Quotes about making
page 75

Alfred Horsley Hinton photo
John Kenneth Galbraith photo

“People who are in a fortunate position always attribute virtue to what makes them so happy.”

John Kenneth Galbraith (1908–2006) American economist and diplomat

The Guardian [UK] (23 May 1992)

John Ruysbroeck photo
Eric Hoffer photo
Lucy Aharish photo

“One of the topics [on the show last week] was the murder of women in the Arab sector, what is referred to, unfortunately, […] as 'honor killing' and has nothing to do with [anything worthy of] honor. The guest in the studio was a woman who had 20 years of experience working for the sake of those same women who die for no good reason, a woman whose everyday job was a holy work for the sake of thousands of Arab women who need a voice that will shout out and cry out their cries. After she had accused the government and the police and everyone of incompetence, I asked her, in a somewhat aggressive manner, as it were, '[…] Where are we in all of this? Where are we Arab women to teach and discipline our sons that a man has no right over a woman? […]' During the commercial break, she got up and told me that I had to learn how to talk to Arabs because the tone that I adopted and the things that I said were said to gain approval from Jews. So I've come to tell you today that I haven't come for approval from you; that I haven't come for approval from anyone; and this is the message that I want you to digest very, very well. In my life I have been accused of many things: that I am the fifth column; that an Arab will always stay an Arab, no matter how liberal he may look; that I bring shame on my family for being in a relationship with a person outside my religion. I've received threats after asking Palestinian residents live on the show why they don't go out against Hamas men, who use them and bring them to their slaughter; I've been attacked on Yom ha-Shoah and Yom ha-Zikaron that the managers at Arutz 2 dared to put an Arab on a show such as that as the host on a day such as that; I've been told that I make Arab women stray off the path of proper behavior; and that I've forgotten where I come from being an 'Ashkenazified', 'Judaized' Arab. So they blamed and they talked—as if that, in itself, made them right.”

Lucy Aharish (1981) Arab-Israeli journalist

Source: Lucy Aharish's campus speech http://www.onlife.co.il/%D7%A2%D7%91%D7%95%D7%93%D7%94/%D7%9E%D7%A0%D7%94%D7%99%D7%92%D7%95%D7%AA-%D7%94%D7%99%D7%95%D7%9D-%D7%90%D7%AA-%D7%94%D7%9E%D7%97%D7%A8/85312/%D7%9C%D7%95%D7%A1%D7%99-%D7%90%D7%94%D7%A8%D7%99%D7%A9-%D7%9C%D7%90-%D7%91%D7%90%D7%AA%D7%99-%D7%9C%D7%9E%D7%A6%D7%95%D7%90-%D7%97%D7%9F-%D7%91%D7%A2%D7%99%D7%A0%D7%99-%D7%90%D7%A3-%D7%90%D7%97%D7%93 at "מנהיגות היום את המחר". Onlife. 9 November 2014. Retrieved 27 January 2015. Video available.

Robert G. Ingersoll photo
Arthur Quiller-Couch photo
Henry Miller photo
Robert G. Ingersoll photo
George Eliot photo
Peter Tatchell photo
Linus Torvalds photo
Linus Torvalds photo
Jacques Derrida photo
Don Marquis photo

“well boss
mehitabel the cat
has reappeared in her old
haunts with a
flock of kittens

archy she said to me
yesterday
the life of a female
artist is continually
hampered what in hell
have i done to deserve
all these kittens
i look back on my life
and it seems to me to be
just one damned kitten
after another
i am a dancer archy
and my only prayer
is to be allowed
to give my best to my art
but just as i feel
that i am succeeding
in my life work
along comes another batch
of these damned kittens
it is not archy
that i am shy on mother love
god knows i care for
the sweet little things
curse them
but am i never to be allowed
to live my own life
i have purposely avoided
matrimony in the interests
of the higher life
but i might just
as well have been a domestic
slave for all the freedom
i have gained
i hope none of them
gets run over by
an automobile
my heart would bleed
if anything happened
to them and i found it out
but it isn t fair archy
it isn t fair
these damned tom cats have all
the fun and freedom
if i was like some of these
green eyed feline vamps i know
i would simply walk out on the
bunch of them and
let them shift for themselves
but i am not that kind
archy i am full of mother love
my kindness has always
been my curse
a tender heart is the cross i bear
self sacrifice always and forever
is my motto damn them
i will make a home
for the sweet innocent
little things
unless of course providence
in his wisdom should remove
them they are living
just now in an abandoned
garbage can just behind
a made over stable in greenwich
village and if it rained
into the can before i could
get back and rescue them
i am afraid the little
dears might drown
it makes me shudder just
to think of it
of course if i were a family cat
they would probably
be drowned anyhow
sometimes i think
the kinder thing would be
for me to carry the
sweet little things
over to the river
and drop them in myself
but a mother s love archy
is so unreasonable
something always prevents me
these terrible
conflicts are always
presenting themselves
to the artist
the eternal struggle
between art and life archy
is something fierce
yes something fierce
my what a dramatic
life i have lived
one moment up the next
moment down again
but always gay archy always gay
and always the lady too
in spite of hell
well boss it will
be interesting to note
just how mehitabel
works out her present problem
a dark mystery still broods
over the manner
in which the former
family of three kittens
disappeared
one day she was talking to me
of the kittens
and the next day when i asked
her about them
she said innocently
what kittens
interrogation point
and that was all
i could ever get out
of her on the subject
we had a heavy rain
right after she spoke to me
but probably that garbage can
leaks so the kittens
have not yet
been drowned”

Don Marquis (1878–1937) American writer

mehitabel and her kittens http://donmarquis.com/reading-room/kittens/
archy and mehitabel (1927)

Clarence Darrow photo
Kuruvilla Pandikattu photo

“In your presence, dearly beloved,/ I do not need to make up!/ I do not need to adorn myself!/ I can just be myself!/ What a relief!”

Kuruvilla Pandikattu (1957) Indian philosopher

Life: Relish It! p. 67.
Love: Be it! (2001)

Henry James photo

“Economists can take a good deal of credit for the stabilization policies which have been followed in most Western countries since 1945 with considerable success. It is easy to generate a euphoric and self-congratulatory mood when one compares the twenty years after the first World War, 1919-39, with the twenty years after the second, 1945-65. The first twenty years were a total failure; the second twenty years, at least as far as economic policy is concerned, have been a modest success. We have not had any great depression; we have not had any serious financial collapse; and on the whole we have had much higher rates of development in most parts of the world than we had in the 1920’s and 1930’s, even though there are some conspicuous failures. Whether the unprecedented rates of economic growth of the last twenty years, for instance in Japan and Western Europe, can be attributed to economics, or whether they represent a combination of good luck in political decision making with the expanding impact of the natural and biological sciences on the economy, is something we might argue. I am inclined to attribute a good deal to good luck and non-economic forces, but not all of it, and even if economics only contributed 10 percent, this would amount to a very handsome rate of return indeed, considering the very small amount of resources we have really put into economics.”

Kenneth E. Boulding (1910–1993) British-American economist

Source: 1960s, The economics of knowledge and the knowledge of economics, 1966, p. 9

Khushwant Singh photo

“I think humour can be a very lethal weapon. You make somebody a laughing stock and you kill him. But most journalists don't do it. They get angry, which doesn't serve the purpose.”

Khushwant Singh (1915–2014) Indian novelist and journalist

On Humour.
I Don't Know One Editor In India Who Is Well-Read

Andy Warhol photo
Marie-Louise von Franz photo
Noel Gallagher photo
Dennis Skinner photo
Mahatma Gandhi photo
Leigh Brackett photo

““Better to make haste slowly than not at all,” said Amnir sententiously.”

Leigh Brackett (1915–1978) American novelist and screenwriter

Source: The Ginger Star (1974), Chapter 11 (p. 74)

Mallika Sherawat photo
Slash (musician) photo

“I'd like to dedicate this song real quick, and I'm not going to say anything offensive so that we can make it on TV. This song isn't dedicated to drinking or drug addiction […]. It's basically about a walk in the park. This is something called 'Nightrain.”

Slash (musician) (1965) British-American musician and songwriter

During a show at the Ritz, NY in 1988. Guns N' Roses - "Nightrain" - Live at the Ritz http://de.youtube.com/watch?v=-Gu3gDhESRY 2 February 1988

Roberto Clemente photo
Enoch Powell photo
James Martin (priest) photo
Gillian Anderson photo

“Young women have more choices to make today about what to be. One of those choices is activist.”

Gillian Anderson (1968) American-British film, television and theatre actress, activist and writer

Global Goals United Nations https://twitter.com/GlobalGoalsUN/status/712709697468571648 (March 23, 2016)
2010s

Vladimir Lenin photo
John Lancaster Spalding photo
Edouard Manet photo

“My dear Duret, I went to see Monet yesterday. I found him heart-broken and completely on the rocks. He asked me to find him someone who would take from ten to twenty of his paintings at their choice, for 111 fr. apiece. Shall we do it between us, making 500 fr. each? Naturally, no one, least of all he, must know that it is we who are doing it..”

Edouard Manet (1832–1883) French painter

Quote from Manet's letter to the Paris' art-critic Théodore Duret, 1875, as quoted in Letters of the great artists – from Blake to Pollock -, Richard Friedenthal, Thames and Hudson, London, 1963, p. 121
1850 - 1875

J. Bradford DeLong photo

“Hayek says that the problem with classical liberalism was that it was not pure enough. The government needed to restrict itself to establishing the rule of law and to using antitrust to break up monopolies. It was the overreach of the government beyond those limits, via central banking and social democracy, that caused all the trouble. A democratic government needs to limit itself to rule of law and antitrust–and perhaps soup kitchens and shelters. And what if democracy turns out not to produce a government that limits itself to those activities? Then, Hayek says, so much the worse for democracy. A Pinochet is then called for to, in a Lykourgan moment, minimalize the state. After social democracy has been leveled and the rubble cleared away, then–perhaps–a limited range of issues can be discussed and debated by a–limited–restored democracy, with some kind of group of right-wing army officers descended from latifundistas Council of Guardians in the background to ensure that property remains sacred and protected, and the government small enough to fit in a bathtub. […] Hayek was formed in Austria. From his perspective the property and enterprise respecting Imperial Habsburg government of Franz Josef eager to make no waves, to hold what it has, and to keep the lid off the pressure cooker appears not unattractive. This is especially so when you contrasted would be really existing authoritarian alternatives: anti-Semitic populist demagogue mayors of Vienna; nationalist Serbian or Croatian politicians interested in maintaining popular legitimacy by waging class war or ethnic war; separatists who seek independence and then one man, one vote, one time. An “authoritarian” after the manner of Franz Josef looks quite attractive in this context–and if you convince yourself but they are as dedicated to small government neoliberalism as you are, and that the Lykourgan moment of the form will be followed by soft rule and popular assent, so much the better. And if the popular assent is not forthcoming? Then Hayek can blame the socialists, and say it is their fault for not understanding how good a deal they are offered.”

J. Bradford DeLong (1960) American economist

Making Sense of Friedrich A. von Hayek: Focus/The Honest Broker for the Week of August 9, 2014 http://equitablegrowth.org/making-sense-friedrich-von-hayek-focusthe-honest-broker-week-august-9-2014/ (2014)

Albert O. Hirschman photo
George Holmes Howison photo

“And the most depressing sign about [ Josiah Royce's ] thinking is that he seems perfectly aware how this makes no provision either for immortality or for real freedom, and yet he appears to have no uneasiness under it, but to contemplate this ghastly destiny of ours with a complacency even savoring of self-satisfaction.”

George Holmes Howison (1834–1916) American philosopher

Letter to W.T. Harris; Quoted in: James McLachlan, "George Holmes Howison: The Conception of God Debate and the Beginnings of Personal Idealism." The Personalist Forum. Vol. 15, Nr. 1 (1995). p. 6; Cited in Dwayne Tunstall, Yes, But Not Quite: Encountering Josiah Royce's Ethico-Religious Insight, Fordham Univ Press, 2009. p. 12
Journals

Peter Blake photo

“People say, "Why do you paint?" and I say, to make magic.”

Peter Blake (1932) British artist

Serena Davies, "In the studio:Peter Blake, http://www.telegraph.co.uk/arts/main.jhtml?xml=/arts/2005/12/13/bastudio13.xml The Daily Telegraph, 2005-12-13
Art

Cat Stevens photo

“I had to learn my faith and look after my family, and I had to make priorities. But now I've done it all and there's a little space for me to fill in the universe of music again.”

Cat Stevens (1948) British singer-songwriter

On getting back into the music business, as quoted in "The Billboard Q and A: Yusuf Islam" by Nigel Williamson, in Billboard Magazine (17 November 2006)

David Rittenhouse photo

“God made Homo sapiens a problem-solving creature. The trouble is that He gave us too many resources: too many languages, too many phases of life, too many levels of complexity, too many ways to solve problems, too many contexts in which to solve them, and too many values to balance.
First came the law, accounting, and history which looks backward in time for their values and decision-making criteria, but their paradigm (casuistry) cannot look forward to predict future consequences. Casuistry is overly rigid and does not account for statistical phenomena. To look forward man used two thousand years to evolve scientific method - which can predict the future when it discovers the laws of nature. In parallel, man evolved engineering, and later, systems engineering, which also anticipates future conditions. It took man to the moon, but it often did, and does, a poor job of understanding social systems, and also often ignores the secondary effects of its artifacts on the environment.
Environmental impact analysis was promoted by governments to patch over the weakness of engineering - with modest success - and it does not ignore history; but by not integrating with system design, it is also an incomplete philosophy. System design and architecture, or simply design, like science and engineering is forward-looking, and provides man with comforts and conveniences - if someone will tell them what problems to solve, and which requirements to meet. It rarely collects wisdom from the backward-looking methodologies, often overlooks ordinary operating problems in designing its artifacts, whether autos or buildings, and often ignores the principles of good teamwork.”

Arthur D. Hall (1925–2006) American electrical engineer

Source: Metasystems Methodology, (1989), p.xi cited in Philip McShane (2004) Cantower VII http://www.philipmcshane.ca/cantower7.pdf

Lizzie Deignan photo
Leonard Peikoff photo

“A: "Your objection to the self-evident has no validity. There is no such thing as disagreement. People agree about everything."
B: "That’s absurd; people disagree constantly, and about all kinds of things."
A: "How can they? There’s nothing to disagree about; no subject matter. After all, nothing exists."
B: "Nonsense. All kinds of things exist, you know that as well as I do."
A: "That’s one. You must accept the existence axiom, even to utter the term “disagreement.” But to continue, I still maintain that disagreement is unreal. How can people disagree when they are unconscious beings who are unable to hold any ideas at all?"
B: "Of course people hold ideas. They are conscious beings. You know that."
A: "There’s another axiom, but even so, why is disagreement about axioms a problem? Why should it suggest that one or more of the parties is mistaken? Perhaps all of the people who disagree about the very same point are equally, objectively right."
B: "That’s impossible. If two ideas contradict each other, they can’t both be right. Contradictions can’t exist in reality. After all, A is A."
Existence, consciousness, identity are presupposed by every statement and by every concept, including that of "disagreement." … In the act of voicing his objection, therefore, the objector has conceded the case. In any act of challenging or denying the three axioms, a man reaffirms them, no matter what the particular content of this challenge. The axioms are invulnerable.
The opponents of these axioms pose as defenders of truth, but it is only a pose. Their attack on the self-evident amounts to the charge. "Your belief in an idea doesn't necessarily make it true; you must prove it, because facts are what they are independent of your beliefs." Every element of this charge relies on the very axioms that these people are questioning and supposedly setting aside.”

Leonard Peikoff (1933) Canadian-American philosopher

Objectivism: The Philosophy of Ayn Rand (1991) ; Dialogue used to show that existence, conciousness, identity, and non-contradiction are axioms, using A as a defender of the axioms, and B as an opponent of the axioms,
1990s

Jacoba van Heemskerck photo

“I don't understand how many painters can be so short-sighted to value art from earlier periods as completely worthless. Every art is an expression of an era and only for that reason already it is interesting. A Rembrandt has gone other ways, but he has certainly also pursued the highest goals. That one can assert: it is not necessary for a painter to have an impression when he is painting an Image, is nonsense. Certainly an artist, if he is really an artist, always has an inner urge to create an Image and thus sees an impression for himself that he may not always be able to explain, because deeper feelings are very difficult to grasp in words, but he has an impression - otherwise he only makes paintings as pure brain work. And intellectual art I can't bear. You can not make abstract art as something on its own. One feel various forms in their inner coherence. For example: when reading a fairy tale I can get the idea to paint a forest in completely abstract forms with motifs of trees. Every abstract form has an inner meaning for me.”

Jacoba van Heemskerck (1876–1923) Dutch painter

translation from Dutch, Fons Heijnsbroek, 2018
version in Dutch / citaat van Jacoba van Heemskerck, in het Nederlands vertaald: Ik begrijp niet hoe veel schilders zo kortzichtig kunnen zijn kunst uit vroegere perioden als volkomen waardeloos aan te merken. Elke kunst is een uiting van een tijdperk en alleen daarom al interessant. Een Rembrandt is andere wegen gegaan maar heeft zeker ook de hoogste doelen nagestreefd. Dat men beweren kan: een schilder hoeft bij het schilderen van een Bild geen voorstelling te hebben, is onzin. Zeker heeft een kunstenaar, als hij werkelijk artiest is, altijd een innerlijke drang een Bild te scheppen en ziet dus een Bild voor zich dat hij misschien niet altijd verklaren kan omdat diepere gevoelens heel moeilijk in woorden te vatten zijn, maar een voorstelling heeft hij - anders maakt hij schilderijen en is het puur hersenwerk. En intellectuele kunst staat mij zeer tegen. Abstracte kunst is niet op zich zelf staand te maken. Men voelt verscheidene vormen in hun innerlijke samenhang. Bijvoorbeeld: bij het lezen van een sprookje kan ik de ingeving krijgen een bos in geheel abstracte vormen met boommotieven te schilderen. Elke abstracte vorm heeft voor mij een innerlijke betekenis.
Quote of Jacoba van Heemskerck in her letter of 1 May 1920, to Gustave Bock in Giessen, Germany; as cited in Jacoba van Heemskerck van Beest, 1876 – 1923: schilderes uit roeping, A. H. Huussen jr. (ed. Marleen Blokhuis), (ISBN: 90-400-9064-5) Waanders, Zwolle, 2005, p. 168
1920's

Enver Hoxha photo

“It didn't take long till the Titoites displayed dominating tendencies, expansionism and hegemonism in their relations with the newly founded states of people's democracy, especially in their relations with our country. As we know they sought to impose their anti-Marxist political, ideological, organisational and state views on us. They went so far as to make despicable attempts to transform Albania into a republic of Yugoslavia. In this unsuccessful and disgraceful undertaking the Titoites encountered our determined opposition. At first, our resistance was uncrystallised because we did not suspect that the Yugoslav leadership had set out on the capitalist and revisionist road. But after some years, when its hegemonic and expansionist tendencies were clearly displayed, we opposed them sternly and unreservedly.”

Enver Hoxha (1908–1985) the Communist leader of Albania from 1944 until his death in 1985, as the First Secretary of the Party of L…

Enver Hoxha, Yugoslav "Self-Administration" - Capitalist Theory and Practice http://www.marxists.org/reference/archive/hoxha/works/1978/yugoslavia/index.htm (Against the anti-socialist views of E. Kardelj) in the book “Directions of the Development of the Political System of Socialist Self-Administration”), Institute of Marxist-Leninist studies of the Central Committee of the Party of Labour of Albania, Tirana, 1978.
Writings, Yugoslav "Self-Administration" - Capitalist Theory and Practice

Fred Astaire photo

“What I am saying is that it is not so much what man is that counts as it is what he ventures to make of himself. To make the leap he must do more than disclose himself; he must risk a certain amount of confusion. Then, as soon as he does catch a glimpse of a different kind of life, he needs to find some way of overcoming the paralyzing moment of threat, for this is the instant when he wonders who he really is - whether he is what he just was or is what he is about to be. Adam must have experienced such a moment.”

George Kelly (psychologist) (1905–1967) American psychologist and therapist

Variant: What I am saying is that it is not so much what man is that counts as it is what he ventures to make of himself. To make the leap he must do more than disclose himself; he must risk a certain amount of confusion. Then, as soon as he does catch a glimpse of a different kind of life, he needs to find some way of overcoming the paralyzing moment of threat, for this is the instant when he wonders who he really is - whether he is what he just was or is what he is about to be. Adam must have experienced such a moment.
Source: The Language of Hypothesis, 1964, p. 158

Ted Nugent photo
Firuz Shah Tughlaq photo

“Forcible marriages, euphemistically called matrimonial alliances, were common throughout the medieval period. Only some of them find mention in Muslim chronicles with their bitter details. Here is one example given by Shams Siraj Afif (fourteenth century). The translation from the original in Persian may be summarised as follows. Firoz Shah was born in the year 709 H. (1309 C. E.). His father was named Sipahsalar Rajjab, who was a brother of Sultan Ghiyasuddin Tughlaq Ghazi. The three brothers, Tughlaq, Rajjab, and Abu Bakr, came from Khurasan to Delhi in the reign of Alauddin (Khalji), and that monarch took all the three in the service of the Court. The Sultan conferred upon Tughlaq the country of Dipalpur. Tughlaq was desirous that his brother Sipahsalar Rajjab should obtain in marriage the daughter of one of the Rais of Dipalpur. He was informed that the daughters of Ranamall Bhatti were very beautiful and accomplished. Tughlaq sent to Ranamall a proposal of marriage. Ranamall refused. Upon this Tughlaq proceeded to the villages (talwandi) belonging to Ranamall and demanded payment of the whole year’s revenue in a lump sum. The Muqaddams and Chaudharis were subjected to coercion. Ranamall’s people were helpless and could do nothing, for those were the days of Alauddin, and no one dared to make an outcry. One damsel was brought to Dipalpur. Before her marriage she was called Bibi Naila. On entering the house of Sipahsalar Rajjab she was styled Sultan Bibi Kadbanu. After the lapse of a few years she gave birth to Firoz shah. If this could be accomplished by force by a regional officer, there was nothing to stop the king.”

Firuz Shah Tughlaq (1309–1388) Tughluq sultan

Shams Siraj Afif cited in Lal, K. S. (1994). Muslim slave system in medieval India. New Delhi: Aditya Prakashan. Chapter 12

Sri Aurobindo photo

“There are moments when the Spirit moves among men and the breath of the Lord is abroad upon the waters of our being; there are others when it retires and men are left to act in the strength or the weakness of their own egoism. The first are periods when even a little effort produces great results and changes destiny; the second are spaces of time when much labour goes to the making of a little result. It is true that the latter may prepare the former, may be the little smoke of sacrifice going up to heaven which calls down the rain of God's bounty…. Unhappy is the man or the nation which, when the divine moment arrives, is found sleeping or unprepared to use it, because the lamp has not been kept trimmed for the welcome and the ears are sealed to the call. But thrice woe to them who are strong and ready, yet waste the force or misuse the moment; for them is irreparable loss or a great destruction…. In the hour of God cleanse thy soul of all self-deceit and hypocrisy and vain self-flattering that thou mayst look straight into thy spirit and hear that which summons it. All insincerity of nature, once thy defence against the eye of the Master and the light of the ideal, becomes now a gap in thy armour and invites the blow. Even if thou conquer for the moment, it is the worse for thee, for the blow shall come afterwards and cast thee down in the midst of thy triumph. But being pure cast aside all fear; for the hour is often terrible, a fire and a whirlwind and a tempest, a treading of the winepress of the wrath of God; but he who can stand up in it on the truth of his purpose is he who shall stand; even though he fall, he shall rise again; even though he seem to pass on the wings of the wind, he shall return. Nor let worldly prudence whisper too closely in thy ear; for it is the hour of the unexpected, the incalculable, the immeasurable. Mete not the power of the Breath by thy petty instruments, but trust and go forward…. But most keep thy soul clear, even if for a while, of the clamour of the ego. Then shall a fire march before thee in the night and the storm be thy helper and thy flag shall wave on the highest height of the greatness that was to be conquered.”

Sri Aurobindo (1872–1950) Indian nationalist, freedom fighter, philosopher, yogi, guru and poet

1918 (The Hour of God)
India's Rebirth

William H. Starbuck photo
Jeremy Clarkson photo
Kenan Malik photo
Ammon Hennacy photo

“An anarchist is someone who doesn't need a cop to make him behave.”

Ammon Hennacy (1893–1970) American Christian radical

[The Book of Ammon, 1965, Hennacy, 31]

John Dryden photo
Elbert Hubbard photo

“Making men live in three worlds at once — past, present and future has been the chief harm organized religion has done.”

Elbert Hubbard (1856–1915) American writer, publisher, artist, and philosopher fue el escritor del jarron azul

The Note Book of Elbert Hubbard (1927)

Brigham Young photo
Mario Savio photo
Piet Mondrian photo

“The artist make things move, and is moved. He is policeman, motor car, everything at once. He who makes things move also creates rest. That which aesthetically is brought to rest is art.”

Piet Mondrian (1872–1944) Peintre Néerlandais

In 'The Grand Boulevards' (of Paris), Piet Mondriaan, in 'De Groene Amsterdammer', 27 March 1920 pp. 4-5
1920's

Christopher Hitchens photo

“It [Obama's Nobel peace prize] would be like giving someone an Oscar in the hope that it would encourage them to make a decent motion picture.”

Christopher Hitchens (1949–2011) British American author and journalist

2009-10-12
Morning Joe
MSNBC, quoted in * 2009-10-12
http://www.huffingtonpost.com/2009/10/12/christopher-hitchens-pans_n_317373.html
Christopher Hitchens Pans Obama's Nobel Prize
Huffington Post
Nicholas
Graham
2000s, 2009

“My [artworks] have neither object nor space nor line nor anything – no forms. They are light, lightness, about merging, about formlessness, breaking down form. You wouldn’t think of form by the ocean. You can go in if you don’t encounter anything. A world without objects, without interruption, making a work without interruption or obstacle. It is to accept the necessity of this simple, direct going into a field of vision as you could cross and empty beach to look at the ocean.”

Agnes Martin (1912–2004) American artist

her remark in 1966 as quoted by Ann Wilson in 'Linear Webs', Art and Artists 1, no. 7, Oct. 1966, p. 49; as quoted on the Tate exhibition, London June - October 2015 http://www.tate.org.uk/whats-on/tate-modern/exhibition/agnes-martin/room-guide/room-nine & by Julie Warchol, on Smith College Museum of Art https://www.smith.edu/artmuseum/Collections/Cunningham-Center/Blog-paper-people/Agnes-Martin-On-a-Clear-Daywebsite
1960's

Daniel Webster photo

“Whatever makes men good Christians, makes them good citizens. he did this because loved christians and wanted everyone to be one.”

Daniel Webster (1782–1852) Leading American senator and statesman. January 18, 1782 – October 24, 1852. Served as the Secretary of Sta…

Speech at Plymouth, Massachusetts (22 December 1820)

Walt Disney photo

“Disneyland is a work of love. We didn't go into Disneyland just with the idea of making money.”

Walt Disney (1901–1966) American film producer and businessman

The Quotable Walt Disney (2001)

Kamal Haasan photo
David Fleming photo
Madonna photo
Noel Gallagher photo
Freeman Dyson photo
George Holmes Howison photo

“As poetry is a species of art, its essential principle must be a specific development of the principle essential to all art; and it will merely remain for us to determine what the specific addition is, which the peculiar conditions of the poet's art make to the principle of art in general.”

George Holmes Howison (1834–1916) American philosopher

Source: The Limits of Evolution, and Other Essays, Illustrating the Metaphysical Theory of Personal Ideaalism (1905), The Art-Principle as Represented in Poetry, p.182

“The devil makes work for idle thirsts. But given the choice between booze and cannabis, I go for ganja every time.”

Dennis Nilsen (1945–2018) British serial killer

As quoted in Exclusive: Dennis Nilsen: My Prison Life of Drink and Drugs http://www.mirror.co.uk/news/uk-news/exclusive-dennis-nilsen-prison-life-555104, Mirror.co.uk (27 August, 2005)

“College education tends to make simple things complicated and hard to understand. What we should do is to teach our children the most essential and simple principles of life and ways to handle problems.”

Zheng Yuanjie (1955) Chiese writer

Zheng Yuanjie (2004) in: "Zheng Yuanjie's 19 years in fairy tales" on chinadaily.com.cn, May 10, 2004 ( online http://www.chinadaily.com.cn/english/doc/2004-05/10/content_329434.htm).

Penn Jillette photo

“I've always wanted to make the world a more rational place. I'm still working on it.”

Penn Jillette (1955) American magician

"10 Questions: Penn Jillette" http://movies.ign.com/articles/424/424794p1.html, IGN (18 June 2003)
2000s

Talib Kweli photo

“A thorough understanding of game theory, should dim these greedy hopes. Knowledge of game theory does not make one a better card player, businessman or military strategist.”

Anatol Rapoport (1911–2007) Russian-born American mathematical psychologist

Source: 1960s, "The Use and Misuse of Game Theory," 1962, p. 108

Bruce Springsteen photo
Brandon Boyd photo

“If you really want to live, why not try and make yourself?”

Brandon Boyd (1976) American rock singer, writer and visual artist

Lyrics, Make Yourself (1999)

Stanley Hauerwas photo
William Shatner photo

“My being Jewish does not inform the things I do, necessarily. 'Exodus' is a wonderful piece, no matter what religion you are. 'The Shiva Club,' which is a movie I am attempting to make sometime soon, is about crashing a shiva, if you will. A couple of comics crash a shiva. I could have, I suppose, made it an Irish wake, but the shiva I was more familiar with.”

William Shatner (1931) Canadian actor, musician, recording artist, author, and film director

Of his album telling the story of the Exodus, "Beam Me Up Moses William Shatner Album Tells Exodus Story In Spoken Word, Song https://archive.is/20130103131701/www.jweekly.com/article/full/34780/beam-me-up-moses-william-shatner-album-tells-exodus-story-in-spoken-word-so/, Jweekly 18 April 2008.

Christopher Isherwood photo

“Let's face it, minorities are people who probably look and act and think differently from us and have faults we don't have. We may dislike the way they look and act, and we may hate their faults. And it’s better if we admit to disliking and hating them, than if we try to smear over our feelings with pseudo-liberal sentimentality. If we’re frank about our feelings, we have a safety valve; and if we have a safety-valve, we’re actually less likely to start persecuting.... I know that theory is unfashionable nowadays. We all keep trying to believe that, if we ignore something long enough, it’ll just vanish––
‘Where was I? Oh yes... Well, now, suppose this minority does get persecuted – never mind why – political, economic, psychological reasons – there always is a reason, no matter how wrong it is – that’s my point. And, of course, persecution itself is always wrong; I’m sure we all agree there. But, the worst of it is, we now run into another liberal heresy. Because the persecuting majority is vile, says the liberal, therefore the persecuted minority must be stainlessly pure. Can’t you see what nonsense that is? What’s to prevent the bad from being persecuted by the worse? Did all the Christian victims in the arena have to be saints?’
‘And I’ll tell you something else. A minority has its own kind of aggression. It absolutely dares the majority to attack it. It hates the majority — not without a cause, I grant you. It even hates the other minorities – because all minorities are in competition: each one proclaims that its sufferings are the worst and its wrongs are the blackest. And the more they all hate, and the more they're all persecuted, the nastier they become! Do you think it makes people nasty to be loved? You know it doesn’t! Then why should it make them nice to be loathed?”

pps. 53-54
A Single Man (1964)

Russell L. Ackoff photo
Clancy Brown photo
Jimmy Kimmel photo

“Though it makes me sick to do so without my writers, there are more than a hundred people whose financial well-being depends on our show. It is time to go back to work.”

Jimmy Kimmel (1967) American talk show host and comedian

On returning back to work at Jimmy Kimmel Live! during the 2007–2008 Writers Guild of America strike — reported in San Mateo County Times staff (December 19, 2007) "Here is your pregnant Spears", San Mateo County Times.