Quotes about movement
page 12

Melinda M. Snodgrass photo
Robert F. Kennedy photo

“In my judgment, the slogan "black power" and what has been associated with it has set the civil rights movement back considerably in the United States over the period of the last several months.”

Robert F. Kennedy (1925–1968) American politician and brother of John F. Kennedy

Remark during testimony of Floyd McKissick before a Senate subcommittee of which Kennedy was a member (December 8, 1966); reported in Federal Role in Urban Affairs, hearings before the Subcommittee on Executive Reorganization of the Committee on Government Operations, United States Senate, 89th Congress, 2d session, part 11, p. 2312 (1967)

John Bright photo
Vladimir Lenin photo
Ernst Ludwig Kirchner photo

“I was born near a station. The first things that I saw in my life were the moving locomotives and trains, and I drew them as a three-year-old. Perhaps it is because of this that observations of movement are my impetus for my inspiration to create. Out of this I receive a creative experience of life, which is the source of creativity.”

Ernst Ludwig Kirchner (1880–1938) German painter, sculptor, engraver and printmaker

Kirchner had been inspired by movement and trains his whole life. He painted a. o. 'Nollendorfplatz' in West Berlin https://commons.wikimedia.org/wiki/File:Ernst_Ludwig_Kirchner_-_Nollendorfplatz.jpg - it was one of the stops on the first electrical tram (Straßenbahn) in 1896, according to 'Lexicon der Berliner Stadtentwicklung'. Berlin, 2002. The Underground (Untergrundbahn) followed in 1902, also with a stop at 'Nollendorfplatz'
undated
Source: Ernst Ludwig Kirchner: ein Künstlerleben in Selbstzeugnissen, Andreas Gabelmann; Hatje Cantz Verlag, Ostfildern, Germany 2010, p. 17 (transl. Claire Albiez)

Auguste Rodin photo

“Gsell: What astonishes me, is that your way is so different from that of other sculptors. They prose the model. Instead of that, you wait till a model has instinctively or accidentally taken an Interesting pose, and thon you reproduce It. Instead of your giving orders to the model, the model gives orders to you.
Rodin: I am not at the model's orders; I am at Nature's. Doubtless my confreres have their reasons for proceeding as they do. But when one constrains Nature in that way and treats human beings as mannikins, one runs a risk of getting nothing but dead, artificial results. A hunter of truth and a trapper of life. I am careful not to follow their example. I seize upon the movements I observe, but I don't dictate them. when a subject requires a predetermined pose, I merely Indicate It. For I want only what reality will afford without being forced. In everything I obey Nature. I never assume to command her. My sole ambition Is a servile fidelity.
Gsell : And yet, you take liberties with nature. You make changes.
Rodin : Not at all. I should be false to myself if I did.
Gsell : But you finished work is never like the plaster sketch
Rodin : That is so, but the sketch is far less true than the finished work. It would Impossible for a model to keep a living attitude during all the time it takes to shape the clay. Still, I retain a general idea of the pose and require the model to conform to it. But this is not all. The sketch reproduces only the exterior. I must next reproduce the spirit, which is every whit as essential a part of Nature. I see the whole truth — not merely the fraction of it that lies upon the surface. I accentuate tho lines that best express the spiritual state I am Interpreting.”

Auguste Rodin (1840–1917) French sculptor

Rodin on realism, 1910

“How much the work of an artist owes to an art movement to which he belongs can never be determined exactly, if only because the movement derives its character from the individual creations of its members.”

Harold Rosenberg (1906–1978) American writer and art critic

Source: Art & Other Serious Matters, (1985), p. 55, "Evidences of Surreality"

Edgar Degas photo

“You must do over the same subject ten times, a hundred times. In art nothing must appear accidental, even a movement.”

Edgar Degas (1834–1917) French artist

posthumous quotes, The Shop-Talk of Edgar Degas', (1961)

Robert N. Proctor photo
David Cameron photo
Thomas Frank photo

“Derangement is the signature expression of the Great Backlash, a style of conservatism that first came snarling onto the national stage in response to the partying and protests of the late sixties. While earlier forms of conservatism emphasized fiscal sobriety, the backlash mobilizes voters with explosive social issues — summoning public outrage over everything from busing to un-Christian art — which it then marries to pro-business economic polices. Cultural anger is marshaled to achieve economic ends. And it is these economic achievements — not the forgettable skirmishes of the never-ending culture wars — that are the movement’s greatest monuments. The backlash is what has made possible the international free-market consensus of recent years, with all the privatization, deregulation, and de-unionization that are its components. Backlash ensures that Republicans will continue to be returned to office even when their free-market miracles fail and their libertarian schemes don’t deliver and their "New Economy" collapses. It makes possible the police pushers’ fantasies of “globalization” and a free-trade empire that are foisted upon the rest of the world with such self-assurance. Because some artist decides to shock the hicks by dunking Jesus in urine, the entire plant must remake itself along the lines preferred by the Republican Party, U. S. A.The Great Backlash has made the laissez-faire revival possible, but this does not mean that it speak to us in the manner of the capitalists of old, invoking the divine right of money or demanding that the lowly learn their place in the great chain of being. On the contrary; the backlash imagines itself as a foe of the elite, as the voice of the unfairly persecuted, as a righteous protest of the people on history’s receiving end. That is champions today control all three branches of government matters not a whit. That is greatest beneficiaries are the wealthiest people on the plant does not give it pause.”

Introduction: What's the Matter with America (pp. 5-6).
What's the Matter with Kansas? (2004)

Georges Sorel photo
Alex Salmond photo
Birju Maharaj photo

“Earlier one person would do a sam and the audience ten feet away knew that a new tukda was about to begin but now fifty of us did the same movement with the same precision; the audience even two hundred feet away knew and understood. Yes, we connected to many because we were many presenting one. We simply enlarged ourselves by being many more of us and we engulfed the stage.”

Birju Maharaj (1938) Indian dancer

When he changed over from solo form to group ballet of synchronized action and rhythm thus creating a dynamic impact on the audience in [Raksha Bharadia, Me A Handbook For Life, http://books.google.com/books?id=J3BwcatTTZIC&pg=PT179, 2006, Rupa & Company, 978-81-291-1058-9, 179–]

“Your defeat is not only a reality, which has been historically proven time and again. It can also be seen in your helplessness and your inability to suppress the movement, in your desperate conduct when faced with our guerrillas and the vanguard of the people.”

Ashraf Dehghani (1948) amongst the most well known Iranian female Communist revolutionary and member of the Iranian People's Fedai Guer…

Torture and Resistance in Iran, 1971
This quote was about the regime of the Shah, who was forced to flee Iran in 1979

Barbara Hepworth photo
Gerd von Rundstedt photo
William Foote Whyte photo
Chittaranjan Das photo
Richard Long photo

“The source of my work is nature. I use it with respect and freedom. I use materials, ideas, movement and time to express a whole view of my art in the world.”

Richard Long (1945) artist

Richard Long (1982), cited in: Description of the exhibition Concentrations IX: Richard Long, March 31–July 8, 1984 at the Dallas Museum of Art http://texashistory.unt.edu/ark:/67531/metapth224905/m1/1/.
1980s

“Language, intelligence, and humor, along with art, generosity, and musical ability, are often described as human equivalents of the peacock’s tail. However, peacocks afford a poor analogy for the role of courtship displays in humans. Other animal models offer a better fit. In a number of nonhuman species — species as diverse as sea dragons and grebes — males and females engage in a mutual courtship “dance,” in which the two partners mirror one another’s movements. In Clark’s grebes and Western grebes, for instance, the pair bond ritual culminates in the famous courtship rush: The male and female swim side by side along the top of the water, with their wings back and their heads and necks in a stereotyped posture. If we want a nonhuman analogue for the role of creative intelligence or humor in human courtship, we should think not of ornamented peacocks displaying while drab females evaluate them. We should think instead of grebes engaged in their mating rush or sea dragons engaged in their synchronized mirror dance. Once we have one of these alternative images fixed in our minds, we can then add the proviso that there is a slight skew such that, in the early stages of courtship, men tend to display more vigorously and women tend to be choosier. However, this should be seen as a qualification to the primary message that intelligence, humor, and other forms of sexual display are part of the mutual courtship process in our species.”

Source: The Ape that Thought It Was a Peacock: Does Evolutionary Psychology Exaggerate Human Sex Differences? (2013), p. 160

Peter Sloterdijk photo
Adolf Hitler photo

“Muslim ‘community’ in India had remained sharply divided into two mutually exclusive segments throughout the centuries of Islamic invasions and rule over large parts of the country. On the one hand, there were the descendants of conquerors who came from outside or who identified themselves completely with the conquerors - the Arabs, the Turks, the Iranians, and the Afghans. They glorified themselves as the Ashrãf (high-born, noble) or Ahli-i-Daulat (ruling race) and Ahl-i-Sa‘adat (custodians of religion). On the other hand, there were converts from among the helpless Hindus who were looked down upon by the Ashrãf and described as the Ajlãf (low-born, ignoble) and Arzãl (mean, despicable) depending upon the Hindu castes from which the converts came. The converts were treated as Ahl-i-Murãd (servile people) who were expected to obey the Ahl-i-Daulat and Ahl-i-Sa‘adat abjectly. Shah Waliullah (1703-62) and his son Abdul Aziz (1746-1822) were the first to notice this situation and felt frightened that the comparatively small class of the Ashrãf was most likely to be drowned in the surrounding sea of Hindu Kafirs. … They had to turn to the neo-Muslims. The neo-Muslims, however, had little interest in waging wars for Islam. They had, therefore, to be fully Islamized, that is, alienated completely from their ancestral society and culture. That is why the Tabligh movement was started.”

Shah Waliullah Dehlawi (1703–1762) Indian muslim scholar

Goel, Sita Ram (1995). Muslim separatism: Causes and consequences. ISBN 9788185990262

William Kristol photo
Haruo Nakajima photo

“It was helpful for me to study the movements of only large species. Smaller species, unlike Godzilla, Varan, and so on, move very quickly. So, it wasn't helpful for me to study them.”

Haruo Nakajima (1929–2017) Japanese actor

As quoted by David Milner, "Haruo Nakajima Interview" http://www.davmil.org/www.kaijuconversations.com/nakajima.htm, Kaiju Conversations (March 1995)

Richard Pipes photo
Kenneth Minogue photo
Keshub Chunder Sen photo
Alfred de Zayas photo

“Among the rights that States must ensure are the rights to life, security of person, participation in the conduct of public affairs, homeland, movement, health, education, employment and social security”

Alfred de Zayas (1947) American United Nations official

Report of the Independent Expert on the promotion of a democratic and equitable international order on the adverse impacts of free trade and investment agreements on a democratic and equitable international order http://www.ohchr.org/EN/Issues/IntOrder/Pages/Reports.aspx.
2015, Report submitted to the UN General Assembly

George Bernard Shaw photo

“The Nazi movement is in many respects one which has my warmest sympathy.”

George Bernard Shaw (1856–1950) Irish playwright

As Quoted in London Morning Post, (Dec. 3, 1925)
1920s

Sri Aurobindo photo

“I do not care a button about having my name in any blessed place. I was never ardent about fame even in my political days; I preferred to remain behind the curtain, push people without their knowing it and get things done. It was the confounded British Government that spoiled my game by prosecuting me and forcing me to be publicly known and a 'leader'. Then, again, I don't believe in advertisement except for books etc., and in propaganda except for politics and patent medicines. But for serious work it is a poison. It means either a stunt or a boom' and stunts and booms exhaust the thing they carry on their crest and leave it lifeless and broken high and dry on the shores of nowhere… or it means a movement. A movement in the case of a work like mine means the founding of a school or a sect or some other damned nonsense. It means that hundreds or thousands of useless people join in and corrupt the work or reduce it to a pompous farce from which the Truth that was coming down recedes into secrecy and silence. It is what has happened to the 'religions' and is the reason of their failure. If I tolerate a little writing about myself, it is only to have a sufficient counter-weight in that amorphous chaos, the public mind, to balance the hostility that is always aroused by the presence of a new dynamic Truth in this world of ignorance. But the utility ends there and too much advertisement would defeat that object. I am perfectly 'rational', I assure you, in my methods and I do not proceed merely on any personal dislike of fame. If and so far as publicity serves the Truth, I am quite ready to tolerate it; but I do not find publicity for its own sake desirable.”

Sri Aurobindo (1872–1950) Indian nationalist, freedom fighter, philosopher, yogi, guru and poet

October 2, 1934
India's Rebirth

John Rupert Firth photo
Vladimir Lenin photo
Doris Lessing photo
Eric Garcetti photo

“[On the Yes California secession movement] I love this country too much to even consider an exit. I want to be a part of an America that continues to stand up for all of us, not bail on all our friends across the country.”

Eric Garcetti (1971) American politician

quoted by Chelsea Edwards of KABC-TV http://abc7.com/politics/calexit-supporters-hold-forum-as-effort-to-collect-signatures-continues/1753174/ (February 13, 2017)
2017

Philip K. Dick photo
Warren Farrell photo

“One grand fallacy of the women's movement: Expecting work to mean "power" and "self-fulfillment."”

Source: The Myth of Male Power (1993), Part II: The Glass Cellars of the disposable sex, p. 232.

Antonio Negri photo
Ralph Nader photo
Hermann Rauschning photo
Maurice Glasman, Baron Glasman photo
Roberto Mangabeira Unger photo
Jean Miotte photo

“Painting is an act, a sequence of movements one bears within oneself, whose source is one's inner being.”

Jean Miotte (1926–2016) French painter

Quoted in: Ingo F. Walther Art of the 20th Century (2000), p. 264.

Bell Hooks photo

“The understanding I had by age thirteen of patriarchal politics created in me expectations of the feminist movement that were quite different from those of young, middle class, white women. When I entered my first women's studies class at Stanford University in the early 1970s, white women were revelling in the joy of being together-to them it was an important, momentous occasion. I had not known a life where women had not been together, where women had not helped, protected, and loved one another deeply. I had not known white women who were ignorant of the impact of race and class on their social status and consciousness (Southern white women often have a more realistic perspective on racism and classism than white women in other areas of the United States.) I did not feel sympathetic to white peers who maintained that I could not expect them to have knowledge of or understand the life experiences of black women. Despite my background (living in racially segregated communities) I knew about the lives of white women, and certainly no white women lived in our neighborhood, attended our schools, or worked in our homes When I participated in feminist groups, I found that white women adopted a condescending attitude towards me and other non-white participants. The condescension they directed at black women was one of the means they employed to remind us that the women's movement was "theirs"-that we were able to participate because they allowed it, even encouraged it; after all, we were needed to legitimate the process. They did not see us as equals. And though they expected us to provide first hand accounts of black experience, they felt it was their role to decide if these experiences were authentic. Frequently, college-educated black women (even those from poor and working class backgrounds) were dismissed as mere imitators. Our presence in movement activities did not count, as white women were convinced that "real" blackness meant speaking the patois of poor black people, being uneducated, streetwise, and a variety of other stereotypes. If we dared to criticize the movement or to assume responsibility for reshaping feminist ideas and introducing new ideas, our voices were tuned out, dismissed, silenced. We could be heard only if our statements echoed the sentiments of the dominant discourse.”

Bell Hooks (1952) American author, feminist, and social activist

Source: (1984), Chapter 1: Black Women: Shaping Feminist Theory, pp. 11-12.

Winston S. Churchill photo
George Raymond Richard Martin photo

“Back at the Philadelphia Worldcon (which seems a million years ago), I announced the famous five-year gap: I was going to skip five years forward in the story, to allow some of the younger characters to grow older and the dragons to grow larger, and for various other reasons. I started out writing on that basis in 2001, and it worked very well for some of my myriad characters but not at all for others, because you can't just have nothing happen for five years. If things do happen you have to write flashbacks, a lot of internal retrospection, and that's not a good way to present it. I struggled with that essentially wrong direction for about a year before finally throwing it out, realizing there had to be another interim book. That became A Feast for Crows, where the action is pretty much continuous from the preceding book. Even so, that only accounts for one year. Why the four after that? I don't know, except that this was a very tough book to write -- and it remains so, because I've only finished half. Going in, I thought I could do something about the length of the second book in the series, A Clash of Kings, roughly 1,200 pages in manuscript. But I passed that and there was a lot more to write. Then I passed the length of the third book, A Storm of Swords, which was something like 1,500 pages in manuscript and gave my publishers all around the world lots of production problems. I didn't really want to make any cuts because I had this huge story to tell. We started thinking about dividing it in two and doing it as A Feast for Crows, Parts One and Two, but the more I thought about that the more I really did not like it. Part One would have had no resolution whatsoever for 18 viewpoint characters and their 18 stories. Of course this is all part of a huge megaseries so there is not a complete resolution yet in any of the volumes, but I try to give a certain sense of completion at the end of each volume -- that a movement of the symphony has wrapped up, so to speak.”

George Raymond Richard Martin (1948) American writer, screenwriter and television producer

Interview with Locus magazine (November 2005)

Halldór Laxness photo
Thich Nhat Tu photo
Lauren Duca photo
Pope John Paul II photo
Mark Tobey photo
Umberto Boccioni photo
Gloria Allred photo

“The battle to end sexual assault on college campuses is one of the most important civil rights movements of our time. It is a movement for change.”

Gloria Allred (1941) American civil rights lawyer

December 6, 2014, Gloria Allred: The Battle Over Sexual Assault is the ‘Civil Rights Movement of Our Time’, May 15, 2014, Time magazine, Gloria Allred http://time.com/100055/campus-sexual-assault-gloria-allred/,

Will Eisner photo
Enoch Powell photo

“The nation has been, and is still being, eroded and hollowed out from within by the implantation of large unassimilated and unassimiliable populations—what Lord Radcliffe once in a memorable phrase called "alien wedges"—in the heartland of the state…The disruption of the homogeneous "we", which forms the essential basis of parliamentary democracy and therefore of our liberties, is now approaching the point at which the political mechanics of a "divided community"…take charge and begin to operate autonomously. Let me illustrate this pathology of a society that is being eaten alive…The two active ingredients are grievance and violence. Where a community is divided, grievance is for practical purposes inexhaustible. When violence is injected—and quite a little will suffice for a start—there begins an escalating competition to discover grievance and to remove it. The materials lie ready to hand in a multiplicity of agencies with a vested interest, more or less benevolent, in the process of discovering grievances and demanding their removal. The spiral is easily maintained in upward movement by the repetitions and escalation of violence. At each stage alienation between the various elements of society is increased, and the constant disappointment that the imagined remedies yield a reverse result leads to growing bitterness and despair. Hand in hand with the exploitation of grievance goes the equally counterproductive process which will no doubt, as usual, be called the "search for a political solution"…Indeed, attention has already been drawn publicly to the potentially critical factor of the so-called immigrant vote in an increasing number of worthwhile constituencies. The result is that the political parties of the indigenous population vie with one another for votes by promising remedy of the grievances which are being uncovered and exploited in the context of actual or threatened violence. Thus the legislature finds itself in effect manipulated by minorities instead of responding to majorities, and is watched by the public at large with a bewildering and frustration, not to say cynicism, of which the experience of legislation hitherto in the field of immigration and race relations afford some pale idea…I need not follow the analysis further in order to demonstrate how parliamentary democracy disintegrates when the national homogeneity of the electorate is broken by a large and sharp alteration in the composition of the population. While the institutions and liberties on which British liberty depends are being progressively surrendered to the European superstate, the forces which will sap and destroy them from within are allowed to accumulate unchecked. And all the time we are invited to direct towards Angola or Siberia the anxious attention that the real danger within our power and our borders imperatively demand.”

Enoch Powell (1912–1998) British politician

Speech the Hampshire Monday Club in Southampton (9 April 1976), from A Nation or No Nation? Six Years in British Politics (Elliot Right Way Books, 1977), pp. 165-166
1970s

Mani Madhava Chakyar photo

““He had his own style. He could convey his thoughts through expressions. His eye movement was superb!”
Birju Maharaj- great Kathak dancer, selecting him as one of the ten finest dancers he has known, 2000”

Mani Madhava Chakyar (1899–1990) Indian actor

Abhinaya and Netrābhinaya
Source: Birju Maharaj- the Kathak maestro on the ten finest dancers he has known http://health.rediff.com/millenni/birju.htm, rediff.com: The Millennium Special

Dennis Miller photo

“Hey folks, tonight I wanna talk about global warming. Now, The World is Hot and Flat Society is growing increasingly hysterical and that indeed is causing me to sweat a little. In the last month or so, I've heard suggestions that those skeptical of Al Gore's spiritual crisis are deniers and one good way to serve the planet would be to have one less kid and I've also read that mankind is 'a virus' and human beings are 'the AIDS of the earth.' Global warming is officially becoming creepy and I can't tell yet if it's facisitc or fetishistic but it's kinda like piercing or tattoos, I don't even wanna get one, because I see how hooked people are and it spooks me. I just find it odd that we've come to a point in history where if I don't concede that if Manhattan will be completely submerged in 2057 I'm thought to be a delusional contrarian by some of my more zealous fellow citizens. I'm sorry Angst Squad, but if we commissioned a public works project (let's call it 'The Manhattan Project') and tried our hardest to submerge Manhattan in the next 50 years, we couldn't pull it off, mainly because it wouldn't be environmentally sound and you guys would hang it up in the permitting process. Simply put, I can't worry about the earth right now because I'm too worried about the world. Why can't I take terrorism as seriously as Al Gore takes global warming? There are times that you think that liberals only fear car bombs if they have leaky exhaust systems. And why am I constantly beaten over the head with 'the delicate balance of nature'? Am I the only one who watches Animal Planet? Every time I turn it on, I see some demented harp seal chucking peguins down his gullet like they were maitre d'Tic-Tacs. To me, nature always appears more unbalanced than Gary Busey with a clogged eustachian tube. Listen, the weather is just like Hilary's explanation for her war vote: we just don't know, do we? We're here to miss our next Tuesday's weather much less the year 2057. Relax, we'll replace oil when we need to. American ingenuity will kick in and the next great fortune will be made. It's not pretty, but it is historically accurate. We need to run out of oil first. That's why I drive an SUV: so we run out of it more quickly. I consider myself at the vanguard of the environmental movement and I think the individuals who insist on driving hybrids are just prolonging our dillemma and I think that's just selfish. Come on, don't you care about our Mother Earth? Don'tcha?”

Dennis Miller (1953) American stand-up comedian, television host, and actor

6/17 The Half Hour News Hour
The Buck Starts Here

Milan Kundera photo
John Marshall Harlan II photo

“The Constitution is not a panacea for every blot upon the public welfare, nor should this Court, ordained as a judicial body, be thought of as a general haven for reform movements.”

John Marshall Harlan II (1899–1971) American judge and Associate Justice of the Supreme Court (1899-1971)

Dissenting in Reynolds v. Sims, 377 U.S. 533, 624-25 (1964).

Nick Zedd photo
Frank Chodorov photo
Frank Popper photo
Azar Nafisi photo
Stephen Harper photo

“[Y]our country, and particularly your conservative movement, is a light and an inspiration to people in this country and across the world.”

Stephen Harper (1959) 22nd Prime Minister of Canada

1990s, Speech to the Council for National Policy (1997)

Jürgen Habermas photo
Ann Coulter photo

“Most devastating for the left as a cohesive political movement was the collapse of their beloved Soviet Union. For decades the Great Issue uniting various forces on the left, from proclaimed communists to soft anti-communists, was the socialist "ideal." … Apart from global warming — coming in a thousand years to a planet near you! — the left's only remaining cause is abortion. For many Democrats, Roe v. Wade is the essence of politics.”

Ann Coulter (1961) author, political commentator

Source: 2002, Slander : Liberal Lies About the American Right (2002), p. 252; Liberals' only remaining big issue is abortion because of their beloved sexual revolution. That's their cause: Spreading anarchy and polymorphous perversity. Abortion permits that.

Arnold J. Toynbee photo

“Civilization is a movement and not a condition, a voyage and not a harbor.”

Arnold J. Toynbee (1889–1975) British historian, author of A Study of History

As quoted in Reader's Digest (October 1958).
Variation: Civilization is a movement, not a condition. It is a voyage, not a harbor.
As quoted in The Social Welfare Forum (1968) by the National Conference on Social Welfare.

V. P. Singh photo
Rose Wilder Lane photo
Fyodor Dostoyevsky photo
Walter Rauschenbusch photo

“It is only when social movements have receded into past history… that the Church with pride turns around to claim that it was she who abolished slavery, aroused the people to liberty, and emancipated woman.”

Walter Rauschenbusch (1861–1918) United States Baptist theologian

Source: Christianity and the Social Crisis (1907), Ch.4 Why Has Christianity Never Undertaken the Work of Social Reconstruction?, p. 150

David Fleming photo

“Forward movement is not helpful if what is needed is a change of direction.”

David Fleming (1940–2010) British activist

Lean Logic, (2016), p. 216, entry on Ingenuity Gap http://www.flemingpolicycentre.org.uk/lean-logic-surviving-the-future/

Naomi Klein photo
Nick Bostrom photo
Pierre-Auguste Renoir photo

“What seems most significant to me about our movement is that we have freed painting from the importance of the subject. I am at liberty to paint flowers and call them flowers, without their needing to tell a story.”

Pierre-Auguste Renoir (1841–1919) French painter and sculptor

Quoted in: Charles Altieri (1989) Painterly Abstraction in Modernist American Poetry, p. 169: Talking about the movement of Impressionism.
undated quotes

Maximilien Robespierre photo
Otto Weininger photo
Adolf Hitler photo

“Over the last forty years the German bourgeoisie has been a lamentable failure; it has not given the German people a single leader; it will have to bow without gainsaying to the totality of my ideology… The bourgeoisie rules by intrigue, but it can have no foothold in my movement because we accept no Jews or Jewish accomplices into our Party.”

Adolf Hitler (1889–1945) Führer and Reich Chancellor of Germany, Leader of the Nazi Party

Hitler's interview with Richard Breiting, 1931, published in Edouard Calic, ed., “First Interview with Hitler, 4 May 1931,” Secret Conversations with Hitler: The Two Newly-Discovered 1931 Interviews, New York: John Day Co., 1971, p. 22. Also published under the title Unmasked: Two Confidential Interviews with Hitler in 1931, published by Chatto & Windus in 1971
1930s

Ayn Rand photo
Adi Da Samraj photo
Théodore Rousseau photo

“I heard the voices of the trees; the surprises of their movements. Their varieties of form and even their peculiarity of attraction toward the light had suddenly revealed to me the language of the forest. All that world of flora lived as mutes, whose signs I divined, whose passions I discovered. I wished to converse with them and to be able to say to myself, through that other language, painting, that I had put my finger upon the secret of their grandeur.”

Théodore Rousseau (1812–1867) French painter (1812-1867)

quote from a talk between Th. Rousseau and Alfred Sensier, 1850's; as cited in Barbizon days, Millet-Corot-Rousseau-Barye by Charles Sprague Smith, A. Wessels Company, New York, July 1902, p. 147
Alfred Sensier frequently visited the studio of Th. Rousseau (and Millet) and wrote later a book about both artists
1851 - 1867

Fernand Léger photo
Allen West (politician) photo
Theodor Mommsen photo

“We have reached the end of the Roman republic. We have seen it rule for five hundred years in Italy and in the countries on the Mediterranean; we have seen it brought to rum in politics and morals, religion and literature, not through outward violence but through inward decay, and thereby making room for the new monarchy of Caesar. There was in the world, as Caesar found it, much of the noble heritage of past centuries and an infinite abundance of pomp and glory, but little spirit, still less taste, and least of all true delight in life. It was indeed an old world; and even the richly-gifted patriotism of Caesar [b] could not make it young again. The dawn does not return till after the night has fully set in and run its course. But yet with him there came to the sorely harassed peoples on the Mediterranean a tolerable evening after the sultry noon; and when at length after a long historical night a new day dawned once more for the peoples, and fresh nations in free self-movement commenced their race towards new and higher goals, there were found among them not a few, in which the seed sown by Caesar had sprung up, and which were and are indebted to him for their national individuality.”

Theodor Mommsen (1817–1903) German classical scholar, historian, jurist, journalist, politician, archaeologist and writer

/b
Vol. 4, Pt. 2, Translated by W.P. Dickson.
Last paragraph of the last volume
The History of Rome - Volume 4: Part 2

Christopher Hitchens photo

“I can never quite decide whether the anti-Columbus movement is merely risible or faintly sinister…. It is sinister, though, because it is an ignorant celebration of stasis and backwardness, with an unpleasant tinge of self-hatred.”

Christopher Hitchens (1949–2011) British American author and journalist

"Minority Report", The Nation, October 19, 1992. Also quoted in Steven Salaita, The Holy Land in Transit:Colonialism And the Quest for Canaan. Syracuse University Press, 2006.(p. 68).
1990s

Willem Roelofs photo

“I can not get used to the idea of staying here [in Belgium] always. One stays always a 'stranger' here and I miss the support from each other one has in his own country. I sometimes wonder what will be more my advantage, to be here [Belgium] or with us in The Hague... It always seemed to me that it doesn't look very brilliant with us [in The Hague] and I believe to be here [in Brussels] more in the heart of the movements in art, but sometimes I dislike Belgium.”

Willem Roelofs (1822–1897) Dutch painter and entomologist (1822-1897)

translation from original Dutch: Fons Heijnsbroek
(original Dutch: citaat van Willem Roelofs, in het Nederlands:) Ik kan mij niet aan het denkbeeld wennen van hier [in België] altijd te blijven. Men blijft hier altijd 'vreemd' en ik mis de steun die men in zijn land aan elkander heeft. Ik vraag mij soms af wat meer in mijn voordeel is om hier te zijn of bij ons bv in Den Haag.. .Het heeft mij steeds toegeschenen dat het er bij ons [in Den Haag] niet briljant uitziet en ik geloof hier [in Brussel] meer in het centrum van kunstbeweging te zijn, maar ik heb soms het land aan België.
In a letter to P. Verloren van Themaat, 1 Oct. 1865; as cited in Willem Roelofs 1822-1897 De Adem der natuur, ed. Marjan van Heteren & Robert-Jan te Rijdt; Thoth, Bussum, 2006, p. 13 - ISBN13 * 978 90 6868 432 2
1860's