Quotes about image
page 12

Allen West (politician) photo
Ossip Zadkine photo

“At heart, I have always been a carpenter, who, instead of making a table or a door, was led to carve images in wood.”

Ossip Zadkine (1890–1967) French sculptor

as quoted in 'Wooden Sculptures' http://www.zadkine.paris.fr/en/collections/collections-sculptures/wooden-sculptures, Musée Zadkine
Musée Zadkine: it was through wood that Zadkine came to sculpture, after being initiated in the techniques of carving by a maternal uncle.
undated quotes

Angus Young photo
Muhammad of Ghor photo

“He then marched and encamped under the fort of Delhi' The city and its vicinity were freed from idols and idols-worship, and in the sanctuaries of the images of the Gods, mosques were raised by the worshippers of one God.'…
'Kutbu-d din built the Jami' Masjid at Delhi, and adorned it with stones and gold obtained from the temples which had been demolished by elephants, and covered it with inscriptions in Toghra, containing the divine commands.”

Muhammad of Ghor (1160–1206) Ghurid Sultan

Delhi. Hasan Nizami: Taju’l-Ma’sir, in Elliot and Dowson, Vol. II : Elliot and Dowson, History of India as told by its own Historians, 8 Volumes, Allahabad Reprint, 1964. pp. 222-23
Variant: The conqueror entered the city of Delhi, which is the source of wealth and the foundation of blessedness. The city and its vicinity was freed from idols and idol-worship, and in the sanctuaries of the images of the Gods, mosques were raised by the worshippers of one Allah'...'Kutub-d-din built the Jami Masjid at Delhi, and 'adorned it with the stones and gold obtained from the temples which had been demolished by elephants,' and covered it with 'inscriptions in Toghra, containing the divine commands.

John Berger photo
Theodor Mommsen photo

“The fall of the patriciate by no means divested the Roman commonwealth of its aristocratic character. We have already indicated that the plebeian party carried within it that character from the first as well as, and in some sense still more decidedly than, the patriciate; for, while in the old body of burgesses an absolute equality of rights prevailed, the new constitution set out from a distinction between the senatorial houses who were privileged in point of burgess rights and of burgess usufructs, and the mass of the other citizens. Immediately, therefore, on the abolition of the patriciate and the formal establishment of civic equality, a new aristocracy and a corresponding opposition were formed; and we have already shown how the former engrafted itself as it were on the fallen patriciate, and how, accordingly, the first movements of the new party of progress were mixed up with the last movements of the old opposition between the orders. The formation of these new parties began in the fifth century, but they assumed their definite shape only in the century which followed. The development of this internal change is, as it were, drowned amidst the noise of the great wars and victories, and not merely so, but the process of formation is in this case more withdrawn from view than any other in Roman history. Like a crust of ice gathering imperceptibly over the surface of a stream and imperceptibly confining it more and more, this new Roman aristocracy silently arose; and not less imperceptibly, like the current concealing itself beneath and slowly extending, there arose in opposition to it the new party of progress. It is very difficult to sum up in a general historical view the several, individually insignificant, traces of these two antagonistic movements, which do not for the present yield their historical product in any distinct actual catastrophe. But the freedom hitherto enjoyed in the commonwealth was undermined, and the foundation for future revolutions was laid, during this epoch; and the delineation of these as well as of the development of Rome in general would remain imperfect, if we should fail to give some idea of the strength of that encrusting ice, of the growth of the current beneath, and of the fearful moaning and cracking that foretold the mighty breaking up which was at hand. The Roman nobility attached itself, in form, to earlier institutions belonging to the times of the patriciate. Persons who once had filled the highest ordinary magistracies of the state not only, as a matter of course, practically enjoyed all along a higher honour, but also had at an early period certain honorary privileges associated with their position. The most ancient of these was doubtless the permission given to the descendants of such magistrates to place the wax images of these illustrious ancestors after their death in the family hall, along the wall where the pedigree was painted, and to have these images carried, on occasion of the death of members of the family, in the funeral procession.. the honouring of images was regarded in the Italo-Hellenic view as unrepublican, and on that account the Roman state-police did not at all tolerate the exhibition of effigies of the living, and strictly superintended that of effigies of the dead. With this privilege were associated various external insignia, reserved by law or custom for such magistrates and their descendants:--the golden finger-ring of the men, the silver-mounted trappings of the youths, the purple border on the toga and the golden amulet-case of the boys--trifling matters, but still important in a community where civic equality even in external appearance was so strictly adhered to, and where, even during the second Punic war, a burgess was arrested and kept for years in prison because he had appeared in public, in a manner not sanctioned by law, with a garland of roses upon his head.(6) These distinctions may perhaps have already existed partially in the time of the patrician government, and, so long as families of higher and humbler rank were distinguished within the patriciate, may have served as external insignia for the former; but they certainly only acquired political importance in consequence of the change of constitution in 387, by which the plebeian families that attained the consulate were placed on a footing of equal privilege with the patrician families, all of whom were now probably entitled to carry images of their ancestors. Moreover, it was now settled that the offices of state to which these hereditary privileges were attached should include neither the lower nor the extraordinary magistracies nor the tribunate of the plebs, but merely the consulship, the praetorship which stood on the same level with it,(7) and the curule aedileship, which bore a part in the administration of public justice and consequently in the exercise of the sovereign powers of the state.(8) Although this plebeian nobility, in the strict sense of the term, could only be formed after the curule offices were opened to plebeians, yet it exhibited in a short time, if not at the very first, a certain compactness of organization--doubtless because such a nobility had long been prefigured in the old senatorial plebeian families. The result of the Licinian laws in reality therefore amounted nearly to what we should now call the creation of a batch of peers. Now that the plebeian families ennobled by their curule ancestors were united into one body with the patrician families and acquired a distinctive position and distinguished power in the commonwealth, the Romans had again arrived at the point whence they had started; there was once more not merely a governing aristocracy and a hereditary nobility--both of which in fact had never disappeared--but there was a governing hereditary nobility, and the feud between the gentes in possession of the government and the commons rising in revolt against the gentes could not but begin afresh. And matters very soon reached that stage. The nobility was not content with its honorary privileges which were matters of comparative indifference, but strove after separate and sole political power, and sought to convert the most important institutions of the state--the senate and the equestrian order--from organs of the commonwealth into organs of the plebeio-patrician aristocracy.”

Theodor Mommsen (1817–1903) German classical scholar, historian, jurist, journalist, politician, archaeologist and writer

The History of Rome - Volume 2

Mohammad Reza Pahlavi photo

“You approach the Mullahs as if they are normal people. They are not. You see them in your own image; you should not.”

Mohammad Reza Pahlavi (1919–1980) Shah of Iran

As quoted in Gholam R. Afkhami (2009) The life and times of the Shah, page 591
Attributed

Amir Taheri photo

“The French Riviera is the one spot in Europe that comes closest to the image of an earthly paradise. At its heart is the Franco-Italian city of Nice, now France’s No. 2 tourist attraction after Paris… To a committed Islamist, Nice was the very symbol of a sinful “deviation from the Right Path.””

Amir Taheri (1942) Iranian journalist

"A cry from France: After Nice, can we finally face the truth about this war?" http://nypost.com/2016/07/15/a-cry-from-france-after-nice-can-we-finally-face-the-truth-about-this-war/ New York Post (July 15, 2016)
New York Post

Victor Villaseñor photo
Elbert Hubbard photo
Teresa de Lauretis photo
Abbie Hoffman photo

“A modern revolutionary group heads for the television station, not the factory. It concentrates its energy on infiltrating and changing the image system.”

Abbie Hoffman (1936–1989) American political and social activist

Source: Soon to be a Major Motion Picture (1980), p. 86

Simone Weil photo

“We can know only one thing about God — that he is what we are not. Our wretchedness alone is an image of this. The more we contemplate it, the more we contemplate him.”

Simone Weil (1909–1943) French philosopher, Christian mystic, and social activist

Source: Simone Weil : An Anthology (1986), Attention and Will (1947), p. 216

Harry V. Jaffa photo
William A. Dembski photo
Michel De Montaigne photo
James Weldon Johnson photo

“This Great God,
Like a mammy bending over her baby,
Kneeled down in the dust
Toiling over a lump of clay
Till He shaped it in His own image.”

James Weldon Johnson (1871–1938) writer and activist

The Creation, st. 11.
God's Trombones: Seven Negro Sermons in Verse (1927)

Jackson Pollock photo
T. E. Hulme photo

“Thought is prior to language and consists in the simultaneous presentation to the mind of two different images.”

T. E. Hulme (1883–1917) English Imagist poet and critic

Notes on Language and Style (1929)

José Ortega Y Gasset photo
John Ashcroft photo
Joseph Smith, Jr. photo
River Phoenix photo
Chuck Klosterman photo
Jonathan Stroud photo
Francis Wayland Parker photo
Jean Baudrillard photo

“There are only a few images that are not forced to provide meaning, or have to go through the filter of a specific idea.”

Jean Baudrillard (1929–2007) French sociologist and philosopher

New millennium, Photography, or the Writing of Light, (2000)

Andreas Karlstadt photo
Marwan Kenzari photo
Gene Wolfe photo
Bruce Fein photo

“Hillary Clinton is a clear and present danger to the Constitution, the rule of law, and international peace and security. Her eagerness for war, i. e., legalized murder, to create an image of adolescent toughness makes her a worse fit for the Presidency than would Lady Macbeth.”

Bruce Fein (1947) American lawyer

Bruce Fein, Hillary Clinton: Unfit for the Presidency, Huffington Post, October 16, 2015 http://www.huffingtonpost.com/bruce-fein/hillary-clinton-unfit-for_b_8313372.html

Douglas William Jerrold photo

“God said, "Let us make man in our image." Man said, 'Let us make God in our image."”

Douglas William Jerrold (1803–1857) English dramatist and writer

Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 257.

Terence McKenna photo

“Language, intelligence, and humor, along with art, generosity, and musical ability, are often described as human equivalents of the peacock’s tail. However, peacocks afford a poor analogy for the role of courtship displays in humans. Other animal models offer a better fit. In a number of nonhuman species — species as diverse as sea dragons and grebes — males and females engage in a mutual courtship “dance,” in which the two partners mirror one another’s movements. In Clark’s grebes and Western grebes, for instance, the pair bond ritual culminates in the famous courtship rush: The male and female swim side by side along the top of the water, with their wings back and their heads and necks in a stereotyped posture. If we want a nonhuman analogue for the role of creative intelligence or humor in human courtship, we should think not of ornamented peacocks displaying while drab females evaluate them. We should think instead of grebes engaged in their mating rush or sea dragons engaged in their synchronized mirror dance. Once we have one of these alternative images fixed in our minds, we can then add the proviso that there is a slight skew such that, in the early stages of courtship, men tend to display more vigorously and women tend to be choosier. However, this should be seen as a qualification to the primary message that intelligence, humor, and other forms of sexual display are part of the mutual courtship process in our species.”

Source: The Ape that Thought It Was a Peacock: Does Evolutionary Psychology Exaggerate Human Sex Differences? (2013), p. 160

Huey P. Newton photo
James K. Morrow photo
Evagrius Ponticus photo
Elizabeth Loftus photo
Jorge Luis Borges photo

“A man sets out to draw the world. As the years go by, he peoples a space with images of provinces, kingdoms, mountains, bays, ships, islands, fishes, rooms, instruments, stars, horses, and individuals. A short time before he dies, he discovers that the patient labyrinth of lines traces the lineaments of his own face.”

Un hombre se propone la tarea de dibujar el mundo. A lo largo de los años puebla un espacio con imágenes de provincias, de reinos, de montañas, de bahías, de naves, de islas, de peces, de habitaciones, de instrumentos, de astros, de caballos y de personas. Poco antes de morir, descubre que ese paciente laberinto de líneas traza la imagen de su cara.
Epilogue
Variant translation: A man sets himself the task of portraying the world. Through the years he peoples a space with images of provinces, kingdoms, mountains, bays, ships, islands, fishes, rooms, instruments, stars, horses, and people. Shortly before his death, he discovers that that patient labyrinth of lines traces the image of his face.
Dreamtigers (1960)

Camille Paglia photo

“Men, gay or straight, can get beauty and lewdness into one image. Women are forever softening, censoring, politicizing.”

Camille Paglia (1947) American writer

Source: Vamps and Tramps (1994), "No Law in the Arena: A Pagan Theory of Sexuality", p. 65

Rollo May photo
Rob Enderle photo

“[Apple] carries a valuation of an image that is over-inflated due largely to the powerful efforts of Steve Jobs who made the company appear magical. As we end the year, the valuation of the company appears to have massive downward pressure and this is largely because the architect of that massively powerful image has passed — and along with that passing Apple's apparent leadership.”

Rob Enderle (1954) American financial analyst

2013 to See HP or RIM Most Improved, Apple Falling and Facebook Toast http://itbusinessedge.com/blogs/unfiltered-opinion/2013-to-see-hp-or-rim-most-improved-apple-falling-and-facebook-toast.html in IT Business Edge (19 December 2012)

Jackson Pollock photo

“I've had a period of drawing on canvas in black – with some of my early images coming thru -, think the non-objectivists will find them disturbing – and the kids who think it simple to splash a 'Pollock' out.”

Jackson Pollock (1912–1956) American artist

Quote from Pollock's letter to Alfonso A. Ossorio and Edward Dragon (1951); as quoted in Abstract Expressionism (1990) by David Anfam, p. 175
1950's

Alan Moore photo
Marshall McLuhan photo

“A fixed point of view becomes possible with print and ends the image as a plastic organism.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1960s, The Gutenberg Galaxy (1962), p. 144

George Holmes Howison photo
Brion Gysin photo
Fred Polak photo

“Once he (man) became conscious of creating images of the future, he became a participant in the process of creating this future.”

Fred Polak (1907–1985) Dutch futurologist

Source: The Image of the Future, 1973, p. 6

Albert Pike photo
Julian of Norwich photo
Firuz Shah Tughlaq photo
Baldassarre Castiglione photo

“Then the soul, freed from vice, purged by studies of true philosophy, versed in spiritual life, and practised in matters of the intellect, devoted to the contemplation of her own substance, as if awakened from deepest sleep, opens those eyes which all possess but few use, and sees in herself a ray of that light which is the true image of the angelic beauty communicated to her, and of which she then communicates a faint shadow to the body.”

Baldassarre Castiglione (1478–1529) Italian Renaissance author (1478-1529)

Però l'anima, aliena dai vicii, purgata dai studi della vera filosofia, versata nella vita spirituale ed esercitata nelle cose dell'intelletto, rivolgendosi alla contemplazion della sua propria sustanzia, quasi da profundissimo sonno risvegliata, apre quegli occhi che tutti hanno e pochi adoprano, e vede in se stessa un raggio di quel lume che è la vera imagine della bellezza angelica a lei communicata, della quale essa poi communica al corpo una debil umbra.
Bk. 4, ch. 68; p. 300.
Souced, Il Libro del Cortegiano (1528)

Andrey Voznesensky photo
Philip K. Dick photo
Mircea Eliade photo
Alfred Horsley Hinton photo

“But the quality of the result obtained by using a pin-hole to which its advocates attach most importance is the suppression of sharp focus over the whole image, no one plane being more sharply focused than another.”

Alfred Horsley Hinton (1863–1908) British photographer

Source: Practical Pictorial Photography, 1898, Pin-hole as a substitute for the lens, p. 61

Henri Fantin-Latour photo

“Eventually, I'd like one monitor at the North Pole, one at the South, and two at the equator, big monitors switching images back and forth.”

Ira Schneider (1939) American artist

Ira Schneider (1969), Arts Magazine, Vol. 44, p. 22

Adam Smith photo
Brandon Boyd photo
Ernesto Che Guevara photo
Robert Solow photo
G. K. Chesterton photo

“Men always talk about the most important things to total strangers. It is because in the total stranger we perceive man himself; the image of God is not disguised by resemblances to an uncle or doubts of the wisdom of a moustache.”

The Club of Queer Trades http://books.google.com/books?id=mjcdk4InFzoC&q="Men+always+talk+about+the+most+important+things+to+total+strangers+it+is+because+in+the+total+stranger+we+perceive+man+himself+the+image+of+God+is+not+disguised+by+resemblances+to+an+uncle+or+doubts+of+the+wisdom+of+a+moustache"&pg=PT93#v=onepage (1905) Ch. 5 "The Noticeable Conduct of Professor Chadd"

book The Club of Queer Trades

Jacques Bertin photo
Jean Metzinger photo
Fred Polak photo
Lawrence Durrell photo
Perry Anderson photo

“In painting it is the forming of the image.”

Cy Twombly (1928–2011) American painter

1950 - 1960
Source: 'In painting it is the forming of the image', Cy Twombly, 'L'Esperienza moderna', 1957; as quoted in Cy Twombly, a monograph, Richard Leeman / picture research Isabelle d’Hauteville. London, 2005 p. 239

Mikhail Vrubel photo

“Elevate the soul by grandiose images beyond all everyday pettiness.”

Mikhail Vrubel (1856–1910) Russian painter

Unsourced

Ishirō Honda photo
Thomas Carew photo
Bismillah Khan photo

“An image can never be the real thing. Varanasi is where the Ganga flows, where I can play the Shehnai for Lord Balaji. I shall be at home, nowhere else but in India.”

Bismillah Khan (1916–2006) Indian musician

Sukriya.
When he was asked to stay back in America following his concerts there, even with a promise that a Varanasi would be replicated for him there.
Quote, Encyclopedia of Bharat Ratnas

Statius photo

“No image is there, to no metal is the divine form entrusted, in hearts and minds does the goddess delight to dwell.”
Nulla autem effigies, nulli commissa metallo forma dei: mentes habitare et pectora gaudet.

Source: Thebaid, Book XII, Line 493 (tr. J. H. Mozley)

“If I am asked about the photographer’s role in our times, the power of the image and so on, I do not want to launch into explanations. I only know that people who know how to look are as rare as those who know how to listen.”

Henri Cartier-Bresson (1908–2004) French photographer

Source: Henri Cartier-Bresson: Interviews and Conversations, 1951-1998, To Seize Life: Interview with Yvonne Baby (1961), p. 45

Francis Parkman photo
Jeffrey Moussaieff Masson photo

“The pleasure of their (the Imagist poetry is not the satisfaction of discovering little by little, but of seizing at a single blow, in the fullest vitality, the image, a fusion of reality in words.”

René Taupin (1905–1981) French academic

L'Influence du symbolism francais sur la poesie Americaine(de 1910 a 1920), Champion, Paris 1929 trans William Pratt and Anne Rich AMS , New York 1985 ISBN 9780404615796

Halldór Laxness photo

“The truth displayed in a good life is the fairest of images.”

Halldór Laxness (1902–1998) Icelandic author

Reverend Sigurður
Íslandsklukkan (Iceland's Bell) (1946), Part II: The Fair Maiden

Salvador Dalí photo
Andreas Karlstadt photo
Ramakrishna photo

“Women are, all of them, the veritable images of Śakti.”

Ramakrishna (1836–1886) Indian mystic and religious preacher

Source: The Gospel of Sri Ramakrishna (1942), p. 116

Rahul Dravid photo
Paul Gauguin photo
Tony Abbott photo

“Climate change is by no means the sole or even the most significant symptom of the changing interests and values of the West. Still, only societies with high levels of cultural amnesia – that have forgotten the scriptures about man created 'in the image and likeness of God' and charged with 'subduing the earth and all its creatures”

Tony Abbott (1957) Australian politician

could have made such a religion out of it.
Quoted in "'I've learnt to speak my mind': 10 excerpts from Tony Abbott's climate change speech in London'" http://www.smh.com.au/federal-politics/political-news/ive-learnt-to-speak-my-mind-ten-excerpts-from-tony-abbotts-climate-change-speech-in-london-20171009-gyxk92.html, Sydney Morning Herald, October 10, 2017
2017

Kalle Lasn photo