Quotes about magazine
page 3

Bill Gates photo
Janeane Garofalo photo

“There's always [on women's magazines] that great photo of the actress or model lifting up her shirt just to show you the bone structure and the six-pack of her own. It's almost like when horses are auctioned and they show you their teeth. 'Am I good enough?”

Janeane Garofalo (1964) comedian, actress, political activist, writer

standup performance (accessible through .WAV files available on the Internet)[citation needed]
Standup routines

Andrei Sakharov photo
Bret Easton Ellis photo
Robert E. Howard photo
Edward Hopper photo
Barbara Hepworth photo

“It's [the art-magazine 'Circle'] been reprinted and it's now referred to as classic. Well it is. But w:Ben Nicholson, Sir Leslie Martin, Gabo and Leslie Martin's wife, Sadie Speaight, and I did that. We were sitting round the fire and we said, 'Why shouldn't we do a book?”

Barbara Hepworth (1903–1975) English sculptor

And so we started and now it's a classic and referred to as such.
Source: 1961 - 1975, Art Talk, conversations with 15 woman artists', (1975), p. 17

Gene Wolfe photo

“Very well, the starting point would be that claim of Professor Quarrey’s, which had been in the news at the beginning of the year, that the country’s greatest export was noxious gas. And who would like to stir up the fuss again? Obviously, the Canadians, cramped into a narrow band to the north of their more powerful neighbors, growing daily angrier about the dirt that drifted to them on the wind, spoiling crops, causing chest diseases and soiling laundry hung out to dry. So she’d called the magazine Hemisphere in Toronto, and the editor had immediately offered ten thousand dollars for three articles.
Very conscious that all calls out of the country were apt to be monitored, she’d put the proposition to him in highly general terms: the risk of the Baltic going the same way as the Mediterranean, the danger of further dust-bowl like the Mekong Desert, the effects of bringing about climactic change. That was back in the news—the Russians had revised their plan to reverse the Yenisei and Ob. Moreover, there was the Danube problem, worse than the Rhine had ever been, and Welsh nationalists were sabotaging pipelines meant to carry “their” water into England, and the border war in West Pakistan had been dragging on so long most people seemed to have forgotten that it concerned a river.
And so on.
Almost as soon as she started digging, though, she thought she might never be able to stop. It was out of the question to cover the entire planet. Her pledged total of twelve thousand words would be exhausted by North American material alone.”

June “A PLACE TO STAND”
The Sheep Look Up (1972)

Alan Moore photo
Martin Amis photo
Robert Smith (musician) photo
Johannes Bosboom photo

“In the [art-magazine] 'Kunst-Kronijk' my work 'Monastic corridor' came under your eyes; it is after a drawing that I started at Kleve after Nature and of which the painting is now almost finished. I believe, you know Kleve. The smallest of the Catholic Churches is a kind of monastery church; it has a nice sacristy, and the passage along the building gave me the motive of which you saw the lithography. On the same spot I designed a sketch in the 'Paarden-posterij' [Horse post-location] (where the cars are stored at Emmerich). I later made it a drawing - one of my best, and also the construction of it is now already in oil, to be completed soon. As motive, aspect, effect, etc. it pleases everyone - it is a real stable with lots of horses in it, and yet I do not have to make an enormous effort to paint the horses. As they are in the stable, they take the mysterious part [of the image]. Who knows, the K[unst]-K[ronyk] will produce a reproduction of it.”

Johannes Bosboom (1817–1891) Dutch painter

version in original Dutch, (citaat van een brief van Johannes Bosboom, in het Nederlands:) In de 'Kunstkronijk' kwam U mijn 'Kloostergang' onder de oogen; 't is naar een Teek[ening] die ik te Cleef naar de Natuur begon en waarvan nu de schilderij bijna gereed is. Ik geloof, gij kent Kleef. De kleinste der Kath. Kerken is een [soort] van Kloosterkerk, heeft een aardige sacristy en de gang langs het Pand gaf mij het motief, waarvan gij de lith[ographie] zaagt. Bij datzelfde verblijf ontwierp ik eene schets in de Paardenposterij (waar de wagens op Emmerik stallen). Ik maakte die later tot eene Teek[ening], een mijner beste, en ook daarvan staat de aanleg in olie gereed, om eerlang voltooid te worden. Als motief, aspect, effect, etc. bevalt het een ieder - 't is een echte stal, waar veel paarden in zijn, en toch hoef ik mij aan het schilderen der paarden niet te buiten te gaan. Zooals ze erin zijn, nemen zij het mysterieuse gedeelte in. Wie weet, levert de K[unst]-K[ronyk] er niet een reproductie van.
Quote from Bosboom's letter, 1866; as cited in: Uit het leven van een kunstenaarspaar: brieven van Johannes Bosboom, H.F.W. Jeltes, 1916 https://rkd.nl/nl/explore/excerpts/437 (translation from the original Dutch: Fons Heijnsbroek)
1860's

Susan Sontag photo

“Painters and sculptors under the Nazis often depicted the nude, but they were forbidden to show any bodily imperfections. Their nudes look like pictures in physique magazines: pinups which are both sanctimoniously asexual and (in a technical sense) pornographic, for they have the perfection of a fantasy.”

Fascism" http://www.history.ucsb.edu/faculty/marcuse/classes/33d/33dTexts/SontagFascinFascism75.htm"Fascinating (1974), published in The New York Review of Books (6 February 1975) and reprinted in Sontag's Under the Sign of Saturn (1980), p. 92, ISBN 0312420080

Bill Bryson photo

“I knew more things in the first ten years of my life than I believe I have known at any time since. I knew everything there was to know about our house for a start. I knew what was written on the undersides of tables and what the view was like from the tops of bookcases and wardrobes. I knew what was to be found at the back of every closet, which beds had the most dust balls beneath them, which ceilings the most interesting stains, where exactly the patterns in wallpaper repeated. I knew how to cross every room in the house without touching the floor, where my father kept his spare change and how much you could safely take without his noticing (one-seventh of the quarters, one-fifth of the nickels and dimes, as many of the pennies as you could carry). I knew how to relax in an armchair in more than one hundred positions and on the floor in approximately seventy- five more. I knew what the world looked like when viewed through a Jell-O lens. I knew how things tasted—damp washcloths, pencil ferrules, coins and buttons, almost anything made of plastic that was smaller than, say, a clock radio, mucus of every variety of course—in a way that I have more or less forgotten now. I knew and could take you at once to any illustration of naked women anywhere in our house, from a Rubens painting of fleshy chubbos in Masterpieces of World Painting to a cartoon by Peter Arno in the latest issue of The New Yorker to my father’s small private library of girlie magazines in a secret place known only to him, me, and 111 of my closest friends in his bedroom.”

Bill Bryson (1951) American author

Source: The Life And Times of the Thunderbolt Kid (2006), p. 36

Russell Brand photo
El Lissitsky photo
Dana Gioia photo
Christopher Hitchens photo
William Burges photo

“We now come to a third evil, namely, our very unsatisfactory, not to say ugly, furniture. It may be objected that it does not much matter what may be the exact curve of the legs of the chair a man sits upon, or of the table off which he eats his dinner, provided the said articles of furniture answer their respective uses; but, unfortunately, what we see continually before our eyes is likely, indeed is quite sure, to exercise a very great influence upon our taste, and therefore the question of beautiful versus ugly furniture does become a matter of very great importance. I might easily enlarge upon the enormities, inconveniences, and extravagances of our modern upholsterers, but that has been so fully done in a recent number of the "Cornhill Magazine" that I may well dispense with the task.”

William Burges (1827–1881) English architect

Eastop & Gil commented that:
Burges held strong views about furniture, and protested at the "enormities, inconveniences, and upholsterers." (1865: 69) He advocated the use of the medieval style, because "not only did its duty as furniture, but spoke and told a story" (1865: 71).
Source: Art applied to industry: a series of lectures, 1865, p. 69: Partly cited in: Dinah Eastop, ‎Kathryn Gill (2012) Upholstery Conservation: Principles and Practice. http://books.google.com/books?id=2gf50OiP8lAC&pg=PA50 p. 47.

Nathanael Greene photo

“I forwarded your Excellency a return of troops at this post, and a copy of a plan for establishing magazines. I could wish to know your pleasure as to the magazines, as soon as possible.”

Nathanael Greene (1742–1786) American general in the American Revolutionary War

Letter to George Washington (31 October 1776)

Robert A. Heinlein photo
Tom Waits photo

“And sometime around 2 AM you end up taking advantage of yourself. Ain't no way around that. Making a scene with a magazine.”

Tom Waits (1949) American singer-songwriter and actor

Nighthawks at the Diner (1975).

David Rockefeller photo

“We will be making a sufficient but necessary contribution if we simply jar the prevalent complacency on the doctrine of shoot-from-the-hip-and-empty-the-magazine.”

Bernard Brodie (1910–1978) American nuclear strategist

Remarking on the prevalent 1950's strategy of massive retaliation , colloquially know as the 'Sunday Punch'. (Cited from the RAND document, Must We shoot From the Hip?)

Edgar Rice Burroughs photo
Sinclair Lewis photo
Isaac Asimov photo

“SWA Magazine: Talking about spacecraft, what do you think about the shuttle program?
Asimov: Well, I hope it does get off the ground. And I hope they expand it, because the shuttle program is the gateway to everything else. By means of the shuttle, we will be able to build space stations and power stations, laboratory facilities and habitations, and everything else in space.
SWA Magazine: How about orbital space colonies? Do you see these facilities being built or is the government going to cut back on projects like this?
Asimov: Well, now you've put your finger right on it. In order to have all of these wonderful things in space, we don't have to wait for technology - we've got the technology, and we don't have to wait for the know-how - we've got that too. All we need is the political go-ahead and the economic willingness to spend the money that is necessary. It is a little frustrating to think that if people concentrate on how much it is going to cost they will realize the great amount of profit they will get for their investment. Although they are reluctant to spend a few billions of dollars to get back an infinite quantity of money, the world doesn't mind spending $400 billion every years on arms and armaments, never getting anything back from it except a chance to commit suicide.”

Isaac Asimov (1920–1992) American writer and professor of biochemistry at Boston University, known for his works of science fiction …

An Interview with Isaac Asimov (1979)

Michel Seuphor photo
Kathleen Hanna photo
Mortimer J. Adler photo

“Let me remind you that science is not necessarily wisdom. To know, is not the sole nor even the highest office of the intellect; and it loses all its glory unless it act in furtherance of the great end of man's life. That end is, as both reason and revelation unite in telling us, to acquire the feelings and habits that will lead us to love and seek what is good in all its forms, and guide us by following its traces to the first Great Cause of all, where only we find it pure and unclouded.
If science be cultivated in congruity with this, it is the most precious possession we can have— the most divine endowment. But if it be perverted to minister to any wicked or ignoble purpose — if it even be permitted to take too absolute a hold of the mind, or overshadow that which should be paramount over all, the perception of right, the sense of Duty — if it does not increase in us the consciousness of an Almighty and All-beneficent presence, — it lowers instead of raising us in the great scale of existence.
This, however, it can never do but by our fault. All its tendencies are heavenward; every new fact which it reveals is a ray from the origin of light, which leads us to its source. If any think otherwise, their knowledge is imperfect, or their understanding warped, or darkened by their passions. The book of nature is, like that of revelation, written by God, and therefore cannot contradict it; both we are unable to read through all their extent, and therefore should neither wonder nor be alarmed if at times we miss the pages which reconcile any seeming inconsistence. In both, too, we may fail to interpret rightly that which is recorded; but be assured, if we search them in quest of truth alone, each will bear witness to the other, — and physical knowledge, instead of being hostile to religion, will be found its most powerful ally, its most useful servant. Many, I know, think otherwise; and because attempts have occasionally been made to draw from astronomy, from geology, from the modes of the growth and formation of animals and plants, arguments against the divine origin of the sacred Scripture, or even to substitute for the creative will of an intelligent first cause the blind and casual evolution of some agency of a material system, they would reject their study as fraught with danger. In this I must express my deep conviction that they do injury to that very cause which they think they are serving.
Time will not let me touch further on the cavils and errors in question; and besides they have been often fully answered. I will only say, that I am here surrounded by many, matchless in the sciences which are supposed so dangerous, and not less conspicuous for truth and piety. If they find no discord between faith and knowledge, why should you or any suppose it to exist? On the contrary, they cannot be well separated. We must know that God is, before we can confess Him; we must know that He is wise and powerful before we can trust in Him, — that He is good before we can love Him. All these attributes, the study of His works had made known before He gave that more perfect knowledge of himself with which we are blessed. Among the Semitic tribes his names betoken exalted nature and resistless power; among the Hellenic races they denote his wisdom; but that which we inherit from our northern ancestors denotes his goodness. All these the more perfect researches of modern science bring out in ever-increasing splendour, and I cannot conceive anything that more effectually brings home to the mind the absolute omnipresence of the Deity than high physical knowledge. I fear I have too long trespassed on your patience, yet let me point out to you a few examples.
What can fill us with an overwhelming sense of His infinite wisdom like the telescope? As you sound with it the fathomless abyss of stars, till all measure of distances seems to fail and imagination alone gauges the distance; yet even there as here is the same divine harmony of forces, the same perfect conservation of systems, which the being able to trace in the pages of Newton or Laplace makes us feel as if we were more than men. If it is such a triumph of intellect to trace this law of the universe, how transcendent must that Greatest over all be, in which it and many like it, have their existence! That instrument tells us that the globe which we inhabit is but a speck, the existence of which cannot be perceived beyond our system. Can we then hope that in this immensity of worlds we shall not be overlooked? The microscope will answer. If the telescope lead to one verge of infinity, it brings us to the other; and shows us that down in the very twilight of visibility the living points which it discloses are fashioned with the most finished perfection, — that the most marvellous contrivances minister to their preservation and their enjoyment, — that as nothing is too vast for the Creator's control, so nothing is too minute or trifling for His care. At every turn the philosopher meets facts which show that man's Creator is also his Father, — things which seem to contain a special provision for his use and his happiness : but I will take only two, from their special relation to this very district. Is it possible to consider the properties which distinguish iron from other metals without a conviction that those qualities were given to it that it might be useful to man, whatever other purposes might be answered by them. That it should. be ductile and plastic while influenced by heat, capable of being welded, and yet by a slight chemical change capable of adamantine hardness, — and that the metal which alone possesses properties so precious should be the most abundant of all, — must seem, as it is, a miracle of bounty. And not less marvellous is the prescient kindness which stored up in your coalfields the exuberant vegetation of the ancient world, under circumstances which preserved this precious magazine of wealth and power, not merely till He had placed on earth beings who would use it, but even to a late period of their existence, lest the element that was to develope to the utmost their civilization and energy migbt be wasted or abused.
But I must conclude with this summary of all which I would wish to impress on your minds—* that the more we know His works the nearer we are to Him. Such knowledge pleases Him; it is bright and holy, it is our purest happiness here, and will assuredly follow us into another life if rightly sought in this. May He guide us in its pursuit; and in particular, may this meeting which I have attempted to open in His name, be successful and prosperous, so that in future years they who follow me in this high office may refer to it as one to be remembered with unmixed satisfaction.”

Robinson in his 1849 adress, as quoted in the Report of the Nineteenth Meeting of the British Association for the Advancement of Science https://archive.org/stream/report36sciegoog#page/n50/mode/2up, London, 1850.

Billy Joel photo
Dennis Kucinich photo
Heidi Klum photo
David Mumford photo
Tyra Banks photo

“Smiles come naturally to me, but I started thinking of them as an art form at my command. I studied all the time. I looked at magazines, I'd practice in front of the mirror and I'd ask photographers about the best angles. I can now pull out a smile at will.”

Tyra Banks (1973) American model, author and television personality

Lynn Hirschberg (June 1, 2008) "Banksable" http://www.nytimes.com/2008/06/01/magazine/01tyra-t.html?ei=5124&en=6a5e98a9634a54f6&ex=1369972800&partner=permalink&exprod=permalink&pagewanted=all, The New York Times, The New York Times Company.

Warren Farrell photo
Frederick II of Prussia photo
Robert E. Howard photo
Matthijs Maris photo
Rose McGowan photo
Rose Wilder Lane photo
David Icke photo
Ray Bradbury photo
Martin Amis photo
G. K. Chesterton photo
Warren Farrell photo
Revilo P. Oliver photo
Harold Innis photo
Chris Cornell photo
Chuck Palahniuk photo
Ed Bradley photo

“Ed Bradley has remained a part of the CBS news team where he has garnered numerous awards on the popular 60 Minutes news magazine television show.”

Ed Bradley (1941–2006) News correspondent

[I'll Find a Way or Make One, 4, 0061976938, Dwayne Ashley, ‎Juan Williams, ‎Adrienne Ingrum, 2009, HarperCollins]
About

Mickey Spillane photo
Robert Rauschenberg photo
John Fante photo
George Stephenson photo
Włodzimierz Ptak photo
Paul Krugman photo
William Irwin Thompson photo
Bill Bailey photo

“I know that to be a true fact because I read it in Heat magazine”

Bill Bailey (1965) English comedian, musician, actor, TV and radio presenter and author

Tinselworm (2008)

Helmut Newton photo

“Since the commercialization and banality of editorial magazine pages have made this work uninteresting, advertising has become an increasingly important part of my work.”

Helmut Newton (1920–2004) German-Australian photographer

American Photo (January/February 2000), p. 90
Context: Since the commercialization and banality of editorial magazine pages have made this work uninteresting, advertising has become an increasingly important part of my work. It is interesting to compare European and American mores in regard to my work. One will notice that most of my European images have a stronger sexual content that those destined for American publication. The term "political correctness" has always appalled me, reminding me of Orwell's "Thought Police" and fascist regimes.

George William Russell photo

“I believe myself, that there is a great deal too much hasty writing in our magazines and pamphlets. No matter how kindly and well disposed we are when we write we cannot get rid of the essential conditions under which really good literature is produced, love for the art of expression in itself; a feeling for the music of sentences, so that they become mantrams, and the thought sings its way into the soul. To get this, one has to spend what seems a disproportionate time in dreaming over and making the art and workmanship as perfect as possible.
I could if I wanted, sit down and write steadily and without any soul; but my conscience would hurt me just as much as if I had stolen money or committed some immorality. To do even a ballad as long as The Dream of the Children, takes months of thought, not about the ballad itself, but to absorb the atmosphere, the special current connected with the subject. When this is done the poem shapes itself readily enough; but without the long, previous brooding it would be no good.”

George William Russell (1867–1935) Irish writer, editor, critic, poet, and artistic painter

Letter to Mrs. T. P. Hyatt (1895)
Context: There are heaps of things I would like to do, but there is no time to do them. The most gorgeous ideas float before the imagination, but time, money, and alas! inspiration to complete them do not arrive, and for any work to be really valuable we must have time to brood and dream a little over it, or else it is bloodless and does not draw forth the God light in those who read. I believe myself, that there is a great deal too much hasty writing in our magazines and pamphlets. No matter how kindly and well disposed we are when we write we cannot get rid of the essential conditions under which really good literature is produced, love for the art of expression in itself; a feeling for the music of sentences, so that they become mantrams, and the thought sings its way into the soul. To get this, one has to spend what seems a disproportionate time in dreaming over and making the art and workmanship as perfect as possible.
I could if I wanted, sit down and write steadily and without any soul; but my conscience would hurt me just as much as if I had stolen money or committed some immorality. To do even a ballad as long as The Dream of the Children, takes months of thought, not about the ballad itself, but to absorb the atmosphere, the special current connected with the subject. When this is done the poem shapes itself readily enough; but without the long, previous brooding it would be no good. So you see, from my slow habit of mind and limited time it is all I can do to place monthly, my copy in the hands of my editor when he comes with a pathetic face to me.

Leo Tolstoy photo

“When I started life Hegelianism was the basis of everything: it was in the air, found expression in magazine and newspaper articles, in novels and essays, in art, in histories, in sermons, and in conversation. A man unacquainted with Hegel had no right to speak: he who wished to know the truth studied Hegel.”

Leo Tolstoy (1828–1910) Russian writer

Source: What then must we do? (1886), Chapter XXIX
Context: When I started life Hegelianism was the basis of everything: it was in the air, found expression in magazine and newspaper articles, in novels and essays, in art, in histories, in sermons, and in conversation. A man unacquainted with Hegel had no right to speak: he who wished to know the truth studied Hegel. Everything rested on him; and suddenly forty years have gone by and there is nothing left of him, he is not even mentioned — as though he had never existed. And what is most remarkable is that, like pseudo-Christianity, Hegelianism fell not because anyone refuted it, but because it suddenly became evident that neither the one nor the other was needed by our learned, educated world.

Richard Wright photo

“To create a balance of power and pedigree in the house, Hunter sent five bucks off to an ad he'd seen in the back pages of a magazine and received his mail-order doctor-of-divinity degree.”

William McKeen (1954) American academic

Source: Outlaw Journalist (2008), Chapter 6, Stranger In A Strange Land, p. 89
Context: To create a balance of power and pedigree in the house, Hunter sent five bucks off to an ad he'd seen in the back pages of a magazine and received his mail-order doctor-of-divinity degree. He began referring to himself as Dr. Thompson and punctuated remarks with his afterword: "I am, after all, a doctor." Friends picked up on the joke, and he was "the Good Doctor" for the rest of his life.

“The pattern would have been familiar—bohemian, creative, arty—except that it was even further removed from reality, Romanticism in its furthest decadence; being only an exhausted impersonation of poverty, rebellion and artistic “soul.” For it was the unhappy fact that most of them worked for a living and obtained the substance of their conversation from the pages of Time magazine and like publications”

Source: V. (1963), Chapter Two, Part II
Context: The rest of the Crew partook of the same lethargy. Raoul wrote for television, keeping carefully in mind, and complaining bitterly about, all the sponsor-fetishes of that industry. Slab painted in sporadic bursts, referring to himself as a Catatonic Expressionist and his work as “the ultimate in non-communication.” Melvin played the guitar and sang liberal folk songs. The pattern would have been familiar—bohemian, creative, arty—except that it was even further removed from reality, Romanticism in its furthest decadence; being only an exhausted impersonation of poverty, rebellion and artistic “soul.” For it was the unhappy fact that most of them worked for a living and obtained the substance of their conversation from the pages of Time magazine and like publications

“Scientology has always had a "fair-game doctrine"—a policy of doing absolutely anything to stop an investigation or publication of a critical article in a magazine or newspaper.”

Ronald DeWolf (1934–1991) American critic of Scientology

Interview in Penthouse (June 1983)
Context: Scientology has always had a "fair-game doctrine"—a policy of doing absolutely anything to stop an investigation or publication of a critical article in a magazine or newspaper. They have run some incredible operations on the several people who have tried to write books about Scientology. It was almost like a terror campaign. First they'd try throwing every possible lawsuit at the reporter or newspaper. We had a team of attorneys to do just that. The goal was to destroy the enemy. So the solution was always to attack, full-bore, with every possible resource, from every angle, instantaneously it can certainly be overwhelming. A guy would get slapped with twenty-seven lawsuits, and our lawyers would start depositioning absolutely anybody who ever knew the man, digging up dirt while at the same time putting together an operation that would get him into further trouble.

Ann Coulter photo

“News magazines don't kill people, Muslims do.”

Ann Coulter (1961) author, political commentator

2005
Context: Newsweek couldn't wait a moment to run a story that predictably ginned up Islamic savages into murderous riots in Afghanistan, leaving hundreds injured and 16 dead. Who could have seen that coming? These are people who stone rape victims to death because the family "honor" has been violated and who fly planes into American skyscrapers because — wait, why did they do that again?
Come to think of it, I'm not sure it's entirely fair to hold Newsweek responsible for inciting violence among people who view ancient Buddhist statues as outrageous provocation — though I was really looking forward to finally agreeing with Islamic loonies about something. (Bumper sticker idea for liberals: News magazines don't kill people, Muslims do.)

Learned Hand photo

“The hand that rules the press, the radio, the screen and the far-spread magazine, rules the country whether we like it or not, we must learn to accept it.”

Learned Hand (1872–1961) American legal scholar, Court of Appeals judge

"Proceedings in Memory of Justice Brandeis" (1942).
Extra-judicial writings
Context: The day has clearly gone forever of societies small enough for their members to have personal acquaintance with one another, and to find their station through the appraisal of those who have first hand knowledge of them. Publicity is an evil substitute and the art of publicity is a black art; but it has come to stay, every year adds to its potency and to the finality of its judgments. The hand that rules the press, the radio, the screen and the far-spread magazine, rules the country whether we like it or not, we must learn to accept it.

Alan Watts photo

“Furthermore, the younger members of our society have for some time been in growing rebellion against paternal authority and the paternal state. For one reason, the home in an industrial society is chiefly a dormitory, and the father does not work there, with the result that wife and children have no part in his vocation. He is just a character who brings in money, and after working hours he is supposed to forget about his job and have fun. Novels, magazines, television, and popular cartoons therefore portray "Dad" as an incompetent clown. And the image has some truth in it because Dad has fallen for the hoax that work is simply something you do to make money, and with money you can get anything you want.
It is no wonder that an increasing proportion of college students want no part in Dad's world, and will do anything to avoid the rat-race of the salesman, commuter, clerk, and corporate executive. Professional men, too—architects, doctors, lawyers, ministers, and professors—have offices away from home, and thus, because the demands of their families boil down more and more to money, are ever more tempted to regard even professional vocations as ways of making money. All this is further aggravated by the fact that parents no longer educate their own children. Thus the child does not grow up with understanding of or enthusiasm for his father's work. Instead, he is sent to an understaffed school run mostly by women which, under the circumstances, can do no more than hand out mass-produced education which prepares the child for everything and nothing. It has no relation whatever to his father's vocation.”

Alan Watts (1915–1973) British philosopher, writer and speaker

Source: The Book on the Taboo Against Knowing Who You Are (1966), p. 111

John Travolta photo
Rupi Kaur photo

“I used to submit to anthologies and magazines when I was a student – but I knew I was never going to be picked up. All their writing was, you know, about the Canadian landscape or something. And my poem is about this woman with her legs spread open.”

Rupi Kaur (1992) Canadian poet

On how she felt that her poetic topics were unconventional when compared to other poetry submissions in “ The young ‘Instapoet’ Rupi Kaur: from social media star to bestselling writer” https://www.theguardian.com/books/2017/may/27/rupi-kaur-i-dont-fit-age-race-class-of-bestselling-poet-milk-and-honey in The Guardian (2017 May 27)

Nicolás Maduro photo
Veronica Chambers photo

“I was the first black woman editor at the New York Times Magazine – that’s crazy! I’m not that old where you’d think I could be the New York Times’ first anything, but I was… People wanted to know about things, they had questions about my hair, they wanted to know where I was from, they wanted to know if I only listen to hip-hop. When people aren’t exposed to difference, there’s a lot of burden put on you to explain…”

Veronica Chambers (1970) writer

On African American women being the “first” in their given fields in “Q&A with Veronica Chambers, author of ‘The Meaning of Michelle’” https://www.stanforddaily.com/2017/02/06/qa-with-veronica-chambers-author-of-the-meaning-of-michelle/ in The Stanford Daily (2017 Feb 6)

Michael Parenti photo
Tucker Carlson photo

“Tucker Carlson began at The Weekly Standard. Tucker Carlson was a great young reporter. He was one of the most gifted 24-year-olds I’ve seen in the 20 years that I edited the magazine. His copy was sort of perfect at age 24.He had always a little touch of Pat Buchananism, I would say, paleo-conservativism.”

Tucker Carlson (1969) American political commentator

But that’s very different from what he’s become now. I mean, it is close now to racism, white — I mean, I don’t know if it’s racism exactly — but ethno-nationalism of some kind, let’s call it. A combination of dumbing down, as you said earlier, and stirring people’s emotions in a very unhealthy way.
Bill Kristol, January 25, 2018 ([Bill Kristol takes on Fox News, Tucker Carlson: ‘I don’t know if it’s racism exactly – but ethno-nationalism of some kind’, w:John Harwood, John, Harwood, January 25, 2018, NBC News, https://www.cnbc.com/2018/01/24/bill-kristol-takes-on-fox-news-tucker-carlson.html, CNBC])

Eugene V. Debs photo
Ann Coulter photo

“Howard Kurtz made up a quote about a Vietnam vet, which he knows he made up, which has now run twice in the Washington Post, once in Talk magazine, once in People magazine, once in the Washingtonian.”

Ann Coulter (1961) author, political commentator

It's something I allegedly said on TV. Why doesn't somebody produce a tape of that?
Kurtz declared that the original source of the paraphrase he used was Coulter herself in her account of the episode to him:
The account of Ann Coulter's remarks to the veteran on MSNBC was provided to me by Coulter herself, who told me she liked the piece and never complained about the passage until she was trying to sell books.
As quoted in "Ann Slanders" by Steve Rendall in Extra! (November/December 2002) http://www.fair.org/index.php?page=1124.
1980s-90s

Sania Mirza photo
Rekha photo
Al Gore photo
Margaret Cho photo

“I can't even look at those "women's magazines" anyway. I love fashion, but I look at the pictures of the skinny models, and they're wearing clothes I can't even fit on my fingers.”

Margaret Cho (1968) American stand-up comedian

And I look at that and I think, if that is what a woman is supposed to look like, then I must not be one.
From Her Tours and CDs, The Notorious C.H.O. Tour

Donald J. Trump photo

“It would be really disappointing — not really — but it would depend on what’s inside the magazine. I don’t think Ivanka would do that, although she does have a very nice figure. I’ve said if Ivanka weren’t my daughter, perhaps I’d be dating her.”

Donald J. Trump (1946) 45th President of the United States of America

On 7 March 2006 during an appearance on the daytime talk show The View while discussing the possibility of Ivanka Trump’s posing for Playboy magazine. As quoted in Did Donald Trump Say He’d Like to Date His Daughter? https://www.snopes.com/fact-check/donald-trump-date-daughter/ by Dan Evon, 10 July 2015, Snopes, and quoted with video clip in * 2016-10-10
Adam Withnall
Donald Trump's unsettling record of comments about his daughter Ivanka
The Independent
UK
https://www.independent.co.uk/news/world/americas/us-elections/donald-trump-ivanka-trump-creepiest-most-unsettling-comments-a-roundup-a7353876.html
2000s

Maila Nurmi photo

“Well, apparently, I was instantly a sensation. Even Life Magazine came and photographed me — five pages in Life ... fan clubs all over the world ... almost immediately, I was blacklisted and never worked again — except, once, for Liberace.”

Maila Nurmi (1922–2008) Finnish-American actress

[Vampira in "The Haunted World of Ed Wood", 20 March 2017, The-Vampira-Show.tumblr, YouTube, https://www.youtube.com/watch?v=TdfGJOaUPlw] (quote at 3:22)

Raewyn Connell photo
Philip K. Dick photo
Marilyn Ferguson photo