Source: The Unfinished Autobiography (1951), Chapter I, Part 1
Superman Comes to the Supermarket (1960)
Source: Writings, Politics of Guilt and Pity (1978), p. 25
“The horror of uncreative solitude…..”
I'm not Stiller (1955)
Quoted in The Colored Patriots of the American Revolution, by William Cooper Nell, p. 339. (1855)
Thomas Gray "Some Remarks on the Poems of Lydgate", in The Works of Thomas Gray (1858) vol. 5, pp. 308-9.
Criticism
Quoted in Somerset Maugham (1980) by Ted Morgan
Animals and Us: Quotations, accessdate 1 December 2013, Theosophical Organization http://www.theosophical.org/publications/1325,
Speech at the Opening of the Bandung Conference
1950
Source: 1946 - 1953, "Song of herself"; interviews by Olga Campos, Sept. 1950, Chapter 'My Painting', pp. 73-74
Did the Resurrection Happen?: A Conversation with Gary Habermas and Antony Flew (2009), p. 88
Source: Star Maker (1937), Chapter III: The Other Earth; 3. The Prospects of the Race (pp. 44-45)
Reviewing Phillip Johnson's Darwin on Trial for Nature in 1992, as quoted in Perspectives on Science and Christian Faith Vol. 45, p. 47 (1993) by American Scientific Affiliation
Princeton, April 2, 1951
The Kennan Diaries
Interview: Tobin Bell Discusses His Career and His New Horror Film Dark House https://editorial.rottentomatoes.com/article/interview-tobin-bell-discusses-his-career-and-his-new-horror-film-dark-house/ (March 14, 2014)
Source: Uncle Tungsten (2001), pp. 178–179
Part 3, Chapter 17 (p. 208)
Nifft the Lean (1982)
"The Furniture Rule", explaining the differences and similarities between the fields of weird fiction in Dreamsongs
Interview with Ekyse Knox http://www.westernclippings.com/interview/elyseknox_interview.shtml
The History of Rome, Volume 2 Translated by W.P. Dickson
On Hannibal the man and soldier
The History of Rome - Volume 2
In a letter of Berthe, from Paris, to Edma who stayed then in Brittany, 1870; as quoted in The Private Lives of the Impressionists, Sue Roe; Harper Collins Publishers, New York, 2006, p. 72
1860 - 1870
Last e-mail to parents (2009)
Roth Lecture, USC Law School (20 November 1998).
Last Men in London (1932)
Mutation. A Sonnet http://www.gutenberg.org/files/16341/16341-h/16341-h.htm#page73 (1824)
" Andrea Dworkin Has Died http://susiebright.blogs.com/susie_brights_journal_/2005/04/andrea_dworkin_.html" by Susie Bright, Susie Bright's Journal (blog), April 11, 2005.
About
Review http://www.rogerebert.com/reviews/chaos-2005 of Chaos (11 August 2005)
Reviews, Zero star reviews
Sahara Reporters http://www.saharareporters.com/news-page/crimes-buhari-wole-soyinka
The Education of Henry Adams (1907)
Context: p>The result might have been stated in a mathematical formula as early as the time of Archimedes, six hundred years before Rome fell. The economic needs of a violently centralizing society forced the empire to enlarge its slave-system until the slave-system consumed itself and the empire too, leaving society no resource but further enlargement of its religious system in order to compensate for the losses and horrors of the failure. For a vicious circle, its mathematical completeness approached perfection. The dynamic law of attraction and reaction needed only a Newton to fix it in algebraic form.At last, in 410, Alaric sacked Rome, and the slave-ridden, agricultural, uncommercial Western Empire — the poorer and less Christianized half — went to pieces. </p
2000s, God Bless America (2008), Slavery and the Human Story
Context: Slavery came to the English colonies in North America in the 17th century because the colonists found themselves in possession of a vast continent, needing only cultivation to make it the homes of millions of free, prosperous, God-fearing human beings. Those who came from Europe would be refugees from the tyranny and oppression of feudalism, divine right monarchy, and religious intolerance. But converting this vast wilderness into cultivated lands required labor. It was nearly inevitable that someone would turn to tribal Africa for some, at least, of this labor. It is paradoxical but true that a large measure of the labor that turned America into a sanctuary for freedom came from slavery. The slave trade that developed between North America and the west coast of Africa is one of the great horror stories of western civilization. It resulted also from the unlimited greed of the African chiefs who enslaved their brother Africans, and then sold them to white slave traders. They in turn sold them, for vast profits, into the new world.
A new progressive internationalism (17 June 2016)
Context: After the horror of 9/11 ‘interventionism’ was increasingly expressed through the paradigms of ‘security’ or ‘counter terrorism’, rather than being grounded firmly in the protection of civilians. And then Labour’s support for military action in Iraq distorted a worthy principle with such devastating impact. The legacy of Iraq – an intervention I was wholly opposed to because it was not fundamentally about protecting civilians – still hangs over us. But Labour can no longer be paralysed by Iraq. We need to learn from its many lessons without forgetting the equally important lessons of Bosnia or Rwanda.
“It may be that we shall witness scenes surpassing in horror even those of the recent war.”
Foreword p. 9
The Sword or the Cross, Which Should be the Weapon of the Christian Militant? (1921)
Context: Struggles between nations and struggles between classes we shall surely have during the coming decades. All indications point to further wars between nations. The struggle between capital and labor is daily growing in intensity.... It may be that we shall witness scenes surpassing in horror even those of the recent war.
Guardian Galenor in Ch 43 : various pursuits<!-- 418 -->
The Visitor (2002)
Context: People allow themselves to believe an event if it's called a miracle while disdaining the same event if it's called magic. Or vice versa. Life arises naturally; where life is, death is, joy is, pain is. Where joy and pain are, ecstasy and horror are, all part of the pattern. They occur as night and day occur on a whirling planet. They are not individually willed into being and shot at persons like arrows. Mankind accepts good fortune as his due, but when bad occurs, he thinks it was aimed at him, done to him, a hex, a curse, a punishment by his deity for some transgression, as though his god were a petty storekeeper, counting up the day's receipts…
Source: Flatland: A Romance of Many Dimensions (1884), PART II: OTHER WORLDS, Chapter 17. How the Sphere, Having in Vain Tried Words, Resorted to Deeds
Context: I groaned with horror, doubting whether I was not out of my senses; but the Stranger continued: "Surely you must now see that my explanation, and no other, suits the phenomena. What you call Solid things are really superficial; what you call Space is really nothing but a great Plane. I am in Space, and look down upon the insides of the things of which you only see the outsides. You could leave this Plane yourself, if you could but summon up the necessary volition. A slight upward or downward motion would enable you to see all that I can see.
1950s, Atoms for Peace (1953)
Context: Occasional pages of history do record the faces of the "Great Destroyers" but the whole book of history reveals mankind's never-ending quest for peace, and mankind's God-given capacity to build. It is with the book of history, and not with isolated pages, that the United States will ever wish to be identified. My country wants to be constructive, not destructive. It wants agreement, not wars, among nations. It wants itself to live in freedom, and in the confidence that the people of every other nation enjoy equally the right of choosing their own way of life. So my country's purpose is to help us move out of the dark chamber of horrors into the light, to find a way by which the minds of men, the hopes of men, the souls of men every where, can move forward toward peace and happiness and well being.
“Robert E. Howard's "Pigeons from Hell," one of the finest horror stories of our century”
About
Context: "Thriller was the first television program to discover the goldmine in those back issues of Weird Tales … Robert E. Howard's "Pigeons from Hell," one of the finest horror stories of our century, was adapted, and remains the favorite of many who remember Thriller with fondness. ~ Stephen King, Danse Macabre, p. 138,
The Future of Civilization (1938)
Context: We see the world as it is now, after these defeats of the League, and we can compare it with what it was six or seven years ago. The comparison is certainly depressing; the contrast is terrible. And we have not yet reached a time when we can estimate the full material losses and human suffering which have been the direct result of the ambitions of one set of powers and the weakness of the others. Nor is there any purpose in attempting to do so. Let us, rather, examine where we now stand and what steps we ought to take in order to strengthen the international system and thrust back again the forces of reaction.
In the first place, let us admit that the first ten years of the League were in a sense unnatural. The horror of war to which I have already alluded was necessarily far more vivid than it can be expected long to remain. That tremendous argument for peace, the horror of war, was a diminishing asset. Most of us, at that time, were, I think, quite well aware that unless we could get the international system into solidly effective working order in the first ten years, we were likely to have great difficulties in the succeeding period, and so it has proved.
"Tom Wolfe's Failed Optimism" (1977), Beginning To See the Light: Pieces of a Decade (1981)
Context: My education was dominated by modernist thinkers and artists who taught me that the supreme imperative was courage to face the awful truth, to scorn the soft-minded optimism of religious and secular romantics as well as the corrupt optimism of governments, advertisers, and mechanistic or manipulative revolutionaries. I learned that lesson well (though it came too late to wholly supplant certain critical opposing influences, like comic books and rock-and-roll). Yet the modernists’ once-subversive refusal to be gulled or lulled has long since degenerated into a ritual despair at least as corrupt, soft-minded, and cowardly — not to say smug — as the false cheer it replaced. The terms of the dialectic have reversed: now the subversive task is to affirm an authentic post-modernist optimism that gives full weight to existent horror and possible (or probable) apocalyptic disaster, yet insists — credibly — that we can, well, overcome. The catch is that you have to be an optimist (an American?) in the first place not to dismiss such a project as insane.
"Thoughts During An Air Raid"
The Still Centre (1939)
Context: Yet supposing that a bomb should dive
Its nose right through this bed, with me upon it?
The thought is obscene. Still, there are many
To whom my death would only be a name,
One figure in a column. The essential is
That all the 'I's should remain separate
Propped up under flowers, and no one suffer
For his neighbour. Then horror is postponed
For everyone until it settles on him
And drags him to that incommunicable grief
Which is all mystery or nothing.
Source: 1880s, Incidents and Anecdotes of the Civil War (1885), p. 296
Context: He did not say a monument to what, but he meant, I am sure, to leave it as a monument to the loyalty of our soldiers, who would bear all the horrors of Libby sooner than desert their flag and cause. We struggled on, the great crowd preceding us, and an equally dense crowd of blacks following on behind all so packed together that some of them frequently sang out in pain.
“A modern factory reaches perhaps almost the limit of horror.”
Source: Simone Weil : An Anthology (1986), Human Personality (1943), p. 59
Context: A modern factory reaches perhaps almost the limit of horror. Everybody in it is constantly harassed and kept on edge by the interference of extraneous wills while the soul is left in cold and desolate misery. What man needs is silence and warmth; what he is given is an icy pandemonium.
Physical labour may be painful, but it is not degrading as such. It is not art; it is not science; it is something else, possessing an exactly equal value with art and science, for it provides an equal opportunity to reach the impersonal stage of attention.
The Historical Illuminatus as spoken by Sigismundo Celine
Context: The creative faculty, the god-power, is not used here with anything less than literalness. When beauty was created by a godly mind, beauty existed, as surely as the paintings of Botticelli or the concerti of Vivaldi exist. When mercy was created, mercy existed. When guilt was created, guilt existed. Out of a meaningless and pointless existence, we have made meaning and purpose; but since this creative act happens only when we relax after great strain, we feel it as 'pouring into us' from elsewhere. Thus, we do not know our own godhood and we are perpetually swindled by those who assure us that it is indeed elsewhere, but they can give us access to it, for a reasonable fee. And when we as a species were ignorant enough to be duped in that way, the swindlers went one step further, invented original sin and other horrors of that sort, and made us even more 'dependent' upon them.
Quotes, NYU Speech (2004)
Context: How did we get from September 12th, 2001, when a leading French newspaper ran a giant headline with the words "We Are All Americans Now" and when we had the good will and empathy of all the world — to the horror that we all felt in witnessing the pictures of torture in Abu Ghraib?
To begin with, from its earliest days in power, this administration sought to radically destroy the foreign policy consensus that had guided America since the end of World War II. The long successful strategy of containment was abandoned in favor of the new strategy of "preemption." And what they meant by preemption was not the inherent right of any nation to act preemptively against an imminent threat to its national security, but rather an exotic new approach that asserted a unique and unilateral U. S. right to ignore international law wherever it wished to do so and take military action against any nation, even in circumstances where there was no imminent threat. All that is required, in the view of Bush's team is the mere assertion of a possible, future threat — and the assertion need be made by only one person, the President.
Source: Flatland: A Romance of Many Dimensions (1884), PART II: OTHER WORLDS, Chapter 18. How I came to Spaceland, and What I Saw There
Context: I could see many of the younger Counsellors start back in manifest horror, as the Sphere's circular section widened before them. But on a sign from the presiding Circle — who shewed not the slightest alarm or surprise — six Isosceles of a low type from six different quarters rushed upon the Sphere. "We have him," they cried; "No; yes; we have him still! he's going! he's gone!" "My Lords," said the President to the Junior Circles of the Council, "there is not the slightest need for surprise; the secret archives, to which I alone have access, tell me that a similar occurrence happened on the last two millennial commencements. You will, of course, say nothing of these trifles outside the Cabinet."
Dr. Malcolm Long, Watchmen #6
Watchmen (1986–1987)
Context: I looked at the Rorschach blot. I tried to pretend it looked like a spreading tree, shadows pooled beneath it, but it didn’t. It looked more like a dead cat I once found, the fat, glistening grubs writhing blindly, squirming over each other, frantically tunneling away from the light. But even that is avoiding the real horror. The horror is this: In the end, it is simply a picture of empty meaningless blackness. We are alone. There is nothing else.
Source: The Hero with a Thousand Faces (1949), Chapter 1
Source: Flatland: A Romance of Many Dimensions (1884), PART II: OTHER WORLDS, Chapter 18. How I came to Spaceland, and What I Saw There
Context: An unspeakable horror seized me. There was a darkness; then a dizzy, sickening sensation of sight that was not like seeing; I saw a Line that was no Line; Space that was not Space: I was myself, and not myself. When I could find voice, I shrieked aloud in agony, "Either this is madness or it is Hell." "It is neither," calmly replied the voice of the Sphere, "it is Knowledge; it is Three Dimensions: open your eye once again and try to look steadily."I looked, and, behold, a new world! There stood before me, visibly incorporate, all that I had before inferred, conjectured, dreamed, of perfect Circular beauty. What seemed the centre of the Stranger's form lay open to my view: yet I could see no heart, nor lungs, nor arteries, only a beautiful harmonious Something — for which I had no words; but you, my Readers in Spaceland, would call it the surface of the Sphere.
Frankfurt Book Fair speech (2003)
“The insect looked at Jurgen, and its pincers rose erect in horror.”
The Judging of Jurgen (1920)
Context: The insect looked at Jurgen, and its pincers rose erect in horror. The bug cried to the three judges, — Now, by St. Anthony! this Jurgen must forthwith be relegated to limbo, for he is offensive and lewd and lascivious and indecent.…
— And how can that be?… says Jurgen.
— You are offensive,… the bug replied, — because this page has a sword which I chose to say is not a sword. You are lewd because that page has a lance which I prefer to think is not a lance. You are lascivious because yonder page has a staff which I elect to declare is not a staff. And finally, you are indecent for reasons of which a description would be objectionable to me, and which therefore I must decline to reveal to anybody.…
The Future of Civilization (1938)
Context: When one comes to try and analyse why the League succeeded so well in its first ten years of existence, no doubt the chief reason must be found in the immense horror which the War of 1914 had created amongst the human race. Almost all those engaged in the work at Geneva had personal knowledge of the vast slaughter and destruction which the war had produced. Many had been face to face with what looked like a vivid danger of relapse into barbarism in their own countries, and there was a tremendous urge to discover some effective prevention of future wars. It was under the impulse of these feelings that we worked in those days and that we made our appeal, not in vain, for the support of the public opinion of the world.
“Remember, everything passes, even the most unspeakable horrors”
The Wheel of Fortune (1984), Part 1: Robert
Context: Again, be patient. And have courage. Remember, everything passes, even the most unspeakable horrors.
2010s, League Confederation Goes Outer-Track (September 2018)
Context: [O]bservers regard the word nationalism (now a pejorative in the West) as inappropriate for what they see as a natural, healthy yearning to make the peninsula whole again. But a distinction must be made between: a) feelings of ethnic community, pride in a shared cultural tradition, and a sense of special humanitarian duty to one’s own people, all of which West Germans felt in 1989-90 despite being generally anti-nationalist, and b) an ideological commitment to raising the stature of one’s race on the world stage. What holds South Korean nationalists together is b) and not a). This can be seen by their inordinate horror of the financial and social disruptions of unification, which in the past has actuated deliberate exaggeration of the likely costs, and which still induces many Moon-supporters to propose maintaining a one-nation, two-state system indefinitely. We see it also in the general indifference to human rights abuses in the North, and in the great pleasure and pride the ROK's envoys showed last week at being in the dictator’s presence.
“What the horrors of war are, no one can imagine”
they are not wounds and blood and fever, spotted and low, or dysentery, chronic and acute, cold and heat and famine — they are intoxication, drunken brutality, demoralization and disorder on the part of the inferior, jealousies, meanness, indifference, selfish brutality on the part of the superior.
Letter (5 May 1855), published in Florence Nightingale : An Introduction to Her Life and Family (2001), edited by Lynn McDonald, p. 141
Part III : Selection on Education from Kant's other Writings, Ch. I Pedagogical Fragments, # 3
The Educational Theory of Immanuel Kant (1904)
Context: The child must be brought up free (that he allow others to be free). He must learn to endure the restraint to which freedom subjects itself for its own preservation (experience no subordination to his command). Thus he must be disciplined. This precedes instruction. Training must continue without interruption. He must learn to do without things and to be cheerful about it. He must not be obliged to dissimulate, he must acquire immediate horror of lies, must learn so to respect the rights of men that they become an insurmountable wall for him. His instruction must be more negative. He must not learn religion before he knows morality. He must be refined, but not spoiled (pampered). He must learn to speak frankly, and must assume no false shame. Before adolescence he must not learn fine manners; thoroughness is the chief thing. Thus he is crude longer, but earlier useful and capable.
Interview with Weird Tales (24 May 2007) http://weirdtales.net/wordpress/2007/05/24/george-rr-martin-on-magic-vs-science/
Context: I think that for science fiction, fantasy, and even horror to some extent, the differences are skin-deep. I know there are elements in the field, particularly in science fiction, who feel that the differences are very profound, but I do not agree with that analysis. I think for me it is a matter of the furnishings. An elf or an alien may in some ways fulfill the same function, as a literary trope. It’s almost a matter of flavor. The ice cream can be chocolate or it can be strawberry, but it’s still ice cream. The real difference, to my mind, is between romantic fiction, which all these genres are a part of, and mimetic fiction, or naturalistic fiction.
“To me the scene possessed only the horror of a slaughter-house.”
South America To-Day : A Study of Conditions, Social, Political, and Commercial in Argentina, Uruguay and Brazil (1911) http://www.archive.org/details/southamericatoda011092mbp Ch. 14, Brazilian Coffee, p. 395
Context: In the distance huge trees were still blazing, around us was a waste of ashes and of half-consumed boughs, and the falling rain seemed only to quicken the dying conflagration. In some of the great green boles were fearful gaping wounds through which the sap was oozing, while some tall trees still stretched to heaven their triumphant crown of foliage above a trunk all charred that would never sprout again. The Brazilians contemplate spectacles such as this with a wholly indifferent eye, and, indeed, even with satisfaction, for they see in the ruin only a promise of future harvests. To me the scene possessed only the horror of a slaughter-house.
Statement on his website (12 September 2001), quoted in "Cat Stevens Condemns Attack" in Rolling Stone (17 September 2001) http://uk.real.com/music/artist/Cat_Stevens/articles/364932/-related-articles-page-1/
Context: I wish to express my heartfelt horror at the indiscriminate terrorist attacks committed against innocent people of the United States yesterday. While it is still not clear who carried out the attacks, it must be stated that no right thinking follower of Islam could possibly condone such an action: the Qur'an equates the murder of one innocent person with the murder of the whole of humanity. We pray for the families of all those who lost their lives in this unthinkable act of violence as well as all those injured; I hope to reflect the feelings of all Muslims and people around the world whose sympathies go out to the victims at this sorrowful moment.
“I have a horror of tags and labels.”
Source: Sculpting in Time (1986), p. 149
Context: I have a horror of tags and labels. I don't understand, for instance, how people can talk about Bergman's "symbolism". Far from being symbolic, be seems to me, through and almost biological naturalism, to arrive at the spiritual truth about human life that is important to him.
Great English Short Stories (1957), selected and introduced by Isherwood, p. 267 <!-- [Laurel TM 674623] -->
Context: Horror is always aware of its cause; terror never is. That is precisely what makes terror terrifying.
Nobel lecture (2001)
Context: We have entered the third millennium through a gate of fire. If today, after the horror of 11 September, we see better, and we see further — we will realize that humanity is indivisible. New threats make no distinction between races, nations or regions. A new insecurity has entered every mind, regardless of wealth or status. A deeper awareness of the bonds that bind us all — in pain as in prosperity — has gripped young and old.
Notes on the Next War (1935)
Context: Hit in the head you will die quickly and cleanly even sweetly and fittingly except for the white blinding flash that never stops, unless perhaps it is only the frontal bone or your optic nerve that is smashed, or your jaw carried away, or your nose and cheek bones gone so you can still think but you have no face to talk with. But if you are not hit in the head you will be hit in the chest, and choke in it, or in the lower belly, and feel it all slip and slide loosely as you open, to spill out when you try to get up, it's not supposed to be so painful but they always scream with it, it's the idea I suppose, or have the flash, the slamming clang of high explosive on a hard road and find your legs are gone above the knee, or maybe just a foot gone and watch the white bone sticking through your puttee, or watch them take a boot off with your foot a mush inside it, or feel an arm flop and learn how a bone feels grating, or you will burn, choke and vomit, or be blown to hell a dozen ways, without sweetness or fittingness: but none of this means anything. No catalogue of horrors ever kept men from war. Before the war you always think that it's not you that dies. But you will die, brother, if you go to it long enough.
Welcome to the Hellmouth (1997) DVD Commentary
Context: The first thing I ever thought of when I thought of Buffy, the movie, was the little... blonde girl who goes into a dark alley and gets killed, in every horror movie. The idea of Buffy was to subvert that idea, that image, and create someone who was a hero where she had always been a victim. That element of surprise … genre-busting is very much at the heart of both the movie and the series.
I wrote that in the first few shook-up minutes after hearing the bulletin sandwiched in between Don and Phil Everly and surrounded by all manner of whoops and whistles coming out of an audio signal generator, like you are apt to hear on the provincial radio these days. But I don't think I'd take those words back.
The world is at fault, not because it is inherently good or bad or anything but what it is, but because it doesn't prepare us in anything but body to get along with.
Our souls it leaves to whatever obsolescences, bigotries, theories of education workable and un, parental wisdom or lack of it, happen to get in its more or less Brownian (your phrase) pilgrimage between the cord-cutting ceremony and the time they slide you down the chute into the oven, while the guy on the Wurlitzer plays Aba Daba Honeymoon because you had once told somebody it was the nadir of all American expression; only they didn't know what nadir meant but it must be good because of the vehemence with which you expressed yourself.
Letter to Jules Siegel, published in Cavalier magazine (August 1965); republished in "Pynchon notes 15" and " "The World is at Fault" http://against-the-day.pynchonwiki.com/wiki/index.php?title=The_World_is_at_Fault at pynchonwiki.com http://pynchonwiki.com/
“Life’s better, sounder, when we don’t brood unnecessarily on horrors.”
Source: The Historian (2005), Ch. 4
Context: Life’s better, sounder, when we don’t brood unnecessarily on horrors. As you know, human history is full of evil deeds, and maybe we ought to think of them with tears, not fascination.
Letter to Ellen Hussey (5 April 1849), published in The Letters of Charlotte Brontë : With a Selection of Letters by Family and Friends (1995), edited by Margaret Smith, Vol. II: 1848–1851, p. 195
Context: I have no horror of death: if I thought it inevitable I think I could quietly resign myself to the prospect... But I wish it would please God to spare me not only for Papa's and Charlotte's sakes, but because I long to do some good in the world before I leave it. I have many schemes in my head for future practice – humble and limited indeed – but still I should not like them all to come to nothing, and myself to have lived to so little purpose. But God's will be done.
“In horror, in terror, she accepted the metamorphosis — gnat, foam, ant, until death.”
Last lines
All Men are Mortal (1946)
Context: In horror, in terror, she accepted the metamorphosis — gnat, foam, ant, until death. And it's only the beginning, she thought. She stood motionless, as if it were possible to play tricks with time, possible to stop it from following its course. But her hands stiffened against her quivering lips.
When the bells began to sound the hour she let out the first scream.
Why I Am an Agnostic (1896)
Context: The truth is that this belief in eternal pain has been the real persecutor.... It has darkened the lives of many millions. It made the cradle as terrible as the coffin. It enslaved nations and shed the blood of countless thousands. It sacrificed the wisest, the bravest and the best. It subverted the idea of justice, drove mercy from the heart, changed men to fiends and banished reason from the brain. Like a venomous serpent it crawls and coils and hisses in every orthodox creed. It makes man an eternal victim and God an eternal fiend. It is the one infinite horror. Every church in which it is taught is a public curse. Every preacher who teaches it is an enemy of mankind. Below this Christian dogma, savagery cannot go. It is the infinite of malice, hatred, and revenge. Nothing could add to the horror of hell, except the presence of its creator, God.
Said to Michael Silverberg of NPR; quote featured in the Buffy Monster Book (2000)
Context: I think there's a lot of people out there who say we must not have horror in any form, we must not say scary things to children because it will make them evil and disturbed... That offends me deeply, because the world is a scary and horrifying place, and everyone's going to get old and die, if they're that lucky. To set children up to think that everything is sunshine and roses is doing them a great disservice. Children need horror because there are things they don't understand. It helps them to codify it if it is mythologized, if it's put into the context of a story, whether the story has a happy ending or not. If it scares them and shows them a little bit of the dark side of the world that is there and always will be, it's helping them out when they have to face it as adults.
Letter to William B. Giles (26 December 1825)
1820s
Context: An opinion prevails that there is no longer any distinction, that the republicans & Federalists are completely amalgamated but it is not so. The amalgamation is of name only, not of principle. All indeed call themselves by the name of Republicans, because that of Federalists was extinguished in the battle of New Orleans. But the truth is that finding that monarchy is a desperate wish in this country, they rally to the point which they think next best, a consolidated government. Their aim is now therefore to break down the rights reserved by the constitution to the states as a bulwark against that consolidation, the fear of which produced the whole of the opposition to the constitution at its birth. Hence new Republicans in Congress, preaching the doctrines of the old Federalists, and the new nick-names of Ultras and Radicals. But I trust they will fail under the new, as the old name, and that the friends of the real constitution and union will prevail against consolidation, as they have done against monarchism. I scarcely know myself which is most to be deprecated, a consolidation, or dissolution of the states. The horrors of both are beyond the reach of human foresight.
“I cannot recall those years without horror, loathing, and heart-rending pain.”
Pt. I, ch. 2
Confession (1882)
Context: I cannot recall those years without horror, loathing, and heart-rending pain. I killed people in war, challenged men to duels with the purpose of killing them, and lost at cards; I squandered the fruits of the peasants' toil and then had them executed; I was a fornicator and a cheat. Lying, stealing, promiscuity of every kind, drunkenness, violence, murder — there was not a crime I did not commit... Thus I lived for ten years.
Essentials to Peace (1953)
Context: There has been considerable comment over the awarding of the Nobel Peace Prize to a soldier. I am afraid this does not seem as remarkable to me as it quite evidently appears to others. I know a great deal of the horrors and tragedies of war.... The cost of war in human lives is constantly spread before me, written neatly in many ledgers whose columns are gravestones. I am deeply moved to find some means or method of avoiding another calamity of war. Almost daily I hear from the wives, or mothers, or families of the fallen. The tragedy of the aftermath is almost constantly before me.
Reading Lolita in Tehran (2003)
Context: Every great work of art... is a celebration, an act of insubordination against the betrayals, horrors and infidelities of life.
"Anarchism and homicidal outrage" in What Is Anarchism?: An Introduction by Donald Rooum, ed. (London: Freedom Press, 1992, 1995) p. 43.
Context: The genuine Anarchist looks with sheer horror upon every destruction, every mutilation of a human being, physical or moral. He loathes wars, executions and imprisonments, the grinding down of the worker's whole nature in a dreary round of toil, the sexual and economic slavery of women, the oppression of children, the crippling and poisoning of human nature by the preventable cruelty and injustice of man to man in every shape and form.
Source: Pilgrim of the Absolute (1947), p. 125
On debating the reactions of her readership in “Hanya Yanagihara: ‘I wanted everything turned up a little too high’” https://www.theguardian.com/books/2015/jul/26/hanya-yanagihara-i-wanted-everything-turned-up-a-little-too-high-interview-a-little-life in The Guardian (2015 Jul 26)
[Guha, Ramachandra, REFORMING THE HINDUS, http://ramachandraguha.in/archives/reforming-the-hindus.html, The Hindu, July 18th, 2004]
Articles
Selections from the Kur-an, 2nd ed., Preface.
"Southern Lynching" (April 1892)
Exclusive Interview: Composer Jason Graves Discusses Dead Space, F.E.A.R. 3 and Resistance: Burning Skies http://www.dreadcentral.com/news/33744/exclusive-interview-composer-jason-graves-discusses-dead-space-f-e-a-r-3-and-resistance-burning-skies (May 14, 2012)
Speech of Thermidor Year II (26 July 1794)
On body horror in “Interview: Tade Thompson” http://www.lightspeedmagazine.com/nonfiction/interview-tade-thompson/ in Lightspeed Magazine (October 2017)
Source: Caliban's War (2012), Chapter 51 (p. 563)
"On Truth" in Damn! A Book of Calumny (1918), p. 53
1910s
"The Psychology of Altruism", p. 309
The Universal Kinship (1906), The Ethical Kinship
It was like fighting with a demon for a human soul, and when I had fairly so appraised it I saw how the human soul—held out, in the tremor of my hands, at arm's length—had a perfect dew of sweat on a lovely childish forehead.
Source: The Turn of the Screw (1898), Ch. XXIV.
Chap. 1: "To Whom Much is Forgiven..."
The New Being (1955)
Fourteen Points https://www.marxists.org/archive/mcmanus/articles/points.htm, Halifax Division of the Socialist Labour Party, (1918)
Speech (12 September 1973) http://www.cuba.cu/gobierno/discursos/1973/esp/f120973e.html
Addressing an abolitionist meeting in Philadelphia, May 14, 1838, as a mob howled outside, throwing bricks and stones into the building, as quoted in [Todras, Ellen H., Angelina Grimké: Voice of Abolition, https://books.google.com/books?id=-S8ZAQAAMAAJ, 1999, Linnet, 978-0-208-02485-5, 3]
“The first movie I ever saw was a horror movie. It was Bambi.”
Rolling Stone Interview (2014)
Frankfurter Allgemeine Zeitung article entitled “Die Vergangenheit, die nicht vergehen will” (“The past that will not pass: A speech that could be written but not delivered”), (June 6, 1986), Reprinted in Forever in the Shadow of Hitler? Translated by James Knowlton and Truett Cates, New Jersey: Humanities Press, (1993), pp. 22.
