Quotes about image
page 11

Gene Wolfe photo
Geoffrey Moore photo
Anish Kapoor photo

“It is a conjunction of images I have always loved in his Sonnets to Orpheus and this work is, in a way, a kind of eye which is reflecting images endlessly”

Anish Kapoor (1954) British contemporary artist of Indian birth

On his Tall Tree And The Eye bubbled towards the heavens in the courtyard of The Royal Academy of Arts in London. Quoted in "Anish Kapoor Opens the Door:Modern Artist Creates Monuments that Transcend Space & Time."

Ernst Gombrich photo
Antoni Tàpies photo

“It is essential to bear in mind that the world of the mystics, like that of modern physics, cannot always be 'explained' in normal words, but often 'shows' itself the better through visual images.. [from the accumulation of matter and of objects to the radicalism of a gesture, it is a matter of] painting the essential and nothing more”

Antoni Tàpies (1923–2012) Catalan painter, sculptor and art theorist

Tàpies is citing here Llull
in his 1990 speech 'L'art modern, la mística i l'humor' ('Modern Art, Mysticism and Humour'), Barcelona: Editorial Empúries i Fundació Antoni Tàpies, 1993; as quoted in: 'Tàpies: From Within', June ─ November, 2013 - Presse Release, Museu Nacional d'Art de Catalunya (MNAC), p. 12
insisting on his 'magma works' like 'Montseny-Montnegre' and 'Díptic amb dues formes corbes' (Diptych with Two Curved Shapes), 1988.
1981 - 1990

George W. Bush photo
Scott McClellan photo
Ephrem the Syrian photo

“Thy possessions have made thee a hollow image; they have ruined thee and left thee.”

Ephrem the Syrian (306–373) Syriac deacon and a prolific Syriac-language hymnographer and theologian of the 4th century

in A Spiritual Psalter (2004), p. 267

Warren Farrell photo
Makoto Shinkai photo

“It is a part of puberty that we just want to go somewhere far away. We only have a vague image, like behind that mountain or a place more beautiful…”

Makoto Shinkai (1973) Japanese anime director and former graphic designer

Interviewed on Otaku Mode https://otakumode.com/news/51a71457e918f6a32a072a6e/Interview-with-Director-Makoto-Shinkai-on-His-New-Work-ldquo-The-Garden-of-Words-rdquo-Vol-2
About The Garden of Words

Henry Suso photo
Camille Paglia photo

“The only antidote to the magic of images is the magic of words.”

Camille Paglia (1947) American writer

Break, Blow, Burn (2005)

James Russell Lowell photo
John Ruysbroeck photo

“If every earthly pleasure were melted An intelligence in repose without images, an intuition in the light of God, and a spirit elevated in Purity to the Face of God, these three qualities united constitute the true contemplative life into a single experience and bestowed upon one man,
it would be as nothing when measured by the joy of which I write for here it is God who passes into the depths of us in all His purity,
and the soul is not only filled but overflowing.
This experience is that light that makes manifest to the soul the terrible desolation of such as live divorced from love;
it melts the man utterly; he is no longer master of his joy.
Such possession produces intoxication, the state of the spirit in which its bliss transcends the uttermost bounds of anticipation or desire.
Sometimes the ecstasy pours forth in song, sometimes in tears:
at one moment it finds expression in movement, at others in the intense stillness of burning, voiceless feeling.
Some men knowing this bliss wonder if others feel God as they do; some are assured that no living creature has ever had such experiences as theirs;
there are those who wonder that the world is not set aflame by this joy; and there are others who marvel at its nature, asking whence it comes, and what it is.
The body itself can know no greater pleasure upon earth than to participate in it;
and there are moments when the soul feels that it must shiver to fragments in the poignancy of this experience.”

John Ruysbroeck (1293–1381) Flemish mystic

An Anthology of Mysticism and Philosophy

Gore Vidal photo
Kent Hovind photo
Stanley Hauerwas photo

“We must first experience the kingdom if we are even to know what kind of freedom and what kind of equality we should desire. Christian freedom lies in service, Christian equality is equality before God, and neither can be achieved through the coercive efforts of liberal idealists who would transform the world into their image.”

Stanley Hauerwas (1940) American theologian

From "The Servant Community: Christian Social Ethics" (1983) in The Hauerwas Reader https://www.researchgate.net/publication/37719715_The_Hauerwas_reader (2001) eds. John Berkman and Michael Cartwright

George Herbert photo

“Man is God's image; but a poor man is
Christ's stamp to boot: both images regard.”

George Herbert (1593–1633) Welsh-born English poet, orator and Anglican priest

The Temple (1633), The Church Porch

Raghuram G. Rajan photo

“A 007 James Bond image is very dangerous for a central banker to have.”

Raghuram G. Rajan (1963) Indian economist

On hearing that he was being compared to James Bond, as quoted in " Raghuram Rajan interview: ‘I’m no Bond. I’m a banker on the move’ http://timesofindia.indiatimes.com/business/india-business/Raghuram-Rajan-interview-Im-no-Bond-Im-a-banker-on-the-move/articleshow/41296212.cms", The Times of India (31 August 2014)

Kirk Douglas photo
Gregory Scott Paul photo

“How would we think and feel about predatory dinosaurs if they were alive today? Humans have long felt antipathy toward carnivores, our competitors for scarce protein. But our feelings are somewhat mollified by the attractive qualities we see in them. For all their size and power, lions remind us of the little creatures that we like to have curl up in our laps and purr as we stroke them. Likewise, noble wolves recall our canine pets. Cats and dogs make good companions because they are intelligent and responsive to our commands, and their supple bodies make them pleasing to touch and play with. And, very importantly, they are house-trainable. Their forward-facing eyes remind us of ourselves. However, even small predaceous dinosaurs would have had no such advantage. None were brainy enough to be companionable or house-trainable; in fact, they would always be a danger to their owners. Their stiff, perhaps feathery bodies were not what one would care to have sleep at the foot of the bed. The reptilian-faced giants that were the big predatory dinosaurs would truly be horrible and terrifying. We might admire their size and power, much as many are fascinated with war and its machines, but we would not like them. Their images in literature and music would be demonic and powerful - monsters to be feared and destroyed, yet emulated at the same time.”

Gregory Scott Paul (1954) U.S. researcher, author, paleontologist, and illustrator

Gregory S. Paul (1988) Predatory Dinosaurs of the World, Simon and Schuster, p. 19
Predatory Dinosaurs of the World

Georges Bataille photo

“There is no better way to know death than to link it with some licentious image.”

Georges Bataille (1897–1962) French intellectual and literary figure

The Marquis de Sade, cited by Bataille in Erotism: Death and Sensuality
Erotism: Death and Sensuality (1962)

“A large picture can give us images of things, but a relatively small one can best re-create the instantaneous unity of nature as a view — the unity of which the eyes take in at a single glance.”

Clement Greenberg (1909–1994) American writer and artist

"Milton Avery" (1958), p. 201
1960s, Art and Culture: Critical Essays, (1961)

Carl Sagan photo
Ananda K. Coomaraswamy photo
Jane Roberts photo
Luc Besson photo

“This film is extremely visual. It is difficult to describe in words without running the risk of losing or boring the reader.
I have come up with a simplified summary, therefore, like a readers guide, which will conjure up the images in as few words as possible :
— the beginning is Leon: The Professional
— the middle is Inception
— the end is 2001: A Space Odyssey
Don't interpret this as pretension on my part, merely a visual, emotional and philosophical point of reference.”

Luc Besson (1959) French film director, writer, and producer

"NOTA", for his film Lucy, as quoted in "Luc Besson's Statement Of Intent For 'Lucy' Compares The Film To '2001,' 'Inception' & 'Leon The Professional'" by Kevin Jagernauth, in Indiewire (28 July 2014) http://blogs.indiewire.com/theplaylist/luc-bessons-statement-of-intent-for-lucy-compares-the-film-to-2001-inception-leon-the-professional-20140728

“Jack: You'll have to compromise, smile, concern yourself with your public image, measure your words as carefully as possible… and turn yourself into a dutiful party hack! [chuckles] Never mind, Nigel, never mind.”

Dennis Potter (1935–1994) English television dramatist, screenwriter and journalist

Jack Hay was based on Ron Brewer, who had been Potter's agent when he was Labour candidate for East Hertfordshire in the 1964 general election.
Vote, vote, vote for Nigel Barton (1965)

Édouard Vuillard photo

“We perceive nature through the senses, which give us images of forms of colour, sounds etc. A form which exists only in relation to another form on its own, it does not exist.”

Édouard Vuillard (1868–1940) French painter

11 Nov 1888.
Private Journal - A collage of notes and images, sketches kept 1888-1895 & 1907 to 1940

Randal Marlin photo

“Down to the present day the luminous image of democracy has often served as a pretext for the most undemocratic actions.”

Randal Marlin (1938) Canadian academic

Source: Propaganda & The Ethics Of Persuasion (2002), Chapter Two, History Of Propaganda, p. 45

Sarah Brightman photo
Nicholas of Cusa photo
Syed Ahmed Khan photo

“Iron Pillar: “…In our opinion this pillar was made in the ninth century before (the birth of) Lord Jesus… When Rai Pithora built a fort and an idol-house near this pillar, it stood in the courtyard of the idol-house. And when Qutbu’d-Din Aibak constructed a mosque after demolishing the idol-house, this pillar stood in the courtyard of the mosque…
”Idol-house of Rai Pithora: “There was an idol-house near the fort of Rai Pithora. It was very famous… It was built along with the fort in 1200 Bikarmi [Vikrama SaMvat] corresponding to AD 1143 and AH 538. The building of this temple was very unusual, and the work done on it by stone-cutters is such that nothing better can be conceived. The beautiful carvings on every stone in it defy description… The eastern and northern portions of this idol-house have survived intact. The fact that the Iron Pillar, which belongs to the Vaishnava faith, was kept inside it, as also the fact that sculptures of Kirshan avatar and Mahadev and Ganesh and Hanuman were carved on its walls, leads us to believe that this temple belonged to the Vaishnava faith. Although all sculptures were mutilated in the times of Muslims, even so a close scrutiny can identify as to which sculpture was what. In our opinion there was a red-stone building in this idol-house, and it was demolished. For, this sort of old stones with sculptures carved on them are still found.
”Quwwat al-Islam Masjid: “When Qutbu’d-Din, the commander-in-chief of Muizzu’d-Din Sam alias Shihabu’d-Din Ghuri, conquered Delhi in AH 587 corresponding to AD 1191 corresponding to 1248 Bikarmi, this idol-house (of Rai Pithora) was converted into a mosque. The idol was taken out of the temple. Some of the images sculptured on walls or doors or pillars were effaced completely, some were defaced. But the structure of the idol-house kept standing as before. Materials from twenty-seven temples, which were worth five crores and forty lakhs of Dilwals, were used in the mosque, and an inscription giving the date of conquest and his own name was installed on the eastern gate…“When Malwah and Ujjain were conquered by Sultan Shamsu’d-Din in AH 631 corresponding to AD 1233, then the idol-house of Mahakal was demolished and its idols as well as the statue of Raja Bikramajit were brought to Delhi, they were strewn in front of the door of the mosque…”“In books of history, this mosque has been described as Masjid-i-Adinah and Jama‘ Masjid Delhi, but Masjid Quwwat al-Islam is mentioned nowhere. It is not known as to when this name was adopted. Obviously, it seems that when this idol-house was captured, and the mosque constructed, it was named Quwwat al-Islam…””

Syed Ahmed Khan (1820–1898) Indian educator and politician

About antiquities of Delhi. Translated from the Urdu of Asaru’s-Sanadid, edited by Khaleeq Anjum, New Delhi, 1990. Vol. I, p. 305-16
Asaru’s-Sanadid

Roger Ebert photo
Francis Bacon photo
Frederick Douglass photo
Prince photo
Ralph Waldo Emerson photo
Letitia Elizabeth Landon photo

“Words are powerless to tell. —
Such the image in my heart, —
Painter, try thy glorious art!”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

(16th November 1822) Fragments in Rhyme III: Outline for a Portrait
23rd November 1822) Fragments in Rhyme IV: Arion see The Improvisatrice (1824
The London Literary Gazette, 1821-1822

John Gray photo
John Ruysbroeck photo
William Jennings Bryan photo
Joseph Campbell photo
Alfred Horsley Hinton photo
Samuel Taylor Coleridge photo
Isaiah Berlin photo
Andy Warhol photo
Gerhard Richter photo
Antoni Tàpies photo

“The medieval mystics say the true image and the true real met once and for all on the cross: once and for all: and yet they still meet daily.”

Madeleine L'Engle (1918–2007) American writer

Section 1.5
The Crosswicks Journal, A Circle of Quiet (1972)

KT Tunstall photo
Eric Holder photo
Patrick Rothfuss photo
Abu'l-Fazl ibn Mubarak photo
Donald Rumsfeld photo
Jacques Ellul photo

““Everything, right now” is the notion that comes from the presence of images, which in effect get us used to seeing all in a single glance.”

Jacques Ellul (1912–1994) French sociologist, technology critic, and Christian anarchist

J. Hanks, trans. (1985), p. 208
The Humiliation of the Word (1981)

Donald J. Trump photo

“Iran humiliated the United States with the capture of our 10 sailors. Horrible pictures & images. We are weak. I will NOT forget!”

Donald J. Trump (1946) 45th President of the United States of America

Twitter post https://twitter.com/realDonaldTrump/status/687510877847851008 (13 January 2016).
2010s, 2016, January

Logan Pearsall Smith photo
Ernst Gombrich photo
Maurice Merleau-Ponty photo
Jean Cocteau photo

“Mirrors would do well to reflect a little more before sending back images.”

Jean Cocteau (1889–1963) French poet, novelist, dramatist, designer, boxing manager and filmmaker

As quoted in Geary's Guide to the World's Great Aphorists (2007) by James Geary, p. 159

Rousas John Rushdoony photo
George Bernard Shaw photo
Richard Leakey photo
Noam Chomsky photo
Gianni Sarcone photo

“The greatest optical illusion of all is to believe that an image has only one interpretation.”

Gianni Sarcone (1962) Italian author, artist, designer, and researcher in visual perception and cognitive psychology

Curiopticals (2009).

Phillip Abbott Luce photo
Ian Bremmer photo
Octavio Paz photo
Fred Polak photo

“Social change will be viewed as a push-pull process in which a Society is at once pulled forward by its own magnetic images of an idealized future and pushed from behind by its realized past.”

Fred Polak (1907–1985) Dutch futurologist

Source: The Image of the Future, 1973, p. 1 (as cited in: H.C. Marais (1988) South Africa: perspectives on the future. p. 15)

Zainab Salbi photo
Jahangir photo
Robert Penn Warren photo
Ray Comfort photo

“I don't believe you're an ape: You're made in the image of God, with the knowledge of right and wrong.”

Ray Comfort (1949) New Zealand-born Christian minister and evangelist

AronRa vs Ray Comfort (September 17th, 2012), Radio Paul's Radio Rants

Albert Gleizes photo
Hans Reichenbach photo
Muhammad of Ghor photo

“The editor introduces Muhammad Ghuri in the Taj-ul-Maasir of Hasan Nizami as follows: 'After dwelling on the advantage and necessity of holy wars, without which the fold of Muhammad's flock could never be filled, he says that such a hero as these obligations of religion require has been found, 'during the reign of the lord of the world Mu'izzu-d dunya wau-d din, the Sultan of Sultans, Abu-l Muzaffar Muhammad bin Sam bin Husain' the destroyer of infidels and plural-worshippers etc.,' and that Almighty Allah had selected him from amongst the kings and emperors of the time, 'for he had employed himself in extirpating the enemies of religion and the state, and had deluged the land of Hind with the blood of their hearts, so that to the very day of resurrection travellers would have to pass over pools of gore in boats, - had taken every fort and stronghold which he attacked, and ground its foundations and pillars to powder under the feet of fierce and gigantic elephants, - had sent the whole world of idolatry to the fire of hell, by the well-watered blade of his Hindi sword, - had founded mosques and colleges in the places of images and idols'.'The narrative proceeds: 'Having equipped and set in order the army of Islam, and unfurled the standards of victory and the flags of power, trusting in the aid of the Almighty, he proceeded towards Hindustan…”

Muhammad of Ghor (1160–1206) Ghurid Sultan

Elliot and Dowson, Vol. II : Elliot and Dowson, History of India as told by its own Historians, 8 Volumes, Allahabad Reprint, 1964. pp. 209-212. Quoted in Sita Ram Goel : The Calcutta Quran Petition, ch. 6.

William Hazlitt photo
Amit Shah photo

“My image is the creation of the media.”

Amit Shah (1964) Indian politician

"Exclusive Amit Shah Interview: People are waiting to vote for Modi," 2013

Piet Mondrian photo
Howard Scott photo
Muhammad bin Qasim photo

“A mine was dug, and in two or three days the walls fell down, and the fort of Multan was taken. Six thousand warriors were put to death, and all their relations and dependents were taken as slaves. Protection was given to the merchants, artisans and the agriculturists. Muhammad Kasim said the booty ought to be sent to the treasury of the Khalifa; but as the soldiers have taken so much pains, have suffered so many hardships, have hazarded their lives, and have been so long a time employed in digging the mine and carrying on the war, and as the fort is now taken, it is proper that the booty should be divided, and their dues given to the soldiers. Then all the great and principal inhabitants of the city assembled together, and silver to the weight of sixty thousand dirams was distributed and every horseman got a share of four hundred dirams weight. After this, Muhammad Kasim said that some plan should be devised for realizing the money to be sent to the Khalifa. He was pondering over this, when suddenly a Brahman came and said, 'Heathenism is now at an end, the temples are thrown down, the world has received the light of Islam, and mosques are built instead of idol temples. I have heard from the elders of Multan that in ancient times there was a chief in this city whose name was Jibawin, and who was a descendent of the Rai of Kashmir. He was a Brahman and a monk, he strictly followed his religion, and always occupied his time in worshipping idols. When his treasures exceeded all limits and computation, he made a reservoir on the eastern side of Multan, which was hundred yards square. In the middle of it he built a temple fifty yards square, and he made a chamber in which he concealed forty copper jars each of which was filled with African gold dust. A treasure of three hundred and thirty mans of gold was buried there. Over it there is an idol made of red gold, and trees are planted round the reservoir.'… It is related by historians, on the authority of… Ali bin Muhammad who had heard it from Abu Muhammad Hindui that Muhammad Kasim arose and with his counsellors, guards and attendants, went to the temple. He saw there an idol made of gold, and its two eye were bright red rubies… Muhammad Kasim ordered the idol to be taken up. Two hundred and thirty mans of gold were obtained, and forty jars filled with gold dust… This gold and the image were brought to treasury together with the gems and pearls and treasures which were obtained from the plunder of Multan.”

Muhammad bin Qasim (695–715) Umayyad general

Multan (Punjab) . The Chach Nama, in: Elliot and Dowson, Vol. I : Elliot and Dowson, History of India as told by its own Historians, 8 Volumes, Allahabad Reprint, 1964. pp. 205-06.
Quotes from The Chach Nama

Kancha Ilaiah photo
Albert Camus photo
Asger Jorn photo
Gail Dines photo

“No anti-porn feminist I know has suggested that there is one image, or even a few, that could lead a non-rapist to rape; the argument, rather, is that taken together, pornographic images create a world that is at best inhospitable to women, and at worst dangerous to their physical and emotional well-being. In an unfair and inaccurate article that is emblematic of how anti-porn feminist work is misrepresented, Daniel Bernardi claims that Andrea Dworkin and Catharine MacKinnon believed that “watching pornography leads men to rape women.” Neither Dworkin nor MacKinnon “pioneers in developing a radical feminist critique of pornography, saw porn in such simplistic terms. Rather, both argued that porn has a complicated and multilayered effect on male sexuality, and that rape, rather than simply being caused by porn, is a cultural practice that has been woven into the fabric of a male-dominated society. Pornography, they argued, is one important agent of such a society since it so perfectly encodes woman-hating ideology, but to see it as simplistically and unquestionably leading to rape is to ignore how porn operates within the wider context of a society that is brimming with sexist imagery and ideology. If, then, we replace the “Does porn cause rape?” question with more nuanced questions that ask how porn messages shape our reality and our culture, we avoid falling into the images-lead-to-rape discussion. What this reformulation does is highlight the ways that the stories in pornography, by virtue of their consistency and coherence, create a worldview that the user integrates into his reservoir of beliefs that form his ways of understanding, seeing, and interpreting what goes on around him.”

Gail Dines (1958) anti-pornography campaigner

Pornland: How Porn Hijacked Our Sexuality, Ch 5, Page 85, Gail Dines