
Volume 1, Ch. 11
Fiction, The Book of the Long Sun (1993–1996)
Volume 1, Ch. 11
Fiction, The Book of the Long Sun (1993–1996)
Source: "Building your company's vision," 1996, p. 74
On his Tall Tree And The Eye bubbled towards the heavens in the courtyard of The Royal Academy of Arts in London. Quoted in "Anish Kapoor Opens the Door:Modern Artist Creates Monuments that Transcend Space & Time."
Tàpies is citing here Llull
in his 1990 speech 'L'art modern, la mística i l'humor' ('Modern Art, Mysticism and Humour'), Barcelona: Editorial Empúries i Fundació Antoni Tàpies, 1993; as quoted in: 'Tàpies: From Within', June ─ November, 2013 - Presse Release, Museu Nacional d'Art de Catalunya (MNAC), p. 12
insisting on his 'magma works' like 'Montseny-Montnegre' and 'Díptic amb dues formes corbes' (Diptych with Two Curved Shapes), 1988.
1981 - 1990
2000s, 2003, Mission Accomplished (May 2003)
Source: Press briefing http://georgewbush-whitehouse.archives.gov/news/releases/2004/05/20040510-14.html, May 10, 2004
“Thy possessions have made thee a hollow image; they have ruined thee and left thee.”
in A Spiritual Psalter (2004), p. 267
Source: The Lonely Dead (2004), Ch. 16
Source: Father and Child Reunion (2001), p. 241.
Interviewed on Otaku Mode https://otakumode.com/news/51a71457e918f6a32a072a6e/Interview-with-Director-Makoto-Shinkai-on-His-New-Work-ldquo-The-Garden-of-Words-rdquo-Vol-2
About The Garden of Words
“The only antidote to the magic of images is the magic of words.”
Break, Blow, Burn (2005)
On Democracy (6 October 1884)
Humanity
Source: The Teachings of Babaji, 23 September 1983
"Lincoln and the Priests of Academe"
1990s, United States - Essays 1952-1992 (1992)
Source: What On Earth Is About To Happen… For Heaven’s Sake? (2013), p. 145
From "The Servant Community: Christian Social Ethics" (1983) in The Hauerwas Reader https://www.researchgate.net/publication/37719715_The_Hauerwas_reader (2001) eds. John Berkman and Michael Cartwright
Letter to Gordon Smith, January 1, 1959, as quoted in Abstract Expressionism Creators and Critics, edited by Clifford Ross, Abrams Publishers New York 1990, p. 196
1950s
“Man is God's image; but a poor man is
Christ's stamp to boot: both images regard.”
The Temple (1633), The Church Porch
“A 007 James Bond image is very dangerous for a central banker to have.”
On hearing that he was being compared to James Bond, as quoted in " Raghuram Rajan interview: ‘I’m no Bond. I’m a banker on the move’ http://timesofindia.indiatimes.com/business/india-business/Raghuram-Rajan-interview-Im-no-Bond-Im-a-banker-on-the-move/articleshow/41296212.cms", The Times of India (31 August 2014)
Interview, 1969 http://www.rogerebert.com/interviews/interview-with-kirk-douglas
Gregory S. Paul (1988) Predatory Dinosaurs of the World, Simon and Schuster, p. 19
Predatory Dinosaurs of the World
“There is no better way to know death than to link it with some licentious image.”
The Marquis de Sade, cited by Bataille in Erotism: Death and Sensuality
Erotism: Death and Sensuality (1962)
"Milton Avery" (1958), p. 201
1960s, Art and Culture: Critical Essays, (1961)
Essay as "Mr. X" (1969)
By Ananda Coomaraswamy in Nataraja, 11 January 2014, SSCNET, UCLA http://www.sscnet.ucla.edu/southasia/Religions/Avatars/Natar.html,
Source: Seth, Dreams & Projections of Consciousness, (1986), p. 249
"NOTA", for his film Lucy, as quoted in "Luc Besson's Statement Of Intent For 'Lucy' Compares The Film To '2001,' 'Inception' & 'Leon The Professional'" by Kevin Jagernauth, in Indiewire (28 July 2014) http://blogs.indiewire.com/theplaylist/luc-bessons-statement-of-intent-for-lucy-compares-the-film-to-2001-inception-leon-the-professional-20140728
Jack Hay was based on Ron Brewer, who had been Potter's agent when he was Labour candidate for East Hertfordshire in the 1964 general election.
Vote, vote, vote for Nigel Barton (1965)
11 Nov 1888.
Private Journal - A collage of notes and images, sketches kept 1888-1895 & 1907 to 1940
Source: Propaganda & The Ethics Of Persuasion (2002), Chapter Two, History Of Propaganda, p. 45
The Straits Times (Singapore) (2001); On the promotional photos for her Classics CD.
About antiquities of Delhi. Translated from the Urdu of Asaru’s-Sanadid, edited by Khaleeq Anjum, New Delhi, 1990. Vol. I, p. 305-16
Asaru’s-Sanadid
Review http://www.rogerebert.com/reviews/showgirls-1995 of Showgirls (22 September 1995)
Reviews, Two star reviews
1870s, Oratory in Memory of Abraham Lincoln (1876)
The Future
Song lyrics, Batman (1989)
“Uses of Great Men,”
1850s, Representative Men (1850)
Nancy Pelosi Is Leading Her Party into Oblivion http://www.breitbart.com/california/2017/01/31/nancy-pelosi-leading-party-oblivion/ (January 31, 2017)
“Words are powerless to tell. —
Such the image in my heart, —
Painter, try thy glorious art!”
(16th November 1822) Fragments in Rhyme III: Outline for a Portrait
23rd November 1822) Fragments in Rhyme IV: Arion see The Improvisatrice (1824
The London Literary Gazette, 1821-1822
Source: Practical Pictorial Photography, 1898, Pin-hole as a substitute for the lens, p. 60
"The Statesman's Manual" (1816)
Five Essays on Liberty (2002), Historical Inevitability (1954)
Source: 1975, The Philosophy of Andy Warhol (1975), Ch. 4: Beauty
Richter's quote from the catalog of a group exhibition in 'Palais des Beaux-Arts', Brussels, 1974
1970's
1945 - 1970, A Report on the Wall' 1970
Section 1.5
The Crosswicks Journal, A Circle of Quiet (1972)
Source: Nervous Stillness on the Horizon (2006), P. 258 (2002)
On influences in writing her song "Black Horse and the Cherry Tree", in a Barnes & Noble Interview with David Sprague (February 2006).
2010s, Update on Investigations in Ferguson (2015)
Ain-i-Akbari by Abul Fazl. quoted from Lal, K. S. (1999). Theory and practice of Muslim state in India. New Delhi: Aditya Prakashan. Chapter 2
on CBS' Evening News, October 9, 2001 http://www.defenselink.mil/Transcripts/Transcript.aspx?TranscriptID=2051
2000s
J. Hanks, trans. (1985), p. 208
The Humiliation of the Word (1981)
Twitter post https://twitter.com/realDonaldTrump/status/687510877847851008 (13 January 2016).
2010s, 2016, January
“Fine Writing,” p. 304
Reperusals and Recollections (1936)
Source: In Praise of Philosophy (1963), p. 8
“Mirrors would do well to reflect a little more before sending back images.”
As quoted in Geary's Guide to the World's Great Aphorists (2007) by James Geary, p. 159
Interview (April 1935) in The Genuine Islam, Vol. 1, No. 8 (1936), as quoted at "A Shavian and a Theologian" at World Islamic Mission http://www.wimnet.org/articles/shaviantheo.htm
Disputed
Origins Reconsidered: In Search of What Makes Us Human (1992)
Chomsky and Herman (1979), After the Cataclysm: Postwar Indochina and the Reconstruction of Imperial Ideology, p. 293.
Quotes 1960s-1980s, 1970s
“The greatest optical illusion of all is to believe that an image has only one interpretation.”
Curiopticals (2009).
Source: Road to Revolution: Communist Guerilla Warfare in the U.S.A. (1967), pp. 3-4
The J Curve: A New Way to Understand Why Nations Rise and Fall (2006).
Source: The Monkey Grammarian (1974), Ch. 9
Source: The Image of the Future, 1973, p. 1 (as cited in: H.C. Marais (1988) South Africa: perspectives on the future. p. 15)
Hindu and Hinduism, Manipulation of meanings, 1993.
Tarikh-i-Salim Shahi (Calcutta Edition), (According to K.S. Lal, some scholars hold that this work is a fabrication and does not comprise the real Memoirs of Jahangir), quoted from Lal, K. S. (1990). Indian muslims: Who are they.
Tristan Manco, Stencil Graffiti
Other sources
"San Francisco Night Windows"
AronRa vs Ray Comfort (September 17th, 2012), Radio Paul's Radio Rants
after 1920, The Epic, From immobile form to mobile form (1925)
Elliot and Dowson, Vol. II : Elliot and Dowson, History of India as told by its own Historians, 8 Volumes, Allahabad Reprint, 1964. pp. 209-212. Quoted in Sita Ram Goel : The Calcutta Quran Petition, ch. 6.
Lectures on the English Poets http://www.gutenberg.org/files/16209/16209.txt (1818), Lecture I, "On Poetry in General"
Page 129
Memoirs of a Woman of Pleasure
“My image is the creation of the media.”
"Exclusive Amit Shah Interview: People are waiting to vote for Modi," 2013
Quote in Mondrian's letter to Theo van Doesburg, 18 April 1919; as cited in Mondrian, - The Art of Destruction, Carel Blotkamp, Reaktion Books LTD. London 2001, pp. 125-6
1910's
Multan (Punjab) . The Chach Nama, in: Elliot and Dowson, Vol. I : Elliot and Dowson, History of India as told by its own Historians, 8 Volumes, Allahabad Reprint, 1964. pp. 205-06.
Quotes from The Chach Nama
Interview at rediff.com (17 January 2000) http://www.rediff.com/news/2001/jan/17inter.htm.
Source: Break-Out from the Crystal Palace (1974), p. 97
Quote in Jorn's letter to anthropologist Francis Huxley (1970) - on the relation between words and images
1959 - 1973, Various sources
Pornland: How Porn Hijacked Our Sexuality, Ch 5, Page 85, Gail Dines
McClary, Susan (2000), Conventional Wisdom: The Content of Musical Form, p. 186–169. Berkeley: University of California Press. ISBN 0520232089