Quotes about herring
page 87

Nicholas Sparks photo
John Fante photo
James Russell Lowell photo
Giacomo Casanova photo
Charlotte Salomon photo

“Franziska (mother of Charlotte): 'In Heaven everything is much more beautiful than here in earth – and when your Mummy has turned into a little angel she'll.... bring a letter, telling her what's like in Heaven..”

Charlotte Salomon (1917–1943) German painter

Franziska was of somewhat sentimental disposition.
written text with brush, in her painting JHM no. 4175 https://commons.wikimedia.org/wiki/Category:Charlotte_Salomon#/media/File:Charlotte_Salomon_-_JHM_4175.jpg: in 'Life? or Theater..', p. 66
her mother committed suicide when Charlotte was still a young girl - as many in her family did, before or later
Charlotte Salomon - Life? or Theater?

Noel Coward photo

“Lord knows I'm not a fool girl
I really shouldn't care
Lord knows I'm not a school girl
In the flurry of her first affair.”

Noel Coward (1899–1973) English playwright, composer, director, actor and singer

Mad About the Boy (1932)

“The Hindus of this region had been victims of Muslim high-handedness for a long time, particularly in respect of their women. Murshid Qulî Khãn, the faujdãr of Mathura who died in 1638, was notorious for seizing “all their most beautiful women” and forcing them into his harem. “On the birthday of Krishna,” narrates Ma’sîr-ul-Umara, “a vast gathering of Hindu men and women takes place at Govardhan on the Jumna opposite Mathura. The Khan, painting his forehead and wearing dhoti like a Hindu, used to walk up and down in the crowd. Whenever he saw a woman whose beauty filled even the moon with envy, he snatched her away like a wolf pouncing upon a flock, and placing her in the boat which his men kept ready on the bank, he sped to Agra. The Hindu [for shame] never divulged what had happened to his daughter.” Another notorious faujdãr of Mathura was Abdu’n Nabî Khãn. He plundered the people unscrupulously and amassed great wealth. But his worst offence was the pulling down of the foremost Hindu temple in the heart of Mathura and building a Jãmi‘ Masjid on its site. This he did in AD 1660-61. Soon after, in 1665, Aurangzeb imposed a pilgrim tax on the Hindus. In 1668, he prohibited celebration of all Hindu festivals, particularly Holi and Diwali. The Jats who rightly regarded themselves as the defenders of Hindu hounour were no longer in a mood to take it lying. (Jadunath Sarkar, History of Aurangzeb, Vol. III, Calcutta, 1972 )”

Sita Ram Goel (1921–2003) Indian activist

Hindu Temples – What Happened to Them, Volume II (1993)

Harry Turtledove photo

“And now, as a result of honoring our commitment to our gallant allies, that man Roosevelt has sought from the U. S. Congress a declaration of war not only against England and France but also against the Confederate States of America. His servile lackeys, misnamed Democrats, have given him what he wanted, and the telegraph informs me that fighting has begun along our border and on the high seas. Leading our great and peaceful people into war is a fearful thing, not least because, with the great advances of science and industry over the past half-century, this may prove the most disastrous and terrible of all wars, truly a war of the nations: indeed a war of the world. But right is more precious than peace, and we shall fight for those things we have always held dear in our hearts: for the rights of the Confederate States and of the white men who live in them; for the liberties of small nations everywhere from outside oppression; for our own freedom and independence from the vicious, bloody regime to the north. To such a task we can dedicate our lives and fortunes, everything we are and all that we have, with the pride of those who know the day has come when the Confederacy is privileged to spend her blood and her strength for the principles that gave her birth and led to her present happiness. God helping us, we can do nothing else. Men of the Confederacy, is it your will that a state of war should exist henceforth between us and the United States of America?" "Yes!”

The answer roared from Reginald Bartlett's throat, as from those of the other tens of thousands of people jamming the Capitol Square. Someone flung a straw hat in the air. In an instant, hundreds of them, Bartlett's included, were flying. A great chorus of "Dixie" rang out, loud enough, Bartlett thought, for the damnyankees to hear it in Washington.
Source: The Great War: American Front (1998), p. 33

Margaret Atwood photo

“As I was writing about Grace Marks, and about her interlude in the Asylum, I came to see her in context — the context of other people's opinions, both the popular images of madness and the scientific explanations for it available at the time. A lot of what was believed and said on the subject appears like sheer lunacy to us now. But we shouldn't be too arrogant — how many of our own theories will look silly when those who follow us have come up with something better? But whatever the scientists may come up with, writers and artists will continue to portray altered mental states, simply because few aspects of our nature fascinate people so much. The so-called mad person will always represent a possible future for every member of the audience — who knows when such a malady may strike? When "mad," at least in literature, you aren't yourself; you take on another self, a self that is either not you at all, or a truer, more elemental one than the person you're used to seeing in the mirror. You're in danger of becoming, in Shakespeare's works, a mere picture or beast, and in Susanna Moodie's words, a mere machine; or else you may become an inspired prophet, a truth-sayer, a shaman, one who oversteps the boundaries of the ordinarily visible and audible, and also, and especially, the ordinarily sayable. Portraying this process is deep power for the artist, partly because it's a little too close to the process of artistic creation itself, and partly because the prospect of losing our self and being taken over by another, unfamiliar self is one of our deepest human fears.”

Margaret Atwood (1939) Canadian writer

Ophelia Has a Lot to Answer For (1997)

Giordano Bruno photo
Nadine Gordimer photo
Kunti photo
Barbara Hepworth photo
Henry Miller photo
William Makepeace Thackeray photo
Rudyard Kipling photo
James K. Morrow photo

“In physical pursuits Luli was considerably less passionate. Her idea of a good time in bed was breakfast.”

James K. Morrow (1947) (1947-) science fiction author

Source: The Wine of Violence (1981), Chapter 2 (p. 21)

Robert Lynn Asprin photo

“A tiny whisper at the back of her mind warned her to be wary of what one asked the gods for, lest they grant it.”

Robert Lynn Asprin (1946–2008) American science fiction and fantasy author

Source: Wagers of Sin (1996), Chapter 18 (p. 366)

Joyce Carol Oates photo
Gabriele Münter photo
Miguel de Cervantes photo

“Now had Aurora displayed her mantle over the blushing skies, and dark night withdrawn her sable veil.”

Miguel de Cervantes (1547–1616) Spanish novelist, poet, and playwright

Source: Don Quixote de la Mancha (1605–1615), Part I, Book III, Ch. 6.

Graham Greene photo
Leo Tolstoy photo
Robert Graves photo

“Take courage, lover!
Could you endure such pain
At any hand but hers?”

Robert Graves (1895–1985) English poet and novelist

"Symptoms of Love" from More Poems (1961).
Poems

Ayaan Hirsi Ali photo
Vladimir Lenin photo
Paul of Tarsus photo
Pope Benedict XVI photo
Erich Fromm photo
J. M. Barrie photo
P.G. Wodehouse photo
Nick Cave photo
Nick Cave photo
Ernst Ludwig Kirchner photo

“The beautiful, architectonically constructed, severely formed bodies of these women [his girlfriend in Berlin and life companion, Erna with her sister Gerda] replaced the soft Saxon physique.”

Ernst Ludwig Kirchner (1880–1938) German painter, sculptor, engraver and printmaker

In an unpublished manuscript 'Die Arbeit E. L. Kirchners', by E. L. Kirchner 1925–1926; as quoted in Kirchner and the Berlin street, ed. Deborah Wye, Moma, New York, 2008, p. 36
1920's

Paula Modersohn-Becker photo
Samuel R. Delany photo
Marc Randazza photo
Florence Nightingale photo
Halldór Laxness photo
Tom Waits photo
Raymond Poincaré photo
Paulo Coelho photo
Gertrude Stein photo

“To know to know to love her so.
Four saints prepare for saints.”

Gertrude Stein (1874–1946) American art collector and experimental writer of novels, poetry and plays

Four Saints in Three Acts (1927)
Operas and Plays (1932)

Margaret Cavendish photo
J. M. Barrie photo
Sri Aurobindo photo

“In the stupendous rush of change which is coming on the human world as a result of the present tornado of upheaval, ancient India's culture, attacked by European modernism, overpowered in the material field, betrayed by the indifference of her children, may perish for ever along with the soul of the nation that holds it in its keeping…. Each nation is a Shakti or power of the evolving spirit in humanity and lives by the principle which it embodies. India is the Bharata Shakti, the living energy of a great spiritual conception, and fidelity to it is the very principle of her existence…. To follow a law or principle involuntarily or ignorantly or contrary to the truth of one's consciousness is a falsehood and a self-destruction. To allow oneself to be killed, like the lamb attacked by the wolf, brings no growth, farthers no development, assures no spiritual merit. Concert or unity may come in good time, but it must be an underlying unity with a free differentiation, not a swallowing up of one by another or an incongruous and inharmonious mixture. Nor can it come before the world is ready for these greater things. To lay down one's arms in a state of war is to invite destruction and it can serve no compensating spiritual purpose…. India is indeed awaking and defending herself, but not sufficiently and not with the whole-heartedness, the clear sight and the firm resolution which can alone save her from the peril. Today it is close; let her choose,… for the choice is imperatively before her, to live or to perish.”

Sri Aurobindo (1872–1950) Indian nationalist, freedom fighter, philosopher, yogi, guru and poet

December, 1918
India's Rebirth

Arnold Schwarzenegger photo
Jim Butcher photo
Donald J. Trump photo
Letitia Elizabeth Landon photo
Victor Davis Hanson photo

“[W]hat bothers the New York Times is not racism per se, but who is the racist and who are her targets.”

Victor Davis Hanson (1953) American military historian, essayist, university professor

2010s, The Double Standards of Postmodern Justice (2018)

Mike Tyson photo
Thomas Gainsborough photo
Anne Murray photo

“I've always had a crush on Anne Murray, since I was like 9 years old. But no, [Ingenue]'s not about her.”

Anne Murray (1945) Canadian singer

k.d. lang, Canadian singer
regarding the rumours that her album "Ingenue" might be about Anne Murray, as quoted in "HANGING WITH K. D. LANG", MTV.com, as reported by ATN Toronto correspondent (and Toronto Star staff writer) Peter Howell, 18 October 1995 http://www.mtv.com/news/504788/hanging-with-k-d-lang/

Angelina Jolie photo

“I was horrified by the attacks against her, [but] Madonna knew the situation in Malawi, where he was born. In that country, there isn't really a legal framework for adopting. Personally, I prefer to stay on the side of the law.”

Angelina Jolie (1975) American actress, film director, and screenwriter

"Jolie shocked by Madonna attacks" Reuters report, via CNN.com (8 January 2007) http://www.cnn.com/2007/WORLD/europe/01/08/jolie.madonna.reut/index.html

Guillaume Apollinaire photo

“Farewell, false love, I took you for
The woman that I lost last year
Forever as I think:
I loved her but I will not see
Her any more in Germany.
O Milky Way, sister in whiteness
To Canaan's rivers and the bright
Bodies of lovers drowned,
Can we follow toilsomely
Your path to other nebulae?”

Adieu faux amour confondu
Avec la femme qui s'éloigne
Avec celle que j'ai perdue
L'année dernière en Allemagne
Et que je ne reverrai plus
Voie lactée ô sœur lumineuse
Des blancs ruisseaux de Chanaan
Et des corps blancs des amoureuses
Nageurs morts suivrons-nous d’ahan
Ton cours vers d'autres nébuleuses
"La Chanson du Mal-Aimé" (Song of the Poorly Loved), line 56; translation by William Meredith, from Francis Steegmuller Apollinaire: Poet Among the Painters (Harmondsworth: Penguin, 1973) p. 95.
Alcools (1912)

Charles James Fox photo

“[Fox] exhibited two pictures of this country; the one representing her at the end of the last glorious war, the other at the present moment. At the end of the last war this country was raised to a most dazzling height of splendour and respect. The French marine was in a manner annihilated, the Spanish rendered contemptible; the French were driven from America; new sources of commerce were opened, the old enlarged; our influence extended to a predominance in Europe, our empire of the ocean established and acknowledged, and our trade filling the ports and harbours of the wondering and admiring world. Now mark the degradation and the change, We have lost thirteen provinces of America; we have lost several of our Islands, and the rest are in danger; we have lost the empire of the sea; we have lost our respect abroad and our unanimity at home; the nations have forsaken us, they see us distracted and obstinate, and they leave us to our fate. Country! …This was your situation, when you were governed by Whig ministers and by Whig measures, when you were warmed and instigated by a just and a laudable cause, when you were united and impelled by the confidence which you had in your ministers, and when they were again strengthened and emboldened by your ardour and enthusiasm. This is your situation, when you are under the conduct of Tory ministers and a Tory system, when you are disunited, disheartened, and have neither confidence in your ministers nor union among yourselves; when your cause is unjust and your conductors are either impotent or treacherous.”

Charles James Fox (1749–1806) British Whig statesman

Speech in the House of Commons (27 November 1781), reprinted in J. Wright (ed.), The Speeches of the Rt. Hon. C. J. Fox in the House of Commons. Volume I (1815), p. 429.
1780s

Muhammad photo
Statius photo

“So when ebbing Nile hides himself in his great caverns and holds in his mouth the liquid nurture of an eastern winter, the valleys smoke forsaken by the flood and gaping Egypt awaits the sounds of her watery father, until at their prayers he grants sustenance to the Pharian fields and brings on a great harvest year.”
Sic ubi se magnis refluus suppressit in antris Nilus et Eoae liquentia pabula brumae ore premit, fumant desertae gurgite valles et patris undosi sonitus expectat hiulca Aegyptos, donec Phariis alimenta rogatus donet agris magnumque inducat messibus annum.

Source: Thebaid, Book IV, Line 705

Roman Polanski photo
Billy Joel photo
John Constable photo

“I have been living a hermit-life, though always with my pencil in my hand... How much real delight have I had with the study of landscape this summer! Either I am myself improved in the art of seeing nature, which Sir Joshua call painting, or nature has unveiled her beauties to me less fastidiously. Perhaps there is something of both, so we will divide the compliment.”

John Constable (1776–1837) English Romantic painter

Quote from Constable's letter to Rev. John Fisher (22 July 1812), as quoted in Richard Friedenthal, Letters of the great artists – from Blake to Pollock (Thames and Hudson, London, 1963), p. 40
1800s - 1810s

“And then, all of a sudden, it was as though through those dark eyes an electrical circuit had been struck. She sat fascinated. Snake-and-bird fascinated. Afterwards she could not recall the details of what he had said. She remembered only that she had been absorbed, rapt, lost, for over ten minutes by the clock. She had perceived images conjured up from the dead past: a hand trailed in clear river water, deliciously cool, while the sun smiled and a shoal of tiny fishes darted between her fingers; the crisp flesh of a ripe apple straight from the tree, so juicy it ran down her chin; grass between her bare toes, the turf like springs so that she seemed not to bear the whole of her weight on her soles but to be floating, dreamlike, in slow motion, instantly transported to the moon; the western sky painted with vast heart-tearing slapdash streaks of red below the bright steel-blue of clouds, and stars coming snap-snap into view against the eastern dark; wind gentle in her hair and on her cheeks, bearing flower perfumes, dusting her with petals; snow cold to the palm as it was shaped into a ball; laughter echoing from a dark lane where only lovers walked, not thieves and muggers; butter like an ingot of soft gold; ocean spray sharp and clean as the edge of an axe; with the same sense of safe, provided rightly used; round pebbles polychrome beside a pool; rain to which a thirsty mouth could open, distilling the taste of a continent of air... And under, and through, and in, and around all this, a conviction: “Something can be done to get that back!”
She was crying. Small tears like ants had itched their paths down her cheeks. She said, when she realized he had fallen silent, “But I never knew that! None of it! I was born and raised right here in New York!””

”But don’t you think you should have known it?” Austin Train inquired gently.
September “MINE ENEMIES ARE DELIVERED INTO MY HAND”
The Sheep Look Up (1972)

John Knox photo
Jon Courtenay Grimwood photo
David Weber photo
Fritz Leiber photo
Muhammad bin Qasim photo
Walter Savage Landor photo
Anita Pallenberg photo
Tom Petty photo

“I wanna glide down over Mulholland.
I wanna write her name in the sky.
Gonna free fall out into nothing.
Gonna leave this world for a while.”

Tom Petty (1950–2017) American musician

Free Fallin
Lyrics, Full Moon Fever (1989)

Katharine Hepburn photo
Mickey Spillane photo
Mark Akenside photo
Colin Wilson photo
Robert Jordan photo

“Even a queen stubs her toe, but a wise woman watches the path.”

Robert Jordan (1948–2007) American writer

Lini
(15 October 1993)

“Negligence is the rust of the soul that corrodes through all her best resolves.”

Owen Feltham (1602–1668) English writer

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 434.

Victoria of the United Kingdom photo
Willa Cather photo
Edward St. Aubyn photo
David Brin photo
Jim Morrison photo

“Her cunt gripped him like a warm friendly hand.”

Jim Morrison (1943–1971) lead singer of The Doors

An American Prayer (1978)

“It is generally assumed that men are damaged in their capacity for closeness and intimacy. If intimacy is defined as a loving closeness with another person, then it is usually true that the early conditioning of men to be performers and competitors in the impersonal competitive world limits their intimacy capacity. Women are assumed to have a greater capacity for intimacy than men because they express caring emotions and allow themselves to be dependent and close in relationships more easily. Yet, a closer look will provide a different perspective.

True intimacy is love and closeness based on knowledge of the inner reality and inner experience of the other. However, in romantic relationships, closeness ends or is put into crisis when men describe honestly their inner experiences to women. Women assail the relationship behavior of men and men acknowledge what they are told. Rarely is the opposite true. Men accept the reality of women more than women accept the reality of men.

The fact that a woman's priority is placed on personal needs bears no relationship to a genuine capacity for intimacy. To be loved and known, and to be fully comfortable expressing one's personal self, are two major components of intimacy. There are few men who have received that from a woman. The opposite holds true. A woman's love for a man is contingent on his participating in her romantic fantasy of what he and the relationship should be. Few men risk challenging or undermining that fantasy. Instead, they play by the rules of romance even when it feels uncomfortable, knowing that being loved by her is fragile and easily broken once he reveals his resistances and unromantic feelings.”

Herb Goldberg (1937–2019) American psychologist

Why Women Are Also Incapable of Intimacy, pp. 120–121
What Men Still Don't Know About Women, Relationships, and Love (2007)

Lord Randolph Churchill photo