have exercised a greater power and influence on human affairs than these mechanical discoveries.
1961, Address to ANPA

Marshall McLuhan photo
Guy Kawasaki photo

“How many Microsoft employees does it take to screw in a light bulb?" The answer to that is none because Bill Gates has declared darkness the new standard.”

Guy Kawasaki (1954) American businessman and author

Speech at Stanford University 2 March 2011 http://ecorner.stanford.edu/authorMaterialInfo.html?mid=2669<!-- This joke had been in circulation many years previously. Is there any reason to believe it is original to Kawasaki? -->

Mitt Romney photo
Philip Schaff photo

“In the progress of the work he founded a Collegium Biblieum, or Bible club, consisting of his colleagues Melanchthon, Bugenhagen (Pommer), Cruciger, Justus Jonas, and Aurogallus. They met once a week in his house, several hours before supper. Deacon Georg Rörer (Rorarius), the first clergyman ordained by Luther, and his proof-reader, was also present; occasionally foreign scholars were admitted; and Jewish rabbis were freely consulted. Each member of the company contributed to the work from his special knowledge and preparation. Melanchthon brought with him the Greek Bible, Cruciger the Hebrew and Chaldee, Bugenhagen the Vulgate, others the old commentators; Luther had always with him the Latin and the German versions besides the Hebrew. Sometimes they scarcely mastered three lines of the Book of Job in four days, and hunted two, three, and four weeks for a single word. No record exists of the discussions of this remarkable company, but Mathesius says that "wonderfully beautiful and instructive speeches were made."
At last the whole Bible, including the Apocrypha as "books not equal to the Holy Scriptures, yet useful and good to read," was completed in 1534, and printed with numerous woodcuts.
In the mean time the New Testament had appeared in sixteen or seventeen editions, and in over fifty reprints.
Luther complained of the many errors in these irresponsible editions.
He never ceased to amend his translation. Besides correcting errors, he improved the uncouth and confused orthography, fixed the inflections, purged the vocabulary of obscure and ignoble words, and made the whole more symmetrical and melodious.
He prepared five original editions, or recensions, of his whole Bible, the last in 1545, a year before his death.
The edition of 1546 was prepared by his friend Rörer, and contains a large number of alterations, which he traced to Luther himself. Some of them are real improvements, e. g., Die Liebe höret nimmer auf, for, Die Liebe wird nicht müde (1 Cor. 13:8). The charge that he made the changes in the interest of Philippism (Melanchthonianism), seems to be unfounded.”

Philip Schaff (1819–1893) American Calvinist theologian

Luther's Bible club

“My experience of the original Edison phonograph goes back to the period when it was first introduced into this country. In fact, I have good reason to believe that I was among the very first persons in London to make a vocal record, though I never received a copy of it, and if I did it got lost long ago. It must have been in 1881 or 1882, and the place where the deed was done was on the first floor of a shop in Hatton Garden, where I had been invited to listen to the wonderful new invention. To begin with, I heard pieces both in song and speech produced by the friction of a needle against a revolving cylinder, or spool, fixed in what looked like a musical box. It sounded to my ear like someone singing about half a mile away, or talking at the other end of a big hall; but the effect was rather pleasant, save for a peculiar nasal quality wholly due to the mechanism, though there was little of the scratching which later was a prominent feature of the flat disc. Recording for that primitive machine was a comparatively simple matter. I had to keep my mouth about six inches away from the horn and remember not to make my voice too loud if I wanted anything approximating to a clear reproduction; that was all. When it was played over to me and I heard my own voice for the first time, one or two friends who were present said that it sounded rather like mine; others declared that they would never have recognised it. I daresay both opinions were correct.”

Herman Klein (1856–1934) British musical critic journalist and singing teacher

The Gramophone magazine, December 1933

Clive Staples Lewis photo
Rachel Whiteread photo

“I became aware of Louise Bourgeois in my first or second year at Brighton Art College. One of my teachers, Stuart Morgan, curated a small retrospective of her work at the Serpentine, and both he and another teacher, Edward Allington, saw something in her, and me, and thought I should be aware of her. I thought the work was wonderful. It was her very early pieces, The Blind Leading the Blind, the wooden pieces and some of the later bronze works. Biographically, I don't really think she has influenced me, but I think there are similarities in our work. We have both used the home as a kind of kick-off point, as the space that starts the thoughts of a body of work. I eventually got to meet Louise in New York, soon after I made House. She asked to see me because she had seen a picture of House in the New York Times while she was ironing it one morning, so she said. She was wonderful and slightly kind of nutty; very interested and eccentric. She drew the whole time; it was very much a salon with me there as her audience, watching her. I remember her remarking that I was shorter than she was. I don't know if this was true but she was commenting on the physicality of making such big work and us being relatively small women. When you meet her you don't know what's true, because she makes things up. She has spun her web and drawn people in, and eaten a few people along the way.”

Rachel Whiteread (1963) British sculptor

Rachel Whiteread, " Kisses for Spiderwoman http://www.theguardian.com/artanddesign/2007/oct/14/art2," The Guardian, 14 Oct. 2007: on Louise Bourgeois

Harry Connick, Jr. photo

“New Orleans is a city of paradox. Sin, salvation, sex, sanctification, so intertwined yet so separate.”

Harry Connick, Jr. (1967) American singer, conductor, pianist, actor, and composer

Sony press release, January 2007 http://www.sonybmg.com.au/news/details.do?newsId=20030829004111

Paul Williams (songwriter) photo

“Sharing horizons that are new to us,
Watching the signs along the way,
Talking it over just the two of us,
Working together day to day
Together.”

Paul Williams (songwriter) (1940) American composer, singer, songwriter and actor

"We've Only Just Begun" (1970).

Simon van der Meer photo
Lulu (singer) photo

“It's important to be open to new experiences. I recently went to Disneyland for the first time in 20 years. There were three of us 60-year-olds on a rollercoaster, screaming our heads off. It was white knuckles all the way and I loved it!”

Lulu (singer) (1948) Scottish singer, actress, and television personality

I'm through with having Botox, says pop diva Lulu, 2008-03-31, 2008-03-31, Daily Mail http://www.dailymail.co.uk/pages/live/femail/article.html?in_article_id=550849&in_page_id=1879,

Mark Latham photo
Patrick Modiano photo
James Callaghan photo
Harold Wilson photo
R. H. Tawney photo
Roy A. Childs, Jr. photo

“The new anticapitalist are, in spirit and motive, deontologists, and thus criticized not so much the consequences of capitalism (though this teleological elements is present), but motives, e. g., the profit motive, acquisitiveness, ‘materialism’ and the like.”

Roy A. Childs, Jr. (1949–1992) American libertarian essayist and critic

Roy A. Childs, Jr. “The Defense of Capitalism in Our Time,” Winning essay that was published in Free Enterprise: An Imperative, 1975 by the Herbert Hoover Presidential Library Association for the Garvey Foundation.

Daniel J. Boorstin photo
Brian W. Aldiss photo
William Ellery Channing photo
Ernesto Che Guevara photo
Ray Harryhausen photo

“The new Germany is a democracy. So was the old Germany, or it tried to be: but then the Nazis got on, and Hell broke loose. It can break loose anywhere: all people have hellish propensities.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

Ibid.
Essays and reviews, As Of This Writing (2003)

Henri Lefebvre photo

“Change life! 'Change society!' These precepts mean nothing without the production of an appropriate space. … new social relationships call for a new space, and vice versa.”

Henri Lefebvre (1901–1991) French philosopher

Henri Lefebvre (1991; original French edition, 1974), as quoted in Fainstein The City Builders (2001), p. 272
Other quotes

“"Is the NIV the Feminist Bible for the New Age?" (August 1997).”

Texe Marrs (1944–2019) American writer

citation needed

Michael Hudson (economist) photo

“New Directions is a reviewer’s nightmare; it’s enough punishment to read it all, without writing about it too.”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

In All Directions”, p. 87
Kipling, Auden & Co: Essays and Reviews 1935-1964 (1980)

Theo de Raadt photo

“[…] beer results in ideas, which results in new code.”

Theo de Raadt (1968) systems software engineer

[slashdot, http://bsd.slashdot.org/story/00/12/11/1455210/theo-de-raadt-responds]

Filippo Tommaso Marinetti photo
Ai Weiwei photo
Louis C.K. photo
Jenny Lewis photo

“And it's bad news, I don't blame you
I do the same thing, I get lonely too
And you're bad news, my friends tell me to leave you
That you're bad news…”

Jenny Lewis (1976) American actor, singer-songwriter

"Portions for Foxes"
Song lyrics, More Adventurous (2004)

Jeremy Corbyn photo
Ayn Rand photo
Phillip Abbott Luce photo
Rembrandt van Rijn photo

“in a letter to Constantijn Huygens (Amsterdam, February 1636) on a Passion Cycle of 3 paintings, commissioned already in 1635 by the imperial court, as quoted in The Rembrandt Documents, Walter Strauss & Marjon van der Meulen - Abaris Books, New York 1979, p. 129”

Rembrandt van Rijn (1606–1669) Dutch 17th century painter and etcher

What Rembrandt is referring to in his phrase "I cannot refrain from presenting you, [dear] Sir, my latest work." is very probably one or more recent etchings, Rembrandt made.
1630 - 1640

“What has caused confusion and misunderstanding about his Hinduism is the concept of sarva-dharma-samabhAva (equal regard for all religions) which he had developed after deep reflection. Christian and Muslim missionaries have interpreted it to mean that a Hindu can go aver to Christianity or Islam without suffering any spiritual loss. They are also using it as a shield against every critique of their closed and aggressive creeds. The new rulers of India, on the other hand, cite it in order to prop up the Nehruvian version of Secularism which is only a euphemism for anti-Hindu animus shared in common by Christians, Muslims, Marxists and those who are Hindus only by accident of birth. For Gandhiji, however, sarva-dharma-samabhAva was only a restatement of the age-old Hindu tradition of tolerance in matters of belief. Hinduism has always adjudged a man’s faith in terms of his AdhAra (receptivity) and adhikAra (aptitude). It has never prescribed a uniform system of belief or behavior for everyone because, according to it, different persons are in different stages of spiritual development and need different prescriptions for further progress. Everyone, says Hinduism, should be left alone to work out one’s own salvation through one’s own inner seeking and evolution. Any imposition of belief or behaviour from the outside is, therefore, a mechanical exercise which can only do injury to one’s spiritual growth. Preaching to those who have not invited it is nothing short of aggression born out of self-righteousness. That is why Gandhiji took a firm and uncompromising stand against proselytisation by preaching and gave no quarters to the Christian mission’s mercenary methods of spreading the gospel.”

Sita Ram Goel (1921–2003) Indian activist

History of Hindu-Christian Encounters (1996)

Anita Dunn photo

“We're going to treat them [FOX News] the way we would treat an opponent. As they are undertaking a war against Barack Obama and the White House, we don't need to pretend that this is the way that legitimate news organizations behave.”

Anita Dunn (1958) American political strategist

The New York Times interview, October 11, 2009. http://www.nytimes.com/2009/10/12/business/media/12fox.html?pagewanted=1&ref=todayspaper

Philip Schaff photo

“The charge that Luther adapted the translation to his theological opinions has become traditional in the Roman Church, and is repeated again and again by her controversialists and historians.
In both cases, the charge has some foundation, but no more than the counter-charge which may be brought against Roman Catholic Versions.
The most important example of dogmatic influence in Luther's version is the famous interpolation of the word alone in Rom. 3:28 (allein durch den Glauben), by which he intended to emphasize his solifidian doctrine of justification, on the plea that the German idiom required the insertion for the sake of clearness. But he thereby brought Paul into direct verbal conflict with James, who says (James 2:24), "by works a man is justified, and not only by faith" ("nicht durch den Glauben allein"). It is well known that Luther deemed it impossible to harmonize the two apostles in this article, and characterized the Epistle of James as an "epistle of straw," because it had no evangelical character ("keine evangelische Art").
He therefore insisted on this insertion in spite of all outcry against it. His defense is very characteristic. "If your papist," he says,
The Protestant and anti-Romish character of Luther's New Testament is undeniable in his prefaces, his discrimination between chief books and less important books, his change of the traditional order, and his unfavorable judgments on James, Hebrews, and Revelation. It is still more apparent in his marginal notes, especially on the Pauline Epistles, where he emphasizes throughout the difference between the law and the gospel, and the doctrine of justification by faith alone; and on the Apocalypse, where he finds the papacy in the beast from the abyss (Rev. 13), and in the Babylonian harlot (Rev. 17). The anti-papal explanation of the Apocalypse became for a long time almost traditional in Protestant commentaries.
There is, however, a gradual progress in translation, which goes hand in hand with the progress of the understanding of the Bible. Jerome's Vulgate is an advance upon the Itala, both in accuracy and Latinity; the Protestant Versions of the sixteenth century are an advance upon the Vulgate, in spirit and in idiomatic reproduction; the revisions of the nineteenth century are an advance upon the versions of the sixteenth, in philological and historical accuracy and consistency. A future generation will make a still nearer approach to the original text in its purity and integrity. If the Holy Spirit of God shall raise the Church to a higher plane of faith and love, and melt the antagonisms of human creeds into the one creed of Christ, then, and not before then, may we expect perfect versions of the oracles of God.”

Philip Schaff (1819–1893) American Calvinist theologian

How Luther's theology may have influenced his translating

George Eliot photo