Quotes about image
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“Ask yourself, other than Pittsburgh Steeler Alejandro Villanueva, a West Point graduate and former U. S. Army Ranger combat veteran, could today’s NFL produce another Pat Tillman? Perhaps instead of the images of these big multi-millionaires disrespecting our flag and nation. We should remind folks of Pat Tillman…that was a real professional football player who realized that true service, sacrifice, and commitment was not just on a playing field…it was on a battlefield.”

Allen West (politician) (1961) American politician; retired United States Army officer

2010s, Folks, you’re missing the point about the NFL protests (19 October 2017)

Football

“At heart, I have always been a carpenter, who, instead of making a table or a door, was led to carve images in wood.”

Ossip Zadkine (1890–1967) French sculptor

as quoted in 'Wooden Sculptures' http://www.zadkine.paris.fr/en/collections/collections-sculptures/wooden-sculptures, Musée Zadkine Musée Zadkine: it was through wood that Zadkine came to sculpture, after being initiated in the techniques of carving by a maternal uncle. undated quotes

Heart

“Angus Young's frantic over-the-top soloing has sparked many of AC/DC's biggest tunes. But beneath the reckless theatrics and naughty schoolboy images lurks a skilled guitarist.”

Angus Young (1955) Scottish Australian guitarist

Askold Bulk[citation needed]
Related

“He then marched and encamped under the fort of Delhi' The city and its vicinity were freed from idols and idols-worship, and in the sanctuaries of the images of the Gods, mosques were raised by the worshippers of one God.'…
'Kutbu-d din built the Jami' Masjid at Delhi, and adorned it with stones and gold obtained from the temples which had been demolished by elephants, and covered it with inscriptions in Toghra, containing the divine commands.”

Muhammad of Ghor (1160–1206) Ghurid Sultan

Delhi. Hasan Nizami: Taju’l-Ma’sir, in Elliot and Dowson, Vol. II : Elliot and Dowson, History of India as told by its own Historians, 8 Volumes, Allahabad Reprint, 1964. pp. 222-23
Variant: The conqueror entered the city of Delhi, which is the source of wealth and the foundation of blessedness. The city and its vicinity was freed from idols and idol-worship, and in the sanctuaries of the images of the Gods, mosques were raised by the worshippers of one Allah'...'Kutub-d-din built the Jami Masjid at Delhi, and 'adorned it with the stones and gold obtained from the temples which had been demolished by elephants,' and covered it with 'inscriptions in Toghra, containing the divine commands.

God

“Publicity is usually explained and justified as a competitive medium which ultimately benefits the public (the consumer) and the most efficient manufacturers - and thus the national economy. It is closely related to certain ideas about freedom: freedom of choice for the purchaser: freedom of enterprise for the manufacturer. The great hoardings and the publicity neons of the cities of capitalism are the immediate visible sign of "The Free World." For many in Eastern Europe such images in the West sum up what they in the East lack. Publicity, it is thought, offers a free choice.”

John Berger book Ways of Seeing

Source: Ways of Seeing (1972), p. 130

World, Idea, Freedom

“The fall of the patriciate by no means divested the Roman commonwealth of its aristocratic character. We have already indicated that the plebeian party carried within it that character from the first as well as, and in some sense still more decidedly than, the patriciate; for, while in the old body of burgesses an absolute equality of rights prevailed, the new constitution set out from a distinction between the senatorial houses who were privileged in point of burgess rights and of burgess usufructs, and the mass of the other citizens. Immediately, therefore, on the abolition of the patriciate and the formal establishment of civic equality, a new aristocracy and a corresponding opposition were formed; and we have already shown how the former engrafted itself as it were on the fallen patriciate, and how, accordingly, the first movements of the new party of progress were mixed up with the last movements of the old opposition between the orders. The formation of these new parties began in the fifth century, but they assumed their definite shape only in the century which followed. The development of this internal change is, as it were, drowned amidst the noise of the great wars and victories, and not merely so, but the process of formation is in this case more withdrawn from view than any other in Roman history. Like a crust of ice gathering imperceptibly over the surface of a stream and imperceptibly confining it more and more, this new Roman aristocracy silently arose; and not less imperceptibly, like the current concealing itself beneath and slowly extending, there arose in opposition to it the new party of progress. It is very difficult to sum up in a general historical view the several, individually insignificant, traces of these two antagonistic movements, which do not for the present yield their historical product in any distinct actual catastrophe. But the freedom hitherto enjoyed in the commonwealth was undermined, and the foundation for future revolutions was laid, during this epoch; and the delineation of these as well as of the development of Rome in general would remain imperfect, if we should fail to give some idea of the strength of that encrusting ice, of the growth of the current beneath, and of the fearful moaning and cracking that foretold the mighty breaking up which was at hand. The Roman nobility attached itself, in form, to earlier institutions belonging to the times of the patriciate. Persons who once had filled the highest ordinary magistracies of the state not only, as a matter of course, practically enjoyed all along a higher honour, but also had at an early period certain honorary privileges associated with their position. The most ancient of these was doubtless the permission given to the descendants of such magistrates to place the wax images of these illustrious ancestors after their death in the family hall, along the wall where the pedigree was painted, and to have these images carried, on occasion of the death of members of the family, in the funeral procession.. the honouring of images was regarded in the Italo-Hellenic view as unrepublican, and on that account the Roman state-police did not at all tolerate the exhibition of effigies of the living, and strictly superintended that of effigies of the dead. With this privilege were associated various external insignia, reserved by law or custom for such magistrates and their descendants:--the golden finger-ring of the men, the silver-mounted trappings of the youths, the purple border on the toga and the golden amulet-case of the boys--trifling matters, but still important in a community where civic equality even in external appearance was so strictly adhered to, and where, even during the second Punic war, a burgess was arrested and kept for years in prison because he had appeared in public, in a manner not sanctioned by law, with a garland of roses upon his head.(6) These distinctions may perhaps have already existed partially in the time of the patrician government, and, so long as families of higher and humbler rank were distinguished within the patriciate, may have served as external insignia for the former; but they certainly only acquired political importance in consequence of the change of constitution in 387, by which the plebeian families that attained the consulate were placed on a footing of equal privilege with the patrician families, all of whom were now probably entitled to carry images of their ancestors. Moreover, it was now settled that the offices of state to which these hereditary privileges were attached should include neither the lower nor the extraordinary magistracies nor the tribunate of the plebs, but merely the consulship, the praetorship which stood on the same level with it,(7) and the curule aedileship, which bore a part in the administration of public justice and consequently in the exercise of the sovereign powers of the state.(8) Although this plebeian nobility, in the strict sense of the term, could only be formed after the curule offices were opened to plebeians, yet it exhibited in a short time, if not at the very first, a certain compactness of organization--doubtless because such a nobility had long been prefigured in the old senatorial plebeian families. The result of the Licinian laws in reality therefore amounted nearly to what we should now call the creation of a batch of peers. Now that the plebeian families ennobled by their curule ancestors were united into one body with the patrician families and acquired a distinctive position and distinguished power in the commonwealth, the Romans had again arrived at the point whence they had started; there was once more not merely a governing aristocracy and a hereditary nobility--both of which in fact had never disappeared--but there was a governing hereditary nobility, and the feud between the gentes in possession of the government and the commons rising in revolt against the gentes could not but begin afresh. And matters very soon reached that stage. The nobility was not content with its honorary privileges which were matters of comparative indifference, but strove after separate and sole political power, and sought to convert the most important institutions of the state--the senate and the equestrian order--from organs of the commonwealth into organs of the plebeio-patrician aristocracy.”

Theodor Mommsen (1817–1903) German classical scholar, historian, jurist, journalist, politician, archaeologist and writer

The History of Rome - Volume 2

Death, Men, War, Youth

“From thence the King marched towards the mountains of Nagrakote, where he was overtaken by a storm of hail and snow. The Raja of Nagrakote, after sustaining some loss, submitted, but was restored to his dominions. The name of Nagrakote was, on this occasion, changed to that of Mahomedabad, in honour of the late king… Some historians state, that Feroze, on this occasion, broke the idols of Nagrakote, and mixing the fragments with pieces of cow’s flesh, filled bags with them, and caused them to be tied round the necks of Bramins, who were then paraded through the camp. It is said, also, that he sent the image of Nowshaba to Mecca, to be thrown on the road, that it might be trodden under foot by the pilgrims, and that he also remitted the sum of 100,000 tunkas, to be distributed among the devotees and servants of the temple.”

Firishta (1560–1620) Indian historian

Sultãn Fîrûz Shãh Tughlaq (AD 1351-1388) Nagarkot Kangra (Himachal Pradesh)
Tãrîkh-i-Firishta

Mountain, Change, Loss

“You approach the Mullahs as if they are normal people. They are not. You see them in your own image; you should not.”

Mohammad Reza Pahlavi (1919–1980) Shah of Iran

As quoted in Gholam R. Afkhami (2009) The life and times of the Shah, page 591
Attributed

People

“The French Riviera is the one spot in Europe that comes closest to the image of an earthly paradise. At its heart is the Franco-Italian city of Nice, now France’s No. 2 tourist attraction after Paris… To a committed Islamist, Nice was the very symbol of a sinful “deviation from the Right Path.””

Amir Taheri (1942) Iranian journalist

"A cry from France: After Nice, can we finally face the truth about this war?" http://nypost.com/2016/07/15/a-cry-from-france-after-nice-can-we-finally-face-the-truth-about-this-war/ New York Post (July 15, 2016) New York Post

Heart

“I now began to collect pubic hair, which I figured was a much safer way to go. I’d look for pubic hair in every bathroom after the girls showered, and in my mind’s eye, I’d try to match up each hair with each girl, all the while imaging her beautiful, luscious, wet, hairy, good-feeling bush. I mean, this was the summer that our pool area just seemed to be full of girls all the time. I was quickly becoming a pubic hair expert”

Victor Villaseñor (1940) American writer

Crazy Loco Love: A Memoir (2008)

Beauty, Way, Feeling, Girl

“It is not to be wondered that men have worshiped the ocean, for in his depths they have seen mirrored the image of Eternity — of Infinity. Here they have seen the symbol of God's great plan of oneness with His creatures, for the sea is the union of all infinite particles, and it takes the whole to make the one.”

Elbert Hubbard (1856–1915) American writer, publisher, artist, and philosopher fue el escritor del jarron azul

"The Sea" in The Philosophy of Elbert Hubbard (1916), p. 169.

Men, God, Sea

“The hero [of a narrative] must be male, regardless of the gender of the text-image, because the obstacle, whatever its personification, is morphologically female…. The hero, the mythical subject, is constructed as human being and as male; he is the active principle of culture, the establisher of distinction, the creator of differences. Female is what is not susceptible to transformation, to life or death; she (it) is an element of plot-space, a topos, a resistance, matrix and matter.”

Teresa de Lauretis (1938) Italian academic

de Lauretis, Teresa (1984). "Desire in Narrative", Alice Doesn't, p.118-119. Indiana University Press. ISBN 0253203163.

Life, Death

“A modern revolutionary group heads for the television station, not the factory. It concentrates its energy on infiltrating and changing the image system.”

Abbie Hoffman (1936–1989) American political and social activist

Source: Soon to be a Major Motion Picture (1980), p. 86

Change

“We can know only one thing about God — that he is what we are not. Our wretchedness alone is an image of this. The more we contemplate it, the more we contemplate him.”

Simone Weil (1909–1943) French philosopher, Christian mystic, and social activist

Source: Simone Weil : An Anthology (1986), Attention and Will (1947), p. 216

God

“Let us contemplate two epochal events in the long human story. One is the annunciation of the unity of God at Mt. Sinai. That same God was said to have made man, alone among living beings, in His image. Implicit in the unity of God was the corresponding unity of the human race. But it was only after more than three thousand years, that the Declaration of this unity was made in Philadelphia. One need not believe in direct divine intervention to think that it has been the peculiar mission of the American people to testify to the unity on earth of God, and of man. Such testimony could take no more evident form than in the denunciation of chattel slavery in the founding itself. That denunciation is prominent beyond doubt or denial, in the documents of the founding. Men of reason can agree with men of faith, that neither God nor man could have devised a more dramatic event than our founding to demonstrate to the world the meaning inherent in this unity.”

Harry V. Jaffa (1918–2015) American historian and collegiate professor

2000s, God Bless America (2008), Slavery and the Human Story

Men, God, People, World

“Theism (whether Christian, Jewish, or Muslim) holds that God by wisdom created the world. The origin of the world and its subsequent ordering thus results from the designing activity of an intelligent agent—God. Naturalism, on the other hand, allows no place for intelligent agency except at the end of a blind, purposeless material process. Within naturalism, any intelligence is an evolved intelligence. Moreover, the evolutionary process by which any such intelligence developed is itself blind and purposeless. As a consequence, naturalism makes intelligence not a basic creative force within nature but an evolutionary byproduct. In particular, humans (the natural objects best known to exhibit intelligence) are not the crown of creation, not the carefully designed outcome of a purposeful creator, and certainly not creatures made in the image of a benevolent God. Rather, humans are an accident of natural history.”

William A. Dembski (1960) American intelligent design advocate

[The design revolution: answering the toughest questions about intelligent design, Downers Grove, Ill., InterVarsity Press, 2003, [BS652.D46, 2004], 2003020589, 9780830832163, http://books.google.com/books?id=sKVqpXqE0VwC] p. 8-9
2000s

Wisdom, God, World, History

“The entire lower world was created in the likeness of the higher world. All that exists in the higher world appears like an image in this lower world; yet all this is but One.”

Michel De Montaigne (1533–1592) (1533-1592) French-Occitan author, humanistic philosopher, statesman

Attributed

World, Appearance

“This Great God,
Like a mammy bending over her baby,
Kneeled down in the dust
Toiling over a lump of clay
Till He shaped it in His own image.”

James Weldon Johnson (1871–1938) writer and activist

The Creation, st. 11.
God's Trombones: Seven Negro Sermons in Verse (1927)

God, Baby

“The important thing is that Clyff Still – you know his work? – and Rothko, and I – we've changed the nature of painting… I don't mean there aren't any other good painters. Bill [ Willem the Kooning ] is a good painter, but he's a 'French' painter [Pollock meant: a French-abstract style]. I told him so, the last time I saw him after his last show,… all those pictures in his last show start with an image. You can see it even though he's covered it up, or tried to…. Style – that's the French part of it. He has to cover it up with style.. [answering Seldon Rodman's question]”

Jackson Pollock (1912–1956) American artist

In an interview (1956); published in Conversations with Artists, by Seldon Rodman, New York, Capricorn Books, 1961, pp. 84-85
1950's

Question, Nature, Change, Time

“Thought is prior to language and consists in the simultaneous presentation to the mind of two different images.”

T. E. Hulme (1883–1917) English Imagist poet and critic

Notes on Language and Style (1929)

José Ortega Y Gasset (1883–1955) Spanish liberal philosopher and essayist

"The Dehumanization of Art"
The Dehumanization of Art and Ideas about the Novel (1925)

Fate, Art, Personality, Forgetting

“Some people in our country seem more concerned about respecting the dignity and privacy of criminals and terrorists than they are about having an airport full of people obliterated, or a completely booked hotel blown to bits. Perhaps they think, Let's not get so upset about attacks on our embassies or military bases. Maybe, they surmise, the terrorists have good reason for attacking us. We have no right to be harassing innocent people in our country. For some people, not even the grotesque images that filled our television screens after al Qaeda's blatant attacks on 9/11 seem enough to wake them out of their utopia feel-good world.”

John Ashcroft (1942) American politician

Source: Never Again: Securing America and Restoring Justice (2006), p. 259

People, Books, World, Feeling

“I want to ask this congregation, every man, woman and child, to answer the question in their own heart, what kind of a being God is?... Does any man or woman know? Have any of you seen him, heard him, or communed with him?... God himself was once as we are now, and is an exalted man, and sits enthroned in yonder heavens! That is the great secret. If the veil were rent today, and the great God who holds this world in its orbit, and who upholds all worlds and all things by his power, was to make Himself visible,—I say, if you were to see Him today, you would see Him like a man in form—like yourselves in all the person, image, and very form as a man; for Adam was created in the very fashion, image and likeness of God, and received instruction from, and walked, talked and conversed with Him, as one man talks and communes with another.... It is the first principle of the Gospel to know for a certainty the Character of God, and to know that we may converse with him as one man converses with another, and that He was once a man like us; yea, that God Himself, the Father of us all, dwelt on an earth, the same as Jesus Christ himself did; and I will show it from the Bible.”

Joseph Smith, Jr. book History of the Church

History of the Church, 6:303-04 (7 April 1844)
1840s, King Follett discourse (1844)

God, Secret, World, Communication

“It really upsets me and I'm basically upset at myself for being so naive and gullible as I have been in the past as far as being intimidated by the stylists with the wardrobe and the hair-do's and the poses and the this and that and all that stuff that isn't me. What it does is it makes you an image, and they plaster you on all these magazines and sensationalize and they're all very nice and sweet and goody-goody but still, it's just false as far as, you know, the image that's portrayed; it's not me.”

River Phoenix (1970–1993) American actor, musician, and activist

E! Television (1988)

Past, Falseness

“Were there really this many women in 1985 saying to their husbands, "Gee, honey, I'd love to have random strangers masturbate to a jpeg image of me deepthroating a titanium dildo, but there's no medium for that. Guess we'll have to watch 'Falcon Crest.'”

Chuck Klosterman (1972) Author, Columnist

Sex, Drugs, and Cocoa Puffs (2003)

Love, Women

“Perhaps he'd want me to conjure up an illusion. That might be fun: there was bound to be a way of misinterpreting his request and upsetting him†.
†One magician demanded I show him an image of the love of his life. I rustled up a mirror.”

Jonathan Stroud book The Amulet of Samarkand

The Amulet of Samarkand (2003)

Love, Life, Way

“Slowly the human beings have arise n-guided by a glimmering light — and have climbed spiritually from the earth and the clod, from the shrub and tree up the broad walls of the arched sky, to stars, and moon, and sun, and then beyond the sun, for the divinity seeldng and striving imagination stretches away to the invisible, all powerful, all-controlling, all-loving. One who permeates the universe, lives in it, and breathes His life through it, the eternal life to be taken into the human soul. The myth is the obscure image, in the child's soul, of God Himself.”

Francis Wayland Parker (1837–1902) Union Army officer

Source: Talks on Pedagogics, (1894), p. 10

Love, Life, God, Soul

“There are only a few images that are not forced to provide meaning, or have to go through the filter of a specific idea.”

Jean Baudrillard (1929–2007) French sociologist and philosopher

New millennium, Photography, or the Writing of Light, (2000)

Idea

“Who will believe us when we say that we do not love these stuffed dummies—carved or painted images—when our deeds convict us? God hates and despises images, as I shall show. He considers them an abomination and says that all human beings are in his eyes as the things they love. Images are an abomination; it follows therefore that we too shall become abominable, if we love them.”

Andreas Karlstadt (1486–1541) German theologian

Source: On the Removal of Images (1522), p.103

Love, God, Hate, Painting

“As a graduate student at Yale, I studied the whole of Christian theology but focused my attention on the Darwinian controversies. I wanted to get to the root of the conflict between Darwinian evolution and Christian doctrine. In the course of my research I learned (to my surprise) that biblical chronology played almost no role in the 19th- century controversies, since most theologians had already accepted geological evidence for the age of the earth and re-interpreted the days in Genesis as long periods of time. Instead, the central issue was design. God created the cosmos with a plan in mind. This affirmation is among the most basic in all of Christianity (and other theistic religions as well, including Unificationism). And that plan included human beings as the final outcome of the creative process: we are created in the image of God.”

Jonathan Wells (1942) American intelligent design advocate

Darwinism: Why I Went for a Second Ph.D http://www.tparents.org/Library/Unification/Talks/Wells/DARWIN.htm

God, Age, Religion, Study

“War's Over, We Won (No Thanks to Barack Obama) … If Barack Obama had gotten his way, Iraq would now be in the hands of Islamists, and America’s image would have suffered a crushing blow. He voted to cut off funding for the troops, just when they needed it most, and still refuses to admit he was wrong. Well, he was wrong, and George W. Bush deserves credit for refusing to back down when all around him were losing heart.”

Charles Foster Johnson (1953) American musician

November 14, 2008 http://littlegreenfootballs.com/article/31910_Wars_Over_We_Won_(No_Thanks_to_Barack_Obama)&only http://littlegreenfootballs.com/article/31937_Victory_in_Iraq_Day&only

War, Way, Suffering, Heart

“I find it quite difficult to watch the film once it is done, because in your head or imagination it is totally different. In the beginning it is quite hard, and I don't mean hard as in a negative or a positive. It is difficult to see the film being edited and see the real images for the first time coming out of your head and onto the screen. Sometimes you are surprised that he left something in and he took something out. The director is the creator; he's the captain of the ship when it comes to the creative journey of the film, along of course with the producer. So when you start out acting you have to find a way to understand and to deal with that. But as I say I don't mean it as a negative or a positive.”

Marwan Kenzari (1983) Dutch Tunesian actor

Fight Cub: Marwan Kenzari and Nasrdin Dchar Talk Wolf http://thequietus.com/articles/16646-wolf-kenzari-dchar-interview (November 8th, 2014)

Way, Imagination, Understanding, Time

“The same critics who spend hundreds of pages discussing various peculiarities of the author's supposed nature often devote none to that much more significant person, the reader for whom he wrote. […] It is a failure that disqualifies a great deal of head-scratching and hypothesizing. It amounts to saying that the letter is more important than its recipient, the signal more important than the changing image created from it, the bait more important than the fish.”

Gene Wolfe (1931–2019) American science fiction and fantasy writer

Endangered Species (1989), Introduction
Nonfiction

Failure, Nature, Fish, Change

“Hillary Clinton is a clear and present danger to the Constitution, the rule of law, and international peace and security. Her eagerness for war, i. e., legalized murder, to create an image of adolescent toughness makes her a worse fit for the Presidency than would Lady Macbeth.”

Bruce Fein (1947) American lawyer

Bruce Fein, Hillary Clinton: Unfit for the Presidency, Huffington Post, October 16, 2015 http://www.huffingtonpost.com/bruce-fein/hillary-clinton-unfit-for_b_8313372.html

War, Peace, Law

“One can even go beyond know-what into know-whether. This involves the evaluative structure of the human mind which enables us to make decisions and choices among different images of the future. Human behavior cannot be explained without this further development in the hierarchy that starts with simple information. This actually goes back a long way in evolution. Even the amoeba knows whether to absorb a piece of grit or a piece of food.”

Kenneth E. Boulding (1910–1993) British-American economist

Kenneth Boulding (1984) In: Meheroo Jussawalla, Helene Ebenfield eds. Communication and information economics: new perspectives. p. vii
1980s

Food, Way, Behavior, Decision

“God said, "Let us make man in our image." Man said, 'Let us make God in our image."”

Douglas William Jerrold (1803–1857) English dramatist and writer

Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 257.

God

“It is now very clear that techniques of machine-human interfacing, pharmacology of the synthetic variety, all kinds of manipulative techniques, all kinds of data storage, imaging and retrieval techniques– all of this is coalescing toward the potential of a truly demonic or angelic kind of self-imaging of our culture… And the people who are on the demonic side are fully aware of this and hurrying full-tilt forward with their plans to capture everyone as a 100% believing consumer inside some kind of a beige furnished fascism that won't even raise a ripple.”

Terence McKenna (1946–2000) American ethnobotanist

Non-Ordinary States Through Vision Plants (1988)

People, Angels

“Language, intelligence, and humor, along with art, generosity, and musical ability, are often described as human equivalents of the peacock’s tail. However, peacocks afford a poor analogy for the role of courtship displays in humans. Other animal models offer a better fit. In a number of nonhuman species — species as diverse as sea dragons and grebes — males and females engage in a mutual courtship “dance,” in which the two partners mirror one another’s movements. In Clark’s grebes and Western grebes, for instance, the pair bond ritual culminates in the famous courtship rush: The male and female swim side by side along the top of the water, with their wings back and their heads and necks in a stereotyped posture. If we want a nonhuman analogue for the role of creative intelligence or humor in human courtship, we should think not of ornamented peacocks displaying while drab females evaluate them. We should think instead of grebes engaged in their mating rush or sea dragons engaged in their synchronized mirror dance. Once we have one of these alternative images fixed in our minds, we can then add the proviso that there is a slight skew such that, in the early stages of courtship, men tend to display more vigorously and women tend to be choosier. However, this should be seen as a qualification to the primary message that intelligence, humor, and other forms of sexual display are part of the mutual courtship process in our species.”

Steve Stewart-Williams (1971)

Source: The Ape that Thought It Was a Peacock: Does Evolutionary Psychology Exaggerate Human Sex Differences? (2013), p. 160

Women, Men, Art, Music

“Direct and unconcealed brute force and violence—although clearly persisting in many quarters of society—are today less acceptable to an increasingly sophisticated public, a public significantly remote from the methods of social and economic control common to early America. This is not a statement, however, that there is such increased civility that Americans can no longer tolerate social control of the country's under classes by force of violence; rather, it is an observation that Americans today appear to be more inclined to issue endorsement to agents and agencies of control which carry out the task, while permitting the benefactors of such control to retain a semidignified, clean-hands image of themselves.”

Huey P. Newton (1942–1989) Co-founder of the Black Panther Party

War Against the Panthers: A Study of Repression in America (June 1980)

Appearance, Country

“Say “rationalist” to the average New Age chucklehead, and you conjured up unappetizing images: killjoys obsessed with rules, boors fixated on order, logic-mongers skating around on the surface of things, missing the cosmic essence. Phooey. A rationalist could experience awe as readily as a shaman. But it had to be quality awe, Oliver believed, awe without illusions—the sort of awe he’d felt upon intuiting the size of the universe, or sensing the unlikeliness of his birth.”

James K. Morrow book Towing Jehovah

Source: Towing Jehovah (1994), Chapter 5, “Teeth” (p. 109)

Age, Birth, Sense, Universe

“64. The proof of apatheia is had when the spirit begins to see its own light, when it remains in a state of tranquility in the presence of the images it has during sleep and when it maintains its calm as it beholds the affairs of life.”

Evagrius Ponticus (345–399) Christian monk

The Praktikos

Life, Sleep, Light

“Although the '60s counterculture has been much maligned and discredited, it attempted to provide what we still desperately need: a spirited culture of refusal, a counter-life to the reigning corporate culture of death. We don't need to return to that counterculture, but we do need to take up its challenge again. If the work we do produces mostly bad, ugly, and destructive things, those things in turn will tend to re-create us in their image. We need to turn to good, useful, and beautiful work. We need to ask, as Thoreau and Ruskin did, What are the life-giving things? Such important questions are answered for us in the present by the corporate state, while we are left with the most trivial decisions: what programs to watch on TV and what model car to buy.”

Curtis White (1951) American academic

"The spirit of disobedience: an invitation to resistance"

Life, Death, Beauty, Cars

“I collaborated on a brain imaging study in 2010, and the overwhelming conclusion we reached is that the neural patterns were very similar for true and false memories. We are a long way away from being able to look at somebody's brain activity and reliably classify an authentic memory versus one that arose through some other process.”

Elizabeth Loftus (1944) American cognitive psychologist

I could have sworn...Why you can’t trust your memory https://www.newscientist.com/article/mg21929310-400-i-could-have-sworn-why-you-cant-trust-your-memory/ (8/21/2013)

Way, Study, Memory, Falseness

“A man sets out to draw the world. As the years go by, he peoples a space with images of provinces, kingdoms, mountains, bays, ships, islands, fishes, rooms, instruments, stars, horses, and individuals. A short time before he dies, he discovers that the patient labyrinth of lines traces the lineaments of his own face.”

Jorge Luis Borges Dreamtigers

Un hombre se propone la tarea de dibujar el mundo. A lo largo de los años puebla un espacio con imágenes de provincias, de reinos, de montañas, de bahías, de naves, de islas, de peces, de habitaciones, de instrumentos, de astros, de caballos y de personas. Poco antes de morir, descubre que ese paciente laberinto de líneas traza la imagen de su cara.
Epilogue
Variant translation: A man sets himself the task of portraying the world. Through the years he peoples a space with images of provinces, kingdoms, mountains, bays, ships, islands, fishes, rooms, instruments, stars, horses, and people. Shortly before his death, he discovers that that patient labyrinth of lines traces the image of his face.
Dreamtigers (1960)

People, World, Mountain, Star

“Men, gay or straight, can get beauty and lewdness into one image. Women are forever softening, censoring, politicizing.”

Camille Paglia (1947) American writer

Source: Vamps and Tramps (1994), "No Law in the Arena: A Pagan Theory of Sexuality", p. 65

Women, Men, Beauty

“Lacking positive myths to guide him, many a sensitive contemporary man finds only the model of the machine beckoning him from every side to make himself over into its image.”

Rollo May (1909–1994) US psychiatrist

Source: Psychology and the Human Dilemma (1967), p. 30

“[Apple] carries a valuation of an image that is over-inflated due largely to the powerful efforts of Steve Jobs who made the company appear magical. As we end the year, the valuation of the company appears to have massive downward pressure and this is largely because the architect of that massively powerful image has passed — and along with that passing Apple's apparent leadership.”

Rob Enderle (1954) American financial analyst

2013 to See HP or RIM Most Improved, Apple Falling and Facebook Toast http://itbusinessedge.com/blogs/unfiltered-opinion/2013-to-see-hp-or-rim-most-improved-apple-falling-and-facebook-toast.html in IT Business Edge (19 December 2012)

Effort, Appearance

“I've had a period of drawing on canvas in black – with some of my early images coming thru -, think the non-objectivists will find them disturbing – and the kids who think it simple to splash a 'Pollock' out.”

Jackson Pollock (1912–1956) American artist

Quote from Pollock's letter to Alfonso A. Ossorio and Edward Dragon (1951); as quoted in Abstract Expressionism (1990) by David Anfam, p. 175
1950's

Thinking, Drawing

“Magic and art tend to share a lot of the same language. They both talk about evocation, invocation, and conjuring. If you’re trying to conjure a character, then maybe you should treat that with the respect that you would if you were trying to conjure a demon. Because if an image of a god is a god, then in some sense the image of a demon is a demon. I’m thinking of people like Malcolm Lowry, the exquisite author of Under the Volcano. There are kabbalistic demons that are lurking all the way through Under the Volcano, and I assume they were probably similar forces to the ones that eventually overwhelmed Lowry’s life, such as the drinking and the madness. When I hear alcoholics talk about having their demons, I think that they’re probably absolutely literally correct.”

Alan Moore (1953) English writer primarily known for his work in comic books

The Believer interview (2013)

Life, God, People, Alcohol

“A fixed point of view becomes possible with print and ends the image as a plastic organism.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1960s, The Gutenberg Galaxy (1962), p. 144

“The true love wherewith God loves other spirits is not the outpouring upon them of graces which are the unearned gift of his miraculous power; it is the love, on the contrary, which holds the individuality, the personal initiative, of its object sacred. As the true father desires that the son who, after him, is to be the head of the family shall have a method and policy of his own, by which the honours of the line shall be increased by new contributions, so he who is the Father of Spirits will have his image brought forth in every one of his offspring by the thought and conviction of each soul itself.”

George Holmes Howison (1834–1916) American philosopher

Source: The Limits of Evolution, and Other Essays, Illustrating the Metaphysical Theory of Personal Ideaalism (1905), The Right Relation of Reason to Religion, p.257

Love, God, Family, Soul

“Language is an abominable misunderstanding which makes up a part of matter. The painters and the physicists have treated matter pretty well. The poets have hardly touched it. In March 1958, when I was living at the Beat Hotel, I proposed to Burroughs to at least make available to literature the means that painters have been using for fifty years. Cut words into pieces and scramble them. You'll hear someone draw a bow-string. Who runs may read, To read better, practice your running. Speed is entirely up to us, since machines have delivered us from the horse. Henceforth the question is to deliver us from that other so-called superior animal, man. It's not worth it to chase out the merchants: their temple is dedicated to the unsuitable lie of the value of the Unique. The crime of separation gave birth to the idea of the Unique which would not be separate. In painting, matter has seen everything: from sand to stuffed goats. Disfigured more and more, the image has been geometrically multiplied to a dizzying degree. A snow of advertising could fall from the sky, and only collector babies and the chimpanzees who make abstract paintings would bother to pick one up.”

Brion Gysin (1916–1986) Canadian artist

Cut-Ups: A Project for Disastrous Success.

Lie, Literature, Idea, Birth

“Once he (man) became conscious of creating images of the future, he became a participant in the process of creating this future.”

Fred Polak (1907–1985) Dutch futurologist

Source: The Image of the Future, 1973, p. 6

Future

“"Thy sun," says Isaiah to Jerusalem, " shall no more go down, neither shall thy moon withdraw itself; for the Lord shall be thine everlasting light, and the days of thy mourning shall be ended. Thy people also shall be all righteous; they shall inherit the land forever." Such is the type of a free people.
Our northern ancestors worshipped this tri-une Deity; Odin, the Almighty Father; Frea, his wife, emblem of universal matter; and Thor, his son, the mediator. But above all these was the Supreme God, "the author of everything that existeth, the Eternal, the Ancient, the Living and Awful Being, the Searcher into concealed things, the Being that never changeth." In the Temple of Eleusis (a sanctuary lighted only by a window in the roof, and representing the universe), the images of the Sun, Moon, and Mercury, were represented.”

Albert Pike book Morals and Dogma of the Ancient and Accepted Scottish Rite of Freemasonry

Source: Morals and Dogma of the Ancient and Accepted Scottish Rite of Freemasonry (1871), Ch. I : Apprentice, The Twelve-Inch Rule and Common Gavel, p. 1

God, People, Light, Universe

“My sight began to fail, and it was all dark about me in the chamber, as if it had been night, save in the Image of the Cross whereon I beheld a common light; and I wist not how. All that was away from the Cross was of horror to me, as if it had been greatly occupied by the fiends
After this the upper part of my body began to die, so far forth that scarcely I had any feeling; — with shortness of breath. And then I weened in sooth to have passed.
And in this suddenly all my pain was taken from me, and I was as whole (and specially in the upper part of my body) as ever I was afore.
I marvelled at this sudden change; for methought it was a privy working of God, and not of nature. And yet by the feeling of this ease I trusted never the more to live; nor was the feeling of this ease any full ease unto me: for methought I had liefer have been delivered from this world.”

Julian of Norwich book Revelations of Divine Love

Revelations of Divine Love (c. 1393), Chapter 3

God, Pain, World, Feeling

“Allah, who is the only true God and has no other emanation, endowed the king of Islam with the strength to destroy this ancient shrine on the eastern sea-coast and to plunge it into the sea, and after its destruction, he ordered the nose of the image of Jagannath to be perforated and disgraced it by casting it down on the ground. They dug out other idols, which were worshipped by the polytheists in the kingdom of Jajnagar, and overthrew them as they did the image of Jagannath, for being laid in front of the mosques along the path of the Sunnis and way of the musallis (the multitude who offer prayers) and stretched them in front of the portals of every mosque, so that the body and sides of the images may be trampled at the time of ascent and descent, entrance and exit, by the shoes on the feet of the Muslims.”

Firuz Shah Tughlaq (1309–1388) Tughluq sultan

Puri (Orissa). Sirat-Firuz Shahi, quoted in R.C. Majumdar (ed.), Vol. VI, The Delhi Sultanate, Bombay, Majumdar, R.C. (ed.), The History and Culture of the Indian People: Volume VI: The Delhi Sultanate, Bombay, 1960.

God, Shoe, Way, Time

“The image (shadow) being inverted depends on there being an aperture at the cross-over and the image (shadow) being distant. The explanation lies in the aperture.
The image (shadow): The light reaches the person shining like an arrow. The lowest [light] that reaches the person is the highest [in the image] and the highest [light] that reaches the person is the lowest [in the image]. The feet conceal the lowest light and therefore become the image (shadow) at the top. The head conceals the highest light and therefore becomes the image (shadow) at the bottom.”

Mozi (-470–-391 BC) Chinese political philosopher and religious reformer of the Warring States period

Book 10: Exposition of Canon II; this is the earliest known description of the inverted image produced by a camera obscura,; as translated in by Ian Jonston in The Mozi (2010), p. 489

Light, Distant, Dependency, Personality

“Then the soul, freed from vice, purged by studies of true philosophy, versed in spiritual life, and practised in matters of the intellect, devoted to the contemplation of her own substance, as if awakened from deepest sleep, opens those eyes which all possess but few use, and sees in herself a ray of that light which is the true image of the angelic beauty communicated to her, and of which she then communicates a faint shadow to the body.”

Baldassarre Castiglione (1478–1529) Italian Renaissance author (1478-1529)

Però l'anima, aliena dai vicii, purgata dai studi della vera filosofia, versata nella vita spirituale ed esercitata nelle cose dell'intelletto, rivolgendosi alla contemplazion della sua propria sustanzia, quasi da profundissimo sonno risvegliata, apre quegli occhi che tutti hanno e pochi adoprano, e vede in se stessa un raggio di quel lume che è la vera imagine della bellezza angelica a lei communicata, della quale essa poi communica al corpo una debil umbra.
Bk. 4, ch. 68; p. 300.
Souced, Il Libro del Cortegiano (1528)

Life, Beauty, Angels, Soul

“Akhmatova's seeming successor as the best living Russian poet is Voznesensky. His talent is dazzling. He has the gift of fresh, witty perception, works with unusual images and modern rhythms. His poetry is marvelously dynamic.”

Andrey Voznesensky (1933–2010) Soviet poet

Olga Carlisle in The New York Times, September 11, 1966.
Criticism

“Forty-two. His age had astounded him for years, and each time that he had sat so astounded, trying to figure out what had become of the young, slim man in his twenties, a whole additional year slipped by and had to be recorded, a continually growing sum which he could not reconcile with his self-image. He still saw himself, in his mind's eye, as youthful, and when he caught sight of himself in photographs he usually collapsed … Somebody took my actual physical presence away and substituted this, he had thought from time to time. Oh well, so it went.”

Philip K. Dick book A Maze of Death

A Maze of Death (1970)

Youth, Age, Time

“In archaic and traditional societies, the surrounding world is conceived as a microcosm. At the limits of this closed world begins the domain of the unknown, of the formless. On this side there is ordered — because of inhabited and organized — space; on the other, outside this familiar space, there is the unknown and dangerous region of the demons, the ghosts, and the dead and foreigners — in a world, chaos or death or night. This image of an inhabited microcosm, surrounded by desert regions as a chaos or a kingdom of the dead, has survived even in highly evolved civilizations such as those of China, Mesopotamia and Egypt.”

Mircea Eliade (1907–1986) Romanian historian of religion, fiction writer and philosopher

Images and Symbols (1952)

Death, World, Night, Dead

“But the quality of the result obtained by using a pin-hole to which its advocates attach most importance is the suppression of sharp focus over the whole image, no one plane being more sharply focused than another.”

Alfred Horsley Hinton (1863–1908) British photographer

Source: Practical Pictorial Photography, 1898, Pin-hole as a substitute for the lens, p. 61

“In another place in Kashmeer was a temple built by Raja Bulnat, the destruction of which was attended with a remarkable incident. After it had been levelled, and the people were employed in digging the foundation, a copper-plate was discovered, on which was the following inscription : —
“ Raja Bulnat, having built this temple, was
“ desirous of ascertaining from his astrologers
“ how long it would last, and was informed by
“ them, that after eleven hundred years, a king
“ named Sikundur would destroy it, as well as the
“ other temples in Kaslimeer.”
The King was surprised, though vexed, that the Hindoo prophet should have predicted the truth, and declared, if they had placed the plate against the wall, he would have preserved the temple to belie the prophet. Having broken all the images in Kashmeer, he acquired the title of the Iconoclast, “Destroyer of Idols.””

Sikandar Butshikan

Tarikh-i-Firishta, translated by John Briggs under the title History of the Rise of the Mahomedan Power in India, first published in 1829, New Delhi Reprint 1981, Vol. III p.268-69

People, Truth

“Well! according to the sketch your picture [which Whistler sent him in a letter] seems well-composed, the lines of sky, sea, the position of the figures all that seems very, very well done[, ] on opening the letter it struck me immediately, an impression of decorative ornamentation which makes a good picture appeal to the eye as well - upside down and any other way up. Arrangement, layout, composition. etc - mysterious words harmonious laws - in no way conventional - needs of the Artist glory of the Raphael's Michelangelo's etc etc - for me a repetition a hesitation, a matter of feeling - which should also be a law, a mathematical thing, like form, like light, colour[. ] I find similarities with the colour method which works by opposing colours to arrive at a harmony that is to say to make a canvas a complete whole, to put into a small space an image with all the forces all the principles of nature - [instead of showing a part of it]..”

Henri Fantin-Latour (1836–1904) painter from France

quote from a letter of Fantin-Latour, Paris 7-14 October 1862 to James Whistler; from The Correspondence of James McNeill Whistler - Repository: Glasgow University Library http://www.whistler.arts.gla.ac.uk/correspondence/people/display/?cid=1075&nameid=Manet_E&sr=0&surname=&firstname=&rs=1 - System Number: 01075; Call Number: MS Whistler F 6.

Law, Way, Feeling, Mathematics

“Eventually, I'd like one monitor at the North Pole, one at the South, and two at the equator, big monitors switching images back and forth.”

Ira Schneider (1939) American artist

Ira Schneider (1969), Arts Magazine, Vol. 44, p. 22

“Every man, as the Stoics used to say, is first and principally recommended to his own care; and every man is certainly, in every respect, fitter and abler to take care of himself than of any other person. Every man feels his own pleasures and his own pains more sensibly than those of other people. The former are the original sensations; the latter the reflected or sympathetic images of those sensations. The former may be said to be the substance; the latter the shadow.”

Adam Smith book The Theory of Moral Sentiments

Section II, Chap. I.
The Theory of Moral Sentiments (1759), Part VI

Pain, People, Pleasure, Feeling

“I was in a bookstore, browsing through an old Life magazine, when I saw a picture of what the article called spontaneous human combustion. There were an old guy's legs and shoes, perfectly intact…then, right around his knee area, was just a pile of charred ashes. I was going through some turmoil in my life, both good and bad, and the image struck a chord, so…I wrote a song about it.”

Brandon Boyd (1976) American rock singer, writer and visual artist

On writing the song Pardon Me

Life, Shoe, Guy

“Americans are intimately familiar with the image of a federal government paralyzed by the chief executive's unpopularity. Presidents Ronald Reagan in the early 1980s, Bill Clinton in the early 1990s, George W. Bush after the 2006 midterm election, and perhaps even Barack Obama in the first months after the 2010 midterm election. In one case in late 1995 and early 1996, the American government was literally shut down as Republicans attempted to overpower the unpopular Clinton in a federal budget dispute. But in none of these cases did the president, though his unpopularity had clearly incumbered the functioning of the state, offer to resign. And few Americans honestly expected resignation, even at the president's least popular moment.”

Max Fisher American journalist

Max Fisher, "Why Do Japanese Prime Ministers Keep Resigning" http://www.theatlantic.com/international/archive/2011/06/why-do-japanese-prime-ministers-keep-resigning/239850/ (3 June 2011), The Atlantic.

“We know that sacrifices lie before us and that we must pay a price for the heroic act of being a vanguard nation. We leaders know that we must pay a price for the right to say that we are at the head of a people, which is at the head of the Americas. Each and every one of us must pay his exact quota of sacrifice, conscious that he will get his reward in the satisfaction of fulfilling a duty, conscious that he will advance with all toward the image of the new man dimly visible on the horizon.”

Ernesto Che Guevara (1928–1967) Argentine Marxist revolutionary

Man and Socialism in Cuba (1965)

People, Lie

“In recollecting Schumpeter, it is hard to tear oneself away from the exotic manner, the dubious politics, the carefully crafted image, the hidden self-doubts, the convoluted life story, the complicated relations to three wives and several non-wives.”

Robert Solow (1924) American economist

"Heavy Thinker" (2007)

Life, Tear

“After doing the imaginary landscapes until say 1956, in ’57 I came out with the first Burst painting… There was a different type of space than I had ever used and it was a further clarification of what I was trying to do. The thing that was interesting that it was a return to a focal point, but it was a focal point with the kind of space that existed in traditional painting. Because this was like a solitary image or two images that were just floating in the canvas space. They had to hold the space and they also had to create all the movement – that took place within the rectangle.”

Adolph Gottlieb (1903–1974) American artist

Source: 1960s, Interview with Dorothy Seckler, 1967, p. 55-59.

Painting

“Men always talk about the most important things to total strangers. It is because in the total stranger we perceive man himself; the image of God is not disguised by resemblances to an uncle or doubts of the wisdom of a moustache.”

G. K. Chesterton book The Club of Queer Trades

The Club of Queer Trades http://books.google.com/books?id=mjcdk4InFzoC&q=&quot;Men+always+talk+about+the+most+important+things+to+total+strangers+it+is+because+in+the+total+stranger+we+perceive+man+himself+the+image+of+God+is+not+disguised+by+resemblances+to+an+uncle+or+doubts+of+the+wisdom+of+a+moustache&quot;&pg=PT93#v=onepage (1905) Ch. 5 "The Noticeable Conduct of Professor Chadd" book The Club of Queer Trades

God, Men, Wisdom

“To analyse graphic representation precisely, it is helpful to distinguish it from musical, verbal and mathematical notations, all of which are perceived in a linear or temporal sequence. The graphic image also differs from figurative representation essentially polysemic, and from the animated image, governed by the laws of cinematographic time. Within the boundaries of graphics fall the fields of networks, diagrams and maps. The domain of graphic imagery ranges from the depiction of atomic structures to the representation of galaxies and extends into the spheres of topography and cartography.”

Jacques Bertin (1918–2010) French geographer and cartographer

Source: Semiology of graphics (1967/83), p. 2

Law, Music, Mathematics, Time

“If we were created in God's image, then when God was a child he smushed fire ants with his fingertips and avoided tough questions.”

Buddy Wakefield (1974) American poet

"Hurling Crowbirds at Mockingbars"
Poetry

God, Question

“But we cannot enjoy in isolation; we wish to dazzle others with that which we daily snatch from the world of sense, and in return we wish others to show us their trophies. From a reciprocity of concessions arise those mixed images, which we hasten to confront with artistic creations in order to compute what they contain of the objective; that is of the purely conventional.”

Jean Metzinger (1883–1956) French painter

Du Cubisme (1912)

World, Sense

“All kinds of separate, fragmented portions of the jigsaw puzzle are of little avail, unless they are fitted together in the best possible way, to form an image of the future depicting a number of main areas of development.”

Fred Polak (1907–1985) Dutch futurologist

Source: Prognostics, 1971, p. 261

Way, Future

“Even if it were clear what was meant, this sort of treatment would seem closer to describing what is taking place than to explaining it. I do not want to deny the value of describing a phenomenon; rich descriptions facilitate theorizing, and there is no more astute observer than Piaget. But in my view explanations of cognitive phenomena should specify the ways in which functional capacities operate. Piaget and Inhelder’s account is more on the level of intentionality, and hence is open to multiple interpretations at the level of the function of the brain. The do not specify how interiorized imitation operates, nor have they specified the format or content of the image. This level of discourse will never produce process adequacy, and hence seems of limited value.”

Stephen Kosslyn (1948) American psychologist

Source: Image and Mind. 1980, p. 411

Way

“He had at last discovered that love had no pith in it, and that the projection of one own's feelings upon the images of a beloved was in the long run, an act of self-mutilation.”

Lawrence Durrell The Avignon Quintet

The Avignon Quintet (1974–1985), Monsieur (1974)

Love, Feeling

“A mind of a certain size can feel only exasperation toward a city. Nothing can drive me more fully into despair. The walls first of all, and even then all the rest is only so many horrid images of selfishness, mistrust, stupidity, and narrow-mindedness. No need to memorize the Napoleonic code. Just look at a city and you have it. Each time I come back from the country, just as I am starting to congratulate myself on my calmness, there breaks out a furor, a rage… And I come upon my mark, homo sapiens, the acquisitive wolf. Cities, architectures, how I loathe you! Great surfaces of vaults, vaults cemented into the earth, vaults set out in compartments, forming vaults to eat in, vaults for sex, vaults on the watch, ready to open fire. How sad, sad…”

Henri Michaux (1899–1984) painter, poet, writer

Ecuador (1929)

Stupidity, Sadness, Sex, Feeling

“Self-satisfaction is scarcely unfamiliar in Europe. But the contemporary mood is something different: an apparently illimitable narcissism, in which the reflection in the water transfigures the future of the planet into the image of the beholder. What explains this degree of political vanity? Obviously, the landscape of the continent has altered in recent years, and its role in the world has grown. Real changes can give rise to surreal dreams, but they need to be calibrated properly, to see what the connections or lack of them might be.”

Perry Anderson (1938) British historian

"Depicting Europe", London Review of Books (20 September 2007)

World, Dreams, Mood, Water

“In painting it is the forming of the image.”

Cy Twombly (1928–2011) American painter

1950 - 1960
Source: 'In painting it is the forming of the image', Cy Twombly, 'L'Esperienza moderna', 1957; as quoted in Cy Twombly, a monograph, Richard Leeman / picture research Isabelle d’Hauteville. London, 2005 p. 239

Painting

“Elevate the soul by grandiose images beyond all everyday pettiness.”

Mikhail Vrubel (1856–1910) Russian painter

Unsourced

Soul

“Godzilla was a product of the times. There previously had been no monster like him. So, people were frightened, and shocked, by him. Now, when Godzilla appears in a city, most of the buildings are even taller than he is! The image of what a monster is shouldn't stay the same. It should be different so that people will be shocked and surprised, just as they were by GODZILLA - KING OF THE MONSTERS in 1954. Something new, and strange, must be created.”

Ishirō Honda (1911–1993) Japanese film director

As quoted by David Milner, "Ishiro Honda Interview" http://www.davmil.org/www.kaijuconversations.com/honda.htm, Kaiju Conversations (December 1992)

People, Appearance, Time

“There is no natural place inside of a human being for negative states. None. So if you're negative, frightened, worried, anxious, fearful, it's because you have bought into the work of the image, who shows you what it needs to show you so that you can be the person who now has to hate your condition.”

Guy Finley (1949) American self-help writer, philosopher, and spiritual teacher, and former professional songwriter and musician

The Illusion of Limitation

Hate, Fear, Nature, Personality

“Stand still, you floods, do not deface
That image which you bear:
So votaries, from every place,
To you shall altars rear.

No winds but lovers' sighs blow here,
To trouble these glad streams,
On which no star from any sphere
Did ever dart such beams.”

Thomas Carew (1594–1640) English poet

"On Sight Of A Gentlewoman's Face In The Water".
Carew's Poems

Star, Lovers

“An image can never be the real thing. Varanasi is where the Ganga flows, where I can play the Shehnai for Lord Balaji. I shall be at home, nowhere else but in India.”

Bismillah Khan (1916–2006) Indian musician

Sukriya.
When he was asked to stay back in America following his concerts there, even with a promise that a Varanasi would be replicated for him there.
Quote, Encyclopedia of Bharat Ratnas

Home

“No image is there, to no metal is the divine form entrusted, in hearts and minds does the goddess delight to dwell.”
Nulla autem effigies, nulli commissa metallo forma dei: mentes habitare et pectora gaudet.

Statius book Thebaid

Source: Thebaid, Book XII, Line 493 (tr. J. H. Mozley)

Heart

“If I am asked about the photographer’s role in our times, the power of the image and so on, I do not want to launch into explanations. I only know that people who know how to look are as rare as those who know how to listen.”

Henri Cartier-Bresson (1908–2004) French photographer

Source: Henri Cartier-Bresson: Interviews and Conversations, 1951-1998, To Seize Life: Interview with Yvonne Baby (1961), p. 45

People, Time

“Day was breaking on the world. Light, hope, and freedom pierced with vitalizing ray the clouds and the miasma that hung so thick over the prostrate Middle Age, once noble and mighty, now a foul image of decay and death. Kindled with new life, the nations gave birth to a progeny of heroes, and the stormy glories of the sixteenth century rose on awakened Europe. But Spain was the citadel of darkness,—a monastic cell, an inquisitorial dungeon, where no ray could pierce. She was the bulwark of the Church, against whose adamantine wall the waves of innovation beat in vain.”

Francis Parkman (1823–1893) American historian

Pt. I, Ch. 7
Pioneers of France in the New World (1865)

Life, Death, Age, World

“When the underlying reality is particularly unpleasant, we minimize—numbing ourselves to the actual extent of the real story. We say, “Things can't possibly be as bad as people tell us,” because we don't want them to be that bad. This is a form of magical thinking, a way of shutting our eyes. Surely if things were that bad, somebody would do something about it. Withdrawal can take the form of removing our interest (another horror story about furry pets, yawn, yawn); or our wandering attention (understandably, since we are besieged by other equally pressing images of horror). Of course this reaction can be genuine: not everyone need become an activist in the cause to end animal suffering. And becoming a vegetarian may seem like going too far. In fact, it is not such a difficult step and could be legitimately seen as the very best form of activism.”

Jeffrey Moussaieff Masson (1941) American writer and activist

Source: The Face on Your Plate (2009), Ch. 4, p. 161

People, Way, Understanding, Thinking

“The pleasure of their (the Imagist poetry is not the satisfaction of discovering little by little, but of seizing at a single blow, in the fullest vitality, the image, a fusion of reality in words.”

René Taupin (1905–1981) French academic

L'Influence du symbolism francais sur la poesie Americaine(de 1910 a 1920), Champion, Paris 1929 trans William Pratt and Anne Rich AMS , New York 1985 ISBN 9780404615796

Pleasure, Reality

“What defines a leader is his preoccupation with the future. In his head he carries a vivid image of what the future could be, and this image drives him on.”

Marcus Buckingham (1966) British writer

Source: The One Thing You Need to Know (2005), p. 59

Future

“The truth displayed in a good life is the fairest of images.”

Halldór Laxness (1902–1998) Icelandic author

Reverend Sigurður
Íslandsklukkan (Iceland's Bell) (1946), Part II: The Fair Maiden

Life, Truth

“My whole ambition in the pictorial domain is to materialise the images of concrete irrationality with the most imperialist fury of precision. - In order that the world of the imagination and of concrete irrationality may be as objectively evident.... as that of the exterior world of phenomenal reality. - The important thing is what one wishes to communicate: the concrete irrational subject.”

Salvador Dalí (1904–1989) Spanish artist

The means of pictorial expression are placed at the service of this subject.
Source: Quotes of Salvador Dali, 1931 - 1940, My Pictorial Struggle', S. Dali, 1935, Chapter: 'My Pictorial Struggle', p. 12

World, Imagination, Communication, Reality

“If you were to really hate and dislike a picture with all your heart, so that you could not bear to see or hear of it, how would you like it if someone insisted on getting to know and honor you through such a hated, horrible book? … And God says that he does not like any image which we make, and … that he hates and despises all who love images.”

Andreas Karlstadt (1486–1541) German theologian

Source: On the Removal of Images (1522), p. 109

Love, God, Hate, Books

“Women are, all of them, the veritable images of Śakti.”

Ramakrishna (1836–1886) Indian mystic and religious preacher

Source: The Gospel of Sri Ramakrishna (1942), p. 116

Women

“You get an image in the first couple of years of your career, and then whether you like it or not, you are stuck with it for the rest of your life.”

Rahul Dravid (1973) Indian cricketer

Life

“I borrow some subject or other from life or from nature, and, using it as a pretext, I arrange lines and colors so as to obtain symphonies, harmonies that do not represent a thing that is real, in the vulgar sense of the word, and do not directly express any idea, but are supposed to make you think the way music is supposed to make you think, unaided by ideas or images, simply through the mysterious affinities that exist between our brains and such arrangements of colors and lines.”

Paul Gauguin (1848–1903) French Post-Impressionist artist

Source: 1870s - 1880s, The Writings of a Savage (1996), p. 109

Life, Music, Color, Way

“Climate change is by no means the sole or even the most significant symptom of the changing interests and values of the West. Still, only societies with high levels of cultural amnesia – that have forgotten the scriptures about man created 'in the image and likeness of God' and charged with 'subduing the earth and all its creatures”

Tony Abbott (1957) Australian politician

could have made such a religion out of it. Quoted in "'I've learnt to speak my mind': 10 excerpts from Tony Abbott's climate change speech in London'" http://www.smh.com.au/federal-politics/political-news/ive-learnt-to-speak-my-mind-ten-excerpts-from-tony-abbotts-climate-change-speech-in-london-20171009-gyxk92.html, Sydney Morning Herald, October 10, 2017 2017

God, Religion, Change

“Here at Adbusters, we decided to tackle the issue head on and came up with a carefully researched list of who appear to be the 50 most influential neocons in the US (see above). Deciding who exactly is a neocon is difficult since some neocons reject the term while others embrace it. Some shape policy from within the White House, while others are more peripheral, exacting influence indirectly as journalists, academics and think tank policy wonks. What they all share is the view that the US is a benevolent hyper power that must protect itself by reshaping the rest of the world into its morally superior image. And half of them are Jewish.”

Kalle Lasn (1942) Estonian-Canadian film maker, author, magazine editor and activist

Why won't anyone say they are Jewish? http://web.archive.org/web/20040223012106/http://www.adbusters.org/magazine/52/articles/jewish.html. Adbusters (March/April 2004).

World, Thinking, Appearance, Housing

Quotes about image page 12

Quotes about image
page 12