Quotes about full
page 27

Charles Darwin photo
John Ruysbroeck photo
Ursula K. Le Guin photo
Georg Simmel photo
Torquato Tasso photo

“My torments easy, full of sweet delight,
If this I could obtain,—that breast to breast
Thy bosom might receive my yielded sprite.”

Torquato Tasso (1544–1595) Italian poet

O fortunati miei dolci martiri!
S'impetrerò che giunto seno a seno,
L'anima mia nella tua bocca io spiri.
Canto II, stanza 35 (tr. Fairfax)
Gerusalemme Liberata (1581)

Zisi photo

“When the passions, such as joy, anger, grief, and pleasure, have not awakened, that is our central self, or moral being (chung). When these passions awaken and each and all attain due measure and degree, that is harmony, or the moral order (ho). Our central self or moral being is the great basis of existence, and harmony or moral order is the universal law in the world.
When our true central self and harmony are realised, the universe then becomes a cosmos and all things attain their full growth and development.”

Zisi (-481–-402 BC) Chinese philosopher

Variant translation: "Before joy, anger, sadness and happiness are expressed, they are called the inner self; when they are expressed to the proper degree, they are called harmony. The inner self is the correct foundation of the world, and harmony is the illustrious Way. When a man has achieved the inner self and harmony, the heaven and earth are orderly and the myriad things are nourished and grow thereby."
As translated by Lin Yutang in The Importance of Living (1937), pp. 143–144
Source: The Doctrine of the Mean, p. 104

Hillary Clinton photo
Isaac Watts photo
Georges Braque photo

“Frankenstein, he makes a friend, he wants a wife… That’s the one that I think cemented the creature as an icon, because all of the sudden you got to know the creature as a full-fledged person, and you felt sympathy for it, and not just, “Oh, it’s a monster.””

TRICK 'R TREAT DIRECTOR MICHAEL DOUGHERTY ON THE FILM’S RISE TO CULT CLASSIC STATUS http://www.ign.com/articles/2013/10/17/trick-r-treat-director-michael-dougherty-on-the-films-rise-to-cult-classic-status?page=2 (October 17, 2013)

Vilém Flusser photo
L. Ron Hubbard photo

“When you move off a point of power, pay all your obligations on the nail, empower all your friends completely and move off with your pockets full of artillery, potential blackmail on every erstwhile rival, unlimited funds in your private account and the addresses of experienced assassins and go live in Bulgravia and bribe the police.”

L. Ron Hubbard (1911–1986) American science fiction author, philosopher, cult leader, and the founder of the Church of Scientology

"The Responsibilities of Leaders" (12 February 1967) ( Bulgravia http://solitarytrees.net/racism/bulgrav1.htm is an acronym of BULgaria, GReece, Albania and YugoslaVIA].
Scientology Policy Letters

John Polkinghorne photo

“Let me end this chapter by suggesting that religion has done something for science. The latter came to full flower in its modern form in seventeenth-century Europe. Have you ever wondered why that's so? After all the ancient Greeks were pretty clever and the Chinese achieved a sophisticated culture well before we Europeans did, yet they did not hit on science as we now understand it. Quite a lot of people have thought that the missing ingredient was provided by the Christian religion. Of course, it's impossible to prove that so - we can't rerun history without Christianity and see what happens - but there's a respectable case worth considering. It runs like this.
The way Christians think about creation (and the same is true for Jews and Muslims) has four significant consequences. The first is that we expect the world to be orderly because its Creator is rational and consistent, yet God is also free to create a universe whichever way God chooses. Therefore, we can't figure it out just by thinking what the order of nature ought to be; we'll have to take a look and see. In other words, observation and experiment are indispensable. That's the bit the Greeks missed. They thought you could do it all just by cogitating. Third, because the world is God's creation, it's worthy of study. That, perhaps, was a point that the Chinese missed as they concentrated their attention on the world of humanity at the expense of the world of nature. Fourth, because the creation is not itself divine, we can prod it and investigate it without impiety. Put all these features together, and you have the intellectual setting in which science can get going.
It's certainly a historical fact that most of the pioneers of modern science were religious men. They may have had their difficulties with the Church (like Galileo) or been of an orthodox cast of mind (like Newton), but religion was important for them. They used to like to say that God had written two books for our instruction, the book of scripture and the book of nature. I think we need to try to decipher both books if we're to understand what's really happening.”

John Polkinghorne (1930) physicist and priest

page 29-30.
Quarks, Chaos & Christianity (1995)

Pat Condell photo
Elbert Hubbard photo

“The graveyards are full of people the world could not do without.”

Elbert Hubbard (1856–1915) American writer, publisher, artist, and philosopher fue el escritor del jarron azul

The Philistine http://books.google.com/books?id=b0kLAQAAIAAJ&q=%22The+graveyards+are+full+of+people+the+world+could+not+do+without%22&pg=PA190#v=onepage (May 1907)

Charlotte Brontë photo

“Yesterday I went for the second time to the Crystal Palace. We remained in it about three hours, and I must say I was more struck with it on this occasion than at my first visit. It is a wonderful place – vast, strange, new and impossible to describe. Its grandeur does not consist in one thing, but in the unique assemblage of all things. Whatever human industry has created you find there, from the great compartments filled with railway engines and boilers, with mill machinery in full work, with splendid carriages of all kinds, with harness of every description, to the glass-covered and velvet-spread stands loaded with the most gorgeous work of the goldsmith and silversmith, and the carefully guarded caskets full of real diamonds and pearls worth hundreds of thousands of pounds. It may be called a bazaar or a fair, but it is such a bazaar or fair as Eastern genii might have created. It seems as if only magic could have gathered this mass of wealth from all the ends of the earth – as if none but supernatural hands could have arranged it this, with such a blaze and contrast of colours and marvellous power of effect. The multitude filling the great aisles seems ruled and subdued by some invisible influence. Amongst the thirty thousand souls that peopled it the day I was there not one loud noise was to be heard, not one irregular movement seen; the living tide rolls on quietly, with a deep hum like the sea heard from the distance.”

Charlotte Brontë (1816–1855) English novelist and poet

Charlotte Brontë, on attending The Great Exhibition of 1851. The Brontes' Life and Letters, (by Clement King Shorter) (1907)

“When a people like ours, who struggle with feelings of inferiority, have to face the facts of inadequate national strength, or of less than full respect from others, one way we try to feel better is to grab onto any piece of historical material that can make us proud.”

Liu Xiaobo (1955–2017) Chinese literary critic, writer, professor, and human rights activist

"Bellicose and Thuggish: The Roots of Chinese "Patriotism" at the Dawn of the Twenty-First Century" (2002)
No Enemies, No Hate: Selected Essays and Poems

Michael Moorcock photo

“The subtlest lie of all is the full truth.”

Michael Moorcock (1939) English writer, editor, critic

Source: Short fiction, To Rescue Tanelorn... (1962), p. 474

Horace Greeley photo
Evelyn Waugh photo
Jean Dubuffet photo

“[Dubuffet marvels at the desert as a chaotic palimpsest, filled with marks and signs].. like an immense notebook of disorganization, a notebook of improvisation.... an elementary school blackboard full of scribbles..”

Jean Dubuffet (1901–1985) sculptor from France

Quote of Dubuffet, in a letter to Jacques Berne mailed from Algeria, late 1940's; (Lettres à J.B., p. 35.); as cited in 'Dubuffet, Lévi-Strauss, and the Idea of Art Brut', Kent Minturn http://www.columbia.edu/cu/arthistory/faculty/Minturn/Dubuffet-Levi-Strauss.pdf, from RES: Anthropology and Aesthetics, No. 46, Polemical Objects (Autumn, 2004), pp. 247-258, p. 250
1940's

Rousas John Rushdoony photo

“I disagree with Les. We always found good cunt at the Lyceum. Friendly cunt, clean cunt, spare cunt, jeans and knicker stuffed full of nice juicy hairy cunt, handfuls of cunt, palmful grabbing the cunt by the stem, or the root – infantile memories of cunt – backrow slides – slithery oily cunt, the cunt that breathes – the cunt that’s neatly wrapped in cotton, in silk, in nylon, that announces, that speaks or thrusts, that winks that’s squeezed in a triangle of furtive cloth backed by an arse that’s creamy, springy billowy cushiony tight, knicker lined, knicker skinned, circumscribed by flowers and cotton, by views, clinging knicker, juice ridden knicker, hot knicker, wet knicker, swelling vulva knicker, witty cunt, teeth smiling the eyes biting cunt, cultured cunt, culture vulture cunt, finger biting cunt, cunt that pours, cunt that spreads itself over your soft lips, that attacks, cunt that imagines – cunt you dream about, cunt you create as a Melba, a meringue with smooth sides – remembered from school boys’ smelly first cunt, first foreign cunt, amazing cunt – cunt that’s cruel. Cunt that protects itself and makes you want it even more cunt – cunt that smells of the air, of the earth, of bakeries, of old apples, of figs, of sweat of hands of sour yeast of fresh fish cunt. So – are we going Les? We might pick up a bit of crumpet.”

East (1975), Scene 17

Georg Wilhelm Friedrich Hegel photo
Theodore Wilbur Anderson photo
Frederick Douglass photo
Colin Wilson photo
John Dryden photo

“She, though in full-blown flower of glorious beauty,
Grows cold even in the summer of her age.”

John Dryden (1631–1700) English poet and playwright of the XVIIth century

Act IV, scene i.
Œdipus (1679)

Chuck Palahniuk photo
Calvin Coolidge photo
Siad Barre photo
Carl Barus photo
John F. Kennedy photo
Jim Yong Kim photo

“If we can unlock the full potential of the World Bank Group staff, I think we can have an even more transformational impact in country after country in the world.”

Jim Yong Kim (1959) Korean-American physician and anthropologist, 12th President of the World Bank

UN News Centre, Interview with Jim Yong Kim, 7 October 13

Gloria Estefan photo
Sher Shah Suri photo

“…Upon this, Sher Shah turned again towards Kalinjar… The Raja of Kalinjar, Kirat Sing, did not come out to meet him. So he ordered the fort to be invested, and threw up mounds against it, and in a short time the mounds rose so high that they overtopped the fort. The men who were in the streets and houses were exposed, and the Afghans shot them with their arrows and muskets from off the mounds. The cause of this tedious mode of capturing the fort was this. Among the women of Raja Kirat Sing was a Patar slave-girl, that is a dancing-girl. The king had heard exceeding praise of her, and he considered how to get possession of her, for he feared lest if he stormed the fort, the Raja Kirat Sing would certainly make a jauhar, and would burn the girl…
“On Friday, the 9th of RabI’u-l awwal, 952 A. H., when one watch and two hours of the day was over, Sher Shah called for his breakfast, and ate with his ‘ulama and priests, without whom he never breakfasted. In the midst of breakfast, Shaikh NizAm said, ‘There is nothing equal to a religious war against the infidels. If you be slain you become a martyr, if you live you become a ghazi.’ When Sher Shah had finished eating his breakfast, he ordered Darya Khan to bring loaded shells, and went up to the top of a mound, and with his own hand shot off many arrows, and said, ‘Darya Khan comes not; he delays very long.’ But when they were at last brought, Sher Shah came down from the mound, and stood where they were placed. While the men were employed in discharging them, by the will of Allah Almighty, one shell full of gunpowder struck on the gate of the fort and broke, and came and fell where a great number of other shells were placed. Those which were loaded all began to explode. Shaikh Halil, Shaikh Nizam, and other learned men, and most of the others escaped and were not burnt, but they brought out Sher Shah partially burnt. A young princess who was standing by the rockets was burnt to death. When Sher Shah was carried into his tent, all his nobles assembled in darbAr; and he sent for ‘Isa Khan Hajib and Masnad Khan Kalkapur, the son-in-law of Isa Khan, and the paternal uncle of the author, to come into his tent, and ordered them to take the fort while he was yet alive. When ‘Isa Khan came out and told the chiefs that it was Sher Shah’s order that they should attack on every side and capture the fort, men came and swarmed out instantly on every side like ants and locusts; and by the time of afternoon prayers captured the fort, putting every one to the sword, and sending all the infidels to hell. About the hour of evening prayers, the intelligence of the victory reached Sher Shah, and marks of joy and pleasure appeared on his countenance. Raja Kirat Sing, with seventy men, remained in a house. Kutb Khan the whole night long watched the house in person lest the Raja should escape. Sher Shah said to his sons that none of his nobles need watch the house, so that the Raja escaped out of the house, and the labour and trouble of this long watching was lost. The next day at sunrise, however, they took the Raja alive…””

Sher Shah Suri (1486–1545) founder of Sur Empire in Northern India

Tarikh-i-Sher Shahi of Abbas Khan Sherwani in Elliot and Dowson, History of India as told by its own Historians, Volume IV, pp. 407-09. Quoted in S.R.Goel, The Calcutta Quran Petition

Robert Delaunay photo
Patrick Swift photo
P.G. Wodehouse photo
Agatha Christie photo
Jayant Narlikar photo
Linda McQuaig photo
Sara Teasdale photo
Emil Nolde photo

“Nobody had made the same full use of the properties of acids and metal in this way before. Having drown on the copper-plate and left areas of it bare, I laid it in the bath of acid and achieved effects that astonished even me, full of subtle nuances.”

Emil Nolde (1867–1956) German artist

quote c. 1906-07; as quoted by de:Wolf-Dieter Dube, in Expressionism; Praeger Publishers, New York, 1973, p. 78
Nolde is explaining his technique of surface-etching to the other Brücke-artists
1900 - 1920

Jerome David Salinger photo
Arthur Schopenhauer photo
Georg Simmel photo

“The deepest problems of modern life derive from the claim of the individual to preserve the autonomy and individuality of his existence in the face of overwhelming social forces, of historical heritage, of external culture, and of the technique of life. The fight with nature which primitive man has to wage for his bodily existence attains in this modern form its latest transformation. The eighteenth century called upon man to free himself of all the historical bonds in the state and in religion, in morals and in economics. Man’s nature, originally good and common to all, should develop unhampered. In addition to more liberty, the nineteenth century demanded the functional specialization of man and his work; this specialization makes one individual incomparable to another, and each of them indispensable to the highest possible extent. However, this specialization makes each man the more directly dependent upon the supplementary activities of all others. Nietzsche sees the full development of the individual conditioned by the most ruthless struggle of individuals; socialism believes in the suppression of all competition for the same reason. Be that as it may, in all these positions the same basic motive is at work: the person resists to being leveled down and worn out by a social technological mechanism. An inquiry into the inner meaning of specifically modern life and its products, into the soul of the cultural body, so to speak, must seek to solve the equation which structures like the metropolis set up between the individual and the super-individual contents of life. Such an inquiry must answer the question of how the personality accommodates itself in the adjustments to external forces.”

Georg Simmel (1858–1918) German sociologist, philosopher, and critic

Source: The Metropolis and Modern Life (1903), p. 409

W. S. Gilbert photo

“Life's a pudding full of plums;
Care's a canker that benumbs,
Wherefore waste our elocution
On impossible solution?
Life's a pleasant institution,
Let us take it as it comes!”

W. S. Gilbert (1836–1911) English librettist of the Gilbert & Sullivan duo

The tangled Skein.
Bartlett's Familiar Quotations, 10th ed. (1919)

“Magic doesn't suit everyone. Only those prepared to take full responsibility for themselves should apply.”

Peter J. Carroll (1953) British occultist

Source: PsyberMagick (1995), p. 53

Roger Garrison photo

“Except for Marxian theories, nearly all modern theories of the business cycle have essential elements that trace back to Knut Wicksell's turn-of-the-century writings on interest and prices. Austrians, New Classicists, Monetarists, and even Keynesians can legitimately claim a kinship on this basis. Accordingly, the recognition, that both the Austrians and the New Classicists have a Swedish ancestry does not translate into a meaningful claim that the two schools are essentially similar. To the contrary, identifying their particular relationships to Wicksellian ideas, like comparing the two formally similar business-cycle theories themselves, reveals more differences than similarities. … [T]o establish the essential difference between the Austrians and the New Classicists, it needs to be added that the focus of the Austrian theory is on the actual market process that translates the monetary cause into the real phenomena and hence on the institutional setting in which this process plays itself out.The New Classicists deliberately abstract from institutional considerations and specifically deny, on the basis of empirical evidence, that the interest rate plays a significant role in cyclical fluctuations (Lucas 1981, p. 237 151–1). Thus, Wicksell's Interest and Prices is at best only half relevant to EBCT. … Taking the Wicksellian metaphor as their cue, the New Classicists are led away from the pre-eminent Austrian concern about the actual market process that transforms cause into effect and towards the belief that a full specification of the economy's structure, which is possible only in the context of an artificial economy, can shed light on an effect whose nature is fundamentally independent of the cause.”

Roger Garrison (1944) American economist

Pages 98–99.
"New Classical and Old Austrian Economics", 1991

George Sarton photo
Patrick Rothfuss photo

“On his first hand he wore rings of stone,
Iron, Amber, Wood and Bone.
There were rings unseen on his second hand,
One was blood in a flowing band,
One was air all whisper thin,
And the ring of ice had a flaw within.
Full faintly shone the ring of flame,
And the final ring was without name.”

A poem from the second book of the The Kingkiller Chronicle, quoted in an interview at Fantasymundo (1 August 2009) http://www.fantasymundo.com/articulos/2207/fantasymundo_entrevista_patrick_rothfuss_nombre_viento
The Wise Man's Fear (2011)

Derren Brown photo
Jack Vance photo
David Brin photo
Ossip Zadkine photo

“In October 1945 I returned from America, where I had stayed during the war. I arrived in Le Havre, full of ruins, a carcass of a city. It took one night to reach Paris on a train with no windows. That night I got the idea for the monument. I sketched it on paper and forgot about it, until I visited Rotterdam for the first time in 1947. I saw a city without a heart. I saw a crater in the body of a city. And I remembered that night, the sketches. I made a small terracotta model and sent it to an exhibition of French art in Germany.”

Ossip Zadkine (1890–1967) French sculptor

Quote of Zadkine from interview in 'Het Vrije Volk', (Dutch newspaper), 4 July 1950; as cited in 'Unveiling of the Dutch City https://www.wederopbouwrotterdam.nl/en/tijdlijn/unveiling-of-the-destroyed-city/
Ossip Zadkine explained in 1950 the genesis of his large bronze sculpture 'Destroyed City', commissioned by the city Rotterdam
1940 - 1960

John F. Kennedy photo

“Five score years ago the ground on which we here stand shuddered under the clash of arms and was consecrated for all time by the blood of American manhood. Abraham Lincoln, in dedicating this great battlefield, has expressed, in words too eloquent for paraphrase or summary, why this sacrifice was necessary. Today, we meet not to add to his words nor to amend his sentiment but to recapture the feeling of awe that comes when contemplating a memorial to so many who placed their lives at hazard for right, as God gave them to see right. Among those who fought here were young men who but a short time before were pursuing truth in the peaceful halls of the then new University of Notre Dame. Since that time men of Notre Dame have proven, on a hundred battlefields, that the words, "For God, For Country, and For Notre Dame," are full of meaning. Let us pray that God may grant us the wisdom to find and to follow a path that will enable the men of Notre Dame and all of our young men to seek truth in the halls of study rather than on the field of battle."”

John F. Kennedy (1917–1963) 35th president of the United States of America

"Message from the President on the Occasion of Field Mass at Gettysburg, delivered by John S. Gleason, Jr." (29 June 1963) http://www.jfklibrary.org/Research/Research-Aids/Ready-Reference/JFK-Quotations.aspx; Box 10, President's Outgoing Executive Correspondence, White House Central Chronological Files, Papers of John F. Kennedy, John F. Kennedy Presidential Library
1963

Jorge Rafael Videla photo

“[I take] full military responsibility for the actions of the army in the war against terrorism.”

Jorge Rafael Videla (1925–2013) Argentinian President

As quoted in anon (May 18, 2013) "Argentine 'Dirty War' leader Jorge Rafael Videla dies". ABC News.

Hunter S. Thompson photo
Mitt Romney photo
George Soros photo

“A full and fair discussion is essential to democracy.”

George Soros (1930) Hungarian-American business magnate, investor, and philanthropist

Why We Must Not Reelect President Bush (2004)

George Holmes Howison photo
Robert Gascoyne-Cecil, 3rd Marquess of Salisbury photo
Cormac McCarthy photo
Philip Massinger photo

“He who thanks but with the lips, thanks but in part; the full, the true thanksgiving comes from the heart.”

John Augustus Shedd (1859) writer

Salt from My Attic (1928), The Mosher Press, Portland, Maine; cited in The Yale Book of Quotations (2006) ed. Fred R. Shapiro, p. 705; there are numerous variants of this expression.

Slavoj Žižek photo
The Mother photo
Peter Akinola photo
Fritz Leiber photo
Julian of Norwich photo
Chen Shui-bian photo

“The government will improve the economy in Taiwan with full force.”

Chen Shui-bian (1950) Taiwanese politician

Speech to the Rotary Club, May 12, 2002
Pet Phrases, 2002

Jean Paul Sartre photo
Sauli Niinistö photo

“It has been thought, correctly and nicely, that everyone who is in peril will be helped. Practically this is implemented in the way that everyone who can say the word "asylum" is allowed to enter Europe and Finland, that word creates a subjective right to cross the border. Even for no proper reason, one gets a full investigation that lasts years, and if the preconditions for an asylum are not met, one can avoid coercive measures and thus stay in the country which he entered wrongly.”

Sauli Niinistö (1948) 12th president of Finland

President Niinistö commented the European refugee crisis while delivering an address to the Parliament of Finland on 3 February 2016.
Source: Tasavallan presidentti Sauli Niinistön puhe valtiopäivien avajaisissa 3.2.2016 http://www.presidentti.fi/public/default.aspx?contentid=341374&nodeid=44810&contentlan=1&culture=fi Website of the President of Finland. Retrieved 13 July 2017.

Yane Sandanski photo
Dinah Craik photo
Annie Besant photo

“Sun-worship and pure forms of nature worship were, in their day, noble religions, highly allegorical but full of profound truth and knowledge.”

Annie Besant (1847–1933) British socialist, theosophist, women's rights activist, writer and orator

Source: Esoteric Christianity, Or The Lesser Mysteries http://books.google.co.in/books?id=6Uk0AHHn-cgC&pg=PT8, p. 8

Robert Anton Wilson photo
Jack Johnson (musician) photo

“Well, Plato's cave is full of freaks
Demanding refunds for the things they've seen
I wish they could believe
In all the things that never made the screen”

Jack Johnson (musician) (1975) American musician

Inaudible Melodies.
Song lyrics, Brushfire Fairytales (2001)

Hermann Hesse photo

“For a long time one school of players favored the technique of stating side by side, developing in counterpoint, and finally harmoniously combining two hostile themes or ideas, such as law and freedom, individual and community. In such a Game the goal was to develop both themes or theses with complete equality and impartiality, to evolve out of thesis and antithesis the purest possible synthesis. In general, aside from certain brilliant exceptions, Games with discordant, negative, or skeptical conclusions were unpopular and at times actually forbidden. This followed directly from the meaning the Game had acquired at its height for the players. It represented an elite, symbolic form of seeking for perfection, a sublime alchemy, an approach to that Mind which beyond all images and multiplicities is one within itself — in other words, to God. Pious thinkers of earlier times had represented the life of creatures, say, as a mode of motion toward God, and had considered that the variety of the phenomenal world reached perfection and ultimate cognition only in the divine Unity. Similarly, the symbols and formulas of the Glass Bead Game combined structurally, musically, and philosophically within the framework of a universal language, were nourished by all the sciences and arts, and strove in play to achieve perfection, pure being, the fullness of reality. ”

The Glass Bead Game (1943)

Calvin Coolidge photo
Johann Wolfgang von Goethe photo
Alan Hirsch photo

“At some point preoccupation with safety can get in the way of living full lives.”

Alan Hirsch (1959) South African missionary

Source: The Faith of Leap (2011), p. 85

Robert E. Howard photo
Piet Mondrian photo

“the Cubists in Paris made me see that there was also a possibility of suppressing the natural aspect of form. I continued my research by abstracting the form and purifying the colour more and more. While working, I arrived at suppressing the closed effect of abstract form, expressing myself exclusively by means of the straight line in rectangular opposition; thus by rectangular planes of colour with white, grey and black. At that time, I encountered artists with approximately the same spirit, First Van der Leck, who, though still figurative, painted in compact planes of pure colour. My more or less cubist technique - in consequence still more or less picturesque - underwent the influence of his exact technique. Shortly afterwards I had the pleasure of making the acquaintance of Van Doesburg. Full of vitality and zeal for the already international movement that was called 'abstract', and most sincerely appreciative of my work, he came to ask me to collaborate in a review he intended to publish, and which he [Theo van Doesburg] was to call 'De Stijl.”

Piet Mondrian (1872–1944) Peintre Néerlandais

I was happy with an opportunity to publish my ideas on art, which I was engaged in writing down: I saw the possibility of contacts with similar efforts.
Quote of Mondrian c 1931, in 'De Stijl' (last number), p. 48; as cited in De Stijl 1917-1931 - The Dutch Contribution to Modern Art, by H.L.C. Jaffé http://www.dbnl.org/tekst/jaff001stij01_01/jaff001stij01_01.pdf; J.M. Meulenhoff, Amsterdam 1956, pp. 44-45
published in the memorial number of 'De Stijl', after the death of Theo Van Doesburg in 1931
1930's

Kent Hovind photo
Godfrey Bloom photo