Quotes about moment
page 36

Edward Young photo
Willa Cather photo
Thomas Carlyle photo

“It is the very joy of man's heart to admire, where he can; nothing so lifts him from all his mean imprisonments, were it but for moments, as true admiration.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1840s, Past and Present (1843)

Michel Foucault photo

“How to define the moment that I write?”

Michel Foucault (1926–1984) French philosopher

Qui définit le moment où j'écris?
"Un cours inedit" in Magazine littéraire (May 1984), page 34.

Cristina Fernández de Kirchner photo

“The present time Latin America is going through, with its impressive natural and human resources, devoid of racial and religious conflicts, is a unique moment, and I believe that Argentina and Argentines are at the doorstep of an unprecedented opportunity.”

Cristina Fernández de Kirchner (1953) Argentine politician and ex President of Argentina

Fuente: Telam 29/10/2006 http://web.archive.org/20070927195620/www.telam.com.ar/vernota.php?tipo=N&idPub=41633&id=109550&dis=1&sec=1
Unsourced, 2006

Éric Pichet photo

“Thirty years of lax budget policy (the Trente Dispendieuses) marked by soaring public spending in the 1980’s, the happy-go-lucky attitude of the 1990’s and finally, a policy of procrastination in the 2000’s characterised by the development of creative budgetary marketing strategies exclusively destined to delay the (always) socially and politically painful moment of addressing the accounts.”

Éric Pichet (1960) economist

Le programme de stabilité et le pacte de responsabilité : la trajectoire des finances publiques de 2014 à 2017 http://papers.ssrn.com/sol3/papers.cfm?abstract_id=2499496 Article in Revue de Droit Fiscal n31-35 (2014).
Budgetary policy, From the Expensive 30 toe the Expensive 36, The Expensive 30

Ayumi Hamasaki photo
Carlos Drummond de Andrade photo

“And each moment is different, and each man
is different, and we are all equal.”

Carlos Drummond de Andrade (1902–1987) Brazilian poet

E cada instante é diferente, e cada
homem é diferente, e somos todos iguais.
"Os últimos dias" ["The Last Days"]
A Rosa do Povo [Rose of the People] (1945)

Swami Vivekananda photo
Sören Kierkegaard photo
Letitia Elizabeth Landon photo
Arthur Schopenhauer photo
Stephen King photo
Sören Kierkegaard photo
Sam Harris photo
Angela Davis photo
Pierce Brown photo
Georg Brandes photo
Ian Bremmer photo

“New York used to be the financial capital of the world. It's no longer even the financial capital of the U. S. For the moment, Washington is.”

Ian Bremmer (1969) American political scientist

"The New Capitals of Capital," http://fearandloathingingtown.blogspot.com/2009/03/quote-of-day_21.html Forbes (March 19, 2009).

Edward Jenks photo
William Kristol photo
Walter Pater photo

“The presence that thus rose so strangely beside the waters, is expressive of what in the ways of a thousand years men had come to desire. Hers is the head upon which all "the ends of the world are come," and the eyelids are a little weary. It is a beauty wrought out from within upon the flesh, the deposit, little cell by cell, of strange thoughts and fantastic reveries and exquisite passions. Set it for a moment beside one of those white Greek goddesses or beautiful women of antiquity, and how would they be troubled by this beauty, into which the soul with all its maladies has passed! All the thoughts and experience of the world have etched and moulded there, in that which they have of power to refine and make expressive the outward form, the animalism of Greece, the lust of Rome, the reverie of the middle age with its spiritual ambition and imaginative loves, the return of the Pagan world, the sins of the Borgias. She is older than the rocks among which she sits; like the vampire, she has been dead many times, and learned the secrets of the grave; and has been a diver in deep seas, and keeps their fallen day about her; and trafficked for strange webs with Eastern merchants: and, as Leda, was the mother of Helen of Troy, and, as Saint Anne, the mother of Mary; and all this has been to her but as the sound of lyres and flutes, and lives only in the delicacy with which it has moulded the changing lineaments, and tinged the eyelids and the hands. The fancy of a perpetual life, sweeping together ten thousand experiences, is an old one; and modern thought has conceived the idea of humanity as wrought upon by, and summing up in itself, all modes of thought and life. Certainly Lady Lisa might stand as the embodiment of the old fancy, the symbol of the modern idea.”

Walter Pater (1839–1894) essayist, art and literature critic, fiction writer

On the Mona Lisa, in Leonardo da Vinci
The Renaissance http://www.authorama.com/renaissance-1.html (1873)

Basil Rathbone photo

“I don’t know the why of anything, even when I pretend most diligently I do. The truth is the last time I had any idea why or what I was supposed to do I was lying in a shell hole, looking up at the sky. My mind was filled with a Bach keyboard sonata, which was one of the last I’d learned, I forget which one now. I absolutely knew I was about to die and I was completely happy and at peace, in a way I never was before or since, not even with you, in our best moments. It was so easy, you see, a kind of absolute joy and peace, because I knew it was all done and I was all square with life. Nothing left to do but let things take their course. And when I didn’t die, I didn’t know what to do. So I thought, I’ll take my revolver, go out and blow a hole through my head. Only I knew it wouldn’t work. I knew, I just knew you couldn’t do it that way. You couldn’t make it happen, not if you wanted to find peace. So, I thought, then, a sniper can do it for me. But no matter how I tried to let them no sniper ever found me. And all the other times I went out and lay in shell holes in No Man’s Land it wasn’t the same, and I knew I wouldn’t die this time, and of course I never did. I had this mad feeling I’d become some sort of Wandering Jew. And everything for so long afterwards was about dragging this living corpse of myself around, giving it things to do, because here it was, alive. And nothing made any sense and I didn’t even hope it would. I followed paths that were there to be followed, I did what others said to do.”

Basil Rathbone (1892–1967) British actor

Letter https://thegreatbaz.wordpress.com/2013/03/18/fuller-text-of-letter-quoted-in-a-life-divided/

Harry V. Jaffa photo
John Tyndall photo

“Life is a wave, which in no two consecutive moments of its existence is composed of the same particles.”

John Tyndall (1820–1893) British scientist

Vitality.
Fragments of Science, Vol. II (1879)

Ryszard Kapuściński photo
Lewis Mumford photo

“One of the marks of maturity is the need for solitude: a city should not merely draw men together in many varied activities, but should permit each person to find, near at hand, moments of seclusion and peace.”

Lewis Mumford (1895–1990) American historian, sociologist, philosopher of technology, and literary critic

"Planning for the Phases of Life" http://books.google.com/books?id=JypxP4R4cogC&q=%22One+of+the+marks+of+maturity+is+the+need+for%22+%22a+city+should+not+merely+draw+men+together+in+many+varied+activities+but+should+permit+each+person+to+find+near+at+hand+moments+of+seclusion+and+peace%22&pPA40#v=onepage, The Urban Prospect: Essays (1968)

Hans Freudenthal photo

“No statistician present at this moment will have been in doubt about the meaning of my words when I mentioned the common statistical model. It must be a stochastic device producing random results. Tossing coins or a dice or playing at cards are not flexible enough. The most general chance instrument is the urn filled with balls of different colours or with tickets bearing some ciphers or letters. This model is continuously used in our courses as a didactic tool, and in our statistical analyses as a means of translating realistic problems into mathematical ones. In statistical language " urn model " is a standard expression.”

Hans Freudenthal (1905–1990) Dutch mathematician

Source: The Concept and the Role of the Model in Mathematics and Natural and Social Sciences (1961), p. 79; Partly cited in: Norman L. Johnson and Samuel Kotz (1977) Urn Models and Their Application: an. Approach to Modern Discrete Probability Theory http://dis.unal.edu.co/~gjhernandezp/sim/hide/Urn%20Models%20and%20Their%20Application%20-%20An%20approach%20to%20modern%20discrete%20probability%20theory_Norman%20L.Johnson(Wiley%201977%20413s).pdf, John Wiley & Sons.

Douglas Coupland photo
Stephen R. Covey photo
Alexandros Panagoulis photo
Sacha Baron Cohen photo

“The moment I appeared the crowd started jeering and booing and shouting ‘faggot’ and spitting, I had hired a bodyguard and when the jeering started I turned to see where the bodyguard was, I could just see the back of his head as he was running out of the stadium.”

Sacha Baron Cohen (1971) English stand-up comedian, writer, actor, and voice actor

Describing the reaction of a 60,000 crowd of American Football fans and his bodyguard, while appearing as Bruno (the flamboyantly homosexual fashion journalist) at an NFL match http://www.timesonline.co.uk/article/0,,2092-2557633.html

William Penn photo
Hermann Hesse photo
Dennis Kucinich photo
Becky Stark photo

“We're at that kind of moment where we really have to understand that everyone is totally connected and everyone is important.”

Becky Stark (1976) American singer

As quoted in Lavender Diamond seeks world peace, by Jake Coyle in USA Today (27 April 2007) http://www.usatoday.com/life/music/2007-04-27-3719120128_x.htm

Nina Kiriki Hoffman photo
Gloria Estefan photo
Ernesto Che Guevara photo
Paul Klee photo

“All love affairs are tragedies in the end unless the lovers die at the same moment.”

Katharine Kerr (1944) American writer

[Snare, 2003, Macmillan, ISBN 0312890451, p. 557]

Leo Tolstoy photo
Phil Collins photo
Octavio Paz photo
Roger Ebert photo

“[D]oes the real world have any more substance than visions and hallucinations — when we're having them? At any given moment, what's happening in our minds is all and everything that happens.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/uncle-boonmee-who-can-recall-his-past-lives-2011 of Uncle Boonmee Who Can Recall His Past Lives (14 April 2011)
Reviews, Three-and-a-half star reviews

Fernando Sabino photo
Winston S. Churchill photo
Erving Goffman photo

“When an individual appears before others, he wittingly and unwittingly projects a definition of the situation, of which a conception of himself is an important part. When an event occurs which is expressively incompatible with this fostered impression, significant consequences are simultaneously felt in three levels of social reality, each of which involves a different point of reference and a different order of fact.
First, the social interaction, treated here as a dialogue between two teams, may come to an embarrassed and confused halt; the situation may cease to be defined, previous positions may become no longer tenable, and participants may find themselves without a charted course of action…
Secondly, in addition to these disorganizing consequences for action at the moment, performance disruptions may have consequences of a more far-reaching kind. Audiences tend to accept the self projected by the individual performer during any current performance as a responsible representative of his colleague-grouping, of his team, and of his social establishment…
Finally, we often find that the individual may deeply involve his ego in his identification with a particular role, establishment, and group and in his self-conception as someone who does not disrupt social interaction or let down the social units which depend upon that interaction.”

Source: 1950s-1960s, The Presentation of Self in Everyday Life, 1959, p. 155-6

“A man who is not poor nor ill, nor about to be stoned to death, must not distress himself if he does not feel all through his life what faith Stephen had only in his last moments.”

William Mountford (1816–1885) English Unitarian preacher and author

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 221.

Gabrielle Roy photo
Jan Smuts photo
Anatole France photo

“And to me it seems that you have fallen asleep upon a white rock, and in a parish of dreams, and have dreamt all this in a moment while it was night.”

Anatole France (1844–1924) French writer

Philopatris, xxi, as translated in the epigraph, p. 8
The White Stone (1905)

William Ewart Gladstone photo
Peter Greenaway photo
Nikolai Berdyaev photo

“What one needs to do at every moment of one's life is to put an end to the old world and to begin a new world.”

Nikolai Berdyaev (1874–1948) Russian philosopher

The Beginning and the End (1947)

Norbert Wiener photo

“The odors perceived by the ant seem to lead to a highly standardized course of conduct; but the value of a simple stimulus, such as an odor, for conveying information depends not only on the information conveyed by the stimulus itself but on the whole nervous constitution of the sender and receiver of the stimulus as well. Suppose I find myself in the woods with an intelligent savage who cannot speak my language and whose language I cannot speak. Even without any code of sign language common to the two of us, I can learn a great deal from him. All I need to do is to be alert to those moments when he shows the signs of emotion or interest. I then cast my eyes around, perhaps paying special attention to the direction of his glance, and fix in my memory what I see or hear. It will not be long before I discover the things which seem important to him, not because he has communicated them to me by language, but because I myself have observed them. In other words, a signal without an intrinsic content may acquire meaning in his mind by what he observes at the time, and may acquire meaning in my mind by what I observed at the time. The ability that he has to pick out the moments of my special, active attention is in itself a language as varied in possibilities as the range of impressions that the two of us are able to encompass. Thus social animals may have an active, intelligent, flexible means of communication long before the development of language.”

VIII. Information, Language, and Society. p. 157.
Cybernetics: Or Control and Communication in the Animal and the Machine (1948)

Sebastian Vettel photo

“The chequered flag is really just a stupid wooden stick and a piece of cloth. It's a small thing, but it means so much when you cross the line at moments like that. It was unbelievable.”

Sebastian Vettel (1987) German racing driver in Formula 1

http://www.sebastian-vettel.org/quotes.htm
After his 4th position in China 2007.
Sourced quotes

Steven Heighton photo
Harold Holt photo

“In the lonelier and perhaps even more disheartening moments which come to any national leader, I hope there will be a corner of your mind and heart which takes cheer from the fact that you have an admiring friend, a staunch ally that will be all the way with LBJ.”

Harold Holt (1908–1967) Australian politician, 17th Prime Minister of Australia

address to President Johnson at the White House, 27 June 1966
As prime minister
Source: The Life and Death of Harold Holt, p. 181.

Haile Selassie photo
Bud Selig photo
Haruki Murakami photo
Newton Lee photo
Nicholas Sparks photo
Ludwig Van Beethoven photo
Max Scheler photo

“Yet all this is not ressentiment. These are only stages in the development of its sources. Revenge, envy, the impulse to detract, spite, *Schadenfreude*, and malice lead to ressentiment only if there occurs neither a moral self-conquest (such as genuine forgiveness in the case of revenge) nor an act or some other adequate expression of emotion (such as verbal abuse or shaking one's fist), and if this restraint is caused by a pronounced awareness of impotence. There will be no ressentiment if he who thirsts for revenge really acts and avenges himself, if he who is consumed by hatred harms his enemy, gives him “a piece of his mind,” or even merely vents his spleen in the presence of others. Nor will the envious fall under the dominion of ressentiment if he seeks to acquire the envied possession by means of work, barter, crime, or violence. Ressentiment can only arise if these emotions are particularly powerful and yet must be suppressed because they are coupled with the feeling that one is unable to act them out—either because of weakness, physical or mental, or because of fear. Through its very origin, ressentiment is therefore chiefly confined to those who serve and are dominated at the moment, who fruitlessly resent the sting of authority. When it occurs elsewhere, it is either due to psychological contagion—and the spiritual venom of ressentiment is extremely contagious—or to the violent suppression of an impulse which subsequently revolts by “embittering” and “poisoning” the personality. If an ill-treated servant can vent his spleen in the antechamber, he will remain free from the inner venom of ressentiment, but it will engulf him if he must hide his feelings and keep his negative and hostile emotions to himself.”

Max Scheler (1874–1928) German philosopher

Das Ressentiment im Aufbau der Moralen (1912)

Stanley Baldwin photo

“This is Empire Day, and we lift up our eyes beyond our immediate surroundings and our everyday tasks to behold the great inheritance which is ours. Our feet are set in a large space, and if the Titan has known moments of weariness, if our burdens are heavy, our shoulders are yet broad, and they have long been fitted to bear the vast orb of our fate.”

Stanley Baldwin (1867–1947) Former Prime Minister of the United Kingdom

Speech in Hyde Park (24 May 1929), published in This Torch of Freedom (1935), p. 25. In 1902 Joseph Chamberlain said "The weary Titan staggers under the too vast orb of its fate".
1929

Dwight L. Moody photo
Hugo Black photo

“Citizenship is no light trifle to be jeopardized any moment Congress decides to do so under the name of one of its general or implied grants of power.”

Hugo Black (1886–1971) U.S. Supreme Court justice

Afroyim v. Rusk, 387 U.S. 267–68 (1967)

Jack McDevitt photo

“The beginning of wisdom is to admit to being inept. We’re all a bit slow. We have our moments, but in the end, we have to resort to bumbling through. It is what makes conviction so egregious.”

Jack McDevitt (1935) American novelist, Short story writer

Source: Academy Series - Priscilla "Hutch" Hutchins, Odyssey (2006), Chapter 40 (p. 376)

Ross Mintzer photo
Stephenie Meyer photo
Sam Harris photo
Charles M. Blow photo
Bernard Mandeville photo
Leigh Hunt photo
Mary Astell photo
Rollo May photo
Tim Powers photo

“All wrong. The words seemed in this moment to describe Hale’s whole life.”

Source: Declare (2001), Chapter 7 (p. 182)

David Fincher photo
Thomas Wolfe photo
Henri-Frédéric Amiel photo
Anastacia photo

“(About Elton John) He's my fairy Godfather; literally that's what I call him. […] Hopefully while I'm in town there'll be a moment I can share my new boobs with him. I have to show him, because he gets to see. Not that he's really caring, but I flashed him my other ones so he has to see these ones too. He has to see the new set.”

Anastacia (1968) American singer-songwriter

I'd give Barbra Streisand a lesbian kiss http://attitude.co.uk/anastacia-interview-id-give-barbra-streisand-lesbian-kiss/, Attitude, April 2, 2014.
General Quotes

Octavio Paz photo

“time in an allegory of itself imparts to us lessons of wisdom which the moment they are formulated are immediately destroyed by the merest flickers of light or shadow which are nothing more than time in its incarnations and disincarnations which are the phrases that I am writing on this paper and that disappears as I read them:
they are not the sensations, the perceptions, the mental images, and the thoughts which flare up and die away here, now, as I write or as I read what I write: they are not what I see or what I have seen, they are the reverse of what is seen and of the power of sight—but they are not the invisible: they are the unsaid residuum;
they are not the other side of reality but, rather, the other side of language, what we have on the tip of our tongue that vanishes before it is said, the other side that cannot be named because it is the opposite of a name:
what is not said is not this or that which we leave unsaid, nor is it neither-this-nor-that: it is not the tree that I say I see but the sensation that I feel on sensing that I see it at the moment when I am just about to say that I see it, an insubstantial but real conjunction of vibrations and sounds and meanings that on being combined suggest the configuration of a green-bronze-black-woody-leafy-sonorous-silent presence;
no, it is not that either, if it is not a name it surely cannot be the description of a name or the description of the sensation of the name or the name of the sensation:
a tree is not the name tree, nor is it the sensation of tree: it is the sensation of a perception of tree that dies away at the very moment of the perception of the sensation of tree;
names, as we already know, are empty, but what we did not know, or if we did know, had forgotten, is that sensations are perceptions of sensations that die away, sensations that vanish on becoming perceptions, since if they were not perceptions, how would we know that they are sensations?;
sensations that are not perceptions are not sensations, perceptions that are not names—what are they?
if you didn’t know it before, you know now: everything is empty;
and the moment I say everything-is-empty, I am aware that I am falling into a trap: if everything is empty, this everything-is-empty is empty too;
no, it is full, full to overflowing, everything-is-empty is replete with itself, what we touch and see and taste and smell and think, the realities that we invent and the realities that touch us, look at us, hear us, and invent us, everything that we weave and unweave and everything that weaves and unweaves us, momentary appearances and disappearances, each one different and unique, is always the same full reality, always the same fabric that is woven as it is unwoven: even total emptiness and utter privation are plenitude (perhaps they are the apogee, the acme, the consummation and the calm of plenitude), everything is full to the brim, everything is real, all these invented realities and all these very real inventions are full of themselves, each and every one of them, replete with their own reality;
and the moment I say this, they empty themselves: things empty themselves and names fill themselves, they are no longer empty, names are plethoras, they are donors, they are full to bursting with blood, milk, semen, sap, they are swollen with minutes, hours, centuries, pregnant with meanings and significations and signals, they are the secret signs that time makes to itself, names suck the marrow from things, things die on this page but names increase and multiply, things die in order that names may live:”

Octavio Paz (1914–1998) Mexican writer laureated with the 1990 Nobel Prize for Literature

Source: The Monkey Grammarian (1974), Ch. 9