Quotes about narrative (247 quotes) | Quotes of famous people

“Contrary to what some might believe, writing does not generate enjoyment or pleasure in itself, quite the opposite; And yet, I feel the need to write fiction as if I have a feeling that I will find something in the middle of my narrative journey, no matter how painful it may be.”

José Baroja (1983) Chilean author and editor

Source: Klairet Levy, R. Interview to José Baroja. http://letras.mysite.com/jbar050923.html

Pain , Pleasure , Feeling

“… the proliferation of luminous fungi or iridescent crystals in deep caves where the torchlessly improvident hero needs to see is one of the most obvious intrusions of narrative causality into the physical universe.”

Terry Pratchett book The Last Continent

Source: The Last Continent

Universe

“I don't expect it to be easy, but I'm certain it will be fruitful. My mission is to take a different approach: Instead of explicitly encouraging young people to read, my goal is to get them to see the value in their own narratives — that they, too, have a story, and that there's power not just in telling it, but in the opportunity to do so.”

Jason Reynolds (1983) author of young adult novels

As quoted in [Jason Reynolds Named New National Ambassador for Young People's Literature, https://www.loc.gov/item/prn-20-002/jason-reynolds-named-new-national-ambassador-for-young-peoples-literature/2020-01-13/, Library of Congress, 10 March 2020, January 13, 2020]

People , Reading

“Persons attempting to find a motive in this narrative will be prosecuted; persons attempting to find a moral in it will be banished; persons attempting to find a plot in it will be shot.
BY ORDER OF THE AUTHOR.”

Mark Twain book Adventures of Huckleberry Finn

Notice
Adventures of Huckleberry Finn (1885)
Source: The Adventures of Huck Finn

Motivation , Personality

“In relating the circumstances which have led to my confinement within this refuge for the demented, I am aware that my present position will create a natural doubt of the authenticity of my narrative.”

H.P. Lovecraft book The Tomb

"The Tomb" - Written Jun 1917; first published in The Vagrant, No. 14 (March 1922)
Fiction
Context: In relating the circumstances which have led to my confinement within this refuge for the demented, I am aware that my present position will create a natural doubt of the authenticity of my narrative. It is an unfortunate fact that the bulk of humanity is too limited in its mental vision to weigh with patience and intelligence those isolated phenomena, seen and felt only by a psychologically sensitive few, which lie outside its common experience. Men of broader intellect know that there is no sharp distinction betwixt the real and the unreal; that all things appear as they do only by virtue of the delicate individual physical and mental media through which we are made conscious of them; but the prosaic materialism of the majority condemns as madness the flashes of super-sight which penetrate the common veil of obvious empiricism.

Nature

“The great historian John Hope Franklin, who helped to get this museum started, once said, “Good history is a good foundation for a better present and future.” He understood the best history doesn’t just sit behind a glass case; it helps us to understand what’s outside the case. The best history helps us recognize the mistakes that we’ve made and the dark corners of the human spirit that we need to guard against. And, yes, a clear-eyed view of history can make us uncomfortable, and shake us out of familiar narratives. But it is precisely because of that discomfort that we learn and grow and harness our collective power to make this nation more perfect.”

Barack Obama (1961) 44th President of the United States of America

Remarks by the President at the Dedication of the National Museum of African American History and Culture at the National Mall in Washington, D.C. https://www.whitehouse.gov/the-press-office/2016/09/24/remarks-president-dedication-national-museum-african-american-history (24 September 2016)
2016

Hope , History , Understanding , Learning

“Well, I'm a product of the Australian film industry which by its very nature is independent, sometimes for better sometimes for worse. I suppose the collaborative nature of being independent is what feels natural to me, and when people talk about working in Hollywood I don't quite know what that means. Being part of the Indiana Jones franchise and The Lord of the Rings, that felt more like a departure for me. But in the end, I think the whole notion of the independent spirit is not just about the way a film is financed but about the creative thinking behind it, and sometimes that can exist in the mainstream; those sensibilities can cross over and audiences are interested in, not a homogenous way of storytelling but a diverse way of receiving a narrative.”

Cate Blanchett (1969) Australian actress

Backstage press room, after winning the Independent Spirit Award for her performance in I'm Not There, in response to the question: "As an actress, do you prefer Independents over the mainstream?"

People , Way , Feeling , Departure

“The decline of narrative can be seen as an effect of the blossoming of techniques and technologies since the Second World War, Which has shifted emphasis from the ends of action to this means; it can also be seen as an effect of the redeployment of advanced liberal capitalism after its retreat under the protection of Keynesianism during the period of 1930-1960, a renewal that has eliminated the communist alternative and valorized the individual enjoyment of goods and services.”

Jean-François Lyotard (1924–1998) French philosopher

Source: The Postmodern Condition: A Report on Knowledge (1977), p.38

War , World

“It was only in the nineteenth century that Western Indologists and Christian missionaries separated the Buddhists, the Jains, and the Sikhs from the Hindus who, in their turn, were defined as only those subscribing to Brahmanical sects…. Nowhere in the voluminous Muslim chronicles do we find the natives of this country known by a name other than Hindu. There were some Jews, and Christians, and Zoroastrians settled here and there… The chronicles distinguish these communities from the Muslims on the one hand, and from the natives of this country on the other. It is only when they come to the natives that no more distinctions are noticed; all natives are identified as ahl-i-Hunûd-Hindu!… In all their narratives, all natives are attacked as Hindus, massacred as Hindus, plundered as Hindus, converted forcibly as Hindus, captured and sold in slave markets as Hindus, and subjected to all sorts of malice and molestation as Hindus. The Muslims never came to know, nor cared to know, as to which temple housed what idol. For them all temples were Hindu but-khãnas, to be desecrated or destroyed as such. They never bothered to distinguish the idol of one God or Goddess from that of another. All idols were broken or burnt by them as so many buts, or deposited in the royal treasury if made of precious metals, or strewn at the door-steps of the mosques if fashion from inferior stuff. In like manner, all priests and monks, no matter to what school or order they belonged, were for the Muslims so many “wicked Brahmans” to be slaughtered or molested as such. In short, the word “Hindu” acquired a religious connotation for the first time within the frontiers of this country. The credit for this turn-out goes to the Muslim conquerors. With the coming of Islam to this country all schools and sects of Sanãtana Dharma acquired a common denominator - Hindu!… Once again, it goes to the credit of the Muslim conquerors that the word “Hindu” acquired a national connotation within the borders of this country.”

Sita Ram Goel (1921–2003) Indian activist

Hindu Temples – What Happened to Them, Volume II (1993)

God , School , Communication , Fashion

“The grand narrative has lost its credibility, regardless of what mode of unification is uses, regardless of whether it is a speculative narrative or a narrative of emancipation.”

Jean-François Lyotard (1924–1998) French philosopher

Source: The Postmodern Condition: A Report on Knowledge (1977), p.37

“Without the support of your father (practically and metaphysically), without that behind you, without the knowledge of you as both a biological and cultural creature, with that depth of knowledge, you don't have the courage to do it, because you don't know what you are or what you could be. And so without that – because you're a historical creature, so you need all this collected wisdom, and all this dream-like information, and all this mythology and all this narrative, to inform you about what you are beyond what you see of yourself. And you're pummeled down, and people picked on you, and there's fifty things about you that are horrible, and you have a self-esteem problem, and you're sort of hunched over – you've got all these problems, and so it's not easy to see the divinity that lurks behind that. Unless you're aware of the heroic stories of the past – the metaphysics of consciousness – I don't think you can have the courage that regards yourself as the sort of creature that can stand up underneath that intense existential burden and move forward in courage and grace.”

Jordan Peterson (1962) Canadian clinical psychologist, cultural critic, and professor of psychology

Source: https://www.youtube.com/watch?v=hdrLQ7DpiWs "Biblical Series II: Genesis 1: Chaos & Order"

Wisdom , People , Dreams , Courage

“The movement of the middle classes for the abolition of slavery was virtuous, but it was not wise. It was an ignorant movement. It showed a want of knowledge both of the laws of commerce and the stipulations of treaties; and it has alike ruined the colonies and aggravated the slave trade…The history of the abolition of slavery by the English and its consequences, would be a narrative of ignorance, injustice, blundering, waste, and havoc, not easily paralleled in the history of mankind.”

Benjamin Disraeli (1804–1881) British Conservative politician, writer, aristocrat and Prime Minister

Lord George Bentinck: A Political Biography (1852), pp. 324-325.
1850s

Law , History , Knowledge

“For the most wild, yet most homely narrative which I am about to pen, I neither expect nor solicit belief. Mad indeed would I be to expect it, in a case where my very senses reject their own evidence. Yet, mad am I not — and very surely do I not dream. But to-morrow I die, and to-day I would unburthen my soul.”

Edgar Allan Poe book The Black Cat

The Black Cat (1843)

Dreams , Home , Soul , Sense

“The dream-narratives and cuttings collected by the professor were, of course, strong corroboration; but the rationalism of my mind and the extravagance of the whole subject led me to adopt what I thought the most sensible conclusions.”

H.P. Lovecraft (1890–1937) American author

Fiction, The Call of Cthulhu (1926)
Context: The dream-narratives and cuttings collected by the professor were, of course, strong corroboration; but the rationalism of my mind and the extravagance of the whole subject led me to adopt what I thought the most sensible conclusions. So, after thoroughly studying the manuscript again and correlating the theosophical and anthropological notes with the cult narrative of Legrasse, I made a trip to Providence to see the sculptor and give him the rebuke I thought proper for so boldly imposing upon a learned and aged man.

Dreams , Strong

“We may take advantage of this pause in the narrative to make certain statements. Orlando had become a woman — there is no denying it. But in every other respect, Orlando remained precisely as he had been. The change of sex, though it altered their future, did nothing whatever to alter their identity.”

Virginia Woolf book Orlando: A Biography

Source: Orlando: A Biography (1928), Ch. 3
Context: We may take advantage of this pause in the narrative to make certain statements. Orlando had become a woman — there is no denying it. But in every other respect, Orlando remained precisely as he had been. The change of sex, though it altered their future, did nothing whatever to alter their identity. Their faces remained, as their portraits prove, practically the same. His memory — but in future we must, for convention's sake, say 'her' for 'his,' and 'she' for 'he' — her memory then, went back through all the events of her past life without encountering any obstacle. Some slight haziness there may have been, as if a few dark drops had fallen into the clear pool of memory; certain things had become a little dimmed; but that was all. The change seemed to have been accomplished painlessly and completely and in such a way that Orlando herself showed no surprise at it. Many people, taking this into account, and holding that such a change of sex is against nature, have been at great pains to prove (1) that Orlando had always been a woman, (2) that Orlando is at this moment a man. Let biologists and psychologists determine. It is enough for us to state the simple fact; Orlando was a man till the age of thirty; when he became a woman and has remained so ever since.

Sex , Change , Future

“In simple hearts the feeling for the beauty and grandeur of nature is a hundred-fold stronger and more vivid than in us, ecstatic composers of narratives in words and on paper.”

Mikhail Lermontov book A Hero of Our Time

A Hero of Our Time (1840; rev. 1841)

Beauty , Feeling , Nature , Heart

“There’s very little places, virtually no places obviously in the corporate media apparatus that you can tell the truth to challenge corporate tyranny and this US imperialist narrative of constant regime change all around the world... It’s a very dangerous and slippery slope that we’re on and I just think it’s time that we take a step back and actually fund the journalists that we want to see...”

Abby Martin (1984) American journalist

Quoted in Curating our reality: Investigative journalist Abby Martin takes aim at US media hegemony, RT.com https://www.rt.com/news/437721-abby-martin-telesur-sanctions/ (5 September 2018)

Time , Truth , Thinking , World

“The form of this book can be seen as a revival for the present age of the oldest form of recorded spiritual teachings: the sutras of ancient India. Sutras are powerful pointers to the truth in the form of aphorisms or short sayings, with little conceptual elaboration. The Vedas and Upanishads are the early sacred teachings recorded in the form of sutras, as are the words of the Buddha. The sayings and parables of Jesus, too, when taken out of their narrative context, could be regarded as sutras, as well as the profound teachings contained in the Tao Te Ching, the ancient Chinese book of wisdom. The advantage of the sutra form lies in its brevity...”

Eckhart Tolle (1948) German writer

Source: Stillness Speaks (2003), intro

Truth , Books , Age , Wisdom

“As with all other aspects of the narrative art, you will improve with practice, but practice will never make you perfect. Why should it? What fun would that be?”

Stephen King (1947) American author

Art , Perfection

“Fate is a quantity very much like TV: an unstoppable narrative, written, produced and directed by somebody else.”

Zadie Smith (1975) British writer

Fate

“Money has lost its narrative quality the way painting did once upon a time. Money is talking to itself.”

Don DeLillo book Cosmopolis

Source: Cosmopolis

Money , Way , Time , Painting

“I have always held the old-fashioned opinion that the primary object of a work of fiction should be to tell a story; and I have never believed that the novelist who properly performed this first condition of his art, was in danger, on that account, of neglecting the delineation of character — for this plain reason, that the effect produced, by any narrative of events is essentially dependent, not on the events themselves, but on the human interest which is directly connected with them. It may be possible in novel-writing to present characters successfully without telling a story; but it is not possible to tell a story successfully without presenting characters: their existence, as recognizable realities, being the sole condition on which the story can be effectively told. The only narrative which can hope to lay a strong hold on the attention of readers is a narrative which interests them about men and women — for the perfectly obvious reasons that they are men and women themselves.”

Wilkie Collins book The Woman in White

Source: Collins explaining what he calls the literary principal guiding him, in the preface of the second edition of The Woman in White. Also in Reality's Dark Light: The Sensational Wilkie Collins by Maria K. Bachman & Don Richard Cox [University of Tennessee Press, 2003, ISBN 1-572-33274-3] ( p. xiv https://books.google.com/books?id=_X8AlmIp0dwC&pg=PR14)

Women , Men , Hope , Art

“This is not a story of heroic feats, or merely the narrative of a cynic; at least I do not mean it to be. It is a glimpse of two lives running parallel for a time, with similar hopes and convergent dreams.”

Ernesto Che Guevara (1928–1967) Argentine Marxist revolutionary

Source: The Motorcycle Diaries: Notes on a Latin American Journey

Dreams , Hope , Time

“Language is like a road, it cannot be perceived all at once because it unfolds in time, whether heard or read. This narrative or temporal element has made writing and walking resemble each other.”

Rebecca Solnit (1961) Author and essayist from United States

Source: Wanderlust: A History of Walking

Time , Reading

“There are two facts that all children need to disprove sooner or later; mother and father. If you go on believing in the fiction of your own parents, it is difficult to construct any narrative of your own.”

Jeanette Winterson (1959) English writer

Source: Weight: The Myth of Atlas and Heracles

Children , Parent

“What would a narrative of happiness be like? All that can be described is what prepares it, and then what destroys it.”

André Gide book The Immoralist

Source: The Immoralist

Happiness

“A. J. nods out of politeness, but he doesn’t believe in random acts. He is a reader, and what he believes in is narrative construction. If a gun appears in act one, that gun had better go off by act three.”

Gabrielle Zevin (1977) American writer

Source: The Storied Life of A.J. Fikry

Appearance

“We tell ourselves stories in order to live. We live entirely by the impression of a narrative line upon disparate images, the shifting phantasmagoria, which is our actual experience.”

Joan Didion (1934) American writer

“By all means, avoid words—threats, complaints, justification, narratives, reframing, attempts to win arguments, supplications; avoid words!”

Nassim Nicholas Taleb book The Bed of Procrustes: Philosophical and Practical Aphorisms

Source: The Bed of Procrustes: Philosophical and Practical Aphorisms

“The truth about life was that nothing ever ended until you died, and even then you just left a whole bunch of unresolved narratives behind you.”

Nick Hornby book Juliet, Naked

Source: Juliet, Naked

Life , Truth

“The continuous narrative of existence is a lie. There is no continuous narrative, there are lit-up moments, and the rest is dark.”

Jeanette Winterson (1959) English writer

Lie

“The occupation of Iraq is completely self-perpetuating: The worse things get the more we are obliged to stay. And the longer we stay the worse things get. Wonderful, no? Being trapped in Iraq, moreover, has clearly prevented us from tackling Iran with any traction. One argument commonly made for staying in Iraq makes no sense to me at all. It's McCain's "if we leave, they will follow us home." But if we stay, they can follow us home as well. And by staying, we have clearly created more of them to follow us. The second argument that fails to convince is that by leaving, we give al Qaeda a propaganda coup. Yes, we would, and it would be intellectually dishonest to deny that. Any argument for withdrawal needs to take that into account. But by staying and losing, we also give al Qaeda a propaganda coup. And by constantly giving al Qaeda an anti-imperial narrative, we also prevent Muslims and Arabs from recognizing them for what they are: not anti-imperial liberators but theo-fascists.
It's becoming clearer and clearer to me that if we want to win this long war, we have to leave Iraq. Sooner rather than later.”

Andrew Sullivan (1963) Journalist, writer, blogger

"Iraq and Gaza, Ctd" http://andrewsullivan.theatlantic.com/the_daily_dish/2007/06/iraq_and_gaza_c.html, The Daily Dish (14 June 2007)

War , Home , Sense

“The public has wholeheartedly accepted the Palestinian narrative, and sees Israel as the aggressor. … I have lived in this country and visited it dozens of times. I support Israel. First, because it is the Jewish homeland after two thousand years of exile up to and including Auschwitz, second because it is a democracy, and third because Israel is our first line of defense. … This tiny country is situated on the fault line of jihad, frustrating Islam’s territorial advance. Israel is facing the front lines of jihad, like Kashmir, Kosovo, the Philippines, Southern Thailand, Darfur in Sudan, Lebanon, and Aceh in Indonesia. Israel is simply in the way. The same way West-Berlin was during the Cold War.”

Geert Wilders (1963) Dutch politician

2000s, Speech at the Four Seasons, New York (25 September 2008)

War , Way , Democracy , Support

“The aspect of the venerable mansion has always affected me like a human countenance, bearing the traces not merely of outward storm and sunshine, but expressive also, of the long lapse of mortal life, and accompanying vicissitudes that have passed within. Were these to be worthily recounted, they would form a narrative of no small interest and instruction, and possessing, moreover, a certain remarkable unity, which might almost seem the result of artistic arrangement.”

Nathaniel Hawthorne book The House of the Seven Gables

Source: The House of the Seven Gables (1851), Ch. I : The Old Pyncheon Family

Life

“Within the context of revolutionary discourse, ideas which do not truly challenge consensual conceits become commodified within the consensual. … Anything that can be removed from radical discourse will become incorporated and thereby nullified within the consensual narrative. Revolution and its leaders can all too easily become commodity: Che the poster, Sartre ‘le maitre de’. It is in this manner that revolutionary ideas are consumed as product within a construct of moderation calculatedly designed to render them impotent.”

Penny Rimbaud (1943) writer, poet, philosopher, painter, musician and activist

" Turn On, Tune In, Cop Out: The Commodification of Revolution https://www.closeupfilmcentre.com/vertigo_magazine/volume-3-issue-9-spring-summer-2008/turn-on-tune-in-cop-out-the-commodification-of-revolution/," Vertigo, Volume 3, Issue 9 (Spring-Summer 2008)

Idea

“Over this landscape, Göran Therborn’s Between Sex and Power rises up like some majestic volcano. Throwing up a billowing column of ideas and arguments, while a lava of evidence flows down its slopes, this is a great work of historical intellect and imagination, the effect of a rare combination of gifts. Trained as a sociologist, Therborn is a highly conceptual thinker, allying the formal rigour of his discipline at its best, with command of a vast range of empirical data. The result is a powerful theoretical structure, supported by a fascinating body of evidence. But it is also a set of macro-narratives that compose perhaps the first true example of a work of global history we possess.”

Perry Anderson (1938) British historian

Spectrum: From Right to Left in the World of Ideas (2005), Ch. 11. "Atlas of the Family, Göran Therborn" (2005)

Sex , Imagination , History , Idea

“But the conventional narrative is lumpy, a story that glosses what passes for quiescence to focus on "events": the appearance of Lewis and Clark and [Father Jean Pierre] DeSmut, the removal of the native Salish people, the arrival of the railroads, irrigation and logging and town-building, booms in sheep, busts in apples. Settlement, local politics, participation in the nation's wars, schemes to make money. And now the resources are tourism and real estate based on scenery and an amenity lifestyle in a mountain paradise. These seem to be what we think of as history.”

Dan Flores (1948) American historian

The Natural West: Environmental History in the Great Plains and Rocky Mountains (2003)

Money , War , People , History

“There are red lines that I as a democrat, say you cannot cross. I see it as defiance against Israel and Jerusalem as its capital as well as another protest against the historical narrative, a matter already pending before the High Court. (Responding to a MK Tibi-proposed bill recognising Jerusalem as the capital of a Palestinian state)”

Reuven Rivlin (1939) Israeli politician, 10th President of Israel

Israel national news http://www.israelnationalnews.com/News/Flash.aspx/229567#.U5gRtvldXs9, 16 January 2012

“God's Word reveals the fact that the nominal church, after its fall from his favor and from being his mouth-piece (Rev. 3:16), will gradually settle into a condition of unbelief, in which the Bible will eventually be entirely ignored in fact, though retained in name, and in which philosophic speculations of various shades will be the real creeds. From this fall the faithful sealed ones will escape; for they will be "accounted worthy to escape all these things that shall come to pass, and to stand" - not fall, in the time of the Lord's presence. (Luke 21:36.) In fact, many are already thus settling, - retaining the forms of worship, and faith in a Creator and in a future life, but viewing these chiefly through their own or other men's philosophies and theories, and ignoring the Bible as an infallible teacher of the divine purposes. These, while retaining the Bible, disbelieve its narratives, especially that of Eden and the fall. Retaining the name of Jesus, and calling him the Christ and Savior, they regard him merely as an excellent though not infallible exemplar, and reject entirely his ransom-sacrifice - his cross. Claiming the Fatherhood of God to extend to sinners, they repudiate both the curse and the Mediator.”

Charles Taze Russell (1852–1916) Founder of the Bible Student Movement

Source: Milennial Dawn, Vol. III: Thy Kingdom Come (1891), p. 167.

Life , Men , God , Faith

“Writing stories was not easy. When they were turned into words, projects withered on the paper and ideas and images failed. How to reanimate them? Fortunately, the masters were there, teachers to learn from and examples to follow. Flaubert taught me that talent is unyielding discipline and long patience. Faulkner, that form – writing and structure – elevates or impoverishes subjects. Martorell, Cervantes, Dickens, Balzac, Tolstoy, Conrad, Thomas Mann, that scope and ambition are as important in a novel as stylistic dexterity and narrative strategy. Sartre, that words are acts, that a novel, a play, or an essay, engaged with the present moment and better options, can change the course of history. Camus and Orwell, that a literature stripped of morality is inhuman, and Malraux that heroism and the epic are as possible in the present as is the time of the Argonauts, the Odyssey, and the Iliad.”

Mario Vargas Llosa (1936) Peruvian writer, politician, journalist, and essayist

Nobel Lecture (2010)

History , Literature , Idea , Learning

“Now I protest to thee, gentle reader, that I entirely dissent from Francisco de Ubeda in this matter, and hold it the most useful quality of my pen, that it can speedily change from grave to gay, and from description and dialogue to narrative and character. So that, if my quill display no other propertoies of its mothergoose than her mutability, truly I shall be well pleased; and I conceive that you, my worthy friend, will have no occasion for discontent. From the jargon, therefore, of the Highland gillies, I pass to the character of their Chief. It is an important examination, and therefore, like Dogberry, we must spare no wisdom.”

Walter Scott book Waverley

Source: Waverley (1814), Chapter XIX

Wisdom , Change

“You exist if and only if you are free to do things without a visible objective, with no justification and, above all, outside the dictatorship of someone else’s narrative.”

Nassim Nicholas Taleb book The Bed of Procrustes: Philosophical and Practical Aphorisms

Source: The Bed of Procrustes: Philosophical and Practical Aphorisms (2010), p. 17

“But a sculpture which sets out to achieve the same ends demands an almost unbelievable effort of concentration. Practically none of the episodes or moments of such a legend, [of Prometheus ] really lends itself to sculpture, and the sculptors of the nineteenth century were often quite careless or foolish in the choice of the moment which they set out to represent. Their works could thus become cluttered with all sorts of narrative details which detract from the monumental quality of the whole... That's why, in my 'Prometheus', I represent the fire as an integral part of the presence or appearance of the hero; he stands there before us in all his awe-inspiring grandeur, a human figure that seemed in the eyes of the men who first saw him to be actually consumed by the fire that he was bearing.”

Ossip Zadkine (1890–1967) French sculptor

c. 1960
Source: 1960 - 1968, Dialogues – conversations with.., quotes, c. 1960, p. 154

Men , Effort , Appearance , Parting

“The great commandment of the narratives is that your life must be meaningful,” said Charon. “If knowing the truth strips the meaning away, then the truth must be suppressed.”

Karl Schroeder (1962) Author. Technology consultant

Source: Lady of Mazes (2005), Chapter 16 (p. 179).

Life , Truth

“It’s hard to build a narrative around actions not taken, disasters possibly averted, hard realities accommodated. The story of what didn’t happen isn’t an easy one to tell.”

George Packer (1960) American journalist and writer

Reality

“Nothing is more remarkable in the Bible than the absence of argument…Argument is internal continuity. So is logical sequence in narrative: in the Bible the connectives are just "and."”

Northrop Frye (1912–1991) Canadian literary critic and literary theorist

Source: "Quotes", Notebooks and Lectures on the Bible and Other Religious Texts (2003), p. 200

“I like to think of myself as the ultimate anti-postmodernist post-modernist. Notwithstanding the unusual narrative or visual devices that appear in many of the films, what have kept me going for the three years of investigating [for The Thin Blue Line, was the belief that there answers to questions such as, Adams did it, didn't he? Or Harris did it, didn't he? That it's not just up for grabs. Today, I believe there's a kind of frisson of ambiguity. People think that ambiguity is somehow wonderful in its own right, an excuse for failing to investigate. What can I say? I think this view is wrong. At best, misguided. Maybe even reprehensible.”

Errol Morris (1948) American filmmaker and writer

Source: The Anti-Post-Modern Post-Modernist http://errolmorris.com/content/lecture/theantipost.html

People , Question , Thinking , Appearance

“I think Catholicism is actually so counter-cultural to capitalism that it’s great to get relief from that economic narrative. It’s great to go to a place where it’s all about the losers,” he says, laughing loudly. “Capitalism is all about winning and ‘be the best that you can be’. That’s a tiresome mantra. ‘I am legend’ is appropriate if you’re a superhero, but not if you’re a human.””

Tommy Tiernan (1969) Irish comedian

Source: https://www.irishtimes.com/culture/tv-radio-web/tommy-tiernan-i-love-going-to-mass-it-s-all-about-the-losers-1.3268576

Thinking

“In contrast to modern historiography, the ancients were much less concerned with (1) chronological precision; (2) exhaustive or comprehensive accounts; (3) value-free commentary; (4) ascribing all events to purely natural causes; (5) the avoidance of rhetorical devices and effects. Indeed, almost all good ancient historians would expect these five features to regularly characterize their works. Ancient historiography was a rhetorical exercise to some extent, and it was undertaken to persuade someone about something. History was not discoursed on for its own sake. It is not a surprise that Luke's rhetorical skills are most in evidence in the speech material and in his famous prologue (Luke 1:1- 4). Otherwise, he is rather constrained by the narratives he found in his source material.”

Ben Witherington III (1951) American religion academic

Prolegomenon
New Testament History : A Narrative Account (2001)

Exercises , History , Nature

“Erdogan really needs to get a grip on himself, if only because, sadly, Turkey needs him right now as the least bad option in a confused situation. He may be every Turk’s first choice but he sure is the second choice of many. The first thing he needs to do is to take a deep breath since breathing is not one of those things that the ruler had better not do. Next, he needs to restore a measure of discipline within his camp, at least as far as the narrative of the events is concerned.”

Amir Taheri (1942) Iranian journalist

Opinion: Turkey – Towards a “One and a Half Party” System http://english.aawsat.com/2016/08/article55355819/opinion-turkey-towards-one-half-party-system, Ashraq Al-Awsat (5 Aug, 2016).

“Now, I want to make clear that I am myself using these terms as metaphors for the different ways we construe fields or sets of phenomena in order to ‘work them up’ into possible objects of narrative representation and discursive analysis. Anyone who originally encodes the world in the mode of metaphor, will be included to decode it – that is, narratively ‘explicate’ and discursively analyze it – as a congeries of individualities.”

Hayden White (1928–2018) American historian

"The fictions of factual representation"

World , Way

“I believe the earth gets warmer, and I also believe the earth gets cooler, and I think history points out that it does that and that the idea that man through the production of CO2 which is a trace gas in the atmosphere and the manmade part of that trace gas is itself a trace gas is somehow responsible for climate change is, I think, just patently absurd when you consider all of the other factors, El Niño, La Niña, sunspots, you know, moisture in the air. There's a variety of factors that contribute to the earth warming and cooling, and to me, this is an opportunity for the left to create — it's really a beautifully concocted scheme because they know that the earth is gonna cool and warm. And so it's been on a warming trend so they said, "Oh, let's take advantage of that and say that we need the government to come in and regulate your life some more because it's getting warmer." Just like they did in the '70s when it was getting cooler. They needed the government to come in and regulate your life because it's getting cooler. It's just an excuse for more government control of your life. And I've never been for any scheme or even accepted the junk science behind the whole narrative.”

Rick Santorum (1958) American politician

Life , History , Idea , Thinking

“Written history may, in the course of its narrative, use some of the laws established by the various sciences, but its own task remains that of relating the essential sequence of historical action and, qua history, to tell what happened, not why.”

Lloyd deMause (1931) American thinker

Source: Foundations of Psychohistory (1982), Ch. 2, The Independence of Psychohistory, p. 85.

Law , History , Science

“The most qualified? No. I think they went for this — excuse me — political bullshit about narratives.”

Peggy Noonan (1950) American author and journalist

On Sarah Palin as a candidate for US Vice-President, in comments caught on tape http://uk.youtube.com/watch?v=CrG8w4bb3kg after an interview on MSNBC (3 September 2008)]

Thinking

“At no point do the resurrection narratives in the four Gospels say, "Jesus has been raised, therefore we are all going to heaven." It says that Christ is coming here, to join together the heavens and the Earth in an act of new creation.”

N.T. Wright (1948) Anglican bishop

as interviewed by David Van Biema, "Christians Wrong About Heaven, Says Bishop," Time Magazine, Feb. 07, 2008 http://content.time.com/time/world/article/0,8599,1710844,00.html

Christ

“When I used [in his speech] the word silent myths it was for a personal reason. I mean that the relations of pictorial art to the formation of myths has to be silent, consequently not illustrative. In this part of Jutland where the life of the myth has grown strongest and is kept deepest for millenniums, here where I come from and where I have known the richness of the narrative imagination of the people, here I wanted to place a monument to the anonymous strength of the word, not to a single myth, nor to a single cycle of myths, because the myths of the Edda, of the heroic poetry, yes perhaps particularly the myths of the Kalevala, have inspired me like the myth which is to be created today in the people who are glad to tell, racy and fertile.”

Asger Jorn (1914–1973) Danish artist

Quote from Jorn's speech at the library of Silkeborg, September l0th 1953 (translated from an unpublished Danish manuscript by Guy Atkins) ; as quoted on the website of the Jorn Museum Articles by Jorn http://www.museumjorn.dk/en/article_presentation.asp?AjrDcmntId=255
1949 - 1958, Various sources

Life , People , Art , Imagination

“The apparent discrepancy in the Gospel narrative aroused no doubt in my mind as to the literal truth of either of the texts. Indeed, my falling away from grace was not occasioned by any intellectual qualms; I accepted the theology of the Plymouth Brethren. In fact, I could hardly conceive of the existence of people who might doubt it. I simply went over to Satan's side; and to this hour I cannot tell why.”

Aleister Crowley (1875–1947) poet, mountaineer, occultist

Source: The Confessions of Aleister Crowley (1929), Ch. 5.

People , Truth

“I do not say the story is true, for I did not witness the happenings which it portrays, but the fact that in the telling of it to you I have taken fictitious names for the principal characters quite sufficiently evidences the sincerity of my own belief that it may be true.
The yellow, mildewed pages of the diary of a man long dead, and the records of the Colonial Office dovetail perfectly with the narrative of my convivial host, and so I give you the story as I painstakingly pieced it out from these several various agencies.
If you do not find it credible you will at least be as one with me in acknowledging that it is unique, remarkable, and interesting.”

Edgar Rice Burroughs book Tarzan of the Apes

Source: Tarzan of the Apes (1912), Ch. 1 : Out to Sea

Sincerity , Dead

“Barack Obama was a writer before he became a politician, and he saw his Presidency as a struggle over narrative.”

George Packer (1960) American journalist and writer

“The New Testament was not produced as a single work issued by an authoritative Church for the instruction of its members. The four Gospels were composed in different times and places over perhaps a third of a century, and for a time circulated separately among a number of other narratives of our Lord's life (of which the newly discovered fragment of an unknown gospel may have been one).”

Frederic G. Kenyon (1863–1952) British palaeographer and biblical and classical scholar

Source: The Story Of The Bible, Chapter X, The Position Today, p. 133

Life , Time

“The study of every thing that stands connected with the death of Christ, whether it be in the types of the ceremonial law, the predictions of the prophets, the narratives of the Gospels, the doctrines of the epistles, or the sublime vision of the Apocalypse, this is the food of the soul, the manna from heaven, the bread of life. This is "meat indeed" and "drink indeed."”

John Angell James (1785–1859) British abolitionist

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 69.

Life , Death , Law , Food

“Your Knowledge has Qualified You to make those Reflections on the following Relations, which few can Think, and tis not fit that all should See. How far the Platonic Notions of Demons which were, it may be, much more espoused by those primitive Christians and Scholars that we call The Fathers, than they see countenanced in the ensuing Narratives, are to be allowed by a serious man, your Scriptural Divinity, join'd with Your most Rational Philosphy, will help You to Judge at an uncommon rate. Had I on the Occasion before me handled the Doctrin of Demons, or launced forth into Speculations about magical Mysteries, I might have made some Ostentation, that I have read something and thought a little in my time; but it would neither have been Convenient for me, nor Profitable for those plain Folkes, whose Edification I have all along aimed at. I have therefore here but briefly touch't every thing with an American Pen; a Pen which your Desert likewise has further Entitled You to the utmost Expressions of Respect and Honor from. Though I have no Commission, yet I am sure I shall meet with no Crimination, if I here publickly wish You all manner of Happiness, in the Name of the great Multitudes whom you have laid under everlasting Obligations. Wherefore in the name of the many hundred Sick people, whom your charitable and skilful Hands have most freely dispens'd your no less generous than secret Medicines to; and in the name of Your whole Countrey, which hath long had cause to believe that you will succeed Your Honourable Father and Grandfather in successful Endeavours for our Welfare; I say, In their Name, I now do wish you all the Prosperity of them that love Jerusalem. And whereas it hath been sometimes observed, That the Genius of an Author is commonly Discovered in the Dedicatory Epistle, I shall be content if this Dedicatory Epistle of mine, have now discovered me to be,
(Sir) Your sincere and very humble Servant,
C. Mather.”

Cotton Mather (1663–1728) American religious minister and scientific writer

Love , People , Secret , Knowledge

“The human is a narrative being. We construct emotional machines, so-called “stories”, to communicate, to share the world in which we live and make it collectively experienceable. And we are pretty good at doing that. Since the primordial soup at some point mendelized into primate brains, we have either been fleeing from big cats or telling others about our escapes from the clutches of big cats. Sitting around the campfire, interpreting and breaking down the world, charging it with aura. Initially this was all very mythopoeic, and slowly it became more differentiated. But even in the post-Enlightenment age, world interpretations are not necessarily particularly rational. Good stories sell well, and the best stories are the ones that hit you in the gut, regardless of whether they would hold up to a Wikipedia check or not.”

Johannes Grenzfurthner (1975) Austrian artist, writer, curator, and theatre and film director

via Boing Boing http://boingboing.net/2016/04/14/the-story-of-traceroute-about.html

Age , World , Communication , Cats

“For me, one of the most empowering outcomes of my year of climbing has been the new narrative I can tell about myself. I am no longer “Adrianne: scholar, book lover, pianist, and Wikipedian”. I am now “Adrianne: scholar, book lover, pianist, Wikipedian, and rock climber”.”

Adrianne Wadewitz (1977–2014) academic and Wikipedian

Wadewitz, Adrianne. (August 12, 2013). "What I learned as the worst student in the class" http://www.hastac.org/blogs/wadewitz/2013/08/12/what-i-learned-worst-student-class. HASTAC: Humanities, Arts, Science, and Technology Alliance Collaboratory. — reprinted and cited in: "How Adrianne Wadewitz learnt to embrace failure" http://www.smh.com.au/world/how-adrianne-wadewitz-learnt-to-embrace-failure-20140425-zqzgx.html. The Sydney Morning Herald. April 25, 2014. Retrieved April 25, 2014. — and also cited in: Woo, Elaine (April 23, 2014). "Adrianne Wadewitz dies at 37; helped diversify Wikipedia" http://www.latimes.com/obituaries/la-me-adrianne-wadewitz-20140424,0,1077455.story. Los Angeles Times.

Books , Lovers

“Orwell's 1984 refers more directly to contemporary events than does Huxley's book: the narrative takes place in the near rather than the distant future and obviously sets its sights on Stalinism. When I traveled in the communist world before the fall of the Berlin Wall, I found that everyone I met who had read the book (clandestinely, of course) expressed immeasurable admiration for it and marveled that a man who had never set foot inside a communist country could not only describe the physical environment so well—the universal smell of cabbage, the grayness of the dilapidated buildings—but also its mental and moral atmosphere. It was almost as if the communist regimes had taken 1984 as a blueprint rather than as a warning.”

Theodore Dalrymple (1949) English doctor and writer

The Dystopian Imagination http://www.city-journal.org/html/11_4_oh_to_be.html (Autumn 2001).
City Journal (1998 - 2008)

Books , World , Travel , Universe

“At Queen Philippa's court his fastidious eyes were spared the sight, which was moving Langland to realism, of the disbanded soldiery begging their bread along the countryside. Most of his busy days were spent with princes and potentates, and it is idle to ask how far this experience suits the impartial muse of history…He possessed, too, a prodigious memory; and his keen eye for detail and the wealth and colour of his narrative produced such a record of the fourteenth century as Langland could never have composed. Posterity can but return thanks that the picture has been drawn from both aspects.”

Jean Froissart (1337–1405) French writer

Laurie Magnus A General Sketch of European Literature in the Centuries of Romance (1918) p. 89.
Criticism

History , Business , Memory , Wealth

“Secondly, the student is trained to accept historical mis-statements on the authority of the book. If education is a pre- paration for adult life, he learns first to accept without question, and later to make his own contribution to the creation of historical fallacies, and still later to perpetuate what he has learnt. In this way, ignorant authors are leading innocent students to hysterical conclusions. The process of the writers' mind provides excellent material for a manual on logical fallacies. Thirdly, the student is told nothing about the relationship between evidence and truth. The truth is what the book ordains and the teacher repeats. No source is cited. No proof is offered. No argument is presented. The authors play a dangerous game of winks and nods and faints and gestures with evidence. The art is taught well through precept and example. The student grows into a young man eager to deal in assumptions but inapt in handling inquiries. Those who become historians produce narratives patterned on the textbooks on which they were brought up. Fourthly, the student is compelled to face a galling situation in his later years when he comes to realize that what he had learnt at school and college was not the truth. Imagine a graduate of one of our best colleges at the start of his studies in history in a university in Europe. Every lecture he attends and every book he reads drive him mad with exasperation, anger and frustration. He makes several grim discoveries. Most of the "facts", interpretations and theories on which he had been fostered in Pakistan now turn out to have been a fata morgana, an extravaganza of fantasies and reveries, myths and visions, whims and utopias, chimeras and fantasies.”

Khursheed Kamal Aziz (1927–2009) historian

The Murder of History, critique of history textbooks used in Pakistan, 1993

Life , Truth , Books , Education

“Caring for people often takes the form of concern for the quality of their stories, not for their feelings. Indeed, we can be deeply moved even by events that change the stories of people already dead. We feel pity for a man who died believing in his wife’s love for him when we hear that she had a lover for many years and stayed with her husband only for his money. We pity the husband although he had lived a happy life. We feel the humiliation of a scientist who made a discovery that was proved false after she died, although she did not feel the humiliation. Most important, we all care intensely for the narrative of our own life and very much want it to be a good story, with a decent hero.”

Daniel Kahneman (1934) Israeli-American psychologist

Bias, Blindness and How We Truly Think (Part 4): Daniel Kahneman, bloomberg.com, 24 October 2011, 15 May 2014 http://www.bloomberg.com/news/2011-10-27/bias-blindness-and-how-we-truly-think-part-4-daniel-kahneman.html,
"Bias, Blindness and How We Truly Think" (2011)

Love , Life , Money , People

“Maybe you've put your faith in spiritual claptrap because our random, narrative-free universe terrifies you. But that's no solution. If you want comforting, suck your thumb. Buy a pillow. Don't make up a load of floaty blah about energy or destiny. This is the real world, stupid. We should be solving problems, not sticking our fingers in our ears and singing about fairies.”

Charlie Brooker (1971) journalist, broadcaster and writer from England

[Screen Burn, http://www.guardian.co.uk/theguide/columnists/story/0,,2145124,00.html, The Guardian, 11 August 2007, 2007-08-19]
Guardian columns, Screen Burn

Stupidity , World , Faith , Problem

“As far as “plot” goes, as I get older I more and more suspect that “plot” is really being used, in the many incarnations of this argument, as a placeholder for a whole cloud of qualities found (or not found) in certain narratives, some of which actually constitute “plot” and many of which do not. What first led me to suspect this is the fact that many of the sternest exponents of “I want novels to have plots, dammit” are also demonstrably fans of, for instance, quite a few Robert A. Heinlein novels whose plots can barely be detected even by advanced scientific equipment. (Not just later Heinlein, either; go back and look at Beyond This Horizon). As it happens, I like some of those books, too, and what I learn from them, and from thousands of other books, is that what matters isn’t the presence of a carefully-engineered, structurally sound “plot.” What matters is whether a book entrances us into reading it or forces us to decode it — and “plot” is just one of several methods of getting us into the reading trance. It’s a good method. It’s not the only one.”

Patrick Nielsen Hayden (1959) American science fiction editor, fanzine publisher, essayist, reviewer, anthologist, and teacher

"Oh No Lev Grossman No", in Making Light (30 August 2009)

Books , Learning , Reading

“I am interested in sculpture that manipulates the viewer into a specific relation with both space and time. Time, on two levels; one narratively and cinematically as a matter of the passage through the work, and the other as a literal elongation of the moment. This has to do with form and colour and the propensity of colour to induce reverie. Consequently, I hope, an elongation of time. Space is as complex, the space contained in an objectmust be bigger than the object which contains it. My aim is to separate the object from its object-hood.”

Anish Kapoor (1954) British contemporary artist of Indian birth

Anish Kapoor in conversation with Heidi Reitmaier, July 2007 in "Anish Kapoor" by Royal Academy Organization.

Hope , Time

“Faithfulness to the truth of history involves far more than a research, however patient and scrupulous, into special facts. Such facts may be detailed with the most minute exactness, and yet the narrative, taken as a whole, may be unmeaning or untrue. The narrator must seek to imbue himself with the life and spirit of the time. He must study events in their bearings near and remote; in the character, habits, and manners of those who took part in them, he must himself be, as it were, a sharer or a spectator of the action he describes.”

Francis Parkman (1823–1893) American historian

Introduction
Pioneers of France in the New World (1865)

Life , Truth , Faith , History

“On the face of it, these look like bad times for Labour and for Ed Miliband's leadership. There seems to be no strategy, no narrative and little energy. Old faces from the Brown era still dominate the shadow cabinet and they seem stuck in defending Labour's record in all the wrong ways: we didn't spend too much money, we'll cut less fast and less far, but we can't tell you how.”

Maurice Glasman, Baron Glasman (1961) British philosopher

New Statesman article: see Press Association story 5 Jan 2012 http://www.google.com/hostednews/ukpress/article/ALeqM5gMW96XP-33JqHbGwNV_gL0rqi4bA?docId=N0795151325702689715A

Money , Way , Time

“The point of recapitulation in the first movement of Beethoven's Ninth Symphony unleashes one of the most horrifyingly violent episodes in the history of music…. The point is not to hold up Beethoven as exceptionally monstrous. The Ninth Symphony is probably our most compelling articulation in music of the contradictory impulses that have organized patriarchal culture since the Enlightenment. Moreover, within the parameters of his own musical compositions, he may be heard as enacting a critique of narrative obligations that is…devestating.”

Susan McClary (1946) American musicologist

McClary, Susan (1991). Feminine Endings: Music, Gender, and Sexuality, p. 128-129. Minnesota: University of Minnesota Press. ISBN 0816618984.

Music , History

“We have no idea whether there were any other strange occurences in Moscow that night, and we have no intention of trying to find out, since the time has come for us to proceed to Part Two of this true narrative. Follow me, reader!”

Mikhail Bulgakov book The Master and Margarita

Book One in 'Unlucky Visitors', B/O, the last lines of Book One
The Master and Margarita (1967)

Idea , Time , Parting , Night

“Science has always been in conflict with narratives. Judged by the yeardstick of science, the majority of them prove to be fables. But to the extend that science does not restrict itself to starting useful regularities and seeks truth, it is obliged to legitimate the rules of its own game.”

Jean-François Lyotard (1924–1998) French philosopher

The Postmodern Condition: A Report on Knowledge (1977) XXII

Truth , Game , Science

“Mankind has been mesmerized by the narrative of progress and civilization as codified by the first great agrarian kingdoms. As new and powerful societies, they were determined to distinguish themselves as sharply as possible from the populations from which they sprang and that still beckoned and threatened at their fringes.”

James C. Scott book Against the Grain: A Deep History of the Earliest States

Source: Against the Grain: A Deep History of the Earliest States (2017), p. 7

“.. those who view the history of North America as a narrative of genocide and slavery are, it seems to me, hopelessly stuck on this reactionary position. They can think of the Western expansion of the United States only in terms of plague blankets, bootleg booze and dead buffalo, never in terms of the medicine chest, the wheel and the railway.”

Christopher Hitchens (1949–2011) British American author and journalist

"Minority Report", The Nation, October 19, 1992; also in Salaita, p. 68.
1990s

History , Thinking , Dead

“The essence of the Vedas is a narrative on who the experiencing self is. Ordinary science informs us of the relationships between objects and also their transformations. But the Vedas say that this ordinary science leaves out the self who observes these objects.”

Subhash Kak (1947) Indian computer scientist

Interview The Hindu, 2014
Miscellaneous

Science

“Narrative prose is a legal wife, while drama is a posturing, boisterous, cheeky and wearisome mistress.”

Anton Chekhov (1860–1904) Russian dramatist, author and physician

Letter to A.N. Pleshcheev (January 15, 1889)
Letters

“Because our minds need to reduce information, we are more likely to try to squeeze a phenomenon into the Procrustean bed of a crisp and known category (amputating the unknown), rather than suspend categorization, and make it tangible. Thanks to our detections of false patterns, along with real ones, what is random will appear less random and more certain—our overactive brains are more likely to impose the wrong, simplistic, narrative than no narrative at all.”

Nassim Nicholas Taleb book The Bed of Procrustes: Philosophical and Practical Aphorisms

Source: The Bed of Procrustes: Philosophical and Practical Aphorisms (2010), p. 105

Appearance , Falseness

“[Director Christopher] Nolan has not only crafted the best Batman movie, but arguably the second-best motion picture superhero narrative (topped only by the linked duo of Superman and Superman II). For those who thought Spider-Man and X-Men had a lot to offer, wait till you see where this film goes. … Batman Begins is a strong re-start to a franchise that deserves better than it has often been accorded.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/movies/b/batman_begins.html of Batman Begins (2005).
Three-and-a-half star reviews

Men , Strong , Waiting

“In fact, there may be a day in the near future when you find yourself in a conversation about this book, and someone will ask you what the story is really about, beyond the rudimentary narrative of a cross-country death trip based on a magazine article. And it's very likely you will say, "well, the larger thesis is somewhat underdeveloped, but there is this point early in the story where he takes a woman to Ithaca for no real reason, and it initially seems innocuous, but - as you keep reading - you sort of see how this behaviour is a self-perpetuating problem that keeps reappearing over and over again." In all probability, you will also complain about the author's reliance on self-indulgent, postmodern self-awareness, which will prompt the person you're conversing with to criticize the influence of Dave Eggers on the memoir-writing genre. Then your cell phone will ring, and you will agree to meet someone for brunch.”

Chuck Klosterman book Killing Yourself to Live: 85% of a True Story

Killing Yourself to Live: 85% of a True Story (2005)

Death , Books , Problem , Reading

“My narrative may be invaded by inaccuracy and confusion; but if I live no longer, I will, at least, live to complete it. What but ambiguities, abruptnesses, and dark transitions, can be expected from the historian who is, at the same time, the sufferer of these disasters?”

Charles Brockden Brown (1771–1810) American novelist, historian and editor

Wieland; or, the Transformation (1798)

Suffering , Time

“In August 2009, MSNBC's Contessa Brewer was discussing a tea party rally in Arizona, where it's legal to carry an unconcealed weapon. She said: "A man at a pro-health care rally… wore a semiautomatic assault rifle on his shoulder and a pistol on his hip… There are questions about whether this has racial overtones, I mean, here you have a man of color in the presidency and white people showing up with guns." All that her audience was shown were a rifle and pistol strapped to a man's back. MSNBC concealed the fact that the armed man was black and did not show the interview he gave to the reporter. Brewer knowingly deceived her audience because an armed black man didn't fit the racial narrative.”

Walter E. Williams (1936) American economist, commentator, and academic

"Leftist race-baiters stir up animosity" (9 May 2012)
2010s

People , Health , Color , Question

“Although he had his faults as a writer, Howard was a natural storyteller, whose narratives are unmatched for vivid, gripping, headlong action. His heroes – King Kull, Conan, Bran Mak Morn, Solomon Kane are larger than life: men of mighty thews., hot passions, and indomitable will, who easily dominate the stories through which they stride. In fiction, the difference between a writer who is a natural storyteller and one who is not is like the difference between a boat that will float and one that will not. If the writer has this quality, we can forgive many other faults; if not, no other virtue can make up for the lack, any more than gleaming paint and sparkling brass on a boat make up for the fact that it will not float.”

Robert E. Howard (1906–1936) American author

~ L. Sprague de Camp, Conan of the Isles, "Introduction", 1968
About

Life , Men , Forgiveness , Nature

“When you review an exhibition of paintings you don't compose a painting about it, when you review a film you don't make a film about it and when you review a new CD you don't make a little CD about it. But when you review a prose-narrative then you write a prose-narrative about that prose-narrative and those who write the secondary prose-narrative, let's face it, must have once had dreams of writing the primary prose-narrative. And so there is a kind of hierarchy of envy and all those other things.”

Martin Amis (1949) Welsh novelist

Interview with Ramona Koval on Radio National (4 September 1999) http://www.abc.net.au/rn/arts/bwriting/stories/s21638.htm

Dreams , Envy , Painting

“True personalization is now upon us. It's not just a matter of selecting relish over mustard once. The post-information age is about acquaintance over time: machines' understanding individuals with the same degree of subtlety (or more than) we can expect from other human beings, including idiosyncrasies (like always wearing a blue-striped shirt) and totally random events, good and bad, in the unfolding narrative of our lives.”

Nicholas Negroponte book Being Digital

Being Digital (1995)

Age , Understanding , Time , Personality

“The approach to the study of economic history that dominates the presentation of the subject in this volume is that of the economist whose immediate and primary function is to study the production and distribution of wealth with the objective of learning how the nation's economic progress can be promoted and its standard of living advanced. It can be called the functional approach to economic history. Although the narrative should provide such knowledge of the general background of economic history as is needed for most purposes in the interpretation of political history, and has frequently been turned aside to indicate the reactions thus involved, this has been a secondary rather than a primary consideration in the selection and organization of the material. Some material has been included because it served certain of the other objectives mentioned in the introductory chapter, though for the most part these objectives are served also by the material primarily of significance in relation to the major objective.”

Chester W. Wright (1879–1966) American economic historian

Chester W. Wright (1941). Economic History of the United States, p. xi-xii " Wright (1941)

History , Knowledge , Study , Learning

“Our universities, after a few aberrant decades of experimenting with open inquiry and the advance of knowledge, have reverted to their medieval purpose (the purpose that Chinese higher education always had): to train an intellectual elite for the propagation and defense of the state ideology. Then it was Christianity (in China, Confucianism); now it is utopian egalitarianism—“political correctness,” the Narrative.”

John Derbyshire (1945) writer

Two Bad Answers http://takimag.com/article/two_bad_answers_john_derbyshire/print#axzz33lq12wO9, Taki's Magazine, June 5, 2014.

Education , Knowledge , Universe , Training

“The more money to be made gaming the financial markets, the more people would decide they were put on earth to game the financial markets – and create romantic narratives to explain to themselves why a life spent gaming the financial markets is a purposeful life.”

Michael Lewis book Flash Boys

Source: Flash Boys (2014), p. 266

Life , Money , People , Game

“The hardest things in the world are being unique and having your life be a story. In the old days, it was much easier, but our modern fame-driven culture, with its real-time 24-7 marinade of electronic information, demands a lot from modern citizens, and poses great obstacles to narrative.”

Douglas Coupland book Generation A

Generation A (2009)

Life , World , Time

“The excursus upon the origin of Odysseus’ scar is not basically different from the many passages in which a newly introduced character, or even a newly appearing object or implement, though it be in the thick of a battle, is described as to its nature and origin; or in which, upon the appearance of a god, we are told where he last was, what he was doing there, and by what road he reached the scene; indeed, even the Homeric epithets seem to me in the final analysis to be traceable to the same need for an externalization of phenomena in terms perceptible to the senses. Here is the scar, which comes up in the course of the narrative; and Homer’s feeling simply will not permit him to see it appear out of the darkness of an unilluminated past; it must be set in full light, and with it a portion of the hero’s boyhood. … To be sure, the aesthetic effect thus produced was soon noticed and thereafter consciously sought; but the more original cause must have lain in the basic impulse of the Homeric style: to represent phenomena in a fully externalized form, visible and palpable in all their parts, and completely fixed in their spatial and temporal relations. Nor do psychological processes receive any other treatment: here too nothing must remain hidden and unexpressed. With the utmost fullness, with an orderliness which even passion does not disturb, Homer’s personages vent their inmost hearts in speech; what they do not say to others, they speak in their own minds, so that the reader is informed of it. Much that is terrible takes place in the Homeric poems, but it seldom takes place wordlessly: Polyphemus talks to Odysseus; Odysseus talks to the suitors when he begins to kill them; Hector and Achilles talk at length, before battle and after; and no speech is so filled with anger or scorn that the particles which express logical and grammatical connections are lacking or out of place.”

Erich Auerbach Mimesis: The Representation of Reality in Western Literature

Source: Mimesis: The Representation of Reality in Western Literature (1946), p. 5

God , Feeling , Nature , Sense

“If we regard Iran as a nation, there is no reason it shouldn’t have correct relations with the United States or any other country. Decades of opinion polls show that a majority of Iranians have a good opinion of America. But Iran today suffers from a split personality: It is both a nation and, as the Islamic Republic, also a messianic cause. And the Islamic Republic of Iran, far from being part of the solution, is at the root of the conflict tearing the Middle East apart. It has built Shiite militias in Lebanon, Syria and Iraq, not to mention Afghanistan, with the aim of “exporting” its Khomeinist ideology. The mullahs’ quest for an empire has provoked violent reaction from Sunni Arabs and enabled terrorist outfits such as al Qaeda in its many versions, including ISIS, to find a new audience and a narrative of victimhood. As long as Iran remains a “cause,” it can’t normalize relations with anybody, let alone America. Coexistence among nations is not the same as that among causes.”

Amir Taheri (1942) Iranian journalist

"Have the Mullah's Abandoned their Dreams of Empire?", Elaph.com, (November 16, 2014).

Tear , Suffering , Parting , Personality

“[Director James] Cameron manhandles the real story, scavenging it for his own puny narrative purposes. It's a film made with boorish confidence and zero sensitivity, big and dumb and hulking.”

Stephanie Zacharek (1963) American film critic

Review http://www.salon.com/ent/movies/1997/12/cov_17titanic.html of Titanic (1997)

Confidence

“He [Grünendahl] says Pollock's narrative 'is not an evidence-based study of Orientalism or Indology in Germany, but a sophisticated charge of anti-Semitism based largely on trumped-up "evidence"…. Pollock's post-Orientalist messianism would have us believe that only late twentieth-century (and now twenty-first century) America is intellectually equipped to reject and finally overcome [‘Eurocentrism’…] The path from the 'Deep Orientalism' of old to a new 'Indology beyond the Raj and Auschwitz' leads to the 'New Raj' across the deep blue sea.”

Rajiv Malhotra book The Battle for Sanskrit

The Battle for Sanskrit (2016)

Study , Sea

“The narrative of thy battles eclipses the stories of Rustam and Isfandiyar. Thou didst bring an army in one night from Dhangan to Jalandhar… Thou didst direct but one assault and by that alone brought destruction upon the country. By the morning meal not one soldier, not one Brahman, remained unkilled or uncaptured. Their beads were severed by the carriers of swords. Their houses were levelled with the ground with flaming fire… Thou has secured victory to the country and to religion, for amongst the Hindus this achievement will be remembered till the day of resurrection.”

Ibrahim of Ghazna (1032–1099) sultan of the Ghaznavid Empire

Jalandhar (Punjab). Khwaja Mas'ud bin Sa'd bin Salman:Diwan-i-Salman in Elliot and Dowson, History of India as told by its own Historians, Vol. IV, pp. 518 ff.

Religion , Victory , Housing , Night