1930s, Address at the Dedication of the Memorial on the Gettysburg Battlefield (1938)
Context: To the hurt of those who came after him, Lincoln's plea was long denied. A generation passed before the new unity became accepted fact. In later years new needs arose, and with them new tasks, worldwide in their perplexities, their bitterness and their modes of strife. Here in our land we give thanks that, avoiding war, we seek our ends through the peaceful processes of popular government under the Constitution. It is another conflict, a conflict as fundamental as Lincoln's, fought not with glint of steel, but with appeals to reason and justice on a thousand fronts — seeking to save for our common country opportunity and security for citizens in a free society. We are near to winning this battle. In its winning and through the years may we live by the wisdom and the humanity of the heart of Abraham Lincoln.
Quotes about front
page 13
Still I agreed with General Meade as to his objections to that plan. General Meade said that if we put the colored troops in front, we had only one division, and it should prove a failure, it would then be said and very properly, that we were shoving these people ahead to get killed because we did not care anything about them. But that could not be said if we put white troops in front.
To the Committee on the Conduct of the War, as quoted in Battles and Leaders of the Civil War http://ehistory.osu.edu/osu/books/battles/index.cfm (1884-1888), edited by Robert Underwood Johnson and Clarence C. Buel, New York: Century Co., Volume 4, p. 548.
Encountering Directors interview (1969)
Context: Everything depends on what you put in front of the camera, what perspectives you create, contrasts, colors. The cameraman can do great things, provided he is well grounded technically. If a person hasn't the raw material, I obviously couldn't do anything with him. But all I ask of a cameraman is technical experience. Everything else is up to me. I was amazed to find that in America cameramen are surprised that this is the way I work.
The Saviors of God (1923)
Context: At every moment of crisis an array of men risk their lives in the front ranks as standard-bearers of God to fight and take upon themselves the whole responsibility of the battle.
Once long ago it was the priests, the kings, the noblemen, or the burghers who created civilizations and set divinity free.
Today God is the common worker made savage by toil and rage and hunger
Source: A Soldier Reports (1976), p. 21.
Context: I first met George S. Patton, Jr., before World War II when he was a lieutenant colonel at Fort Sill, and in North Africa, when he was a general, I saw him often. Almost every day he would head for the front, standing erect in his jeep, helmet and brass shining, a pistol on each hip, a siren blaring. For the return trip, either a light plane would pick him up or he would sit huddled, unrecognizable, in the jeep in his raincoat. His image with the troops was foremost with General Patton, and that meant always going forward, never backward. General Patton had two fetishes that to my mind did little for his image with the troops. First, he apparently loathed the olive drab wool cap that the soldier wore under his helmet for warmth and insisted that it be covered; woe be the soldier whom the general caught wearing the cap without the helmet. Second, he insisted that every soldier under his command always wear a necktie with shirt collar buttoned, even in combat action.
Source: John Howe : Fantasy Art Workshop (2007), p. 6
Context: Drawing is giving yourself up to an exercise with no immediate application. It is a form of communion with your subject, be it in front of you or in your head. Expertise and skill go hand in hand with your desire to express feelings, to tell stories, to create and share worlds. It's personal.
Salon interview (1997)
Context: The automatic reaction of practically any young person is, at once, against authority. That, I think, began in the First World War because of the trenches, and the incompetence of the people on all fronts. I think that a terrible bitterness and anger began there, which led to communism. And now it feeds terrorism. Anyway, that's my thesis. It's very oversimplified, as you can see.
Account of 8 October 1918.
Diary of Alvin York
Context: There were over thirty of them in continuous action, and all I could do was touch the Germans off just as fast as I could. I was sharpshooting. I don't think I missed a shot. It was no time to miss.
In order to sight me or to swing their machine guns on me, the Germans had to show their heads above the trench, and every time I saw a head I just touched it off. All the time I kept yelling at them to come down. I didn't want to kill any more than I had to. But it was they or I. And I was giving them the best I had.
Suddenly a German officer and five men jumped out of the trench and charged me with fixed bayonets. I changed to the old automatic and just touched them off too. I touched off the sixth man first, then the fifth, then the fourth, then the third and so on. I wanted them to keep coming.
I didn't want the rear ones to see me touching off the front ones. I was afraid they would drop down and pump a volley into me. — and I got hold of the German major, and he told me if I wouldn't kill any more of them he would make them quit firing. So I told him all right, if he would do it now. So he blew a little whistle, and they quit shooting and come down and gave up.
A Conversation with Martin de Maat (1998)
Context: The base of the work is one of individuals believing in themselves, trusting themselves in the moment and being accepting of themselves and the people around them. In order to improvise in front of an audience, you have to be accepting, involved in the moment and courageous. Those issues, when transferred over to general communication, makes the communication richer and helps in all areas of life.
The Paris Review interview (2010)
Context: I often use the metaphor of Perseus and the head of Medusa when I speak of science fiction. Instead of looking into the face of truth, you look over your shoulder into the bronze surface of a reflecting shield. Then you reach back with your sword and cut off the head of Medusa. Science fiction pretends to look into the future but it’s really looking at a reflection of what is already in front of us.
The Legend of Jubal (1869)
Context: But ere the laughter died from out the rear,
Anger in front saw profanation near;
Jubal was but a name in each man's faith
For glorious power untouched by that slow death
Which creeps with creeping time; this too, the spot,
And this the day, it must be crime to blot,
Even with scoffing at a madman's lie:
Jubal was not a name to wed with mockery.
Two rushed upon him: two, the most devout
In honor of great Jubal, thrust him out,
And beat him with their flutes. 'Twas little need;
He strove not, cried not, but with tottering speed,
As if the scorn and howls were driving wind
That urged his body, serving so the mind
Which could but shrink and yearn, he sought the screen
Of thorny thickets, and there fell unseen.
The immortal name of Jubal filled the sky,
While Jubal lonely laid him down to die.
Source: Yoga For People Who Can't Be Bothered To Do It (1993), p. 64
What I Believe (1938)
Context: I do not believe in Belief. But this is an Age of Faith, and there are so many militant creeds that, in self defence, one has to formulate a creed of one's own. Tolerance, good temper and sympathy are no longer enough in a world where ignorance rules, and Science, which ought to have ruled, plays the pimp. Tolerance, good temper and sympathy — they are what matter really, and if the human race is not to collapse they must come to the front before long.
The good are befriended even by weakness and defect. As no man had ever a point of pride that was not injurious to him, so no man had ever a defect that was not somewhere made useful to him.
1840s, Essays: First Series (1841), Compensation
Source: Why We Fail as Christians (1919), p. 53
Context: There is a world of difference between the one who would imitate the conduct of the successful merchant, who sits in the front pew of his church, and him who would follow literally the teachings of Jesus Christ. To attain perfectly the one ideal—if it be an ideal—is a comparatively simple task. To attain the other, is perhaps an impossibility.
Litany for Dictatorships (1935)
Context: For those who still said "Red Front" or "God save the Crown!"
And for those who were not courageous
But were beaten nevertheless.
For those who spit out the bloody stumps of their teeth
Quietly in the hall,
Sleep well on stone or iron, watch for the time
And kill the guard in the privy before they die,
Those with the deep-socketed eyes and the lamp burning.
“More black than ash-buds in the front of March.”
The Gardener's Daughter, line 28, from Poems (1842)
As quoted by Felice Friedson, Iranian Crown Prince: Ahmadinejad's regime is "delicate and fragile" http://www.rezapahlavi.org/details_article.php?article=459&page=2, August 12, 2010.
Interviews, 2010
“Play for the name on the front of the shirt, and they’ll remember the name on the back.”
“It is surely easier to confess a murder over a cup of coffee than in front of a jury.”
School Strike for Climate: Meet 15-Year-Old Activist Greta Thunberg, Who Inspired a Global Movement https://www.democracynow.org/2018/12/11/meet_the_15_year_old_swedish, Democracy Now! (11 December 2018)
2018, "School Strike for Climate" (December 2018)
Speech https://api.parliament.uk/historic-hansard/commons/1947/aug/07/state-of-the-nation#column_1766 in the House of Commons (7 August 1947)
President of the Board of Trade
Closing words, p. 554
A Soldier's Story (1951)
Source: The Esoteric Tradition (1935), Chapter 6
On the aftermath of being sexual assaulted and his book History of Violence in “Édouard Louis: 'I want to be a writer of violence. The more you talk about it, the more you can undo it'” https://www.theguardian.com/books/2018/jun/09/edouard-louis-i-want-to-be-a-writer-of-violence-the-more-you-talk-about-it-the-more-you-can-undo-it in The Guardian (2018 Jun 9)
On his work The Sympathizer in “Viet Thanh Nguyen: From both sides” https://www.writermag.com/writing-inspiration/author-interviews/viet-thanh-nguyen-sides/ in The Writer (2017 Jan 17)
"Why We’re in a New Gilded Age", The New York Review of Books (May 8, 2014)
The New York Review of Books articles
Remarks to General Guderian (March 1945), quoted in Heinz Guderian, Panzer Leader (1952), p. 427
1940s
Proclamation (22 June 1941), quoted in The Times (23 June 1941), p. 3
1940s
Directives on the Cultural Revolution (1966-1972)
ibid, pp. 157
On Coalition Government (1945)
The Selected Readings of Mao Tse-Tung, pp. 144
Role of the Chinese Communist Party (October 1938)
Original: (zh-CN) 坚持民族统一战线才能克服困难,战胜敌人,建设新中国,这是毫无疑义的。但是在同时,必须保持加入统一战线中的任何党派在思想上、政治上和组织上的独立性,不论是国民党也好,共产党也好,其他党派也好,都是这样。
Combat Liberalism (1937)
Original: (zh-CN) 一切忠诚、坦白、积极、正直的共产党员团结起来,反对一部分人的自由主义的倾向,使他们改变到正确的方面来。这是思想战线的任务之一。
On how her alter ego helps her cope with adulthood in “Awkwafina: ‘I was always the crazy one, the funny one. I’d do anything for a laugh’” https://www.theguardian.com/film/2018/jun/17/awkwafina-oceans-8-youtube-crazy-funny-nora-lum in The Guardian (2018 Jun 17)
On the topics rarely addressed in theater in “Making Invisible Stories Seen, Heard and Felt Interview with Caridad Svich” http://www.critical-stages.org/3/making-invisible-stories-seen-heard-and-felt-interview-with-caridad-svich/ in The IATC webjournal/Revue web de l'AICT – Autumn 2010: Issue No 3
Source: Assata: In Her Own Words, p. 73
Burden of Dreams (1982)
Twitter, https://twitter.com/AOC/status/1146052528997588992 (2 July 2019)
Twitter Quotes (2019), July 2019
Congressional Record https://books.google.fr/books?id=WhPOxPiWV2YC&q=%22indoctrinated+and+brainwashed+by+left-wing+pressure+groups.%22&dq=%22indoctrinated+and+brainwashed+by+left-wing+pressure+groups.%22&hl=fr&sa=X&ved=0ahUKEwjiodS__tjkAhWLnhQKHSqcBdoQ6AEIcjAJ, 1956
1950s
May 26 1944 letter as qtd. in “The Law of Armed Conflict: Constraints on the Contemporary Use of Military Force”, edited by Howard M. Hensel, 2007, p. 58.
1940s
Speech https://api.parliament.uk/historic-hansard/commons/1925/jul/29/navy-supplementary-estimate-1925-26#column_479 in the House of Commons (29 July 1925)
Later life
2017
Orest Slipak, the brother of singer. Brother about brother. The Day. Кyiv.ua. - 2017. - 27 April. https://day.kyiv.ua/en/article/topic-day/brother-about-brother
2017
Nicolas Krauze, conductor, the Orchestre de Chambre Nouvelle Europe (France). “He loved Ukraine above all”. The Day. Кyiv.ua. - 2017. - 7 March. https://day.kyiv.ua/en/article/culture/he-loved-ukraine-above-all
Hilda Heine (2019) cited in " We Are On The Front Line Of Climate Change, Marshall Islands President Says https://www.npr.org/2019/09/24/763679518/we-are-on-the-front-line-of-climate-change-marshall-islands-president-says" on npr, 24 September 2019.
Showering praise on India's star batsman Virat Kohli, legendary cricketer Imran Khan said he had the potential to emerge as an all-time great, quoted on ibnlive, "Virat Kohli has the potential to emerge as all-time great: Imran Khan" http://www.ibnlive.com/cricketnext/news/virat-kohli-has-the-potential-to-emerge-as-all-time-great-imran-khan-1218529.html, March 19, 2016.
About him
After working with Satyajit Ray, working in Bombay was confusing: Sharmila Tagore
Rajini acts in front of the camera, never behind it' (22 December 1999)
K Balachander, in “K Balachander praises Kamal Hassan! (2 September 2010)”
Bob Stevens, in "Giants Lose; Mays, Cepeda Hurt; SF Loses, 5-2," The San Francisco Chronicle (August 25, 1965), p. 51
From Her Books, I Have Chosen To Stay And Fight, FEMINISM
1960s, Address to Cornell College (1962)
Chap. 3 : See Through People’s Masks
The Laws of Human Nature (2018)
Chap. 5 : Become an Elusive Object of Desire
The Laws of Human Nature (2018)
1930s, Die verfluchten Hakenkreuzler. Etwas zum Nachdenken (1932)
Original: (fr) Mais la joie n'a rien au sujet de quoi elle puisse être joyeuse. Loin de venir après la venue de l'être et de s'émerveiller devant lui, elle lui est consubstantielle, le fonde et le constitue.
Source: Michel Henry, L'Essence de la manifestation, 1963, t. 2, § 70, p. 831
Source: Books on Phenomenology of Life, The Essence of Manifestation (1963)
Masterpieces of Patriotic Urdu Poetry, p. 105
Poetry, Oppression
The middle bit, which tries to come up with the excuse. And the back bit, which plays the last song that was on in the pub.
What It Is (2009)
Source: 10 Productivity Tips From the King of Cashmere, Brunello Cucinelli https://medium.com/@om/10-productivity-tips-from-the-king-of-cashmere-brunello-cucinelli-79c9cf74d9de Medium, Om Malik, April 27, 2015
On his response to misstatements by Donald Trump during COVID-19 press briefings, in Jon Cohen, " ‘I’m going to keep pushing.’ Anthony Fauci tries to make the White House listen to facts of the pandemic https://www.sciencemag.org/news/2020/03/i-m-going-keep-pushing-anthony-fauci-tries-make-white-house-listen-facts-pandemic", Science (March 22, 2020).
EU Farewell Speech, as quoted in Nigel Farage’s Final EU Speech: Mic Gets Cut as He Waves UK Flag in Victory, Breitbart news
2020
Greg Hunt (2020) cited in: " Wuhan virus: Australia confirms fifth coronavirus case from last flight out of Wuhan https://www.straitstimes.com/asia/australianz/wuhan-virus-australia-confirms-fifth-coronavirus-case-from-last-flight-out-of-wuhan" in The Straits Times, 27 January 2020.
About the CDC downsizing its epidemic prevention. Quoted in CDC to cut by 80 percent efforts to prevent global disease outbreak https://www.washingtonpost.com/news/to-your-health/wp/2018/02/01/cdc-to-cut-by-80-percent-efforts-to-prevent-global-disease-outbreak/ (February 1, 2018) by Lena H. Sun, The Washington Post
Letter (23 January 1861), published in Lord Acton and his Circle (1906) by Abbot Francis Aidan Gasquet, Letter 74
1860s
translation from original Dutch, Fons Heijnsbroek, 2018
(version in original Dutch / origineel citaat van Herman Kruyder:) Nu pas zie ik waartoe ik in staat ben en ik begrijp niet dat ik het doek in mijn kleine voorkamer [1928, in Blaricum] heb kunnen maken.
Kruyder, c. 1931; as quoted by Regnault in his Memories; as cited in Herman Kruyder 1881 – 1935: gedoemde scheppingen, ed. Mabel Hoogendonk; (ISBN 90-400-9905-7), Waanders, Zwolle 1997, p. 30
Kruyder's reaction after seeing his own painting 'Groot landschap uit Limburg' hanging in a large room of the house of his art-buyer P.A. Regnault
dated quotes
translation from original Dutch: Fons Heijnsbroek
(original Dutch: citaat van Hendrik Willem Mesdag, in het Nederlands:) ..thuis [in Brussel, 1869] had ik een heelen winter aan een werkstuk zitten scharrelen; 't was een kust, maar zo naiëf geschilderd. Toen zei ik: je moet de zee voor je zien, elken dag, er mee leven, anders wordt het niets. En toen gingen we naar Den Haag.
Quote of Mesdag, as cited by J.D. in 'Een Zeerob', in De Nieuwste Courant, 9 March, 1901
after 1880
Source: It Worked For Me: In Life and Leadership (2012), p. 23
those who once had places in history and made a difference, but who have now been forgotten. Because, you know, you bring them back to life [when you write about them], and they live again.
On writing about unsung figures in “Romance Novelist Beverly Jenkins Talks Normalizing Diversity in Her Genre” https://www.shondaland.com/inspire/books/a12821649/beverly-jenkins-romance-interview/ in Shondaland (2017 Oct 12)
Source: The Beak of the Finch: A Story of Evolution in Our Time (1994), Chapter 18, The Resistance Movement (p. 265)
“Whosoever rises above things of this world, in front of which you kneel is much stronger than you.”
ibid, p: 116
1930s
Source: Letter to Hitler, quoted in Winston Churchill's The Gathering Storm
Source: The day my atheist convictions were shattered https://catholicherald.co.uk/rob-flello-the-day-my-atheist-convictions-were-shattered/ (October 16, 2020)
In a message to General Paulus https://www.historyplace.com/worldwar2/defeat/catastrophe-stalingrad.htm, 24 January 1943
1940s