Quotes about hearing
page 23

Samuel Beckett photo
Edward Andrade photo

“Come, take hands, you are not such
As this will weary overmuch.
Sit we down, and hear rehearse
The marvels of the sweet-souled verse”

Edward Andrade (1887–1971) English physicist

Poem With a copy of "The Faithful Shepherdess"

Harpo Marx photo

“O, Harpo Death and thy clanking harp, hear!”

Harpo Marx (1888–1964) American comedian

poem, Gregory Corso: Army
About

Francesco Balilla Pratella photo
Maggie Stiefvater photo
Gabrielle Roy photo
Bob Dylan photo

“I can hear another drum beating for the dead that rise, whom Nature's beast fears as they come.”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Song lyrics, Empire Burlesque (1985), Dark Eyes

Hillary Clinton photo

“Despite what you hear, we don't need to make America great again. America has never stopped being great. But we do need to make America whole again. Instead of building walls, we need to be tearing down barriers.”

Hillary Clinton (1947) American politician, senator, Secretary of State, First Lady

Speech http://www.politico.com/blogs/2016-dem-primary-live-updates-and-results/2016/02/hillary-clinton-donald-trump-slogan-219908 (February 2016)
Presidential campaign (April 12, 2015 – 2016)

Norbert Wiener photo

“The odors perceived by the ant seem to lead to a highly standardized course of conduct; but the value of a simple stimulus, such as an odor, for conveying information depends not only on the information conveyed by the stimulus itself but on the whole nervous constitution of the sender and receiver of the stimulus as well. Suppose I find myself in the woods with an intelligent savage who cannot speak my language and whose language I cannot speak. Even without any code of sign language common to the two of us, I can learn a great deal from him. All I need to do is to be alert to those moments when he shows the signs of emotion or interest. I then cast my eyes around, perhaps paying special attention to the direction of his glance, and fix in my memory what I see or hear. It will not be long before I discover the things which seem important to him, not because he has communicated them to me by language, but because I myself have observed them. In other words, a signal without an intrinsic content may acquire meaning in his mind by what he observes at the time, and may acquire meaning in my mind by what I observed at the time. The ability that he has to pick out the moments of my special, active attention is in itself a language as varied in possibilities as the range of impressions that the two of us are able to encompass. Thus social animals may have an active, intelligent, flexible means of communication long before the development of language.”

VIII. Information, Language, and Society. p. 157.
Cybernetics: Or Control and Communication in the Animal and the Machine (1948)

Henry Adams photo
Warren Farrell photo
Fran Lebowitz photo

“How do you know if your child is a writer? Your obstetrician holds his stethoscope to your abdomen and only hears excuses.”

Fran Lebowitz (1950) author and public speaker from the United States

Reported in Ginai Bellafante, " Opinions You Won’t Find on Twitter: Fran Lebowitz Talks http://tv.nytimes.com/2010/11/22/arts/television/22lebowitz.html?pagewanted=2, The New York Times (November 21, 2010).
Other

“Just in proportion as the soul is in fellowship with the Lord Jesus, in communion with His will, shall we trace His leadings, hear His voice, and understand in part.”

Anna Shipton (1815–1901) British religious writer

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 247.

Judith Krug photo

“I get very concerned when we start hearing people who want to convert this country into a safe place for children. I am adult. I want available what I need to see.”

Judith Krug (1940–2009) librarian and freedom of speech proponent

"Oak Lawn Library Vows to Keep Playboy on Shelf" by Jo Napolitano, Chicago Tribune, (June 23, 2005)

Warwick Davis photo
Adelaide Anne Procter photo
David Hilbert photo
Henry Rollins photo
Letitia Elizabeth Landon photo

“[After]
Burnt to the dust, an ashy heap
Was every cottage round;—
I listened, but I could not hear
One single human sound:”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Glencoe from The London Literary Gazette (12th July 1823)
The Vow of the Peacock (1835)

Philip Pullman photo

“If they live in the world, they should see and touch and hear and learn things.”

Source: His Dark Materials, The Amber Spyglass (2000), Ch. 23 : No Way Out

Will Eisner photo
George Herbert Mead photo
Alexandre Dumas, fils photo

“Men and women go to the theatre only to hear of love, and to take part in the pains or in the joys that it has caused. All the other interests of humanity remain at the door.”

Alexandre Dumas, fils (1824–1895) French writer and dramatist, son of the homonym writer and dramatist

Les hommes et les femmes ne se réunissent au théâtre que pour entendre parler de l'amour, et pour prendre part aux douleurs et aux joies qu'il cause. Tous les autres intérêts de l'humanité restent à la porte.
Preface to La Femme de Claude (Paris: Michel Lévy, 1873) p. xxxiii; translation from Henri Pène du Bois (trans. and ed.) French Maxims of the Stage (New York: Brentano's, 1894) p. 49.

Orson Pratt photo
Eddie Vedder photo
Robert Charles Wilson photo
Jack Vance photo
Ptahhotep photo

“Do not repeat slander; you should not hear it, for it is the result of hot temper.”

Ptahhotep Ancient Egyptian vizier

Maxim no. 23.
The Maxims of Ptahhotep (c. 2350 BCE)

Robert Charles Wilson photo
Eli Siegel photo
Dylan Moran photo
Jon Stewart photo
Octavio Paz photo

“time in an allegory of itself imparts to us lessons of wisdom which the moment they are formulated are immediately destroyed by the merest flickers of light or shadow which are nothing more than time in its incarnations and disincarnations which are the phrases that I am writing on this paper and that disappears as I read them:
they are not the sensations, the perceptions, the mental images, and the thoughts which flare up and die away here, now, as I write or as I read what I write: they are not what I see or what I have seen, they are the reverse of what is seen and of the power of sight—but they are not the invisible: they are the unsaid residuum;
they are not the other side of reality but, rather, the other side of language, what we have on the tip of our tongue that vanishes before it is said, the other side that cannot be named because it is the opposite of a name:
what is not said is not this or that which we leave unsaid, nor is it neither-this-nor-that: it is not the tree that I say I see but the sensation that I feel on sensing that I see it at the moment when I am just about to say that I see it, an insubstantial but real conjunction of vibrations and sounds and meanings that on being combined suggest the configuration of a green-bronze-black-woody-leafy-sonorous-silent presence;
no, it is not that either, if it is not a name it surely cannot be the description of a name or the description of the sensation of the name or the name of the sensation:
a tree is not the name tree, nor is it the sensation of tree: it is the sensation of a perception of tree that dies away at the very moment of the perception of the sensation of tree;
names, as we already know, are empty, but what we did not know, or if we did know, had forgotten, is that sensations are perceptions of sensations that die away, sensations that vanish on becoming perceptions, since if they were not perceptions, how would we know that they are sensations?;
sensations that are not perceptions are not sensations, perceptions that are not names—what are they?
if you didn’t know it before, you know now: everything is empty;
and the moment I say everything-is-empty, I am aware that I am falling into a trap: if everything is empty, this everything-is-empty is empty too;
no, it is full, full to overflowing, everything-is-empty is replete with itself, what we touch and see and taste and smell and think, the realities that we invent and the realities that touch us, look at us, hear us, and invent us, everything that we weave and unweave and everything that weaves and unweaves us, momentary appearances and disappearances, each one different and unique, is always the same full reality, always the same fabric that is woven as it is unwoven: even total emptiness and utter privation are plenitude (perhaps they are the apogee, the acme, the consummation and the calm of plenitude), everything is full to the brim, everything is real, all these invented realities and all these very real inventions are full of themselves, each and every one of them, replete with their own reality;
and the moment I say this, they empty themselves: things empty themselves and names fill themselves, they are no longer empty, names are plethoras, they are donors, they are full to bursting with blood, milk, semen, sap, they are swollen with minutes, hours, centuries, pregnant with meanings and significations and signals, they are the secret signs that time makes to itself, names suck the marrow from things, things die on this page but names increase and multiply, things die in order that names may live:”

Octavio Paz (1914–1998) Mexican writer laureated with the 1990 Nobel Prize for Literature

Source: The Monkey Grammarian (1974), Ch. 9

George Raymond Richard Martin photo
Xun Zi photo
Don McLean photo
Carl Barron photo

“I tell the Iranians that if they hear from people here or there that pictures of Ayatollah Khamenei are hung in Iraqi homes, it is a lie.”

Iyad Jamal Al-Din (1961) Iraqi politician

Sayyed Ayad Jamal Aldin: Iraqis Do Not Put Pictures of Khamenei in Their Homes, Al-Arabiya TV, January 3, 2005 http://www.youtube.com/watch?v=VyjdKV9wxpk,

Anthony Kennedy photo
Meister Eckhart photo
Robert Crumb photo
Kit Carson photo
Aldous Huxley photo
Alexander Smith photo
Ray Comfort photo
Laura Antoniou photo
Steve Sailer photo
Rick Warren photo
Tomoyuki Yamashita photo

“All I want to hear from you is Yes or No!”

Tomoyuki Yamashita (1885–1946) general in the Imperial Japanese Army

Demanding the surrender of Singapore. Quoted in "Secret Missions: The Story of an Intelligence Officer" - Page 419 - by Ellis M. Zacharias - 2003.

Ben Gibbard photo
Frances Kellor photo
John Frusciante photo
Carson Cistulli photo
William Empson photo

“Shall I make it clear, boys, for all to apprehend,
Those that will not hear, boys, waiting for the end,
Knowing it is near, boys, trying to pretend,
Sitting in cold fear, boys, waiting for the end?”

William Empson (1906–1984) English literary critic and poet

"Just a Smack at Auden" (1937), line 15; cited from John Haffenden (ed.) The Complete Poems (London: Allen Lane, 2000) p. 81.
The Complete Poems

Johnny Cash photo
Thomas Little Heath photo
Orson Pratt photo

“He saw in this light two glorious personages, one of whom spoke to him, pointing to the other, saying, "This is my beloved Son, hear ye him."”

Orson Pratt (1811–1881) Apostle of the LDS Church

This was a glorious vision given to this boy.
Journal of Discourses 14:141 (March 19, 1871).
Joseph Smith Jr.'s First Vision

Mark Zuckerberg photo

“It takes courage to choose hope over fear. As I look around the world, I’m starting to see people and nations turning inward, against the idea of a connected world and a global community. The path forward is to bring people together, not push them apart. I hear fearful voices calling for building walls and distancing people they label as ‘others’. I hear them calling for blocking free expression, for slowing immigration, for reducing trade, and in some cases even for cutting access to the internet.”

Mark Zuckerberg (1984) American internet entrepreneur

Quoted: Mark Zuckerberg takes a swipe at Donald Trump telling people to 'choose hope over fear http://www.thesun.co.uk/sol/homepage/news/politics/7071854/Mark-Zuckerberg-takes-a-swipe-at-Donald-Trump-telling-people-to-choose-hope-over-fear.html, The Sun, 13 April 2016
Source: Zuckerberg's speech during Facebook's F8 developers event on 12 April 2016, developers.facebook.com https://developers.facebook.com/videos/f8-2016/keynote/

Sienna Guillory photo

“No. You always feel very much alone. Everyone gets fractional about who's in the VIP bit, and you think about what's going on outside it. You can never hear anything or have a proper discussion… I prefer groups of six people, max.”

Sienna Guillory (1975) British actress

THIS CULTURAL LIFE: SIENNA GUILLORY Article http://findarticles.com/p/articles/mi_qn4159/is_20040523/ai_n12754898. The Independent on Sunday. May 23, 2004.
Guillory speaks in response to the question, Do you like parties?

Bret Easton Ellis photo
Samuel Johnson photo

“How is it that we hear the loudest yelps for liberty among the drivers of negroes?”

Samuel Johnson (1709–1784) English writer

Taxation No Tyranny (1775)

Auguste Rodin photo

“I feel it, but I cannot express it,… I cannot analyse the Celtic genius to my own satisfaction. In the Middle Ages art came from groups, not from individuals. It was anonymous; the sculptors of cathedrals no more put their names to their works than our workmen put theirs on the pavement that they lay. Ah! what an admirable scorn of notoriety! The signature is what destroys us. We do portraits, but what we do is not so great. Thèse kings and queens, on the cathedrals, were not portraits. The fellow-workers stood for one another, and they interpreted; they did not copy. They made clothed figures; the nude and portraiture only date from the Renascence. And then those fellows cut with the tool's end into the block, that is why they were called sculptors. As for us, we are modellers. And what a disgraceful thing that casting from life is, which so many well-known sculptors do not blush to use! It is a mere swindling in art. Art was a vital function to the image-makers of the thirteenth century; they would hâve laughed at the idea of signing what they did, and never dreamed of honours and titles. When once their work was finished, they said no more about it, or else they talked among themselves. How curious it would hâve been to hear them, to be present at their gatherings, where they must hâve discussed in amusing phrases, and with simple, deep ideas!… Whenever the cathedrals disappear civilisation will go down one step. And even now we no longer understand them, we no longer know how to read their silent language. We need to make excavations not in the earth, but towards heaven…”

Auguste Rodin (1840–1917) French sculptor

Source: Auguste Rodin: The Man, His Ideas, His Works, 1905, p. 63-64; About the genius of the Gothic sculptors.

Samuel Beckett photo

“Hamm: Look at the ocean!(Clov gets down, takes a few steps towards window left, goes back for ladder, carries it over and sets it down under window left, gets up on it, turns the telescope on the without, looks at length. He starts, lowers the telescope, examines it, turns it again on the without.)Clov: Never seen anything like that!Hamm (anxious): What? A sail? A fin? Smoke?Clov (looking): The light is sunk. Hamm (relieved): Pah! We all knew that. Clov (looking): There was a bit left. Hamm: The base. Clov (looking): Yes. Hamm: And now? Clov (looking): All gone. Hamm: No gulls? Clov (looking): Gulls! Hamm: And the horizon? Nothing on the horizon? Clov (lowering the telescope, turning towards Hamm, exasperated): What in God's name could there be on the horizon? (Pause.) Hamm: The waves, how are the waves? Clov: The waves? (He turns the telescope on the waves.) Lead. Hamm: And the sun? Clov (looking): Zero. Hamm: But it should be sinking. Look again. Clov (looking): Damn the sun. Hamm: Is it night already then? Clov (looking): No. Hamm: Then what is it? Clov (looking): Gray. (Lowering the telescope, turning towards Hamm, louder.) Gray! (Pause. Still louder.) GRRAY! (Pause. He gets down, approaches Hamm from behind, whispers in his ear.) Hamm (starting): Gray! Did I hear you say gray? Clov: Light black. From pole to pole.”

Samuel Beckett (1906–1989) Irish novelist, playwright, and poet

An explanation of the universe outside the room of Endgame
Endgame (1957)

Krist Novoselic photo

“If you hear a song you like, start dancing. That's what I do, I'll just start dancing, and that's it. That's all there is to it.”

Krist Novoselic (1965) Croatian-American rock musician

34:23–34:29
"Nirvana's Krist Novoselic on Punk, Politics, & Why He Dumped the Dems" https://www.youtube.com/watch?v=k4TPRH2uK9w

Patrick White photo
Oliver Wendell Holmes photo

“The mossy marbles rest
On the lips that he has prest
In their bloom;
And the names he loved to hear
Have been carved for many a year
On the tomb.”

Oliver Wendell Holmes (1809–1894) Poet, essayist, physician

The last Leaf; reported in Bartlett's Familiar Quotations, 10th ed. (1919).

John Godfrey Saxe photo
Basshunter photo

“The album is very different from the all the other albums today. First of all, the album was one year delayed because I wasn’t happy and every time I did an album it was unofficially finished. I had some time to listen to some new songs and plug into some music programs and discovered this new song and delayed the release for a month, because I wanted to update the new tracks to these new sounds I found… so then when I did that all the other songs sounded like crap compared to the new ones! So I said f*** this I need to reproduce the other ones as well. Then I scrapped a few songs and produced new ones. So to produce this album I pretty much produced maybe about 50 tracks and picked out the best of them. You know when you buy an album from a producer/artist, you kind of hear the same sound repeating in each song, you hear the same sound repeating, but this album is like every song is individual. Like you wont find two songs which have the same sound. Each song is completely different which I think kind of represents what I do because I produce everything and I love producing everything. Sometimes I’m in the mood to produce you know a dance song, sometimes I’m in the mood to produce an R&B song, it’s just interesting because I just want to show people that I can deliver to all ears.”

Guestlist interview with Ria Talsania (10 July 2013) https://guestlist.net/article/9219/catching-up-with-basshunter
Calling Time

Rand Paul photo
Roger Manganelli photo
Dorothy L. Sayers photo
Statius photo

“As when a tigress hears the noise of the hunters, she bristles into her stripes and shakes off the sloth of sleep; athirst for battle she loosens her jaws and flexes her claws, then rushes upon the troop and carries in her mouth a breathing man, food for her bloody young.”
Qualis ubi audito venantum murmure tigris horruit in maculas somnosque excussit inertes, bella cupit laxatque genas et temperat ungues, mox ruit in turmas natisque alimenta cruentis spirantem fert ore virum.

Source: Thebaid, Book II, Line 128

Percy Bysshe Shelley photo
Leo Buscaglia photo
Gerhard Richter photo
Joseph Meek photo
Sufjan Stevens photo
Jerome David Salinger photo
Alexander Grothendieck photo
S. Nambi Narayanan photo
Brad Pitt photo

“I keep hearing I'm a crazy party guy … I'm not. I'm boring… At least by party standards.”

Brad Pitt (1963) American actor and filmmaker

As quoted in "A Conversation Runs Through It" by Bruce Handy in Time magazine (13 October 1997) http://www.time.com/time/printout/0,8816,987166,00.html

“‘ Never speak of a last letter to anbody, doi you hear me? for it may well be your last, if you dwell on it too much!’”

Douglas Reeman (1924–2017) British author

For My Country's Freedom, Cap 16 "The Strength of a Ship"

“Why are my hands this way
That they will not do as i say?
Does no God hear when I pray?”

R.S. Thomas (1913–2000) Welsh poet

"Here"
Tares (1961)

Oriana Fallaci photo
Anton Chekhov photo

“We shall find peace. We shall hear the angels, we shall see the sky sparkling with diamonds.”

Anton Chekhov (1860–1904) Russian dramatist, author and physician

Act IV
Uncle Vanya (1897)

Margaret Caroline Anderson photo
Ilana Mercer photo

“The power of the average pop artist and her products lies in the pornography that is her 'art,' in her hackneyed political posturing, and in the fantastic technology that is Auto-Tune (without which all the sound you'd hear these 'singers' emit would be a bedroom whisper).”

Ilana Mercer South African writer

" Harvey Sweinstein And Hollywood's Hos http://dailycaller.com/2017/10/20/harvey-sweinstein-and-hollywoods-hos/," The Daily Caller, October 20, 2017.
2010s, 2017