Quotes about interval

A collection of quotes on the topic of interval, time, timing, other.

Quotes about interval

Edgar Allan Poe photo

“I became insane, with long intervals of horrible sanity.”

Edgar Allan Poe (1809–1849) American author, poet, editor and literary critic

Letter http://www.eapoe.org/works/letters/p4801040.htm to George W. Eveleth, Jan. 4, 1848.

Socrates photo
Erich Maria Remarque photo
George Orwell photo
Charlie Parker photo
Luc de Clapiers, Marquis de Vauvenargues photo
William Pitt the Younger photo

“We must not count with certainty on a continuance of our present prosperity during such an interval [15 years]; but unquestionably there never was a time in the history of this country when, from the situation of Europe, we might more reasonably expect fifteen years of peace, than we may at the present moment.”

William Pitt the Younger (1759–1806) British politician

"The War Speeches of William Pitt", Oxford University Press, 1915, p. 16
Speech in the House of Commons, 17 February 1792, introducing the Budget. His prediction was a vain hope.

Emmanuel Levinas photo
Sylvia Plath photo
Vladimir Nabokov photo
John Cassian photo
Lu Xun photo

“The so-called "peace" is an interval between wars.”

Lu Xun (1881–1936) Chinese novelist and essayist

9
"The Epigrams of Lusin"

Edvard Munch photo

“I thought I should make something – I felt it would be so easy – it would take form under my hands like magic.
Then people would see!
A strong naked arm – a tanned powerful neck a young woman rests her head on the arching chest.
She closes her eyes and listens with open and quivering lips to the words he whispers into her long flowing hair.
I should paint that image just as I saw it – but in the blue haze.
Those two at that moment, no longer merely themselves, but simply a link in the chain binding generation to generation.
People should understand the significance, the power of it. They should remove their hats like they do in church.
There should be no more pictures of interiors, of people reading and women knitting.
There would be pictures of real people who breathed, suffered, felt, loved.
I felt impelled – it would be easy. The flesh would have volume – the colours would be alive.
There was an interval. The music stopped. I was a little sad. I remembered how many times I had had similar thoughts – and that once I had finished the painting – they had simply shaken their heads and smiled.
Once again I found myself out on the Boulevard des Italiens.”

Edvard Munch (1863–1944) Norwegian painter and printmaker

written in Saint Cloud, 1889
Quotes from his text: 'Saint Cloud Manifesto', Munch (1889): as quoted in Edvard Much – behind the scream, Sue Prideaux; Yale University Press, New Haven and London, 2007, pp. 120 -121
1880 - 1895

Fernando Pessoa photo

“My God, my God, who am I attending to? How many am I? Who is me? What is this interval between me and me?”

Ibid., p. 201
The Book of Disquiet
Original: Meu Deus, meu Deus, a quem assisto? Quantos sou? Quem é eu? O que é este intervalo que há entre mim e mim?

Isaac Newton photo
Friedrich Nietzsche photo
Napoleon I of France photo
Lotfi A. Zadeh photo
Herodotus photo

“It is said that as many days as there are in the whole journey, so many are the men and horses that stand along the road, each horse and man at the interval of a day’s journey; and these are stayed neither by snow nor rain nor heat nor darkness from accomplishing their appointed course with all speed.”

Book 8, Ch. 98
variant: Not snow, no, nor rain, nor heat, nor night keeps them from accomplishing their appointed courses with all speed. (Book 8, Ch. 98)
Paraphrase: "Neither snow, nor rain, nor heat, nor gloom of night stays these couriers from the swift completion of their appointed rounds" ”
Appears carved over entrance to Central Post Office building in New York City.
The Histories

Zhuangzi photo

“You and Confucius are both dreaming, and I who say you are a dream am also a dream. Such is my tale. It will probably be called preposterous, but after ten thousand generations there may be a great sage who will be able to explain it, a trivial interval equivalent to the passage from morning to night.”

Zhuangzi (-369–-286 BC) classic Chinese philosopher

Context: How do I know that enjoying life is not a delusion? How do I know that in hating death we are not like people who got lost in early childhood and do not know the way home? Lady Li was the child of a border guard in Ai. When first captured by the state of Jin, she wept so much her clothes were soaked. But after she entered the palace, shared the king's bed, and dined on the finest meats, she regretted her tears. How do I know that the dead do not regret their previous longing for life? One who dreams of drinking wine may in the morning weep; one who dreams weeping may in the morning go out to hunt. During our dreams we do not know we are dreaming. We may even dream of interpreting a dream. Only on waking do we know it was a dream. Only after the great awakening will we realize that this is the great dream. And yet fools think they are awake, presuming to know that they are rulers or herdsmen. How dense! You and Confucius are both dreaming, and I who say you are a dream am also a dream. Such is my tale. It will probably be called preposterous, but after ten thousand generations there may be a great sage who will be able to explain it, a trivial interval equivalent to the passage from morning to night.

E.M. Forster photo

“I realize that all society rests upon force. But all the great creative actions, all the decent human relations, occur during the intervals when force has not managed to come to the front. These intervals are what matter. I want them to be as frequent and as lengthy as possible, and I call them "civilization".”

E.M. Forster (1879–1970) English novelist

What I Believe (1938)
Context: I realize that all society rests upon force. But all the great creative actions, all the decent human relations, occur during the intervals when force has not managed to come to the front. These intervals are what matter. I want them to be as frequent and as lengthy as possible, and I call them "civilization". Some people idealize force and pull it into the foreground and worship it, instead of keeping it in the background as long as possible. I think they make a mistake, and I think that their opposites, the mystics, err even more when they declare that force does not exist. I believe that it exists, and that one of our jobs is to prevent it from getting out of its box. It gets out sooner or later, and then it destroys us and all the lovely things which we have made. But it is not out all the time, for the fortunate reason that the strong are so stupid.

Bruce Lee photo

“When our mind is tranquil, there will be an occasional pause to its feverish activities, there will be a let-go, and it is only then in the interval between two thoughts that a flash of UNDERSTANDING — understanding, which is not thought — can take place.”

Bruce Lee (1940–1973) Hong Kong-American actor, martial artist, philosopher and filmmaker

Source: Striking Thoughts (2000), p. 43
Context: Liberate yourself from concepts and see the truth with your own eyes. — It exists HERE and NOW; it requires only one thing to see it: openness, freedom — the freedom to be open and not tethered by any ideas, concepts, etc. … When our mind is tranquil, there will be an occasional pause to its feverish activities, there will be a let-go, and it is only then in the interval between two thoughts that a flash of UNDERSTANDING — understanding, which is not thought — can take place.

Theodore Roosevelt photo

“The first requisite is knowledge, full and complete—knowledge which may be made public to the world. Artificial bodies, such as corporations and joint stock or other associations, depending upon any statutory law for their existence or privileges, should be subject to proper governmental supervision, and full and accurate information as to their operations should be made public regularly at reasonable intervals.”

Theodore Roosevelt (1858–1919) American politician, 26th president of the United States

1900s, First Annual Message to Congress (1901)
Context: The first essential in determining how to deal with the great industrial combinations is knowledge of the facts—publicity. In the interest of the public, the Government should have the right to inspect and examine the workings of the great corporations engaged in interstate business. Publicity is the only sure remedy which we can now invoke. What further remedies are needed in the way of governmental regulation, or taxation, can only be determined after publicity has been obtained, by process of law, and in the course of administration. The first requisite is knowledge, full and complete—knowledge which may be made public to the world. Artificial bodies, such as corporations and joint stock or other associations, depending upon any statutory law for their existence or privileges, should be subject to proper governmental supervision, and full and accurate information as to their operations should be made public regularly at reasonable intervals.

Nikola Tesla photo
Mark Twain photo
Nikos Kazantzakis photo

“We come from a dark abyss, we end in a dark abyss, and we call the luminous interval life.”

The Saviors of God (1923)
Context: We come from a dark abyss, we end in a dark abyss, and we call the luminous interval life. As soon as we are born the return begins, at once the setting forth and the coming back; we die in every moment. Because of this many have cried out: The goal of life is death! But as soon as we are born we begin the struggle to create, to compose, to turn matter into life; we are born in every moment. Because of this many have cried out: The goal of ephemeral life is immortality! In the temporary living organism these two streams collide … both opposing forces are holy. It is our duty, therefore, to grasp that vision which can embrace and harmonize these two enormous, timeless, and indestructible forces, and with this vision to modulate our thinking and our action.

George Santayana photo

“There is no cure for birth and death save to enjoy the interval.”

George Santayana (1863–1952) 20th-century Spanish-American philosopher associated with Pragmatism

"War Shrines"
Soliloquies in England and Later Soliloquies (1922)

F. Scott Fitzgerald photo
Marcus Aurelius photo
Henry David Thoreau photo
John Steinbeck photo
Raymond Carver photo

“there isn't enough of anything
as long as we live. But at intervals
a sweetness appears and, given a chance
prevails.”

Raymond Carver (1938–1988) American short story author and poet

Source: Ultramarine: Poems

Samuel Johnson photo
P.G. Wodehouse photo
Hans Reichenbach photo
Paul R. Ehrlich photo
Adolf Hitler photo
Ray Kurzweil photo
Frank Stella photo
Ralph Waldo Emerson photo
Hans Reichenbach photo
Marshall McLuhan photo

“Radical changes of identity, happening suddenly and in very brief intervals of time, have proved more deadly and destructive of human values than wars fought with hardware weapons.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1980s, Laws of Media: The New Science (with Eric McLuhan) (1988), p. 97

Edward Bellamy photo

“Your system was liable to periodical convulsions…business crises at intervals of five to ten years, which wrecked the industries of the nation.”

Edward Bellamy (1850–1898) American author and socialist

Source: Looking Backward, 2000-1887 http://www.gutenberg.org/ebooks/25439 (1888), Ch. 22.

John Dryden photo
Charles Lyell photo
John McPhee photo
John Napier photo
Edward Bulwer-Lytton photo

“It was a dark and stormy night; the rain fell in torrents — except at occasional intervals, when it was checked by a violent gust of wind which swept up the streets (for it is in London that our scene lies), rattling along the housetops, and fiercely agitating the scanty flame of the lamps that struggled against the darkness.”

Probably the most parodied and ridiculed opening line in literature. It is the inspiration for a satirical prize, the Bulwer-Lytton Fiction Contest. Used by Charles M. Schultz in the Peanuts cartoons.
Paul Clifford (1830)

Ahmed Shah Durrani photo
Mark Kac photo
William Moulton Marston photo

“In the spring of the freshman year, the sophmore girls held what was called "The Baby Party" which all freshmen girls were compelled to attend. At this affair, the freshmen girls were questioned as to their misdemeanors and punished for their disobedience and rebellions. The baby party was so name because the freshman girls were required to dress as babies.
At the party; the freshmen girls were put through various students under command of sophomores. Upon one occasion, for instance, the freshman girls were led into a dark corridor where their eyes were blindfolded, and their arms were bound behind them. Only one freshman at a time was taken through this corridor along which sophomore guards were stationed at intervals. This arrangement was designed to impress the girls punished with the impossibility of escape from their captresses. After a series of harmless punishments, each girl was led into a large room where all the Junior and Senior girls were assembled. There she was sentenced to go through various exhibitions, supposed to be especially suitable to punish each particular girls failure to submit to discipline imposed by the upper class girl. The sophomore girls carried long sticks with which to enforce, if necessary, the stunts which the freshmen were required to preform. While the programme did not call for a series of pre-arranged physical struggles between individual girls…frequent rebellion of the freshman against the commands of their captresses and guards furnished the most exciting portion of the entertainment according to the report of a majority of the class girls.
Nearly all the sophomores reported excited pleasantness of captivation emotion throughout the party. The pleasantness of captivation response appeared to increase when they were obliged to overcome rebellious freshmen physically, or to preform the actions from which the captive girls strove to escape….
Female behavior also contains still more evidence than male behavior that captivation emotion is not limited to inter-sex relationships. The person of another girls seems to evoke from female subjects, under appropriate circumstances, filly as strong captivation response as does that of a male.”

William Moulton Marston (1893–1947) American psychologist, lawyer, inventor and comic book writer

as quoted in Wonder Woman: Bondage and Feminism in the Marston/Peter comics, 1941-1948, pp. 64-65 by Noah Berlatsky.
The Emotions of Normal People (1928)

Calvin Coolidge photo
Joel Barlow photo
Alexander Maclaren photo
Frank Stella photo

“The thing that struck me most was the way he stuck to the motif [in the 'Flag' and 'Target' paintings by Jasper Johns ]…. the idea of stripes – the rhythm and the interval – the idea of repetition. I began to think a lot about repetition.”

Frank Stella (1936) American artist

quote, 1960's
Quotes, 1960 - 1970
Source: The New York school – the painters & sculptors of the fifties, Irving Sandler, Harper & Row, Publishers, 1978, pp. 215-216

Herbert Read photo
William Cowper photo
W. Somerset Maugham photo
Henry Adams photo
Alice A. Bailey photo
Charles Sanders Peirce photo
Madison Grant photo
François Arago photo

“In the experimental sciences, the epochs of the most brilliant progress are almost always separated by long intervals of almost absolute repose.”

François Arago (1786–1853) French mathematician, physicist, astronomer and politician

Joseph Fourier, p. 411.
Biographies of Distinguished Scientific Men (1859)

Vitruvius photo
Helena Petrovna Blavatsky photo
Thomas Young (scientist) photo

“We insist on self-roasting, by slow degrees, and at regular intervals, to show our contempt for experience, and to develop our chief virtue, which is obstinacy.”

Samuel Laman Blanchard (1804–1845) British author and journalist

"That a Burnt Child often Dreads the Fire".
Sketches from Life (1846)

Jean Metzinger photo
Bernhard Riemann photo
Edward Jenks photo
Enoch Powell photo

“The House of Commons is at this moment being asked to agree to the renunciation of its own independence and supreme authority—but not the House of Commons by itself. The House of Commons is the personification of the people of Britain: its independence is synonymous with their independence; its supremacy is synonymous with their self-government and freedom. Through the centuries Britain has created the House of Commons and the House of Commons has moulded Britain, until the history of the one and the life of the one cannot be separated from the history and life of the other. In no other nation in the world is there any comparable relationship. Let no one therefore allow himself to suppose that the life-and-death decision of the House of Commons is some private affair of some privileged institution which at intervals swims into his ken and out of it again. It is the life-and-death decision of Britain itself, as a free, independent and self-governing nation. For weeks, for months the battle on the floor of the House of Commons will swing backwards and forwards, through interminable hours of debates and procedures and votes in the division lobbies; and sure enough the enemies and despisers of the House of Commons will represent it all as some esoteric game or charade which means nothing for the outside world. Do not be deceived. With other weapons and in other ways the contention is as surely about the future of Britain's nationhood as were the combats which raged in the skies over southern England in the autumn of 1940. The gladiators are few; their weapons are but words; and yet the fight is everyman's.”

Enoch Powell (1912–1998) British politician

Speech at Newton, Montgomeryshire (4 March 1972), from The Common Market: Renegotiate or Come Out (Elliot Right Way Books, 1973), pp. 57-8
1970s

Isaac Barrow photo

“Mathematics is the fruitful Parent of, I had almost said all, Arts, the unshaken Foundation of Sciences, and the plentiful Fountain of Advantage to Human Affairs. In which last Respect, we may be said to receive from the Mathematics, the principal Delights of Life, Securities of Health, Increase of Fortune, and Conveniences of Labour: That we dwell elegantly and commodiously, build decent Houses for ourselves, erect stately Temples to God, and leave wonderful Monuments to Posterity: That we are protected by those Rampires from the Incursions of the Enemy; rightly use Arms, skillfully range an Army, and manage War by Art, and not by the Madness of wild Beasts: That we have safe Traffick through the deceitful Billows, pass in a direct Road through the tractless Ways of the Sea, and come to the designed Ports by the uncertain Impulse of the Winds: That we rightly cast up our Accounts, do Business expeditiously, dispose, tabulate, and calculate scattered 248 Ranks of Numbers, and easily compute them, though expressive of huge Heaps of Sand, nay immense Hills of Atoms: That we make pacifick Separations of the Bounds of Lands, examine the Moments of Weights in an equal Balance, and distribute every one his own by a just Measure: That with a light Touch we thrust forward vast Bodies which way we will, and stop a huge Resistance with a very small Force: That we accurately delineate the Face of this Earthly Orb, and subject the Oeconomy of the Universe to our Sight: That we aptly digest the flowing Series of Time, distinguish what is acted by due Intervals, rightly account and discern the various Returns of the Seasons, the stated Periods of Years and Months, the alternate Increments of Days and Nights, the doubtful Limits of Light and Shadow, and the exact Differences of Hours and Minutes: That we derive the subtle Virtue of the Solar Rays to our Uses, infinitely extend the Sphere of Sight, enlarge the near Appearances of Things, bring to Hand Things remote, discover Things hidden, search Nature out of her Concealments, and unfold her dark Mysteries: That we delight our Eyes with beautiful Images, cunningly imitate the Devices and portray the Works of Nature; imitate did I say? nay excel, while we form to ourselves Things not in being, exhibit Things absent, and represent Things past: That we recreate our Minds and delight our Ears with melodious Sounds, attemperate the inconstant Undulations of the Air to musical Tunes, add a pleasant Voice to a sapless Log and draw a sweet Eloquence from a rigid Metal; celebrate our Maker with an harmonious Praise, and not unaptly imitate the blessed Choirs of Heaven: That we approach and examine the inaccessible Seats of the Clouds, the distant Tracts of Land, unfrequented Paths of the Sea; lofty Tops of the Mountains, low Bottoms of the Valleys, and deep Gulphs of the Ocean: That in Heart we advance to the Saints themselves above, yea draw them to us, scale the etherial Towers, freely range through the celestial Fields, measure the Magnitudes, and determine the Interstices of the Stars, prescribe inviolable Laws to the Heavens themselves, and confine the wandering Circuits of the Stars within fixed Bounds: Lastly, that we comprehend the vast Fabrick of the Universe, admire and contemplate the wonderful Beauty of the Divine 249 Workmanship, and to learn the incredible Force and Sagacity of our own Minds, by certain Experiments, and to acknowledge the Blessings of Heaven with pious Affection.”

Isaac Barrow (1630–1677) English Christian theologian, and mathematician

Source: Mathematical Lectures (1734), p. 27-30

Frank Wilczek photo
Vyjayanthimala photo

“Sangam had many firsts. The first technicolour film, the first film to have two intervals — in a way I was a part of history.”

Vyjayanthimala (1936) Indian actress, politician & dancer

Why Vyjayanthimala has 'nothing to say' about today's heroines

Mark Hopkins (educator) photo

“The movement has indeed been slow, and not such as man would have expected; but it has been analogous to the great movements of God in His providence and in His works. So, if we may credit the geologists, has this earth reached its present state. So have moved on the great empires. So retribution follows crime. So rise the tides. So grows the tree with long intervals of repose and apparent death. So comes on the spring, with battling elements and frequent reverses, with snowbanks and violets, and, if we had no experience, we might be doubtful what the end would be. But we know that back of all this, beyond these fluctuations, away in the serene heavens, the sun is moving steadily on; that these very agitations of the elements and seeming reverses, are not only the sign, but the result of his approach, and that the full warmth and radiance of the summer noontide are sure to come. So, O Divine Redeemer, Sun of Righteousness, come Thou! So will He come. It may be through clouds and darkness and tempest; but the heaven where He is, is serene; He is "traveling in the greatness of His strength; "and as surely as the throne of God abides, we know He shall yet reach the height and splendor of the highest noon, and that the light of millennial glory shall yet flood the earth.”

Mark Hopkins (educator) (1802–1887) American educationalist and theologian

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 418.

Roger Joseph Boscovich photo
Henry Thomas Buckle photo
Jacques Derrida photo
William S. Burroughs photo
Charles Sanders Peirce photo
Charles Lyell photo
Ernest Barnes photo
Woodrow Wilson photo

“There are blessed intervals when I forget by one means or another that I am President of the United States.”

Woodrow Wilson (1856–1924) American politician, 28th president of the United States (in office from 1913 to 1921)

Speech to the National Press Club http://books.google.com/books?id=8gLmAAAAMAAJ&pg=PA439 (20 March 1914)
1910s

Joseph Addison photo
Robert Gascoyne-Cecil, 3rd Marquess of Salisbury photo
Nicomachus photo
T. E. Lawrence photo
Norman G. Finkelstein photo
William Ewart Gladstone photo
Marshall McLuhan photo

“Tactility is the space of the interval; acoustic space is spherical and resonant.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

1980s, Laws of Media: The New Science (with Eric McLuhan) (1988)

Henry Gee photo

“The intervals of time that separate the fossils are so huge that we cannot say anything definite about their possible connection through ancestry and descent.”

Henry Gee (1962) British paleontologist, evolutionary biologist and editor

In Search of Deep Time—Beyond the Fossil Record to a New History of Life, by Henry Gee, 1999, p. 23.

Alexander Maclaren photo