Quotes about lighting
page 19

Ebenezer Howard photo

“All, then, are agreed on the pressing nature of this problem, all are bent on its solution, and though it would doubtless be quite Utopian to expect a similar agreement as to the value of any remedy that may be proposed, it is at least of immense importance that, on a subject thus universally regarded as of supreme importance, we have such a consensus of opinion at the outset. This will be the more remarkable and the more hopeful sign when it is shown, as I believe will be conclusively shown in this work, that the answer to this, one of the most pressing questions of the day, makes of comparatively easy solution many other problems which have hitherto taxed the ingenuity of the greatest thinkers and reformers of our time. Yes, the key to the problem how to restore the people to the land — that beautiful land of ours, with its canopy of sky, the air that blows upon it, the sun that warms it, the rain and dew that moisten it — the very embodiment of Divine love for man — is indeed a Master-Key, for it is the key to a portal through which, even when scarce ajar, will be seen to pour a flood of light on the problems of intemperance, of excessive toil, of restless anxiety, of grinding poverty — the true limits of Governmental interference, ay, and even the relations of man to the Supreme Power.”

Ebenezer Howard (1850–1928) British writer, founder of the garden city movement

Introduction.
Garden Cities of To-morrow (1898)

Kerli photo
Oliver Wendell Holmes photo
Richard Francis Burton photo

“"'Tis blessed to believe"; you say: The saying may be true enow
And it can add to Life a light: — only remains to show us how.”

Richard Francis Burton (1821–1890) British explorer, geographer, translator, writer, soldier, orientalist, cartographer, ethnologist, spy, lin…

The Kasîdah of Hâjî Abdû El-Yezdî (1870)

Swami Vivekananda photo
Don Marquis photo
Thomas Moore photo

“The light that lies
In woman's eyes,
Has been my heart's undoing.”

Thomas Moore (1779–1852) Irish poet, singer and songwriter

The Time I've Lost in Wooing, st. 1.
Irish Melodies http://www.musicanet.org/robokopp/moore.html (1807–1834)

James A. Garfield photo
George Gilfillan photo

“Too great this largess from thy hand I know
Yet ask that some few drops of it may light
And listened to thy voice, and in it found
The very Spring and Soul of Poetry”

George Gilfillan (1813–1878) Scottish writer

From Proem 3 Night: A Poem by George Filfillan, Jackson, Walford & Hodder 1867
Other Quotes

Thomas Gainsborough photo

“I am favoured with your obliging letter, and shall finish your picture in two or three days at farthest, and send to Colchester according to your order, with a frame. I thank you. Sir, for your kind intention of procuring me a few heads to paint when I come over, which I purpose doing as soon as some of those are finished which I have [now] in hand. I should be glad if you'd place your picture as far from the light as possible; observing to let the light fall from the left.”

Thomas Gainsborough (1727–1788) English portrait and landscape painter

Quote in Gainborough's letter, 24 Feb. 1757 from Ipswich, to a correspondent in the neighbouring town of Colchester; as cited in Thomas Gainsborough, by William T, Whitley https://ia800204.us.archive.org/6/items/thomasgainsborou00whitrich/thomasgainsborou00whitrich.pdf; New York, Charles Scribner's Sons – London, Smith, Elder & Co, Sept. 1915, p. 20
1755 - 1769

African Spir photo

“You can owe nothing, if you give back its light to the sun.”

Antonio Porchia (1885–1968) Italian Argentinian poet

Se puede no deber nada devolviendo la luz al sol.
Voces (1943)

John Wilmot, 2nd Earl of Rochester photo
Christopher Nolan photo

“The ultimate embodiment of Bruce Wayne. He has exactly the balance of darkness and light that we were looking for.”

Christopher Nolan (1970) British–American film director, screenwriter, and producer

On Christian Bale playing the lead role in Batman Begins, in StudioBriefing (12 September 2003)

Georges Braque photo

“One day I noticed that I could go on working art my motif no matter what the weather might be. I no longer needed the sun, for I took my light everywhere with me.”

Georges Braque (1882–1963) French painter and sculptor

Source: posthumous quotes, Braque', (1968), p. 30 - Braque's quote from the book, written by John Rusell, London 1959

Katrina Trask photo
Charles Wolfe photo
Thomas Jefferson photo

“The poignancy of things
A purple flower
The blossoms of spring
And the light snow of winter
How they fall”

Enya (1961) Irish singer, songwriter, and musician

Song lyrics, Amarantine (2005)

Krysten Ritter photo
Anne Morrow Lindbergh photo
Eugène Delacroix photo
Benjamin Graham photo
François de La Rochefoucauld photo

“Raillery is a kind of mirth which takes possession of the imagination, and shows every object in an absurd light; wit combines more or less softness or harshness.”

François de La Rochefoucauld (1613–1680) French author of maxims and memoirs

Reflections on Various Subjects (1665–1678), II. On Difference of Character

Letitia Elizabeth Landon photo
Theodor Mommsen photo

“Of greater importance than this regulation of African clientship were the political consequences of the Jugurthine war or rather of the Jugurthine insurrection, although these have been frequently estimated too highly. Certainly all the evils of the government were therein brought to light in all their nakedness; it was now not merely notorious but, so to speak, judicially established, that among the governing lords of Rome everything was treated as venal--the treaty of peace and the right of intercession, the rampart of the camp and the life of the soldier; the African had said no more than the simple truth, when on his departure from Rome he declared that, if he had only gold enough, he would undertake to buy the city itself. But the whole external and internal government of this period bore the same stamp of miserable baseness. In our case the accidental fact, that the war in Africa is brought nearer to us by means of better accounts than the other contemporary military and political events, shifts the true perspective; contemporaries learned by these revelations nothing but what everybody knew long before and every intrepid patriot had long been in a position to support by facts. The circumstance, however, that they were now furnished with some fresh, still stronger and still more irrefutable, proofs of the baseness of the restored senatorial government--a baseness only surpassed by its incapacity--might have been of importance, had there been an opposition and a public opinion with which the government would have found it necessary to come to terms. But this war had in fact exposed the corruption of the government no less than it had revealed the utter nullity of the opposition. It was not possible to govern worse than the restoration governed in the years 637-645; it was not possible to stand forth more defenceless and forlorn than was the Roman senate in 645: had there been in Rome a real opposition, that is to say, a party which wished and urged a fundamental alteration of the constitution, it must necessarily have now made at least an attempt to overturn the restored senate. No such attempt took place; the political question was converted into a personal one, the generals were changed, and one or two useless and unimportant people were banished. It was thus settled, that the so-called popular party as such neither could nor would govern; that only two forms of government were at all possible in Rome, a -tyrannis- or an oligarchy; that, so long as there happened to be nobody sufficiently well known, if not sufficiently important, to usurp the regency of the state, the worst mismanagement endangered at the most individual oligarchs, but never the oligarchy; that on the other hand, so soon as such a pretender appeared, nothing was easier than to shake the rotten curule chairs. In this respect the coming forward of Marius was significant, just because it was in itself so utterly unwarranted. If the burgesses had stormed the senate-house after the defeat of Albinus, it would have been a natural, not to say a proper course; but after the turn which Metellus had given to the Numidian war, nothing more could be said of mismanagement, and still less of danger to the commonwealth, at least in this respect; and yet the first ambitious officer who turned up succeeded in doing that with which the older Africanus had once threatened the government,(16) and procured for himself one of the principal military commands against the distinctly- expressed will of the governing body. Public opinion, unavailing in the hands of the so-called popular party, became an irresistible weapon in the hands of the future king of Rome. We do not mean to say”

Theodor Mommsen (1817–1903) German classical scholar, historian, jurist, journalist, politician, archaeologist and writer

Vol. 3, pg 163, Translated by W.P. Dickson.
The History of Rome - Volume 3

Anthony Watts photo

“So what's easier to believe as the cause of climate change? That a trace gas called CO2 that has increased on earth from about 280 PPM to 380 PPM in the last 100 years is the cause, or that the giant nuclear fireball a thousand times bigger than earth a mere 8 light-minutes away has been getting more active during the same period is the reason?”

Anthony Watts (1958) American television meteorologist

The Missing GW Link http://wattsupwiththat.com/2007/03/25/the-missing-gw-link-new-images-shock-scientists-with-view-of-suns-magnetic-field-power/, wattsupwiththat.com, March 25, 2007.
2007

Guity Novin photo
Arthur Stanley Eddington photo
Billy Joel photo

“Seen the lights go out Broadway
I saw the Empire State laid low
And life went on beyond the Palisades
They all bought Cadillacs
And left there long ago.”

Billy Joel (1949) American singer-songwriter and pianist

Miami 2017.
Song lyrics, Turnstiles (1976)

Zia Haider Rahman photo
Brandon Boyd photo
Chris Cornell photo

“I remember seeing how Layne [Staley] reacted to Andy [Andrew Wood] dying from drugs, and I think that he was scared possibly. And I think he also reacted the same way when Kurt [Cobain] shot himself. They were really good friends. And yet it didn’t stop him. But for me, if I think about the evolution of my life as it appears in songs for example, Higher Truth is a great example of a record I wouldn’t have been able to write [when I was younger], and part of that is in essence because there was a period of time there where I didn’t expect to be here. And now not only do I expect to be here, and I’m not going anywhere, but I’ve had the last 12 years of my life being free of substances to kind of figure out who the substance-free guy is, because he’s a different guy. Just by brain chemistry, it can’t be avoided. I’m not the same, I don’t think the same, I don’t react the same. And my outlook isn’t necessarily the same. My creative endeavours aren’t necessarily the same. And one of the great things about that is it enabled me to kind of keep going artistically and find new places and shine the light into new corners where I hadn’t really gone before. And that feels really good. But it’s also bittersweet because I can’t help but think, what would Jeff be doing right now, what would Kurt be doing right now, what would Andy be doing? Something amazing, I’m sure of it. And it would be some music that would challenge me to lift myself up, something that would be continually raising the bar so that I would work harder too, in the same way they affected me when they were alive basically.”

Chris Cornell (1964–2017) American singer-songwriter, musician

When asked if there was a lesson to be learned from his friends' deaths caused by substance abuse and if it was not enough to scare everyone ** The Life & Times of Chris Cornell, Rolling Stone Australia, 17 September 2015 https://rollingstoneaus.com/music/post/the-life-and-times-of-chris-cornell/2273,
Solo career Era

Lee Smolin photo
Octavio Paz photo
Báb photo
Henry Ford photo

“We have only started on our development of our country — we have not as yet, with all our talk of wonderful progress, done more than scratch the surface. The progress has been wonderful enough — but when we compare what we have done with what there is to do, then our past accomplishments are as nothing. When we consider that more power is used merely in ploughing the soil than is used in all the industrial establishments of the country put together, an inkling comes of how much opportunity there b ahead. And now, with so many countries of the world in ferment and with so much unrest everywhere, is an excellent time to suggest something of the things that may be done — in the light of what has been done.
When one speaks of increasing power, machinery, and industry there comes up a picture of a cold, metallic sort of world in which great factories will drive away the trees, the flowers, the birds, and the green fields. And that then we shall have a world composed of metal machines and human machines. With all of that I do not agree. I think that unless we know more about machines and their use, unless we better understand the mechanical portion of life, we cannot have the time to enjoy the trees, and the birds, and the flowers, and the green fields.”

Source: My Life and Work (1922), p. 1; as cited in: William A. Levinson, Henry Ford, Samuel Crowther. The Expanded and Annotated My Life and Work: Henry Ford's Universal Code for World-Class Success. CRC Press, 2013. p. xxvii

Pythagoras photo

“Truth is so great a perfection, that if God would render himself visible to men, he would choose light for his body and truth for his soul.”

Pythagoras (-585–-495 BC) ancient Greek mathematician and philosopher

As quoted in A Dictionary of Thoughts: Being a Cyclopedia of Laconic Quotations from the Best Authors of the World, both Ancient and Modern (1908) by Tyron Edwards, p. 592

Christopher Hitchens photo

“I have been "in denial" for some time, knowingly burning the candle at both ends and finding that it often gives a lovely light.”

Christopher Hitchens (1949–2011) British American author and journalist

I.
2010s, 2011, Mortality (2012)

Thomas De Witt Talmage photo

“At the beginning God said: “Let there be light,” and light was, and light is, and light shall be. So Christianity is rolling on, and it is going to warm all nations, and all nations are to bask in its light. Men may shut the window-blinds so they cannot see it, or they may smoke the pipe of speculation until they are shadowed under their own vaporing; but the Lord God is a sun!”

Thomas De Witt Talmage (1832–1902) American Presbyterian preacher, clergyman and reformer during the mid-to late 19th century.

Thomas De Witt Talmage (1832-1902), The Pathway of Life, New York: The Christian Herald, 1894 p 254.
The Pathway of Life, New York: The Christian Herald, 1894

Joseph McCabe photo
Letitia Elizabeth Landon photo
Thomas Bradwardine photo
Anne Lamott photo
E.M. Forster photo
Christopher Moore photo
Gwyneth Paltrow photo
Anne Rice photo
Edward Bulwer-Lytton photo

“Truth makes on the ocean of nature no one track of light — every eye looking on finds its own”

Edward Bulwer-Lytton (1803–1873) English novelist, poet, playwright, and politician

Caxtoniana: Hints on Mental Culture (1862)

Usama Mukwaya photo

“People here always want to grab a simple camera and a table light, get their cousin and shoot a movie. You can’t say that’s wrong, but it’s not cinema.”

Usama Mukwaya (1989) Ugandan screenwriter

Source: " camera, action: Uganda’s film scene http://www.bahighlife.com/articles/uganda-africa-s-film-capital/:Lights," at British Airways Highlife Magazine. 08 June 2015 written by Elizabeth Mcsheffrey

Shankar Dayal Sharma photo

“India received the light of Christianity as early as 52 AD when St. Thomas the apostle preached the gospel in Kerala. This was centuries before Christianity reached Europe.”

Shankar Dayal Sharma (1918–1999) Indian politician

In his speech after taking charge of the President of India in July 1992.
Source: Abraham Mattam (Mar) Forgotten East: Mission, Liturgy and Spirituality of the Eastern Churches http://books.google.co.in/books?id=ksI0JVvGoJIC&pg=PA256, Anamika Pub & Distributors, 2001, p. 256

Ursula K. Le Guin photo
Roger Ebert photo

“They say state-of-the-art special effects can create the illusion of anything on the screen, and now we have proof: It's possible for the Jim Henson folks and Industrial Light and Magic to put their heads together and come up with the most repulsive single creature in the history of special effects, and I am not forgetting the Chucky doll or the desert intestine from Star wars.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

To see the snowman is to dislike the snowman. It doesn't look like a snowman, anyway.
Review http://www.rogerebert.com/reviews/jack-frost-1998 of Jack Frost (11 December 1998)
Reviews, One-star reviews

Frank Gehry photo
Sara Teasdale photo
Michel Foucault photo
Raymond Poincaré photo

“From the very beginning of hostilities, came into conflict the two ideas which for fifty months were to struggle for the dominion of the world - the idea of sovereign force, which accepts neither control nor check, and the idea of justice, which depends on the sword only to prevent or repress the abuse of strength…the war gradually attained the fullness of its first significance, and became, in the fullest sense of the term, a crusade of humanity for Right; and if anything can console us in part at least, for the losses we have suffered, it is assuredly the thought that our victory is also the victory of Right. This victory is complete, for the enemy only asked for the armistice to escape from an irretrievable military disaster…And in the light of those truths you intend to accomplish your mission. You will, therefore, seek nothing but justice, "justice that has no favourites," justice in territorial problems, justice in financial problems, justice in economic problems. But justice is not inert, it does not submit to injustice. What it demands first, when it has been violated, are restitution and reparation for the peoples and individuals who have been despoiled or maltreated. In formulating this lawful claim, it obeys neither hatred nor an instinctive or thoughtless desire for reprisals. It pursues a twofold object - to render to each his due, and not to encourage crime through leaving it unpunished.”

Raymond Poincaré (1860–1934) 10th President of the French Republic

Welcoming Address http://www.firstworldwar.com/source/parispeaceconf_poincare.htm at the Paris Peace Conference (18 January 1919).

C. V. Raman photo
Vitruvius photo
F. Scott Fitzgerald photo
Anne Morrow Lindbergh photo
Mark Ames photo
Wilfrid Scawen Blunt photo
John Heywood photo

“Many handis make light warke.”

John Heywood (1497–1580) English writer known for plays, poems and a collection of proverbs

Many hands make light work.
Part II, chapter 5.
Proverbs (1546)
Variant: Many hands make light work.

Hans Reichenbach photo
Théodore Rousseau photo

“I thought only of one thing, to account to myself for the laws of light and perspective. I did not attach any importance to what they found original, new and romantic in me, I sought the picture.”

Théodore Rousseau (1812–1867) French painter (1812-1867)

as quoted in Barbizon days, Millet-Corot-Rousseau-Barye by Charles Sprague Smith, A. Wessels Company, New York, July 1902, p. 141
Th. Roussseau took little part in the French art-discussions of the day between Classicists and Romanticists, in the 1830's
undated quotes

Filippo Tommaso Marinetti photo

“Let the divine reign of Electric Light finally commence, liberating Venice from its venal moonlight of furnished rooms”

Filippo Tommaso Marinetti (1876–1944) Italian poet and editor, founder of the Futurist movement

1910's
Source: 'Contra Venezia passatista', ('Against Venice, mired in the past') 27 April, 1910; as quoted in The Other Futurism: Futurist Activity in Venice, Padua and Verona, Willard Bohn, University of Toronto Press Incorporated, 2004, ISBN 0-8020-8816-3, p. 8

Linus Torvalds photo
Angela of Foligno photo
Percy Bysshe Shelley photo
Stephen Foster photo
Francis Bacon photo
Helena Petrovna Blavatsky photo
Elton John photo

“Daniel is travelling tonight on a plane.
I can see the red tail lights heading for Spain.
Oh and I can see Daniel waving goodbye.
God it looks like Daniel, must be the clouds in my eyes.”

Elton John (1947) English rock singer-songwriter, composer and pianist

Daniel
Song lyrics, Don't Shoot Me I'm Only the Piano Player (1973)

Roberto Mangabeira Unger photo
John Constable photo
Bruno Schulz photo
Angela Davis photo
Geert Wilders photo
Theodor Mommsen photo
Hermann Hesse photo

“Then came those years in which I was forced to recognize the existence of a drive within me that had to make itself small and hide from the world of light. The slowly awakening sense of my own sexuality overcame me, as it does every person, like an enemy and terrorist, as something forbidden, tempting, and sinful. What my curiosity sought, what dreams, lust and fear created — the great secret of puberty — did not fit at all into my sheltered childhood. I behaved like everyone else. I led the double life of a child who is no longer a child. My conscious self lived within the familiar and sanctioned world; it denied the new world that dawned within me. Side by side with this I lived in a world of dreams, drives and desires of a chthonic nature, across which my conscious self desperately built its fragile bridges, for the childhood world within me was falling apart. Like most parents, mine were no help with the new problems of puberty, to which no reference was ever made. All they did was take endless trouble in supporting my hopeless attempts to deny reality and to continue dwelling in a childhood world that was becoming more and more unreal. I have no idea whether parents can be of help, and I do not blame mine. It was my own affair to come to terms with myself and to find my own way, and like most well-brought-up children, I managed it badly.”

Source: Demian (1919), p. 135

Nancy Peters photo
Charles Grandison Finney photo
Andy Warhol photo
Jim Morrison photo

“You know that it would be untrue
You know that I would be a liar
If I was to say to you
Girl, we couldn't get much higher.
Come on baby, light my fire —
Come on baby, light my fire —
Try to set the night on fire.”

Jim Morrison (1943–1971) lead singer of The Doors

"Light My Fire" (1967). Because Jim Morrison sang this as a breakthrough hit for The Doors and was the group's primary songwriter, this is often mistakenly thought to have been written by him. It was actually written by guitarist Robby Krieger, as were some other songs including "Love Her Madly," "You're Lost Little Girl" and "Touch Me" (as well as some other songs on the Soft Parade album). The second verse of the song, however, was written by Morrison.
Misattributed

Fred Astaire photo
Edgar Rice Burroughs photo
Thomas Traherne photo

“Why is this soe long detaind in a dark manuscript, that if printed would be a Light to the World, & a Universal Blessing?”

Thomas Traherne (1636–1674) English poet

Anonymous 17th century comment on the flyleaf of the Lambeth Manuscript of Traherne’s works; cited from the Oxford Dictionary of National Biography (Oxford: Oxford University Press, 2004) vol. 55, p. 208.
Criticism

Willem Roelofs photo

“I have focused on your desire to bring in more effect [in the watercolor].... with more light in the drawing, [what] was not the least difficult.... [this operation] has passed tricky moments; but I believe I have remained master of the area and have made a drawing [watercolor] of aspect [? ] and color.”

Willem Roelofs (1822–1897) Dutch painter and entomologist (1822-1897)

translation from original Dutch: Fons Heijnsbroek
(original Dutch: citaat van Willem Roelofs, in het Nederlands:) Ik heb mij op uw verlangen toegelegd er meer effect in te brengen.. ..met méér licht in een teekening [= aquarel] te brengen, [wat] niet van de minst moeijelijke was.. ..[deze bewerking] heeft kwade oogenblikken doorstaan; maar ik geloof meester gebleven te zijn van het terrein en er eene Teekening [aquarel] van aspect [?] en kleur gemaakt te hebben.
In a letter to Pieter verLoren van Themaat, 17 Feb. 1864; in Haagsch Gemeentearchief / Municipal Archive of The Hague
Mr. verLoren van Themaat had asked for some changes in an already purchased watercolor, made by Roelofs: a landscape with duck decoys, near the village Meerkerk
1860's

Albert Camus photo

“The great attraction of cultural anthropology in the past was precisely that it seemed to offer such a richness of independent natural experiments; but unfortunately it is now clear that there has been a great deal of historical continuity and exchange among those "independent" experiments, most of which have felt the strong effect of contact with societies organized as modern states. More important, there has never been a human society with unlimited resources, of three sexes, or the power to read other people's minds, or to be transported great distances at the speed of light. How then are we to know the effect on human social organization and history of the need to scrabble for a living, or of the existence of males and females, or of the power to make our tongues drop manna and so to make the worse appear the better reason? A solution to the epistemological impotence of social theory has been to create a literature of imagination and logic in which the consequences of radical alterations in the conditions of human existence are deduced. It is the literature of science fiction. … [S]cience fiction is the laboratory in which extraordinary social conditions, never possible in actuality, are used to illumine the social and historical norm. … Science fiction stories are the Gedanken experiments of social science.”

Richard C. Lewontin (1929) American evolutionary biologist

" The Last of the Nasties? http://www.nybooks.com/articles/archives/1996/feb/29/the-last-of-the-nasties," The New York Review of Books, 29 February 1996;
Review of The Lost World by Michael Crichton

Kapila photo

“Kapila's arguments are listed [by Dr. Ambedkar], and the last one introduces yet another fundamental concept of Buddhism: suffering (dukkha). It is brought in from an unusual angle: 'Kapila argued that the process of development of the unevolved is through the activities of three constituents of which it is made up, Sattva, Rajas and Tamas. These are called three Gunas. [Sattva is] light in nature, which reveals, which causes pleasure to men; [Rajas is] what impels and moves, what produces activity; [Tamas is] what is heavy and puts under restraint, what produces the state of indifference or inactivity (') When the three Gunas are in perfect balance, none overpowering the other, the universe appears static (achetan) and ceases to evolve. When the three Gunas are not in balance, one overpowers the other, the universe becomes dynamic (sachetan) and evolution begins. Asked why the Gunas become unbalanced, the answer which Kapila gave was that this disturbance in the balance of the three Gunas was due to the presence of Dukkha (suffering).”

Kapila Vedic sage, of the Samkhya school of Hindu philosophy

Buddhism is quite close to the Samkhya-Yoga viewpoint: to Samkhya for its philosophical framework, to Yoga for its methods of meditation.
Quoted in Elst, Koenraad (2002). Who is a Hindu?: Hindu revivalist views of Animism, Buddhism, Sikhism, and other offshoots of Hinduism. ISBN 978-8185990743, with quote from Ambedkar: The Buddha and his Dhamma, 1:5:2.

George Gascoigne photo

“Suffiseth this to proove my theame withall,
That every bullet hath a lighting place.”

George Gascoigne (1525–1577) English politician and poet

"The Fruites of Warre", line 467, from The Posies (1575); p. 412.