Quotes about horror
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Julian of Norwich photo
Michel De Montaigne photo
Michael Chabon photo
Robert Graves photo
Shinji Mikami photo
Stanislaw Ulam photo

“I'm an agnostic. Sometimes I muse deeply on the forces that are for me invisible. When I am almost close to the idea of God, I feel immediately estranged by the horrors of this world, which he seems to tolerate…”

Stanislaw Ulam (1909–1984) Polish-American mathematician

as quoted by Olgierd Budrewicz in The melting-pot revisited: twenty well-known Americans of Polish background http://books.google.com/books?ei=jntPUNaTMafZ0QHMloGQBQ&id=pc51AAAAMAAJ&dq=Olgierd+Budrewicz%7C&q=Sometimes+I+muse#search_anchor, publish by Interpress, page 36, 1977.

Alphonse de Lamartine photo
John S. Mosby photo
Arthur James Balfour photo
Henry Adams photo

“I turn green in bed at midnight if I think of the horror of a year's warfare in the Philippines … We must slaughter a million or two foolish Malays in order to give them the comforts of flannel petticoats and electric railways.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

Letter to Elizabeth Cameron (22 January 1899), in J. C. Levinson et al. eds., The Letters of Henry Adams, Volume IV: 1892–1899 (Cambridge, MA: Belknap Press, 1988), p. 670

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Jeffrey Moussaieff Masson photo
Elizabeth Rowe photo
Koenraad Elst photo
T. E. Lawrence photo
Percy Bysshe Shelley photo
Harriet Beecher Stowe photo
George Steiner photo
Brian K. Vaughan photo

“I've always thought of fantasy as a genre of best-case scenarios, and horror as a genre of worst-case scenarios.”

Brian K. Vaughan (1976) American screenwriter, comic book creator

DC Comics interview http://www.dccomics.com/features/vertigox/vaughan.html

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Alexander Pope photo
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Jerome K. Jerome photo

“I can understand the ignorant masses loving to soak themselves in drink—oh, yes, it's very shocking that they should, of course—very shocking to us who live in cozy homes, with all the graces and pleasures of life around us, that the dwellers in damp cellars and windy attics should creep from their dens of misery into the warmth and glare of the public-house bar, and seek to float for a brief space away from their dull world upon a Lethe stream of gin. But think, before you hold up your hands in horror at their ill-living, what "life" for these wretched creatures really means. Picture the squalid misery of their brutish existence, dragged on from year to year in the narrow, noisome room where, huddled like vermin in sewers, they welter, and sicken, and sleep; where dirt-grimed children scream and fight and sluttish, shrill-voiced women cuff, and curse, and nag; where the street outside teems with roaring filth and the house around is a bedlam of riot and stench. Think what a sapless stick this fair flower of life must be to them, devoid of mind and soul. The horse in his stall scents the sweet hay and munches the ripe corn contentedly. The watch-dog in his kennel blinks at the grateful sun, dreams of a glorious chase over the dewy fields, and wakes with a yelp of gladness to greet a caressing hand. But the clod-like life of these human logs never knows one ray of light. From the hour when they crawl from their comfortless bed to the hour when they lounge back into it again they never live one moment of real life. Recreation, amusement, companionship, they know not the meaning of. Joy, sorrow, laughter, tears, love, friendship, longing, despair, are idle words to them. From the day when their baby eyes first look out upon their sordid world to the day when, with an oath, they close them forever and their bones are shoveled out of sight, they never warm to one touch of human sympathy, never thrill to a single thought, never start to a single hope. In the name of the God of mercy; let them pour the maddening liquor down their throats and feel for one brief moment that they live!”

Idle Thoughts of an Idle Fellow (1886)

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George Marshall photo
Tam Dalyell photo
June Vincent photo
China Miéville photo
John Fante photo
Robert Charles Wilson photo
Jane Roberts photo
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William Styron photo

“In many of Albrecht Dürer’s engravings there are harrowing depictions of his own melancholia; the manic wheeling stars of Van Gogh are the precursors of the artist’s plunge into dementia and the extinction of self. It is a suffering that often tinges the music of Beethoven, of Schumann and Mahler, and permeates the darker cantatas of Bach. The vast metaphor which most faithfully represents this fathomless ordeal, however, is that of Dante, and his all-too-familiar lines still arrest the imagination with their augury of the unknowable, the black struggle to come:
Nel mezzo del cammin di nostra vita
Mi ritrovai per una selva oscura,
Ché la diritta via era smarrita.
In the middle of the journey of our life
I found myself in a dark wood,
For I had lost the right path.
One can be sure that these words have been more than once employed to conjure the ravages of melancholia, but their somber foreboding has often overshadowed the last lines of the best-known part of that poem, with their evocation of hope. To most of those who have experienced it, the horror of depression is so overwhelming as to be quite beyond expression, hence the frustrated sense of inadequacy found in the work of even the greatest artists. But in science and art the search will doubtless go on for a clear representation of its meaning, which sometimes, for those who have known it, is a simulacrum of all the evil of our world: of our everyday discord and chaos, our irrationality, warfare and crime, torture and violence, our impulse toward death and our flight from it held in the intolerable equipoise of history. If our lives had no other configuration but this, we should want, and perhaps deserve, to perish; if depression had no termination, then suicide would, indeed, be the only remedy. But one need not sound the false or inspirational note to stress the truth that depression is not the soul’s annihilation; men and women who have recovered from the disease — and they are countless — bear witness to what is probably its only saving grace: it is conquerable.”

Source: Darkness Visible (1990), X

Max Beerbohm photo
Winston S. Churchill photo
Clive Staples Lewis photo
Octave Mirbeau photo

“Desire can attain the darkest human terror and give an actual ideal of hell and its horror.”

Octave Mirbeau (1848–1917) French journalist, art critic, travel writer, pamphleteer, novelist, and playwright
Bram van Velde photo

“The real horror is mass production. Painting when there is no compulsion to do so… …Pictures like that are all unpunished crimes.”

Bram van Velde (1895–1981) Dutch painter

short quotes, 3 April 1972; p. 86
1970's, Conversations with Samuel Beckett and Bram van Velde (1970 - 1972)

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Adam Smith photo
Emma Goldman photo
Peter Cushing photo
Francis Galton photo
David Cronenberg photo
Victor Hugo photo
John McCain photo

“Our government has a responsibility to defend our borders, but we must do so in a way that makes us safer and upholds all that is decent and exceptional about our nation.It is clear from the confusion at our airports across the nation that President Trump's executive order was not properly vetted. We are particularly concerned by reports that this order went into effect with little to no consultation with the Departments of State, Defense, Justice, and Homeland Security.Such a hasty process risks harmful results. We should not stop green-card holders from returning to the country they call home. We should not stop those who have served as interpreters for our military and diplomats from seeking refuge in the country they risked their lives to help. And we should not turn our backs on those refugees who have been shown through extensive vetting to pose no demonstrable threat to our nation, and who have suffered unspeakable horrors, most of them women and children.Ultimately, we fear this executive order will become a self-inflicted wound in the fight against terrorism. At this very moment, American troops are fighting side-by-side with our Iraqi partners to defeat ISIL. But this executive order bans Iraqi pilots from coming to military bases in Arizona to fight our common enemies. Our most important allies in the fight against ISIL are the vast majority of Muslims who reject its apocalyptic ideology of hatred. This executive order sends a signal, intended or not, that America does not want Muslims coming into our country. That is why we fear this executive order may do more to help terrorist recruitment than improve our security.”

John McCain (1936–2018) politician from the United States

Statement by Senators McCain & Graham on Executive Order on Immigration (January 27, 2017) from the Office of Senator John McCain http://www.mccain.senate.gov/public/index.cfm/2017/1/statement-by-senators-mccain-graham-on-executive-order-on-immigration regarding [Donald J. Trump]'s Executive Order 13769 entitled "Protecting the Nation from Foreign Terrorist Entry into the United States", as quoted by Jacob Sallum from Reason magazine in Here Is What Republican Critics of Trump's Immigration Order Are Saying on January 31, 2017 http://reason.com/blog/2017/01/31/here-is-what-republican-critics-of-trump
2010s, 2017

Winston S. Churchill photo

“We must all turn our backs upon the horrors of the past. We must look to the future. We cannot afford to drag forward cross the years that are to come the hatreds and revenges which have sprung from the injuries of the past.”

Winston S. Churchill (1874–1965) Prime Minister of the United Kingdom

Speech at Zurich University (September 19, 1946) ( partial text http://www.churchill-society-london.org.uk/astonish.html) ( http://www.peshawar.ch/varia/winston.htm).
Post-war years (1945–1955)

David Icke photo
George Bernard Shaw photo

“Why should you call me to account for eating decently? If I battened on the scorched corpses of animals, you might well ask me why I did that. Why should I be filthy and inhuman? Why should I be an accomplice in the wholesale horror and degradation of the slaughter-house?”

George Bernard Shaw (1856–1950) Irish playwright

Interview "What Vegetarianism Really Means: a Talk with Mr Bernard Shaw", in Vegetarian (15 January 1898), reprinted in Shaw: Interviews and Recollections, edited by A. M. Gibbs, 1990, p. 401 https://books.google.it/books?id=45muCwAAQBAJ&pg=PA401
1890s

H. G. Wells photo
Stanley Baldwin photo
Anaïs Nin photo
Joseph Addison photo
Robert G. Ingersoll photo
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Berthe Morisot photo
Iain Banks photo
Andrew Tobias photo

“Not surprisingly, the insurance lobby recoils in horror at the prospect of automatic coverage ( including, when it was first proposed, Social Security), no matter how efficient it may be. Automatic coverage eliminates sales commissions and profit.”

Andrew Tobias (1947) American journalist

Source: The Invisible Bankers, Everything The Insurance Industry Never Wanted You To Know (1982), Chapter 4, Tell Us The Odds, p. 63-64.

Michael Shea photo
Jeremy Corbyn photo
John Calvin photo

“The worship of images is intimately connected with that of the saints. They were rejected by the primitive Christians; but St Irenæus, who lived in the second century, relates that there was a sect of heretics, the Carpocratians, who worshipped, in the manner of Pagans, different images representing Jesus Christ, St Paul, and others. The Gnostics had also images; but the church rejected their use in a positive manner, and a Christian writer of the third century, Minutius Felix, says that “the Pagans reproached the Christians for having neither temples nor simulachres;” and I could quote many other evidences that the primitive Christians entertained a great horror against every kind of images, considering them as the work of demons. It appears, however, that the use of pictures was creeping into the church already in the third century, because the council of Elvira in Spain, held in 305, especially forbids to have any picture in the Christian churches. These pictures were generally representations of some events, either of the New 5 In his Treatise given below. 11 or of the Old Testament, and their object was to instruct the common and illiterate people in sacred history, whilst others were emblems, representing some ideas connected with the doctrines [008] of Christianity. It was certainly a powerful means of producing an impression upon the senses and the imagination of the vulgar, who believe without reasoning, and admit without reflection; it was also the most easy way of converting rude and ignorant nations, because, looking constantly on the representations of some fact, people usually end by believing it. This iconographic teaching was, therefore, recommended by the rulers of the church, as being useful to the ignorant, who had only the understanding of eyes, and could not read writings.6 Such a practice was, however, fraught with the greatest danger, as experience has but too much proved. It was replacing intellect by sight.7 Instead of elevating man towards God, it was bringing down the Deity to the level of his finite intellect, and it could not but powerfully contribute to the rapid spread of a pagan anthropomorphism in the church.”

John Calvin (1509–1564) French Protestant reformer

Source: A Treatise of Relics (1543), p. 10-11

“No one can ever heap enough insults upon me to suit my taste. I think we all really thrive on hostility, because it's the most intense kind of massage the ego can undergo. Other people's indifference is the only horror.”

Paul Bowles (1910–1999) American composer, writer, translator

Letter to Charles Henri Ford (25 January 1948), as published in In Touch : The Letters of Paul Bowles (1995) edited by Jeffrey Miller, p. 192

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John Peckham photo

“And therefore, Sire, altho' I am ready, so far as is in me, to dedicate the place for the Cistercian monks at Meynan, yet I could not do it without the full assent of the bishop and of his chapter, and of the parson of the place, who, with plenty of other people, have a very great horror of the approach of the forsaid monks. For though they may be good men, if God please, still they are the hardest neighbours that prelates and parsons could have. For where they plant their foot, they destroy towns, take away tithes, and curtail by their privileges all the power of prelacy.”

John Peckham (1227–1292) Archbishop of Canterbury

Footnote: Mr. Martin [editor] remarks upon this letter: "The avarice of the Cistercians had already been noticed by Richard I., who, when accused of having at home three daughters whom he loved more than the grace of God, viz., Pride, Luxury, and Avarice, replied: 'No, they are no longer at home. My daughter Pride I have married to the Templars, Luxury to the Black Monks, and Avarice to the White Monks.'" (Pref. to Vol. II., Peckham's Register p. lviii.)
Letter DLIV (June 14, 1284) Archbishop Peckham to King Edward I., from (Charles Trice Martin, ed.) Registrum epistolarum fratris Johannis Peckham: Archiepiscopi Cantuariensis quoted in Georg Herzfeld (ed.) An Old English Martyrology (1900)

Muhammad bin Qasim photo

“Muhammad Kasim, ascertaining that large offerings were made to the idol, and wishing to add to his resources by those means, left it uninjured, but in order to show his horror of Indian superstition, he attached a piece of cow's flesh to its neck, by which he was able to gratify his avarice and malignity at the same time.”

Muhammad bin Qasim (695–715) Umayyad general

Multan (Punjab). Zakariya bin Muhammad (al-Kazwini): Ãsaru’l-Bilad in Elliot and Dowson, Vol. I : Elliot and Dowson, History of India as told by its own Historians, 8 Volumes, Allahabad Reprint, 1964. pp. 470.
Quotes from The History of India as told by its own Historians

Nick Cave photo
William H. Macy photo

“Stephen King writes a lot of things that are really charming and quirky, and that are more ironic than horror.”

William H. Macy (1950) American actor, screenwriter, teacher and director in theater, film and television

As quoted in Wordcatcher : An Odyssey into the World of Weird and Wonderful Words (2010), by Phil Cousineau, p. 219.

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“[The Taoist priest] said to Chia Jui, "This mirror was made by the Goddess of Disillusionment and is designed to cure diseases resulting from impure thoughts and self-destructive habits. It is intended for youths such as you. But do not look into the right side. Use only the reverse side of the mirror. I shall be back for it in three days and congratulate you on your recovery." He went away, refusing to accept any money.
Chia Jui took the mirror and looked into the reverse side as the Taoist had directed. He threw it down in horror, for he saw a gruesome skeleton staring at him through its hollow eyes. He cursed the Taoist for playing such a crude joke upon him. Then he thought he would see what was on the right side. When he did so, he saw Phoenix standing there and beckoning to him. Chia Jui felt himself wafted into a mirror world, wherein he fulfilled his desire. He woke up from his trance and found the mirror lying wrong side up, revealing the horrible skeleton. He felt exhausted from the experience that the more deceptive side of the mirror gave him, but it was so delicious that he could not resist the temptation of looking into the right side again. Again he saw Phoenix beckoning to him and again he yielded to the temptation. This happened three or four times. When he was about to leave the mirror on his last visit, he was seized by two men and put in chains.
"Just a moment, officers," Chia Jui pleaded. "Let me take my mirror with me."”

Wang Chi-chen (1899–2001)

These were his last words.
Source: Dream of the Red Chamber (1958), pp. 89–90

Henry James photo
Hugo Ball photo
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Sam Raimi photo

“I didn’t at first because horror movies scared me too much, but I really do love the genre and it’s a playground where you can really be artistic and create ideas in the minds of the audience and portray the unreal. It’s very cool experimentation ground for a filmmaker.”

Sam Raimi (1959) American film director, producer, writer and actor

Interview: Sam Raimi on ASH VS. EVIL DEAD, DARKMAN and THE LAST OF US https://www.comingsoon.net/horror/news/747524-interview-sam-raimi-ash-vs-evil-dead-darkman-last-us#/slide/1 (October 26, 2015)

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