Quotes about intuition
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Carlo Carrà photo
Vladimir Voevodsky photo
Thomas Kuhn photo
Aldous Huxley photo
Fritjof Capra photo
Nigel Cumberland photo

“The most powerful way of being able to listen to your own intuition is by being silent. Find a quiet space, slow down and calm your mind. Your goal is to eliminate all that noise going through your head – all those thoughts that appear from nowhere.”

Nigel Cumberland (1967) British author and leadership coach

Your Job-Hunt Ltd – Advice from an Award-Winning Asian Headhunter (2003), Successful Recruitment in a Week (2012) https://books.google.ae/books?idp24GkAsgjGEC&printsecfrontcover&dqnigel+cumberland&hlen&saX&ved0ahUKEwjF75Xw0IHNAhULLcAKHazACBMQ6AEIGjAA#vonepage&qnigel%20cumberland&ffalse, 100 Things Successful People Do: Little Exercises for Successful Living (2016) https://books.google.ae/books?idnu0lCwAAQBAJ&dqnigel+cumberland&hlen&saX&ved0ahUKEwjF75Xw0IHNAhULLcAKHazACBMQ6AEIMjAE

Tim Cook photo

“The object of mathematics is to discover "true" theorems. We shall use the term "valid" to describe statements formed according to certain rules and then shall discuss how this notion compares with the intuitive idea of "true."”

Paul Cohen (1934–2007) American mathematician

Set theory and the continuum hypothesis, p. 8. https://books.google.com/books?id=Z4NCAwAAQBAJ&pg=PA8
Set Theory and the Continuum Hypothesis (1966)

Henri Poincaré photo
Hermann Weyl photo
Miyamoto Musashi photo
Gino Severini photo

“The spiraling shapes, and the beautiful contrasts of yellow and blue, that are intuitively felt one evening while living the movements of a girl dancing may be found again later, through a process of plastic preferences or aversions, or through combination of both, in the concentric circling of an aeroplane or in the onrush of an express train”

Gino Severini (1883–1966) Italian painter

In his manifesto 'The Plastic Analogies of Dynamism', c. 1914; as quoted in Inventing Futurism: The Art and Politics of Artificial Optimism, by Christine Poggi, Princeton University Press, 2009, p. 218

Sarvepalli Radhakrishnan photo

“Even in the act of composition, the poet is in a state in which the reflective elements are subordinated to the intuitive. The vision, however, is not operative for so long as it continues, its very stress acts as a check on expression.”

Sarvepalli Radhakrishnan (1888–1975) Indian philosopher and statesman who was the first Vice President and the second President of India

Internet Encyclopedia of Philosophy

Henri Poincaré photo

“It is by logic that we prove, but by intuition that we discover. To know how to criticize is good, to know how to create is better.”

C'est par la logique qu'on démontre, c'est par l'intuition qu'on invente.
Part II. Ch. 2 : Mathematical Definitions and Education, p. 129
Science and Method (1908)

Ernesto Che Guevara photo
Bethany Kennedy Scanlon photo
J. C. R. Licklider photo

“Present-day computers are designed primarily to solve preformulated problems or to process data according to predetermined procedures. The course of the computation may be conditional upon results obtained during the computation, but all the alternatives must be foreseen in advance. … The requirement for preformulation or predetermination is sometimes no great disadvantage. It is often said that programming for a computing machine forces one to think clearly, that it disciplines the thought process. If the user can think his problem through in advance, symbiotic association with a computing machine is not necessary.
However, many problems that can be thought through in advance are very difficult to think through in advance. They would be easier to solve, and they could be solved faster, through an intuitively guided trial-and-error procedure in which the computer cooperated, turning up flaws in the reasoning or revealing unexpected turns in the solution. Other problems simply cannot be formulated without computing-machine aid. … One of the main aims of man-computer symbiosis is to bring the computing machine effectively into the formulative parts of technical problems.
The other main aim is closely related. It is to bring computing machines effectively into processes of thinking that must go on in "real time," time that moves too fast to permit using computers in conventional ways. Imagine trying, for example, to direct a battle with the aid of a computer on such a schedule as this. You formulate your problem today. Tomorrow you spend with a programmer. Next week the computer devotes 5 minutes to assembling your program and 47 seconds to calculating the answer to your problem. You get a sheet of paper 20 feet long, full of numbers that, instead of providing a final solution, only suggest a tactic that should be explored by simulation. Obviously, the battle would be over before the second step in its planning was begun. To think in interaction with a computer in the same way that you think with a colleague whose competence supplements your own will require much tighter coupling between man and machine than is suggested by the example and than is possible today.”

Man-Computer Symbiosis, 1960

Patrick Matthew photo
Albert Einstein photo
Viswanathan Anand photo
Patrick Modiano photo
Margaret Thatcher photo
Albert Einstein photo

“The intuitive mind is a sacred gift and the rational mind is a faithful servant. We have created a society that honors the servant and has forgotten the gift.”

Albert Einstein (1879–1955) German-born physicist and founder of the theory of relativity

Commonly quoted on the internet, and also in recent books such as Planetary Survival Manual by Matthew Stein (2000), p. 51.
Stein's book is the earliest published source located with that precise version of the quote, but the quote can be found in earlier Usenet posts such as this one from 1995 http://groups.google.com/group/rec.arts.ascii/msg/d9f6ec3887950a0d?hl=en, and other published variants of the quote using the words "sacred gift" can be found earlier. A Google Books search http://books.google.com/advanced_book_search?q=%22sacred+gift%22+einstein with the date range restricted to 1900-1990 shows only a handful in the 1980s and 1970s, and several of them attribute it to The Metaphoric Mind by Bob Samples (1976), which also seems to be the earliest published variant. Samples does not provide an exact quote, but writes on p. 26: "Albert Einstein called the intuitive or metaphoric mind a sacred gift. He added that the rational mind was a faithful servant. It is paradoxical that in the context of modern life we have begun to worship the servant and defile the divine." It seems as if the last sentence about worshipping the servant is just Samples' own comment (though in later variants it became part of the supposed quote), while the earlier sentences only paraphrase something that Samples claims Einstein to have said. Einstein had many quotes about the value of intuition and imagination, but the specific word "gift" can be found in a comment remembered by János Plesch in the section Attributed in posthumous publications, "When I examine myself and my methods of thought I come to the conclusion that the gift of fantasy has meant more to me than my talent for absorbing positive knowledge." So, Bob Samples might have been paraphrasing that comment. Likewise Einstein had a number of quotes about the intellect being secondary to intuition, but the language of the intellect "serving" can be found in a quote from the Out of My Later Years (1950) section, "And certainly we should take care not to make the intellect our god; it has, of course, powerful muscles, but no personality. It cannot lead, it can only serve; and it is not fastidious in its choice of a leader."
Misattributed

Hugo Munsterberg photo

“The theorists of scientific management seem to think that the most subtle methods are indispensable for physical measurements, but for psychological inquiry nothing but a kind of intuition is necessary.”

Hugo Munsterberg (1863–1916) German-American psychologist, philosopher and agitator

Source: Psychology and Industrial Efficiency (1913), p. 53

Immanuel Kant photo
Victor Villaseñor photo
Philip Schaff photo

“Luther's Qualifications. Luther had a rare combination of gifts for a Bible translator: familiarity with the original languages, perfect mastery over the vernacular, faith in the revealed word of God, enthusiasm for the gospel, unction of the Holy Spirit. A good translation must be both true and free, faithful and idiomatic, so as to read like an original work. This is the case with Luther's version. Besides, he had already acquired such fame and authority that his version at once commanded universal attention.
His knowledge of Greek and Hebrew was only moderate, but sufficient to enable him to form an independent judgment. What he lacked in scholarship was supplied by his intuitive genius and the help of Melanchthon. In the German tongue he had no rival. He created, as it were, or gave shape and form to the modern High German. He combined the official language of the government with that of the common people. He listened, as he says, to the speech of the mother at home, the children in the street, the men and women in the market, the butcher and various tradesmen in their shops, and, "looked them on the mouth," in pursuit of the most intelligible terms. His genius for poetry and music enabled him to reproduce the rhythm and melody, the parallelism and symmetry, of Hebrew poetry and prose. His crowning qualification was his intuitive insight and spiritual sympathy with the contents of the Bible.
A good translation, he says, requires "a truly devout, faithful, diligent, Christian, learned, experienced, and practiced heart."”

Philip Schaff (1819–1893) American Calvinist theologian

Luther's competence as a Bible translator

Sarvepalli Radhakrishnan photo
Alice A. Bailey photo
Richard Dedekind photo
Dana Gioia photo

“I want a poetry that can learn as much from popular culture as from serious culture. A poetry that seeks the pleasure and emotionality of the popular arts without losing the precision, concentration, and depth that characterize high art. I want a literature that addresses a diverse audience distinguished for its intelligence, curiosity, and imagination rather than its professional credentials. I want a poetry that risks speaking to the fullness of our humanity, to our emotions as well as to our intellect, to our senses as well as our imagination and intuition. Finally I hope for a more sensual and physical art — closer to music, film, and painting than to philosophy or literary theory. Contemporary American literary culture has privileged the mind over the body. The soul has become embarrassed by the senses. Responding to poetry has become an exercise mainly in interpretation and analysis. Although poetry contains some of the most complex and sophisticated perceptions ever written down, it remains an essentially physical art tied to our senses of sound and sight. Yet, contemporary literary criticism consistently ignores the sheer sensuality of poetry and devotes its considerable energy to abstracting it into pure intellectualization. Intelligence is an irreplaceable element of poetry, but it needs to be vividly embodied in the physicality of language. We must — as artists, critics, and teachers — reclaim the essential sensuality of poetry. The art does not belong to apes or angels, but to us. We deserve art that speaks to us as complete human beings. Why settle for anything less?”

Dana Gioia (1950) American writer

"Paradigms Lost," interview with Gloria Brame, ELF: Eclectic Literary Forum (Spring 1995)
Interviews

Alastair Reynolds photo
David Orrell photo

“There is something intrinsically upside down and counter-intuitive in the relationship between money and happiness.”

David Orrell (1962) Canadian mathematician

Source: The Other Side Of The Coin (2008), Chapter 2, Odd Versus Even, p. 70

Henri Bergson photo

“Intuition is a method of feeling one's way intellectually into the inner heart of a thing to locate what is unique and inexpressible in it.”

Henri Bergson (1859–1941) French philosopher

Quoted in Georgia O'Keeffe, 1887-1986 : Flowers in the Desert (2000) by Britta Benke, p. 28

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John Ruysbroeck photo
Derren Brown photo
Agatha Christie photo
Gino Severini photo

“The metaphysical forms which compose our futurist pictures are the result of realities conceived and realities created entirely by the artist. These last are inspired by the emotion or intuition and dependent on atmosphere-ambience.”

Gino Severini (1883–1966) Italian painter

Quote of Severine 1913, from the opening paragraphs of his text 'Art du fantastique dans le sacre', as cited in Gino Severini Ecrits sur l'art, (1913-1962), with a preface by Serge Fauchereau, (Paris: Editions Cercle d'Art, 1987), p. 47
Severini opens 'Art du fantastique' with a theoretical explanation of the concept, form and content of a Futurist work

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James Braid photo

“…during a period in history psychology was still a branch of academic philosophy. The psychological concepts developed by philosophers of mind, such as “dominant ideas” (akin to the automatic thoughts of Beck’s cognitive therapy) “habit and association” (a subjective precursor of Pavlovian conditioning), and “imitation and sympathy” (which we now call “role-modelling” and “empathy”), are repeatedly mentioned by Braid as the theoretical framework upon which his science of hypnotism, “neuro-hypnology”, was built. Braid’s friend and collaborator, Prof. William B. Carpenter, discusses the theoretical principles of this in his Principles of Mental Physiology (1889), especially in the chapter ‘Of Common Sense’ which concludes by quoting an approving letter from the philosopher John Stuart Mill sent to Carpenter in 1872. Mill agrees with Carpenter’s contention that “common sense”, by which he means a kind of intellectual intuition analogous to the ancient Greek concept of nous, is a combination of innate and acquired judgements, which have a “reflexive” or “automatic” quality and appear to consciousness as “self-evident” truths.”

James Braid (1795–1860) Scottish surgeon, hypnotist, and hypnotherapist

James Braid, in The Original Philosophy of Hypnotherapy (from The Discovery of Hypnosis) http://ukhypnosis.wordpress.com/category/james-braid-the-founder-of-hypnotherapy/page/2/.

Paramahansa Yogananda photo
Dana Gioia photo
Steven Pinker photo
Henri Poincaré photo
Jim Butcher photo
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“Intuition is usually the first word, and is sometimes the last word, but should never be the only word.”

David H. Levy (1948) Canadian astronomer

Humor in Psychotherapy (2007)

Andrew Motion photo

“In the swirl of its pool
the home-coming salmon
has no intuition
of anything changed.”

Andrew Motion (1952) poet, novelist and biographer from England

"You Helped Give a Shape", An elegy on the death of HM Queen Elizabeth the Queen Mother
Poetry Quotes

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“Until writing was invented, we lived in acoustic space: boundless, directionless, horizonless, the dark of the mind, the world of emotion, primordial intuition, terror. Speech is a social chart of this bog.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Variant: Until writing was invented, we lived in acoustic space: boundless, directionless, horizonless, the dark of the mind, the world of emotion, primordial intuition, terror. Speech is a social chart of this bog. (p. 13)
Source: 1960s, Counterblast (1969), p. 13

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Aldous Huxley photo
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Johann Gottlieb Fichte photo
Margaret Mead photo
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John Ruysbroeck photo

“If every earthly pleasure were melted An intelligence in repose without images, an intuition in the light of God, and a spirit elevated in Purity to the Face of God, these three qualities united constitute the true contemplative life into a single experience and bestowed upon one man,
it would be as nothing when measured by the joy of which I write for here it is God who passes into the depths of us in all His purity,
and the soul is not only filled but overflowing.
This experience is that light that makes manifest to the soul the terrible desolation of such as live divorced from love;
it melts the man utterly; he is no longer master of his joy.
Such possession produces intoxication, the state of the spirit in which its bliss transcends the uttermost bounds of anticipation or desire.
Sometimes the ecstasy pours forth in song, sometimes in tears:
at one moment it finds expression in movement, at others in the intense stillness of burning, voiceless feeling.
Some men knowing this bliss wonder if others feel God as they do; some are assured that no living creature has ever had such experiences as theirs;
there are those who wonder that the world is not set aflame by this joy; and there are others who marvel at its nature, asking whence it comes, and what it is.
The body itself can know no greater pleasure upon earth than to participate in it;
and there are moments when the soul feels that it must shiver to fragments in the poignancy of this experience.”

John Ruysbroeck (1293–1381) Flemish mystic

An Anthology of Mysticism and Philosophy

Thomas Eakins photo
Theo van Doesburg photo
Sarvepalli Radhakrishnan photo

“In any concrete act of thinking the mind’s active experience is both intuitive and intellectual.”

Sarvepalli Radhakrishnan (1888–1975) Indian philosopher and statesman who was the first Vice President and the second President of India

Internet Encyclopedia of Philosophy

Gino Severini photo
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Isaac Asimov photo

“It was easy to cover up ignorance by the mystical word “intuition.””

Isaac Asimov (1920–1992) American writer and professor of biochemistry at Boston University, known for his works of science fiction …

Source: The Foundation series (1951–1993), Foundation’s Edge (1982), Chapter 18 “Collision” section 4, p. 377

“We intuit also that something similar is possible collectively.”

Charles Eisenstein (1967) American writer

The Ascent of Humanity
The Ascent of Humanity (2007)

Filippo Tommaso Marinetti photo

“It is therefore necessary to prepare the imminent and inevitable identification of man with the motor, facilitating and perfecting an incessant exchange of intuition, rhythm, instinct and metallic discipline, quite utterly unknown to the majority of humanity and only divined by the most lucid mind.”

Filippo Tommaso Marinetti (1876–1944) Italian poet and editor, founder of the Futurist movement

1910's, Multiplied Man and the Reign of the Machine' 1911
Source: Günter Berghaus (2000) International Futurism in Arts and Literature. p. 318

Gino Severini photo
Dinesh D'Souza photo

“America, the freest nation on Earth, is also the most virtuous nation on Earth. This point seems counter-intuitive, given the amount of conspicuous vulgarity, vice and immorality in America. Some Islamic fundamentalists argue that their regimes are morally superior to the United States because they seek to foster virtue among the citizens. Virtue, these fundamentalists argue, is a higher principle than liberty. Indeed it is. And let us admit that in a free society, freedom will frequently be used badly. Freedom, by definition, includes the freedom to do good or evil, to act nobly or basely. But if freedom brings out the worst in people, it also brings out the best. The millions of Americans who live decent, praiseworthy lives desire our highest admiration because they have opted for the good when the good is not the only available option. Even amid the temptations of a rich and free society, they have remained on the straight path. Their virtue has special luster because it is freely chosen. By contrast, the societies that many Islamic fundamentalists seek would eliminate the possibility of virtue. If the supply of virtue is insufficient in a free society like America, it is almost nonexistent in an unfree society like Iran's. The reason is that coerced virtues are not virtues at all. Consider the woman who is required to wear a veil. There is no modesty in this, because she is being compelled. Compulsion cannot produce virtue, it can only produce the outward semblance of virtue. Thus a free society like America's is not merely more prosperous, more varied, more peaceful, and more tolerant; it is also morally superior to the theocratic and authoritarian regimes that America's enemies advocate.”

Dinesh D'Souza (1961) Indian-American political commentator, filmmaker, author

Articles, 10 Things to Celebrate: Why I'm an Anti-Anti-American (June 2003)

Emil M. Cioran photo

“There is an innate anxiety which supplants in us both knowledge and intuition.”

Emil M. Cioran (1911–1995) Romanian philosopher and essayist

All Gall Is Divided (1952)

Richard L. Daft photo

“The management science approach to organizational decision making is the analog to the rational approach by individual managers. Management science came into being during World War II. At that time, mathematical and statistical techniques were applied to urgent, large-scale military problems that were beyond the ability of individual decision makers. Mathematicians, physicists, and operations researchers used systems analysis to develop artillery trajectories, antisubmarine strategies, and bombing strategies such as salvoing (discharging multiple shells simultaneously). Consider the problem of a battleship trying to sink an enemy ship several miles away. The calculation for aiming the battleship's guns should consider distance, wind speed, shell size, speed and direction of both ships, pitch and roll of the firing ship, and curvature of the earth. Methods for performing such calculations using trial and error and intuition are not accurate, take far too long, and may never achieve success.
This is where management science came in. Analysts were able to identify the relevant variables involved in aiming a ship's guns and could model them with the use of mathematical equations. Distance, speed, pitch, roll, shell size, and so on could be calculated and entered into the equations. The answer was immediate, and the guns could begin firing. Factors such as pitch and roll were soon measured mechanically and fed directly into the targeting mechanism. Today, the human element is completely removed from the targeting process. Radar picks up the target, and the entire sequence is computed automatically.”

Richard L. Daft (1964) American sociologist

Source: Organization Theory and Design, 2007-2010, p. 500

Aldous Huxley photo
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