Quotes about greens
page 9

Robert Southwell photo
Emlyn Williams photo

“Look up - to where the corn is green!”

Emlyn Williams (1905–1987) British dramatist and actor

Play The Corn is Green, last line.

Arundhati Roy photo

“He is Karna, whom the world has abandoned. Karna Alone. Condemned goods. A prince raised in poverty. Born to die unfairly, unarmed and alone at the hands of his brother. Majestic in his complete despair. Praying on the banks of the Ganga. Stoned out of his skull.
Then Kunti appeared. She too was a man, but a man grown soft and womanly, a man with breasts, from doing female parts for years. Her movements were fluid. Full of women. Kunti, too, was stoned. High on the same shared joints. She had come to tell Karna a story.
Karna inclined his beautiful head and listened.
Red-eyed, Kunti danced for him. She told him of a young woman who had been granted a boon. A secret mantra that she could use to choose a lover from among the gods. Of how, with the imprudence of youth, the woman decided to test it to see if it really worked. How she stood alone in an empty field, turned her face to the heavens and recited the mantra. The words had scarcely left her foolish lips, Kunti said, when Surya, the God of Day, appeared before her. The young woman, bewitched by the beauty of the shimmering young god, gave herself to him. Nine months later she bore him a son. The baby was born sheathed in light, with gold earrings in his ears and a gold breastplate on his chest, engraved with the emblem of the sun.
The young mother loved her first-born son deeply, Kunti said, but she was unmarried and couldn't keep him. She put him in a reed basket and cast him away in a river. The child was found downriver by Adhirata, a charioteer. And named Karna.
Karna looked up to Kunti. Who was she? Who was my mother? Tell me where she is. Take me to her.
Kunti bowed her head. She's here, she said. Standing before you.
Karna's elation and anger at the revelation. His dance of confusion and despair. Where were you, he asked her, when I needed you the most? Did you ever hold me in your arms? Did you feed me? Did you ever look for me? Did you wonder where I might be?
In reply Kunti took the regal face in her hands, green the face, red the eyes, and kissed him on his brow. Karna shuddered in delight. A warrior reduced to infancy. The ecstasy of that kiss. He dispatched it to the ends of his body. To his toes. His fingertips. His lovely mother's kiss. Did you know how much I missed you? Rahel could see it coursing through his veins, as clearly as an egg travelling down an ostrich's neck.
A travelling kiss whose journey was cut short by dismay when Karna realised that his mother had revealed herself to him only to secure the safety of her five other, more beloved sons - the Pandavas - poised on the brink of their epic battle with their one hundred cousins. It is them that Kunti sought to protect by announcing to Karna that she was his mother. She had a promise to extract.
She invoked the Love Laws.”

pages 232-233.
The God of Small Things (1997)

Andrew Marvell photo
Georges Seurat photo
Rudyard Kipling photo
George Reisman photo
Federico García Lorca photo

“Green, how I want you green.
Green wind. Green branches.
The ship out on the sea
and the horse on the mountain.”

Federico García Lorca (1898–1936) Spanish poet, dramatist and theatre director

Verde que te quiero verde.
Verde viento. Verdes ramas.
El barco sobre la mar
y el caballo en la montaña.
" Romance Sonámbulo http://www.poesia-inter.net/index203.htm" from Primer Romancero Gitano (1928)

Marianne von Werefkin photo
John Keats photo
Thomas Moore photo

“And the tear that we shed, though in secret it rolls,
Shall long keep his memory green in our souls.”

Thomas Moore (1779–1852) Irish poet, singer and songwriter

Oh Breathe Not His Name, st. 1.
Irish Melodies http://www.musicanet.org/robokopp/moore.html (1807–1834)

Jayant Narlikar photo

“We have seven colours — violet, indigo, blue, green, yellow, orange and red (Roy G. Biv). Our atmosphere has a number of particles and when light falls on them, it gets scattered. With blue colour having less wavelength and more scattering qualities, it scatters and makes the sky blue. While red colour has opposite qualities than blue so traffic lights are of this colour.”

Jayant Narlikar (1938) Indian physicist

His observations on the "strange events in our solar system" and as to why the sky looked blue and red colour was used in traffic lights to signal to vehicles to stop.
When Prof Jayant Narlikar saw the sun rise in the west

James Freeman Clarke photo
Ambrose Bierce photo
Letitia Elizabeth Landon photo
Henri Matisse photo
William Collins photo

“But thou, lorn stream, whose sullen tide
No sedge-crown'd sister now attend,
Now waft me from the green hill's side
Whose cold turf hides the buried friend!”

William Collins (1721–1759) English poet, born 1721

Source: Ode Occasioned by the Death of Mr. Thomson, (1748) http://www.luminarium.org/eightlit/collins/thomson.php, line 29.

Georgia O'Keeffe photo

“Beyond are greens where pink chestnuts, may trees and copper beeches flaunt themselves gaily.”

Arthur Mee (1875–1943) British journalist and writer

Page 69, Harpenden.
The King's England: Hertfordshire

George S. Patton IV photo
Barbara Hepworth photo
William Henry Davies photo

“Go you and, with such glorious hues,
Live with proud peacocks in green parks.”

William Henry Davies (1871–1940) British poet

The Kingfisher

Garth Nix photo

“"You are a weak reed, Recruit Green!" Helve shouted. "Weak reeds make for badly woven baskets! This platoon will not be a badly woven basket!"”

Garth Nix (1963) Australian fantasy writer

Source: The Keys to the Kingdom series, Sir Thursday (2006), p. 156.

Hayley Williams photo

“Love that so many of you are saying your 2 fav bands are Green Day & Paramore. Do you even realize how cool that is for us to hear!?”

Hayley Williams (1988) American singer-songwriter and musician

Hayley's Twitter post. http://twitter.com/#!/yelyahwilliams/status/54811243004952576 (10 September 2010)

“The golden sun rose from the silver wave,
And with his beams enamelled every green.”

Edward Fairfax (1580–1635) English translator

Book I, stanza 35
Tasso's Jerusalem Delivered (1600)

Anthony Burgess photo
August Macke photo
Lucius Shepard photo
John Hodgman photo
Ray Comfort photo
Russell Brand photo
Khaled Hosseini photo
Miguel de Unamuno photo
Vincent Van Gogh photo
Ilia Chavchavadze photo
Samuel Taylor Coleridge photo
Joanna Newsom photo

“Hey little leaf, lying on the ground—
now you're turning slightly brown!
Why don't you come back on the tree,
turn the color green the way you ought to be?”

Joanna Newsom (1982) American musician

Same Old Man
Divers https://en.wikipedia.org/wiki/Divers_(Joanna_Newsom_album) (2015)

Anthony Burgess photo
Benjamin R. Barber photo
Sylvia Plath photo
Mark Tobey photo
Richard Lovelace photo
John Keats photo
George William Russell photo
Umberto Boccioni photo

“How is it possible still to see the human face pink, now that our life, redoubled by noctambulism, has multiplied our perceptions as colourists? The human face is yellow, red, green, blue, violet.”

Umberto Boccioni (1882–1916) Italian painter and sculptor

As quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 174
1910, Manifesto of Futurist Painters,' April 1910

Clement Attlee photo
Gao Xingjian photo
Jonathan Pearce photo

“Cole out……. Purse…. trying to find Greening……Ohhh, what a touch…in-towards Geoff Horsfield…. IT'S IN! THEY HAVE THE EQUALISER! I think it's Earnshaw's first touch!”

Jonathan Pearce (1959) British football commentator

The Baggies made amends and striker Robert Earnshaw equalised with ten minutes to go. The Gunners as a result had failed to close the gap at the top of the league, which helped open a five-point gap with Chelsea by the end of November 2004.

Nathalia Crane photo

“That instructed damsel
Donned a gown of green;”

Nathalia Crane (1913–1998) American writer

"The Vestal"
The Janitor's Boy And Other Poems (1924)
Context: p>Finally she faltered;
Saw at last, forsooth,
Every gaudy color
Is a bit of truth.
Then the gates were opened;
Miracles were seen;
That instructed damsel
Donned a gown of green;Wore it in a churchyard,
All arrayed with care;
And a painted rainbow
Shone above her there.</p

Lois McMaster Bujold photo

“The really unforgivable acts are committed by calm men in beautiful green silk rooms, who deal death wholesale, by the shipload, without lust, or anger, or desire, or any redeeming emotion to excuse them but cold fear of some pretended future.”

Vorkosigan Saga, Shards of Honor (1986)
Context: The really unforgivable acts are committed by calm men in beautiful green silk rooms, who deal death wholesale, by the shipload, without lust, or anger, or desire, or any redeeming emotion to excuse them but cold fear of some pretended future. But the crimes they hope to prevent in that future are imaginary. The ones they commit in the present — they are real.

Richard Matheson photo

“Last I will hang head down by all my legs and laugh and drip green all over until they are sorry they didn't be nice to me.
If they try to beat me again I'll hurt them. I will.”

Richard Matheson (1926–2013) American fiction writer

Born of Man and Woman (1950)
Context: I am not so glad. All day it is cold in here. The chain comes slow out of the wall. And I have a bad anger with mother and father. I will show them. I will do what I did that once.
I will screech and laugh loud. I will run on the walls. Last I will hang head down by all my legs and laugh and drip green all over until they are sorry they didn't be nice to me.
If they try to beat me again I'll hurt them. I will.

Charlotte Brontë photo

“I had not intended to love him; the reader knows I had wrought hard to extirpate from my soul the germs of love there detected; and now, at the first renewed view of him, they spontaneously arrived, green and strong! He made me love him without looking at me.”

Jane (Ch. 17)
Jane Eyre (1847)
Context: Most true is it that "beauty is in the eye of the gazer." My master’s colourless, olive face, square, massive brow, broad and jetty eyebrows, deep eyes, strong features, firm, grim mouth, — all energy, decision, will, — were not beautiful, according to rule; but they were more than beautiful to me; they were full of an interest, an influence that quite mastered me, — that took my feelings from my own power and fettered them in his. I had not intended to love him; the reader knows I had wrought hard to extirpate from my soul the germs of love there detected; and now, at the first renewed view of him, they spontaneously arrived, green and strong! He made me love him without looking at me.

Virgil photo

“Every field, every tree is now budding; now the woods are green, now the year is at its loveliest.”
Nunc omnis ager, nunc omnis parturit arbor; Nunc frondent sylvae, nunc formosissimus annus.

Nunc omnis ager, nunc omnis parturit arbor;
Nunc frondent sylvae, nunc formosissimus annus.
Book III, lines 56–57 (tr. Fairclough)
Eclogues (37 BC)

Stephen Vincent Benét photo

“This is he.
This is the man they ate at the green table
Putting their gloves on ere they touched the meat.
This is the fruit of war, the fruit of peace,
The ripeness of invention, the new lamb,
The answer to the wisdom of the wise.
And still he hangs, and still he will not die
And still, on the steel city of our years
The light falls and the terrible blood streams down.”

Stephen Vincent Benét (1898–1943) poet, short story writer, novelist

Litany for Dictatorships (1935)
Context: For the man crucified on the crossed machine guns
Without name, without resurrection, without stars,
His dark head heavy with death and his flesh long sour
With the smell of his many prisons — John Smith, John Doe,
John Nobody — oh, crack your mind for his name!
Faceless as water, naked as the dust,
Dishonored as the earth the gas-shells poison
And barbarous with portent.
This is he.
This is the man they ate at the green table
Putting their gloves on ere they touched the meat.
This is the fruit of war, the fruit of peace,
The ripeness of invention, the new lamb,
The answer to the wisdom of the wise.
And still he hangs, and still he will not die
And still, on the steel city of our years
The light falls and the terrible blood streams down.

Herman Melville photo

“But are sailors, frequenters of fiddlers' greens, without vices?”

Source: Billy Budd, the Sailor (1891), Ch. 2
Context: But are sailors, frequenters of fiddlers' greens, without vices? No; but less often than with landsmen do their vices, so called, partake of crookedness of heart, seeming less to proceed from viciousness than exuberance of vitality after long constraint: frank manifestations in accordance with natural law.

Thomas Edison photo

“His Bible was the open face of nature, the broad skies, the green hills. He disbelieved the ancient myths and miracles taught by established creeds.”

Thomas Edison (1847–1931) American inventor and businessman

The Philosophy of Paine (1925)
Context: He has been called an atheist, but atheist he was not. Paine believed in a supreme intelligence, as representing the idea which other men often express by the name of deity.
His Bible was the open face of nature, the broad skies, the green hills. He disbelieved the ancient myths and miracles taught by established creeds. But the attacks on those creeds — or on persons devoted to them — have served to darken his memory, casting a shadow across the closing years of his life.
When Theodore Roosevelt termed Tom Paine a "dirty little atheist" he surely spoke from lack of understanding. It was a stricture, an inaccurate charge of the sort that has dimmed the greatness of this eminent American. But the true measure of his stature will yet be appreciated. The torch which he handed on will not be extinguished.

P. L. Travers photo

“There is, in fact, neither red, green nor yellow magic. There is "doing." Only "doing" is magic." Properly to realise the scale of what Gurdjieff meant by magic, one has to remember his continually repeated aphorism, "Only he who can be can do," and its corollary that, lacking this fundamental verb, nothing is "done," things simply "happen."”

P. L. Travers (1899–1996) Australian-British novelist, actress and journalist

"Gurdjieff" in Man, Myth and Magic : Encyclopedia of the Supernatural (1970) http://www.gurdjieff.org/travers1.htm
Context: It is clear from Gurdjieff's writings that hypnotism, mesmerism and various arcane methods of expanding consciousness must have played a large part in the studies of the Seekers of Truth. None of these processes, however, is to be thought of as having any bearing on what is called Black Magic, which, according to Gurdjieff, "has always one definite characteristic. It is the tendency to use people for some, even the best of aims, without their knowledge and understanding, either by producing in them faith and infatuation or by acting upon them through fear. There is, in fact, neither red, green nor yellow magic. There is "doing." Only "doing" is magic." Properly to realise the scale of what Gurdjieff meant by magic, one has to remember his continually repeated aphorism, "Only he who can be can do," and its corollary that, lacking this fundamental verb, nothing is "done," things simply "happen."

William Faulkner photo

“If we Americans are to survive it will have to be because we choose and elect and defend to be first of all Americans; to present to the world one homogeneous and unbroken front, whether of white Americans or black ones or purple or blue or green.”

William Faulkner (1897–1962) American writer

A statement regarding the Emmett Till murder.
Paris Review interview (1958)
Context: If we Americans are to survive it will have to be because we choose and elect and defend to be first of all Americans; to present to the world one homogeneous and unbroken front, whether of white Americans or black ones or purple or blue or green. Maybe the purpose of this sorry and tragic error committed in my native Mississippi by two white adults on an afflicted Negro child is to prove to us whether or not we deserve to survive. Because if we in America have reached that point in our desperate culture when we must murder children, no matter for what reason or what color, we don’t deserve to survive, and probably won’t.

Paul Glover photo

“When conservatives don't conserve and liberals don't liberate, Greens become centrists, because we directly address the central concerns of average Americans for healthy food, clean water and air;”

Paul Glover (1947) Community organizer in Philadelphia, Pennsylvania; American politician

[http:/www.paulglover.org/greenprez.html] (“Green Giant,” Syracuse New Times, cover story regarding Green Party Presidential candidacy) 2003-08-23
Context: When conservatives don't conserve and liberals don't liberate, Greens become centrists, because we directly address the central concerns of average Americans for healthy food, clean water and air; for secure housing; for reliable health care and satisfying work. By contrast, Democratic and Republican party leaders are dangerous extremists, indulging extremes of violence and greed, converting global wealth and human decency into chaos.

Margaret Fuller photo

“There are two modes of criticism. One which … crushes to earth without mercy all the humble buds of Phantasy, all the plants that, though green and fruitful, are also a prey to insects or have suffered by drouth.”

Margaret Fuller (1810–1850) American feminist, poet, author, and activist

It weeds well the garden, and cannot believe the weed in its native soil may be a pretty, graceful plant.
There is another mode which enters into the natural history of every thing that breathes and lives, which believes no impulse to be entirely in vain, which scrutinizes circumstances, motive and object before it condemns, and believes there is a beauty in natural form, if its law and purpose be understood.
"Poets of the People" in Art, Literature and the Drama (1858).

Van Jones photo

“The green economy should not just be about reclaiming throw-away stuff. It should be about reclaiming thrown-away communities.”

The Green Collar Economy (2008)
Context: The green economy should not just be about reclaiming throw-away stuff. It should be about reclaiming thrown-away communities. It should not just be about recycling things to give them a second life. We should also be gathering up people and giving them a second chance.

Paul Glover photo

“While Greens are horrified at corporate and consumer trashing of planet and society, our message is primarily confident and affirmative.”

Paul Glover (1947) Community organizer in Philadelphia, Pennsylvania; American politician

http://www.paulglover.org/greenpresident.html (Green Party Presidential candidacy page), 2004
Context: While Greens are horrified at corporate and consumer trashing of planet and society, our message is primarily confident and affirmative. Greens foster grassroots nonprofit and worker-managed enterprises that repair nature. Greens can govern to literally rebuild America's cities and suburbs, such that neighborhoods become energy-efficient; productive of food and fuel; respectful of water; safe and fun to live in. We can restore regional agriculture, rural economies, and habitat.

Samuel Taylor Coleridge photo

“Awake,
Voice of sweet song! awake, my heart, awake!
Green vales and icy cliffs, all join my hymn.”

Samuel Taylor Coleridge (1772–1834) English poet, literary critic and philosopher

"Hymn in the Vale of Chamouni" (1802)
Context: Awake, my soul! not only passive praise
Thou owest! not alone these swelling tears,
Mute thanks and secret ecstasy. Awake,
Voice of sweet song! awake, my heart, awake!
Green vales and icy cliffs, all join my hymn.

Eleanor Farjeon photo

“You think you hold the core and kernel
Of all the world beneath your crust,
Old dial? But when you lie in dust,
This vine will bloom, strong, green, and proved.
Love is eternal.”

Eleanor Farjeon (1881–1965) English children's writer

Time And Love
Pan-Worship and Other Poems (1908)
Context: Dropt tears have hastened your decay
And brought you one step nigher death;
And you have heard, unthrilled, unmoved,
The music of Love's golden breath
And seen the light in eyes that loved.
You think you hold the core and kernel
Of all the world beneath your crust,
Old dial? But when you lie in dust,
This vine will bloom, strong, green, and proved.
Love is eternal.

James Branch Cabell photo

“At the gate of the garden, beside the lingham post which stood there in eternal erection, sat a boy who was diverting himself by whittling, with a small green-handled knife, a bit of cedar-wood into the quaint shaping which the post had.”

James Branch Cabell (1879–1958) American author

Source: The Way of Ecben (1929), Ch. 13 : What a Boy Thought
Context: At the gate of the garden, beside the lingham post which stood there in eternal erection, sat a boy who was diverting himself by whittling, with a small green-handled knife, a bit of cedar-wood into the quaint shaping which the post had. His hair was darkly red: and now, as he regarded Alfgar with brown and wide-set eyes, the face of this boy was humorously grave, and he nodded now, as the complacent artist nods who looks upon his advancing work and finds all to be near his wishes.

P. J. O'Rourke photo
Alan Watts photo

“She watched him with cool green eyes and smiled innocently. The eyes were alert with wonder, curiosity, and — perhaps something else — but she could apparently not see that he was in pain.”

Ch 29
A Canticle for Leibowitz (1959), Fiat Voluntas Tua
Context: She watched him with cool green eyes and smiled innocently. The eyes were alert with wonder, curiosity, and — perhaps something else — but she could apparently not see that he was in pain. There was something about her eyes that caused him to notice nothing else for several seconds. But then he noticed that the head of Mrs. Grales slept soundly on the other shoulder while Rachel smiled. It seemed a young shy smile that hoped for friendship. He tried again.
"Listen, is anyone else alive? Get —"
Melodious and solemn came her answer: "listen is anyone else alive — " She savored the words. She enunciated them distinctly. She smiled over them Her lips reframed them when her voice was done with them. It was more than reflexive imitation, he decided. She was trying to communicate something. By the repetition, she was trying to convey the idea: I am somehow like you.
But she had only just now been born.
And you're somehow different, too, Zerchi noticed with a trace of awe.

H.L. Mencken photo

“To be an American is, unquestionably, to be the noblest, grandest, the proudest mammal that ever hoofed the verdure of God's green footstool. Often, in the black abysm of the night, the thought that I am one awakens me with a blast of trumpets, and I am thrown into a cold sweat by contemplation of the fact. I shall cherish it on the scaffold; it will console me in Hell.”

H.L. Mencken (1880–1956) American journalist and writer

Source: The Smart Set (October 1919), p. 139
Context: The bitter, of course, goes with the sweet. To be an American is, unquestionably, to be the noblest, grandest, the proudest mammal that ever hoofed the verdure of God's green footstool. Often, in the black abysm of the night, the thought that I am one awakens me with a blast of trumpets, and I am thrown into a cold sweat by contemplation of the fact. I shall cherish it on the scaffold; it will console me in Hell. But there is no perfection under Heaven, so even an American has his small blemishes, his scarcely discernible weaknesses, his minute traces of vice and depravity.

“The Tennessee stud was long and lean
The color of the sun and his eyes were green.”

Jimmy Driftwood (1907–1998) singer

"Tennessee Stud" (1958)
Context: The Tennessee stud was long and lean
The color of the sun and his eyes were green.
He had the nerve and he had the blood
And there never was a hoss like the Tennessee stud.

William Wordsworth photo

“Now wilt thou then forget,
That after many wanderings, many years
Of absence, these steep woods and lofty cliffs,
And this green pastoral landscape, were to me
More dear, both for themselves, and for thy sake.”

Stanza 4.
Lyrical Ballads (1798–1800), Lines written a few miles above Tintern Abbey (1798)
Context: If I should be, where I no more can hear
Thy voice, nor catch from thy wild eyes these gleams
Of past existence, wilt thou then forget
That on the banks of this delightful stream
We stood together; And that I, so long
A worshipper of Nature, hither came,
Unwearied in that service: rather say
With warmer love, oh! with far deeper zeal
Of holier love. Now wilt thou then forget,
That after many wanderings, many years
Of absence, these steep woods and lofty cliffs,
And this green pastoral landscape, were to me
More dear, both for themselves, and for thy sake.

David Bowie photo

“See these eyes so green…
I can stare for a thousand years
Colder than the moon
It's been so long…
And I've been putting out fire…
With gasoline!”

David Bowie (1947–2016) British musician, actor, record producer and arranger

Song lyrics, Cat People (Putting Out Fire) (1982)

Thomas Campbell photo

“On the green banks of Shannon, when Sheelah was nigh,
No blithe Irish lad was so happy as I”

Thomas Campbell (1777–1844) British writer

The Harper, st. 1 (1799)
Context: On the green banks of Shannon, when Sheelah was nigh,
No blithe Irish lad was so happy as I;
No harp like my own could so cheerily play,
And wherever I went was my poor dog Tray.

John Adams photo

“Major Greene this evening fell into some conversation with me about the Divinity and satisfaction of Jesus Christ.”

John Adams (1735–1826) 2nd President of the United States

Entry of 13 February 1756 in Charles Francis Adams, The Works of John Adams, Second President of the United States: With a Life of the Author, Notes, and Illustrations vol. 2 (Boston: Charles C. Little and James Brown, 1850) 4, Google Books, 13 December 2010, web http://books.google.co.uk/books?id=BGYFAAAAQAAJ&pg=PA5&dq=%2215+sunday+staid+at+home%22&hl=en&sa=X&ei=YJlsU4u-FsPBOKu3gaAI&ved=0CDUQ6AEwAA#v=onepage&q=%2215%20sunday%20staid%20at%20home%22&f=false
1750s, Diaries (1750s-1790s)
Context: Major Greene this evening fell into some conversation with me about the Divinity and satisfaction of Jesus Christ. All the argument he advanced was, "that a mere creature or finite being could not make satisfaction to infinite justice for any crimes," and that "these things are very mysterious."
Thus mystery is made a convenient cover for absurdity.

Wilfred Owen photo

“But someone still was yelling out and stumbling,
And flound'ring like a man in fire or lime…
Dim, through the misty panes and thick green light,
As under a green sea, I saw him drowning.”

Wilfred Owen (1893–1918) English poet and soldier (1893-1918)

Dulce et Decorum Est (1917)
Context: Gas! GAS! Quick, boys! — An ecstasy of fumbling,
Fitting the clumsy helmets just in time;
But someone still was yelling out and stumbling,
And flound'ring like a man in fire or lime...
Dim, through the misty panes and thick green light,
As under a green sea, I saw him drowning.

Maxfield Parrish photo

“Mix a rose madder with white, let us say, and you get a pink, quite different from the original madder, and the result is a surface color instead of a transparent one, a color you look on instead of into. One does not paint long out of doors before it becomes apparent that a green tree has a lot of red in it. You may not see the red because your eye is blinded by the strong green, but it is there never the less. So if you mix a red with the green you get a sort of mud, each color killing the other. But by the other method. when the green is dry and a rose madder glazed over it you are apt to get what is wanted, and have a richness and glow of one color shining through the other, not to be had by mixing.”

Maxfield Parrish (1870–1966) American painter and illustrator

Letter to F.W Weber (1950); as quoted in Maxfield Parrish by Coy Ludwig (1997)
Context: It is generally admitted that the most beautiful qualities of a color are in its transparent state, applied over a white ground with the light shining through the color. A modern Kodachrome is a delight when held up to the light with color luminous like stained glass. So many ask what is meant by transparent color, as though it were some special make. Most all color an artist uses is transparent: only a few are opaque, such as vermillion, cerulean blue, emerald green, the ochres and most yellows, etc. Colors are applied just as they come from the tube, the original purity and quality is never lost: a purple is pure rose madder glowing through a glaze of pure blue over glaze, or vice versa, the quality of each is never vitiated by mixing them together. Mix a rose madder with white, let us say, and you get a pink, quite different from the original madder, and the result is a surface color instead of a transparent one, a color you look on instead of into. One does not paint long out of doors before it becomes apparent that a green tree has a lot of red in it. You may not see the red because your eye is blinded by the strong green, but it is there never the less. So if you mix a red with the green you get a sort of mud, each color killing the other. But by the other method. when the green is dry and a rose madder glazed over it you are apt to get what is wanted, and have a richness and glow of one color shining through the other, not to be had by mixing. Imagine a Rembrandt if his magic browns were mixed together instead of glazed. The result would be a kind of chocolate. Then too, by this method of keeping colors by themselves some can be used which are taboo in mixtures.

“The image of those cool green eyes lingered with him as long as life.”

Ch 29
A Canticle for Leibowitz (1959), Fiat Voluntas Tua
Context: The image of those cool green eyes lingered with him as long as life. He did not ask why God would choose to raise up a creature of primal innocence from the shoulder of Mrs. Grales, or why God gave to it the preternatural gifts of Eden — these gifts which Man had been trying to seize by brute force again from Heaven since first he lost them. He had seen primal innocence in those eyes, and a promise of resurrection. One glimpse had been a bounty, and he wept in gratitude. Afterwards he lay with his face in the wet dirt and waited.
Nothing else ever came — nothing that he saw, or felt, or heard.

Lucy Larcom photo

“Thy universe, O God, is home,
In height or depth, to me;
Yet here upon thy footstool green
Content am I to be;
Glad when is oped unto my need
Some sea-like glimpse of Thee.”

Lucy Larcom (1824–1893) American teacher, poet, author

Poems (1869), A Strip of Blue (1870)
Context: Here sit I, as a little child;
The threshold of God's door
Is that clear band of chrysoprase;
Now the vast temple floor,
The blinding glory of the dome
I bow my head before.
Thy universe, O God, is home,
In height or depth, to me;
Yet here upon thy footstool green
Content am I to be;
Glad when is oped unto my need
Some sea-like glimpse of Thee.

“In The Greening of America, I did not mean that we would all become richer in material things, I meant that we would all become richer in the totality. I still think it is possible for that vision to become a reality.”

Charles A. Reich (1928–2019) American lawyer

The Liberals' Mistake (1987)
Context: There is a point at which material things offer less than do some nonmaterial things. We ought to be able to live on a reasonable level and at the same time have others live on a reasonable level. Then we would not be afraid to work in our cities, we would not be at war with ourselves, which is characteristic of people in this country. If we were at peace with ourselves, we would be able to see other less material, but still quite rewarding, horizons. In The Greening of America, I did not mean that we would all become richer in material things, I meant that we would all become richer in the totality. I still think it is possible for that vision to become a reality.

“He tried to refocus his eyes to get another look at the face of this being, who by gestures alone had said to him: I do not need your first Sacrament, Man, but I am worthy to convey to you this Sacrament of Life. Now he knew what she was, and he sobbed faintly when he could not again force his eyes to focus on those cool, green, and untroubled eyes of one born free.”

Ch 29
A Canticle for Leibowitz (1959), Fiat Voluntas Tua
Context: He received the Wafer from her hand. She replaced the lid of the ciborium and set the vessel in a more protected spot under a jutting rock. She used no conventional gestures, but the reverence with which she had handled it convinced him of one thing: she sensed the Presence under the veils. She who could not yet use words nor understand them, had done what she had as if by direct instruction, in response to his attempt at conditional baptism. He tried to refocus his eyes to get another look at the face of this being, who by gestures alone had said to him: I do not need your first Sacrament, Man, but I am worthy to convey to you this Sacrament of Life. Now he knew what she was, and he sobbed faintly when he could not again force his eyes to focus on those cool, green, and untroubled eyes of one born free.

Freeman Dyson photo

“Our grey technology of machines and computers will not disappear, but green technology will be moving ahead even faster.”

Freeman Dyson (1923) theoretical physicist and mathematician

Progress In Religion (2000)
Context: Our grey technology of machines and computers will not disappear, but green technology will be moving ahead even faster. Green technology can be cleaner, more flexible and less wasteful, than our existing chemical industries. A great variety of manufactured objects could be grown instead of made. Green technology could supply human needs with far less damage to the natural environment. And green technology could be a great equalizer, bringing wealth to the tropical areas of the world which have most of the sunshine, most of the human population, and most of the poverty. I am saying that green technology could do all these good things, bringing wealth to the tropics, bringing economic opportunity to the villages, narrowing the gap between rich and poor. I am not saying that green technology will do all these good things. "Could" is not the same as "will". To make these good things happen, we need not only the new technology but the political and economic conditions that will give people all over the world a chance to use it. To make these things happen, we need a powerful push from ethics. We need a consensus of public opinion around the world that the existing gross inequalities in the distribution of wealth are intolerable. In reaching such a consensus, religions must play an essential role. Neither technology alone nor religion alone is powerful enough to bring social justice to human societies, but technology and religion working together might do the job.

Freeman Dyson photo

“I am saying that green technology could do all these good things, bringing wealth to the tropics, bringing economic opportunity to the villages, narrowing the gap between rich and poor. I am not saying that green technology will do all these good things. "Could" is not the same as "will". To make these good things happen, we need not only the new technology but the political and economic conditions that will give people all over the world a chance to use it. To make these things happen, we need a powerful push from ethics.”

Freeman Dyson (1923) theoretical physicist and mathematician

Progress In Religion (2000)
Context: Our grey technology of machines and computers will not disappear, but green technology will be moving ahead even faster. Green technology can be cleaner, more flexible and less wasteful, than our existing chemical industries. A great variety of manufactured objects could be grown instead of made. Green technology could supply human needs with far less damage to the natural environment. And green technology could be a great equalizer, bringing wealth to the tropical areas of the world which have most of the sunshine, most of the human population, and most of the poverty. I am saying that green technology could do all these good things, bringing wealth to the tropics, bringing economic opportunity to the villages, narrowing the gap between rich and poor. I am not saying that green technology will do all these good things. "Could" is not the same as "will". To make these good things happen, we need not only the new technology but the political and economic conditions that will give people all over the world a chance to use it. To make these things happen, we need a powerful push from ethics. We need a consensus of public opinion around the world that the existing gross inequalities in the distribution of wealth are intolerable. In reaching such a consensus, religions must play an essential role. Neither technology alone nor religion alone is powerful enough to bring social justice to human societies, but technology and religion working together might do the job.

Reza Pahlavi photo
Reza Pahlavi photo
Federico García Lorca photo
Charles Baudelaire photo
Billie Joe Armstrong photo
Greta Thunberg photo
Derek Parfit photo

“Once again, we can be sure that these Canadian blue-green-purple globes are not meteors, nor are they fragments of a comet or Venus. What, then, are they? Spacecraft from another world?”

Kenneth Arnold (1915–1984) American aviator and businessman

Discussing http://www.nicap.org/articles/ShalettsArticle1.pdf a fisherman's report http://www.waterufo.net/item.php?id=1148 of purplish spheres with portholes maneuvering over the Crow River, Ontario, Are Space Visitors Here?, Fate (summer 1948)

Robert Sheckley photo
William Blake photo
Maxime Bernier photo
Amy Krouse Rosenthal photo

“I want more time with Jason. I want more time with my children. I want more time sipping martinis at the Green Mill Jazz Club on Thursday nights. But that is not going to happen. I probably have only a few days left being a person on this planet.”

Amy Krouse Rosenthal (1965–2017) author, a radio show host and producer, and filmmaker

From her essay [Amy Krouse Rosenthal, You May Want to Marry My Husband, https://www.nytimes.com/2017/03/03/style/modern-love-you-may-want-to-marry-my-husband.html, 22 November 2019, The New York Times, March 3, 2017], published 10 days before her death, as quoted in [Stevens, Heidi, Chicago author Amy Krouse Rosenthal's 'You May Want to Marry My Husband' essay went viral. Now her husband is honoring her life with a giant yellow umbrella in Lincoln Park., https://www.chicagotribune.com/columns/heidi-stevens/ct-life-stevens-monday-amy-krause-rosenthal-lincoln-park-0513-story.html, 22 November 2019, The Chicago Times]