Quotes about image
page 11

“Any representation of a god is ultimately a lie, Silk explained. It may be a convenient lie, and it may even be a reverent one; but it's ultimately false. … Neither image would be more nearly true than the other, or more true than any other—merely more appropriate.”

Gene Wolfe (1931–2019) American science fiction and fantasy writer

Volume 1, Ch. 11
Fiction, The Book of the Long Sun (1993–1996)

God, Lie, Falseness

“Just as in literature, where memorable characters like Hamlet or Heathcliff or even Dirty Harry stand out and become symbols for a larger segment of humanity, so in marketing can whole target-customer populations become imagined as teenyboppers, yuppies, pickups and gun racks, or the man in the gray flannel suit. These are all just images—stand-ins for a greater reality—picked out from a much larger set of candidate images on the grounds that they really “click” with the sum total of an informed person’s experience. These were, in short, the memorable ones.”

Geoffrey Moore book Crossing the Chasm

Source: Crossing the Chasm, 1991, p. 67

Imagination, Literature, Reality, Personality

“In addition to vision-level BHAGs [shorthand for Big, Hairy, Audacious Goals], an envisioned future needs what we call vivid description – that is, a vibrant, engaging, and specific description of what it will be like to achieve the BHAG. Think of it as translating the vision from words into pictures, of creating an image that people can carry around in their heads. It is a question of painting a picture with your words. Picture painting is essential for making the 10-to-30- year BHAG tangible in people’s minds.”

Jerry I. Porras (1938) American writer

Source: "Building your company's vision," 1996, p. 74

People, Question, Thinking, Future

“It is a conjunction of images I have always loved in his Sonnets to Orpheus and this work is, in a way, a kind of eye which is reflecting images endlessly”

Anish Kapoor (1954) British contemporary artist of Indian birth

On his Tall Tree And The Eye bubbled towards the heavens in the courtyard of The Royal Academy of Arts in London. Quoted in "Anish Kapoor Opens the Door:Modern Artist Creates Monuments that Transcend Space & Time."

Love, Way

“The true miracle of the language of art is not that it enables the artist to create the illusion of reality. It is that under the hands of a great master the image becomes translucent. In teaching us to see the visible world afresh, he gives us the illusion of looking into the invisible realms of the mind - if only we know, as Philostratus says, how to use our eyes.”

Ernst Gombrich Art and Illusion

Art and Illusion (1960)

World, Art, Reality

“It is essential to bear in mind that the world of the mystics, like that of modern physics, cannot always be 'explained' in normal words, but often 'shows' itself the better through visual images.. [from the accumulation of matter and of objects to the radicalism of a gesture, it is a matter of] painting the essential and nothing more”

Antoni Tàpies (1923–2012) Catalan painter, sculptor and art theorist

Tàpies is citing here Llull
in his 1990 speech 'L'art modern, la mística i l'humor' ('Modern Art, Mysticism and Humour'), Barcelona: Editorial Empúries i Fundació Antoni Tàpies, 1993; as quoted in: 'Tàpies: From Within', June ─ November, 2013 - Presse Release, Museu Nacional d'Art de Catalunya (MNAC), p. 12
insisting on his 'magma works' like 'Montseny-Montnegre' and 'Díptic amb dues formes corbes' (Diptych with Two Curved Shapes), 1988.
1981 - 1990

World, Painting

“In the images of celebrating Iraqis we have also seen the ageless appeal of human freedom. Decades of lies and intimidation could not make the Iraqi people love their oppressors or desire their own enslavement. Men and women in every culture need liberty like they need food and water and air. Everywhere that freedom arrives, humanity rejoices and everywhere that freedom stirs, let tyrants fear.”

George W. Bush (1946) 43rd President of the United States

2000s, 2003, Mission Accomplished (May 2003)

Love, Women, Men, People

“Jeff Gannon: In your denunciations of the Abu Ghraib photos, you've used words like "sickening," "disgusting" and "reprehensible." Will you have any adjectives left to adequately describe the pictures from Saddam's rape rooms and torture chambers? And will Americans ever see those images?
Scott McClellan: I'm glad you brought that up, Jeff, because the President talks about that often.”

Scott McClellan (1968) Former White House press secretary

Source: Press briefing http://georgewbush-whitehouse.archives.gov/news/releases/2004/05/20040510-14.html, May 10, 2004

Photo

“Thy possessions have made thee a hollow image; they have ruined thee and left thee.”

Ephrem the Syrian (306–373) Syriac deacon and a prolific Syriac-language hymnographer and theologian of the 4th century

in A Spiritual Psalter (2004), p. 267

“As he drove, he was conscious of the web around him. The web of streets, of people, of places, and of things. The other web, too, the new world. This parallel place, with email address private driveways, it sdotcom marketplaces. You could find out so much there, running reality through your hands likea god's. Everything on the web is information; but everything is on the web, these days; so the world has become information. Everything has become an utterance of this thing, of this bank of words and images: everything is something it is saying, or has said. It's about buying, and looking, about our habits and desires, about contact with others, about voyeurism and aspiration and addiction. It is us boiled down — our essence, for better or worse. It is no longer passive. It is telling the story of us, and sometimes that story needs work.”

Michael Marshall Smith (1965) British novelist, screenwriter and short story writer

Source: The Lonely Dead (2004), Ch. 16

God, People, World, Reality

“The one-sided funding creates one-sided images that reinforce the press defining as progress an examination of only women’s issues. Thus, a quarter century’s-worth of studies showing domestic violence against men to be more than equal to domestic violence against women receive so little publicity as to barely make a dent on the public’s consciousness.”

Warren Farrell (1943) author, spokesperson, expert witness, political candidate

Source: Father and Child Reunion (2001), p. 241.

Women, Men, Study

“It is a part of puberty that we just want to go somewhere far away. We only have a vague image, like behind that mountain or a place more beautiful…”

Makoto Shinkai (1973) Japanese anime director and former graphic designer

Interviewed on Otaku Mode https://otakumode.com/news/51a71457e918f6a32a072a6e/Interview-with-Director-Makoto-Shinkai-on-His-New-Work-ldquo-The-Garden-of-Words-rdquo-Vol-2 About The Garden of Words

Beauty, Mountain, Parting

“Question: Is not the person who has been transported to interior detachment freed from external exercises?
Answer: One sees few people reach the condition you describe without their strength being wasted. The efforts of those who really achieve it affect them to the marrow. And so, when they realise what is to be done and left undone, they continue to practise the usual exercises, performing them more or less frequently as their strength and the occasion permit.
Question: Where do the pangs of conscience and other anxieties of seemingly good people come from, as well as the unrestrained latitude (of conscience) in other people?
Answer: Both types are focusing their attention on their own image but in different ways; the one group spiritually, the other bodily.”

Henry Suso (1295–1366) Dominican friar and mystic

The Exemplar, The Little Book of Truth

People, Way, Exercises, Question

“The only antidote to the magic of images is the magic of words.”

Camille Paglia (1947) American writer

Break, Blow, Burn (2005)

“Truth, after all, wears a different face to everybody, and it would be too tedious to wait till all were agreed. She is said to lie at the bottom of a well, for the very reason, perhaps, that whoever looks down in search of her sees his own image at the bottom, and is persuaded not only that he has seen the goddess, but that she is far better looking than he had imagined.”

James Russell Lowell (1819–1891) American poet, critic, editor, and diplomat

On Democracy (6 October 1884)

Truth, Lie, Imagination, Search

“The world now is in a state of turmoil. It is suffering from three kinds of pain – physical, mental, spiritual – and there is only one way of being cured from these. We have to root out inhumanity and replace it with humanity. (…) There are people in this world who, when they see someone else’s house burning, are happy. There are people who want to live in comfort at the expense of the labor of others. There is only one God, who created all men in His image. This is why we have to re-establish humanity.”

Haidakhan Babaji teacher in northern India

Humanity
Source: The Teachings of Babaji, 23 September 1983

Men, God, Pain, People

“If every earthly pleasure were melted An intelligence in repose without images, an intuition in the light of God, and a spirit elevated in Purity to the Face of God, these three qualities united constitute the true contemplative life into a single experience and bestowed upon one man,
it would be as nothing when measured by the joy of which I write for here it is God who passes into the depths of us in all His purity,
and the soul is not only filled but overflowing.
This experience is that light that makes manifest to the soul the terrible desolation of such as live divorced from love;
it melts the man utterly; he is no longer master of his joy.
Such possession produces intoxication, the state of the spirit in which its bliss transcends the uttermost bounds of anticipation or desire.
Sometimes the ecstasy pours forth in song, sometimes in tears:
at one moment it finds expression in movement, at others in the intense stillness of burning, voiceless feeling.
Some men knowing this bliss wonder if others feel God as they do; some are assured that no living creature has ever had such experiences as theirs;
there are those who wonder that the world is not set aflame by this joy; and there are others who marvel at its nature, asking whence it comes, and what it is.
The body itself can know no greater pleasure upon earth than to participate in it;
and there are moments when the soul feels that it must shiver to fragments in the poignancy of this experience.”

John Ruysbroeck (1293–1381) Flemish mystic

An Anthology of Mysticism and Philosophy

Love, Life, Men, God

“What is going on here is a deliberate revision by Current not only of Lincoln but of himself in order to serve the saint in the 1980s as opposed to the saint at earlier times when black were still colored, having only just stopped being Negroes. In colored and Negro days the saint might have wanted them out of the country, as he did. But in the age of Martin Luther King even the most covertly racist of school boards must agree that a saint like Abraham Lincoln could never have wanted a single black person to leave freedom’s land much less bravery’s home. So all the hagiographers are redoing their plaster images and anyone who draws attention to the discrepancy between their own past crudities and their current falsities is a very bad person indeed, and not a scholar, and probably a communist as well.”

Gore Vidal (1925–2012) American writer

"Lincoln and the Priests of Academe"
1990s, United States - Essays 1952-1992 (1992)

Age, School, Color, Home

“Not many details are given but my guess is that some Middle Eastern political leader will be wounded with a sword blow to the head (maybe even beheaded? - have they done a head transplant or reattachment yet?) and will come back to life. The world will wonder at him and follow him. He will set up an image of himself in the new Jewish temple and order everyone to worship it.”

Kent Hovind (1953) American young Earth creationist

Source: What On Earth Is About To Happen… For Heaven’s Sake? (2013), p. 145

Life, World

“We must first experience the kingdom if we are even to know what kind of freedom and what kind of equality we should desire. Christian freedom lies in service, Christian equality is equality before God, and neither can be achieved through the coercive efforts of liberal idealists who would transform the world into their image.”

Stanley Hauerwas (1940) American theologian

From "The Servant Community: Christian Social Ethics" (1983) in The Hauerwas Reader https://www.researchgate.net/publication/37719715_The_Hauerwas_reader (2001) eds. John Berkman and Michael Cartwright

God, World, Effort, Freedom

“The work itself, whether thought of as image of idea, as revelation, or as a manifest of meaning, could not have existed without a profound concern to achieve a purpose beyond vanity, ambition or remembrance, for a man’s term of life. Yet, while one looks at his works, a warning should be given, lest one forget, among the multitude of issues, the relation I bear to those with 'eyes'. Although the reference is in a different context and for another purpose, a metaphor is pertinent as William Blake set it down: THE Vision of Christ that thou dost see – Is my Vision’s Greatest Enemy: - Thine is the friend of All Mankind, - Mine speaks in parables to the Blind: 'Therefore, let no man under-value the implications of this work or its power for life; - or for death, if it is misused'.”

Clyfford Still (1904–1980) American artist

Letter to Gordon Smith, January 1, 1959, as quoted in Abstract Expressionism Creators and Critics, edited by Clifford Ross, Abrams Publishers New York 1990, p. 196
1950s

Life, Death, Idea, Christ

“Man is God's image; but a poor man is
Christ's stamp to boot: both images regard.”

George Herbert (1593–1633) Welsh-born English poet, orator and Anglican priest

The Temple (1633), The Church Porch

God, Christ

“A 007 James Bond image is very dangerous for a central banker to have.”

Raghuram G. Rajan (1963) Indian economist

On hearing that he was being compared to James Bond, as quoted in " Raghuram Rajan interview: ‘I’m no Bond. I’m a banker on the move’ http://timesofindia.indiatimes.com/business/india-business/Raghuram-Rajan-interview-Im-no-Bond-Im-a-banker-on-the-move/articleshow/41296212.cms", The Times of India (31 August 2014)

“Don't crucify me because of what your idea of a movie star is. I didn't start out to be a movie star. I started out to be an actor. You people out in the East have no idea what goes on out here. No awareness or knowledge whatsoever. You lose track of the human being behind the image of the movie star.”

Kirk Douglas (1916–2020) American stage and film actor

Interview, 1969 http://www.rogerebert.com/interviews/interview-with-kirk-douglas

People, Star, Idea, Knowledge

“How would we think and feel about predatory dinosaurs if they were alive today? Humans have long felt antipathy toward carnivores, our competitors for scarce protein. But our feelings are somewhat mollified by the attractive qualities we see in them. For all their size and power, lions remind us of the little creatures that we like to have curl up in our laps and purr as we stroke them. Likewise, noble wolves recall our canine pets. Cats and dogs make good companions because they are intelligent and responsive to our commands, and their supple bodies make them pleasing to touch and play with. And, very importantly, they are house-trainable. Their forward-facing eyes remind us of ourselves. However, even small predaceous dinosaurs would have had no such advantage. None were brainy enough to be companionable or house-trainable; in fact, they would always be a danger to their owners. Their stiff, perhaps feathery bodies were not what one would care to have sleep at the foot of the bed. The reptilian-faced giants that were the big predatory dinosaurs would truly be horrible and terrifying. We might admire their size and power, much as many are fascinated with war and its machines, but we would not like them. Their images in literature and music would be demonic and powerful - monsters to be feared and destroyed, yet emulated at the same time.”

Gregory Scott Paul (1954) U.S. researcher, author, paleontologist, and illustrator

Gregory S. Paul (1988) Predatory Dinosaurs of the World, Simon and Schuster, p. 19
Predatory Dinosaurs of the World

War, Fear, Dogs, Music

“There is no better way to know death than to link it with some licentious image.”

Georges Bataille (1897–1962) French intellectual and literary figure

The Marquis de Sade, cited by Bataille in Erotism: Death and Sensuality
Erotism: Death and Sensuality (1962)

Death, Way

“A large picture can give us images of things, but a relatively small one can best re-create the instantaneous unity of nature as a view — the unity of which the eyes take in at a single glance.”

Clement Greenberg (1909–1994) American writer and artist

"Milton Avery" (1958), p. 201
1960s, Art and Culture: Critical Essays, (1961)

Nature

“Cannabis also enhances the enjoyment of sex — on the one hand it gives an exquisite sensitivity, but on the other hand it postpones orgasm: in part by distracting me with the profusion of image passing before my eyes. The actual duration of orgasm seems to lengthen greatly, but this may be the usual experience of time expansion which comes with cannabis smoking.”

Carl Sagan (1934–1996) American astrophysicist, cosmologist, author and science educator

Essay as "Mr. X" (1969)

Sex, Time, Parting

“The image of Shiva as Nataraj is indelibly stitched into the Indian imagination. How many various dances of Shiva are known to His worshippers. I cannot say. No doubt the root idea behind all of these dances is more or less one and the same, the manifestation of primal rhythmic energy. Whatever the origins of Shiva's dance, it became in time the clearest image of the activity of God which any art or religion can boast of.”

Ananda K. Coomaraswamy (1877–1947) Ceylon-American art historian

By Ananda Coomaraswamy in Nataraja, 11 January 2014, SSCNET, UCLA http://www.sscnet.ucla.edu/southasia/Religions/Avatars/Natar.html,

God, Religion, Art, Imagination

“In following Seth's dream recall instructions, we found ourselves collecting some excellent examples of precognitive dreams. Some were clear-cut and almost exactly matched the foreseen future event. Others were partially disguised in symbolism. Still others were so interwoven with other dream material that we marked them as indicative of precognition and let it go at that. Sometimes dreams that seemed nonsense contained one clear, important image that shortly -- within a few days -- would appear in a different context entirely. In several cases, two or more future events would be condensed into one dream.”

Jane Roberts (1929–1984) American Writer

Source: Seth, Dreams & Projections of Consciousness, (1986), p. 249

Dreams, Appearance, Future

“This film is extremely visual. It is difficult to describe in words without running the risk of losing or boring the reader.
I have come up with a simplified summary, therefore, like a readers guide, which will conjure up the images in as few words as possible :
— the beginning is Leon: The Professional
— the middle is Inception
— the end is 2001: A Space Odyssey
Don't interpret this as pretension on my part, merely a visual, emotional and philosophical point of reference.”

Luc Besson (1959) French film director, writer, and producer

"NOTA", for his film Lucy, as quoted in "Luc Besson's Statement Of Intent For 'Lucy' Compares The Film To '2001,' 'Inception' & 'Leon The Professional'" by Kevin Jagernauth, in Indiewire (28 July 2014) http://blogs.indiewire.com/theplaylist/luc-bessons-statement-of-intent-for-lucy-compares-the-film-to-2001-inception-leon-the-professional-20140728

Parting

“Jack: You'll have to compromise, smile, concern yourself with your public image, measure your words as carefully as possible… and turn yourself into a dutiful party hack! [chuckles] Never mind, Nigel, never mind.”

Dennis Potter (1935–1994) English television dramatist, screenwriter and journalist

Jack Hay was based on Ron Brewer, who had been Potter's agent when he was Labour candidate for East Hertfordshire in the 1964 general election.
Vote, vote, vote for Nigel Barton (1965)

Smile

“We perceive nature through the senses, which give us images of forms of colour, sounds etc. A form which exists only in relation to another form on its own, it does not exist.”

Édouard Vuillard (1868–1940) French painter

11 Nov 1888.
Private Journal - A collage of notes and images, sketches kept 1888-1895 & 1907 to 1940

Nature, Sense

“Down to the present day the luminous image of democracy has often served as a pretext for the most undemocratic actions.”

Randal Marlin (1938) Canadian academic

Source: Propaganda & The Ethics Of Persuasion (2002), Chapter Two, History Of Propaganda, p. 45

Democracy

“The opera world was shocked! But the image is very classical. It's taken from Botticelli's portrait of Venus, who's standing in a seashell with her hair covering her body. It's very sensual. It represents the vulnerable side of me. Although I'm not wearing any clothes, it comes across very well.”

Sarah Brightman (1960) British soprano, musical theatre actress, and dancer

The Straits Times (Singapore) (2001); On the promotional photos for her Classics CD.

World, Clothes

“I am a -living shadow and Thou the Truth… Therefore, my God, Thou art alike shadow and Truth; Thou art alike the image and the Exemplar of myself and all men.”

Nicholas of Cusa book De Docta Ignorantia

De Docta Ignorantia (On Learned Ignorance) (1440)

Men, God, Truth, Art

“Iron Pillar: “…In our opinion this pillar was made in the ninth century before (the birth of) Lord Jesus… When Rai Pithora built a fort and an idol-house near this pillar, it stood in the courtyard of the idol-house. And when Qutbu’d-Din Aibak constructed a mosque after demolishing the idol-house, this pillar stood in the courtyard of the mosque…
”Idol-house of Rai Pithora: “There was an idol-house near the fort of Rai Pithora. It was very famous… It was built along with the fort in 1200 Bikarmi [Vikrama SaMvat] corresponding to AD 1143 and AH 538. The building of this temple was very unusual, and the work done on it by stone-cutters is such that nothing better can be conceived. The beautiful carvings on every stone in it defy description… The eastern and northern portions of this idol-house have survived intact. The fact that the Iron Pillar, which belongs to the Vaishnava faith, was kept inside it, as also the fact that sculptures of Kirshan avatar and Mahadev and Ganesh and Hanuman were carved on its walls, leads us to believe that this temple belonged to the Vaishnava faith. Although all sculptures were mutilated in the times of Muslims, even so a close scrutiny can identify as to which sculpture was what. In our opinion there was a red-stone building in this idol-house, and it was demolished. For, this sort of old stones with sculptures carved on them are still found.
”Quwwat al-Islam Masjid: “When Qutbu’d-Din, the commander-in-chief of Muizzu’d-Din Sam alias Shihabu’d-Din Ghuri, conquered Delhi in AH 587 corresponding to AD 1191 corresponding to 1248 Bikarmi, this idol-house (of Rai Pithora) was converted into a mosque. The idol was taken out of the temple. Some of the images sculptured on walls or doors or pillars were effaced completely, some were defaced. But the structure of the idol-house kept standing as before. Materials from twenty-seven temples, which were worth five crores and forty lakhs of Dilwals, were used in the mosque, and an inscription giving the date of conquest and his own name was installed on the eastern gate…“When Malwah and Ujjain were conquered by Sultan Shamsu’d-Din in AH 631 corresponding to AD 1233, then the idol-house of Mahakal was demolished and its idols as well as the statue of Raja Bikramajit were brought to Delhi, they were strewn in front of the door of the mosque…”“In books of history, this mosque has been described as Masjid-i-Adinah and Jama‘ Masjid Delhi, but Masjid Quwwat al-Islam is mentioned nowhere. It is not known as to when this name was adopted. Obviously, it seems that when this idol-house was captured, and the mosque constructed, it was named Quwwat al-Islam…””

Syed Ahmed Khan (1820–1898) Indian educator and politician

About antiquities of Delhi. Translated from the Urdu of Asaru’s-Sanadid, edited by Khaleeq Anjum, New Delhi, 1990. Vol. I, p. 305-16
Asaru’s-Sanadid

Books, Faith, Beauty, History

“Showgirls is the first big-budget "adults only" movie in a few years and, to be sure, it contains so much nudity that the sexy parts are when the girls put on their clothes. It contains no true eroticism, however, and that's why I think it reflects a grounding in sexual fantasy: Eroticism requires a mental connection between two people, while masturbation requires only the other person's image.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/showgirls-1995 of Showgirls (22 September 1995) Reviews, Two star reviews

People, Girl, Thinking, Parting

“[N]ot only must we seek the measure of motions and actions by themselves, but much more in comparison; for this is of excellent use and very general application. Now we find that the flash of a gun is seen sooner than its report is heard… and this is owing it seems to the motion of light being more rapid than that of sound. We find to that visible images are received by the sight faster than they are dismissed; thus the strings of the violin, when struck by the finger, are to appearance doubled and tripled, because the new image is received before the old one is gone; which is also why the reason why rings being spun round look like globes, and a lighted torch, carried hastily at night, seems to have a tail. And it was upon this inequality of motions in point of velocity that Galileo built his theory of flux and reflux of the sea; supposing that the earth revolved faster than the water could follow; and that the water was therefore first gathered in a heap and then fell down, as we see in a basin of water moved quickly. But this he devised upon an assumption which cannot be allowed, viz. that the earth moves; and also without being well informed as to the sexhorary motion of the tide.”

Francis Bacon book Novum Organum

Aphorism 46
Novum Organum (1620), Book II

Light, Water, Appearance, Sea

“These organizational processes result in our perceptions being structured into units corresponding to objects and properties of objects. It is these larger units that may be stored and later assembled into images that are experienced as quasi-pictorial, spatial entities resembling those evoked during perception itself…. It is erroneous to equate image representations with mental photographs, since this would overlook the fact that images are composed from highly processed perceptual encodings.”

Stephen Kosslyn (1948) American psychologist

Source: Image and Mind. 1980, p. 19

“Fellow citizens, there is little necessity on this occasion to speak at length and critically of this great and good man, and of his high mission in the world. That ground has been fully occupied and completely covered both here and elsewhere. The whole field of fact and fancy has been gleaned and garnered. Any man can say things that are true of Abraham Lincoln, but no man can say anything that is new of Abraham Lincoln. His personal traits and public acts are better known to the American people than are those of any other man of his age. He was a mystery to no man who saw him and heard him. Though high in position, the humblest could approach him and feel at home in his presence. Though deep, he was transparent; though strong, he was gentle; though decided and pronounced in his convictions, he was tolerant towards those who differed from him, and patient under reproaches. Even those who only knew him through his public utterance obtained a tolerably clear idea of his character and personality. The image of the man went out with his words, and those who read them knew him.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

1870s, Oratory in Memory of Abraham Lincoln (1876)

People, Age, World, Feeling

“I've seen the future and it will be
I've seen the future and it works
If there's life after, we will see
So I can't go like a jerk
Systematic overthrow of the underclass
Hollywood conjures images of the past
New world needs spirituality that will last
I've seen the future and it will be.”

Prince (1958–2016) American pop, songwriter, musician and actor

The Future
Song lyrics, Batman (1989)

Life, World, Jerk, Past

“It costs a beautiful person no exertion to paint her image on our eyes; yet how splendid is that benefit! It costs no more for a wise soul to convey his quality to other men.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

“Uses of Great Men,”
1850s, Representative Men (1850)

Men, Beauty, Soul, Painting

“Ideologically, Pelosi is a far-left talking points machine. Tactically, she knows nothing else other than how to attack. Her worldview admits of no compromise and there seems to be no space in her imagination for new ideas. She has refashioned her dwindling caucus in her image, as the moderate, red-state Democrats have been steadily decimated, leaving nothing but the bicoastal liberals representing the inner city poor and the elite suburban gentry. She feels no pressure to change or to improve.”

Joel Pollak (1977) Politician, writer

Nancy Pelosi Is Leading Her Party into Oblivion http://www.breitbart.com/california/2017/01/31/nancy-pelosi-leading-party-oblivion/ (January 31, 2017)

Feeling, Imagination, Idea, Change

“A mental image occurs when a representation of the type created during the initial phases of perception is present but the stimulus is not actually being perceived; such representations preserve the perceptible properties of the stimulus and ultimately give rise to the subjective experience of perception.”

Stephen Kosslyn (1948) American psychologist

Source: Image and Mind. 1980, p. 6

“Words are powerless to tell. —
Such the image in my heart, —
Painter, try thy glorious art!”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

(16th November 1822) Fragments in Rhyme III: Outline for a Portrait
23rd November 1822) Fragments in Rhyme IV: Arion see The Improvisatrice (1824
The London Literary Gazette, 1821-1822

Art, Heart

“If we are to put interrogators to work in defence of liberal values, their role in the community must receive proper recognition. They will require intensive counselling to overcome the inevitable traumas that this difficult work involves. They must be enabled to see themselves as dedicated workers in the cause of progress. Psychotherapy must be available to help them avoid the negative self-image from which some torturers have suffered in the past.”

John Gray (1948) British philosopher

A Modest Proposal (2003)

Communication, Suffering, Past, Help

“If we would taste God, and feel in ourselves Eternal Life above all things, We must go forth into God with a faith that is far above our reason, And there dwell, simple, idle, without image, Lifted up by love into the Unwalled Bareness of our intelligence. For when we go out from ourselves in love, and die to all observances in ignorance and darkness, Then we are made complete, And transfigured by the Eternal Word, Image of the Father. And in this emptiness of spirit we receive the Incomprehensible Light, Which enfolds and penetrates us as air is penetrated by the light of the sun; And this Light is nought else but a fathomless gazing and seeing. What we are, that we gaze at; and what we gaze at, that we are. For our thought, our life, our being, are lifted up in simplicity, And united with the Truth, that is God. Therefore in this simple gazing we are one life and one spirit with God
—And this I call the seeing life.”

John Ruysbroeck (1293–1381) Flemish mystic

The Sparkling Stone (c. 1340)

Love, Life, God, Truth

“The real question is, Did God use evolution as His plan? If it could be shown that man, instead of being made in the image of God, is a development of beasts we would have to accept it, regardless of its effort, for truth is truth and must prevail. But when there is no proof we have a right to consider the effect of the acceptance of an unsupported hypothesis.”

William Jennings Bryan (1860–1925) United States Secretary of State

God and Evolution (1922)

God, Truth, Question, Effort

“If we could dredge up something forgotten not only by ourselves but by our whole generation or our entire civilization, we should become indeed the boonbringer, the culture hero of the day—a personage of not only local but world historical moment. In a word: the first work of the hero is to retreat from the world scene of secondary effects to those causal zones of the psyche where the difficulties really reside, and there to clarify the difficulties, eradicate them in his own case (i. e., give battle to the nursery demons of his local culture) and break through to the undistorted, direct experience and assimilation of what C. G. Jung called "the archetypal images." This is the process known to Hindu and Buddhist philosophy as viveka, "discrimination."”

Joseph Campbell book The Hero with a Thousand Faces

Source: The Hero with a Thousand Faces (1949), Chapter 1

World

“It is often difficult and well-nigh impossible, when using the lens, to get all planes in moderate focus without getting one or some part excessively so, and similarly, if we avoid excessive sharpness in each and every part, some planes, such as the extreme distance or immediate foreground, so broken up as to destroy form and structure. Then it is that the pin-hole, with its equal focus in all planes and at any focal length, seems to recommend itself; but if it be desired to emphasize any object, by introducing more detail there than elsewhere, then the uniform sharpness of the pin-hole image fails us.”

Alfred Horsley Hinton (1863–1908) British photographer

Source: Practical Pictorial Photography, 1898, Pin-hole as a substitute for the lens, p. 60

Parting

“The imagination … that reconciling and mediatory power, which incorporating the reason in images of the sense and organizing (as it were) the flux of the senses by the permanence and self-circling energies of the reason, gives birth to a system of symbols, harmonious in themselves, and consubstantial with the truths of which they are the conductors.”

Samuel Taylor Coleridge (1772–1834) English poet, literary critic and philosopher

"The Statesman's Manual" (1816)

Truth, Imagination, Birth, Sense

“This they do in the service of an imaginary science; and, like the astrologers and soothsayers whom they have succeeded, cast up their eyes to the clouds, and speak in immense, unsubstantiated images and similes, in deeply misleading metaphors and allegories, and make use of hypnotic formulae with little regard for experience, or rational argument, or tests of proven reliability. Thereby they throw dust in their own eyes as well as in ours, obstruct our vision of the real world, and further confuse an already sufficiently bewildered public about the relations of morality to politics, and about the nature and methods of the natural sciences and historical studies alike.”

Isaiah Berlin (1909–1997) Russo-British Jewish social and political theorist, philosopher and historian of ideas

Five Essays on Liberty (2002), Historical Inevitability (1954)

World, Nature, Study, Science

“I know a girl who just looks at her face in the medicine cabinet mirror and never looks below her shoulders, and she's four or five hundred pounds but she doesn't see all that, she just sees a beautiful face and therefore she thinks she's a beauty. And therefore, I think she's a beauty, too, because I usually accept people on the basis of their self-images, because their self-images have more to do with the way they think than their objective-images do.”

Andy Warhol (1928–1987) American artist

Source: 1975, The Philosophy of Andy Warhol (1975), Ch. 4: Beauty

People, Beauty, Way, Girl

“1,024 Colours in 4 Permutations'
In order to represent all extant colour shades in one painting, I worked out a system which – starting from the three primaries, plus grey – made possible a continual subdivision (differentiation) through equal gradations. 4 x 4 = 16 x 4 = 64 x 4 = 256 x 4 = 1,024. The multiplier 4 was necessary because I wanted to keep the image size, the square size and the number of squares in a constant proportion to each other. To use more than 1,024 tones (4,096, for instance) seemed pointless, since the difference between one shade and the next would no longer have been detectable.
The arrangement of the colours on the squares was done by a random process, to obtain a diffuse, undifferentiated overall effect, combined with stimulating detail. The rigid grid precludes the generation of figurations, although with an effort these can be detected. This aspect of artificial naturalism fascinates me – as does the fact that, if I had painted all the possible permutations, light would have taken more than 400 billion years to travel from the first painting to the last. I wanted to paint four large, colourful pictures.”

Gerhard Richter (1932) German visual artist, born 1932

Richter's quote from the catalog of a group exhibition in 'Palais des Beaux-Arts', Brussels, 1974
1970's

Travel, Nature, Effort, Light

“One day I attempted to reach silence directly, with greater resignation, surrendering to the fate that governs any profound struggle. My millions of furious clawings became millions of grains of dust, of sand... A new geo-graphy lit my way, carrying me from surprise to surprise: suggestions of unusual combinations and molecular structures, of atomic phenomena, of the world of galaxies or of images in a microscope. The symbolism of dust — 'to be one with dust, here lies the profound identity, that is, the inner profundity between man and nature' (Tao Te Ching) —, of ashes, of the earth from whence we come and to which we return, of the solidarity born when we realise that the differences among ourselves are like those between one grain of sand and the next..”

Antoni Tàpies (1923–2012) Catalan painter, sculptor and art theorist

1945 - 1970, A Report on the Wall' 1970

Fate, World, Way, Nature

“The medieval mystics say the true image and the true real met once and for all on the cross: once and for all: and yet they still meet daily.”

Madeleine L'Engle (1918–2007) American writer

Section 1.5
The Crosswicks Journal, A Circle of Quiet (1972)

“For me, the Bild-Dichtung[image-poem] is the ideal form, because the drawing process is constantly being interrupted or contrasted by the writing. And since I always have something to say when I am writing, the effort has a balancing effect. Drawing and writing are wonderful complements.”

Günter Brus (1938) Austrian artist

Source: Nervous Stillness on the Horizon (2006), P. 258 (2002)

Effort, Drawing

“I was traveling in Greece as a teenager, and for those who haven't been to Greece, it's absolutely covered in olive groves — stunted, gnarly little bonsai-type trees. And I was driving on a moped and a huge black stallion had pulled away from its stake and was just going nuts in this tiny, tiny, hobbit-like forest. It was just such a powerful image, this enormous beast let loose and going wild in a fairy-tale wood of tiny trees… The song itself is really about going through the process of making the first album. It was a very strange experience and a very steep learning curve. For the previous 10 or 15 years, I'd been completely my own boss — when you play a gig, you just play your new song, the new song is always your favorite. And here I was having to make an album of stuff that's never gonna go away. I was being asked to make these huge decisions, so really the song is just about learning to listen to your guts again. There's actually very few times in our lives now when we have to do that.”

KT Tunstall (1975) Scottish singer-songwriter and guitarist

On influences in writing her song "Black Horse and the Cherry Tree", in a Barnes & Noble Interview with David Sprague (February 2006).

Travel, Decision, Tree, Learning

“The evidence of racial bias comes not only from statistics, but also from remarks made by police, city and court officials. A thorough examination of the records – including a large volume of work emails – shows a number of public servants expressing racist comments or gender discrimination; demonstrating grotesque views and images of African Americans in which they were seen as the “other,” called “transient” by public officials, and characterized as lacking personal responsibility.”

Eric Holder (1951) 82nd Attorney General of the United States

2010s, Update on Investigations in Ferguson (2015)

Personality

“My parents danced together, her head on his chest. Both had their eyes closed. They seemed so perfectly content. If you can find someone like that, someone who you can hold and close your eyes to the world with, then you’re lucky. Even if it only lasts for a minute or a day. The image of them gently swaying to the music is how I picture love in my mind even after all these years.”

Patrick Rothfuss book The Name of the Wind

Source: The Name of the Wind (2007), Chapter 15, “Distractions and Farewells” (pp. 119-120)

Love, World, Music, Parent

“The inhabitants of this land are religious, affectionate, hospitable, genial and frank. They are fond of scientific pursuits, inclined to austerity of life, seekers after justice, contented, industrious, capable in affairs, loyal, truthful and constant… They one and all believe in the unity of God, and as to the reverence they pay to the images of stone and wood and the like, which simpletons regard as idolatry, it is not so.”

Abu'l-Fazl ibn Mubarak (1551–1602) vizier

Ain-i-Akbari by Abul Fazl. quoted from Lal, K. S. (1999). Theory and practice of Muslim state in India. New Delhi: Aditya Prakashan. Chapter 2

Life, God, Truth, Justice

“We're so conditioned as a people to think that a military campaign has to be cruise missiles and television images of airplanes dropping bombs, and that's just false. This is a totally different war. We need a new vocabulary. We need to get rid of old think and start thinking about this thing the way it really is.”

Donald Rumsfeld (1932) U.S. Secretary of Defense

on CBS' Evening News, October 9, 2001 http://www.defenselink.mil/Transcripts/Transcript.aspx?TranscriptID=2051 2000s

War, People, Way, Thinking

““Everything, right now” is the notion that comes from the presence of images, which in effect get us used to seeing all in a single glance.”

Jacques Ellul (1912–1994) French sociologist, technology critic, and Christian anarchist

J. Hanks, trans. (1985), p. 208
The Humiliation of the Word (1981)

“Iran humiliated the United States with the capture of our 10 sailors. Horrible pictures & images. We are weak. I will NOT forget!”

Donald J. Trump (1946) 45th President of the United States of America

Twitter post https://twitter.com/realDonaldTrump/status/687510877847851008 (13 January 2016). 2010s, 2016, January

Forgetting

“Time spent in labouring to perfect one’s style, or to make of it an instrument for the production of imaginative effects, is, Mr. Read tells us, just so much time wasted. Indeed Mr. Middleton Murry says it is worse than this, for nothing could be more dangerous than the notion that the more poetic is prose, the finer it is; this is a heresy that cannot be too much deplored and combated. ‘The terrible attraction of words, the impulse to use them for anything more than exact symbols of the things they stand for, is another danger; any sacrifice of sense to euphony being, these critics tell us, the beginning of decadence: ‘it is a step on the downward path.’ The histories and associations of words, are, Mr. Read says, entirely irrelevant to prose-style, their face-value in current usage being their only value. The young writer is also warned against rhythmical effects and the use of images, and is told that any conscious care for such devices, any playing, like Stevenson, of the sedulous ape to the masters of this technique, must be carefully eschewed.”

Logan Pearsall Smith (1865–1946) British American-born writer

“Fine Writing,” p. 304
Reperusals and Recollections (1936)

Imagination, History, Sense, Time

“Images apparently occupy a curious position somewhere between the statements of language, which are intended to convey a meaning, and the things of nature, to which we only can give a meaning.”

Ernst Gombrich (1909–2001) art historian

E. H. Gombrich, Symbolic Images, (1972).

Nature

“Thought without language, says Lavelle, would not be a purer thought; it would be no more than the intention to think. And his last book offers a theory of expressiveness which makes of expression not “a faithful image of an already realized interior being, but the very means by which it is realized.””

Maurice Merleau-Ponty (1908–1961) French phenomenological philosopher

Source: In Praise of Philosophy (1963), p. 8

Books, Faith, Thinking

“Mirrors would do well to reflect a little more before sending back images.”

Jean Cocteau (1889–1963) French poet, novelist, dramatist, designer, boxing manager and filmmaker

As quoted in Geary's Guide to the World's Great Aphorists (2007) by James Geary, p. 159

“The question is, in case some of you did not hear it, “Supposing there is a mixed marriage with respect to race; and assuming that both are of the same faith, what is there in scripture that might be against that?” Well, the answer is that there is not a law against it, but there is basically a principle that militates against such marriages, so that you might say they are just barely legal, but in principle scripture is opposed to them. Because the whole point of marriage is that the wife be a help-meet to her husband, and the term help meet means in effect a mirror, an image, one who reflects him spiritually, that is in terms of faith, in terms of a common background, in terms of a common purpose. Now, marriage between persons of very different races generally doesn’t fulfill that requirement, you see. So that it can be technically a marriage, but it isn’t one in which the wife can be a help meet. So that, while it can legally qualify, theologically you could say there are factors that normally in almost 99 cases out of a 100 hundred would militate against it.”

Rousas John Rushdoony (1916–2001) American theologian

Audio lectures, The Law of Divorce (n.d.)

Marriage, Faith, Law, Question

“I hold the Prophet of Arabia in great esteem and I can quite understand that it would have been impossible to restrain and wean that illiterate and perverse race, sunk in the miasma of utter moral depravity, from committing the most heinous of crimes, and imbue its people with enthusiasm to strive after righteousness and assimilate high morals and virtues, without projecting such a terrible and intensely awe inspiring spectacle of Hell and an equally captivating and enticing image of a land flowing with milk and honey to represent Heaven before their vision.”

George Bernard Shaw (1856–1950) Irish playwright

Interview (April 1935) in The Genuine Islam, Vol. 1, No. 8 (1936), as quoted at "A Shavian and a Theologian" at World Islamic Mission http://www.wimnet.org/articles/shaviantheo.htm Disputed

People, Hell, Understanding

“People who pass from stage two hallucination to stage three often experience a sensation of a vortex or rotating tunnel around them, and soon have hallucinations filled with iconic images, not just signs. …It is here that "monsters" appear, part human, part beast, known as therianthropes.”

Richard Leakey (1944) Kenyan paleoanthropologist, conservationist, and politician

Origins Reconsidered: In Search of What Makes Us Human (1992)

People, Appearance, Parting

“When the facts are in, it may well turn out that the more extreme condemnations were in fact correct. But even if that turns out to be the case, it will in no way alter the conclusions we have reached on the central question addressed here: how the available facts were selected, modified, or sometimes invented to create a certain image offered to the general population. The answer to this question seems clear, and it is unaffected by whatever may be discovered about Cambodia in the future.”

Noam Chomsky (1928) american linguist, philosopher and activist

Chomsky and Herman (1979), After the Cataclysm: Postwar Indochina and the Reconstruction of Imperial Ideology, p. 293.
Quotes 1960s-1980s, 1970s

Way, Question, Future

“The greatest optical illusion of all is to believe that an image has only one interpretation.”

Gianni Sarcone (1962) Italian author, artist, designer, and researcher in visual perception and cognitive psychology

Curiopticals (2009).

“The [Progressive Labor] leaders became so paranoid over the issue of their public ‘image’ that they told members to shave their moustaches, wear coats and ties, forget the cowboy boots, be careful with whom they are seen, stay away from people who take dope, date only certain girls, attend classes regularly, and watch their language in public. Strange concepts, indeed, for Communists who at times attempted to pose as libertines.”

Phillip Abbott Luce (1935–1998)

Source: Road to Revolution: Communist Guerilla Warfare in the U.S.A. (1967), pp. 3-4

People, Girl, Time, Forgetting

“India and China offer intriguing mirror images. Modern India has long been open politically and, until recently, closed economically. Modern China has opened economically, but remains politically closed. The comparison reveals that, while politics and economics can never fully be separated, political openness is a better guarantor of long-term stability than economic openness.”

Ian Bremmer (1969) American political scientist

The J Curve: A New Way to Understand Why Nations Rise and Fall (2006).

“the phrases that I write on this paper are sensations, perceptions, images, etcetera, which flare up and die down here, in front of my eyes, the verbal residuum:
the only thing that remains of the felt, imagined, thought, perceived, and vanished realities, the only reality that these evaporated realities leave behind, a reality that, even though it is merely a combination of signs, is no less real than they are:
the signs are not presences but they configure another presence, the phrases fall into line one after the other on the page and as they advance they open up a path toward a temporarily final end,
the phrases configure a presence that disappears, they are the configuration of the abolition of presence,
yes, it is as though all these presences woven by the configurations of the signs were seeking its abolition in order that there might appear those inaccessible trees, immersed in themselves, not said, that are beyond the end of this phrase,
on the other side, there where eyes read what I am writing, and on reading it, dissipate it”

Octavio Paz (1914–1998) Mexican writer laureated with the 1990 Nobel Prize for Literature

Source: The Monkey Grammarian (1974), Ch. 9

Imagination, Reality, Tree, Appearance

“Social change will be viewed as a push-pull process in which a Society is at once pulled forward by its own magnetic images of an idealized future and pushed from behind by its realized past.”

Fred Polak (1907–1985) Dutch futurologist

Source: The Image of the Future, 1973, p. 1 (as cited in: H.C. Marais (1988) South Africa: perspectives on the future. p. 15)

Change, Past, Future

“The puzzle gets solved when one contemplates the character of Indian Secularism and finds that is no more than a smokescreen used by the Muslim-Christian-Communist combine in order to keep India's national society and culture at bay. … They are simply projecting their self-images on to those whom they view as their enemies. …. I have documented elsewhere how Pandit Nehru hounded out or silenced everyone… whom he suspected of having some Hindu feeling or sympathy for some Hindu cause… and how he objected to every Hindu symbol in India's public life. The country had been partitioned by the remnants of Islamic imperialism. But he blamed it on "communalism", a word by which he always meant Hinduism.”

Sita Ram Goel (1921–2003) Indian activist

Hindu and Hinduism, Manipulation of meanings, 1993.

Life, Feeling, Communication, Silence

“I woke up in the middle of the night with the sound of heavy explosion. It was deep at night. I do not remember what time it was. I just remember the sound was so heavy and so very shocking. Everything in my room was shaking -- my heart, my windows, my bed, everything. I looked out the windows and I saw a full half-circle of explosion. I thought it was just like the movies, but the movies had not conveyed them in the powerful image that I was seeing full of bright red and orange and gray, and a full circle of explosion. And I kept on staring at it until it disappeared. I went back to my bed, and I prayed, and I secretly thanked God that that missile did not land on my family's home, that it did not kill my family that night. Thirty years have passed, and I still feel guilty about that prayer, for the next day, I learned that that missile landed on my brother's friend's home and killed him and his father, but did not kill his mother or his sister. His mother showed up the next week at my brother's classroom and begged seven-year-old kids to share with her any picture they may have of her son, for she had lost everything.”

Zainab Salbi (1969) Iraqi American author, women's rights activist

Speech at TEDGlobal 2010

God, Family, Feeling, Home

“Of the whole population of Hindustan it is notorious that five parts in six are composed of Hindus, the adorers of images, and the whole concerns of trade and manufacture… are entirely under the management of these classes. Were it, therefore, ever so much my desire to convert them to the true faith, it would be impossible, otherwise than through excision of millions of men… but the massacre of a whole people can never be any business of mine.”

Jahangir (1569–1627) 4th Mughal Emperor

Tarikh-i-Salim Shahi (Calcutta Edition), (According to K.S. Lal, some scholars hold that this work is a fabrication and does not comprise the real Memoirs of Jahangir), quoted from Lal, K. S. (1990). Indian muslims: Who are they.

Men, People, Faith, Business

“A lot of people think that scuttling around stenciling images onto buildings in the middle of the night is the action of a sad, frustrated individual who can't get attention or recognition any other way. They might be right, but I've done gallery shows and, if you've been hitting on people with all sorts of images in all sorts of places, they're a real step backwards, painting the streets means becoming an actual part of the city. It's not a spectator sport.”

Banksy pseudonymous England-based graffiti artist, political activist, and painter

Tristan Manco, Stencil Graffiti
Other sources

People, Sadness, Way, Thinking

“Accept these images for what they are —
Out of the past a fragile element
Of substance into accident.
I would speak honestly and of a full heart;
I would speak surely for the tale is short,
And the soul's remorseless catalogue
Assumes its quick and piteous sum.”

Robert Penn Warren (1905–1989) American poet, novelist, and literary critic

"San Francisco Night Windows"

Soul, Past, Heart

“I don't believe you're an ape: You're made in the image of God, with the knowledge of right and wrong.”

Ray Comfort (1949) New Zealand-born Christian minister and evangelist

AronRa vs Ray Comfort (September 17th, 2012), Radio Paul's Radio Rants

God, Knowledge

“We were still attached to the representational image. We cut into the form, the different angles from which it could be seen, the perspective. The object turned in our hands, we turned round it. We were tortured by this mystery of form.”

Albert Gleizes (1881–1953) French painter

after 1920, The Epic, From immobile form to mobile form (1925)

“Some philosophers have believed that a philosophical clarification of space also provided a solution of the problem of time. Kant presented space and time as analogous forms of visualization and treated them in a common chapter in his major epistemological work. Time therefore seems to be much less problematic since it has none of the difficulties resulting from multidimensionality. Time does not have the problem of mirror-image congruence, i. e., the problem of equal and similarly shaped figures that cannot be superimposed, a problem that has played some role in Kant's philosophy. Furthermore, time has no problem analogous to non-Euclidean geometry. In a one-dimensional schema it is impossible to distinguish between straightness and curvature. …A line may have external curvature but never an internal one, since this possibility exists only for a two-dimensional or higher continuum. Thus time lacks, because of its one-dimensionality, all those problems which have led to philosophical analysis of the problems of space.”

Hans Reichenbach (1891–1953) American philosopher

The Philosophy of Space and Time (1928, tr. 1957)

Problem, Time

“The editor introduces Muhammad Ghuri in the Taj-ul-Maasir of Hasan Nizami as follows: 'After dwelling on the advantage and necessity of holy wars, without which the fold of Muhammad's flock could never be filled, he says that such a hero as these obligations of religion require has been found, 'during the reign of the lord of the world Mu'izzu-d dunya wau-d din, the Sultan of Sultans, Abu-l Muzaffar Muhammad bin Sam bin Husain' the destroyer of infidels and plural-worshippers etc.,' and that Almighty Allah had selected him from amongst the kings and emperors of the time, 'for he had employed himself in extirpating the enemies of religion and the state, and had deluged the land of Hind with the blood of their hearts, so that to the very day of resurrection travellers would have to pass over pools of gore in boats, - had taken every fort and stronghold which he attacked, and ground its foundations and pillars to powder under the feet of fierce and gigantic elephants, - had sent the whole world of idolatry to the fire of hell, by the well-watered blade of his Hindi sword, - had founded mosques and colleges in the places of images and idols'.'The narrative proceeds: 'Having equipped and set in order the army of Islam, and unfurled the standards of victory and the flags of power, trusting in the aid of the Almighty, he proceeded towards Hindustan…”

Muhammad of Ghor (1160–1206) Ghurid Sultan

Elliot and Dowson, Vol. II : Elliot and Dowson, History of India as told by its own Historians, 8 Volumes, Allahabad Reprint, 1964. pp. 209-212. Quoted in Sita Ram Goel : The Calcutta Quran Petition, ch. 6.

War, World, Religion, Travel

“The poetical impression of any object is that uneasy, exquisite sense of beauty or power that cannot be contained within itself; that is impatient of all limit; that (as flame bends to flame) strives to link itself to some other image of kindred beauty or grandeur; to enshrine itself, as it were, in the highest forms of fancy, and to relieve the aching sense of pleasure by expressing it in the boldest manner, and by the most striking examples of the same quality in other instances.”

William Hazlitt (1778–1830) English writer

Lectures on the English Poets http://www.gutenberg.org/files/16209/16209.txt (1818), Lecture I, "On Poetry in General"

Pleasure, Beauty, Sense

“I imagined, indeed, that you would have been cloyed and tired with the uniformity of adventures and expressions, inseparable from a subject of this sort, whose bottom or groundwork being, in the nature of things, eternally one and the same, whatever variety of forms and modes the situations are susceptible of, there is no escaping a repetition of near the same images, the same figures, the same expressions.”

John Cleland book Fanny Hill

Page 129
Memoirs of a Woman of Pleasure

Imagination, Nature

“My image is the creation of the media.”

Amit Shah (1964) Indian politician

"Exclusive Amit Shah Interview: People are waiting to vote for Modi," 2013

“And then about whether or not to work from a given in nature. In my view, you [ Van Doesburg ] define this in a rather narrow sense. In the main, I do agree with you that the destruction of the natural, and it reconstruction, must be accomplished according to a spiritual image, but I believe that we should take a broad view here. What is natural does not have to be a representation of something. I'm now working on a thing that is a reconstruction of a starry sky ['Composition, Checkerboard Dark Colours', 1919] and yet I'm making it without a given from nature. Someone who says he uses a theme from nature can be right, but also someone who says he uses nothing at all.”

Piet Mondrian (1872–1944) Peintre Néerlandais

Quote in Mondrian's letter to Theo van Doesburg, 18 April 1919; as cited in Mondrian, - The Art of Destruction, Carel Blotkamp, Reaktion Books LTD. London 2001, pp. 125-6
1910's

Nature, Sense

“From the summer of my twelfth year I carry a series of images more vivid and lasting than any others of my boyhood and indelible beyond all attempts the years make to erase or fade them.”

Larry Watson book Montana 1948

Source: Montana 1948, Ch. 1.

Summer

“A number of engineers became so-called disciples of Frederick W. Taylor, even though he had passed on to his reward in 1915. A considerable number of engineers took up the so-called scientific management of Frederick Taylor and further embroidered it and publicized themselves as efficiency engineers and management consultants. Henry L. Gantt had been Taylor's assistant at the Midvale Steel and the Bethlehem Steel Company. Gant, were among the many prominent advocates of Taylor's efficiency system with some variations.
Gant, Barth and others tried to start an organization, ' 'The New Machine." ' 'The New Machine" never got off the ground; all of them wrote articles and delivered papers in the engineering societies and management conferences. But their chief purpose was in creating a national image so they could sell their services to large-scale private enterprise as scientific managers and efficiency engineers who would be able to install the system that could extract more productivity from the American worker.”

Howard Scott (1890–1970) American engineer

Source: History and Purpose of Technocracy, 1965, p. 7

“A mine was dug, and in two or three days the walls fell down, and the fort of Multan was taken. Six thousand warriors were put to death, and all their relations and dependents were taken as slaves. Protection was given to the merchants, artisans and the agriculturists. Muhammad Kasim said the booty ought to be sent to the treasury of the Khalifa; but as the soldiers have taken so much pains, have suffered so many hardships, have hazarded their lives, and have been so long a time employed in digging the mine and carrying on the war, and as the fort is now taken, it is proper that the booty should be divided, and their dues given to the soldiers. Then all the great and principal inhabitants of the city assembled together, and silver to the weight of sixty thousand dirams was distributed and every horseman got a share of four hundred dirams weight. After this, Muhammad Kasim said that some plan should be devised for realizing the money to be sent to the Khalifa. He was pondering over this, when suddenly a Brahman came and said, 'Heathenism is now at an end, the temples are thrown down, the world has received the light of Islam, and mosques are built instead of idol temples. I have heard from the elders of Multan that in ancient times there was a chief in this city whose name was Jibawin, and who was a descendent of the Rai of Kashmir. He was a Brahman and a monk, he strictly followed his religion, and always occupied his time in worshipping idols. When his treasures exceeded all limits and computation, he made a reservoir on the eastern side of Multan, which was hundred yards square. In the middle of it he built a temple fifty yards square, and he made a chamber in which he concealed forty copper jars each of which was filled with African gold dust. A treasure of three hundred and thirty mans of gold was buried there. Over it there is an idol made of red gold, and trees are planted round the reservoir.'… It is related by historians, on the authority of… Ali bin Muhammad who had heard it from Abu Muhammad Hindui that Muhammad Kasim arose and with his counsellors, guards and attendants, went to the temple. He saw there an idol made of gold, and its two eye were bright red rubies… Muhammad Kasim ordered the idol to be taken up. Two hundred and thirty mans of gold were obtained, and forty jars filled with gold dust… This gold and the image were brought to treasury together with the gems and pearls and treasures which were obtained from the plunder of Multan.”

Muhammad bin Qasim (695–715) Umayyad general

Multan (Punjab) . The Chach Nama, in: Elliot and Dowson, Vol. I : Elliot and Dowson, History of India as told by its own Historians, 8 Volumes, Allahabad Reprint, 1964. pp. 205-06.
Quotes from The Chach Nama

Death, Money, Pain, War