Quotes about gesture (308 quotes, page 3)

“That inescapable animal walks with me,
Has followed me since the black womb held,
Moves where I move, distorting my gesture,
A caricature, a swollen shadow,
A stupid clown of the spirit's motive,
Perplexes and affronts with his own darkness,
The secret life of belly and bone.”

Delmore Schwartz (1913–1966) American poet

"The Heavy Bear Who Goes With Me" http://www.poemhunter.com/poem/the-heavy-bear-who-goes-with-me/
Selected Poems: Summer Knowledge (1959)

Life , Secret , Stupidity , Motivation

“It turns out that certain picture shapes don't allow you to use different kinds of quantity distributions of color for different expressions. The quantities and configurations of colors are as important as the colors themselves. When I first started painting circles, I went fairly quickly to a 6-foot square module. I think de Kooning said in an interview or artist's discussion that he only wanted to make gestures as big as his arm could reach. It struck me that he was saying this physical size had to do with the expressive size of the pictures he wanted to make. And as far as I know, when I got to the 6-foot square size, it was right in terms of myself and wasn't too much of a field. Or it was a field, yet it was still physical. And that's why I used it for so long.”

Kenneth Noland (1924–2010) American artist

Source: Color, Format and Abstract Art' (1977), pp. 99 – 105

Color , Thinking , Painting

“In this heat every extra gesture was an affront to the common store of life.”

F. Scott Fitzgerald (1896–1940) American novelist and screenwriter

Source: Quoted, The Great Gatsby (1925), ch. 7

Life

“When I painted my seated men, I saw them as gyroscopes. Portraiture always fascinated me because I love the particular gesture of a particular expression or stance... Working on the figure, I wanted paint to sweep through as feelings sweep through..”

Elaine de Kooning (1918–1989) American painter

Quote of c. 1977, as quoted in 'The Portraitist', Berkson, Bill (1992), Modern Painters: pp. 40–42
1972 - 1989

Love , Men , Feeling , Painting

“with what violence benevolence is bought
what cost in gesture justice brings
what wrongs domestic rights involve
what stalks
this silence”

Charles Olson (1910–1970) American writer

Part II
The Kingfishers (1950)

Justice , Silence

“I once asked Bell whether during the years he was studying the quantum theory it ever occurred to him that the theory might simply be wrong. He thought a moment and answered, “I hesitated to think it might be wrong, but I knew that it was rotten.” Bell pronounced the word “rotten” with a good deal of relish and then added, “That is to say, one has to find some decent way of expressing whatever truth there is in it.” The attitude that even if there is not something actually wrong with the theory, there is something deeply unsettling—“rotten”—about it, was common to most of the creators of the quantum theory. Niels Bohr was reported to have remarked, “Well, I think that if a man says it is completely clear to him these days, then he has not really understood the subject.” He later added, “If you do not getschwindlig [dizzy] sometimes when you think about these things then you have not really understood it.” My teacher Philipp Frank used to tell about the time he visited Einstein in Prague in 1911. Einstein had an office at the university that over looked a park. People were milling around in the park, some engaged in vehement gesture-filled discussions. When Professor Frank asked Einstein what was going on, Einstein replied that it was the grounds of a lunatic asylum, adding, “Those are the madmen who do not occupy themselves with the quantum theory.””

Jeremy Bernstein (1929) American physicist

Quantum Profiles (1991), John Stewart Bell: Quantum Engineer

People , Truth , Way , Thinking

“Stalin is one of the most extraordinary figures in world history. He began as a small clerk, and he has never stopped being a clerk. Stalin owes nothing to rhetoric. He governs from his office, thanks to a bureaucracy that obeys his every nod and gesture. It's striking that Russian propaganda, in the criticisms it makes of us, always holds itself within certain limits. Stalin, that cunning Caucasian, is apparently quite ready to abandon European Russia, if he thinks that a failure to solve her problems would cause him to lose everything. Let nobody think Stalin might reconquer Europe from the Urals! It is as if I were installed in Slovakia, and could set out from there to reconquer the Reich. This is the catastrophe that will cause the loss of the Soviet Empire.”

Adolf Hitler (1889–1945) Führer and Reich Chancellor of Germany, Leader of the Nazi Party

night of 18-19 July 1941.
Disputed, (1941-1944) (published 1953)

World , History , Failure , Problem

“Expression, to my way of thinking, does not consist of the passion mirrored upon a human face or betrayed by a violent gesture. The whole arrangement of my picture is expressive. The place occupied by figures or objects, the empty spaces around them, the proportions – everything plays a part. Composition is the art of arranging in a decorative manner the various elements at the painter’s disposal for the expression of his feelings”

Henri Matisse (1869–1954) French artist

Source: 1900s, Notes d'un Peintre (Notes of a Painter) (1908), p. 410

Art , Way , Feeling , Thinking

“The suggestion that words are symbols for things, actions, qualities, relationships, et cetera, is naive, a gross simplification. Words are slippery customers. The full meaning of a word does not appear until it is placed in its context, and the context may serve an extremely subtle function -- as with puns, or double entendre. And even then the "meaning" will depend upon the listener, upon the speaker, upon their entire experience of language, upon their knowledge of one another, and upon the whole situation. Words do not "mean things" in a one-to-one relation like a code. Words, too, are empirical signs, not copies or models of anything; truly, onomatopoeia and gestures frequently seem to possess resemblance, but this resemblance does not bear too close examination. A cockerel may seem to say cook-a-doodle-do to an Englishman, but a German thinks it says kikeriki, and a Japanese kokke-kekko. Each can paint only with the phonetic sound of his own language.”

Colin Cherry (1914–1979) British scientist

Source: On Human Communication (1957), What Is It That We Communicate?, p. 10-11

Knowledge , Thinking , Appearance , Painting

“I heard a heavy step approaching behind the great door, and saw through the chinks the gleam of a coming light. Then there was the sound of rattling chains and the clanking of massive bolts drawn back. A key was turned with the loud grating noise of long disuse, and the great door swung back.
Within, stood a tall old man, clean shaven save for a long white moustache, and clad in black from head to foot, without a single speck of colour about him anywhere. He held in his hand an antique silver lamp, in which the flame burned without a chimney or globe of any kind, throwing long quivering shadows as it flickered in the draught of the open door. The old man motioned me in with his right hand with a courtly gesture, saying in excellent English, but with a strange intonation.
"Welcome to my house! Enter freely and of your own free will!"”

Bram Stoker book Dracula

Jonathan Harker's journal
Dracula (1897)

Light , Housing

“My interest in working sites is linked to an investigation of what is behind the extravagant forms and perfect lines of Hadid’s Architecture; it is an interest in the relation between the elegance of her gesture and her radical way of making a building. Something very primordial and out of time is present in those situations. I think of this as a process of forming.”

Hélène Binet (1959) Swiss photographer

In: Hélène Binet’s ‘Forming | Portrait – Architecture of Zaha Hadid’ @ Gabrielle Ammann // Gallery http://sandsof.com/2012/11/24/helene-binets-forming-portrait-architecture-of-zaha-hadid-gabrielle-ammann-gallery/, sandsof.com, 24 November 2012
Binet has photographed the finished building as well as the project during construction of Zaha Hadid's buildings since mid-1980s.

Way , Thinking , Time , Perfection

“I come from a place that likes grandeur; it likes large gestures; it is not inhibited by flourish; it is a rhetorical society; it is a society of physical performance; it is a society of style.”

Derek Walcott (1930–2017) Saint Lucian–Trinidadian poet and playwright

Interview with Ed Hirsch (1986), Writers at Work: The Paris Review Interviews, Eighth Series (Penguin, 1988)

“I put my pencil upon the paper, doubtfully, and drew little lines, considering my theme. But I would not long hesitate in this manner, for I knew that all creation must be chaos first, and then gestures in the void before it can cast out the completed thing.”

Hilaire Belloc (1870–1953) writer

Source: The Four Men: A Farrago (1911), p. 160

“I have reached far beyond my competence and have probably secured for good a reputation for flamboyant gestures. But the times still crowd me and give me no rest, and I see no way to avoid ambitious synthetic attempts; either we get some kind of grip on the accumulation of thought or we continue to wallow helplessly, to starve amidst plenty. So I gamble with science and write.”

Ernest Becker book The Denial of Death

Preface, p. xix
The Denial of Death (1973)

Way , Science , Time

“There we were right in the heart one of the largest Metropolitan Centres of the world, partaking in a gesture that was as old as the beginning of diplomatic relations between sovereign nations in so splendid a manner as must, without doubt, be such a sobering induction to any envoy to Japan. It had a tremendous impact on my outlook, and I look eagerly forward to doing, saying, advising and thinking whatever may best serve the preservation and enhancement of Fiji in Japan.”

Tevita Momoedonu (1946) Prime Minister of Fiji

Comments on Japan, 7 October 2002

World , Thinking , Heart

“I was born to be an editor, I always edit everything. I edit my room at least once a week. Hotels are made for me. I can change a hotel room so thoroughly that even its proprietor doesn't recognize it… I edit people's clothes, dressing them infallibly in the right lines… I change everyone's coiffure — except those that please me — and these I gaze at with such satisfaction that I become suspect, I edit people's tones of voice, their laughter, their words. I change their gestures, their photographs. I change the books I read, the music I hear… It's this incessant, unavoidable observation, this need to distinguish and impose, that has made me an editor. I can't make things. I can only revise what has been made.”

Margaret Caroline Anderson (1886–1973) American magazine editor

My Thirty Years' War: An Autobiography (Knopf, 1930, 274 pages), p. 58.

People , Books , Music , Laughter

“Conversation. — Because they have many of those ideas that, to be shown, have need of eyes, gestures, voice, a whole multitude of signs that the written word does not accompany. One sees the soul in operation.”

Joseph Joubert (1754–1824) French moralist and essayist

Soul , Idea

“When a man has been the lover of a woman as that man had been hers, with the vibrating communion of a voluptuousness unbroken for two years, that woman maintains a sort of physiological, quasi-animal instinct. A gesture, the accent of a word, a sigh, a blush, a pallor, are signs for her that her intuition interprets with infallible certainty. How and why is that instinct accompanied by absolute oblivion of former caresses? It is a particular case of that insoluble and melancholy problem of the birth and death of love.”

Paul Bourget (1852–1935) French writer

Source: Cosmopolis (1892), Ch. 5 "Countess Steno"

Love , Death , Lovers , Birth

“In one of the most outrageous appeasement gestures in a year full of them, the Empire State Building was illuminated in green to celebrate the Islamic holiday of Eid… New York Mayor Michael Bloomberg … apparently believes that the best response to terrorists is to celebrate diversity.”

Charles Foster Johnson (1953) American musician

December 8, 2007 http://littlegreenfootballs.com/weblog/?entry=28204_Bloomberg-_Diversity_the_Best_Response_to_Terrorism&only

Holiday

“Poets are supremely interested in what language can't do, in order to gesture outside, they use language in a way that flirts with its destruction.”

Don McKay (1942) Canadian poet

Baler Twine

Way

“Technical display in Chopin, after the early works, is transmuted into tone color or dramatic gesture-we may say, to accept the prejudices of Chopin's own generation, that it has been ennobled. This is the source of much of the poetry in Chopin's music: it comes from the transformation of the vulgar into something aristocratic.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Romantic Generation (1995), Ch. 6 : Chopin: Virtuosity Transformed

Music , Color

“Never, at any price, should we have put our money on France and against the peoples subjected to her yoke. On the contrary, we should have helped them to achieve their liberty and, if necessary, should have goaded them into doing so. There was nothing to stop us in 1940 from making a gesture of this sort in the Near East and in North Africa. In actual fact our diplomats instead set about the task of consolidating French power, not only in Syria, but in Tunis, in Algeria and Morocco as well. Our 'gentlemen' obviously preferred to maintain cordial relations with distinguished Frenchmen, rather than with a lot of hirsute revolutionaries, with a chorus of musical comedy officers, whose one idea was to cheat us, rather than with the Arabs, who would have been loyal partners for us.”

Adolf Hitler (1889–1945) Führer and Reich Chancellor of Germany, Leader of the Nazi Party

14 February 1945.
Disputed, The Testament of Adolf Hitler (1945)

Money , People , Music , Idea

“In the discussion we had last year at Siegen, in this regard, emphasis was put on the sort of emptiness that has to be obtained from mind and body by a Japanese warrior-artist when doing calligraphy, by an actor when acting: the kind of suspension of ordinary intentions of mind associated with habitus, or arrangements of the body. It’s at this cost, said Glenn and Andreas, … that a brush encounters the “right” shapes, that a voice and a theatrical gesture are endowed with the “right” tone and look. The soliciting of emptiness, this evacuation—very much the opposite of overweening, selective identificatory activity—doesn’t take place without some suffering. … The body and mind have to be free of burdens for grace to touch us.”

Jean-François Lyotard (1924–1998) French philosopher

Source: Thought Without a Body? (1994), p. 296

Suffering

“According to mead, the primary phenomenon out of which language in the full human sense emerges is the gesture, especially the vocal gesture. The gesture sign (such as a dog's snarl) differs from such a nongestural sign as thunder in the fact that the sign vehicle is an early phase of a social act and the designatum a later phase of this act (in this case the attack by the dog). Here one organism prepares itself for what another organism - the dog - is to do by responding to certain acts of the latter organism as signs; in the case in question the snarl is the sign, the attack is the designatum, the animal being attacked is the interpreter, and the preparatory response of the interpreter is the interpretant.”

Charles W. Morris (1903–1979) American philosopher

Source: "Foundations of the Theory of Signs," 1938, p. 36

Dogs , Question , Sense , Animals

“In Orwell’s 1984, all Party members must assemble for a “Two Minutes Hate” session where they watch a propaganda film showing the Party’s enemies. The establishment of the Virtual Panopticon insures that these group meetings aren’t necessary. Those in power now have the resources to deliver a political message tailored to the specific fears of the individual citizen. Yes, we’ll still have political rallies and conventions, but these will be empty gestures retained from the past.”

John Twelve Hawks American writer

Against Authority: Freedom and the Rise of Surveillance States (2014)

Hate , Fear , Past

“The gesture of exposure characterizes the style of argumentation of ideology critique, from the critique of religion in the eighteenth century to the critique of fascism in the twentieth. Everywhere, one discovers extrarational mechanisms of opinion: interests, passions, fixations, illusions. That helps a bit to mitigate the scandalous contradiction between the postulated unity of truth and the factual plurality of opinions—since it cannot be eliminated. Under these assumptions, a true theory would be one that not only grounds its own theses best, but also knows how to defuse all significant and persistent counterpositions through ideology critique.”

Peter Sloterdijk (1947) German philosopher

Source: Kritik der zynischen Vernunft [Critique of Cynical Reason] (1983), p. 18

Truth , Religion , Passion , Help

“Yes, and I know that when a supersexy older girl with hips and breasts and nice hair wants to take off your glasses and to paint you a smokey eye she's merely trying to enroll you in a beauty contest she's already won. It's the kind of slummy, condescending gesture, like when rich people ask poor people where they summer. To me, this smacks of a blatant, insensitive 'let them eat cake' type of chauvinism.”

Chuck Palahniuk book Damned

Damned (2011)

People , Beauty , Girl , Summer

“That the root of love is a thirst for disaster is exhibited throughout its erratic course. At its most elementary love is driven by a longing to be cruelly unrequited; fostering every kind of repellent self-abasement, awkwardness, and idiocy. Sometimes this provokes the contempt that is so obviously appropriate, and the tormented one can then luxuriate in the utter burning loss that each gesture becomes. One wastes away; expending health and finance in orgies of narcosis, breaking down one’s labour-power to the point of destitution, pouring one’s every thought into an abyss of consuming indifference. At the end of such a trajectory lies the final breakage of health, ruinous poverty, madness, and suicide. A love that does not lead such a blasted career is always at some basic level disappointed (…)”

Nick Land (1962) British philosopher

Source: The Thirst for Annihilation: Georges Bataille and Virulent Nihilism (1992), Chapter 11: "Inconclusive communication", p. 134 (original emphasis)

Love , Health , Disappointment , Suicide

“The founder of this NGO [UDIK] Edvin Kanka Ćudić and his colleagues, have succeeded to make a civil resistance niche in a very short time. It is not a repetition of existing non-violent practices of a civil society but more authentic, innovative and a long-term creative gesture that changes our violent and militaristic society in the direction of a genuine culture of remembrance.”

Edvin Kanka Cudic (1988) Human rights defender

Nerzuk Ćurak, as quoted in In Memoriam BiH (1992-1995) (2016) p.399
About

Change , Time

“The Chinese foreign minister Yang Jia Chi was in Bangalore Tuesday for a bilateral meeting. We are both quite satisfied with the extent of goodwill between us. We are working toward further cordiality between the two countries. The Chinese minister lingered at the dinner in his honor and such gestures indicate the level of relationship between our two countries.”

S. M. Krishna (1932) Indian politician

Regarding the border issues of China and India, October 29, 2009. http://www.globalpost.com/dispatch/india/091028/sm-krishna-india-foreign-minister-kashmir

Country

“He [ Rufino Tamayo, Mexican painter] showed me how to use my first paint box [and gesturing toward an old wooden palette displayed like a prize on the wall] That's my original palette!”

Helen Frankenthaler (1928–2011) American artist

1970s - 1980s, interview with Deborah Salomon in 'New York Times', 1989

Painting , Box

“First, the eight rules of tolerance: 1. Stay out of the way. 2. Don't pick a fight. 3. If challenged, walk away. 4. Avoid eye contact. 5. If your enemy is diurnal, learn to be nocturnal. 6. Vice versa. 7. Possess nothing the other wants. 8. Draw the line at hurting kids: I will fight to the death.
After tolerance is achieved comes play. Here are the nine rules of play: 1. Know when to quit. 2. Learn how to handicap. 3. Learn what frightens the other (cat claws). 4. Don't let it get to you. It's just a game; you mustn't take it seriously (cats have trouble with this one—escalation is always a risk in cat games). 5. Don't eat your playmate. 6. Pay attention to the signals on the other side—for instance, “enough” and “quit.” 7. Don't suddenly change the rules. 8. Don't be a sore loser. 9. Remember: It's only a game.
And if play succeeds, we can move on to the eight rules of friendship: 1. Learn the rules of your opposite number. 2. Recognize that danger is no longer relevant. 3. Take your time. 4. One step at a time. 5. Apologize often by learning the other's words, gestures, sounds, or postures for “I'm sorry.””

Jeffrey Moussaieff Masson (1941) American writer and activist

6. Acknowledge mistakes. 7. Make the offer of friendship more than once. 8. Express curiosity about what the other is like.
Source: Raising the Peaceable Kingdom (2005), Ch. 5

Death , Friendship , Way , Game

“All these happenings occurred at a time when in India, Mahatma Gandhi undertook his last fast to get better treatment for the Indian Muslims. That was the response in Pakistan to the Mahatma's gesture, and the faithfully carrying out of the Mahatma's instructions by Hindus and Sikhs. Exactly when Delhi was being made safe for Muslims, in Karachi 800 Sikhs were massacred, and all Hindus looted and despoiled, had to move into refugee camps.”

Gurbachan Singh Talib (1911–1986) Indian writer

Muslim League Attack on the Sikhs and Hindus in Punjab, 1947 (1950)

Time

“Wittgenstein's personality dominated these meetings. I doubt that anyone in the class failed to be influenced by him in some way. Few of us could keep from acquiring imitations of his mannerisms, gestures, intonations, exclamations. These imitations could easily appear ridiculous when compared with their original.”

Norman Malcolm (1911–1990) American philosopher

Ludwig Wittgenstein: A Memoir, 1958

Way , Appearance , Personality

“The gesture which we would reproduce on canvas shall no longer be a fixed moment in universal dynamism. It shall simply be the dynamic sensation itself. Indeed, all things move, all things run, all things are rapidly changing... We would at any price re-enter into life.”

Umberto Boccioni (1882–1916) Italian painter and sculptor

As quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 23.
1910, Manifesto of Futurist Painters,' April 1910

Life , Universe , Change

“Not to paint is the highest ambition of the painter but God who gives the gift requires that it be honoured. It is in the gesture that it lives. There is no escape.”

Patrick Swift (1927–1983) British artist

Portuguese Notes (Gandon Editions Biography 1993).
Context: Not to paint is the highest ambition of the painter but God who gives the gift requires that it be honoured. It is in the gesture that it lives. There is no escape. Picture-making is ludicrous in the light of the awful times we must endure. It is sufficient to contemplate the nature of composition to see that the picture itself is impossible. Each square inch of Titian contains the whole pointless — between the cradle and the grave. My paintings are merely signs that the activity was engaged in.

God , Painting

“Drawing is like making an expressive gesture with the advantage of permanence.”

Henri Matisse (1869–1954) French artist

As quoted by in the review of 'The Drawings of Henri Matisse', exhibit at Manhattan's Museum of Modern Art, by Theodore F Wolff in The Christian Science Monitor (25 March 1985)
Posthumous quotes

Drawing

“They can picture love affairs of chemicals and stars, a romance of stones, or the fertility of fire. Strange, fertile correspondences the alchemists sensed in unlikely orders of being. Between men and planets, plants and gestures, words and weather.”

Jim Morrison (1943–1971) lead singer of The Doors

The Lords and the New Creatures: Poems (1969), The Lords: Notes on Vision

Love , Men , Star , Sense

“What was I to do? It was plain that my resignation would not prevent the military occupation, would indeed merely give Hitler and opportunity to introduce a hundred per cent Nazi Arrow-Cross regime. The precedent of the Italian debacle with its horrible attendant circumstances constituted a timely warning. So long as I continued head of the state, the Germans would have to show a certain circumspection. They would have to leave the Hungarian Army under my orders, and would therefore be unable to incorporate it into the German Army. While I was in charge, they could not attempt putting the Arrow-Cross Party into office to do their deadly work of murdering Hungarian patriots, of exterminating the 800,000 Hungarian Jews and the tens of thousands of refugees who had sought sanctuary in Hungary. It would have been easier for me to make the great gesture of abdication. I would have been spared many a denunciation. But to leave a sinking ship, especially one that needed her captain more than ever, was a step I could not bring myself to take. At the time it was more important to me that Hitler promised to withdraw his troops from Hungary as soon as a government acceptable to him had been appointed.”

Miklós Horthy (1868–1957) Hungarian Admiral and Regent 1920-1944

Source: Memoirs, pp. 260-261

Time

“Contenting myself, accordingly, with a gesture of loving sympathy, I left the room. Whether she did or did not throw a handsomely bound volume of the Works of Alfred, Lord Tennyson, at me, I am not in a position to say. I had seen it lying on the table beside her, and as I closed the door I remember receiving the impression that some blunt instrument had crashed against the woodwork, but I was feeling too pre-occupied to note and observe.”

P.G. Wodehouse book Right Ho, Jeeves

Right Ho, Jeeves (1934)

Love , Feeling , Lying

“The French symbolists had a special term to express their love for things that had lost their objective significance, namely, ‘spleen.’ The conscious, challenging arbitrariness in the choice of objects, its ‘absurdity’ and ‘perverseness,’ as if by a silent gesture discloses the irrationality of utilitarian logic, which it then slaps in the face in order to demonstrate its inadequacy with regard to human experience. And while making it conscious, by this shock, of the fact that it forgets the subject, the gesture simultaneously expresses the subject’s sorrow over his inability to achieve an objective order. Twentieth-century society is not troubled by such inconsistencies. For it, meaning can be achieved in only one way—service for a purpose.”

Max Horkheimer book Eclipse of Reason

Source: Eclipse of Reason (1947), p. 38.

Love , Way , Forgetting

“ Every individual word in a passage or poetry can no more be said to denote some specific referent than does every brush mark, every line in a painting have its counterpart in reality. The writer or speaker does not communicate his thoughts to us; he communicates a representation for carrying out, this function under the severe discipline of using the only materials he has, sound and gesture. Speech is like painting, a representation made out of given materials -- sound or paint. The function of speech is to stimulate and set up thoughts in us having correspondence with the speaker's desires; he has then communicated with us. But he has not transmitted a copy of his thoughts, a photograph, but only a stream of speech -- a substitute made from the unpromising material of sound. The artist, the sculptor, the caricaturist, the composer are akin in this [fact that they have not transmitted a copy of their thoughts], that they express (make representations of) their thoughts using chosen, limited materials. They make the "best" representations, within these self-imposed constraints. A child who builds models of a house, or a train, using only a few colored bricks, is essentially engaged in the same creative task.* Metaphors can play a most forceful role, by importing ideas through a vehicle language, setting up what are purely linguistic associations (we speak of "heavy burden of taxation," "being in a rut"). The imported concepts are, to some extent, artificial in their contexts, and they are by no means universal among different cultures. For instance, the concepts of cleanliness and washing are used within Christendom to imply "freedom from sin." We Westerners speak of the mind's eye, but this idea is unknown amongst the Chinese. that is, we are looking at it with the eyes of our English-speaking culture. A grammar book may help us to decipher the text more thoroughly, and help us comprehend something of the language structure, but we may never fully understand if we are not bred in the culture and society that has modeled and shaped the language. (p. 74)”

Colin Cherry (1914–1979) British scientist

See Gombrich in reference 348
On Human Communication (1957), Language: Science and Aesthetics

Books , Color , Communication , Idea

“The mind, like the body, has its contagious diseases and its scurvy. …[W]e catch everything from those with whom we come in contact; their gestures, their accent, etc.”

Julien Offray de La Mettrie book Man a Machine

Man a Machine (1747)

Disease

“We must all believe in ourselves and together raise our national banner high as a symbol of freedom so that it can fly sovereignly and definitively over our great fatherland. This will not prevent us from persisting in our tradition as a peace-loving nation and from respecting all world nations, nor will it prevent us from resuming with dignity, through friendly gestures stemming from our natural generosity, diplomatic negotiations which may give an institutional basis to the situation which we have achieved, clearly safeguard- ing those legitimate interests we have always respected. Our arms will always be extended to conclude noble commitments and to forget past offences for the sake of building a peaceful future for the civilized world. Glory to the great Argentine people”

Leopoldo Galtieri (1926–2003) Argentine military dictator

President Galtieri’s address to the nation https://teachwar.wordpress.com/resources/war-justifications-archive/falklandsmalvinas-war-1982/#arg1, 2 April 1982

Love , People , World , Peace

“The brutality of the Old Testament inspired me, the stories and grand gestures. I wrote that stuff up and it influenced the way I saw the world. What I'm trying to say is I didn't walk around in a rage thinking God is a hateful god. I was influenced by looking at the Bible, and it suited me in my life vision at the time to see things in that way. …. After a while I started to feel a little kinder and warmer to the world, and at the same time started to read the New Testament.”

Nick Cave (1957) Australian musician

"Interview with Old Nick" http://www.guardian.co.uk/music/2008/feb/23/popandrock.features, The Guardian (February 23, 2008)
God and religion

Life , God , Hate , World

“We were all there when Janco arrived with his masks, and everyone immediately put one on. Then something strange happened. Not only did the mask immediately call for a costume; it also demanded a quite definite, passionate gesture, bordering on madness. Although we could not have imagined it five minutes earlier we were walking around with most bizarre movements, festooned and draped with impossible objects, each one of us trying to outdo the other in inventiveness... What fascinated us all about the masks is that they represent not human characters and passions, but.... passions that are larger than life. The horror of our time [World War 1., a. o. ], the paralyzing background of events, is made visible.”

Hugo Ball (1886–1927) German author, poet and one of the leading Dada artists

Ball's diary entry, 24 May 1916; as quoted in Looking at Dada, eds. Sarah Ganz Blythe & Edward D. Powers - The Museum of Modern Art New York, ISBN: 087070-705-1; p. 4
1916

Life , War , World , Imagination

“For me any of the little gestures I make are all tentative probes. That's why I feel free to make them sound as outrageous or extreme as possible. Until you make it extreme, the probe is not very efficient.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Marshall McLuhan: the man and his message, edited by George Sanderson and Frank MacDonald, Fulcrum, 1989, p. 32
1980s and later

Feeling

“Before 1914 it was beauty that counted in cricket - elegance of strokes, stylishness of bowling action, quixotry in captaincy. The gallant gesture was just as important as the mammoth score, the picturesque as the efficient.”

Bill Edrich (1916–1986) Cricket player of England.

Cricket Heritage (1948) http://biblio.co.uk/books/47419262.html

Beauty

“Rose-Anna was tugging at the edge of her apron with a tired, futile gesture she had never made in the past – the grandmother’s gesture.”

Gabrielle Roy book The Tin Flute

Source: The Tin Flute (1945), P.260

Past

“I just made a simple gesture,
They jumped up and nailed it to my shadow,
My gesture was a hooker,
You know, my shadow's made of timber.”

Nick Cave (1957) Australian musician

Song lyrics, The Firstborn Is Dead (1985), Black Crow King

“O my brother Futurists! All of you, look at yourselves!.... In the name of that Human Pride we so adore, I proclaim that the hour is nigh when men with broad temples and steel chins will give birth magnificently, with a single trust of their bulging will, to giants with flawless gestures.”

Filippo Tommaso Marinetti (1876–1944) Italian poet and editor, founder of the Futurist movement

Quote of Marinetti, from the 'Preface' of his novel Mafraka, le Futuriste, Filippo Marinetti, 1909; as quoted in Futurism, ed. By Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 313, note 15
1900's

Men , Birth

“Producers of opera nowadays usually make the mistake of translating each particular orchestral phrase into terms of a movement on the stage. In this matter one should proceed with a maximum of caution and good taste. There is no objection to bringing life to into the production by changes of position and new nuances of acting during repetitive passages of music, especially in arias. Preludes of one or two bars frequently, and especially in Mozart, clearly express some gesture on stage. But each trill on the flute does not represent a wink on the prima donna, nor every delayed chord on the strings a step or gesture. Whole passages, especially in the finales, are pure concert music and are best left undisturbed by “play acting.””

Richard Strauss (1864–1949) German composer and orchestra director

Recollections and Reflections

Life , Music , Change

“Well, I think that she's got a lot of Marla [Maples, Trump's second wife], she's a really beautiful baby, and she's got Marla's legs. We don't know whether she's got this part yet [gestures toward own chest], but time will tell…”

Donald J. Trump (1946) 45th President of the United States of America

On his then-one year old daughter Tiffany http://www.slate.com/blogs/the_slatest/2016/04/06/video_donald_trump_on_his_one_year_old_daughter_s_brests.html, Lifestyles of the Rich and Famous, 1994
1990s

Beauty , Thinking , Time , Parting

“The gesture that divides madness is the constitutive one, not the science that grows up in the calm that returns after the division has been made.”

Michel Foucault (1926–1984) French philosopher

Preface to 1961 edition
History of Madness (1961)

Science , Madness

“Living in the world as a cripple allows you to see more clearly the crippled hearts of some people whose bodies are whole and sound. All of us, from time to time, suffer this crippling. Some suffer it daily and nightly; and while most of us, nearly all of us, have compassion and love in our hearts, we cannot of will not see these barely visible wounds of other human beings, and so cannot or will not pick up the telephone or travel to someone’s house or write a note or make some other seemingly trifling gesture to give to someone what only we, and God, can give: an hour’s respite, or a day’s, or a night’s; and sometimes more than respite: sometimes joy.”

Andre Dubus (1936–1999) Novelist, short story writer, teacher

A Woman in April.
Broken Vessels (1991)

Love , God , People , World

“All our communities have to make the effort to reach out to each other rather than waiting passively for gestures that may never be made. We need to write our stories and sing our songs together not necessarily in unison or in tune but in a way that makes space for all of us.”

Joni Madraiwiwi (1957–2016) Fijian politician

Opening address to the Commonwealth Parliamentary Association conference in Nadi, 6 September 2005.

Way , Communication , Effort , Singing

“Death gestured with his hands and bade the king thrice welcome.”

Nikos Kazantzakis (1883–1957) Greek writer

Book VIII, line 168
The Odyssey : A Modern Sequel (1938)

Death

“Welcoming Hegel’s idea of reconciliation as akin to his own enterprise of public reason, Rawls drew the line at his vision of the international realm as a domain of violence and anarchy, in which contention between sovereign states was bound to be regulated by war. Habermas’s gesture enlisted Hegel, on the contrary, as a patron of cosmopolitan peace. The first could not square his Law of Peoples with the lawlessness of Hegel’s states, the second could only enrol Hegel for pacific progress by turning him philosophically inside out. Bobbio, by contrast, could take the measure of Hegel’s conception of world history, as a ruthless march of great powers in which successive might founds overarching right, and invoke it in all logic to justify his approval of American imperial violence. Law was born of force, and the maxim of the conqueror – prior in tempore, potior in jure”

Perry Anderson (1938) British historian

still held.
Spectrum: From Right to Left in the World of Ideas (2005), Ch. 7. "Arms and Rights, The Adjustable Centre" (1998)

War , People , World , Peace

“Two keen eyes had watched every move of the party from the foliage of a nearby tree. Tarzan had seen the surprise caused by his notice, and while he could understand nothing of the spoken language of these strange people their gestures and facial expressions told him much.”

Edgar Rice Burroughs book Tarzan of the Apes

Source: Tarzan of the Apes (1912), Ch. 13 : His Own Kind

People , Understanding , Tree

“I was taken by His voice and His gestures, not by the substance of His speech. He charmed me but never convinced me; for He was too vague, too distant and obscure to reach my mind.”

Khalil Gibran book Jesus, The Son of Man

Manasseh: On the Speech and Gesture of Jesus
Jesus, The Son of Man (1928)
Context: I admired Him as a man rather than as a leader. He preached something beyond my liking, perhaps beyond my reason. And I would have no man preach to me.
I was taken by His voice and His gestures, not by the substance of His speech. He charmed me but never convinced me; for He was too vague, too distant and obscure to reach my mind.
I have known other men like Him. They are never constant nor are they consistent. It is with eloquence not with principles that they hold your ear and your passing thought, but never the core of your heart.

Distant

“This triviality made him think of collecting many such moments together in a book of epiphanies. By an epiphany he meant a sudden spiritual manifestation, whether in the vulgarity of speech or of gesture or in a memorable phase of the mind itself.”

James Joyce book Stephen Hero

Stephen Hero (1944)
Context: This triviality made him think of collecting many such moments together in a book of epiphanies. By an epiphany he meant a sudden spiritual manifestation, whether in the vulgarity of speech or of gesture or in a memorable phase of the mind itself. He believed that it was for the man of letters to record these epiphanies with extreme care, seeing that they themselves are the most delicate and evanescent of moments. He told Cranly that the clock of the Ballast Office was capable of an epiphany. Cranly questioned the inscrutable dial of the Ballast Office with his no less inscrutable countenance:
—Yes, said Stephen. I will pass it time after time, allude to it, refer to it, catch a glimpse of it. It is only an item in the catalogue of Dublin's street furniture. Then all at once I see it and I know at once what it is: epiphany.

Books , Thinking

“Interpretation is not (as most people assume) an absolute value, a gesture of mind situated in some timeless realm of capabilities.”

Susan Sontag (1933–2004) American writer and filmmaker, professor, and activist

Source: Against Interpretation and Other Essays (1966), p. 6
Context: Interpretation is not (as most people assume) an absolute value, a gesture of mind situated in some timeless realm of capabilities. Interpretation must itself be evaluated, within a historical view of human consciousness. In some cultural contexts, interpretation is a liberating act. It is a means of revising, of transvaluing, of escaping the dead past. In other cultural contexts, it is reactionary, impertinent, cowardly, stifling.

People

“There was no credible strategy, nor courage or leadership – instead we had chaos and incoherence, interspersed with the occasional gesture. It’s been a masterclass in how not to do foreign policy”

Jo Cox (1974–2016) UK politician

A new progressive internationalism (17 June 2016)
Context: President Assad dropped chemical weapons on school children and the world stood by. He rained down barrel bombs and cluster munitions on hospitals and homes and we did not respond. For too long, the UK government let the crisis fester on the ‘too difficult to deal with’ pile. There was no credible strategy, nor courage or leadership – instead we had chaos and incoherence, interspersed with the occasional gesture. It’s been a masterclass in how not to do foreign policy and a shameful lesson on what happens when you ignore a crisis of this magnitude.

Courage

“I cannot walk a single step or make any movement or gesture, sit down, go out, look at the sky or ground, without feeling some reason for hope or despair, until at last, exasperated by the trammels put upon my actions by my thought, I defy all superstitions and just act as I want to act.”

Sarah Bernhardt (1844–1923) French actress

Source: My Double Life (1907), Ch. 33 
Context: I am so superstitious that if I had arrived when there was no sunshine I should have been wretched and most anxious until after my first performance. It is a perfect torture to be superstitious to this degree, and, unfortunately for me, I am ten times more so now than I was in those days, for besides the superstitions of my own country, I have, thanks to my travels, added to my stock all the superstitions of other countries. I know them all now, and in any critical moment of my life, they all rise up in armed legions for or against me. I cannot walk a single step or make any movement or gesture, sit down, go out, look at the sky or ground, without feeling some reason for hope or despair, until at last, exasperated by the trammels put upon my actions by my thought, I defy all superstitions and just act as I want to act.

Hope , Feeling , Despair

“But when notice is a person's due, process which is a mere gesture is not 'due process.”

Robert H. Jackson (1892–1954) American judge

Mullane v. Central Hanover Bank & Trust Co., 339 U.S. 306 (1950)
Judicial opinions

Personality

“What a vast advantage has a speech over a written composition. Men are imposed upon by voice and gesture, and by all that is conducive to enhance the performance.”

Jean de La Bruyère book Les Caractères

Aphorism 27
Les Caractères (1688), De la chaire
Context: What a vast advantage has a speech over a written composition. Men are imposed upon by voice and gesture, and by all that is conducive to enhance the performance. Any little prepossession in favor of the speaker raises their admiration, and then they do their best to comprehend him; they commend his performance before he has begun, but they soon fall off asleep, doze all the time he is preaching, and only wake to applaud him. An author has no such passionate admirers; his works are read at leisure in the country or in the solitude of the study; no public meetings are held to applaud him.... However excellent his book may be, it is read with the intention of finding it but middling; it is perused, discussed, and compared to other works; a book is not composed of transient sounds lost in the air and forgotten; what is printed remains.

Men

“There is nothing more unbearable than the intellectual who believes himself to be free and human, while in every action, gesture, word and thought he shows that he has never stepped beyond bourgeois consciousness.”

Henri Lefebvre (1901–1991) French philosopher

From Critique of Everyday Life: Volume 1 (1947/1991)
Context: It is through knowledge that the proletarian liberates himself and begins actively superseding his condition. Moreover in this effort to attain knowledge and awareness, he is forced to assimilate complex theories (economic, social, political...), i. e. to integrate the loftiest findings of science and culture into his own consciousness.
On the other hand the petty bourgeois and bourgeois, as such, are barred access to the human.
For them to become humanized, they must break with themselves, reject themselves, an endeavor which on an individual level is frequently real and pathetic … We should understand men in a human way, even if they are incomplete; conditions are not confined within precise, geometrically defined boundaries, but are the result of a multitude of obstinate and ever-repeated (everyday) causes. Attempts to escape from the bourgeois condition are not particularly rare; on the other hand, the failure of such attempts are virtually inevitable, precisely because it is not so much a question of suppression but of a complete break. (Among intellectuals, this notion of super session is frequently false and harmful; when they supersede themselves as petty-bourgeois or bourgeois intellectuals, they are often merely continuing in the same direction and following their own inclinations in the belief that they are 'superseding themselves'. So far from gaining a new consciousness, they are merely making the old one worse. There is nothing more unbearable than the intellectual who believes himself to be free and human, while in every action, gesture, word and thought he shows that he has never stepped beyond bourgeois consciousness.)

“I love words very much. I've always loved to talk, and I've always love words — the words that rest in your mouth, what words mean and how you taste them and so on. And for me the spoken word can be used almost as a gesture.”

Martha Graham (1894–1991) American dancer and choreographer

New York Times interview (1985)

Love

“As a protective mechanism, I developed a terse, cynical mode of speech that rebuffed those who sought to get too close to me. Conversation was my way of avoiding expression; my words were reserved for those times when I sat down alone to write. My face was always a deadpan or a mask of general friendliness; no word or event could jar me into a gesture of enthusiasm or despair.”

Richard Wright book Black Boy

Source: Black Boy (American Hunger) (1991), p. 278

Way , Time , Despair

“I fight against the gluttony of time with so many very amusing weapons — with gestures and with three attitudes and with charming phrases; with tears and with tinsel, and with sugar-coated pills, and with platitudes slightly regilded.”

James Branch Cabell (1879–1958) American author

Horvendile, in Ch. 13 : What a Boy Thought
The Way of Ecben (1929)
Context: I fight against the gluttony of time with so many very amusing weapons — with gestures and with three attitudes and with charming phrases; with tears and with tinsel, and with sugar-coated pills, and with platitudes slightly regilded. Yes, and I fight him also with little mirrors wherein gleam confusedly the corruptions of lust, and ruddy loyalty, and a bit of moonshine, and the pure diamond of the heart's desire, and the opal cloudings of human compromise: but, above all, I fight that ravening dotard with the strength of my own folly.

Tear , Time , Fight

“They are totally unaware of the fact that nothing is their own, that everything is part of their historical formation — their occupations, their clothes, their gestures and expressions, their beliefs and ideas.”

Czeslaw Milosz book The Captive Mind

The Captive Mind (1953)
Context: What is the significance of the lives of the people he passes, of the senseless bustle, the laughter, the pursuit of money, the stupid animal diversions? By using a little intelligence he can easily classify the passers-by according to type; he can guess their social status, their habits and their preoccupations. A fleeting moment reveals their childhood, manhood, and old age, and then they vanish. A purely physiological study of one particular passer-by in preference to another is meaningless. If one penetrates into the minds of these people, one discovers utter nonsense. They are totally unaware of the fact that nothing is their own, that everything is part of their historical formation — their occupations, their clothes, their gestures and expressions, their beliefs and ideas. They are the force of inertia personified, victims of the delusion that each individual exists as a self. If at least these were souls, as the Church taught, or the monads of Leibnitz! But these beliefs have perished. What remains is an aversion to an atomized vision of life, to the mentality that isolates every phenomenon, such as eating, drinking, dressing, earning money, fornicating. And what is there beyond these things? Should such a state of affairs continue? Why should it continue? Such questions are almost synonymous with what is known as hatred of the bourgeoisie.

Idea , Parting , Clothes

“The sign is a gesture produced with the intention of communicating, that is, in order to transmit one's representation or inner state to another being.”

Umberto Eco book Semiotics and the Philosophy of Language

[I] Signs, 1.2.2
Semiotics and the Philosophy of Language (1984)
Context: The sign is a gesture produced with the intention of communicating, that is, in order to transmit one's representation or inner state to another being. The existence of a certain rule (a code) enabling both the sender and the addressee to understand the manifestation in the same way must, of course, be presupposed if the transmission is to be successful; in this sense, navy flags, street signs, signboards, trademarks, labels, emblems, coats of arms, and letters are taken to be signs.<!-- Dictionaries and cultivated language must at this point agree and take as signs also words, that is, the elements of verbal language. In all the cases examined here, the relationship between the and that for which it stands seems to be less adventurous than for the first category.

Communication

“The Lords have secret entrances and they know disguises. But they give themselves away in minor ways. Too much glint of light in the eye. A wrong gesture. Too long and curious a glance.”

Jim Morrison (1943–1971) lead singer of The Doors

The Lords and the New Creatures: Poems (1969), The Lords: Notes on Vision
Context: The Lords. Events take place beyond our knowledge or control. Our lives are lived for us. We can only try to enslave others. But gradually, special perceptions are being developed. The idea of the "Lords" is beginning to form in some minds. We should enlist them into bands of perceivers to tour the labyrinth during their mysterious nocturnal appearances. The Lords have secret entrances and they know disguises. But they give themselves away in minor ways. Too much glint of light in the eye. A wrong gesture. Too long and curious a glance.

Secret , Way , Light

“He tried to refocus his eyes to get another look at the face of this being, who by gestures alone had said to him: I do not need your first Sacrament, Man, but I am worthy to convey to you this Sacrament of Life. Now he knew what she was, and he sobbed faintly when he could not again force his eyes to focus on those cool, green, and untroubled eyes of one born free.”

Walter M. Miller, Jr. book A Canticle for Leibowitz

Ch 29
A Canticle for Leibowitz (1959), Fiat Voluntas Tua
Context: He received the Wafer from her hand. She replaced the lid of the ciborium and set the vessel in a more protected spot under a jutting rock. She used no conventional gestures, but the reverence with which she had handled it convinced him of one thing: she sensed the Presence under the veils. She who could not yet use words nor understand them, had done what she had as if by direct instruction, in response to his attempt at conditional baptism. He tried to refocus his eyes to get another look at the face of this being, who by gestures alone had said to him: I do not need your first Sacrament, Man, but I am worthy to convey to you this Sacrament of Life. Now he knew what she was, and he sobbed faintly when he could not again force his eyes to focus on those cool, green, and untroubled eyes of one born free.

Life

“His gesture is that of a clown; it shows that this miracle is not meant to prove him omnipotent but indifferent to matters of money. Who wants power submits to the Devil and who wants denarri submits to the Caesar.”

Ivan Illich (1926–2002) austrian philosopher and theologist

The Educational enterprise in the Light of the Gospel (13 November 1988).
Context: Churches also have their problems with a Jesus whose only economics are jokes. A savior undermines the foundations of any social doctrine of the Church. But that is what He does, whenever He is faced with money matters. According to Mark 12:13 there was a group of Herodians who wanted to catch Him in His own words. They ask "Must we pay tribute to Caesar?" You know His answer: "Give me a coin – tell me whose profile is on it!." Of course they answer "Caesar's."
The drachma is a weight of silver marked with Caesar's effigy.
A Roman coin was no impersonal silver dollar; there was none of that "trust in God" or adornment with a presidential portrait. A denarius was a piece of precious metal branded, as it were, like a heifer, with the sign of the personal owner. Not the Treasury, but Caesar coins and owns the currency. Only if this characteristic of Roman currency is understood, one grasps the analogy between the answer to the devil who tempted Him with power and to the Herodians who tempt Him with money. His response is clear: abandon all that which has been branded by Caesar; but then, enjoy the knowledge that everything, everything else is God's, and therefore is to be used by you.
The message is so simple: Jesus jokes about Caesar. He shrugs off his control. And not only at that one instance… Remember the occasion at the Lake of Capharnaum, when Peter is asked to pay a twopenny tax. Jesus sends him to throw a line into the lake and pick the coin he needs from the mouth of the first fish that bites. Oriental stories up to the time of Thousand Nights and One Night are full of beggars who catch the fish that has swallowed a piece of gold. His gesture is that of a clown; it shows that this miracle is not meant to prove him omnipotent but indifferent to matters of money. Who wants power submits to the Devil and who wants denarri submits to the Caesar.

Money , Indifference

“My method is to find a word with a gesture.”

Christian Morgenstern (1871–1914) German author

“He made me understand that their coming was friendly. Also, as he gestured, that they were concerned with the radiation going out from earth. I asked if this concern was due to the explosions of our bombs with their resultant vast radio-active clouds? He understood this readily and nodded his head in the affirmative.”

George Adamski (1891–1965) American ufologist

Flying Saucers Have Landed

Understanding

“The modern financial system is not perfect, but upon a detailed examination of the crime is unfair. Money is not a measure of labor, but a means of exploitation amusing the elite’s ambitions. It all depends on how profitable cash flows are, and not on the basis of the principle of measuring labor, on the basis of one’s own interests, usurping the distribution of money. Gestures and laws of this kind, and they all use this system and dream, must go to this hierarchy, gain control over the money in order to engage in usurpation of resources. After killing the dragon, they themselves want to become a dragon.”

Maxim Mernes (1996) Russian businessman, investor, blogger

About the state and technology

Money , Law , Dependency , Dreams

“The law protects the Babri Masjid even if it was constructed on the site of a temple after demolishing it, but in the interest of communal amity, as a one-time exception, the Muslim community is willing to make the offer, as a moral gesture, in accordance with the Shariat.”

Syed Shahabuddin (1935–2017) Indian politician

Quoted from Elst, K. (2002). Ayodhya: The case against the temple.

Making love , Time , Law , Communication

“Evidently some people will come to the conclusion that several of the political movements or parties are performing an indirect magical action with the gesture of salute, and in this manner supply the general reservoir with more, however small parts of the vital power, by constant repetition. We shall remember the salute of the German Nazis, consisting in a lifting of the hand and certainly representing a certain gesture of power. But if such an increased collective power reservoir is used for greedy and questionable purposes, this mentally strained power is turning against the founders because of its polarity, and decay and destruction will follow, apart from the fact that the curses of the absolutely innocent victims pining in prisons, sentenced to death or sent to hopeless battles in the field, will invisibly produce an opposite polarity that will also contribute to the decomposition of the power reservoir.”

Franz Bardon book Initiation Into Hermetics

Source: Initiation Into Hermetics (1956), p. 65.

Death , People , Parting , Question

“What the comedy club in Montreal is doing is not only ridiculous, but is a prime example of virtue signaling: making a gesture to trumpet your own ideological purity, but a gesture that has no effect on society and no mitigation of injustice.”

Jerry Coyne (1949) American biologist

" Accusations of cultural appropriation gone wild: Canadian comedy club bars white comedian with dreadlocks https://whyevolutionistrue.wordpress.com/2019/01/16/accusations-of-cultural-appropriation-gone-wild-canadian-comedy-club-bars-white-comedian-with-dreadlocks/" January 16, 2019

Making love

“Thus I progressed on the surface of life, in the realm of words as it were, never in reality. All those books barely read, those friends barely loved, those cities barely visited, those women barely possessed! I went through the gestures out of boredom or absent-mindedness. Then came the human beings, they wanted to cling, but there was nothing to cling to, and that was unfortunate – for them. As for me, I forgot. I never remembered anything but myself.”

Albert Camus book The Fall

The Fall (1956)

Reading , Books , Reality , Love

“They were empty gestures, the kind it was beginning to seem that these people were full of.”

Michael Nava (1954) American writer

Source: Henry Rios series of novels, Goldenboy (1988), p.115

People

“The modern world has largely forgotten, and our educational systems ignore, the primary importance, in the evolution of man, of various types of symbolic communication—the communication embodied in gesture, ritual, dance, music myth, and poetic metaphor. All these modes of expression constitute a language of feeling, a non-discursive form of thought, absolutely essential to our individual development and to the unity of social life.”

Herbert Read (1893–1968) English anarchist, poet, and critic of literature and art

Selected Writings—Poetry and Criticism. (1964).
Other Quotes

Communication , Music , Dance , World

“SS Colonel Wilhelm Mohnke was reportedly involved in more than one atrocity. A quick-tempered and harsh man — even toward other SS — he was generally disliked, even by his comrades. On June 11, he interrogated three Canadian prisoners and, after shouting at them and gesturing in anger, had them taken to the edge of a deep bomb crater and shot.”

Wilhelm Mohnke (1911–2001) German general

Samuel W. Mitcham.

Anger

“Sarojini Naidu : Kingly was Deshbandhu Das in every impulse and gesture of his life, royal alike in the splendour of his bounty and the splendour of his renunciation. As the idol of the nation he served with unsurpassing devotion. To the generations of tomorrow, he will grow into a radiant figure of historic legend and romance, a vital portion of epic beauty and grandeur of their spiritual heritage.”

Chittaranjan Das (1870–1925) Indian politician and leader of the Swaraj Party

Source: Collected Works of Deshbandhu.

Beauty , Life

“If we make any kind of decent, useful life for ourselves we have less need to run from it to those diminishing pleasures of the movies. When we go to the movies we want something good, something sustained, we don’t want to settle for just a bit of something, because we have other things to do. If life at home is more interesting, why go to the movies? And the theatres frequented by true moviegoers — those perennial displaced persons in each city, the loners and the losers — depress us. Listening to them — and they are often more audible than the sound track — as they cheer the cons and jeer the cops, we may still share their disaffection, but it’s not enough to keep us interested in cops and robbers. A little nose-thumbing isn’t enough. If we’ve grown up at the movies we know that good work is continuous not with the academic, respectable tradition but with the glimpses of something good in trash, but we want the subversive gesture carried to the domain of discovery. Trash has given us an appetite for art.”

Pauline Kael book Going Steady

Going Steady (1969), Trash, Art and the Movies (February 1969)

Home , Personality , Art , Pleasure

“People tend to wear the mask that shows them off in the best possible light—humble, confident, diligent. They say the right things, smile, and seem interested in our ideas. They learn to conceal their insecurities and envy. If we take this appearance for reality, we never really know their true feelings, and on occasion we are blindsided by their sudden resistance, hostility, and manipulative actions. Fortunately, the mask has cracks in it. People continually leak out their true feelings and unconscious desires in the nonverbal cues they cannot completely control—facial expressions, vocal inflections, tension in the body, and nervous gestures. You must master this language by transforming yourself into a superior reader of men and women. Armed with this knowledge, you can take the proper defensive measures. On the other hand, since appearances are what people judge you by, you must learn how to present the best front and play your role to maximum effect.”

Robert Greene (1959) American author

Chap. 3 : See Through People’s Masks
The Laws of Human Nature (2018)

Confidence , Hostility , Light , Smile

“A grand gesture. But what does it period?
What does it osse? We were always adroiter
with objects than lives, and more facile
at courage than kindness: from the moment”

W. H. Auden (1907–1973) Anglo-American poet

Moon Landing (1969)

Courage

“The Muslims, in my opinion, should show magnanimity and [make] a noble gesture of gifting away the mosque.”

Asghar Ali Engineer (1939–2013) Indian activist

Asghar Ali Engineer. Communalism and Communal Violence in India (Ajanta Publ., Delhi 1989), p.320. Quoted from Elst, Koenraad (1991). Ayodhya and after: Issues before Hindu society.

About the Masjid-i Janmasthan in Ayodhya.

Making love

“…here’s the thing about all the titles. It’s so great to not have to think about that. The title is a gesture to categorize it, reduce it, and frame it. In the sonnets I can carry an idea and know that I have to turn that idea…”

Terrance Hayes (1971) American poet

On avoiding titling an unfinished work in “Interview with Terrance Hayes” http://katonahpoetry.com/interviews/interview-terrance-hayes/ in the Katonah Poetry Series (2017 Sep 21)

Idea , Thinking

“I see and appreciate beauty in my weird little way. It’s easy to buy presents or make romantic gestures, but the more simple things demonstrate you really know someone – that’s what I find sexy and romantic. Being romantic is knowing what makes the person you love happy.”

Liv Tyler (1977) American actress, producer and former model

Liv Tyler reveals what she finds sexy and romantic about husband David Gardner https://www.mirror.co.uk/3am/celebrity-news/liv-tyler-reveals-what-finds-13970530 (February 10, 2019)

Personality , Beauty , Happiness , Way