Quotes about legging
page 3

“Former Celtics guard K. C. Jones remembered his casual run-in with Wilt. "He stopped me dead in my tracks with his arm, hugged me and lifted me off the floor with my feet dangling," Jones said. "It scared the hell out of me. When I went to the free-throw line, my legs were still shaking. Wilt was the strongest guy and best athlete ever to play the game."”

Wilt Chamberlain (1936–1999) basketball player

Goliath's Wonderful Life, Hoop Magazine; May 1999; Chris Ekstrand
Strength

Guy, Game, Hell, Dead

“It was indeed a dead grove, made up of the corpses of trees. Even the wood of these corpses was non-living, a deathly grey, silver-green, with peeling bark; and the bark had also flaked, shrivelling and simply sloughing off like dead skin. And arching along all the dead twigs, crawled a supple, clutching, lashing, bold convolvulus-serpent. It was her leaves which glowed a cheerful green on the dead branches, on all their agonizing bifurcations; it was her flowers which hung on the branches from clusters of tiny suckers and tentacles, astonishingly tender and serene. They were so alien to that austere and honest deathly sterility that they seemed almost dazzling. It was like an explosion of something splendid, like the sombre and magical secret of that dead river and its dry valley. There was something about that copse reminiscent of the hut on chickens' legs, or Koschei's hoard, or the field sown with dead men's bones.”

Yury Dombrovsky book The Faculty of Useless Knowledge

tr. Alan Myers, The Harvill Press, 1996, Part 1, Chapter 2, pp. 100-101 cited and discussed in Peter Doyle, Iurii Dombrovskii: Freedom Under Totalitarianism, Routledge, 2000, p. 145 https://books.google.com/books?id=MoLCsjaQT08C&lpg=PA145&ots=ekC9_khOAS&dq=%22It%20really%20was%20a%20dead%20grove%22&pg=PA145#v=onepage&q=%22It%20really%20was%20a%20dead%20grove%22&f=false The Faculty of Useless Knowledge (1975)

Men, Secret, Flowers, Tree

“And my aim in my life is to make picture and drawings, as many and as well as I can, then, at the end of my life, I hope to pass away, looking back with love and tender regret, and thinking: "Oh, pictures I might have made!" Theo, I declare I prefer to think how arms, legs, head are attached to the trunk, rather than whether I myself am or am not more or less an artist.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

Quote in his letter to brother Theo, from Drenthe, The Netherlands, Autumn 1883; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 338) p. 21 1880s, 1883

Love, Life, Hope, Thinking

“I suppose that American League pitchers have been feeding me soft ones for 21 years. I know how they all feel, and I don't blame 'em. They'd rather strike out the Babe than anyone else. For I've been a little lucky in the home run racket. They've walked me more than 2000 times and I've never squawked. You see, I used to be a pitcher myself. Those 2000 walks and those 700 or so home runs saved my legs. Anyhow, I've had pretty good legs. They talk about Ty Cobb's legs. He had about the best pair I ever knew of in baseball. But Ty was carrying 180 pounds for 24 years, and I've had to carry from 230 to 250 pounds. I've had to carry 50 to 70 pounds more than Cobb ever had to carry. I never talked to a horse, but I'd like to ask Equipoise or Twenty Grand or Cavalcade or some of the others just how much difference 50 or 70 pounds would make in a race. And I'm not supposed to be a horse or a tank.”

Babe Ruth (1895–1948) American baseball player

Responding to NL pitchers' stated intention—as relayed by Rice—to "bear down on" Ruth in 1935; as quoted in "'Never Happier in My Life' Ruth Tells Grantland Rice..."

Feeling, Home, Time, Horse

“A properly performed set of leg extensions immediately followed by a properly performed set of leg presses should leave you feeling like you just climbed a tall building with your car tied to your back.”

Arthur Jones (inventor) (1926–2007) American inventor

The New High Intensity Training (2004)

Cars, Feeling

“Crippled for life at seventeen,
His great eyes seems to question why:
with both legs smashed it might have been
Better in that grim trench to die
Than drag maimed years out helplessly.”

Eva Dobell (1876–1963) British poet

Unsourced, In A Soldiers' Hospital 1: Pluck

Life, Question

Robertson Davies (1913–1995) Canadian journalist, playwright, professor, critic, and novelist

The Table Talk of Samuel Marchbanks (1949)

Exercises, Girl, Wedding, Time

“I realized it might be possible to do such a thing, run for money, trot for wages on piece work at a bob a puff rising bit by bit to a guinea a gasp and retiring through old age at thirty-two because of lace-curtain lungs, a football heart, and legs like varicose beanstalks.”

Alan Sillitoe (1928–2010) British writer

"The Loneliness of the Long-Distance Runner", from New and Collected Stories (1958; repr. London: Robson, 2003), p. 24.

Money, Age, Heart, Football

“All his life he [the American] jumps into the train after it has started and jumps out before it has stopped; and he never once gets left behind, or breaks a leg.”

George Santayana (1863–1952) 20th-century Spanish-American philosopher associated with Pragmatism

"Materialism and Idealism" p. 175 ( Hathi Trust http://hdl.handle.net/2027/uc1.b3923968?urlappend=%3Bseq=191) Character and Opinion in the United States (1920)

Life, Training

“The others are even more likely to obey their god.
Which is?
It dangles between their legs.”

Orson Scott Card (1951) American science fiction novelist

Homecoming saga, The Ships Of Earth (1994)

God

“[After the 1990 bus accident] I could not feel my legs, and I knew that I was paralysed. For me, this was a premonition of my worst fate proved right. When I was a child, I always ran up the stairs two at a time, and when I reached the top I would say to myself, one day I won't be able to do this because like my father I will lose the use of my body. Now I knew it had happened. For months afterwards I was locked back in myself, just as I had been when I was a child. But also part of my premonition had always been, strangely, that I would lose my body but in the end it would be all right.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

cubanet.org (May 15, 2000}
2007, 2008

Fate, Feeling, Time, Parting

“There is no state more abject than the man broken on the waterboarding rack, or frozen to near death, or forced to stand for days on end, or hooded and strapped to shackles in a ceiling, or having his legs pulpified by repeated beating, or forced to eat pork and drink alcohol against religious strictures. Everything I have just described has been done by US forces under the command and direction of George W. Bush. They are all acts of absolute tyranny, conducted by people who at that moment are absolute tyrants.”

Andrew Sullivan (1963) Journalist, writer, blogger

"Torture, Moral Vanity and Freedom" http://andrewsullivan.theatlantic.com/the_daily_dish/2007/05/torture_moral_v.html, The Daily Dish (17 May 2007)

Death, People, Alcohol, Drink

“Unendowed with wealth or pity,
Little birds with scarlet legs
Sitting on their speckled eggs,
Eye each flu-infected city. Altogether elsewhere, vast
Herds of reindeer move across
Miles and miles of golden moss,
Silently and very fast.”

W. H. Auden (1907–1973) Anglo-American poet

The Fall of Rome (1947), lines 21–28

Bird, Wealth

“In the licorice fields at Pontefract
My love and I did meet
And many a burdened licorice bush
Was blooming round our feet;
Red hair she had and golden skin,
Her sulky lips were shaped for sin,
Her sturdy legs were flannel-slack'd
The strongest legs in Pontefract.”

John Betjeman (1906–1984) English poet, writer and broadcaster

"The Licorice Fields at Pontefract" from A Few Late Chrysanthemums.
Poetry

Love

“I'm not 25, and I'm not 5'8". But I know when someone is pulling my leg.”

Judith Sheindlin (1942) American lawyer, judge, television personality, and author

http://www.youtube.com/watch?v=F8B09JYv4Hs&feature=channel_video_title
Quotes from Judge Judy cases, Being cocky

“Well, I want to start out that I was lucky in the ‘60s to also be taking a class in Classical Ethology by a professor named Tom Evans, where I learned that operant conditioning does not explain all animal behavior. He explained how fixed action patterns and hardwired instinctual behavior works. And I remember going on a visit to Dr. Skinner and I felt like I was visiting, you know, the grand temple of psychology. And I went up to his office and, you know, he seemed, I'm like, "oh, you mean he's actually an ordinary person?" And we got to talking and of course back then I wore a dress you know ‘cause, you know, ladies had to be, like, dressed up, and I had a very conservative dress on, and B. F. Skinner touched my legs.”

Temple Grandin (1947) USA-american doctor of animal science, author, and autism activist

Behavior, Learning, Animals, Personality

“I sit cross-legged on the rock
The valleys and streams are cold and damp
Sitting quietly is beautiful
The cliffs are lost in mist and fog
I rest happily in this place
At dusk the tree shadows are low
I look into my mind
A white lotus emerges from the dark mud”

Han-shan Chinese monk and poet

Cold Mountain Transcendental Poetry

Beauty, Tree

“I didn't care as an ex-ballet dancer wrote and told me she had seen the production and fallen in love with my legs. She said that in other circumstances she could have lived happily with my legs but that she only had a small flat in Holland Park.”

Tom Baker (1934) English actor

Love

“The forty-eight hours after the march into the Rhineland were the most nerve-racking in my life. If the French had then marched into the Rhineland, we would have had to withdraw with our tails between our legs, for the military resources at our disposal would have been wholly inadequate for even moderate resistance.”

Paul Schmidt (1899–1970) German translator, Nazi

Quoted in "What Hitler Knew: The Battle for Information in Nazi Foreign Policy" - by Zachary Shore - 2003

Life

“I drew my hands over her belly and legs, felt my own desire, searched foolishly for my passion, strained for it while she waited, rolled and tore my hair and begged for it, but there was none, there was none at all, only the retreat to Hackmuth's letter and thoughts that remained to be written, but no lust, only fear of her, and shame and humiliation.”

John Fante book Ask the Dust

Source: Ask the Dust (1939), Chapter Nine

Fear, Search, Passion, Waiting

“Death is not necessarily an old and withered book with dry pages. It can be a thousand leaves of strong and shining text on a powerful body, held erect on the vertebrae of a strong spine. The heart hardly breathes because quietus has been reached, the torso is like a rock, the legs are rooted, the ink is dependable. If the words of death should be considered faded and sere -- where could be the dignity in dying?”

Peter Greenaway (1942) British film director

From the thirteenth book, "The Book of the Dead"
The Pillow Book

Death, Books, Strong, Heart

“"Why!" said Huxter, suddenly, "that's not a man at all. It's just empty clothes. Look! You can see down his collar and the linings of his clothes. I could put my arm—"He extended his hand; it seemed to meet something in mid-air, and he drew it back with a sharp exclamation. "I wish you'd keep your fingers out of my eye," said the aerial voice, in a tone of savage expostulation. "The fact is, I'm all here: head, hands, legs, and all the rest of it, but it happens I'm invisible. It's a confounded nuisance, but I am. That's no reason why I should be poked to pieces by every stupid bumpkin in Iping, is it?"”

H. G. Wells book The Invisible Man

Source: The Invisible Man (1897), Chapter 7: The Unveiling of the Stranger

Stupidity, Clothes

“The idea for [his sculpture] 'The Warrior' came to me at the end of 1952 or very early in 1953. It was evolved from a pebble I found on the seashore in the summer of 1952, and which reminded me of the stump of a leg, amputated at the hip. Just as Leonardo says somewhere in his notebooks that a painter can find a battle scene in the lichen marks on a wall, so this gave me the start of The Warrior idea. First I added the body, leg and one arm and it became a wounded warrior, but at first the figure was reclining. A day or two later I added a shield and altered its position and arrangement into a seated figure and so it changed from an inactive pose into a figure which, though wounded, is still defiant... The head has a blunted and bull-like power but also a sort of dumb animal acceptance and forbearance of pain... The figure may be emotionally connected (as one critic has suggested) with one’s feelings and thoughts about England during the crucial and early part of the last war. The position of the shield and its angle gives protection from above. The distance of the shield from the body and the rectangular shape of the space enclosed between the inside surface of the shield and the concave front of the body is important... This sculpture is the first single and separate male figure that I have done in sculpture and carrying it out in its final large scale was almost like the discovery of a new subject matter; the bony, edgy, tense forms were a great excitement to make... Like the bronze 'Draped Reclining Figure' of 1952-3 I think 'The Warrior' has some Greek influence, not consciously wished…”

Henry Moore (1898–1986) English artist

Quote from Moore's letter, (15 Jan. 1955); as cited in Henry Moore on Sculpture: a Collection of the Sculptor's Writings and Spoken Words, ed. Philip James, MacDonald, London 1966, p. 250
1940 - 1955

Pain, War, Feeling, Idea

“Just observe what you are. What you are is the fact: the fact that you are jealous, anxious, envious, brutal, demanding, violent. That is what you are. Look at it, be aware; don’t shape it, don’t guide it, don’t deny it, don’t have opinions about it. By looking at it without condemnation, without judgement, without comparison, you observe; out of that observation, out of that awareness comes affection. Now, go still further. And you can do this in one flash. It can only be done in one flash — not first from the outside and then working further and deeper and deeper and deeper; it does not work that way, it is all done with one sweep, from the outermost to the most inward, to the innermost depth. Out of this, in this, there is attention — attention to the whistle of that train, the noise, the coughing, the way you are jerking your legs about; attention whereby you listen to what is said, you find out what is true and what is false in what is being said, and you do not set up the speaker as an authority. So this attention comes out of this extraordinarily complex existence of contradiction, misery and utter despair. And when the mind is attentive, it can then give focus, which then is quite a different thing; then it can concentrate but that concentration is not the concentration of exclusion. Then the mind can give attention to whatever it is doing, and that attention becomes much more efficient, much more vital, because you are taking everything in.”

Jiddu Krishnamurti (1895–1986) Indian spiritual philosopher

Vol. XIV, p. 301
Posthumous publications, The Collected Works

Jerk, Way, Falseness, Training

“You know why I'm pulling your leg? Because I can't touch it from where I am.”

Gene Simmons (1949) Israeli-born American rock bass guitarist, singer-songwriter, record producer, entrepreneur, and actor

Fresh Air interview (February 4, 2002)

“The Bayeux Tapestry is accepted as an authority on many details of life and the fine points of history in the eleventh century. For instance, the horses in those days had green legs, blue bodies, yellow manes, and red heads, while the people were all double-jointed and quite different from what we generally think of as human beings.”

Will Cuppy (1884–1949) American writer

The Decline and Fall of Practically Everybody (1950), Part V: Merrie England, William the Conqueror

Life, People, History, Thinking

“You put your bombers in, you put your conscience out,
You take the human being and you twist it all about
So scrub my skin with women
Chain my tongue with whisky
Stuff my nose with garlic
Coat my eyes with butter
Fill my ears with silver
Stick my legs in plaster
Tell me lies about Vietnam.”

Adrian Mitchell (1932–2008) British writer

"To Whom It May Concern", from Adrian Mitchell's Greatest Hits (1991).

Women

“I layer myself in dirt because I want to be a child; I want to scream. Sometimes I'm unhappy with myself, so I want to look aesthetically unpleasing. At the end of tours I feel completely beaten and destroyed. I kick and scream and destroy myself. I cut myself—my legs are cut to shreds—and my chest. I get up and I shout. I truly feel it's like a purge.”

KatieJane Garside (1968) English singer

On her appearance during live performances, The Guardian https://www.newspapers.com/clip/22821252/the_guardian/ (1992)

Feeling

“There is no general reason to expect evolution to be progressive – even in the weak, value-neutral sense. There will be times when increased size of some organ is favoured and other times when decreased size is favoured. Most of the time, average-sized individuals will be favoured in the population and both extremes will be penalised. During these times the population exhibits evolutionary stasis (i. e., no change) with respect to the factor being measured. If we had a complete fossil record and looked for trends in some particular dimension, such as leg length, we would expect to see periods of no change alternating with fitful continuations or reversals in direction – like a weathervane in changeable, gusty weather.”

Richard Dawkins (1941) English ethologist, evolutionary biologist and author

The Evolutionary Future of Man (1993)

Sense, Change, Time, Weather

“Christian America, religious America I should say — the same thing is true of Orthodox Jews and conservative Jews, although that is a very small percentage of the population — religious America is reproducing well above replacement rate, it’s liberals who are aborting and going gay and anyone with a flair for color, so I think we will have a leg-up in the demographic war, that’s what the left was facing, that they weren’t reproducing enough so they had to bring in the ringers from the Third World to vote for them.”

Ann Coulter (1961) author, political commentator

2015-06-09
Ann Coulter: Liberals Are ‘Going Gay’ So They Need Immigrants To Outbreed ‘Christian America’
http://www.rightwingwatch.org/post/ann-coulter-liberals-are-going-gay-so-they-need-immigrants-to-outbreed-christian-america/
2015

War, World, Color, Thinking

“When you traveling by bus, it is always difficult to decide whether you should sit in a seat by the window, a seat on the aisle, or a seat in the middle. If you take an aisle seat, you have the advantage of being able to stretch your legs whenever you like, but you have the disadvantage of people walking by you, and they can accidentally step on your toes or spill something on your clothing. If you take a window seat, you have the advantage of getting a clear view of the scenery, but you have the disadvantage of watching insects die was they hit the glass. If you take the middle seat, you have neither of these advantages, and you have the added disadvantage of people leaning all over you when they fall asleep. You can see at once why you should always hire a limousine or rent a mule rather than take the bus to your destination.”

Daniel Handler book The Vile Village

Lemony Snicket
The Vile Village (2001)

People, Travel, Clothes

“Only a male intellect clouded by the sexual drive could call the stunted, narrow-shouldered, broad-hipped and short-legged sex the fair sex: for it is with this drive that all its beauty is bound up. More fittingly than the fair sex, women could be called the unaesthetic sex. Neither for music, nor poetry, nor the plastic arts do they possess any real feeling or receptivity: if they affect to do so, it is merely mimicry in service of their effort to please. This comes from the fact that they are incapable of taking a purely objective interest in anything whatever, and the reason for this is, I think, as follows. Man strives in everything for a direct domination over things, either by comprehending or by subduing them. But woman is everywhere and always relegated to a merely indirect domination, which is achieved by means of man, who is consequently the only thing she has to dominate directly. Thus it lies in the nature of women to regard everything simply as a means of capturing a man, and their interest in anything else is only simulated, is no more than a detour, i. e. amounts to coquetry and mimicry.”

Arthur Schopenhauer book Parerga and Paralipomena

Vol. 2 "On Women" as translated in Essays and Aphorisms (1970), as translated by R. J. Hollingdale
Parerga and Paralipomena (1851), Counsels and Maxims

Women, Beauty, Art, Music

“A leg I noticed next, fine as a mote,
"And on this frail eyelash he walked," I said,
"And climbed and walked like any mountain-goat."”

Karl Shapiro (1913–2000) Poet, essayist

"Interludes" III, in From Darkness To Light : A Confession of Faith in the form of an Anthology (1956) edited by Victor Gollancz

Mountain

“The Welsh boy has it by his bed,
(He's lame - one leg blown away -
He'll lie propped up with pillows there,
And wind the handle half the day.
His neighbour, with the shattered arm,
Picks out the records he must play.”

Eva Dobell (1876–1963) British poet

Unsourced, In A Soldiers' Hospital II: Gramophone Tunes

Lie, Boy

“Most sensitive part of the male human physique, and he places it in almost the exact geological centre of the body, right between the legs, dangling down in it's own special bag. He might as well have painted them fluorescent orange and made the hair above it grow into the words 'your foot goes here.”

Ben Croshaw (1983) English video game journalist

Where God Went Wrong
Fully Ramblomatic, Essays

God, Parting, Painting

“The next monument visited was the great Jain temple built only a few years before by Shantidas Jhaveri, one of the wealthiest men of Gujarat in his day and high in favour both with Shah Jahan and after him with Aurangzeb. …In 1638, however, when Mandelslo visited the place, this temple which he calls ‘ the principal mosque of the Banyas ’ was in all its pristine splendour and ‘ without dispute one of the noblest structures that could be seen’. ‘It was then new,’ he adds, ‘ for the Founder, who was a rich Banya merchant, named Shantidas, was living in my time.
As Mandelslo’s description is the earliest account we have of this famous monument, which was desecrated only seven years after visit by the Orders of Aurangzeb, then viceroy of Gujarat (1645), we shall reproduce it at some length. It stood in the middle of a great court which was enclosed by a high wall of freestone. All about this wall on the inner side was a gallery, similar to the cloisters of the monasteries in Europe, with a large number of cells, in each of which was placed a statue in white or black marble. These figures no doubt represented the Jain Tirthankars, but Mandelslo may be forgiven when he speaks of each of them as ‘ representing a woman naked, sitting, and having her legs lying cross under her, according to the mode of the country. Some of the cells had three statues in them, namely, a large one between two smaller ones.’ At the entrance to the temple stood two elephants of black marble in life- size and on one of them was seated an effigy of the builder. The walls of the temple were adorned with figures of men and animals. At the further end of the building were the shrines consisting of three chapels divided from each other by wooden rails. In these were placed marble statues of the Tirthankars with a lighted lamp before that which stood in the central shrine. One of the priests attending the temple was busy receiving from the votaries flowers which were placed round the images, as also oil for the lamps that hung before the rails, and wheat and salt as a sacrifice. The priest had covered his mouth and nose with a piece of linen cloth so that the impurity of his breath should not profane the images.”

Shantidas Jhaveri (1580–1659) Indian jewellery and bullion trader during Mughal era

Description of the temple built by Shantidas Jhaveri. Mandelslo’s Travels In Western India (a.d.1638-9) https://archive.org/details/in.ernet.dli.2015.531053 p. 23-25

Life, Men, Flowers, Lying

“There is no necessary connection between the important events of a life and the records of it that have been preserved in memory, in documents, in memorials, or in living testimony. The biographer must compose his life of what he has, just as the archeologist must restore his temple or his statue with such fragments as thieving time and careless men have left him; but fate often ironically leaves him a well-preserved leg and a dismembered torso, while the head, which would supply the main clue to the body, is missing. Hence, in addition to the purposive selection exercised by the subject himself and by the biographer in making use of such materials as are left, there exists a purely external selection dominated by chance, which cuts across the evidence in an arbitrary fashion. To correct for such distortions the biographer must be an anatomist of character: he must be able to restore the missing nose in plaster, even if he does not find the original marble.”

Lewis Mumford (1895–1990) American historian, sociologist, philosopher of technology, and literary critic

Source: My Works and Days (1979), Ch. 14

Life, Men, Fate, Exercises

“It was from this day on that I began to notice a real difference between our vaqueros on the ranch from Mexico and the gringo cowboys. The American cowboys always seemed so ready to act rough and tough, wanting to “break” the horse, cow, or goat or anything else. Where, on the other hand, our vaqueros—who used the word “amanzar,” meaning to make “tame,” for dealing with horses—had a whole different attitude towards everything. To “break” a horse, for the cowboys, actually, really meant to take a green, untrained horse and rope him, knock him down, saddle him while he fought to get loose, then mount him as he got up on all four legs, and ride the living hell out of the horse until you tired him out, taught him who was boss, and “broke” his spirit. To “amanzar” a horse, on the other hand, was a whole other approach that took weeks of grooming, petting, and leading the green horse around in the afternoon with a couple of well-trained horses. Then, after about a month, you began to put a saddle on the horse and tie him up in shade in the afternoon for a couple of hours until, finally, the saddle felt like just a natural part of him. Then, and only then, did a person finally mount the horse, petting and sweet-talking him the whole time, and once more the green horse was taken on a walk between two well-trained horses.”

Victor Villaseñor (1940) American writer

Burro Genius: A Memoir (2004)

Hell, Nature, Time, Horse

“And for me Michelangelo's greatest work is one that was in his studio partly finished, partly unfinished when he died 'The Rondanini Pietà'. I don't know of any other single work of art by anyone that is more poignant, more moving. It isn't the most powerful of Michelangelo's works – it's a mixture, in fact, of two styles…. the changing became so drastic that I think he knocked the head off the sculpture… So the figure must originally have been a good deal taller. And if we see also the proportion of the length of the body of Christ compared with the length of the legs, there's no doubt that the whole top of the original sculpture has been cut away. Now this to me is a great question. Why should I and other sculptors I know, my contemporaries – I think that Giacometti feels this, I know Marino Marini feels it – find this work one of the most moving and greatest works we know of when it's a work which has such disunity in it?… But that's so moving, so touching: the position of the heads, the whole tenderness of the top part of the sculpture, is in my opinion more what it is by being in contrast with the rather finished, tough, leathery, typical Michelangelo legs. The top part is Gothic and the lower part is sort of Renaissance.”

Henry Moore (1898–1986) English artist

Quote of Henri Moore in his interview with David Silvester, in 'The Sunday Times Magazine', 16 Febr. 1964, pp. 18, 20-22
1955 - 1970

Art, Feeling, Question, Thinking

“Thus use your frog…Put your hook through his mouth, and out at his gills;…and then with a fine needle and silk sew the upper part of his leg, with only one stitch, to the arming-wire of your hook; or tie the frog's leg, above the upper joint, to the armed-wire; and in so doing use him as though you loved him.”

Izaak Walton book The Compleat Angler

Part I, ch. 8.
The Compleat Angler (1653-1655)

Love, Parting

“Hoyt began moving his lips as if he were trying to suck the ice cream off the top of a cone without using his teeth. She tried to make her lips move in sync with his. The next thing she knew, Hoyt had put his hand sort of under her thigh and hoisted her leg up over his thigh. What was she to do? Was this the point she should say, “Stop!”? No, she shouldn’t put it that way. It would be much cooler to say, “No, Hoyt,” in an even voice, the way you would talk to a dog that insists on begging at the table.
Slither slither slither slither went the tongue, but the hand that was what she tried to concentrate on, the hand, since it has the entire terrain of her torso to explore and not just the otorhinolaryngological caverns – oh God, it was not just at the border where the flesh of the breast joins the pectoral sheath of the chest – no, the hand was cupping her entire right – Now! She must say “No, Hoyt” and talk to him like a dog[…]”

Tom Wolfe (1930–2018) American author and journalist

Source: I am Charlotte Simmons (2004), p. 368-9, winner of the 12th annual The Literary Review Bad Sex Award

God, Dogs, Way

“A cottonwood leaf beetle scuttled out of the loosened earth, frantic legs working the sandy dirt, orange and black body desperate for a new hiding place. The sunset was fading, and a bloated ocher moon pushed its way into the dark blue sky.”

Andrea Lewis (writer) Microsoft employee

“Family Cucurbita” The MacGuffin, Vol. XXVII No. 1 (Fall, 2010)
2010-

Way

“The head tumbles between the legs
like a wooden ball
you fall, dark night
in the eyes,
the door a span away
inaccessible
you are on your knees
…”

Caterina Davinio (1957) Italian writer

The Book of Opium (1975 - 1990), Overdose
Source: Caterina Davinio, Il libro dell'oppio 1975 – 1990] (The Book of Opium 1975 – 1990), Puntoacapo Editrice, Novi Ligure 2012. English translation by Caterina Davinio and David W. Seaman.</ref>

Night

“There was no one in the world quite like Plante. I learned more from him in two years with the Leafs than I did in all my other hockey days. He taught me a great deal about playing goal both on the ice and in my head off the ice. He taught me to be aggressive around the goal and take an active part in play instead of waiting for things to happen. He showed me how I kept putting myself off-balance by placing my weight on my left leg instead of on my stick side. He taught me how to steer shots off into the corner instead of letting them rebound in front of me. That old guy made a good goalie out of me.”

Bernie Parent (1945) Canadian ice hockey player

Quoted in Kevin Shea, "One on One with Bernie Parent," http://www.legendsofhockey.net/html/spot_oneononep198403.htm Legends of Hockey.net (2005-11-07)

World, Guy, Learning, Waiting

“I don't remember what I did after I left her. Maybe I went up to Benny Cohen's room over the Grand Central Market. He had a wooden leg with a little door in it. Inside the door were marijuana cigarets.”

John Fante book Ask the Dust

Source: Ask the Dust (1939), Chapter Four

Marijuana

“I do not know a greater fault in the nurture of children than the conniving at the wanton acts of barbarity which they practise at an early age upon innocent insects; the judgment of that parent must be exceedingly defective, or strangely perverted, who can proportion the degree of cruelty to the smallness of the creature that unfortunately becomes the sufferer. It is but a fly, perhaps he may say, when he sees his child pluck off its wings or its legs by way of amusement; it is but a fly, and cannot feel much pain; besides the infant would cry if I was to take it from him, and that might endanger his health, which surely is of more consequence than many flies: but I fear worse consequences are to be dreaded by permitting it to indulge so vicious an inclination, for as it grows up, the same cruelty will in all likelihood be extended to larger animals, and its heart by degrees made callous to every claim of tenderness and humanity.”

Joseph Strutt (1749–1802) British engraver, artist, antiquary and writer

pg. 388
The Sports and Pastimes of the People of England (1801), Cruelty to insects

Pain, Children, Health, Age

“It's a tango." Marco maneuvered me out among the dancers. "I love tangos." "I can't dance." "You don't have to dance. I'll do that dancing." Marco hooked an arm around my waist and jerked me up against his dazzling white suit. Then he said, "Pretend you are drowning." I shut my eyes, and the music broke over me like a rainstorm. Marco's leg slid forward against mine and my leg slid back and I seemed to be riveted against him, limb for limb, moving as he moved, without any will or knowledge of my own, and after a while I thought, "It doesn't take two to dance, it only takes one," and I let myself blow and bend like a tree in the wind. "What did I tell you?”

Sylvia Plath book The Bell Jar

Marco's breath scorched my ear. "You're a perfectly respectable dancer."
Source: The Bell Jar (1963), Ch. 9

Love, Music, Jerk, Knowledge

“The dinosaur world I grew up in was classical. They were universally seen as scaley herps that inhabited the immobile continents. There was no hint that birds were their direct descendents. Being reptiles, dinosaurs were cold-blooded and rather sluggish except perhaps for the smaller more bird-like examples. They all dragged their tails. Forelimbs were often sprawling. Leg muscles were slender in the reptilian manner. Intellectual capacity was minimal, as were social activity and parenting; the Knight painting of a Triceratops pair watching over a baby threatened by the Tyrant King was a notable exception. Hadrosaurs and especially sauropods were dinosaurian hippos, the latter perhaps too titanic to even emerge on land, and if they did so were limited by their bulk to lifting one foot of the ground at a time. Suitable only for the lush, warm and sunny tropical climate that enveloped the world from pole to pole before the Cenozoic, a cooling climate and new mountain chains did the obsolete archosaurs in, leaving only the crocodilians. Dinosaurs and the bat-winged pterosaurs were merely an evolutionary interlude, a period of geo-biological stasis before things got really interesting with the rise of the energetic and quick witted birds and especially mammals, leading with inexorable progress to the apex of natural selection: Man. It was pretty much all wrong. Deep down I sensed something was not quite right. Illustrating dinosaurs I found them to be much more reminiscent of birds and mammals than of the reptiles they were supposed to be. I was primed for a new view.”

Gregory Scott Paul (1954) U.S. researcher, author, paleontologist, and illustrator

Autobiography, part I http://gspauldino.com/part1.html, gspauldino.com

World, Mountain, Nature, Bird

“To the mouse, snow means freedom from want and fear. … To a rough-legged hawk, a thaw means freedom from want and fear.”

Aldo Leopold book A Sand County Almanac

“January: January Thaw”, p. 4.
A Sand County Almanac, 1949, "January Thaw", "February: Good Oak" & "March: The Geese Return"

Fear, Freedom

“Steam is the friend of man. Steam engines are very human. Their very weaknesses are understandable. Steam engines do not flash back and blow your face in. They do not short-circuit and rive your heart with imponderable electric force. They have arms and legs and warm hearts and veins full of warm vapour. Give us steam every time. You know where you are with steam.”

William McFee (1881–1966) American writer

"A Six-hour Shift : The Log of a Transport Engineer" in The Atlantic Monthly, Vol. CXIX, No. 4 (April 1917), p. 449

Understanding, Time, Heart

“We're adapted to the meta-reality, which means that we're adapted to that which remains constant across the longest spans of time. And that's not the same things that you see around you day to day. They're just like clouds, they're just evaporating, you know? There are things underneath that that are more fundamental realities, like the dominance hierarchy, like the tribe, like the danger outside of society, like the threat that other people pose to you, and the threat that you pose to yourself. Those are eternal realities, and we're adapted to those. That's our world, and that's why we express all those things in stories. Then you might say, well how do you adapt yourself to that world? The answer, and I believe this is a neurological answer, is that your brain can tell you when you're optimally situated between chaos and order. The way it tells you that is by producing the sense of engagement and meaning. Let's say that there's a place in the environment that you should be. So what should that place be? Well, you don't want to be terrified out of your skull. What good is that? And you don't want to be so comfortable that you might as well sleep. You want to be somewhere where you are kind of on firm ground with both of your feet, but you can take a step with one leg and test out new territory. Some of you who are exploratory and emotionally stable are going to go pretty far out there into the unexplored territory without destabilizing yourself. And some people are just going to put a toe in the chaos, and that's neuroticism basically - your sensitivity to threat that is calibrated differently in different people. And some people are more exploratory than others. That's extroversion and openness, and intelligence working together. Some people are going to tolerate more chaos in their mixture of chaos and order. Those are often liberals, by the way. They're more interested in novel chaos, and conservatives are more interested in the stabilization of the structures that already exist. Who's right? It depends on the situation. That's why liberals and conservatives have to talk to each other, because one of them isn't right and the other is wrong. Sometimes the liberals are right and sometimes the liberals are right, because the environment is unpredictable and constantly changing, so that's why you have to communicate. That's what a democracy does. It allows people of different temperamental types to communicate and to calibrate their societies. So let's say you're optimally balanced between chaos and order. What does that mean? Well, you're stable enough, but you're interested. A little novelty heightens your anxiety. It wakes you up a bit. That's the adventure part of it. But it also focuses the part of your brain that does exploratory activity, and that's associated with pleasure. That's the dopamine circuit. So if you're optimally balanced - and you know you're there if you're listening to an interesting conversation or you're engaged in one…you're saying some things that you know, and the other person is saying some things that they know - and what both of you know is changing. Music can model that. It provides you with multi-level predictable forms that can transform just the right amount. So music is a very representational art form. It says, 'this is what the universe is like.' There's a dancing element to it, repetitive, and then little variations that surprise you and produce excitement in you. In doesn't matter how nihilistic you are, music still infuses you with a sense of meaning because it models meaning. That's what it does. That's why we love it. And you can dance to it, which represents you putting yourself in harmony with these multiple layers of reality, and positioning yourself properly.”

Jordan Peterson (1962) Canadian clinical psychologist, cultural critic, and professor of psychology

"The selection pressure that women placed on men developed the entire species. There's two things that happened. The men competed for competence, since the male hierarchy is a mechanism that pushes the best men to the top. The effect of that is multiplied by the fact that women who are hypergamous peel from the top. And so the males who are the most competent are much more likely to leave offspring, which seems to have driven cortical expansion."
Concepts

Love, Women, Men, People

“No outsider can imagine the stupidity, blustering hysteria, authoritarianism, and paralyzing boredom of shooting a flick for Billy Wilder. The so-called "actors" are simply trained poodles who sit up on their hind legs and jump through hoops. I thought the insanity would never stop. But I got a shitload of money.”

Klaus Kinski (1926–1991) German actor

On filming Buddy Buddy. p. 299
Kinski Uncut : The Autobiography of Klaus Kinski (1996)

Money, Stupidity, Imagination, Training

“The [sexual harassment] situation has gotten so out of hand that, in 1993, in one of the first British cases, a plumber was fired for continuing to use the traditional term "ballcock" for the toilet flotation unit, instead of the new politically correct term, sanitized of sexual suggestiveness. This is insane. We are back to the Victorian era, when table legs had to be draped lest they put the thought of ladies' legs into someone's dirty mind.”

Camille Paglia (1947) American writer

Source: Vamps and Tramps (1994), "No Law in the Arena: A Pagan Theory of Sexuality", p. 50

“A typical example of such sufism was Shykh Nuruddin Mubarak Ghaznavi (died 1234-35 AD), a disciple of Shykh Shihabuddin Suhrawardi (1144-1234 AD), and one of the founders of the Suhrawardia sufi silsilã in India. He propounded the doctrine of Dîn Panãhî, and presented it to Sultan Iltutmish (1210-36 AD). This doctrine declared its very first principle as follows: “The kings should protect the religion of Islam with sincere faith. And kings will not be able to perform the duty of protecting the Faith unless for the sake of Allah and the Prophet’s creed, they overthrow and uproot kufr and kafirî, shirk and the worship of idols. But if the total uprooting of idolatry is not possible owing to the firm roots of kufr and the large number of kãfirs and mushriks, the kings should at least strive to insult, disgrace, dishonour and defame the mushrik and idol-worshipping Hindus, who are the worst enemies of Allah and the Prophet. The symptom of the kings being the protectors of religion is this: When they see a Hindu, their eyes grow red and they wish to bury him alive; they also desire to completely uproot the Brahmans, who are the leaders of kufr and shirk and owing to whom kufr and shirk are spread and the commandments of kufr are enforced. Owing to the fear and terror of the kings of Islam, not a single enemy of Allah and the Prophet can drink water that is sweet or stretch his legs on his bed and go to sleep in peace.””

Sita Ram Goel (1921–2003) Indian activist

Such statements from sufis can be multiplied. Amir Khusru, the dearest disciple of Nizamuddin Awliya (Chishtiyya luminary of Delhi), mourned loudly that if the Hanafi law (which accommodated Hindus as zimmîs) had not come in the way, the very name Hindu would not have survived.
Defence of Hindu Society (1983)

Fear, Peace, Faith, Religion

“Every neighborhood on the planet has a house like this on the block. We've all driven past it. A bunch of people living there, too old to be kids, but never gonna be adults… You can tell that by the "AEROSMITH ROCKS" banner in the living room window… Four sociopathic pitbulls roaming the yard at all times… The brown one has one leg, just flops to the fence every couple of hours… You can tell when the family's doubled their net worth 'cause they parked a new gutted Chevelle in the driveway… The mailman's afraid to bring the mail, so he just gives it to the cops, 'cause hell, they're gonna be there anyway… And if you don't recognize this house in your neighborhood, you live in this house in your neighborhood.”

Christopher Titus (1964) actor, writer, podcaster

Love is Evol (2009)

People, Family, Hell, Time

“Holists, either irredundant or redundant commit mistakes due to simple over-generalization (for example, that (β) always implies "Bushy Tail" which is true for only some subspecies) or systemic over-generalization to render the classification scheme more rational or symmetrical than it actually is (for example, falsely naming a subspecies "Bit QL" on the evidence that Q stands for "4-legged" and L stands for "Linear" together with the valid inference that a 4-legged linear creature exists.
A serialst is prone to list the subspecies by examining picture cards in Class A. If he is to be successful, he checks the relevance of the information entering his list by forming single predicate hypotheses.”

Gordon Pask (1928–1996) British psychologist

Source: Learning Strategies and Individual Competence (1972), p. 275.

Success, Falseness

“If the neck of the giraffe elongates an inch at a time, then the full panoply of supporting structures need not arise at every step. The coordinated adaptation can be built piecemeal. Some animals may slightly elongate the neck, others the legs; still others may develop stronger neck muscles. By sexual reproduction, the favorable features of different organisms may be combined in offspring.”

Stephen Jay Gould book Leonardo's Mountain of Clams and the Diet of Worms

"The Tallest Tale", p. 310
Leonardo's Mountain of Clams and the Diet of Worms (1998)

Support, Time, Animals

“The best definition of man is: a being that goes on two legs and is ungrateful.”

Fyodor Dostoyevsky book Notes from Underground

Variant translation: If I had to define man it would be: a biped, ungrateful.
Part 1, Chapter 8 (page 28)
Notes from Underground (1864)

“You go out for a walk and the world opens up for you. And before you’ve even stretched your legs properly, it closes shut. For here to there it’s all just the farty sputter of lantern. And they call that having lived. It’s not worth the bother of putting on your shoes.”

Herta Müller book The Appointment

Michael Hulse and Philip Boehm translation, Picador 2002, p. 80
The Appointment (1997)

World, Shoe

“The DC comics were always a lot more true blue. Very enjoyable, but they were big, brave uncles and aunties who probably insisted on a high standard of you know mental and physical hygiene. Whereas the Stan Lee stuff, the Marvel comics, he went from one dimensional characters whose only characteristic was they dressed up in costumes and did good. Whereas Stan Lee had this huge breakthrough of two-dimensional characters. So, they dress up in costumes and do good, but they've got a bad heart. Or a bad leg. I actually did think for a long while that having a bad leg was an actual character trait.”

Alan Moore (1953) English writer primarily known for his work in comic books

Interview on BBC Radio 4 (27 January 2005) http://www.comicbookresources.com/?page=article&id=4533

Thinking, Heart

“I make that --- twice now, on a Monday I let returning Iraqi injured soldiers come to the premises. The most beautiful people I've ever seen. But they're missing arms and legs, they're with their wives, sometimes they're with their girlfriends. And the tears are coming down the faces of these people. I mean, thousands and maybe hundreds of thousands, and the Iraqis that have been just maimed and killed. This war is a horrible thing. Now, President Bush says he's religious. And yet 400,000 people, the way I count it, have died, and probably millions have been badly maimed and injured. What's going on? What's going on? And the day we pull out it's going to explode. We're keeping the lid on a little bit. It's still a catastrophe, but the day we pull out, because they're in a civil war. Whether we want to admit it or not, they're in a civil war.”

Donald J. Trump (1946) 45th President of the United States of America

Interview on "The Situation Room" with Wolf Blitzer http://www.cnn.com/TRANSCRIPTS/0703/16/sitroom.03.html (16 March 2007) 2000s

War, People, Beauty, Way

“Compeyson's business was the swindling, hand writing forging, stolen bank-note passing, and such-like. All sorts of traps as Compeyson could set with his head, and keep his own legs out of and get the profits from and let another man in for, was Compeyson's business. He'd no more heart than a iron file he was as cold as death, and he had the head of the Devil afore mentioned.”

Charles Dickens book Great Expectations

Source: Great Expectations (1860-1861), Ch. 42

Death, Business, Heart

“I ain't shooting nobody, so call me a faggot. When the war's over, I'll be the faggot with two legs.”

Chris Rock (1965) American comedian, actor, screenwriter, television producer, film producer, and director

Bigger and Blacker (HBO, 1999)

War

“I invariably, after great familiarity with a film, concoct a personal way of reading it that relies entirely on information which a public audience would, I feel, have scant interest. I might travel from a casual unrehearsed glance of a minor character to a detail of folded cloth, from a rhyme in the dialogue to an over-excited high note in the music, from a misplaced shadow to a patch of rogue colour, from a shine on a furniture leg to a curious accidental photographic haze around a street lamp, from the examination of a cloud that looks like a snail to the discomfort of an actress who I know is stifling a sneeze.”

Peter Greenaway (1942) British film director

Watching Water

Music, Way, Travel, Feeling

“If a Negro got legs he ought to use them. Sit down too long, somebody will figure out a way to tie them up.”

Toni Morrison book Beloved

Source: Beloved (1987), Ch. 1

Way

“Modestus said of Regulus that he was "the biggest rascal that walks upon two legs."”

Pliny the Younger (61–113) Roman writer

Letter 5, 14.
Letters, Book I

“You cannot make a man by standing a sheep on its hind-legs. But by standing a whole flock of sheep in that position you can make a crowd of men. If man were not a gregarious animal, the world might have achieved, by this time, some real progress towards civilization. Segregate him, and he is no fool. But let him loose among his fellows, and he is lost —- he becomes a unit in unreason.”

Max Beerbohm (1872–1956) English writer

Source: Zuleika Dobson http://www.gutenberg.org/dirs/etext99/zdbsn11.txt (1911), Ch. IX

Men, World, Fools, Time

“He dreamt that night that he rode through the woods on a low ridge. Below him he could see deer in a meadow where the sun fell on the grass. The grass was still wet and the deer stood in it to their elbows. He could feel the spine of the mule rolling under him and he gripped the mule's barrel with his legs. Each leaf that brushed his face deepened his sadness and dread. Each leaf he passed, he'd never pass again. They rode over his face like veils, already some yellow, their veins slender like bones where the sun shone through them. He had resolved himself to ride on for he could not turn back and the world that day was as lovely as any day ever was and he was riding to his death.”

Cormac McCarthy book Child of God

Source: Child of God (1973), p.162

Love, Death, World, Sadness

“She staggers over to the bathroom door and grabs the edge of it to balance herself and blood starts running down her legs in thin rivulets and when she lifts up the robe we both can see her underwear soaked with blood and she pulls it off, panicking, and suddenly a huge gush of blood expels itself from beneath the robe, splashing all over the bathroom floor.She gasps, a thick noise comes out of her throat and she doubles over, grabbing her stomach, then she screams. Looking surprised and still clutching her stomach, she vomits will staggering backwards, collapsing onto the bathroom floor. There are strands of tissue hanging out of her.”

Bret Easton Ellis book Glamorama

Glamorama (1998)

“We just dreamed it up, water would go into Ricou's eye-holes, so the only way he could see me was to turn upside down. During the whole sequence, he was supposed to be swimming underneath me and I wasn't supposed to know he was there. Every now and then I'd feel this scaly hand come up and skim my leg or my bottom and I'd say, 'Oh, Ricou must be there.”

Ginger Stanley (1931) American model, actress and stunt woman

Dreams, Way, Feeling, Water

“[But ultimately the brunt of all such riots was borne by the Hindus. For instance, this is how Pelsaert describes the situation prevalent in the time of Jahangir (1605-27) during Muharram. ] “The outcry (of mourning) lasts till the first quarter of the day; the coffins (Tazias) are brought to the river, and if the two parties meet carrying their biers (it is worse on that day), and one will not give place to the other, then if they are evenly matched, they may kill each other as if they were enemies at open war, for they run with naked swords like madmen. No Hindu can venture into the streets before midday, for even if they should escape with their life, at the least their arms and legs would be broken to pieces…””

Francisco Pelsaert (1591–1630) Dutch merchant, commander of the ship Batavia

Pelsaert, quoted from Lal, K. S. (1992). The legacy of Muslim rule in India. New Delhi: Aditya Prakashan.
Jahangir’s India

Life, War, Time

“She got up, grew her legs longer to get her body out of the water and shook herself dry. Then she wandered off, following a zigzag path along the border between Life and Death, her tail wagging so hard, the tip of it beat the river into a froth behind her.”

Garth Nix (1963) Australian fantasy writer

Source: Old Kingdom series (The Abhorsen Trilogy), Abhorsen (2003), p. 395.

Life, Death, Water

“You make your appeal in Piccadilly, London, amongst those who are wallowing in luxuries, proceeding from the labour of the people. You should have gone to the gravel-pits, and made your appeal to the wretched creatures with bits of sacks around their shoulders, and with hay-bands round their legs; you should have gone to the roadside, and made your appeal to the emaciated, half-dead things who are there cracking stones to make the roads as level as a die for the tax eaters to ride on. What an insult it is, and what an unfeeling, what a cold-blooded hypocrite must he be that can send it forth; what an insult to call upon people under the name of free British labourers; to appeal to them in behalf of Black slaves, when these free British labourers; these poor, mocked, degraded wretches, would be happy to lick the dishes and bowls, out of which the Black slaves have breakfasted, dined, or supped…Talk, indeed, of transmuting the wretched Africans into this condition! …Will not the care, will not the anxiety of a really humane Englishman be directed towards the Whites, instead of towards the Blacks, until, at any rate, the situation of the former be made to be as good as that of the latter?”

William Cobbett (1763–1835) English pamphleteer, farmer and journalist

Letter to Wilberforce, Political Register (30 August 1823), quoted in G. D. H. Cole, The Life of William Cobbett (Greenwood, 1971), p. 259.

Happiness, People, Dead

“Imagine you are doing a woodworking project, perhaps making a table. Fortunately, you needn't make all the parts yourself. Some are standard sizes and shapes - lengths of two by four, for instance - available at any lumberyard. Some have already been designed and made by other people - drawer pulls and turned legs. All you have to do is fit them into the places you left for them, knowing they were available. You want to make an argument instead of a table. You have created some of the argument yourself, perhaps on the basis of new data or information you have collected. But you needn't invent the whole thing. Other people have worked on your problems or problems related to it, and have made some of the pieces you need. You just have to fit them in where they belong. Like the woodworker, you leave space, when you make your portion of the argument, for the other parts you know you can get. You do that, that is, if you know that they are there to use. And that's one good reason to know the literature: so that you will know the pieces are available and not waste time doing what has already been done.”

Howard S. Becker (1928) American sociologist

Source: Writing for Social Scientists (1986), p. 141-142 as cited in: Using the Literature to Formulate your Research Question http://www.utexas.edu/research/pair/usingthe.htm at utexas.edu. Accessed Feb 19, 2013.

People, Imagination, Literature, Problem

“We are Socialists, enemies, mortal enemies of the present capitalist economic system with its exploitation of the economically weak, with its injustice in wages, with its immoral evaluation of individuals according to wealth and money instead of responsibility and achievement, and we are determined under all circumstances to abolish this system! And with my inclination to practical action it seems obvious to me that we have to put a better, more just, more moral system in its place, one which, as it were, has arms and legs and better arms and legs than the present one!”

Gregor Strasser (1892–1934) German politician, rival of Adolf Hitler inside the Nazi Psrty

" Thoughts about the Tasks of the Future https://books.google.com/books?id=fG_oAAAAIAAJ&pg=PA87", by Gregor Strasser - (1926 June 15)

Money, Wealth

“There was a third element in reality that concerned me: movement.
Despite all my efforts, it was impossible for me then to endure a sculpture that gave an illusion of movement, a leg advancing, a raised arm, a head looking sideways. I could only create such movement if it was real and actual. I also wanted to give the sensation of motion that could be induced.”

Alberto Giacometti (1901–1966) Swiss sculptor and painter (1901-1966)

Alberto Giacometti in: Peter Selz, Alberto Giacometti. Museum of Modern Art in collaboration with the Art Institute of Chicago [and others], distributed by Doubleday, 1965. p. 20

Reality, Effort

“Walking down the street in London with Suzanne, saw a little homeless.. well I didn't see the homeless bloke right, I saw a leg stickin out of a doorway, thought 'here we go', right. Walked past it, right, you're not gonna believe this. Homeless…. Chinese fella. I've never seen one of them.”

Karl Pilkington (1972) English television personality, social commentator, actor, author and former radio producer

Podcast Series 1 Episode 4
On People

Past

“And another thing I like about cricket is, because most of the commentators apart from Boycott and Trueman are very old-worldly, they have an innocence and naïveté about them, that makes them sometimes say, in the course of their commentary, inadvertently rude things: 'Now we're at the start of play, and we're coming in to play; and the bowler's Holding, the batman's Willey'; 'Here we are, and we're about to commence play. And there's Simpson, in his usual position, standing with his legs wide open, at first slip, waiting for a tickle.”

Linda Smith (1958–2006) comedian

Linda Live, 1993
Stand-up

Waiting

“[G]enetically my legs are supposed to be huge. I can't really think about it, or I'll go crazy.”

Rihanna (1988) Barbadian singer, songwriter, and actress

On working out. Allure magazine, January 2008.

Thinking

“Intellectual superiority is not always accompanied by an equal degree of moral superiority, and the greatest geniuses may have much to expiate. For this reason, they often have to undergo an existence inferior to the one they have previously accomplished, which is a cause of suffering for them the hindrances to the manifestation of his faculties thus imposed upon a spirit being like chains that fetter the movements of a vigorous man. The idiot may be said to be lame in the brain, as the halt is lame in the legs, and the blind, in the eyes.”

Allan Kardec (1804–1869) systematizer of Spiritism

Source: The Spirits' Book, p. 193.

Suffering

“Howbeit, Paul succeeded in stealing the image of Christ crucified for the figure-head of his Salvationist vessel, with its Adam posing as the natural man, its doctrine of original sin, and its damnation avoidable only by faith in the sacrifice of the cross. In fact, no sooner had Jesus knocked over the dragon of superstition than Paul boldly set it on its legs again in the name of Jesus.”

George Bernard Shaw (1856–1950) Irish playwright

Preface, Paul
1910s, Androcles and the Lion (1913)

Faith, Nature, Christ

“One day I saw the combative Giants shortstop Billy Jurges confront umpire George Magerkurth, on a call Jurges violently objected to, the two men standing jaw to jaw, raging invective at each other. A faint spray of saliva emitted from Magerkurth's mouth; Jurges stepped back and uncorked his own oyster of spittle, right in the umpire's face. Magerkurth slugged Jurges, who slugged him back, and the two men rolled on the infield grass, clawing at each other until they were pried apart. Jurges, of course, was tossed out of the game and suspended for a spell, his place at shortstop taken over by the mild-mannered prematurely gray utility infielder, Lou Chiozza. The very next day, Chiozza ran out to short left field, chasing a pop fly, while in rushed Joe Moore, from his left field post. The result was a noisy collision, which sent Chiozza to the hospital, marking the first and only time one player's spittle had broken another player's leg.”

Arnold Hano (1922) American writer

From his Foreword https://books.google.com/books?id=jF7v30gqs_0C&pg=PA8 to The Early Polo Grounds (2009) by Chris Epting Sports-related

Men, Game, Grass, Rage

“In France, Étienne Geoffroy Saint-Hilaire attempted to portray the skeleton of vertebrates as a set of modifications upon an archetypal vertebra. In the 1820's, Geoffroy extended his ambitious plan to include annelids and arthropods under that same rubric. …Vertebrates support their soft parts with an internal skeleton, but insects must live within their vertebrae (a reality, not a metaphor, for Geoffroy). This comparison led to… the claim that a vertebrate rib must represent the same organ as an arthropod leg - and that insects must therefore walk on their own ribs!”

Stephen Jay Gould book Leonardo's Mountain of Clams and the Diet of Worms

"Brotherhood by Inversion", p. 326
Leonardo's Mountain of Clams and the Diet of Worms (1998)

Support, Reality, Parting

“I've always doubted that the socialists had a leg to stand on intellectually. They have improved their argument somehow, but once you begin to understand that prices are an instrument of communication and guidance which embody more information than we directly have, the whole idea that you can bring about the same order based on the division of labor by simple direction falls to the ground. Similarly, the idea [that] you can arrange for distributions of incomes which correspond to some conception of merit or need. If you need prices, including the prices of labor, to direct people to go where they are needed, you cannot have another distribution except the one from the market principle. I think that intellectually there is just nothing left of socialism.”

Friedrich Hayek (1899–1992) Austrian and British economist and Nobel Prize for Economics laureate

Interview with Thomas W. Hazlett in May of 1977, as published in " The Road to Serfdom, Forseeing the Fall", in Reason magazine (July 1992) http://reason.com/archives/1992/07/01/the-road-from-serfdom 1960s–1970s

People, Communication, Idea, Understanding

“But the projects with which the architects of Russian proletarian architecture present us are not only based on pure imagination, but their construction would, if they were fitted for realization, entail enormous waste of space and materials. The dwelling complex 'Wolkenbügel' [architecture, designed by Lissitzky, with the help of [ w:Emil Roth - Swiss architect, 1924] (assuming that one could live here without either freezing or melting!), shaped like a 4, stands in a very un-constructive way on three legs in which the elevators are located. The latter take up as much space as would one or more skyscrapers. And these 'architects' are to teach the West what architecture is!”

Theo van Doesburg (1883–1931) Dutch architect, painter, draughtsman and writer

Quote of Theo van Doesburg, in Architecture and revolution — Revolutionary architecture? Utopian designs by Tatlin, Lissitzky, and others, Theo van Doesburg, in 'Het Bouwbedrijf' (1928)
1926 – 1931

Way, Imagination, Help

“The seven dwarfs were each on different little trips. Happy was into grass and grass alone … Happy, that's all he did. Sleepy was into reds. Grumpy, too much speed. Sneezy was a full blown coke freak. Doc was a connection. Dopey was into everything. Any old orifice will do for Dopey. He's always got his arm out and his leg up. And then, the one we always forget, because he was Bashful. Bashful didn't use drugs. He was paranoid on his own. Didn't need any help on that ladder.”

George Carlin (1937–2008) American stand-up comedian

Toledo Window Box (1974)
Source: Carlin, George, perf. Toledo Window Box. Rec. 20 Jul 1974. Monte Kay, Jack Lewis, 1974. Vinyl recording.

Happiness, Grass, Help, Speed

“In a frenzy, kicking his legs and moving his arms in a swimmer's breaststroke, he managed to fight toward the rod. The closer he got to it, the stronger the web of force became. He did not give up. If he did, he would be back where he had been and without enough strength to begin fighting again. It was not his nature to give up until all his strength had been expended.”

Philip José Farmer (1918–2009) American science fiction writer

Source: The Riverworld series, To Your Scattered Bodies Go (1971), Chapter 1 (p. 4)

Nature, Fight

“I have to tell you, you know, it's part of reporting this case, this election, the feeling most people get when they hear Barack Obama's speech. My, I felt this thrill going up my leg. I mean, I don't have that too often. No, seriously. It's a dramatic event. He speaks about America in a way that has nothing to do with politics. It has to do with the feeling we have about our country. And that is an objective assessment.”

Chris Matthews (1945) American news anchor

During live coverage of the presidential primaries on MSNBC, 12 February 2008 http://newsbusters.org/blogs/brad-wilmouth/2008/02/13/matthews-obama-speech-caused-thrill-going-my-leg

People, Way, Feeling, Parting

“I’ve got a problem with my legs, they just can’t walk past a chippy.”

Ricky Hatton (1978) English former professional boxer

Ricky Hatton has his demons too http://www.bbc.co.uk/dna/606/A19096149?s_fromedit=1

Problem, Past

“If the fork is not removed when the spider has arrived it seems to have the same charm as any fly: for the spider seizes it, embraces it, and runs about on the legs of the fork as often as it is made to sound, never seeming to learn by experience that other things may buzz besides its natural food.”

C. V. Boys (1855–1944) British physicist

[Boys, C. V., 16 December 1880, The influence of a tuning-fork on the garden spider, Nature, 23, 149–150, https://babel.hathitrust.org/cgi/pt?id=mdp.39015012106640;view=1up;seq=177]

Food, Nature, Learning, Flying

“In the early eighties, savvy Japanese had been scouring Melrose for old leather jackets and jukeboxes, and nervous tourists would drive by to look at the punks with green mohawks; now the funny hairstyles looked as if they’d been done at the Beverly Center. Like a government-subsidized avant-garde, Sullivan had thought as he’d tooled his old van down the crowded avenue, affluent disenfranchisement is just galvanic twitching in a dead frog’s leg.”

Tim Powers book Expiration Date

Source: Expiration Date (1995), Chapter 15 (p. 100)

Dead

“It was always the same in my experience, the greatest libertines make the most suspicious fathers, and show me a mother who would part her legs for a dray horse and you will find her daughter has a chastity belt before a christening mug. Why they deny their progeny what they find so pleasant themselves I will never conceive.”

Christopher Wood (writer) (1935–2015) English writer

Wood, Christopher. John Adam - Samurai. Sphere paperbacks, 1972 edition (originally published by Arlington books in 1971). pg. 31-32 (chapter 2).

Horse, Parting, Daughters

“"Okay," Jerry had said. Now, standing here, one leg half asleep, nausea threatening his stomach, the night chilling his flesh, Jerry wondered if he hadn't lost the moment he said okay.”

Robert Cormier book The Chocolate War

Source: The Chocolate War (1974), p. 236

Night

“[Responding to the argument that a plant-based diet is extreme] Half a million people a year will have their chests opened up and a vein taken from their leg and sewn onto their coronary artery. Some people would call that “extreme.””

Caldwell Esselstyn (1933) American physician, author and rower

Interview in the documentary Forks Over Knives by Lee Fulkerson (2011).

People

“Lao Chiu's burns were so extensive that, with the exception of his scalp, two shoulders, the waist where his leather belt was worn and the soles of his feet, pratically his whole body was affected. His back and hips were burned deeply and his right leg was even worse. Every time it was necessary to turn him over and change his dressings ten doctors and five nurses were required and the process took several hours. Moreover, the patient suffered very much and was short of breath for a long while.”

Ba Jin (1904–2005) Chinese novelist

A Battle For Life (July 1958)

Suffering, Change, Time

“Yes, sir,' said Jeeves in a low, cold voice, as if he had been bitten in the leg by a personal friend.”

P.G. Wodehouse book Carry On, Jeeves

Carry On, Jeeves (1925)

Personality

“Last night I couldn't sleep till after four in the morning – I had been out to the canyon all afternoon – till late at night – wonderful color – I wish I could tell you how big – and with the night the colors deeper and darker – cattle on the pastures in the bottom looked line little pinheads. I can understand Pa Dow painting his pretty colored canyons – it must have been a great temptation – no wonder he fell. Then the moon rose right up out of the ground after we got out on the plains again – battered a little where he bumped his head but enormous – There was no wind – it was just big and still – so very big and still – long legged jack rabbits hopping across in front of the light as we passed – A great place to see the night time because there is nothing else.”

Georgia O'Keeffe (1887–1986) American artist

then I came home – not sleepy so I made a pattern of some flowers I had picked – They were like waterlilies – white ones – with the quality of smoothness gone.
Canyon, Texas, (September 14, 1916), pp. 186, 187
1915 - 1920, Letters to Anita Pollitzer' (1916)

Color, Home, Flowers, Understanding

“[O'Brien's heroes are] William Butler Yeats, Michael Collins, André Malraux, Maurice Ravel, Giorgio Di Cirico, Laurence Olivier and Max Schmeling. And of course the great Douglas Baader, the war pilot who had no legs. When he was captured by the Germans, they allowed the British to parachute his steel legs. And he escaped! So, I don't care about The Merry Wives of Windsor, but talk to me about Douglas Baader!”

Donald O'Brien (actor) (1930–2003) Italian film and TV actor

Euro Trash Cinema magazine interview (March 1996)

War