Quotes about length
page 2

Jodi Picoult photo
Winston S. Churchill photo

“This Treasury paper, by its very length, defends itself against the risk of being read.”

Winston S. Churchill (1874–1965) Prime Minister of the United Kingdom

As cited in Churchill by Himself (2008), ed. Langworth, PublicAffairs, p. 50, ISBN 1586486389
Post-war years (1945–1955)

Haruki Murakami photo
Libba Bray photo
Sarah Dessen photo
Ibrahim of Ghazna photo
Johnny Depp photo
Nicholas Rowe photo

“At length the morn and cold indifference came.”

Act i, scene 1. Compare: "But with the morning cool reflection came", Sir Walter Scott, Chronicles of the Canongate, chap. iv. Scott also quotes this in his notes to "The Monastery", chapter iii, note 11; and with "calm" substituted for "cool" in "The Antiquary", chapter v.; and with "repentance" for "reflection" in "Rob Roy", chapter xii.
The Fair Penitent (1703)

Frederick II of Prussia photo
Seneca the Younger photo

“Whether we believe the Greek poet, "it is sometimes even pleasant to be mad", or Plato, "he who is master of himself has knocked in vain at the doors of poetry"; or Aristotle, "no great genius was without a mixture of insanity"; the mind cannot express anything lofty and above the ordinary unless inspired. When it despises the common and the customary, and with sacred inspiration rises higher, then at length it sings something grander than that which can come from mortal lips. It cannot attain anything sublime and lofty so long as it is sane: it must depart from the customary, swing itself aloft, take the bit in its teeth, carry away its rider and bear him to a height whither he would have feared to ascend alone.”

Seneca the Younger (-4–65 BC) Roman Stoic philosopher, statesman, and dramatist

In Latin, nullum magnum ingenium sine mixtura dementiae fuit (There is no great genius without some touch of madness). This passage by Seneca is the source most often cited in crediting Aristotle with this thought, but in Problemata xxx. 1, Aristotle says: 'Why is it that all those who have become eminent in philosophy or politics or poetry or the arts are clearly melancholic?' The quote by Plato is from the Dialogue Phaedrus (245a).
On Tranquility of the Mind

Louis Brandeis photo

“I spoke with him [Brandeis] at length, in German. I saw he's a very great man who can't bear injustice being done to anyone, anywhere…His soul is hewn of the purest marble.”

Louis Brandeis (1856–1941) American Supreme Court Justice

Abraham Isaac Kook, Rav Kook: Mystic in a Time of Revolution, Yehuda Mirsky (2014).

Charles Lyell photo
Cristoforo Colombo photo

“Here the men lost all patience, and complained of the length of the voyage, but the Admiral encouraged them in the best manner he could, representing the profits they were about to acquire, and adding that it was to no purpose to complain, having come so far, they had nothing to do but continue on to the Indies, till with the help of our Lord, they should arrive there.”

Cristoforo Colombo (1451–1506) Explorer, navigator, and colonizer

10 October 1492
Variant translation: Here the people could stand it no longer and complained of the long voyage; but the Admiral cheered them as best he could, holding out good hope of the advantages they would have. He added that it was useless to complain, he had come [to go] to the Indies, and so had to continue it until he found them, with the help of Our Lord.
As translated in Journals and Other Documents on the Life and Voyages of Christopher Columbus (1963) by Samuel Eliot Morison, p. 62
Journal of the First Voyage

Daniel McCallum photo
Bill Bryson photo
William Stukeley photo

“This mighty wall of four score miles in length is only exceeded by the Chinese wall, which makes a considerable figure upon the terrestrial globe, and may be discerned at the moon.”

William Stukeley (1687–1765) English antiquarian

Private letter published in The Family Memoirs of the Rev. William Stukeley (1887) Vol. 3, p. 142. (1754).

Charles Lyell photo
Gerald James Whitrow photo
Richard Pipes photo
William H. Rehnquist photo

“If you could say of any one individual that the court as an institution is the length and shadow of that individual, surely it would be John Marshall.”

William H. Rehnquist (1924–2005) Chief Justice of the United States

Booknotes http://www.booknotes.org/Transcript/index_print.asp?ProgramID=1107 television interview (July 5, 1992)

Richard Stallman photo
Richard Dawkins photo
Maria Edgeworth photo
Giorgio Vasari photo
Christian Scriver photo

“The next monument visited was the great Jain temple built only a few years before by Shantidas Jhaveri, one of the wealthiest men of Gujarat in his day and high in favour both with Shah Jahan and after him with Aurangzeb. …In 1638, however, when Mandelslo visited the place, this temple which he calls ‘ the principal mosque of the Banyas ’ was in all its pristine splendour and ‘ without dispute one of the noblest structures that could be seen’. ‘It was then new,’ he adds, ‘ for the Founder, who was a rich Banya merchant, named Shantidas, was living in my time.
As Mandelslo’s description is the earliest account we have of this famous monument, which was desecrated only seven years after visit by the Orders of Aurangzeb, then viceroy of Gujarat (1645), we shall reproduce it at some length. It stood in the middle of a great court which was enclosed by a high wall of freestone. All about this wall on the inner side was a gallery, similar to the cloisters of the monasteries in Europe, with a large number of cells, in each of which was placed a statue in white or black marble. These figures no doubt represented the Jain Tirthankars, but Mandelslo may be forgiven when he speaks of each of them as ‘ representing a woman naked, sitting, and having her legs lying cross under her, according to the mode of the country. Some of the cells had three statues in them, namely, a large one between two smaller ones.’ At the entrance to the temple stood two elephants of black marble in life- size and on one of them was seated an effigy of the builder. The walls of the temple were adorned with figures of men and animals. At the further end of the building were the shrines consisting of three chapels divided from each other by wooden rails. In these were placed marble statues of the Tirthankars with a lighted lamp before that which stood in the central shrine. One of the priests attending the temple was busy receiving from the votaries flowers which were placed round the images, as also oil for the lamps that hung before the rails, and wheat and salt as a sacrifice. The priest had covered his mouth and nose with a piece of linen cloth so that the impurity of his breath should not profane the images.”

Shantidas Jhaveri (1580–1659) Indian jewellery and bullion trader during Mughal era

Description of the temple built by Shantidas Jhaveri. Mandelslo’s Travels In Western India (a.d.1638-9) https://archive.org/details/in.ernet.dli.2015.531053 p. 23-25

Thomas Jefferson photo
Henry Moore photo

“And for me Michelangelo's greatest work is one that was in his studio partly finished, partly unfinished when he died 'The Rondanini Pietà'. I don't know of any other single work of art by anyone that is more poignant, more moving. It isn't the most powerful of Michelangelo's works – it's a mixture, in fact, of two styles…. the changing became so drastic that I think he knocked the head off the sculpture… So the figure must originally have been a good deal taller. And if we see also the proportion of the length of the body of Christ compared with the length of the legs, there's no doubt that the whole top of the original sculpture has been cut away. Now this to me is a great question. Why should I and other sculptors I know, my contemporaries – I think that Giacometti feels this, I know Marino Marini feels it – find this work one of the most moving and greatest works we know of when it's a work which has such disunity in it?… But that's so moving, so touching: the position of the heads, the whole tenderness of the top part of the sculpture, is in my opinion more what it is by being in contrast with the rather finished, tough, leathery, typical Michelangelo legs. The top part is Gothic and the lower part is sort of Renaissance.”

Henry Moore (1898–1986) English artist

Quote of Henri Moore in his interview with David Silvester, in 'The Sunday Times Magazine', 16 Febr. 1964, pp. 18, 20-22
1955 - 1970

Ragnar Frisch photo
Eduard Jan Dijksterhuis photo
Dan Fogelberg photo
Letitia Elizabeth Landon photo

“for earth were too like heaven,
If length of life to love were given.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Improvisatrice (1824)

Erasmus Darwin photo
Thomas Jefferson photo

“Diverting attention from the way in which certain beliefs, desires, attitudes, or values are the result of particular power relations, then, can be a sophisticated way of contributing to the maintenance of an ideology, and one that will be relatively immune to normal forms of empirical refutation. If I claim (falsely) that all human societies, or all human societies at a certain level of economic development, have a free market in health services, that is a claim that can be demonstrated to be false. On the other hand, if I focus your attention in a very intense way on the various different tariffs and pricing schema that doctors or hospitals or drug companies impose for their products and services, and if I become morally outraged by “excessive” costs some drug companies charge, discussing at great length the relative rates of profit in different sectors of the economy, and pressing the moral claims of patients, it is not at all obvious that anything I say may be straightforwardly “false”; after all, who knows what “excessive” means? However, by proceeding in this way I might well focus your attention on narrow issues of “just” pricing, turning it away from more pressing issues about the acceptance in some societies of the very existence of a free market for drugs and medical services. One can even argue that the more outraged I become about the excessive price, the more I obscure the underlying issue. One way, then, in which a political philosophy can be ideological is by presenting a relatively marginal issue as if it were central and essential.”

Source: Philosophy and Real Politics (2008), p. 54.

Maimónides photo
Walter Wick photo
Letitia Elizabeth Landon photo
George Gordon Byron photo
William James photo
Nathaniel Hawthorne photo
Peter Greenaway photo
Charles Lyell photo
André Maurois photo

“In restaurants, the duration of silence between couples is too often proportionate to the length of their life together.”

André Maurois (1885–1967) French writer

Un Art de Vivre (The Art of Living) (1939), The Art of Loving

William Cowper photo
James Baldwin photo

“I have not written about being a Negro at such length because I do not expect that to be my only subject, but only because it was the gate I had to unlock before I could hope to write about anything else.”

James Baldwin (1924–1987) (1924-1987) writer from the United States

"The Hard Kind of Courage" in Harper's (October 1958) republished as "A Fly in Buttermilk" in Nobody Knows My Name: More Notes of a Native Son (1961)

David Woodard photo
R. Scott Bakker photo
Michael T. Flynn photo
Neal Stephenson photo
Julian of Norwich photo
Henri Poincaré photo
Georges Bataille photo

“Man's secret horror of his foot is one of the explanations for the tendency to conceal its length and form as much as possible. Heels of greater or lesser height, depending on the sex, distract from the foot's low and flat character. Besides the uneasiness is often confused with a sexual uneasiness; this is especially striking among the Chinese who, after having atrophied the feet of women, situate them at the most excessive point of deviance. The husband himself must not see the nude feet of his wife, and it is incorrect and immoral in general to look at the feet of women. Catholic confessors, adapting themselves to this aberration, ask their Chinese penitents "if they have not looked at women's feet.
The same aberration is found among the Turks (Volga Turks, Turks of Central Asia), who consider it immortal to show their nude feet and whoe ven go to bed in stockings.
Nothing similar can be cited from classical antiquity (apart from the use of very high soles in tragedies). The most prudish Roman matrons constantly allowed their nude toes to be seen. On the other hand, modesty concerning feet developed excessively in the modern ea and only started to disappear in the nineteenth century. M. Salomon Reinarch has studied this development in detail in the article entitled Pieds pudiques [Modest Feet], insisting on the role of Spain, where women's feet have been the object of most dreaded anxiety and thus were the cause of crimes. The simple fact of allowing the shod foot to be seen, jutting up from under a skirt, was regarded as indecent. Under no circumstances was it possible to touch the foot of a woman.”

Georges Bataille (1897–1962) French intellectual and literary figure

Source: Visions of Excess: Selected Writings 1927-1939, p.21-22

John P. Kotter photo
A.W. Bickerton photo
Sarah Bakewell photo
Giorgio de Chirico photo

“.. can you [contemporary painters] ever get close, even vaguely, to the solidity, the transparency, the lyric strength of colour, to the clarity, the mystery, the emotion of any of the paintings of Fra Angelico, Piero della Francesca, Botticelli, Dürer, Holbein or of young Raphael? Friends, have you ever realized that with the oil colours used today this is absolutely impossible?... In the museums of Europe I have observed the work of the Flemish painters at length – those earlier, later as well as contemporary to the [brothers] Van Eycks – and I am convinced that the above mentioned brothers were not the discoverers of oil paint in its true sense, as is held today, but that what they did was introduce oil in emulsion with other substances, especially live and fossil resins, into so-called oil tempera emulsion, which was already known in the Flanders, to enable them through the use of veiling to give a greater finish, cleanliness and strength of colour to their painting.
'These oils which are their tempera' said Vasari, speaking of the Flemish [painters] in his Life of Antonello; and without doubt he was alluding to Flemish oil tempera emulsion, but it is sure, absolutely sure, that.... we are dealing with.... a tempera based mixture (egg, glue, resin, tempera etc) in which oil was only used as a means of unity and for the finish of the painting.”

Giorgio de Chirico (1888–1978) Italian artist

Quote from De Chirico's text 'Pro tempera oratio', c. 1920; from 'PRO TEMPERA ORATIO' http://www.fondazionedechirico.org/wp-content/uploads/475-480Metafisica5_6.pdf, p. 475
1920s and later

Julian of Norwich photo
William Stanley Jevons photo
Enver Hoxha photo
Ben Carson photo

“The kind of job doesn't matter. The length of time on the job doesn't matter… If you work hard and do your best, you'll be recognized and move onward.”

Ben Carson (1951) 17th and current United States Secretary of Housing and Urban Development; American neurosurgeon

Source: Gifted Hands: The Ben Carson Story (1990), p. 88

James Nasmyth photo
Nelson Mandela photo
Robert Langlands photo
John Fisher, 1st Baron Fisher photo

“Length of course depends on the stupidity of the class…”

John Fisher, 1st Baron Fisher (1841–1920) Royal Navy admiral of the fleet

Fisher's notes in the front cover of his own copy of A Short Treatise on Electricity and the Management of Electric Torpedoes (1868)
Fisher of Kilverstone (1973), Ruddock F. Mackay, Clarendon Press, p. 48.

Henry Rollins photo
John Bright photo
Charles Darwin photo
Alfred Russel Wallace photo
Mohammad Hidayatullah photo
Anthony Burgess photo
Howard S. Becker photo
Thomas Fuller (writer) photo
William Herschel photo
Dylan Moran photo

“Days are stupid length. They are just long enough to get regret and then you have to go to bed.”

Dylan Moran (1971) Irish actor and comedian

on days.
Yeah, Yeah (2011)

Carl Friedrich Gauss photo
Daniel McCallum photo
Will Cuppy photo
Thomas Gray photo

“See the wretch that long has tost
On the thorny bed of pain,
At length repair his vigour lost,
And breathe and walk again:
The meanest floweret of the vale,
The simplest note that swells the gale,
The common sun, the air, the skies,
To him are opening paradise.”

Thomas Gray (1716–1771) English poet, historian

Source: Ode on the Pleasure Arising from Vicissitude http://www.thomasgray.org/cgi-bin/display.cgi?text=oopv (1754), Line 41

Isaac Asimov photo

“The whole business is the crudest sort of stratagem, since we have no way of foreseeing it to the end. It is a mere paying out of rope on the chance that somewhere along the length of it will be a noose.”

Isaac Asimov (1920–1992) American writer and professor of biochemistry at Boston University, known for his works of science fiction …

Part V, The Merchant Princes, section 2; originally published as “The Big and the Little” in Astounding (August 1944)
The Foundation series (1951–1993), Foundation (1951)

“News Headline Noun String Length World Record Breaker Runner-Up”

James Taranto (1966) American journalist

Referring to a BBC article http://www.bbc.co.uk/news/health-13905331 with the headline "Breast Cancer Prostate Drug Hope"
from Best of the Web Today for June 27, 2011 http://online.wsj.com/article/SB10001424052702304447804576411740143493006.html

Robert G. Ingersoll photo
Henry Howard, Earl of Surrey photo
Guru Arjan photo

“There was a Hindu named Arjan in Gobindwal on the banks of the Beas River. Pretending to be a spiritual guide, he had won over as devotees many simple-minded Indians and even some ignorant, stupid Muslims by broadcasting his claims to be a saint. They called him guru. Many fools from all around had recourse to him and believed in him implicitly. For three or four generations they had been peddling this same stuff. For a long time I had been thinking that either this false trade should be eliminated or that he should be brought into the embrace of Islam. At length, when Khusraw passed by there, this inconsequential little fellow wished to pay homage to Khusraw. When Khusraw stopped at his residence, [Arjan] came out and had an interview with [Khusraw]. Giving him some elementary spiritual precepts picked up here and there, he made a mark with saffron on his forehead, which is called qashqa in the idiom of the Hindus and which they consider lucky. When this was reported to me, I realized how perfectly false he was and ordered him brought to me. I awarded his houses and dwellings and those of his children to Murtaza Khan, and I ordered his possessions and goods confiscated and him executed.”

Guru Arjan (1563–1606) The fifth Guru of Sikhism

– Emperor Jahangir's Memoirs, Jahangirnama 27b-28a, (Translator: Wheeler M. Thackston) [Jahangir, Emperor of Hindustan, 1999, The Jahangirnama: Memoirs of Jahangir, Emperor of India, Thackston, Wheeler M., Wheeler Thackston, Oxford University Press, 59, 978-0-19-512718-8]