Quotes about image
A collection of quotes on the topic of image, use, god, likeness.
Quotes about image

Hanyu quoted in an article https://www.nytimes.com/2018/02/16/sports/olympics/figure-skating-yuzuru-hanyu.html of The New York Times, written by Jeré Longman and Victor Mather, published 16 February 2018. (Retrieved 10 September 2020)
Other quotes, 2018

Interview with Polish website Plejada (25 November 2015) https://www.youtube.com/watch?v=PNqJC-ZSseU&t=552

On Queen, in "Standing Up For Queen" (28 July 1973) http://www.queenarchives.com/index.php?title=Group_-_07-28-1973_-_Melody_Maker.
Context: We’re confident people will take to us, because although the camp image has already been established by people like Bowie and Bolan we are taking it to another level. The concept of Queen is to be regal and majestic. Glamour is part of us and we want to be dandy. We want to shock and be outrageous instantly.

Source: Pale Blue Dot: A Vision of the Human Future in Space (1994), p. 8, Supplemental image at randi.org http://www.randi.org/images/122801-BlueDot.jpg

Rosa Parks: My Story, p. 116, Rosa Parks and James Haskins (1992)

On Queen, in "Standing Up For Queen" (28 July 1973) http://www.queenarchives.com/index.php?title=Group_-_07-28-1973_-_Melody_Maker.

“Whoever controls the media, the
images, controls the culture.”

Speech at Macworld Expo in Boston, as quoted in The Daily News (4 August 1994) http://news.google.com/newspapers?id=bD8PAAAAIBAJ&sjid=IoYDAAAAIBAJ&pg=4837%2C5338590. A nearly identical quote can be found at the end of the second paragraph of his lecture Life in the Universe http://hawking.org.uk/index.php?option=com_content&view=article&id=65 (1996).

“Behaviour is a mirror in which everyone shows his image.”
Maxim 39, trans. Stopp
Variant translation: A man's manners are a mirror in which he shows his portrait.
Maxims and Reflections (1833)

In 'Possibilities', Vol. 1, no 1, winter 1947-48, p. 79; as quoted in Jackson Pollock (1983) by Elizabeth Frank, p. 68
1940's

2010s

Libri iii, Caput XIII, (XV.) emendati Johann Heinrich F. Karl Witte (1874) p. 25. https://www.google.com/books/edition/De_monarchia_libri_iii_emendati_per_C_Wi/_RhcAAAAQAAJ?hl=en&gbpv=1&pg=PA25&printsec=frontcover Translation as quoted by Hannah Arendt, The Human Condition (1958) p. 175. https://archive.org/details/humancondition0000aren/page/175/mode/1up
De Monarchia (1312-1313)
Original: (la) Nam in omni actione principaliter intenditur ab agente, sive necessitate naturae, sive voluntarie agat, propriam similitudinem explicare, unde fit, quod omne agens, in quantum huiusmodi, delectatur; quia, quum omne quod est appetat suum esse, ac in agendo agentis esse quodammodo amplietur, sequiturde necessitate delectatio... Nihil igitur agit, nisi tale existens, quale patiens fieri debet...

“The image is one thing and the human being is another…it's very hard to live up to an image.”
Press conference (June 1972),also quoted in Elvis Culture : Fans, Faith, & Image (1999) by Erika Lee Doss, p. 218

“Cinematography is a writing with images in mouvement and with sounds.”
Source: Notes on the Cinematographer

about his work as a particle physicist, at the Fermilab History and Archives Project: Benjamin Lee comments on HEP discoveries http://history.fnal.gov/significant_staff.html#Benjamin_Lee (May, 1976).

Canto XX, lines 73–77 (tr. Sinclair).
The Divine Comedy (c. 1308–1321), Paradiso

Source: The Image: A Guide to Pseudo-Events in America (1961), p. 37.

The Notebooks of Leonardo Da Vinci (1938), XXIX Precepts of the Painter

Source: Against the Heavenly Prophets in the Matter of Images and Sacraments (1525), p. 91

Quoted in Friends' Intelligencer, Vol. 107 (1950), ed. 26-52, p. 657

The Race of My Life: An Autobiography Milkha Singh (2013)
Source: Bone: Dying into Life (2000), p. 165

Note to Stanza 29 part 8
Spiritual Canticle of The Soul and The Bridegroom, Notes to the Stanzas

La France fut faite à coups d'épée. La fleur de lys, symbole d'unité nationale, n'est que l'image d'un javelot à trois lances.
in La France et son armée.
Writings

Letter to Leopold Mozart (4 April 1787), from The Mozart-Da Ponte Operas by Andrew Steptoe [Oxford University Press, 1988, ISBN 0-198-16221-9], p. 84.

First Person (TV series) Episode 1 "Stairway to Heaven" https://en.wikipedia.org/wiki/First_Person_(TV_series)#Season_1

Fiction, The Call of Cthulhu (1926)
Context: There had been aeons when other Things ruled on the earth, and They had had great cities. Remains of Them, he said the deathless Chinamen had told him, were still be found as Cyclopean stones on islands in the Pacific. They all died vast epochs of time before men came, but there were arts which could revive Them when the stars had come round again to the right positions in the cycle of eternity. They had, indeed, come themselves from the stars, and brought Their images with Them.
These Great Old Ones, Castro continued, were not composed altogether of flesh and blood. They had shape — for did not this star-fashioned image prove it? — but that shape was not made of matter. When the stars were right, They could plunge from world to world through the sky; but when the stars were wrong, They could not live. But although They no longer lived, They would never really die...

Book 5, line 1835-1841
Troilus and Criseyde (1380s)
Context: O yonge fresshe folkes, he or she,
In which that love up-groweth with your age,
Repeyreth hoom fro worldly vanitee,
And of your herte up-casteth the visage
To thilke God that after his image
Yow made, and thynketh al nis but a faire
This world, that passeth sone as floures faire.

“When they have but looked upon their images--
Would none had ever loved but you and I!”
The Ragged Wood http://poetry.poetryx.com/poems/1673/
In The Seven Woods (1904)
Context: p>O hurry where by water among the trees
The delicate-stepping stag and his lady sigh,
When they have but looked upon their images--
Would none had ever loved but you and I!Or have you heard that sliding silver-shoed
Pale silver-proud queen-woman of the sky,
When the sun looked out of his golden hood?--
O that none ever loved but you and I!O hurry to the ragged wood, for there
I will drive all those lovers out and cry—
O my share of the world, O yellow hair!
No one has ever loved but you and I.</p
Ante-Nicene Christian library: v. 3 p. 20
Address to the Greeks
Source: The Outermost House, 1928, p. 25: Ch 2

"Earth, Fire and Water" from The Celtic Twilight (1893)
Source: The Celtic Twilight: Faerie and Folklore

“Had I left those images hidden in the emotions, I might have been torn to pieces by them.”



“Here is the repeated image of the lover destroyed.”
Source: Crush
Source: Messages from the Masters: Tapping into the Power of Love

Source: NIV Lessons from Life Bible: Personal Reflections with Jimmy Carter

Source: Going Home: Jesus and Buddha as Brothers

“Man made God in his own image…”
Source: A New Earth: Awakening to Your Life's Purpose

“The work of the eyes is done. Go now and do the heart-work on the images imprisoned within you.”
Wendung (Turning Point), as translated by Stephen Mitchell

“Every word, every image used for God is a distortion more than a description.”
Comprehension
Source: One Minute Wisdom (1989)

“Absolute silence leads to sadness. It is the image of death.”

"Defense against those who attack the holy images," as translated by Andrew Louth, Three Treatises on the Divine Images, (Saint Vladimir’s Seminary Press: 2003) p. 46

The Notebooks of Leonardo da Vinci (1883), II Linear Perspective

The Notebooks of Leonardo da Vinci (1883), II Linear Perspective

The Notebooks of Leonardo da Vinci (1883), II Linear Perspective

From Interview to the author , in Osamu Tezuka, Jumping ; quoted in AA.VV., Osamu Tezuka: A Manga Biography , vol. 4, translated by Marta Fogato, Coconino Press, Bologna, 2001, p. 178. ISBN 8888063188

Drafts on the history of the Church (Section 3). Yahuda Ms. 15.3, National Library of Israel, Jerusalem, Israel. 2006 Online Version at Newton Project http://www.newtonproject.sussex.ac.uk/view/texts/normalized/THEM00220

or subtle things
The Notebooks of Leonardo da Vinci (1883), X Studies and Sketches for Pictures and Decorations

1920s, Review of The Meaning of Meaning (1926)

Nochmals gesagt, heute ist es mir ein unmögliches Buch, - ich heisse es schlecht geschrieben, schwerfällig, peinlich, bilderwüthig und bilderwirrig, gefühlsam, hier und da verzuckert bis zum Femininischen, ungleich im Tempo, ohne Willen zur logischen Sauberkeit, sehr überzeugt und deshalb des Beweisens sich überhebend, misstrauisch selbst gegen die Schicklichkeit des Beweisens, als Buch für Eingeweihte, als "Musik" für Solche, die auf Musik getauft, die auf gemeinsame und seltene Kunst-Erfahrungen hin von Anfang der Dinge an verbunden sind, als Erkennungszeichen für Blutsverwandte in artibus, - ein hochmüthiges und schwärmerisches Buch, das sich gegen das profanum vulgus der "Gebildeten" von vornherein noch mehr als gegen das "Volk" abschliesst, welches aber, wie seine Wirkung bewies und beweist, sich gut genug auch darauf verstehen muss, sich seine Mitschwärmer zu suchen und sie auf neue Schleichwege und Tanzplätze zu locken.
"Attempt at a Self-Criticism", p. 5
The Birth of Tragedy (1872)

"Psychological Aspects of the Mother Archetype" (1939) In CW 9, Part I: The Archetypes and the Collective Unconscious P.172

Quote in Monet's letter, September 1879; as cited in The Private Lives of the Impressionists Sue Roe; Harper Collins Publishers, New York, 2006, p. 209
1870 - 1890

Daily Mirror feature on Murray http://www.mirror.co.uk/topics/andy-murray/

"I create gods all the time - now I think one might exist" (2008)

The Notebooks of Leonardo da Vinci (1883), II Linear Perspective