“…here’s the thing about all the titles. It’s so great to not have to think about that. The title is a gesture to categorize it, reduce it, and frame it. In the sonnets I can carry an idea and know that I have to turn that idea…”

— Terrance Hayes

On avoiding titling an unfinished work in “Interview with Terrance Hayes” http://katonahpoetry.com/interviews/interview-terrance-hayes/ in the Katonah Poetry Series (2017 Sep 21)

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Terrance Hayes4

American poet 1971

William Baziotes (1912–1963) American painter

Source: Posthumous quotes, Abstract Expressionist Painting in America, (1983), p. 147

“The title of Realist was thrust upon me just as the title of Romantic was imposed upon the men of 1830. Titles have never given a true idea of things: if it were otherwise, the works would be unnecessary.”

Gustave Courbet (1819–1877) French painter

1840s - 1850s, Realist Manifesto', 1851/1855

“I am a big Beatles fan. And, you know, unbeknownst to anyone, I used to be one. But I have no problems of putting titles and lines from other songs in my songs, because they're great lines and great titles. And some of them I even thought of. You know, I think this is the third time I've used "It Don't Come Easy." I used that on "Time Takes Time," I think, as well. So it's just a great line that, you know, expresses so much. So I just put it in again.”

Ringo Starr (1940) British musician, former member of the Beatles

Ringo Rama promotional interview with Jody Denberg (July 2003) http://abbeyrd.best.vwh.net/jodyringorama.html

“Also by the way, I have found a title for this book. From Here to Eternity.”

James Jones (1921–1977) American author

Letter to Maxwell Perkins (21 October 1946); p. 80
To Reach Eternity (1989)
Context: Also by the way, I have found a title for this book. From Here to Eternity. Taken from the "Whiffenpoof" song, of Yale drinking fame. It goes: "We are little black sheep who have gone astray, baa... baa... baa. Gentlemen songsters out on a spree, damned from here to eternity. God have mercy on such as we. Baa, etc." Maybe it's maudlin, but so am I. I get chills every time I sing it, even when sober.

“I was on tour with Soundgarden, and I remember writing down the title. The title immediately brought up the idea of the song, which is that someone is so distracted by a new person or a new thing in their life that they kind of forgot that they had given up on life. Sometimes it just happens without us even noticing.”

Chris Cornell (1964–2017) American singer-songwriter, musician

On the inspiration behind the song "Nearly Forgot My Broken Heart" ** Chris Cornell Flashback Q&A: 'We Have to Be Aware That Life Is So Short', Yahoo!, May 19, 2017 https://www.yahoo.com/entertainment/chris-cornell-flashback-qa-aware-life-short-023857577.html, <br class="br">On songwriting

“Again I only gave numbers [of her art-works, she sent for the next Sturm-exhibition]. I stick to my idea of not giving titles... Titles are really disgusting romantic, and now in a while people will have hundreds of Spring's, Summers, Trees [paintings], to Liebknecht, Eberts, etc.. Above everything color and line have their own specific language, which doesn't want to be captured in a title.”

Jacoba van Heemskerck (1876–1923) Dutch painter

translation from German, Fons Heijnsbroek, 2018
(original version, written by Jacoba in German:) Ich habe wieder nur Nummern gegeben. Ich bleibe bei meiner Idee, keine Titel zu geben. .. ..Titel sinds o widerlich romantisch, und jetz wird man in einiger Zeit hunderte Frühlings, Sommer, Bäume, an Liebknechts, Eberts und so weiter haben. Farbe und Linien haben für alle eine verschiedene eigene Sprache, die nicht im Titel festgelegt werden woll.
in a letter to Herwarth Walden, 14 Jan. 1920; as cited in the catalogue Der Sturm, Herwarth Walden und die Europäische Avantgarde, Berlin 1912-1932 Taschenbuch – 1961
Already in 1914 Jacoba started to number her paintings and drawings
1920's

“Titles are but nick-names, and every nickname is a title. The thing is perfectly harmless in itself, but it marks a sort of foppery in the human character, which degrades it. It reduces man into the diminutive of man in things which are great, and the counterfeit of women in things which are little. It talks about its fine blue ribbon like a girl, and shows its new garter like a child. A certain writer, of some antiquity, says: "When I was a child, I thought as a child; but when I became a man, I put away childish things."”

Thomas Paine book Rights of Man

Part 1.3 Rights of Man
1790s, Rights of Man, Part I (1791)

“My initial thoughts about what a title can do was to set mood and the prime underlying core of the film's story, to express the story in some metaphorical way. I saw the title as a way of conditioning the audience, so that when the film actually began, viewers would already have an emotional resonance with it.”

Saul Bass (1920–1996) American graphic designer and filmmaker

Haskins, Pamela (Autumn 1996). "Saul, Can You Make Me a Title? Interview with Saul Bass". Film Quarterly. pp. 12–13.

“Kyle want to be a rockstar. I think hes working the one-name thing. Like Rihanna."
"I have no idea what you're talking about.”

Cassandra Clare (1973) American author

“If you want a title, what's wrong with Mr? If you have always been that, then why lose your title?
I have a title, which is the same one that I have always had.
But it's not political. I have a CBE, which I accepted very gratefully.”

Paul Scofield (1922–2008) English actor

On his refusal of a knighthood. <br class="br"> "Paul Scofield: Man for all seasons" http://news.bbc.co.uk/2/hi/entertainment/1092962.stm, BBC News (2000-12-30)

“…here’s the thing about all the titles. It’s so great to not have to think about that. The title is a gesture to categorize it, reduce it, and frame it. In the sonnets I can carry an idea and know that I have to turn that idea…”

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Terrance Hayes4

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