Quotes about lighting
page 31

Hugh Montefiore photo
Dylan Moran photo

“It should not be an act of social disobedience to light a cigarette… unless you're actually a doctor working at an incubator.”

Dylan Moran (1971) Irish actor and comedian

On laws in Ireland prohibiting smoking in buildings where people work.
Monster (2004)

Valentine Blacker photo
Camille Pissarro photo
Joseph Rodman Drake photo
Charles Stross photo
Pierre-Auguste Renoir photo

“What a charming girl! And what a skin! She positively radiated light around her.”

Pierre-Auguste Renoir (1841–1919) French painter and sculptor

Source: undated quotes, Renoir – his life and work, 1975, p. 150 : Recalling the model Jeanne Samary.

George Chapman photo

“Winter lies before me
now you're so far away.
In the darkness of my dreaming
the light of you will stay”

Enya (1961) Irish singer, songwriter, and musician

Song lyrics, Amarantine (2005)

Usher photo

“[I'm] a sponge, the more I absorb, the more I am able to articulate my vision, as artists do, like Picasso. I'm an artist in that light. I went from being an artist to an artiste.”

Usher (1978) American singer, songwriter, dancer and actor

From " Usher ‘experimental’ in relationships http://www.music-news.com/shownews.asp?H=Usher-%EF%BF%BDexperimental%EF%BF%BD-in-relationships&nItemID=52417", Q Magazine (May 25, 2012).

Margaret Fuller photo
Max Beckmann photo

“Yesterday we came across a cemetery that had been completely destroyed by shellfire. The graves had been blown up, and the coffins lay about in the most uncomfortable positions. The shells had unceremoniously exposed their distinguished occupants to the light of day, and bones, hair, and bits of clothing could be seen through cracks in the burst-open coffins.”

Max Beckmann (1884–1950) German painter, draftsman, printmaker, sculptor and writer

letter to his first wife Minna, from the front, 1915; as quoted in Max Beckmann, Stephan Lackner, Bonfini Press Corporation, Naefels, Switzerland, 1983, p. 14
1900s - 1920s

John S. Bell photo
Brigham Young photo
Ellen G. White photo
Manmohan Acharya photo
Stephen King photo
George Chapman photo
Edwin Abbott Abbott photo
William Hazlitt photo
Immanuel Kant photo

“Mathematics, from the earliest times to which the history of human reason can reach, has followed, among that wonderful people of the Greeks, the safe way of science. But it must not be supposed that it was as easy for mathematics as for logic, in which reason is concerned with itself alone, to find, or rather to make for itself that royal road. I believe, on the contrary, that there was a long period of tentative work (chiefly still among the Egyptians), and that the change is to be ascribed to a revolution, produced by the happy thought of a single man, whose experiments pointed unmistakably to the path that had to be followed, and opened and traced out for the most distant times the safe way of a science. The history of that intellectual revolution, which was far more important than the passage round the celebrated Cape of Good Hope, and the name of its fortunate author, have not been preserved to us. … A new light flashed on the first man who demonstrated the properties of the isosceles triangle (whether his name was Thales or any other name), for he found that he had not to investigate what he saw hi the figure, or the mere concepts of that figure, and thus to learn its properties; but that he had to produce (by construction) what he had himself, according to concepts a priori, placed into that figure and represented in it, so that, in order to know anything with certainty a priori, he must not attribute to that figure anything beyond what necessarily follows from what he has himself placed into it, in accordance with the concept.”

Preface to the Second Edition [Tr. F. Max Müller], (New York, 1900), p. 690; as cited in: Robert Edouard Moritz, Memorabilia mathematica or, The philomath's quotation-book https://openlibrary.org/books/OL14022383M/Memorabilia_mathematica, Published 1914. p. 10
Critique of Pure Reason (1781; 1787)

Gerhard Richter photo
Philip K. Dick photo
Joan Maragall photo
Alicia Witt photo
T. E. Hulme photo
Philip K. Dick photo
Letitia Elizabeth Landon photo

“I envy thee, thou careless wind!
How light, how wild thy wandering :
Thou hast no earthly chain, to bind
One fetter on thy airy wing.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

(2nd August 1823) both from Songs
The London Literary Gazette, 1823

Alan Bean photo

“Everyone is trying to reach for their own stars, and all of those stars aren’t light-years away. They are as close as our job, our family, our children, our next-door neighbors and our good friends.”

Alan Bean (1932–2018) American astronaut and painter

Statement on significations in his painting "Reaching for the Stars", at the U.S. Astronaut Hall of Fame, Florida, USA.
After the moon, art is his mission (1997)

John Fante photo
Wisława Szymborska photo

“Secret codes resound.
Doubts and intentions come to light.”

Wisława Szymborska (1923–2012) Polish writer

"Archeology"
Poems New and Collected (1998), The People on the Bridge (1986)

James Anthony Froude photo
Allan Kaprow photo

“Pollock.... left us [c. 1958] at the point where we must be preoccupied with and even dazzled by the space and objects of our everyday life, either our bodies, clothes, rooms, or, if need be, the vastness of Forty-Second Street [New York].... Objects of every sorts are materials for the new art, paints, chairs, food, electric and neon-lights, smoke, water, old socks, a dog, movies, a thousand other things which will be discovered by the present generation of artists.... All will become materials for this new concrete art.”

Allan Kaprow (1927–2006) American artist

In his essay 'The legacy of Jackson Pollock', published in 'ARTnews', Fall of 1958; as quoted by Christina Bryan Rosenberger, in 'Drawing the Line: The Early Work of Agnes Martin', Univ. of California Press, July 2016, p 121
this essay of 1958 became more or less an art-manifesto for the generation American artists after Abstract Expressionism

Pete Yorn photo
Thaddeus Stevens photo
Letitia Elizabeth Landon photo
Jacques Ellul photo
Harry V. Jaffa photo
Henry Ward Beecher photo

“And now we beseech of Thee that we may have every day some such sense of God's mercy and of the power of God about us, as we have of the fullness of the light of heaven before us.”

Henry Ward Beecher (1813–1887) American clergyman and activist

Source: Dictionary of Burning Words of Brilliant Writers (1895), p. 273

Amit Chaudhuri photo

“And the old homelovingness/of light falling and touching the black/utensils …”

Amit Chaudhuri (1962) contemporary Indian-English novelist

Kitchen
St Cyril Road and Other Poems (2005)

Kate Bush photo

“A diamond kite
On a diamond flight.
Over the lights, under the moon.
Over the lights, under the moon.
Over the moon, over the moon!”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Song lyrics, The Kick Inside (1978)

Courtney Love photo
Anthony Burgess photo
Dietrich Bonhoeffer photo
Brewster Kahle photo

“Here’s the problem with the web — this is so cool, it’s worth it. The internet is decentralized in the sense that you can kind of nuke any part of it and it still works. That was its original design. The World Wide Web isn’t that way. You go and knock out any particular piece of hardware, it goes away. Can we make a reliable web that’s served from many different places, kind of like how the Amazon cloud works, but for everybody? The answer is yes, you can. You can make kind of a pure to pure distribution structure, such that the web becomes reliable. Another is that we can make it private so that there’s reader privacy. Edward Snowden has brought to light some really difficult architectural problems of the current World Wide Web. The GCHQ, the secret service of the British, watched everybody using WikiLeaks, and then offered all of those IP addresses, which are personally identifiable in the large part, to the NSA. The NSA had conversations about using that as a means to go and… monitor people at an enhanced level that those are now suspects. Libraries have long had history with people being rounded up for what they’ve read and bad things happening to them. We have an interest in trying to make it so that there’s reader privacy”

Brewster Kahle (1960) American computer engineer, founder of the Internet Archive

Internet Archive founder Brewster Kahle on Recode Decode https://www.recode.net/2017/3/8/14843408/transcript-internet-archive-founder-brewster-kahle-wayback-machine-recode-decode (March 8, 2017)

William A. Dembski photo
Edmund Burke photo
Ned Kelly photo
Warren Zevon photo
Harry Chapin photo
George Gordon Byron photo
Robert G. Ingersoll photo
William Morris photo

“There sat a woman, whose wet tresses rolled
On to the floor in waves of gleaming gold,
Cast back from such a form as, erewhile shown
To one poor shepherd, lighted up Troy town.”

William Morris (1834–1896) author, designer, and craftsman

The Earthly Paradise (1868-70), The Lady of the Land

Charlotte Salomon photo

“That which van Gogh attained later in life.... a brushstroke of unprecedented lightness, which unfortunately seems to have a distinctly pathological side, I have attained already..”

Charlotte Salomon (1917–1943) German painter

Quote, 1942-43; as cited by Judith C. E. Belinfante; as cited in note on Wikicommons: Charlotte Salomon https://commons.wikimedia.org/wiki/File:Charlotte_Salomon_-_JHM_4351.jpg JHM 4351 https://commons.wikimedia.org/wiki/Category:Charlotte_Salomon#/media/File:Charlotte_Salomon_-_JHM_4351.jpg
Judith Belinfante noted that Salomon scribbled this comment in pencil (at JHM 4918?)

Walt Whitman photo

“To me every hour of the light and dark is a miracle,
Every cubic inch of space is a miracle.”

Walt Whitman (1819–1892) American poet, essayist and journalist

Miracles
Bartlett's Familiar Quotations, 10th ed. (1919)

“.. the light suggests no particular time of day or night [in the paintings of Paul Cézanne ]; it is not appropriated from morning or afternoon, sunlight or shadow.”

Clyfford Still (1904–1980) American artist

1950s
Source: Abstract Expressionism, Davind Anfam, Thames and Hudson Ltd London, 1990; p. 145

Jacqueline Kennedy Onassis photo
Henry Wotton photo

“You meaner beauties of the night,
That poorly satisfy our eyes
More by your number than your light;
You common people of the skies,
What are you when the sun shall rise?”

Henry Wotton (1568–1639) English ambassador

On His Mistress, the Queen of Bohemia, stanza 1 (1624). In some versions "moon" replaces "sun". This was printed with music as early as 1624, in Est's "Sixth Set of Books", for example.

Dave Attell photo
Luther H. Gulick photo

“The fundamental objective of the science of administration is the accomplishment of the work in hand with the least expenditure of man-power and materials. Efficiency is thus axiom number one in the value scale of administration. This brings administration into apparent conflict with certain elements of the value scale of politics, whether we use that term in its scientific or in its popular sense. But both public administration and politics are branches of political science, so that we are in the end compelled to mitigate the pure concept of efficiency in the light of the value scale of politics and the social order. There are, for example, highly inefficient arrangements like citizen boards and small local governments which may be necessary in a democracy as educational devices. It has been argued also that the spoils system, which destroys efficiency in administration, is needed to maintain the political party, that the political party is needed to maintain the structure of government, and that without the structure of government, administration itself will disappear. While this chain of causation has been disproved under certain conditions, it none the less illustrates the point that the principles of politics may seriously affect efficiency. Similarly in private business it is often true that the necessity for immediate profits growing from the system of private ownership may seriously interfere with the achievement of efficiency in practice.”

Luther H. Gulick (1892–1993) American academic

Source: "Science, values and public administration," 1937, p. 192-193

John F. Kennedy photo
Torquato Tasso photo

“With fortunate misfortune, kindly wrath,
Heaven's light lash now punishes your black
and foolish sin, and makes of your soul's weal
yourself the minister.”

Torquato Tasso (1544–1595) Italian poet

Seconda avversità, pietoso sdegno
Con leve sferza di lassù flagella
Tua folle colpa; e fa di tua salute
Te medesmo ministro.
Canto XII, stanza 87 (tr. Wickert)
Gerusalemme Liberata (1581)

Clive Staples Lewis photo

“When I attempted, a few minutes ago, to describe our spiritual longings, I was omitting one of their most curious characteristics. We usually notice it just as the moment of vision dies away, as the music ends or as the landscape loses the celestial light. What we feel then has been well described by Keats as “the journey homeward to habitual self.” You know what I mean. For a few minutes we have had the illusion of belonging to that world. Now we wake to find that it is no such thing. We have been mere spectators. Beauty has smiled, but not to welcome us; her face was turned in our direction, but not to see us. We have not been accepted, welcomed, or taken into the dance. We may go when we please, we may stay if we can: “Nobody marks us.” A scientist may reply that since most of the things we call beautiful are inanimate, it is not very surprising that they take no notice of us. That, of course, is true. It is not the physical objects that I am speaking of, but that indescribable something of which they become for a moment the messengers. And part of the bitterness which mixes with the sweetness of that message is due to the fact that it so seldom seems to be a message intended for us but rather something we have overheard. By bitterness I mean pain, not resentment. We should hardly dare to ask that any notice be taken of ourselves. But we pine. The sense that in this universe we are treated as strangers, the longing to be acknowledged, to meet with some response, to bridge some chasm that yawns between us and reality, is part of our inconsolable secret. And surely, from this point of view, the promise of glory, in the sense described, becomes highly relevant to our deep desire. For glory meant good report with God, acceptance by God, response, acknowledgment, and welcome into the heart of things. The door on which we have been knocking all our lives will open at last.”

Clive Staples Lewis (1898–1963) Christian apologist, novelist, and Medievalist

The Weight of Glory (1949)

Richard Rodríguez photo
Gautama Buddha photo

“Can there be joy and laughter When always the world is ablaze? Enshrouded in darkness Should you not seek a light?”

Gautama Buddha (-563–-483 BC) philosopher, reformer and the founder of Buddhism

Source: Pali Canon, Sutta Pitaka, Khuddaka Nikaya (Minor Collection), Dhammapada

Thomas Young (scientist) photo

“This statement appears to us to be conclusive with respect to the insufficiency of the undulatory theory, in its present state, for explaining all the phenomena of light. But we are not therefore by any means persuaded of the perfect sufficiency of the projectile system: and all the satisfaction that we have derived from an attentive consideration of the accumulated evidence, which has been brought forward, within the last ten years, on both sides of the question, is that of being convinced that much more evidence is still wanting before it can be positively decided. In the progress of scientific investigation, we must frequently travel by rugged paths, and through valleys as well as over mountains. Doubt must necessarily succeed often to apparent certainty, and must again give place to a certainty of a higher order; such is the imperfection of our faculties, that the descent from conviction to hesitation is not uncommonly as salutary, as the more agreeable elevation from uncertainty to demonstration. An example of such alternations may easily be adduced from the history of chemistry. How universally had phlogiston once expelled the aërial acid of Hooke and Mayow. How much more completely had phlogiston given way to oxygen! And how much have some of our best chemists been lately inclined to restore the same phlogiston to its lost honours! although now again they are beginning to apprehend that they have already done too much in its favour. In the mean time, the true science of chemistry, as the most positive dogmatist will not hesitate to allow, has been very rapidly advancing towards ultimate perfection.”

Thomas Young (scientist) (1773–1829) English polymath

Miscellaneous Works: Scientific Memoirs (1855) Vol. 1 https://books.google.com/books?id=-XAXAQAAMAAJ, ed. George Peacock & John Leitch, p. 249

Jacques Maritain photo

“The supernatural light of the spirit is the only night from which the spirit can emerge alive.”

Jacques Maritain (1882–1973) French philosopher

Ransoming the Time (1941), p. 288.

Henry Ward Beecher photo
Stephen Baxter photo
Jimi Hendrix photo

“The traffic lights, they turn a blue tomorrow
And shine their emptiness down on my bed
The tiny island sags on downstream
Cause the life it lived, is, is dead”

Jimi Hendrix (1942–1970) American musician, singer and songwriter

The Wind Cries Mary
Song lyrics, Are You Experienced? (1967)

Robert Delaunay photo

“Light in nature creates movement in color. The movement is provided by the relationships of uneven measures, of colors contrasts among themselves and constitutes Reality [In this quote Delaunay is referring to his series 'Window'-paintings', which he had started in 1912].”

Robert Delaunay (1885–1941) French painter

Quote in: 'Nous irons jusqu'au soleil', Delaunay; as cited in 'Futurism', ed. By Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 217
1915 - 1941

Edvard Munch photo
Muhammad photo

“The prayer of a person is (in reality) a light in his heart, so whoever desires, can illuminate his heart”

Muhammad (570–632) Arabian religious leader and the founder of Islam

by means of prayers
Kanzul `Ummal, Volume7, Tradition 18973
Shi'ite Hadith

Anne Morrow Lindbergh photo
Georg Brandes photo

“Young girls sometimes make use of the expression: “Reading books to read one’s self.” They prefer a book that presents some resemblance to their own circumstances and experiences. It is true that we can never understand except through ourselves. Yet, when we want to understand a book, it should not be our aim to discover ourselves in that book, but to grasp clearly the meaning which its author has sought to convey through the characters presented in it. We reach through the book to the soul that created it. And when we have learned as much as this of the author, we often wish to read more of his works. We suspect that there is some connection running through the different things he has written and by reading his works consecutively we arrive at a better understanding of him and them. Take, for instance, Henrik Ibsen’s tragedy, “Ghosts.” This earnest and profound play was at first almost unanimously denounced as an immoral publication. Ibsen’s next work, “An Enemy of the People,” describes, as is well known the ill-treatment received by a doctor in a little seaside town when he points out the fact that the baths for which the town is noted are contaminated. The town does not want such a report spread; it is not willing to incur the necessary expensive reparation, but elects instead to abuse the doctor, treating him as if he and not the water were the contaminating element. The play was an answer to the reception given to “Ghosts,” and when we perceive this fact we read it in a new light. We ought, then, preferably to read so as to comprehend the connection between and author’s books. We ought to read, too, so as to grasp the connection between an author’s own books and those of other writers who have influenced him, or on whom he himself exerts an influence. Pause a moment over “An Enemy of the People,” and recollect the stress laid in that play upon the majority who as the majority are almost always in the wrong, against the emancipated individual, in the right; recollect the concluding reply about that strength that comes from standing alone. If the reader, struck by the force and singularity of these thoughts, were to trace whether they had previously been enunciated in Scandinavian books, he would find them expressed with quite fundamental energy throughout the writings of Soren Kierkegaard, and he would discern a connection between Norwegian and Danish literature, and observe how an influence from one country was asserting itself in the other. Thus, by careful reading, we reach through a book to the man behind it, to the great intellectual cohesion in which he stands, and to the influence which he in his turn exerts.”

Georg Brandes (1842–1927) Danish literature critic and scholar

Source: On Reading: An Essay (1906), pp. 40-43

R. A. Lafferty photo
Peter Paul Rubens photo

“The light falls so unfavorably on the altar that one can hardly discern the figures or enjoy the beauty of color and the delicacy of the heads and draperies which I executed with great care from nature and completely successfully according to the judgement of all. Therefore, seeing that all the merit in the work is thrown away and since I cannot obtain the honor due my efforts unless the results can be seen, I do not think I will unveil it.”

Peter Paul Rubens (1577–1640) Flemish painter

Quote of Rubens, in his letter to Count Annibale Chieppio (minister of the Duke of Mantua), February 2, 1608; as cited in Rembrandts Eyes', by w:Simon Schrama, Alfred A. Knopf, Borzoi Books, New York 1999, p. 130 (LPPR, 42)
Rubens reports in this quote about the overdoses of light, falling upon his recently-made altar-painting 'Virgin and Child Adored by Angels', (Rome, Santa Maria, Vallicella), 1607 which is fading the colors for the viewer.
1605 - 1625

Stanley Baldwin photo
Letitia Elizabeth Landon photo
Vātsyāyana photo
George Eliot photo
Muhammad bin Qasim photo

“A mine was dug, and in two or three days the walls fell down, and the fort of Multan was taken. Six thousand warriors were put to death, and all their relations and dependents were taken as slaves. Protection was given to the merchants, artisans and the agriculturists. Muhammad Kasim said the booty ought to be sent to the treasury of the Khalifa; but as the soldiers have taken so much pains, have suffered so many hardships, have hazarded their lives, and have been so long a time employed in digging the mine and carrying on the war, and as the fort is now taken, it is proper that the booty should be divided, and their dues given to the soldiers. Then all the great and principal inhabitants of the city assembled together, and silver to the weight of sixty thousand dirams was distributed and every horseman got a share of four hundred dirams weight. After this, Muhammad Kasim said that some plan should be devised for realizing the money to be sent to the Khalifa. He was pondering over this, when suddenly a Brahman came and said, 'Heathenism is now at an end, the temples are thrown down, the world has received the light of Islam, and mosques are built instead of idol temples. I have heard from the elders of Multan that in ancient times there was a chief in this city whose name was Jibawin, and who was a descendent of the Rai of Kashmir. He was a Brahman and a monk, he strictly followed his religion, and always occupied his time in worshipping idols. When his treasures exceeded all limits and computation, he made a reservoir on the eastern side of Multan, which was hundred yards square. In the middle of it he built a temple fifty yards square, and he made a chamber in which he concealed forty copper jars each of which was filled with African gold dust. A treasure of three hundred and thirty mans of gold was buried there. Over it there is an idol made of red gold, and trees are planted round the reservoir.'… It is related by historians, on the authority of… Ali bin Muhammad who had heard it from Abu Muhammad Hindui that Muhammad Kasim arose and with his counsellors, guards and attendants, went to the temple. He saw there an idol made of gold, and its two eye were bright red rubies… Muhammad Kasim ordered the idol to be taken up. Two hundred and thirty mans of gold were obtained, and forty jars filled with gold dust… This gold and the image were brought to treasury together with the gems and pearls and treasures which were obtained from the plunder of Multan.”

Muhammad bin Qasim (695–715) Umayyad general

Multan (Punjab) . The Chach Nama, in: Elliot and Dowson, Vol. I : Elliot and Dowson, History of India as told by its own Historians, 8 Volumes, Allahabad Reprint, 1964. pp. 205-06.
Quotes from The Chach Nama

Plutarch photo

“The correct analogy for the mind is not a vessel that needs filling, but wood that needs igniting — no more — and then it motivates one towards originality and instills the desire for truth. Suppose someone were to go and ask his neighbors for fire and find a substantial blaze there, and just stay there continually warming himself: that is no different from someone who goes to someone else to get to some of his rationality, and fails to realize that he ought to ignite his own flame, his own intellect, but is happy to sit entranced by the lecture, and the words trigger only associative thinking and bring, as it were, only a flush to his cheeks and a glow to his limbs; but he has not dispelled or dispersed, in the warm light of philosophy, the internal dank gloom of his mind.”

οὐ γὰρ ὡς ἀγγεῖον ὁ νοῦς ἀποπληρώσεως ἀλλ' ὑπεκκαύματος μόνον ὥσπερ ὕλη δεῖται ὁρμὴν ἐμποιοῦντος εὑρετικὴν καὶ ὄρεξιν ἐπὶ τὴν ἀλήθειαν. ὥσπερ οὖν εἴ τις ἐκ γειτόνων πυρὸς δεόμενος, εἶτα πολὺ καὶ λαμπρὸν εὑρὼν αὐτοῦ καταμένοι διὰ τέλους θαλπόμενος, οὕτως εἴ τις ἥκων λόγου μεταλαβεῖν πρὸς ἄλλον οὐχ οἴεται δεῖν φῶς οἰκεῖον ἐξάπτειν καὶ νοῦν ἴδιον, ἀλλὰ χαίρων τῇ ἀκροάσει κάθηται θελγόμενος, οἷον ἔρευθος ἕλκει καὶ γάνωμα τὴν δόξαν ἀπὸ τῶν λόγων, τὸν δ᾽ ἐντὸς: εὐρῶτα τῆς ψυχῆς καὶ ζόφον οὐκ ἐκτεθέρμαγκεν οὐδ᾽ ἐξέωκε διὰ φιλοσοφίας.
On Listening to Lectures, Plutarch, Moralia 48C (variously called De auditione Philosophorum or De Auditu or De Recta Audiendi Ratione)
Moralia, Others

Victor Villaseñor photo
Abbas Kiarostami photo
Harry V. Jaffa photo
Roger Raveel photo

“As far as my exhibition concerned [opening was 8 May 1954, in Ghent].... there is however a recent and important painting hanging there 'Man met Boompje' [Man with tree, later titled 'The Gardener] - permettez-moi - with beautiful refracting matters and color: lemon-yellow spots and lacquerish black on white, (face) transparent pure light-blue with a very thin layer glacis over it (in the small wall) and strong-blue painted vertical line. Yellow brown and mauve brush-sweeps with small red dashes over it (for the small tree), and further a lot of beautiful white.”

Roger Raveel (1921–2013) painter

version in original Flemish (citaat van Roger Raveel, in het Vlaams): Wat nu mijn tentoonstelling betreft (opening was 8 mei 1954, in Gent].. .er is echter een recent en belangrijk werk bij n.l. 'Man met boompje' [later 'De Tuinman' getiteld] - permettez-moi- met mooie brekende materies en kleur: citroengele vlekken en lakachtig zwarte op wit, (gezicht) transparante zuivere lichte blauwe met een heel dunne glacis erover (in muurtje) en sterk blauwe geschilderde vertikale lijn. Geelbruine en mauve vegen met daarop kleine rode streepjes (voor boompje) verder veel mooi wit.
Quote of Raveel, in a letter to his friend Hugo Claus, from Machelen aan de Leie, May 1954; as cited in Hugo Claus, Roger Raveel; Brieven 1947 – 1962, ed. Katrien Jacobs, Ludion; Gent Belgium, 2007 - ISBN 978-90-5544-665-0, p. 164 (translation: Fons Heijnsbroek)
1945 - 1960

Charles Evans Hughes photo
Alfred Denning, Baron Denning photo

“In summertime village cricket is a delight to everyone. Nearly every village has its own cricket field where the young men play and the old men watch. In the village of Lintz in the County of Durham they have their own ground, where they have played these last 70 years. They tend it well. The wicket area is well rolled and mown. The outfield is kept short. It has a good clubhouse for the players and seats for the onlookers. The village team plays there on Saturdays and Sundays. They belong to a league, competing with the neighbouring villages. On other evenings they practice while the light lasts. Yet now after these 70 years a judge of the High Court has ordered that they must not play anymore. He has issued an injunction to stop them. He has done it at the instance of a newcomer who is no lover of cricket. This newcomer has built, or has had built for him, a house on the edge of the cricket ground which four years ago was a field where cattle grazed. The animals did not mind the cricket, but now this adjoining field has been turned into a housing estate. The newcomer bought one of the houses on the edge of the cricket field. No doubt the open space was a selling point. Now he complains that when a batsman hits a six the ball has been known to land in his garden or on or near his house. His wife has got so upset about it that they always go out at weekends. They do not go into the garden when cricket is being played. They say that this is intolerable. So they asked the judge to stop the cricket being played. And the judge, much against his will, has felt that he must order the cricket to be stopped: with the consequence, I suppose, that the Lintz Cricket Club will disappear. The cricket ground will be turned to some other use. I expect for houses or a factory. The young men will turn to other things instead of cricket. The whole village will be much poorer. And all this because of a newcomer who has just bought a house there next to the cricket ground.”

Alfred Denning, Baron Denning (1899–1999) British judge

Miller v. Jackson [1977] QB 966 at 976.
Judgments

Claude Debussy photo

“Music is the arithmetic of sounds as optics is the geometry of light.”

Claude Debussy (1862–1918) French composer

As quoted in Greatness : Who Makes History and Why by Dean Keith Simonton, p. 110

Ingmar Bergman photo

“When I was young, I was extremely scared of dying, but now I think it a very, very wise arrangement. It’s like a light that is extinguished. Not very much to make a fuss about.”

Ingmar Bergman (1918–2007) Swedish filmmaker

As quoted in "Ingmar Bergman, Master Filmmaker, Dies at 89" by Mervyn Rothstein in The New York Times (31 July 2007) http://www.nytimes.com/2007/07/31/movies/31bergman.html?hp.

Arthur Schopenhauer photo
Stig Dagerman photo